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SADELER Johannes I
Adam et Eve chassés du Paradis
D'après Martin de Vos. Belle épreuve mais coupée au trait carré. vers 1583 20,5 x 25,5 cm.
Riferimento per il libraio : 5254
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SADELER Johannes I
La Sainte Famille.
D’après Le Parmesan. Le Blanc n° 100. 10,8 x 13,6 cm.
Riferimento per il libraio : 7506
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SADELER Johannes
Le Christ attaché. D’une suite de 8 pièces, gravées d’après C. Schwartz.
Coupé au trait carré, sans le texte. Petits trous aux angles, sinon beau tirage. Cf. Hollstein n° 236. 0,420 x 0,280
Riferimento per il libraio : 5489
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SADELER Johannes
Le Christ battu par les soldats. D’une suite de 8 pièces, gravées d’après C. Schwartz.
Coupé au trait carré, sans le texte. Petits trous aux angles, sinon beau tirage. Cf. Hollstein n° 236. 0,415 x 0,285
Riferimento per il libraio : 5490
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Sadakichi Komura with 2 prints of Katsuyasu Akiyama
Yuriko and Yonekichi
Ko-gei so 1988. Soft Cover. Fine. Number of books: 1 Ko-gei so paperback
Riferimento per il libraio : 2091502135417077
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SADUN, Piero (Siena, 1919 - Siena, 1974),
Senza Titolo
Litografia originale, numerata e firmata a matita dall'Artista Opera allegata al n. 13 (maggio 1949) della rivista L'Immagine, diretta da Cesare Brandi, pubblicata a Roma dal maggio 1947 al dicembre 1950. L'edizione speciale di ogni numero della rivista conteneva sciolta una o più incisioni originali in tiratura di 50 esemplari di cui 30 in numerazione araba dedicate ad personam e XX in numerazione romana. La presente incisione reca il numero 15/30 ed era allegata alla copia della rivista dedicata a Riccardo Gualino. Cm 24x17. . . . . Edizione originale di 50 es. numerati e firmati . .
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SAETTI, Bruno (Bologna, 1902 - Bologna, 1984)
Senza titolo
Litografia originale a col Firma e numerazione a matita. Esemplare 29/200. Cm 36x53 (Foglio 48x67). . . Ottimo (Fine). . Tiratura 200 (Edition of 200 copies). .
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SAETTI, Bruno (Bologna, 1902 - Bologna, 1984)
Senza titolo
Litografia originale a colori Firma e numerazione a matita. Esemplare 116/120. Cm 52x67. . . Ottimo (Fine). . Tiratura 120 (Edition of 120 copies). .
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SAETTI, Bruno (Bologna, 1902 - Bologna, 1984),
Senza titolo
Acquaforte. Opera facente parte delle pubblicazioni edite in occasione del 50° anniversario della fondazione del PCI Firma a matita in basso a destra. Esemplare 70/100. Cm 29x24 (Foglio 70x50). pp.. . . Fioriture diffuse ai bordi che non interessano l'incisione (Heavy yellowing and age spotting). Tiratura 100. .
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SAETTI, Bruno (Bologna, 1902 - Bologna, 1984),
Senza titolo
Acquaforte Carta Pescia. Firma a matita. Esemplare 4/90. cm 24,5x22,6 (Foglio cm 50x35). . . Ottimo (Fine). . Tiratura 90 + X. .
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Saftleven, Cornelis, Maler und Radierer (1607-1681).
Radierung. O. O. u. D.
Ca. 167:128 mm. Kupferstich. Paginiert und mit gest. Numerierung "32". Montiert auf Trägerpapier (323:476 mm). Bukolische Szene mit einer kleinen Ziegenherde, im Hintergrund ein lagernder Hirte, im Vordergrund eine von einem Gebüsch zupfende Ziege, signiert "C. Saft Leven". - Mit Stempel der "Graphischen Sammlung" von Georg Denzel (1873-1959), unter Sammlungsnr. "3195 Nr. G" aufgenommen. Die Graphik zudem verso mit Sammlungsstempel des Prof. Wilhelm Denzel "G + W D". - Leicht braunfleckig.
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Sahl, Hans / Masereel, Frans [Woodcuts]
Jemand - ein Chorwerk. Mit den Holzschnitten "Die Passion eines Menschen" von Frans Masereel.
270x220mm. 90 pages. Hardcover. Cover slightly yellowing, stained and scratched. Cover corners slightly worn. Spine yellowing and worn. Pages slightly yellowing and age-stained. Else in good condition.
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SAINT-NON Abbé de
de L’Albane, église della madonna di Galiera à Bologne
D’après un dessin de Fragonard. Quelques rousseurs. 1772 20,5 x 14,5
Riferimento per il libraio : 6586
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SAINT-NON Abbé de
Louis Carrache dans le Palais Favi à Bologne
D’après un dessin de Fragonard.Quelques rousseurs. 1772 14,5 x 20,5
Riferimento per il libraio : 6587
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SAINT-NON Abbé de
Louis Carrache cloître St Michel in busco à Bologne
D’après un dessin de Fragonard.Quelques rousseurs. 1772 14,5 x 20,5
Riferimento per il libraio : 6588
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Sainte Genevieve patronne de Paris
Sainte Geneviève patrone de Paris bergère, assise et lisant Gravure au burin d’après Carle Vanloo (1705-1765).
1750 Sainte Geneviève patrone de Paris bergère, assise et lisant.Gravure au burin d’après Carle Vanloo (1705-1765).Eau forte encadrée et maroufflée sur toile,bonnes marges,52x34,6 cm;bon tirage,rare
Riferimento per il libraio : 23430
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Saint Jean Baptiste
St Jean Baptiste
Belle lithographie rehaussée de couleurs gommées. En feuille Très bon Paris Jean XIXè 65 x 50 cm
Riferimento per il libraio : 13603
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Saint-Lambert, Jean-Francois, Marquis de.
LES SAISONS, POEME. Cinquieme Edition, revue & corrigee.
Two volumes in one. pp. xxxvi, 224; 203, [2](Errata). Five wonderful engraved plates by a remarkable group of graphic artists; with title vignette; head-pieces, etc. Plates: Frontis by Jean-Baptiste Le Prince (1734-1781), engraved by Augustin de Saint-Aubin (1736-1807); "Spring" by Le Prince, without name of engraver; "Autumn" by Benoit Louis Prevost (1747-1804), engraved by Jean Francois Rousseau; "Winter" by Gravelot [Hubert Francois Bourguignon danville](1699-1773), engraved by Nicolas de Launay (1739-1792). Vignettes and headpieces by Pierre Philippe Choffard (1731-1809). The plates are dated mainly 1767-1769. 8vo. 210 mm. Plates slightly foxed. Text very clean. Marbled edges and endpapers. Original French full leather binding with marbled decoration. Spine tooled in gold gilt. Binding somewhat worn at extremities, but still attractive. Large printed French bookplate with the text: De la Douce Lumiere / De L'Ombre / De La Flamme / Et des Livres Amis [Soft light / the shadow / flame / and friends books] . Saint-Lambert (1716-1803) began writing poetry in his adolescence and belonged to the circle around Francoise de Graffigny in Luneville. In 1733 he had already begun work on The Seasons, his major poetical work, but it did not appear completed in print until 1769. Cohen 926; Reynaud 481. **PRICE JUST REDUCED! SAFE ADD 1
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Saintsbury, George; engravings designed by S. Freudenberg; head and tail pieces by Dunker
THE HEPTAMERON of the Tales of Margaret Queen of Navarre 5 volume set complete. In Fine Binding
London: Printed for The Society of English Bibliophilists 1894. 1st edition. Leather. Near Fine. 1st edition. 5 volume set complete. A Near Fine set. 8vos. In period Fine binding of half light blue leather and cloth over boards. Six compartment spine with title volume and design in gilt. t.e.g. A handsome set. A collection of 72 short stories written by Marguerite de Navarre published posthumously in 1558. It was originally intended to contain 100 stories but Marguerite's untimely death cut it at the second story of the eighth day. Printed for The Society of English Bibliophilists unknown
Riferimento per il libraio : 27806
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SAKA, Minako,
Mr. Cerca Cerca
Monotipo Firma e titolo a matita PREZZO ORIGINALE 300 EURO. cm 63x54 (Foglio 78x70). . . Ottimo (Fine). . . .
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SAKA, Minako,
Senza titolo
Acquatinta e rotella Firma, data e numerazione a matita. Esemplare 1/15. cm 30,5x40,5 (Foglio 53x76). . . Ottimo (Fine). . Tiratura 15. .
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SAKA, Minako,
Senza titolo
Acquatinta acquaforte originale con applicazioni di carta argentata Firma, data e numerazione a matita. Timbro a secco dell'Editore Giorgio Upiglio. Stampata su carta Hahnemuhle. Esemplare 3/10. Cm 36x24 (Foglio 50x35). . . . . Tiratura 10. .
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Sakai, Tadayasu
Japanese Prints 1950-1990
A clean, unmarked book with a tight binding. 38 pages. 7 1/8"w x 10"h. Includes 75 color reproductions of works by 46 artists.
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Salvador DALI
AFFICHE PUBLICITAIRE - SALVADOR DALI POUR LA SOURCE PERRIER
Paris, Havas Conseil, 1969, 41,5x60cm, Affiche publicitaire insérée dans le Figaro et France soir en 1969. Pliure centrale du fait de son insertion dans les journaux. Petits défauts en marge, sinon bon état général de cette fragile illustration sur papier dorée. Affiche contrecollée sur papier fort.
Riferimento per il libraio : 80308
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Salander-O'Reilly Galleries
Alfred H. Maurer The Cubist Works
New York NY: Salander-O'Reilly Galleries 1989. Exhibition catalog - Alfred H. Maurer The Cubist Works held at the Salander-O'Reilly Galleries NYC January 2 February 27 1989. Softcover w/32 color plates includes an essay by Hilton Kramer ' Getting to know Maurer'. Catalog in VG condition minor wear to usual spots/cover no writing tears creases etc. Softcover. Very Good/No Jacket. Salander-O'Reilly Galleries paperback
Riferimento per il libraio : 004263
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Salati, Vinicio / Salati, Felice Filippini [Illustr.] / Bührer, Jakob [Trans.]
Menschen [COPY No.4752 OF 6000]. Linolschnitte von Felice Filippini Salati.
COPY No.4752 OF 6000. LIMITED EDITION intended for inner distribution only for members of Büchergilde Gutenberg (Werbegabe für die Mitglieder der Büchergilde, Exemplar Nr.4752). 225x155mm. 64 pages. Hardcover. Gilt lettering on front cover and spine. Cover and spine yellowing and somewhat stained. Cover corners bumped and worn. Cover edges, spine edges and hinges rubbed. Else in good condition.
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SALCEDO Maggie
La Jeune Maman. Robe de jardin pour l'automne (pl.3, La Gazette du Bon ton, 1913 n°11)
- Lucien Vogel éditeur, Paris Septembre 1913, 19x24,5cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur, tirée sur papier vergé, signée en bas à droite de la planche. Gravure originale réalisée pour
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Salomon, Jacques, Alain, and Ker-Xavier Roussel
Introduction a l'oeuvre grave de K. X. Roussel par Alain, accompagnee de vingt-huit dessins en fac-simile et suivie d'un essai de catalogue par Jacques Salomon (catalogue raisonnÈ of the prints of Ker-Xavier Roussel)
Two volumes, complete. The best catalogue raisonnÈ of the prints of Ker-Xavier Roussel. 119 items described and illustrated. With the folder of 28 reproductions. Edition limited to 500 numbered copies. Folio. Original wraps. As new, in the original board slipcase.
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Salvador Dali Robert Descharnes
The World of Salvador Dali
New York NY: Harper & Row 1962. 228pp.White/ Cream cloth brown lettering minor wear to edges/spine loose binding. VG; Dj has minor edgewear well mended tears not price clipped has typo by price. All major aspects of Dali's life and work are covered in pictures and text plus 52 full color tipped-in plates of Dali's paintings and sketches. A beautiful book. . Stated First Printing. Hardcover. Very Good/Very Good . Harper & Row Hardcover
Riferimento per il libraio : 002764
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Sammlung Neujahrsblätter der
Zürcherischen Hülfsgesellschaft. Erstes Neujahrsblatt – XXV. Neujahrsblatt.
Zürich, 1801–1825. 4°. Mit Kupfertafeln und Portaits. Späterer Pappband.
Riferimento per il libraio : 5600CB
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Samuel Adams Drake, Illustrated by Engravings
The Heart of the White Mountians. 1882
New York: Harper & Brothers 1882. Hardcover. Fine. Green Cloth. A fine reprint from the Higginson Book Co. 318 pages. Please be advised that this is a library copy in fine condition. <br/> <br/> New York: Harper & Brothers, 1882 hardcover
Riferimento per il libraio : 002517
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Samuel Marochitanus (Samuel aus Marokko)
Rabbi Samuelis Tractatus, Indicans Errorem Judaeorum Circa Observantiam Legis Mosaicae & venturum Messiam, quem expectant. Opus Aureum Omnibus Christi-fidelibus, & sac: Scripturae Professoribus apprime necessarium. Ab ... Alphonso Bonohomine, Hispano ... Circa Annum 1339. ex Arabico in latinum translatum, tempote Pontificatus Benedicti ... papae XI. Venetijs impressum, Inde à Judaeis, nè typis vulgaretur, undique celatum, tandem adinventum; Et cum Officij Sanctae Inquisitionis Consensu Maceratae olim reimpressum ; Nunc demum De Reverendissimi Archi-Episcopalis Consistorij Pragensis Facultate Recusum & prostans.
Vetero-Pragae (Prag), Apud Joannem Wenceslaum Helm (Johann Wenzel Helm), ohne Jahr (um 1719). 3 nnr. Blätter, 84 Seiten, 2nnr. Blätter. Schlichter Lederband der Zeit auf 3 Bünden mit handschriftlichem Rückenschild. Oberes Kapital ca. 8 mm beschädigt. Name mit Kugelschreiber auf Vorsatz.
Riferimento per il libraio : 702899
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Santippa. 936.
"????"
12 lithographies érotiques sur papier japon plus la couverture. Sans le portefeuille. Vers 1936, non daté. Rêverie, Gaspillage, Exagération, Simplicité, Gourmandise, Abondance, Violence, Fantaisie, Faiblesse, Curiosité, Obligeance, Surprise.
Riferimento per il libraio : ART5149M
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Santippa. 936.
"????"
2 /12 lithographies érotiques sur papier japon plus la couverture. Sans le portefeuille. Vers 1936, non daté. Violence, Obligeance
Riferimento per il libraio : ART5185M
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Santippa. 936.
"????"
9/12 lithographies érotiques sur papier japon plus la couverture. Sans le portefeuille. Vers 1936, non daté. Rêverie, Gaspillage, Simplicité, Gourmandise, Abondance, Violence, Curiosité, Obligeance, Surprise.
Riferimento per il libraio : ART5186M
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Sandoz Marc
THEODORE CHASSERIAU. CATALOGUE RAISONNE DES PEINTURES ET ESTAMPES
Arts et Métiers Graphiques.1974.In-4 toilé bleu avec jaquette ill.en couleurs.518 p.Reproductions.TBE.
Riferimento per il libraio : 49414
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Sanchez, Pierre and Xavier Seydoux
Les estampes de l'Art, 1875-1907. Catalogue raisonne.
The catalogue raisonne of all the original prints that appeared in the l'Art, one of the great Parisian art periodicals. Hundreds of items thoroughly described, with cross-references catalogues raisonnes of individual artists. Fully indexed. ONE OF 300 COPIES PRINTED. 4to. Original wraps. FINE AND BRIGHT.
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Sand Prints Publishing Company
Cooking with the Scriptures: A Taste of the Bible Volume 1
Sand Prints Publishing Company 2010. Paperback. New. 64 pages. 10.00x8.00x0.15 inches. Sand Prints Publishing Company paperback
Riferimento per il libraio : 1-193628801X ISBN : 193628801X 9781936288014
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Sand Prints Publishing Company
Magic Math Mystery Games
Sand Prints Publishing Company 2010. Paperback. New. 40 pages. 10.00x8.00x0.10 inches. Sand Prints Publishing Company paperback
Riferimento per il libraio : 1-1936288192 ISBN : 1936288192 9781936288199
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Sand Prints Publishing Company
Writing Tool Kit
Sand Prints Publishing Company 2010. Paperback. New. 30 pages. 10.00x8.00x0.07 inches. Sand Prints Publishing Company paperback
Riferimento per il libraio : 1-1936288060 ISBN : 1936288060 9781936288069
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SANIER
Recueil complet de chiffres a deux et trois lettres composé et dessiné par Sanier Père et gravè par son Fils. Nouvelle edition
In-8°; front. inciso su rame, pp. (4) con l’avertissement, e 34 tavole numerate incise su rame da Sanier figlio (di cui una ripiegata contenente una serie di simboli) con tutti gli esempi di lettere singole e monogrmmi a due o tre lettere, utilizzati nelle botteghe di vari artigiani, dai gioiellieri ai calligrafi; in fine anche il testamento di Luigi XVI inciso entro un tondo in caratteri minuscoli. legatura in piena pergamena con tassello e titolo in oro al dorso.Cifrario specimen alfabeti monogrammi model book calligraphic monograms writing ecriture alphabet calligraphy incisioni engravings
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Sarah Charlesworth, Joseph Kosuth
Face / Surface (signé des deux artistes)
1976 Paris, Galerie Durand-dessert, janvier 1976, 46 x 61,3 cm, portfolio de 9 affiches dans une enveloppe de papier cristal imprimée.Tirage unique de 100 exemplaires tous numérotés et signés par les deux artistes.
Riferimento per il libraio : 105337
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Sarazin Jean-Jacques
Petit Precis de Gravure d'Art.
Marseille, Editions Autres Temps, 1992. In-8 (13 x 22), 95 pp., 7 ff., broché. Illustrations en N&B.
Riferimento per il libraio : ART5124M
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SARBER, MARY A. [PHOTOGRAPHIC PRINTS BY CHARLES H. BINION]
PHOTOGRAPHS FROM THE BORDER. THE OTIS A. AULTMAN COLLECTION
El Paso: Ei Paso Public Library Association 1977. 1977. TEXAS MEXICO. First edition. 4to. Limited edition of 3000 copies and the plates destroyed. Designed by Carl Hertzog. 11 3/4' x 12 3/4" maroon cloth titles stamped in gilt on front cover and spine front and rear endpapers decorated with the repeated words "Otis A. Aultman Commercial Photographer" xiii 1 100 1 pp. introduction illustrated from photographs portraits acknowledgments. 100 striking full-page photographs taken in and around El Paso Texas Columbus New Mexico and northern Mexico during the time of the Mexican Revolution. Non-authorial inked gift inscription on the half title page else a fine copy without dust jacket as issued. Ei Paso Public Library Association, 1977. hardcover
Riferimento per il libraio : 54000
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SARONI, Sergio (Torino, 1934 - Torino, 1991),
La rana sulla scatola
Acquaforte acquatinta originale a 4 colori Tiratura 100 esemplari. Firma e numerazione a matita dell'Artista. Timbro a secco dello stampatore Il Torcoliere, Roma. cm 36x36 (Foglio 59x45). . . Ottimo (Fine). . Tiratura 100. .
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Sarpi, Fra-Paolo (Text by); Pierre-Francois Le Courayer (Translated into French, with Notes by); George Vertue (Engravings by)
Histoire du Concile de Trente. 2-vol. set Complete
Amsterdam: J. Wetstein; G. Smith 1736. First French-language edition. Hardcover. g to vg. Quarto 10 1/4 x 8". 14 lxxv 1 696pp; 4 848pp. Modern half brown calf over light green cloth with gold lettering and tooling to spines retaining the original gilt-lettered leather titles. All paper edges red. Marbled endpapers. Engraved frontispiece portrait of the author and engraved portrait of Caroline of Brandenburg-Ansbach Queen of Great Britain as the wife of King George II by George Vertue. Title vignettes. Title pages in red and black lettering. <br /> <br /> This work was originally published in London in 1619 by Paolo Sarpi 1552-1623 an Italian historian prelate scientist canon lawyer and statesman active on behalf of the Venetian Republic during the period of its successful defiance of the papal interdict 1605-1607 and its war 1615-1617 with Austria over the Uskok pirates. The author published it under the name of Pietro Soave Polano an anagram of Paolo Sarpi Veneto plus o. <br /> <br /> The book's emphasis was on the role of the Papal Curia and its slant on the Curia hostile. Sarpi's work attained such fame that the Vatican opened its archives to Cardinal Pietro Sforza Pallavicino whom it commissioned to write a three volume rebuttal entitled the "Istoria del Concilio di Trento scritta dal P. Sforza Pallavicino della Comp. di Giesù ove insieme rifiutasi con auterevoli testimonianze un Istoria falsa divolgata nello stesso argomento sotto nome di Petro Soave Polano" "The History of the Council of Trent written by P. Sforza Pallavicino of the Company of Jesus in which a false history upon the same argument put forth under the name of Petro Soave Polano is refuted by means of authoritative testimony" 1656-1657.<br /> <br /> Sporadic foxing and offsetting throughout. Bindings in overall very good interior in good to very good condition. J. Wetstein; G. Smith hardcover
Riferimento per il libraio : 42844
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Sartain John
The Death of the Revd John Wesley A.M.
Philadelphia: William Smith 1860. Good. Sheet is 48 x 57 cm. Image is 33 x 38 cm. Hand-colored lithograph produced by Magee's Lithograph Press 48 S. 3rd St. Philadelphia. No date of publication. John L. Magee artist lithographer and engraver was located at 48 or 49 S. 3rd St. Philadelphia only in 1860. Engraved by A. Biggerman after an engraving by John Sartain. Print of deathbed scene of the Reverend John Wesley. Others shown in the image as identified by Sartain: Sarah Wesley a medical assistant the Rev. J. Bradford the Rev. P. Dickinson Mrs. Charles Wesley the Rev. T. Rankin Mrs. E.A. Rogers Miss Ritchie the Rev. J. Rogers the Rev. J. Creighton Master Rogers R.C. Brackenbury the Rev. T. Broadbent the Rev. A. Mather the Rev. J. Broadbent J. Horton the Rev. G. Whitfield Dr. Whitehead and the Rev. J. Edmonson. Scarce one copy on WorldCat. In Good Condition: some mat burn; closed tear of 2.5 cm. fromt upper edge; closed years of less than 2 cm. from lower edge; lower corner creased; image is clean and bright. William Smith unknown
Riferimento per il libraio : 006727
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Sartain, John
B. Carr Professor Music; Painted by J. C. Darley Engraved by J. Sartain
Philadelphia: John Sartrain 1835. Very Good -. 1 mezzotint engraving of Benjamin Carr 1768-1831 American composer singer music teacher and music publisher. Sheet is 30 x 24 cm.; image is 14 x 11 cm. John Sartain 1808-1897 pioneered mezzotint engraving in the United States. He engraved this portrait of Benjamin Carr from a painting by John Clarendon Darley 1808-1863. Undated but probably produced in the 1830s. Number in pencil in lower right-hand corner: 7/882. In Very Good- Condition: light soiling and foxing; a crisp mezzotint image. John Sartrain unknown
Riferimento per il libraio : 006330
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Sautter, Walter (1911–1991);
Berglandschaft bei Ftan.
1960. Aquarell auf festem Papier. Bildausschnitte: 31 x 39 cm. Blattgrösse: 33.5 x 43 cm.
Riferimento per il libraio : 1699AG
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SAUVAGE Sylvain
Cinquante eaux-fortes pour illustrer les Mémoires de Jacques Casanova de Seingalt Vénitien.
Beau portefeuille contenant 50 eaux-fortes originales de Sylvain Sauvage. Exemplaire tiré sur papier de Hollande, signé au colophon par l'artiste. On joint une lettre autographe signée de l'artiste sur son beau papier à en-tête. en feuille. Papier filigrané. Très bon Paris Cotinaud s.d. (1920) 1 volume in-folio.
Riferimento per il libraio : 9742
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