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Streuber, Wilh. Theod.:
Die Stadt Basel, historisch-topographisch beschrieben ... Herausgegeben von der rylogr. Anstalt.
Basel, Neukirchsche Buchhandlung, o.J. (um 1870). 12°. VIII (2), 392 S. Mit 1 Titelholzst., 7 Holzst.-Tafeln, 8 Seitentafeln und 1 Plan (Stadt Basel) sowie zahlr. Textillustr. Orig.-Leinenband.
Riferimento per il libraio : 3286BB
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Strickler, Joh
Geschichte der Gemeinde Horgen nebst Hirzel und Oberrieden. Festgabe zur hundertjährigen Kirchweihfeier.
Horgen, J.J. Schläpfer, 1882. 8°. XII, 547 S. Mit 1 farb. Wappentafel, und 4 Holzstichtafeln mit Ansichten. Späterer Halblederband mit Rückschild (berieben und bestossen). + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
Riferimento per il libraio : 1943BB
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STRIMPL Louis
L'Encens, le cinname et la myrrhe (pl.1, La Gazette du Bon ton, 1914 n°1)
- Lucien Vogel éditeur, Paris Janvier 1914, 36,5x24cm, une feuille. - Double original color print heightened with gold, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe double originale en couleur rehaussée à l'or, tirée sur papier vergé, signée en bas à gau
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STRIMPL Louis
Le Bel Eté. Robe de lingerie pour la campagne (pl.3, La Gazette du Bon ton, 1913 n°9)
- Lucien Vogel éditeur, Paris Juillet 1913, 19x24,5cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur, tirée sur papier vergé, signée en bas à droite dans la planche. Gravure originale réalisée pour
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STRIMPL Louis
Le Bel été. Robe de lingerie pour la campagne. (La Gazette du Bon ton, n°9. Année 1913 - Planche III )
- Lucien Vogel éditeur, Paris 1913, 19,5x25cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur tirée sur papier vergé, signée en bas à droite dans la planche. Gravure originale réalisée pour l'illus
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Strohmeier, Peter
Der Kanton Solothurn, historisch, geographisch, statistisch geschildert. Beschreibung aller in demselben befindlichen Berge, Seen, Flüsse, Heilquellen, Städte, Flecken, merkwürdigen Dörfer, so wie der Schlösser, Burgen und Klöster; nebst Anweisung benselben auf die genussvollste und nützlichste-Weise zu bereisen.
St. Gallen und Bern, Huber und Compagnie, 1836. 8°. XII, 273(1) S. Mit 1 lithogr. gef. Karte von J. H. Heeb nach C. Bruder. Illustr. Orig.-Pappband in Schuber. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
Riferimento per il libraio : 5714BB
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Strohmeier, Peter:
Der Kanton Solothurn, historisch, geographisch, statistisch geschildert. Beschreibung aller in demselben befindlichen Berge, Seen, Flüsse, Heilquellen, Städte, Flecken, merkwürdigen Dörfer, so wie der Schlösser, Burgen und Klöster; nebst Anweisung benselben auf die genussvollste und nützlichste-Weise zu bereisen.
St. Gallen und Bern, Huber und Compagnie, 1836. 8°. XII, 273(1) S. Mit 1 lithogr. gef. Karte von J. H. Heeb nach C. Bruder. Illustr. Orig.-Pappband in Schuber.
Riferimento per il libraio : 5714BB
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Struck, Hermann
Die Kunst des Radierens. Ein Handbuch von Hermann Struck. [Mit 4 Original-Grafiken.]
Berlin, Verlag von Paul Cassirer, 1923. Groß-8°. 23 x 19,5 cm. 331 (1) Seiten. Original-Leinenband mit goldgeprägtem Deckel- und Rückentitel und schwarzem Kopfschnitt.
Riferimento per il libraio : 4528FB
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Struck, Hermann / Teltsch, Michal [Curator] / Gorelick, Ted [Tr.]
Hermann Struck - From Berlin to Haifa: Etchings
21X24 cm. 71 pages. Softcover with dust jacket. Cover edges stained. Cover edges and corners slightly wrinkled. Ex-Libris sticker on title page. Else in good condition.
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Strutt Joseph; Illustrated By One Hundred and Forty Engravings ...a New Edition with a Copious Index By William Hone
The Sports and Pastimes of the People of England; Including the Rural and Domestic Recreations May Games Mummeries Shows Processions Pageants & Pompous Spectacles from the Earliest Period to the Present Time
London: Printed for Thomas Tegg 1845. Very Good in contemporary half pebbled brown morocco over marbled boards spine with five raised bands and lettered in gilt marbled end papers the bookplate of noted Celtic language and folklore scholar Edgar M. Slotkin front paste down along with a small bookseller's label. Prior owner name top edge verso front end page. Boards rubbed at edges binding solid contents quite clean and unmarked. A scholar's copy. . New Edition. Half Morocco. Very Good/No Jacket As Issued. Tall 8vo. Printed for Thomas Tegg Hardcover books
Riferimento per il libraio : 007972
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Strutt, Joseph; Illustrated By One Hundred and Forty Engravings ...a New Edition, with a Copious Index By William Hone
The Sports and Pastimes of the People of England; Including the Rural and Domestic Recreations May Games Mummeries Shows Processions Pageants & Pompous Spectacles from the Earliest Period to the Present Time
London: Printed for Thomas Tegg 1845. Book. Very Good. Hardcover. New Edition. Tall 8vo. Very Good in contemporary half pebbled brown morocco over marbled boards spine with five raised bands and lettered in gilt marbled end papers the bookplate of noted Celtic language and folklore scholar Edgar M. Slotkin front paste down along with a small bookseller's label. Prior owner name top edge verso front end page. Boards rubbed at edges binding solid contents quite clean and unmarked. A scholar's copy. Printed for Thomas Tegg Hardcover
Riferimento per il libraio : 007972
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STRUVE, Georg Adam
Dissertationes: 1. Laurus martia, sive dissertatio de victoria et clade. - 2. De ducibus et comitibus imperii Romano-Germanici.
Jena, Hertel, 1670. 4to. 2 Bl., 186 S., 13 Bl. Index. Ohne Einband (geheftet).
Riferimento per il libraio : 124883
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STRUVE, Georg Adam
Syntagma juris feudalis, quo solida hujus juris fundamenta traduntur. Cui accesserunt observationes feudales ad singula capita: cum decade consiliorum et responsorum feudalium. Editio septima.
Frankfurt u. Jena, G. H. Oehrling, 1690. 4to. 15 Bl., 696 S., 35 Bl. Index. Mit gestochenem Porträt u. gestochener Titelvignette. Pergament d. Zeit (etwas fleckig). [3 Warenabbildungen]
Riferimento per il libraio : 124877
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STRYK, Samuel
Specimen usus moderni pandectarum ad libros V. priores. In academia Francofurtana publicis disputationibus exhibitum. Editio revisa et emendata. 4 Bände.
Halle, Waisenhaus, 1737-45. 4to. Mit gestochenem Porträt u. 4 gestochenen Titelvignetten. Pergament d. Zeit mit Rückenschild (fleckig, 3 Rücken mit kurzen Einrissen). [3 Warenabbildungen]
Riferimento per il libraio : 487427
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STRYK, Samuel
Specimen usus moderni pandectarum ad libros V. priores. In academia Francofurtana publicis disputationibus exhibitum. 5 Teile in 4 Bänden.
Frankfurt u. Wittenberg, Schrey & Meyer Erben, ab Teil 2 Halle, Waisenhaus, 1690-1712. 4to. 3 Bl., 491 S., 3 Bl., 512 S.; 3 Bl., 880 S.; 4 Bl., 1200 S.; 3 Bl., 1046 S., 124 Bl. (Ohne das gestochene Porträt in Band 1). Halbleder d. Zeit mit Rückenschildern u. etwas Rückenvergoldung (berieben u. mit einigen Schabstellen, Ecken bestoßen, 3 Innengelenke angebrochen). [2 Warenabbildungen]
Riferimento per il libraio : 627637
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STRYK, Samuel
Tractatus de cautelis testamentorum, in quo pleraque quae in testamentis condendis, tam quoad solennia externa, etc cexponuntur. Accesserunt in fine variorum illustrium testamentorum exempla. - Angebunden: DERS. Tractatus de cautelis juramentorum in foro observandis. Jeweils Editio tertia, aucta.
Halle, Waisenhaus, 1716 u. 1719. 4to. 1. Gestochenes Porträt, 7 Bl., 1324 S., 85 Bl. Index. - 2. Gestochenes Porträt, 3 Bl., 762 S., 17 Bl. Index. Pergament d. Zeit (fleckig, Rücken verstaubt). [4 Warenabbildungen]
Riferimento per il libraio : 627638
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STRYK, Samuel
Tractatus de cautelis testamentorum, in quo pleraque quae in testamentis condendis, tam quoad solennia externa, quam quoad formam illorum internam, circa heredis institutionem et exheredationem ... caute observanda perspicue exponuntur. Accesserunt in fine variorum illustrium testamentorum exempla. Editio secunda, revisa et emendata.
Halle, Waisenhaus, 1708. 4to. 9 Bl., 1117, 198 S., 86 Bl. Index. Mit gestochenem Porträt. Pergament d. Zeit (verstaubt u. leicht berieben). [3 Warenabbildungen]
Riferimento per il libraio : 615100
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STRYK, Samuel
Tractatus de successione ab intestato. In quo non tantum ordinaria in allodiis & feudis succedendi ratio, sed et extraaordinariae illae successiones, praetoriae etc. exhibentur. In universitate francofurtana publicis dissertationibus proposititus. Editio III. Revisa & emendata.
Frankfurt/Oder, Schrey & Hartmann, 1697. 4to. 15 Bl., 1084 (recte 1484) S., 40 Bl. Mit gestochenem Porträt von Stryk. - Ohne die genealogische Falttafel. Pergament d. Zeit mit handschriftlichem Rückentitel (gebräunt u. fleckig). [3 Warenabbildungen]
Riferimento per il libraio : 627580
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Stuart, James.
THREE YEARS IN NORTH AMERICA.
Two volumes. pp. xii, [13]-334; vii, [1blank], [9]-337 (2)[Publisher's ads]. 12 mo. 197 mm. Original full fine linen cloth bindings. Spine mostly perished, and boards of one volume detached. Foxed. This set was a gift from Pennsylvania historian and archivist, Charles Coleman Sellers (1903-1980) to Dickinson College in 1950, and later withdrawn. First U.S. Edition. James Stuart (1775-1849) traveled from Liverpool to America, and visited: New York City, Albany, Auburn, Buffalo, Canada, Saratoga Springs, Connecticut, Boston, Philadelphia, Washington, Baltimore, and many more. He also observed the culture of the places he visited writing about issues on government, religion, slavery, education, ETC. Howes 1106; Sabin 93170. **PRICE JUST REDUCED! W145
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STUBBE, W
Die Graphik des zwanzigsten Jahrhunderts.
Berlin, Rembrandt-Verlag, (1962). 4to. 319 S. m. 423 Abb. im Text u. auf Taf. sowie 40 Farbtaf. OLwd. m. OUmschl. (Umschl. m. leichten Gebrauchsspuren).
Riferimento per il libraio : 1227684
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Stubbs Books and Prints
Books on Architecture & Its Allied Arts
<p>Booksellers' catalog. Dog eared page with some ink markings in text. B & W throughout. Illustrated. 1597 entries. </p> Stubbs Books and Prints paperback
Riferimento per il libraio : 30-1816
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Stubbs Books & Prints, Inc.
The Engravings of Le Rouge: Eighteenth Century Gardens Documented. Nov. 12 - Feb. 2 1987
New York: Stubbs Books & Prints Inc. 1987. 12mo. Oblong Stapled Wrap ca. 10 pp. B&W Plates. Very Good with Creasing Sunning Abrasions.Provenance: From the Collection of Frederick Gale Ruffner Jr.The Founder of Gale Research Detroit New York: Stubbs Books & Prints, Inc., 1987 unknown
Riferimento per il libraio : 75-7988
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Stucki, Fritz
Geschichte der Familie Bodmer von Zürich 1543-1943.
Zch, Buchdruckerei AG, 1942. 4°. XXV, 555 S, 2 Bl. Zahlr. Taf. (z.T. in Farbe) und Textillustr.. Orig.-HLdr. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 15336AB
Riferimento per il libraio : 15336AB
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Studer, B
Das Panorama von Bern. Schilderung der in Berns Umgebung sichtbaren Gebirge. Mit einer vom Eichplatz in der Enge aufgenommenen Alpenansicht.
Bern, L.R. Walthard'schen Buchhandlung, 1850. 12°. IV, 252 S. Mit einer Panoramakarte. Orig.-Halblederband + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + (leicht berieben und bestossen).
Riferimento per il libraio : 24455AB
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Studer, B.:
Das Panorama von Bern. Schilderung der in Berns Umgebung sichtbaren Gebirge. Mit einer vom Eichplatz in der Enge aufgenommenen Alpenansicht.
Bern, L.R. Walthard'schen Buchhandlung, 1850. 12°. IV, 252 S. Mit einer Panoramakarte. Orig.-Halblederband (leicht berieben und bestossen).
Riferimento per il libraio : 24455AB
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Studer, Bernhard
Geschichte der physischen Geographie der Schweiz bis 1815.
Bern und Zürich, Stämpfli und Schulthess, 1863. 8°. IX, 671 S. + Index (eingeb. Fotokopien). Mod. Halbleinenband. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A|B [2 Warenabbildungen]
Riferimento per il libraio : 30446AB
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Studer, Bernhard:
Geschichte der physischen Geographie der Schweiz bis 1815.
Bern und Zürich, Stämpfli und Schulthess, 1863. 8°. IX, 671 S. + Index (eingeb. Fotokopien). Mod. Halbleinenband.
Riferimento per il libraio : 30446AB
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Studer, G(ottlieb), M(elchior) Ulrich u. J(ohann) J(akob) Weilenmann:
Berg- und Gletscher-Fahrten in den Hochalpen der Schweiz.
2 Bände. Zürich, Friedrich Schulthess, 1859-63. 8°. 1 Bl., VI, 365 S.; VII, 347 S. Mit 16 lithogr. Tafeln. Halbledereinbände mit Pappdeckeln. Inhalt mit einigen Flecken. Gesamthaft gut erhalten.
Riferimento per il libraio : 3833DB
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Studer, G(ottlieb), M(elchior) Ulrich u. J(ohann) J(akob) Weilenmann
Berg- und Gletscher-Fahrten in den Hochalpen der Schweiz.
Zürich, Friedrich Schulthess, 1859-63. 8°. 1 Bl., VI, 365 S.; VII, 347 S. Mit 16 lithogr. Tafeln. Pappbände der Zeit mit mont. handschriftl. Rückentiteln + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 2231B 2 Bände.
Riferimento per il libraio : 2231BB
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Studer, G(ottlieb), M(elchior) Ulrich u. J(ohann) J(akob) Weilenmann
Berg- und Gletscher-Fahrten in den Hochalpen der Schweiz.
Zürich, Friedrich Schulthess, 1859-63. 8°. 1 Bl., VI, 365 S.; VII, 347 S. Mit 16 lithogr. Tafeln. Halbledereinbände mit Pappdeckeln. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + 2 Bände. Inhalt mit einigen Flecken. Gesamthaft gut erhalten.
Riferimento per il libraio : 3833DB
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Studer, Gottlieb (Samuel)
Über Eis und Schnee. Die höchsten Gipfel der Schweiz und die Geschichte ihrer Besteigung.
Bern, Schmid, Francke & Co., 1896 - 1899. 8°. (2), 535 (1) S.; VII, 580 S.; XII, 508 S. Mit 1 Portrait. Illustr. Orig.-Leinenbände. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A|B 3 Bände. [2 Warenabbildungen] 2. Auflage.
Riferimento per il libraio : 4484DB
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Studer, Gottlieb (Samuel)
Über Eis und Schnee. Die höchsten Gipfel der Schweiz und die Geschichte ihrer Besteigung.
Bern, Schmid, Francke & Co., 1896. 8°. (2), 535 (1) S.; XII, 508 S. Mit 1 Portrait. Illustr. Orig.-Leinenbände. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 2849D 3 Teile in 2 Bänden. 2. Auflage.
Riferimento per il libraio : 2849DB
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Studer, Gottlieb (Samuel):
Über Eis und Schnee. Die höchsten Gipfel der Schweiz und die Geschichte ihrer Besteigung.
2. Auflage. 3 Teile in 2 Bänden. Bern, Schmid, Francke & Co., 1896. 8°. (2), 535 (1) S.; XII, 508 S. Mit 1 Portrait. Illustr. Orig.-Leinenbände.
Riferimento per il libraio : 2849DB
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Studer, Gottlieb (Samuel):
Über Eis und Schnee. Die höchsten Gipfel der Schweiz und die Geschichte ihrer Besteigung.
2. Auflage. 3 Bände. Bern, Schmid, Francke & Co., 1896 - 1899. 8°. (2), 535 (1) S.; VII, 580 S.; XII, 508 S. Mit 1 Portrait. Illustr. Orig.-Leinenbände.
Riferimento per il libraio : 4484DB
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Studer, Julius:
Die Geschichte der Kirchgemeinde Bäretswil im Kanton Zürich.
Zürich, Commissionsverlag S. Höhr, 1870. 8°. XII, 280 S. 1 farb. Lithogr. (Bäretswil vom Lettenberg aus) und 1 lithogr. Karte von A.W. Fehrenbach.. Späterer Halbleinenband.
Riferimento per il libraio : 395AB
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Studio Pretty Prints
Composition Notebook: Cute & Fruity Watermelon & Pineapple Book for Girls - 120 Pages Large 8.5 x 11 Journal
Independently published 2019. Paperback. New. 120 pages. 11.00x8.50x0.28 inches. Independently published paperback
Riferimento per il libraio : 2-1099985471 ISBN : 1099985471 9781099985478
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Studio, Pretty Prints
Composition Notebook: Sweet Sprinkles Cute Large Notebook for Girls - 8x10 College Ruled Journal
Independently published 2019. Paperback. New. 120 pages. 10.00x8.00x0.28 inches. Independently published paperback
Riferimento per il libraio : 1-1099918529 ISBN : 1099918529 9781099918520
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Studio, Pretty Prints
Composition Notebook: Large Watermelon Fruit Pattern Wide Ruled Notebook / Journal for Girls 8x10 120 Pages
Independently published 2019. Paperback. New. 120 pages. 10.00x8.00x0.28 inches. Independently published paperback
Riferimento per il libraio : 1-1099881773 ISBN : 1099881773 9781099881770
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Studio, Pretty Prints
Composition Notebook: Cute Cherry Pattern Large Notebook for Girls - College Ruled: 8.5x11 Journal
Independently published 2019. Paperback. New. 120 pages. 11.00x8.50x0.28 inches. Independently published paperback
Riferimento per il libraio : 2-1099982677 ISBN : 1099982677 9781099982675
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Studio, Pretty Prints
Composition Notebook: Large Watermelon Fruit Pattern Wide Ruled Notebook / Journal for Girls 8x10 120 Pages
Independently published 2019. Paperback. New. 120 pages. 10.00x8.00x0.28 inches. Independently published paperback
Riferimento per il libraio : __1099881773 ISBN : 1099881773 9781099881770
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Studio, Pretty Prints
Composition Notebook: Rainbows & Clouds Large Notebook for Girls - 120 Pages 8.5 x 11 Journal
Independently published 2019. Paperback. New. 120 pages. 11.00x8.50x0.28 inches. Independently published paperback
Riferimento per il libraio : 2-1070184497 ISBN : 1070184497 9781070184494
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Studio, Pretty Prints
Doodles: Large Sketchbook / Journal for Drawing Writing and Sketching for Girls - 120 Pages White Quality Paper
Independently published 2019. Paperback. New. 122 pages. 10.00x8.00x0.28 inches. Independently published paperback
Riferimento per il libraio : 2-1070660914 ISBN : 1070660914 9781070660912
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Studio, Pretty Prints
Doodles: Large Sketchbook / Journal for Drawing Writing and Sketching for Girls - 120 Blank Pages High Quality
Independently published 2019. Paperback. New. 122 pages. 10.00x8.00x0.28 inches. Independently published paperback
Riferimento per il libraio : 2-107068659X ISBN : 107068659X 9781070686592
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Studio, Pretty Prints
Fruity Pineapples Composition Notebook Journal
Independently published 2019. Paperback. New. 120 pages. 11.00x8.50x0.28 inches. Independently published paperback
Riferimento per il libraio : 2-1070187682 ISBN : 1070187682 9781070187686
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Studio, Pretty Prints
Girl Power: My Little Book of Incredible Ideas
Independently published 2019. Paperback. New. 120 pages. 9.00x6.00x0.28 inches. Independently published paperback
Riferimento per il libraio : 2-109955697X ISBN : 109955697X 9781099556975
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Studio, Pretty Prints
This Book Belongs to The Best Father In the World
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Riferimento per il libraio : 1099680387.G ISBN : 1099680387 9781099680380
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Studio, Pretty Prints
This Book Belongs to The Best Father In the World
Independently published 2019. Paperback. New. 120 pages. 9.00x6.00x0.28 inches. Independently published paperback
Riferimento per il libraio : 2-1099680387 ISBN : 1099680387 9781099680380
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Studio, Pretty Prints
Unicorns Are Real: Super Cute Large Notebook / Journal for Girls Composition Book
Independently published 2019. Paperback. New. 120 pages. 10.00x8.00x0.28 inches. Independently published paperback
Riferimento per il libraio : 2-1070703613 ISBN : 1070703613 9781070703619
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Studio, Pretty Prints
Where the Heck Did I Put My: Journal / Notebook for Daily Reminders Notes Business Ideas Funny Gift 6x9 Blank 120 Pages Line Paper High Quality
Independently published 2019. Paperback. New. 120 pages. 9.00x6.00x0.28 inches. Independently published paperback
Riferimento per il libraio : 2-1072566036 ISBN : 1072566036 9781072566038
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Stumpf, Johannes
Landtafeln. Der älteste Atlas der Schweiz.
Gattikon, Dorfpresse, 1975. 4°. u. Klein-4°. (Faksimilebd.:) (2) S., (1) S. (faksimil.), (1) S., (1) Bl. Mit 12 (dv. 4 doppelblattgr.) faksimil., kol. Karten; (Kommentar:) 43 S. Orig.-Halbpergamentbd. mit goldgepr. Rückentitel u. Orig.-Heft. in mont. Stecktasche auf hint. fest. Vorsatz. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A|B [2 Warenabbildungen]
Riferimento per il libraio : 4915BB
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