‎Estampes‎

‎Dupin, Jacques and Ariane Lelong-Mainaud (Joan Miro)‎

‎Miro Engraver IV (volume 4 of the catalogue raisonne of Miro's intaglio and relief engravings)‎

‎The long-awaited fourth and final volume of the catalogue raisonne. New, in dj and slipcase. Includes two original woodcuts.‎

‎DUPLESSIS Georges, [HENNIN Michel]‎

‎INVENTAIRE DE LA COLLECTION D’ESTAMPES relatives à l’Histoire de France léguée en 1863 à la Bibliothèque nationale par M.Michel HENNIN rédigé par Georges DUPLESSIS, Tome deuxième, seconde partie.‎

‎Chez Picard, libraire, Paris, 1879‎

‎Un volume in-8°, broché, couverture souple éditeur couleur grise, pagination relative à ce seul tome deuxième (p265-464). ETAT CORRECT.‎

Referenz des Buchhändlers : 851 

‎Duplessis-Bertaux, Jean (1747-1819). French painter, draughtsman and producer of etchings and burin engravings.‎

‎CRIS DES MARCHANDS AMBULANTS DE PARIS. A SUITE OF 18 ENGRAVINGS by JEAN DUPLESSIS-BERTAUX illustrating the Street Cries of Paris Merchants.‎

‎<p>Paris circa 1805 through 1814. . Very good. - A suite of 18 plates by Jean Duplessis-Bertaux engraved on creamy white stock measuring between 10-1/2 inches by 8 inches and 11 inches by 8-1/2 inches with large margins there is one smaller exception. The images depict the various cries of Paris merchants. All but three are signed "JDB" in the plate. Most of the images are identified and titled in French in pencil by a previous owner. The collection is as follows:</p><p>"Marchand de gravures etalagiste" portrays street vendors of engravings offering their merchandise to customers some of whom are handling the prints. Several prints hang from a wire stretched between poles in the background and a large blank canvas hangs from the center of the pole. In some editions what is here a blank canvas bears the printed title "Suite de Marchands ambulants de Paris par J.D. Bertaux" and serves as frontispiece to the work. The image measures 3-1/4 inch high by 2-1/4 inch wide within 4 inch high by 3-1/4 inch wide plate marks. The edges are very slightly creased with two tiny tears to the left edge and a couple of tiny stains or spotting to the bottom margin of the page.</p><p>"Decrotteur et ramoneur" portrays a man shining the shoes of an officer as chimney sweeps and other shoe-shiners are pictured in the background. A small dog stands at the side of the officer. The image measures 2-1/4 inches high by 3-1/4 inches wide within 3-1/4 inch high by 4 inch wide plate marks. There is some minor faint foxing.</p><p>"Parade de comediens ambulants" portrays traveling actors performing and parading on the porch of a house with spectators in the foreground. The image measures 2-3/8 inch high by 3-3/8 inches wide within 3-1/2 inch high by 4-1/4 inch wide plate marks. There is light foxing throughout.</p><p>"Colleur d'affiches" portrays a bill-poster perched on a ladder pasting a poster or bill to the corner wall of a building. Another worker stands around the corner and a family looks on with their dog. The image measures 2-3/8 inches high by 3-3/8 inches wide within 3 inch high by 3-7/8 inch wide plate marks. There are some minor faint stains and minor foxing to the margins.</p><p>"Gagne petit" portrays a knife grinder or sharpener carrying his grinding wheel on his back with a dog at his side. Another knife grinder wheels his equipment in a wheelbarrow. A house and people are pictured in the background. The image measures 2-3/8 inches high by 3-1/4 inches wide within 3 inch high by 3-7/8 inch wide plate marks. There is minor foxing to the margins.</p><p>"Remouleur" although the title differs the image is identical to the prior one. "Gagne petit" and "remouleur" both translate to knife grinder or sharpener. There is some scattered foxing and the paper is lightly darkened.</p><p>"Titre" possibly the title page to the work. The image portrays men filling water containers from a city's monument fountain with water pouring from the mouth of a troll. The image measures 2-1/2 inches high by 3-3/8 inches wide within 3-1/8 inch high by 3-7/8 inch wide plate marks. The edges of the plate are darkened with a short tear to the top edge and just a hint of foxing to the margins.</p><p>"Serrurier" portrays a locksmith grinding keys near the open gate leading to a mansion. The image measures 2-3/8 inches high by 3-3/8 inches wide within 3-1/8 inch high by 3-7/8 inch wide plate marks. There is a minor crease to the bottom right corner with just a hint of foxing to the margins.</p><p>"Cardeuses de matelats" portrays mattress carders. 3 women are seated with their carding tools and sections of stuffed fabric. The image measures 3-3/8 inches high by 2-3/8 inches wide within 4-1/4 inch high by 3-1/4 inch wide plate marks. There are minor creases to the corners with a couple of faint specks to the margins.</p><p>"Menuisiers" portrays carpenters working on furniture at their work table. The image measures 2-1/4 inches high by 3-1/4 inches wide within 3-1/8 inch high by 3-7/8 inch wide plate marks. There is light scattered foxing mostly to the margins.</p><p>"Marchands de parapluies et de soufflets" portrays an umbrella merchant carrying several on his back and a bellows merchant with several fireplace bellows attached to this clothing. The image measures 3-1/4 inches high by 2-3/8 inches wide within 4 inch high by 3-1/4 inch wide plate marks.</p><p>"Batteurs de platre" portrays plaster beaters. A man is beating away at plaster spread out upon the ground as another carries a basket of plaster to spread over it. The image measures 2-3/8 inches high by 3-3/8 inches wide within 3-1/4 inch high by 3-7/8 inch wide plate marks. There is some minor foxing to the margins.</p><p>"Charrons" portrays wheel builders constructing wooden carriage wheels. The image measures 2-1/4 inches high by 3-1/4 inches wide within 3-1/8 inch high by 3-7/8 inch wide plate marks. There is some minor faint foxing throughout.</p><p>"Scieurs de bois" portrays sawyers at work as an empty horse-drawn cart rides away and another stacks wood upon a ramp leading to a barn's loft. The image measures 2-3/8 inches high by 3-1/4 inches wide within 3-1/8 inch high by 4 inch wide plate marks. There are some minor sports of foxing or browning to the print.</p><p>"Lingere au petit crochet" portrays an elderly woman cloth merchant carrying her linens in a basket on her back. Several dogs are near her and another cloth merchant can be seen speaking to a man in the background. The image measures 3-3/8 inches high by 2-3/8 inches wide within 4-1/8 inch high by 3-1/4 inch wide plate marks. There are minor creases to the edges.</p><p>"Porteur d'eau" portrays a water carrier and his wife pulling a large barrel of water on a cart. Another water cart and houses are depicted in the background at left. The image measures 2-3/8 inches high by 3-1/4 inches wide within 3-1/4 inches high by 3-7/8 inches wide plate marks. There is creasing to the bottom right corner and some foxing to the margins.</p><p>"Tomeliers" portrays coopers at work constructing wooden barrels to which they affix metal rings. The image measures 2-3/8 inches high by 3-1/4 inches wide within 3-1/8 inch high by 3-3/4 inch wide plate marks. There is some minor foxing throughout.</p><p>An untitled image portrays barbers working on customers hair and beards and a wigmaker at her loom. Several wigs hang from the wall. The image measures 2-1/4 inches high by 3-1/4 inches wide within 3-1/2 inch high by 4-7/8 inch wide plate marks. This print is engraved on a sheet which is slightly smaller than the others measuring 7-3/8 inches high by 9-1/4 inches wide. There is a piece chipped from the bottom left corner with some foxing and darkening to the margins. The artist's name here spelled "Duplessis-Berteaux" by an early owner is penned on the verso.</p><p>The engravings are in overall very good condition with a paper tab mounted along one edge of the verso of each print.</p><p>The French painter and draughtsman Jean Duplessis-Bertaux 1747-1819 produced etchings and burin engravings. Having taken part in the French Revolution Duplessis-Bertaux produced a series of prints entitled "Scenes de la Revolution" followed by "Campagnes de Napoleon" which illustrated scenes from Napoleon Bonaparte's Italian campaigns engraved after paintings by Carle Vernet. He also produced a series of engravings portraying the street cries of Paris "Cris de Paris". Duplessis-Bertaux also collaborated on some prints with Jean-Louis Delignon and produced several pornographic prints many of which were printed anonymously but were later re-attributed to him. The work entitled "Recueil de cent sujets de divers genres" published in 1814 gathered together in one volume 100 of Duplessis-Bertaux' engravings from eight of the suites including military scenes and those from his Cries of Paris which had previously been distributed seperately.</p> Paris, circa 1805 through 1814. hardcover‎

Referenz des Buchhändlers : 96510

‎Dupont, Inge and Hope Mayo (edited by) [illustrated with wood engravings by John De Pol] [Herbert Cahoon, et al]‎

‎MORGAN LIBRARY GHOST STORIES‎

‎like new. unknown‎

Referenz des Buchhändlers : 198855 ISBN : 0823212831 9780823212835

‎Dupuis‎

‎Joseph Languet‎

‎Épreuve sur beau papier filigrané. en feuille Très bon Paris 14,5 x 10,5 cm‎

Referenz des Buchhändlers : 15177

‎DURET (Théodore)‎

‎Histoire des peintres impressionnistes : Pissarro, Claude Monet, Sisley, Renoir, Berthe Morisot, Cézanne, Guillaumin‎

‎Paris, H. Floury, 1906. In-4, 208 pp. 26 pl., demi-basane brune, dos à nerfs orné de filets à froid, tête mouchetée, couverture conservée (épidermures et frottements, rousseur marginale notamment en début et fin de volume).‎

‎Édition originale illustrée de 26 planches dont une eau-forte originale de Camille Pissaro et un bois d'après lui gravé par Lucien Pissaro, une eau-forte gravée par P. M. Roy d'après Sisley, deux eaux-fortes originales de Renoir, un bois gravé par Prunaire d'après Berthe Morisot, une eau-forte originale de Cézanne et une de Guillaumin. Le reste des illustrations sont reproduites en héliogravures et six sont en couleurs. * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.‎

Referenz des Buchhändlers : 23423

‎DURET Théodore‎

‎LES PEINTRES IMPRESSIONNISTES. Histoire des peintres impressionnistes. Pissarro, Claude Monet, Sisley, Renoir, Berthe Morisot, Cézanne, Guillaumin‎

‎Paris H. Floury, Libraire-Editeur 1906 in 4 (26,5x21) 1 fort volume reliure à la bradel toilée saumon, couverture conservée. Notre exemplaire est bien complet des 5 eaux-fortes originales: Pierre Auguste Renoir (1°/ Femme nue assise, et 2°/ Femme nue couchée, Delteil 12 & 14); Camille Pissaro (Les faneuses, Delteil 94,XII), Paul Cézanne (Portrait de Guillaumin au pendu; Venturi, 1159) and Armand Guillaumin (Vue près de Saadam). (27 plates including 5 original etchings by: Cézanne, Guillaumin, Pissaro, Renoir (2)). Première édition (First edition). Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )‎

‎Très bon Couverture rigide 1ère Édition‎

Referenz des Buchhändlers : 052871

‎Durrer, Robert: (Hrsg: Hist. Verein d. Kts. Glarus)‎

‎Glarner Fahnenbuch.‎

‎Zürich, Orell Füssli, 1928. 4°. 19 S. 19 farb. Taf. u. zahlr. Textabb.. Goldgepr. Orig.-HLdr. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 12407AB|12407AB_2 [2 Warenabbildungen]‎

‎Vorstäze und Titelblatt stockflecking. Sehr gut erhaltenes Exemplar.‎

Referenz des Buchhändlers : 12407AB

‎DUSSLER, L‎

‎Die Incunabeln der deutschen Lithographie (1796 - 1821). (Nachdruck der Ausgabe Berlin 1925).‎

‎Heidelberg, Weissbach, 1955. 315, (1) S. OLwdbd m. Rücken- u. Außentitel in Goldprägung (leicht begriffen).‎

‎Ein erster Versuch, einen vollständigen Katalog der Incunabeln der deutschen Lithographie von den Anfängen Senefelders bis 1821 zu erstellen.‎

Referenz des Buchhändlers : 2136227

‎Duvernois Henri Pchoir color prints by LACOSTE‎

‎Morte La Bete‎

‎Paris: Collection des Arts 1926. Limited this being Number 212 of 365 copies. Paperback. VG. Printed cream wraps with remnants sof glassine jacket. 80 pp. with 11 full-page ttissue guarded color plates and 18 additional color illustrations within the text as well as 4 bw illustrations. Text is in French. One of 300 copies printed of De Rives Paper. Collection des Arts paperback books‎

Referenz des Buchhändlers : 175197

‎Duyckinck, Evert A; Steel Engravings By Alonzo Chappel And Thomas Nast‎

‎National History Of The War For The Union: Civil Military And Naval: Founded On Official And Other Authentic Documents Three Volumes‎

‎New York: Johnson Fry And Co. 1861 1862 1863 1864 1865 1865. 1st Edition . Hardcover. Very Good. 620 660 642 Pp. Three Volumes. Various Copyright Dates From 1861 To 1865 On Plates And Copyright Pages But Text Goes Through End Of War So Actual Publication Date Presumably 1865. Three Massive Volumes The Deluxe Issue In Full Brown Embossed And Gilt Morocco Five Bands Spines Stamped In Gilt Covers Stamped In Dark Brown Beveled Edges All Edges Of Page Block Gilt. Wear Fraying At Corners Gilt Bright. Volume I And Volume Ii Have Front Boards With New Cords. No Marks Or Stains Or Other Damage Text Block Square And Unworn. General Refurbishing By A Binder Made This An Exceptional Set. <br/> <br/> Johnson, Fry And Co. (1861, 1862, 1863, 1864, 1865) hardcover‎

Referenz des Buchhändlers : 036424

‎Dörig, Irene u. Scherer, Heiri u. Trüb-Zwingli, Anne‎

‎Grande Cuisine in der Schweiz. 24 Köche der Avant-Garde und ihre Spezialitäten für Frühling, Sommer, Herbst und Winter.‎

‎Zürich, Orell Füssli, 1987. 4°. 235 S. Mit ganzs. farb. Abb. Orig.-Leinenbd. mit Schutzumschlag + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + (mit Bibliotheksklebefolie).‎

‎Mit überklebtem Namenszug auf fl. Vorsatz sowie Besitzerstempel auf Titels.‎

Referenz des Buchhändlers : 3977CB

‎DÖRRIES, B‎

‎(Einleitung) Zeichnungen der Frühromantik.‎

‎München, Bruckmann, 1950. 4to. 34 S., 1 Bl., etwa 60 Bl. m. teils ganzseitigen Abb. OHlwd (Einbd gering fleckig).‎

Referenz des Buchhändlers : 1227231

‎E. M. Elville‎

‎Paperweights and Other Glass Curiosities‎

‎London England: Spring Books 1968. Stated Third Impression 1968. Maroon cloth hardcover in VG condition nice square binding no marks or writing no dust jacket. Concise review of the history of paperweights and the technique of their manufacture. Much attention is devoted to the superb weights which come from the famous French factories of Baccarat St Louis and Clichy and traces the development of paperweight manufacture in England. . Third Printing. Hardcover. Very Good/No Jacket. Spring Books Hardcover‎

Referenz des Buchhändlers : 004166

‎Ealy Prints‎

‎Spooky Halloween Coloring Fun For Black Kids‎

‎Paperback / softback. New. paperback‎

Referenz des Buchhändlers : B9798854906326 ISBN : 979885490632x 9798854906

‎Earl Thollander‎

‎Back Roads of New England‎

‎New York NY: Clarkson N. Potter Inc. 1974. Book in fine clean tight condition. Jacket with light edge tanning price clipped else fine. Stated second printing 1974. A pictorial record with brief comments by the author-artist about the joys of back road travel in the six New England states. The book is filled with pen-and-ink drawings and handwritten text by the author on every page. Would make a terrific gift. First Edition. Hardcover. Fine/Very Good. Clarkson N. Potter, Inc. Hardcover‎

Referenz des Buchhändlers : 001830

‎EARLOM Richard‎

‎(Le marché aux poissons) d'après Snyders‎

‎Manière noire. Le Blanc 99; Très belle épreuve du 2è état sur 3, avant la lettre. Cadre moderne. Cadre moderne Très bon Londres John Boydell 1782 55 x 73 cm avec le cadre.‎

‎édition originale‎

Referenz des Buchhändlers : 8255

‎EARLY 19TH CENTURY COPPERPLATE ENGRAVINGS, HAND-COLOURED IN PERIOD STYLE‎

‎Ackermann's Repository of Arts : 70 Loose Pages of Hand Coloured Regency-era Furniture & Decor engravings‎

‎c.1810-1820. Unframed Print. Good Condition. Spanning at least 70 pages with a few duplicates and measuring approximately 13 20 cm. Condition varies but none are torn some are bright others a little browned a number have a small piece of paper attached from the rear at the edge. A useful and large collection of plates showcasing hand-coloured designs and furnishings published in the early 19th century. Each engraving offers a vivid glimpse into Regency England an era defined by elegance invention and visual harmony these images reflect a world where utility was shaped by style and everyday life was framed in refinement. Originally issued in Ackermanns Repository of Arts a renowned periodical devoted to design fashion and domestic culture the plates exemplify the taste and innovation of the period. Their hand-applied colouring enhances both their decorative charm and their documentary value capturing the rhythm and sophistication of a society in transition. Size: 13 x 20 cms. Quantity Available: 1. Category: Antiquarian & Rare; Special Features; PRINTS : Historic Interest; New Arrivals; Special Features. Inventory No: 373757. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. unknown‎

Referenz des Buchhändlers : 373757

‎Eastman Kodak‎

‎How to Make Good Movies‎

‎Rochester NY: Eastman Kodak 1950. A Non-Technical Handbook for Those Considering the Ownership of an Amateur Movie Camera and for Those Already Actively Engaged in the Making of Home Movies Who Want to Improve the Interest and Quality of Their Films." Text is clean and tight. 231 pp. Quarter bound in pictorial paper boards over a beige linen spine with brown pictorial endpapers and green stamping to the spine. Illustrated throughout with over 600 illustrations many in full-color. No dustjacket. Hardcover. Very Good /No Jacket. Eastman Kodak Hardcover‎

Referenz des Buchhändlers : 003062

‎EBEL‎

‎La Jeune Fille aux joues roses. Chapeau, de Camille Roger (pl.35, La Gazette du Bon ton, 1921 n°5)‎

‎Lucien Vogel éditeur | Paris 1921 | 18 x 24 cm | une feuille‎

‎Estampe originale en couleur, tirée sur papier vergé, signée en bas à droite de la planche. Gravure originaleréalisée pour l'illustration deLa Gazette du bon ton, l'une des plus belles et des plus influentes revues de mode du XXème siècle, célébrant le talent des créateurs et des artistes français en plein essor de l'art déco. Célèbre revue de mode fondée en 1912 par Lucien Vogel, La Gazette du bon ton a paru jusqu'en 1925 avec une interruption durant la Guerre de 1915 à 1920, pour cause de mobilisation de son rédacteur en chef. Elle se constitue de 69 livraisons tirées à seulement 2000 exemplaires et est illustrée notamment de 573 planches en couleurs et de 148 croquis représentant des modèles de grands couturiers. Dès leur parution, ces luxueuses publications «s'adressent aux bibliophiles et aux mondains esthètes» (Françoise Tétart-Vittu «La Gazette du bon ton» in Dictionnaire de la mode, 2016). Imprimées sur beau papier vergé, elles utilisent une police typographique spécialement créée pour la revue par Georges Peignot, le caractère Cochin, repris en 1946 par Christian Dior. Les estampes sont réalisées grâce à la technique du pochoir métallique, rehaussées en couleurs et pour certaines soulignées à l'or ou au palladium. L'aventure commence en 1912 lorsque Lucien Vogel, homme du monde et de la mode - il a déjà participé à la revue Femina - décide de fonder avec sa femme Cosette de Brunhoff (sur de Jean, le père de Babar) la Gazette du bon ton dont le sous-titre est alors «Art, modes et frivolités». Georges Charensol rapporte les propos du rédacteur en chef: «En 1910, observe-t-il, il n'existait aucun journal de mode véritablement artistique et représentatif de l'esprit de son époque. Je songeais donc à faire un magazine de luxe avec des artistes véritablement modernes [...] J'étais certain du succès car pour la mode aucun pays ne peut rivaliser avec la France.» («Un grand éditeur d'art. Lucien Vogel» in Les Nouvelles littéraires, n°133, mai 1925). Le succès de la revue est immédiat, non seulement en France, mais aussi aux Etats-Unis et en Amérique du Sud. À l'origine, Vogel réunit donc un groupe de sept artistes: André-Édouard Marty et Pierre Brissaud, suivis de Georges Lepape et Dammicourt ; et enfin ses amis de l'École des beaux-arts que sont George Barbier, Bernard Boutet de Monvel, ou Charles Martin. D'autres talents viennent rapidement rejoindre l'équipée: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Charles Martin, Maggie Salcedo. Ces artistes, inconnus pour la plupart lorsque Lucien Vogel fait appel à eux, deviendront par la suite des figures artistiques emblématiques et recherchées. Ce sont ces mêmes illustrateurs qui réalisent les dessins des publicités de la Gazette. Les planches mettent en lumière et subliment les robes de sept créateurs de l'époque : Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet et Doucet. Les couturiers fournissent pour chaque numéro des modèles exclusifs. Néanmoins, certaines des illustrations ne figurent aucun modèle réel, mais seulement l'idée que l'illustrateur se fait de la mode du jour. La Gazette du bon ton est une étape décisive dans l'histoire de la mode. Alliant l'exigence esthétique et l'unité plastique, elle réunit pour la première fois les grands talents du monde des arts, des lettres et de la mode et impose, par cette alchimie, une toute nouvelle image de la femme, élancée, indépendante et audacieuse, également portée par la nouvelle génération de couturiers Coco Chanel, Jean Patou, Marcel Rochas... Reprise en 1920 par Condé Montrose Nast, la Gazette du bon ton inspirera largement la nouvelle composition et les choix esthétiques du « petit journal mourant » que Nast avait racheté quelques années auparavant : le magazine Vogue. - Photographies et détails sur www.Edition-Originale.com -‎

Referenz des Buchhändlers : 57549

‎Ebel, J(ohann) G(ottfried):‎

‎Manuel du voyageur en Suisse. Guide classique à l'aide duquel l'étranger recueillera facilement le fruit ete les jouissances que ce pays promet (...)‎

‎Nouvelle édition. Paris u. Genf, Audin u. Cherbuliez, 1832. 12°. (4) 664 S. Mit 1 Aquatinta-Frontispiz, 6 Aquatinta-Tafeln u. 1 gest. gef. Karte. Illustr. Orig.-Broschur (stärker berieben, bestossen u. fleckig).‎

‎Neuausgabe des erfolgreichen, mehrmals aufgelegten Handbuchs, das erst 1793 in deutscher Sprache in Zürich und dann franz. 1810-1811 (auch in Zürich) erschien. Erweitert um (1.:) Wyss: Itinéraire de l'Oberland, (2.:) Itinéraire du Rigi, (3.:) Richard, M.: notes et observations nombreuses, (4.:) Manget, M.: Itinéraire des deux rives du lac Léman u. (5.:) Tableau de toutes les routes de la Suisse par lieues et demi-lieues. - Frontispiz u. Tafeln (Vollständigkeit durch uns nicht nachweisbar) zeigen: Simplonroute, Rheinfall bei Schaffhausen, Staubbachfall, Mont Blanc, Reichenbachfall, Wallis, die Karte zeigt Meiringen. Unbeschnittenes Exemplar. - Es fehlt die gest. Keller-Karte. Vorsätze mit 2-seitiger Montage aus unbekanntem Buch. Durchgehend gebräunt u. stockfleckig. - Einbanddeckel u. -Rücken mit Läsuren.‎

Referenz des Buchhändlers : 2300DB

‎Ebel, Johann Gottfried:‎

‎Manuel du voyageur en Suisse.‎

‎Nouvelle édition. Paris, Audin, 1830–1831. 8°. (4), 664 S. Mit 1 mehrfach gef. Karte der Schweiz, 1 gef. Karte von Thun nach Meiringen und 6 Aquatinta-Tafeln. Halbpergament der Zeit mit Rückenvergoldung und Rückenschild.‎

‎Durchgehend gebräunt und stockfleckig. Einband berieben und bestossen.‎

Referenz des Buchhändlers : 5447CB

‎Eberhart Richard / Engravings by Michael McCurdy‎

‎Poems to Poets‎

‎Penmaen Press 1975. First edition first printing . Near fine stiff wraps in illustrated dustjacket. Nicely illustrated by Michael McCurdy's engravings. Another poet's neat signature to the title page which bothers none of the text. The lightest age tone Penmaen Press, 1975 paperback‎

Referenz des Buchhändlers : 40050

‎Eberhart, Richard / engravings by Michael McCurdy‎

‎Poems to Poets‎

‎The Penmaen Press Lincoln 1975. First edition. SIGNED. A wonderful collaboration between artist and poet. 1000 printed of which 300 were hardbound numbered 1-300 and signed by the poet and artist. Signed by both Richard Eberhardt and Michael McCurdy on its colophon page. An early press edition. In its fine and bright black boards with gilt titles in near fine as issued acetate with crisp bright text throughout. But for slight mend to acetate cover gift quality The Penmaen Press, Lincoln, 1975 hardcover‎

Referenz des Buchhändlers : 53732

‎Ebersold, Fred.;‎

‎A travers l'Oberland Bernois. Avec 76 illustrations et une carte.‎

‎Zürich, Verlag des Art. Institut Orell Füssli, o.J. Kl.-8°. 150 S. Mit 76 Illustrationen, gefalteten Panoramen. und einer Karte (ausklappbar). Originalleinenband mit Goldverzierung.‎

‎Tadellos erhaltenes Exemplar.‎

Referenz des Buchhändlers : 4613DB