|
|
|
SIMEON Fernand
Un peu beaucoup (pl.34, La Gazette du Bon ton, 1920 n°5)
- Lucien Vogel éditeur, Paris Juin 1920, 18x24cm, une feuille. - Original color print, printed on vergé paper, non signed. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur, tirée sur papier vergé, non-signée. Gravure originale réalisée pour l'illustration de La Gazette du bon ton
|
|
|
SIMEON Fernand
Vous avez vu ? Cette petite. Robe de promenade en Parquetine de Rodier. (La Gazette du Bon ton, n°4. Année 1920 - Planche 24 )
- Lucien Vogel éditeur, Paris 1920, 19,5x25cm, une feuille. - Original color print, printed on vergé paper, the signature does not let identify the artist. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur tirée sur papier vergé, la signature ne permet pas d'identifier l'artiste. Gravure orig
|
|
|
SIMEON Mario
La Partie de cache-cache. Robe en ruban. (La Gazette du Bon ton, n°1. Année 1921 - Planche 1 )
- Lucien Vogel éditeur, Paris 1921, 19,5x25cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur tirée sur papier vergé et signée dans la planche par l'auteur en bas à gauche. Gravure originale réalis
|
|
|
Simic, Charles; with Prints by George Hitchcock
Somewhere Among Us a Stone is Taking Notes
San Francisco: Kayak Press 1969. Book. Very Good Plus. Pictorial Printed Wrappers. SIGNED BY AUTHOR. First Edition. 8vo - over 7¾" - 9¾" tall. SIGNED BY AUTHOR at front end page. His 2nd book. Printed in an edition of 1000 copies. Very Good Plus bottom corner crease rear wrapper spine and half of rear wrapper evenly browned. Kayak Press Paperback
Bookseller reference : 009593
|
|
|
Simler, Josias
Helvetiorum respublica. Diversorum autorum, quorum nonnulli nunc primum in lucem prodeunt.
Leiden, Ex Officina Elzeviriana (Bonaventura & Abraham Elzevier), 1627. 12°. 535 (1) S., (16) S. Index, (1) S. Privileg. Mit gest. figürlichem Titel (Rütlischwur), signiert P.S. Etwas späteres Pergament. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 5159C
Bookseller reference : 5159CB
|
|
|
Simler, Josias:
Helvetiorum respublica. Diversorum autorum, quorum nonnulli nunc primum in lucem prodeunt.
Leiden, Ex Officina Elzeviriana (Bonaventura & Abraham Elzevier), 1627. 12°. 535 (1) S., (16) S. Index, (1) S. Privileg. Mit gest. figürlichem Titel (Rütlischwur), signiert P.S. Etwas späteres Pergament.
Bookseller reference : 5159CB
|
|
|
Simler, Josias:
La Republique des Suisse. Comprinse deux livers, contenans le gouvernement des Suisse, l'estat public des treize Cantons & de leurs Confederez, en general & en particulier, Leurs bailliages & iurisdictions, l'origine & les conditions de toutes leurs alliances, leurs batailles, victoires, conquestes & autres gestes memorables, depuis l'Empereur Raoul d Habspourg insques à Charles le Quint...
Quatrième edition, reveve et augmentée à la fin de quelques particularitez. Genf, Gabriel Cartier, 1598. 8°. (16), 301, (17) S. Pergamentband der Zeit.
Bookseller reference : 6064CB
|
|
|
SIMON J.-P.
L’Ingénuité
D’après un tableau de Brun. Belle épreuve très légèrement coloriée. En feuille Très bon Avant 1815 37,5 x 29,5 (52 x 40)
Bookseller reference : 5246
|
|
|
SIMON Lucien
Les Marguilliers
Belle épreuve parue dans le numéro 8 (décembre 1897) de l’Estampe Moderne. Notre épreuve porte le timbre sec de l’Estampe Moderne en bas à droite. L’Estampe Moderne a paru de mai 1897 à avril 1899. en feuille Très bon Paris L’Estampe Moderne. 1897 27 x 35 cm.
Bookseller reference : 6124
|
|
|
SIMON Mario
Les Soeurs jumelles. Robes trois voiles (pl.34, La Gazette du Bon ton, 1922 n°5)
- Lucien Vogel éditeur, Paris 1922, 18x24cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur, tirée sur papier vergé, signée en bas à droite de la planche. La Gazette du bon ton, l'une des plus belle
|
|
|
SIMON, JOE : KIRBY, JACK
The BULLSEYE Action Portfolio
Mainline Publications 1979. Print. Illus. by KIRBY JACK : SIMON JOE. Very Fine. Art Portfolio. 1st Edition. Portfolio - VF in VF folder - Five great action prints by the greatest creative team in comics Joe Simon and Jack Kirby featuring their revolutionary Western Comics star Bullseye. A sixth sheet contains an illustrated essay " BULLSEYE Western Scout : The Legend". Mainline Publications unknown
Bookseller reference : 004474
|
|
|
Simond Charles
Paris de 1800 à 1900 D'après les estampes et les mémoires du temps - TOME I : LE CONSULAT - LE PREMIER EMPIRE - LA RESTAURATION
E.Plon Nourrit et Cie, Rue garancière, 10. In-4°, forte reliure demi chagrin brun, tête dorée et dos à cinq nerfs, 4000 gravures reproduites en fac-similé dans le texte, d'après les documents des bibliothèques publiques, musées, collections particulières, portraits, caricatures, monuments, évènements...etc, 676 pages, bonne reliure et agréable tranche de titre , les coins supérieurs des plats sont cependant émoussés ainsi que les tranches des plats.
Bookseller reference : 11106
|
|
|
Simone PUGET
Le Lys rouge. Robe du soir de Paul Poiret (pl.38, La Gazette du Bon ton, 1914 n°4)
Lucien Vogel éditeur | Paris Avril 1914 | 19 x 24.50 cm | une feuille
Bookseller reference : 84700
|
|
|
Simonetta Rasponi
Michelangelo
New York NY: Avenel Books 1978. Monograph on Michelangelo w/ 60 colour plates of his sculpture drawing painting & architecture. Laminated hardcover book and jacket in fine unread unmarked condition. First U.S. Edition. Hardcover. Fine/Fine. Avenel Books Hardcover
Bookseller reference : 002722
|
|
|
SINGER, H.W
Das Kupferstichkabinet (der) Sammlung Lanna Prag. Wissenschaftliches Verzeichniss. Zweiter (u. letzter) Band.
(Prag, Selbstverlag, 1895. Gr.-8vo. Titel, 2 Bl., 517, (5) S., 16 Tafeln m. 26 Abbildungen in Lichtdruck auf aufgewalztem China. OHlwdbd m. goldgeprägtem Rückentitel (Einbd etwas berieben, Innengelenke gelockert, Bildstempel a. d. Vorsatz, Verlagsadresse überklebt mit "Joseph Baer & Co. Frankfurt am Main, Rossmarkt 18", darunter der Stempel "Bibliothek Allgemeine Zeitung, München", Titel leicht fingerfleckig, Tafeln gering braunfleckig).
Bookseller reference : 1310520
|
|
|
SINGER, H.W
Die moderne Graphik. Eine Darstellung für deren Freunde und Sammler.
Leipzig, Seemann, 1914. 4to. 4 Bl., 547, (1) S. m. zahlr. Textabb. Olwd. (angestaubt, Rücken etwas fleckig).
Bookseller reference : 1127245
|
|
|
Singer, Hans Wolfgang
Der Kupferstich. Hans W. Singer / Sammlung Illustrierter Monographien, Bd. 15.
Bielefeld ; Leipzig : Velhagen & Klasing 1904. 142 S. : Mit 107 Abb., darunter 6 farb. Einschaltb. ; 4°, Eigentümersignatur auf Vorsatzblatt Kart., Softcover/Paperback, Gebrauchsspuren am Einband, Papier etwas wellig, sonst guter Zustand
Bookseller reference : 15664
|
|
|
Sir Thomas Malory, Illustrated with Wood Engravings by Robert Gibbings.
Le Morte d'Arthur dArthur the Story of King Arthur and of His Noble Knights of the Round Table Three Volumes SIGNED by Illustrator
Printed at The Golden Cockerel Press London for The Limited Editions Club 1936. Book. Very Good. Hard Cover with Slipcase. Signed by Illustrators. Limited Edition. Folio - over 12 - 15" tall. Three oversized hardcovers with blue cloth spines with gilt lettering; boards covered in blue and cream-patterned paper; limited edition 1393/1500; signed by Robert Gibbings. Books in very good plus condition: spines are slightly sunned with a little scuffing and slight soiling; no wear to books; straight; hinges strong; clean and unmarked; pages slightly toned. Slipcase is only in good minus condition with some wear soiling and scuffing. Will require extra for shipping. Printed at The Golden Cockerel Press, London, for The Limited Editions Club Hardcover
Bookseller reference : 131332
|
|
|
SITWELL Pauline
Green Song. Poems and Wood Engravings 150 COPIES WERE PRINTED
Roy. 8vo., First Edition, with frontispiece and wood-engravings (a number full-page) in the text; rose boards, backstrip with printed paper label, uncut, a near fine copy. EDITION LIMITED TO 150 NUMBERED COPIES SIGNED BY THE AUTHOR (THIS COPY NO. 53).
|
|
|
Skira International / Skira Color Prints
Chinese Painting
Skira International / World Publishing Company. As New. Portfolio with 8 Loo. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - 4 page brochure on Chinese paintings with notes on 6 of the 8 color plates included in the packet. -- with a bonus offer-- . Skira International / World Publishing Company unknown
Bookseller reference : 37588
|
|
|
Sky Prints Corp
Sky Prints Aviation Enroute Atlas A Companion to Instrument Sectional or WAC Charts 1970
Sky Prints Corp 1970-01-01. Spiral-bound. Like New. 0x0x0. 1974 Like New inside and Out! Clean & Crisp Pages. Excellent book.Fast Shipping! Sky Prints Corp unknown
Bookseller reference : 210213034
|
|
|
Sky Prints Corp
Sky Prints Aviation Enroute Atlas A Companion to Instrument Sectional or WAC Charts 1970
Sky Prints Corp 1970-01-01. Spiral-bound. Like New. 0x0x0. 1975 Like New inside and Out! Clean & Crisp Pages. Excellent book.Fast Shipping! Sky Prints Corp unknown
Bookseller reference : 210213033
|
|
|
Sky Prints Corp
Sky Prints Aviation Enroute Atlas A Companion to Instrument Sectional or WAC Charts 1970
Sky Prints Corp 1970-01-01. Spiral-bound. Like New. 0x0x0. 1977 Like New inside and Out! Clean & Crisp Pages. Excellent book.Fast Shipping! Sky Prints Corp unknown
Bookseller reference : 210213031
|
|
|
Sky Prints Corp
Sky Prints Aviation Enroute Atlas A Companion to Instrument Sectional or WAC Charts 1970
Sky Prints Corp 1970-01-01. Spiral-bound. Like New. 0x0x0. 1970-1979 and 1981 Like New inside and Out! Clean & Crisp Pages. Excellent book.Fast Shipping!11 books total Sky Prints Corp unknown
Bookseller reference : 210213036
|
|
|
Sky Prints Corp
Sky Prints Aviation Enroute Atlas A Companion to Instrument Sectional or WAC Charts 1970
Sky Prints Corp 1970-01-01. Spiral-bound. Like New. 0x0x0. 1979 Like New inside and Out! Clean & Crisp Pages. Excellent book.Fast Shipping! Sky Prints Corp unknown
Bookseller reference : 210213029
|
|
|
Sky Prints Corp
Sky Prints Aviation Enroute Atlas A Companion to Instrument Sectional or WAC Charts 1970
Sky Prints Corp 1970-01-01. Spiral-bound. Like New. 0x0x0. 1971 Like New inside and Out! Clean & Crisp Pages. Excellent book.Fast Shipping! Sky Prints Corp unknown
Bookseller reference : 210213027
|
|
|
Sky Prints Corp
Sky Prints Aviation Enroute Atlas A Companion to Instrument Sectional or WAC Charts 1970
Sky Prints Corp 1970-01-01. Spiral-bound. Like New. 0x0x0. 1981 Like New inside and Out! Clean & Crisp Pages. Excellent book.Fast Shipping! Sky Prints Corp unknown
Bookseller reference : 210213028
|
|
|
Sky Prints Corp
Sky Prints Aviation Enroute Atlas A Companion to Instrument Sectional or WAC Charts 1970
Sky Prints Corp 1970-01-01. Spiral-bound. Like New. 0x0x0. 1976 Like New inside and Out! Clean & Crisp Pages. Excellent book.Fast Shipping! Sky Prints Corp unknown
Bookseller reference : 210213032
|
|
|
Sky Prints Corp
Sky Prints Aviation Enroute Atlas A Companion to Instrument Sectional or WAC Charts 1970
Sky Prints Corp 1970-01-01. Spiral-bound. Like New. 1978 Like New inside and Out! Clean & Crisp Pages. Excellent book.Fast Shipping! Sky Prints Corp unknown
Bookseller reference : 210213030
|
|
|
Sky Prints Corp
Sky Prints Aviation Enroute Atlas A Companion to Instrument Sectional or WAC Charts 1970
Sky Prints Corp 1970-01-01. Spiral-bound. Like New. 0x0x0. 1973 Like New inside and Out! Clean & Crisp Pages. Excellent book.Fast Shipping! Sky Prints Corp unknown
Bookseller reference : 210213035
|
|
|
Sky Prints Corp
Sky Prints Aviation Enroute Atlas A Companion to Instrument Sectional or WAC Charts 1970
Sky Prints Corp 1970-01-01. Spiral-bound. Like New. 1970 Like New inside and Out! Clean & Crisp Pages. Excellent book.Fast Shipping! Sky Prints Corp unknown
Bookseller reference : 210213026
|
|
|
Sky Prints
Sky Prints Aviation Atlas 1971 Edition 10th Annual Edition
St. Louis MO: Sky Prints. Very Good. 1971. Spiral bound. B&W Illustrations; This is an oversized paperback book with a spiral binding. The book is in Very Good condition and was issued without a dust jacket. The covers are heavy plastic The text pages are clean and bright. . Sky Prints unknown
Bookseller reference : A36434
|
|
|
Sky Prints
Sky Prints Aviation Enroute Atlas A Companion to Instrument Sectional or WAC Charts
St. Louis MO: Sky Prints. Very Good. 1968. B&W Illustrations; This is an oversized paperback book with a spiral binding. The book is in Very Good condition and was issued without a dust jacket. The covers are heavy plastic The text pages are clean and bright. . Sky Prints paperback
Bookseller reference : A36435
|
|
|
SLOANE HANS
Histoire de la Jamaïque, Traduite de l'Anglois. Par M. *** [Joseph Raulin], ancien Officier de Dragons.
LONDRES (CHEZ NOURSE) 1751 2 VOL. RELIES EN 1, IN-12°, 17 X 10 CMS, RELIÉ VEAU MOUCHETÉ, DOS A 5 NERFS ORNÉ DE FLEURONS DORÉS, TR. ROUGE. 2FF-285PPS; 1FF-148PPS. PREMIÈRE ÉDITION FRANÇAISE TRADUITE PAR RAULIN, ANCIEN OFFICIER DES DRAGONS.
Bookseller reference : PHO-1273
|
|
|
Sloth Lover Prints
Sloth Sketchbook: Sloth Sketchbook for Drawing Writing Painting Sketching and Doodling 100 Pages 8.5 x 11""
NEW. unknown
Bookseller reference : BIB-NOV-14-2025-217641
|
|
|
Sloth Prints Queen
Just a Girl Who Loves Sloths & Llamas: 8.5 x 11 Large 1/5 Inch Squares 110 Pages Gift for Sloth and Llama Lovers Birthday
Paperback / softback. New. paperback
Bookseller reference : A9781096803256 ISBN : 1096803259 9781096803256
|
|
|
Sloth Prints Queen
Just a Girl Who Loves Sloths & Llamas: 8.5 x 11 Large 1/5 Inch Squares 110 Pages Gift for Sloth and Llama Lovers Birthday
Paperback / softback. New. paperback
Bookseller reference : B9781096803256 ISBN : 1096803259 9781096803256
|
|
|
Sloth Prints Queen
Just a Girl Who Loves Sloths & Llamas: 8.5 x 11 Large 1/4 Inch Squares 110 Pages Gift for Sloth and Llama Lovers Birthday
Paperback / softback. New. paperback
Bookseller reference : B9781096800330 ISBN : 1096800330 9781096800330
|
|
|
Smart Biz Prints
Inventory Log Book for Women: Simple Inventory Book for Small Business and Home or Personal Inventory Tracking & Stock Management. Large Inventory Log Sheets.
NEW. unknown
Bookseller reference : BIB-NOV-15-2025-522240
|
|
|
Smart Biz Prints
Tip Tracker Log Book: Easy to Use Daily and Weekly Tips Tracker Notebook. Tips Logbook To Keep Track of Daily Customer Tips for Bartenders Servers and Waitress.
NEW. unknown
Bookseller reference : BIB-NOV-14-2025-423915
|
|
|
SMEDT Marc de
L'érotisme chinois
Solar Solar 1984, In-4 cartonnage éditeur sous jaquette illustrée, 96 pages. Reproductions couleur. Bon état
Bookseller reference : 9993482
|
|
|
SMEDT Marc de
L'érotisme chinois
Solar 1984, In-4 cartonnage éditeur sous jaquette illustrée, 96 pages. Reproductions couleur. Bon état
|
|
|
Smeth, Henrici
Prosodia quae sybillarum positione & diphtongis carentium quantitates. sola veterum Poetarum auctoritate, adductis, demonstrat. Editio decimaoctava (18. Auflage).
Frankfurt, Jona Rosa, 1660. 8 nnr. Blätter, 652 Seiten. Mit gestoch. Porträt und Wappen. Dekorativer Halbpergament-Einband der Zeit mit goldgeprägtem Rückentitel. Tadelsfrei.
Bookseller reference : 702417
|
|
|
SMITH (John Russell)
A Catalogue of Twenty Thousand Engraved Portraits, chiefly of personages connected with the history and literature of Great Britain [With:] Supplement Catalogue.
232; 52pp., portrait frontis., some light foxing, orig. purple water-silk cloth, spine faded.
|
|
|
Smith Robert (ed) & Noel Counihan (prints)
Noel Counihan Prints 1931-1981 A Catalogue Raisonne
Hale & Iremonger Sydney 1981 . 29.0 x 22.0cms 168pp b/w & 4 colour illusts very good hardcover & dustwrapper possibly ex-library with scarred front endpaper Almost all these prints represent the human figure - often at work or at times of social protest. Scarce title Hale & Iremonger Sydney 1981 hardcover
Bookseller reference : 20487423 ISBN : 0908094809 9780908094806
|
|
|
Smith Robert (ed) & Noel Counihan (prints)
Noel Counihan Prints 1931-1981 A Catalogue Raisonne
Hale & Iremonger Sydney 1981 . 29.0 x 22.0cms 168pp b/w & 4 colour illusts very good hardcover & dustwrapper Almost all these prints represent the human figure - often at work or at times of social protest. Scarce title Hale & Iremonger Sydney 1981 hardcover
Bookseller reference : 20756062 ISBN : 0908094809 9780908094806
|
|
|
Smith, Aaron; Ravilious, Eric (Engravings)
THE ATROCITIES OF THE PIRATES
Waltham Saint Lawrence: Golden Cockerel Press 1929. Limited edition no. 3 of 500. Hardcover. Octavo; VG Hardcover; Black cloth spine with gilt lettering and red paper-covered boards; Light rubbing to head and tail of spine; Bookplate of Robert Mackenzie Waggaman to front pastedown; Text block lightly age-toned; Illustrated with numerous engravings by Eric Ravilious; v 156 pages. 1349922. FP New Rockville Stock. Golden Cockerel Press hardcover
Bookseller reference : 1349922
|
|
|
Smith, Leon Polk
Collagen 1981-1983.
Berlin., Nationalgalerie Berlin., 1984. 30 x 21 cm. 39 S. Illustrierter OKarton., 68557B Erste Auflage. Kanten etwas berieben, Umschlag minimal angestaubt, sonst sehr gutes Exemplar.
Bookseller reference : 68557BB
|
|
|
Smith, Matthew Hale; Engravings [Illustrator]
Sunshine and Shadow in New York
J. B. Burr and Company 1868-01-01. First Edition. Hardcover. Very Good. History of New York Bound in publisher's cloth. Hardcover. Good binding and cover. Spine image rubbed. 718 2 p. 12 leaves of plates : ill. ; 23 cm. "Rising immigration and increasing social stratification affected the development of American cities during the mid-nineteenth century. City guides delineating the mysteries of the metropolis as well as newspapers magazines and novels presented the East's industrializing citiesâNew York Philadelphia and Baltimoreâas fractured societies. According to these publications each was really two cities: one orderly prosperous and bathed in "sunlight" the other menacing poor and steeped in "darkness" or "gaslight". In this frontispiece from the 1868 Sunshine and Shadow in New York the symbolic extremes of day and night were represented by a Fifth Avenue mansion and the Old Brewery an infamous "thieves' den" located in the Five Points slum district. J. B. Burr and Company hardcover
Bookseller reference : 1911190004
|
|
|
Smith, William (Cornelius Visscher)
A Catalogue of the Works of Cornelius Visscher (catalogue raisonne of the prints)
First and only edition of this catalogue raisonne of Visscher's prints. 198 items described, almost all in many states. A presentation copy with an inscription by the author. Attractive armorial bookplate. 4to, publisher's cloth. Binding stained and very lightly worn. Rear endpapers soiled. Else internally fine, and structurally solid. Very scarce.
|
|
|
Receive by email
Download as PDF document
RSS feed
Permanent link
