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[ART] - LAVALLEYE, PROFESSEUR À L'UNIVERSITÉ CATHOLIQUE DE LOUVAIN (Jacques)
Lucas Van Leyden, Peter Bruegel l'ancien. gravures, oeuvre complet.
Paris, Arts & Métiers Graphiques, 1966; in-folio, XXVI pp. + 318 pl. hors-texte, XX pp. + 173 pl. hors-texte, 16 pp. de tables, relié pleine percaline, coloris brun, dos lisse, sous jaquette illustrée. L'oeuvre complet des estampes de Lucas van Leyden et de Peter Bruegel l'Ancien, chez un très bon éditeur. Nombreuses illustrations dont certaines en héliogravure sur les presses des Etablissements Braun. Bon état.
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[Auber, Daniel Francois].
Portrait. [Paris, um 1860].
190 x 125 mm. Stahlstich von Georges François Louis Jaquemot. Brustbild nach links. - Gebräunt.
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[Bande dessinée].
Album of original drawings. Blois, Paris, Saint-Malo and no place, 1990-1994.
Folio (320 x 250 mm). 150 leaves with 140 drawings. Various media: felt-tip marker, India ink, pen, graphite, coloured pencil, gouache, etc. Contemporary leatherette album, upper cover giltstamped "Livre d'Or", covers reinforced with metal applications. Marbled endpapers. All edges gilt. A splendid album of original artwork by some of the foremost artists of the Franco-Belgian comics scene active during the early 1990s. The contributions, some of which are located and dated, would seem to have been collected at various comics fairs or events. Virtually all are inscribed to "Jean-Michel", also variously spelt "Yann Mikael" or similarly, suggesting - as do the frequent maritime subjects - that the collector hailed from Brittany, probably from Saint-Malo, where numerous entries were acquired. - Among the still-active luminaries of the medium's Golden Age are Morris (with a portrait of Lucky Luke) and Tabary (who draws Calife Haroun el Poussah, known in English as Haroun El Plassid). Jidéhem draws Gaston (on which strip he long collaborated with Franquin), and Albert Weinberg draws his character Dan Cooper. Marcel Uderzo, Albert's younger brother and sometime collaborator on the original Asterix albums, draws his own character Mathias. Others have taken over the torch from famous predecessors: Al Coutelis draws a spoof of Tanguy and Laverdure, a famous strip he inherited from Albert Uderzo; Jean-Claude Fournier draws Spirou, which character Franquin handed over to him as early as 1970. A portrait in fineliner and broad felt-tip is contributed by André Juillard, who would later take over Edgar P. Jacobs's Blake and Mortimer - a series in which Didier Convard, seen in another entry, would also have a hand, in collaboration with Juillard. Jacobs himself is obliquely present in the portrait of his villain Olrik, drawn by an unidentified contributor, while Jean-Charles Kraehn represents Saint-Malo's very own "bande dessinée" scene. - A few double-page spreads (21, 114). Occasional light offsetting to opposite page or bleeding to next, especially from felt-tip drawings, but on the whole perfectly preserved. A few blank pages serve as protective tissue guards. A complete list of contributors, all but a dozen identified, is available upon request.
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[Battala woodcut]. Karmakar, Jadubandu (printer).
Raja Sabha [The Raja's court]. [Calcutta], printed by Jadubandu Karmakar, [ca. 1840].
Woodcut on paper. An evocative court scene in an ornamental woodcut border, title and impressum in Bengali within a cartouche situated at bottom centre. The only known copy of a Battala woodcut showing a lively scene at the court of an Indian Raja, with the Raja and eminent courtiers, European colonial officers, musicians, dancers, and even dogs present. This is a very rare example of a Battala woodcut print, which were produced in the early to mid 19th century in the Battala neighbourhood of Calcutta (Kolkota). These prints showed often somewhat crude but evocative religious or secular illustrations, produced for people of the lower economic classes who could not afford the watercolours that inspired these woodcuts. An estimated number of only 100 to 200 prints of these Battala woodcuts have survived, as they were printed on cheap, thin, low quality paper stock. - During the early 19th century, there existed in Kolkata a substantial industry of woodcut printing. The artists, publishers and printers were active in the Battala neighbourhood, in the northern part of the city, after which the surviving woodcut prints are named. Large, single-leaf woodcuts - like the present example - were produced as cheaper versions of the already inexpensive watercolours called patas, which were in turn inspired by illustrated Mughal manuscripts. The patas were sold from stalls in the southern part of Kolkata, near the Kalighat Kali Temple, a renowned Hindu temple that is also regarded as one of the 51 Shakti Peethas of India. It was then, and still remains, an important pilgrimage destination; the patas, and later also the woodcut prints, were sold to the pilgrims as souvenirs. As the Battala woodcuts were inspired by and based on these patas, it is little surprise that one of the most famous Battala woodcuts is that of the Hindu goddess Kali, of ultimate power, time, destruction and change. While most Battala prints feature religious illustrations, other specimens show past and contemporary celebrities, mansions of the rich, fairs and festivals, and other secular themes, including the Raja's court, as in the present example. - The existence of the Battala prints, alongside the pata watercolours, was short-lived: they emerged and became popular in the early 19th century and by the end of the century had almost completely disappeared due to the arrival of lithography, a simpler, less labour-intensive process that was capable of producing cheaper prints, even in colour. - Condition: paper somewhat worn, mainly along the lower margin, slightly affecting the border and lower right corner of the illustration. The top and lower margins have been slightly reinforced on the reverse. Overall in good condition. One of a very small number of surviving Battala woodcuts, the only known example to show the Raja's court. F. Hirsch, "A Rare Kali Woodcut From the Era of the Battala Printers", Art in Print 6.3 (Sept.-Oct. 2016), pp. 24-28.
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[Bible (figures ). 1679]- KÜSEL Melchior (Kusel, Melchior. Bible Engravings)+ Johann Baptista Croph et Georg Laub
ICONES BIBLICAE VETERIS ET NOVI TESTAMENTI. Figuren biblischer Historien Alten und Neuen Testaments [FIGURES DE L'HISTOIRE BIBLIQUE DE L'ANCIEN ET DU NOUVEAU TESTAMENT]
Augsburg Melchiore Kysel 1679 in-4 plein-veau Trois parties en un volume, reliure plein veau (binding full calfskin) havane petit in-quarto, dos à nerfs (spine with raised band) décoré or, pièce de titre (label of title) sur fond rouge fonçé avec double filet "or", entre-nerfs à fleurons central dans un encadrement de deux filets or avec rinceaux aux angles, premier plat décoré à froid d'un encadrement d'un filet à froid, coins émoussés, toutes tranches lisses rouges, manque de papier au coin de la première page de garde peignée, petite restauration ancienne, Ex-Libris manuscrit avec trés nombreux commentaires sur les deux pages de gardes à la mine de plomb : Baron De WISMES, orné comme suit : Illustration gravée sur cuivre par Melchiore Kysel (Melchior KÜSEL), comprenant 2 frontispices et 241 vignettes dans le texte, [1] frontispice gravé , [1] f., 51 pl. ; [1] f., 51 pl. ; [1] f., 50 pl. ; [1] front. gr., [1] f., 47 pl. ; [1] f., 42 pl., [1] f. (gravures sur bois en noir imprimées d'un seul côté par Melchior KÜSEL), complet des gravures mais avec parfois un manque de papier n'atteignant pas les gravures mais parfois les textes en latin ou en allemand des vers au pied des gravures (restaurations anciennes), MDCLXXIX (1679) [Augsburg] Proprio aere aeri incisae, et venales expositae a Melchiore Kysel, Augustano. Augustae Vind. Editeur,,
Referenz des Buchhändlers : 18679
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[BIBLIOGRAPHIE] - CATALOGUE D'EXPOSITION
L'estampe aujourd'hui 73/78.
Paris, Bibliothèque Nationale, 1978; in-4, 251 pp., broché. Bon état.
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[BOURGOGNE] ; [RICHARD, Abbé]
Tablettes historiques, topographiques et phisiques de Bourgogne pour l’année 1760
1760 Couverturerigide Dijon, François Desventes, 1760. Un volume in-24 étroit (11,5 x 6 cm), reliure plein maroquin lavallière de l’époque, plats ornés d’une riche plaque dorée, dos lisse orné de fleurons dorés, tranches dorées (DUBUISSON), charnières légèrement fendillées en pied. Frontispice, titre gravé, 13 feuillets non chiffrés, 198 pages, papier jauni. Huitième et dernière année parue. Le frontispice représente le portrait de Charles de Bourbon, prince de Condé, dans une composition allégorique gravée par Fessard d’après Saint-Aubin (SAFFROY 353). Conçu à la fois comme un guide pratique, un outil administratif et un précis de géographie locale, cet almanach propose une « Division générale de la Bourgogne » détaillant ses différentes contrées (Dijonnois, Autunois, Châlonnois, l'Auxerrois...), ses bailliages, ses cours d'eau (la Saône, l’Ouche, la Tille) et ses ressources. Véritable miroir de la société bourguignonne du XVIIIe siècle, il recense également les membres de la noblesse locale, le clergé, les parlements, ainsi que les foires et les aspects économiques de la région. Bon exemplaire dans une belle reliure.
Referenz des Buchhändlers : 1932
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[Botanical Prints]. WEINMANN, Johann Wilhelm
PHYTHANTHOZA ICONOGRAPHIA. Pl. 808
Regensburg: H. Lentz and H.G. Neubauer et al. 1745. First edition. Very good. <p>Mezzotint engraving printed in color finished by hand 12.75 x 8.25 inches platemark approx; 15.25 x 9.5 inches overall approx. Left edge retains sewing stabs neatly disbound in some earlier century else a very vibrant example of a hand colored mezzotint engraving. The individual botanicals in this plate are: a. Phaseolus flore puniceo b. Phaseolus major c. Phaseolus orthocaulus d. Phaseolus Indicus e. Phaseolus major seu Faba purgatrioc. <br /> <br /> Drawn from Johann Wilhelm Weinmann's Phytanthoza Iconographia this dazzling print is part of a riotous celebration of plants trees shrubs herbs flowers fruits mushrooms and trailing vines. Printed in color and delicately finished by hand the series stands among the earliest triumphs of color printing and marks the first published collection to feature the work of George Dionysus Ehret one of the eighteenth century's most admired botanical artists. Other artists/engravers included in this work are Bartholomaus Seuter Johann Elias Ridinger and Johann Jakob Haid. In Great Flower Books Satcheverall Sitwell refers to this set as the "pioneering work of botanical prints engraved to be inked in color."</p> . <p>NISSEN2126. DUNTHORNE 327. SITWELL/BLUNT Great Flower Books p. 151 166.</p> . H. Lentz and H.G. Neubauer, et al. unknown
Referenz des Buchhändlers : 855
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[Botany; Prints]
Portraits of the Founding Fathers of Botanical Study
1850. Very good condition. An archive of 27 portraits of the founding fathers of botany including Dodoens Leeuwenhoek Grew Hill Aldrovandi Smith Desfontaines Palisot Gessner Everard Bonnet Banks Buffon Gray Evelyn Linnaeus Cuvier Klein Clusius and Agassiz.<br /> <br /> 1. Rembert Dodoens born Rembert Van Joenckema 1517 – 1585 was a Flemish physician and botanist. Rembert Dodoens Rembertus Dodonaeus was one of the great botanists of the 16th century who pursued a knowledge of plants in their own right not simply for medicinal uses. Contemporary copper engraving 4 7/8 x 7" on 7 3/8 x 10 1/2".<br /> <br /> 2. Antonius Leeuwenhoek 1632 - 1723 Dutch "Father of Microbiology" with botanical importance who worked with William III of Orange and his wife Mary II of England and Tsar Peter the Great of Russia. Copper engraving 5 1/2 x 7 1/8".<br /> <br /> 3. Nehemiah Grew 1641 – 1712 was an English plant anatomist and physiologist known as the "Father of Plant Anatomy". Copper engraving 5 3/4 x 9 1/4".<br /> <br /> 4. John Hill ca. 1714 – 1775 was an English author and botanist who contributed to contemporary periodicals including the botanical compendium 'The Vegetable System'. Copper engraving 8 7/8 x 11 1/4" on 9 5/8 x 12 1/2".<br /> <br /> 5. Ulisse Aldrovandi 1522 – 1605 was an Italian naturalist professor of botany and one of the founders of the Bologna's botanical garden one of the first in Europe. Carl Linnaeus and the Comte de Buffon considered Aldrovandi the father of natural history studies. 5 7/8 x 8 3/8".<br /> <br /> 6. Sir James Edward Smith 1759 – 1828 was an English botanist and founder of the Linnean Society 5 x 7" on 8 7/8 x 11 5/8".<br /> <br /> 7. Rene Louiche Desfontaines 1750 – 1833 was a French botanist who studied medicine. His interest in botany originated from lectures given by Louis Guillaume Lemonnier at the Jardin des Plantes 9 1/4 x 12 1/4".<br /> <br /> 8. Charles-François Brisseau de Mirbel 1776 – 1854 was a French botanist and politician. He was a founder of the science of plant cytology 9 1/2 x 12 1/2".<br /> <br /> 9. Ambroise Marie François Joseph Palisot Baron de Beauvois 1752 - 1820 Paris was a French naturalist who was trained as a botanist and published an important paper on American entomology 9 x 12".<br /> <br /> 10. Antoine Laurent de Jussieu 1748 – 1836 was a French botanist notably the first to publish a natural classification of flowering plants; his system remains largely in use today 9 1/2 x 12 1/2". <br /> <br /> 11. Conrad Gessner 1516 – 1565 was a Swiss physician and naturalist regarded as the father of modern scientific bibliography zoology and botany. Gessner was working on a major botanical text at the time of his early death from the plague 3 5/8 x 5 1/8" on 6 1/8 x 7 7/8".<br /> <br /> 12. Michael Rotenbeck 1569 - 1623 physician and collector of botanical works. Copper engraving 7 5/8 x 4 3/4" on 13 x 8 1/2".<br /> <br /> 13. Dr. Giles Everard or Gilles Everaerts 16th century; active in 1580s Dutch physician who wrote works on the beneficial medicinal effects of tobacco smoking. Copper engraving 4 7/8 x 6" on 8 1/2 x 10".<br /> <br /> 14. Charles Bonnet 1720 – 1793 Naturalist and philosophical writer. He coined the term phyllotaxis to describe the arrangement of leaves on a plant. 8 1/2 x 12 1/2".<br /> <br /> 15. Georges-Louis Leclerc Comte de Buffon 1707 – 1788 was a French naturalist mathematician cosmologist and encyclopediste. Buffon was the director at the Jardin du Roi now called the Jardin des Plantes. Buffon published 36 quarto volumes of his 'Histoire Naturelle' during his lifetime. Ernst Mayr wrote that "Truly Buffon was the father of all thought in natural history in the second half of the 18th century". 4 1/2 x 6 3/8" on 9 x 11 1/2".<br /> <br /> 16. Sir Joseph Banks 1st Baronet GCB PRS 1743 – 1820 English naturalist botanist and patron of the natural sciences. 7 x 10 3/8".<br /> <br /> 17. Asa Gray 1810 – 1888 is considered the most important American botanist of the 19th century. His Darwiniana was significant as an explanation of how religion and science were not necessarily mutually exclusive. Gray was convinced that a genetic connection existed between all members of a species. He was opposed to the idea of hybridization within one generation and believed evolution was guided by a Creator. 6 x 8 5/8".<br /> <br /> 18. John Evelyn 1620 - 1706 author and botanist noted for his knowledge of trees. Evelyn's treatise Sylva or A Discourse of Forest-Trees 1664 was written as an encouragement to landowners to plant trees to provide timber for the English navy. 8 x 10".<br /> <br /> 19. Carl Linnaeus 1707 – 1778 Carl von Linne was a Swedish botanist physician and zoologist who formalized binomial nomenclature the modern system of naming organisms. 6 images: 4 1/2 x 6 1/2" 6 x 8 1/2" 4 7/8 x 8 5 1/2 x 9" 7 x 10 1/2" 6 1/4 x 8 1/2".<br /> <br /> 20. Jean Leopold Nicolas Frederic Baron Cuvier 1769 – 1832 known as Georges Cuvier was a French naturalist and zoologist instrumental in establishing the fields of comparative anatomy and paleontology through his work in comparing living animals with fossils. 4 images: 5 x 8 1/4" 6 3/4 x 9 7/8" 6 x 9" 7 1/2 x 10".<br /> <br /> 21. Jacob Theodor Klein 1685 – 1759 was a German jurist historian botanist zoologist mathematician and diplomat in service of Polish King August II the Strong. 9 x 14 5/8" on 9 1/2 x 15 1/2".<br /> <br /> 22. Charles de l'Ecluse L'Escluse or Carolus Clusius 1526 – 1609 was an Artois doctor and pioneering botanist perhaps the most influential of all 16th-century scientific horticulturists. 4 5/8 x 6 5/8".<br /> <br /> 23. Jean Louis Rodolphe Agassiz 1807 – 1873 was a Swiss-American biologist and geologist recognized as an innovative and prodigious scholar of Earth's natural history. 9 1/4 x 12 1/4".<br /> <br /> 24. John Lindley 1799 - 1865 English botanist and orchidologist whose orchid collection was housed at Kew's herbarium noted for his 'Theory and Practice of Horticulture'.<br /> <br /> 25. Joseph Decaise 1807 - 1882 French botanist and agronomist. 5 1/2 x 8 3/4".<br /> <br /> 26. Louis Van Houtte 1810 -1876. Belgian horticulturist. Published the "Journal Flore des Serres et des Jardins de l'Europe". 5 1/2 x 8 3/4".<br /> <br /> 27. Georg Eberhard Rumphius Rumpf 1627 - 1702 Batavian botanist best known for his work Herbarium Amboinense a catalogue of the plants of the island of Amboina Indonesia. 9 1/2 x 14".<br /> <br /> The portraits mainly steel engraved some lithographic mostly 4to. All in very good condition. unknown
Referenz des Buchhändlers : 24734
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[BRITISH INDIA - 1870S ENGRAVINGS]
Quinine Culture - The Cinchona Plantations at Darjeeling Bengal.
New York.: Harper's Weekly. 23 November1872. Five engravings in three columns 23.5 x 10 cms; on a single newspaper leaf 28.7 x 40.8 cm unrelated text on the verso lower margin creased with a small central tear affecting the caption no loss the image sin very good condition. Engravings from Harper's Weekly in November 1872 all centred on the quinine production in Darjeeling. Production began in the 1860s from seeds sent by the famed botanist Sir Joseph Dalton Hooker. Quinine proved indispensable to British rule in India and they invested heavily in plantations to sure up supply.The anti-malarial was vital for colonial expansion "quinine coursed through the bloodstream of empire" Townsend Middleton "Becoming after: The Lives and Politics of Quinine’s Remains" in Cultural Anthropology Vol. 36 Issue 2 pp. 282-311 2014 although probably known more to the readers of Harper's Weekly as an essential for gin and tonic. <br> <br>The five engravings: <br>Foot-Bridge over the River Rungbee <br>Buttress of Suspension Bridge over the River Teestah <br>Cinchona Succirubra Thirty Feet High signed but indecipherable <br>Native of Sikkim <br>Cane Suspension Bridge over the Great Runjeet. . Harper's Weekly. unknown
Referenz des Buchhändlers : 195548
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[Catalogue], [Drouot]
Belles estampes françaises et anglaises du XVIIIe siècle, tableaux, dessins, gouaches, objets d'art et d'ameublement, céramique, meubles et sièges anciens, écrans.
1927 Paris, Drouot, 27 et 28 mai 1927. Un cahier in-8 broché, couverture rose, 46 pp. et illustrations en n&b. Bon état.
Referenz des Buchhändlers : 9274
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[catalogue]
Catalogue des tableaux anciens, tableaux modernes, objets d'Art et de haute curiosité, importantes tapisseries composant la Collection Engel-Gros.
1921 Paris, 1921. Un volume in-4 broché, couverture blanche rempliée, 147 pages, illustrations hors-texte en n&b. Bon état.
Referenz des Buchhändlers : 8611
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[catalogue de vente aux enchères] commissaire-priseur: Henri Baudouin
Catalogue des tableaux anciens principalement des écoles espagnole et hollandaises par Jean Both, Albert Cuyp, J. van der Heyden, J.B. Juanez, Mieris, Verschuring, Wynants appartenant à Mme N... et provenant de l'ancienne collection N. Kozloff de Petrograd (1825-1888) Tableaux anciens et pastels .Vente à Paris, à L'Hotel Drouot le 15 mars 1923 -
Un catalogue in4 broché nde 16 pages sur papier vergé - reproductions d'oeuvres en noir -
Referenz des Buchhändlers : GF30409
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[Catalogue], [Drouot]
Collection de Mademoiselle Della Torre. Estampes imprimées en couleurs des écoles anglaise & française du XVIIIe siècle, objets d'Art & d'ameublement du XVIIIe siècle.
1914 Paris, 1914. Un volume in-4 broché, couverture rempliée beige, 52 pp. et planches en noir hors-texte. Rousseurs sur les plats, néanmoins bon état.
Referenz des Buchhändlers : 8537
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[Catalogue]
Collection de Madame de V. Très belles estampes du XVIIIe siècle, objets d'Art & d'ameublement, tapisseries.
1928 Paris, 1928. Un volume in-4 broché, couverture rempliée beige, non paginé, xxvii planches en noir hors-texte. Rousseurs sur les plats, néanmoins bon état.
Referenz des Buchhändlers : 8538
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[Catalogue]
Collection X... Tableaux anciens et modernes, pastels, dessins, aquarelles, gouaches, gravures en couleurs du XVIIIe siècle.
1920 Paris, 1920. Un volume in-4 broché, couverture rempliée beige, 187 pp., planches en noir hors-texte. Rousseurs sur les plats, néanmoins bon état.
Referenz des Buchhändlers : 8539
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[Catalogue]
Collection de M. Max. Tableaux modernes, pastels, aquarelles, dessins, tableaux anciens.
1917 Paris, 1917. Un volume in-4 broché, couverture rempliée bleue, 61 pp., planches en noir hors-texte. Rousseurs sur les plats, néanmoins bon état.
Referenz des Buchhändlers : 8542
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[Catalogue]
Collection Sigismond Bardac. Tableaux anciens, pastels, aquarelles, dessins, gouaches, objets d'Art et d'ameublement.
1920 Paris, 1920. Un volume in-4 broché, couverture rempliée beige, 70 pp., planches en héliogravure hors-texte. Rousseurs sur les plats, petites déchirures à la couverture, sans manque, néanmoins bon état.
Referenz des Buchhändlers : 8544
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[Catalogue]
Collection de M. X... Tableaux modernes, tableaux anciens, objets d'Art & d'ameublement.
1913 Paris, 1913. Un volume in-4 broché, couverture rempliée beige, 68 pp., planches en héliogravure hors-texte. Rousseurs sur les plats, néanmoins bon état.
Referenz des Buchhändlers : 8551
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[catalogue]
Collection Paul Dutasta. Les Estampes en couleurs du XVIIIe siècle, aquarelles, dessins et gouaches, pastels, tableaux, sculptures, bronzes, ...
1926 Paris, 1926. Un volume in-4 broché, couverture blanche rempliée, 113 pages, lxxiii pl. d'illustrations en n&b. Bon état.
Referenz des Buchhändlers : 8612
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[catalogue]
Collection A. Beurdeley (sixième vente). Dessins anciens du Moyen Age et de la Renaissance (XVe et XVIe siècles), dessins, pastels, aquarelles des XVIIe et XVIIIe siècles.
1920 Paris, 1920. Un volume in-4 broché, couverture bleue rempliée, 129 pages, illustrations hors-texte en n&b. Couverture défraîchie, petites déchirures sans manque, intérieur frais.
Referenz des Buchhändlers : 8613
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[catalogue]
Collection Maurice Kann. Tableaux anciens, oeuvres importantes des Ecoles flamande et hollandaise du XVIIe siècle, portraits de l'école anglaise du XVIIIe siècle.
1911 Paris, 1911. Un fort volume in-4 broché, couverture bleue rempliée, 91 pages, très nombreuses héliogravures hors-texte en n&b. Couverture défraîchie, petite déchirure sans manque, intérieur frais.
Referenz des Buchhändlers : 8614
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[catalogue]
Collection Victorien Sardou. Objets d'Art et d'ameublement, tableaux anciens, aquarelles, dessins, gouaches, pastels.
1909 Paris, 1909. Un volume in-4 broché, couverture blanche imprimée, 115 pages, nombreuses planches hors-texte en n&b. Rares rousseurs, bon état.
Referenz des Buchhändlers : 8617
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[Catalogue]
Collection de M. Georges Bourgarel (Seconde partie). Dessins, tableaux, sculptures, objets d'Art et d'Ameublement, tapisseries.
1922 Paris, Drouot, 1922. Un volume in-4 broché, couverture bleue imprimée, 88 pages, illustrations en n&b. Bon état.
Referenz des Buchhändlers : 8980
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[Catalogue]
Collection Henri de la Broise. Tableaux anciens, objets d'Art et de haute curiosité.
1931 Paris, Drouot, 1931. Un volume in-4 broché, couverture beige imprimée,31 pages, planches hors-texte. Bon état.
Referenz des Buchhändlers : 8982
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[Catalogue]
Collection Schutz (Première vente). Objets d'art et de curiosité, tableaux, sculptures, meubles, importantes tapisseries, broderies, étoffes.
1932 Paris, Drouot, 1932. Un volume in-4 broché, couverture beige imprimée, 29 pages, planches hors-texte. Bon état.
Referenz des Buchhändlers : 8984
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[Catalogue]
Collection de feu M. le Comte de Reiset, ancien ministre plénipotentiaire. Objets d'Art et d'ameublement principalement du XVIIIe siècle, tapisseries, tableaux anciens, aquarelles, dessins, gouaches, pastels.
1922 Paris, Drouot, 1922. Un volume in-4 broché, couverture bleue imprimée, 81 pages, planches hors-texte. Bon état.
Referenz des Buchhändlers : 8985
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[Catalogue]
Collection George Usslaub de Marseille. Estampes des XVIe au XIXe siècles en noir et en couleurs, pièces relatives aux ballons, vues de pays, aquarelles, dessins anciens et modernes.
1929 Paris, Drouot, 1929. Un volume in-4 broché, couverture beige imprimée, 39 pp. et planches hors-texte. Bon état.
Referenz des Buchhändlers : 8988
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[Catalogue], [Drouot]
Collection Engel-Gros. Estampes, aquarelles, dessins, livres et recueils relatifs à la Suisse, albums autographiés de Rod. Toepffer.
1922 Paris, Drouot, 8 décembre 1922. Un cahier in-4 broché, couverture jaune, 44 pp. et illustrations en n&b. Bon état.
Referenz des Buchhändlers : 9269
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[Catalogue], [Drouot]
Collection A. Beurdeley. 7e vente, estampes, 2e partie.
1930 Paris, Drouot, 2 et 3 juillet 1920. Un cahier in-8 broché, couverture verte, 62 pp. et illustrations en n&b. Bon état.
Referenz des Buchhändlers : 9276
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[Catalogue], [Drouot]
Collection de Mr E. L... Tableaux modernes, aquarelles, pastels, dessins, gravures, sculptures.
1930 Paris, Drouot, 21 novembre 1930. Un cahier in-8 broché, couverture beige, 31 pp. et illustrations en n&b. Bon état.
Referenz des Buchhändlers : 9278
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[Catalogue], [Drouot]
Collection de M. E. Rodrigues. Première partie.
1928 Paris, Drouot, 28 et 29 novembre 1928. Un cahier in-8 broché, couverture beige, 55 pp. et xxxviii pl. d'illustrations en n&b. Notes au crayon néanmoins bon état.
Referenz des Buchhändlers : 9279
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[Catalogue], [Drouot]
Collection E. Calando. Dessins anciens.
1927 Paris, Drouot, 17 et 18 mars 1927. Un cahier in-8 broché, couverture beige, 39 pp. et illustrations en n&b. Bon état.
Referenz des Buchhändlers : 9280
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[Catalogue], [Drouot]
Collection de Madame J. Brasseur de Lille (Troisième vente).
1921 Paris, Drouot, 15 avril 1921. Un cahier in-8 broché, couverture blanche, 22 pp. et illustrations en n&b. Bon état.
Referenz des Buchhändlers : 9282
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[Catalogue], [Drouot]
Collection de feu M. Paul Gravier (7e vente). Objets de vitrine.
1923 Paris, Drouot, 28 et 29 mai 1923. Un cahier in-8 broché, couverture bleue, 17 pp. et illustrations en n&b. Bon état.
Referenz des Buchhändlers : 9289
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[Catalogue], [Drouot]
Collection de feu M. Paul Gravier. Objets de vitrine.
1923 Paris, Drouot, 5 et 6 mars 1923. Un cahier in-8 broché, couverture verte, 18 pp., illustrations en n&b. Bon état.
Referenz des Buchhändlers : 9326
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[Catalogue], [Drouot]
Collection de M. Franc Lamy. Dessins, aquarelles, gouaches, tableaux, miniatures, cadres, principalement du XVIIIe siècle.
1912 Paris, Drouot, novembre 1912. Un cahier in-8 broché, couverture blanche, 53 pp., illustrations en n&b. Couverture défraîchie, néanmoins bon état.
Referenz des Buchhändlers : 9333
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[Catalogue], [Drouot]
Estampes françaises, anglaises et autres, principalement du XVIIIe siècle, costumes militaires, modes, etc...
1926 Paris, Drouot, 1926. Un cahier in-8 broché, couverture verte, 20 pp. et illustrations en n&b. Bon état.
Referenz des Buchhändlers : 9258
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[Catalogue], [Drouot]
Estampes du XVIIIe siècle, meubles et sièges des XVIIe et XVIIIe siècles, bronzes, cires perdues italiennes des XVIe et XVIIe siècles, dessins appartenant à Monsieur le Marquis de Pompignan.
1929 Paris, Drouot, 19 avril 1929. Un cahier in-8 broché, couverture bleue, 24 pp. et illustrations en n&b. Bon état.
Referenz des Buchhändlers : 9273
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[Catalogue], [Drouot]
Estampes anciennes du XVIIIe siècle.
1926 Paris, Drouot, 13 décembre 1920. Un cahier in-8 broché, couverture blanche, 46 pp., illustrations en n&b. Rousseurs.
Referenz des Buchhändlers : 9332
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[Catalogue], [Drouot]
Estampes des XVIe, XVIIe et XVIIIe siècles, oeuvre de F. Boucher, vues de Paris.
1931 Paris, Drouot, 17 avril 1931. Un cahier in-8 broché, couverture beige, 23 pp., illustrations en n&b. Bon état.
Referenz des Buchhändlers : 9336
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[Catalogue], [Drouot]
Estampes anciennes et du début du XIXe siècle.
1927 Paris, Drouot, 3 mars 1927. Un cahier in-8 broché, couverture beige, 26 pp., illustrations en n&b. Bon état.
Referenz des Buchhändlers : 9337
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[catalogue de vente aux enchères] commissaire-priseur: Claude Robert
Garnier-Geoffroy- Aquarelles, Dessins, pastels, sanguines, peintures - Vente à l'hotel Drouot le 7 octobre 1968
Une plaquette in-8 brochée non paginée - quelques reproductions d'oeuvres en noir - Textes d'introduction par G. Dezeaux -
Referenz des Buchhändlers : GF30393
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[catalogue de vente aux enchères] commissaire-priseur: Claude Robert
Georges Freset - peintures - Vente à l'hotel Drouot le 4 novembre 1969
Une plaquette in-8 brochée non paginée - quelques reproductions d'oeuvres en noir - Textes d'introduction -
Referenz des Buchhändlers : GF30392
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[catalogue de vente aux enchères] commissaire-priseur: Paul Martin - expert jules Feral -
Importants tableaux modernes : Chagall - R. Dufy - Friesz - Guillaumin - Kisling - Lebourg - Camille Pissaro - Renoir - Utrillo - Valtat - Vlaminck - Vuillard - Bronzes et terres cuites par Barye - Bourdelle - Carpeaux - Dalou - Rodin - (canne attribuée à Gauguin) - Vente à Versailles - Palais des Congrès - dimanche 8 juin 1969
Un catalogue in-4 broché non paginé imprimé sur papier glacé - nombreuses reproductions d'oeuvres en noir et en couleurs -
Referenz des Buchhändlers : GF30513
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[catalogue de vente aux enchères] commissaire-priseur: Marcel CHARPENTIER, Etienne ADER
Important buste en marbre par J.-B. Pigalle , tableaux anciens attribués à Greuze, dépendant de la succession du Baronde Sµ***Vente à Paris,Galerie Charpentier le 14 décembre 1937 -
Un catalogue in4 broché non paginés imprimé sur beau papier crème -deux illustrations en noir pleine page (le buste de Geroges Gougenot par Pigalle)
Referenz des Buchhändlers : GF31865
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[Catalogue], [Drouot]
Liquidation de la Société "Styles" (deuxième vente). Tableaux anciens.
1922 Paris, Drouot, 6 décembre 1922. Un cahier in-8 broché, couverture blanche, 12 pp. et illustrations en n&b. Bon état.
Referenz des Buchhändlers : 9284
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[Catalogue], [Drouot]
Meubles et objets d'Art principalement du XVIIIe siècle, orfèvrerie ancienne, porcelaine de Chine, tapisseries, tapis.
1924 Paris, Drouot, 8 mars 1924. Un cahier in-8 broché, couverture bleue, 19 pp. et illustrations en n&b. Couverture défraîchie, néanmoins bon état.
Referenz des Buchhändlers : 9287
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[Catalogue], [Drouot]
Meubles et objets d'art anciens, appartenant à Madame A. Bérard.
1932 Paris, Drouot, 21 et 22 décembre 1932. Un cahier in-8 broché, couverture blanche, 24 pp. et illustrations en n&b. Bon état.
Referenz des Buchhändlers : 9290
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[Catalogue], [Drouot]
Meubles & objets d'Art principalement du XVIIIe siècle, Biscuits tendres de Sèvres, sièges couverts en tapisserie, tapisseries anciennes.
1923 Paris, Drouot, 17 décembre 1923. Un cahier in-8 broché, couverture beige, 19 pp. et illustrations en n&b. Couverture défraîchie, néanmoins bon état.
Referenz des Buchhändlers : 9292
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