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BRISSAUD Pierre
Mon pauvre gazon ! Robe de garden party de Chéruit. (La Gazette du Bon ton, n°11, Année 1913 - Planche VIII )
- Lucien Vogel éditeur, Paris 1913, 19,5x25cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur tirée sur papier vergé, signée en bas à gauche dans la planche. Gravure originale réalisée pour l'illus
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BRISSAUD Pierre
On aurait pu nous inviter aussi...Robes d'après-midi et robe du soir de Doucet. (La Gazette du Bon ton, n°6. Juin 1914 - Planche 61 )
- Lucien Vogel éditeur, Paris 1914, 38,2x24,5cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur tirée sur papier vergé, signée en bas à droite dans la planche. Gravure originale réalisée pour l'ill
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BRISSAUD Pierre
Pour les pauvres. Robe d'après-midi et robe de petite fille, de Jeanne Lanvin. (La Gazette du Bon ton, n°3. Avril 1920 - Planche 23: )
- Lucien Vogel éditeur, Paris 1920, 19x24,5cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur tirée sur papier vergé, signée en bas à droite dans la planche. Gravure originale réalisée pour l'illus
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BRISSAUD Pierre
Rentrez vos blancs moutons. Une bergère par Chéruit. (La Gazette du Bon ton, n°4, Année 1913 - Planche VIII )
- Lucien Vogel éditeur, Paris 1913, 19,5x25cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur tirée sur papier vergé, signée en bas à droite dans la planche. Gravure originale réalisée pour l'illus
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BRISSAUD Pierre
Respirons un peu. Robes du soir, de Beer. (La Gazette du Bon ton, n°3. Avril 1920 - Planche 21)
- Lucien Vogel éditeur, Paris 1920, 19x24,7cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur tirée sur papier vergé, signée en bas à droite dans la planche. Gravure originale réalisée pour l'illustration de
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BRISSON, Barnabé
De formulis et solennibus populi Romani verbis libri VIII. Ex recensione Francisci Caroli Conradi, in Academia Julia professor. Accedunt praefatio nova vita et elogia.
Halle, Krug, 1731. 1 Bl., 18 S., 19 Bl., 728 S., 27 Bl. Mit gestochenem Porträt von Wolffgang. Ldr der Zeit. Folio.
Referentie van de boekhandelaar : 600292
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BRITISH INDIA 1870S ENGRAVINGS
Quinine Culture - The Cinchona Plantations at Darjeeling Bengal.
New York.: Harper's Weekly. 23 November1872. Five engravings in three columns 23.5 x 10 cms; on a single newspaper leaf 28.7 x 40.8 cm unrelated text on the verso lower margin creased with a small central tear affecting the caption no loss the image sin very good condition. Engravings from Harper's Weekly in November 1872 all centred on the quinine production in Darjeeling. Production began in the 1860s from seeds sent by the famed botanist Sir Joseph Dalton Hooker. Quinine proved indispensable to British rule in India and they invested heavily in plantations to sure up supply.The anti-malarial was vital for colonial expansion "quinine coursed through the bloodstream of empire" Townsend Middleton "Becoming after: The Lives and Politics of Quinine’s Remains" in Cultural Anthropology Vol. 36 Issue 2 pp. 282-311 2014 although probably known more to the readers of Harper's Weekly as an essential for gin and tonic. <br> <br>The five engravings: <br>Foot-Bridge over the River Rungbee <br>Buttress of Suspension Bridge over the River Teestah <br>Cinchona Succirubra Thirty Feet High signed but indecipherable <br>Native of Sikkim <br>Cane Suspension Bridge over the Great Runjeet. . Harper's Weekly. unknown
Referentie van de boekhandelaar : 195548
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BRITISH MILITARY COSTUME PRINTS 1500 1914.
INDEX.
London ARMY MUSEUMS OGILBY TRUST. 1972. COMPILED AND PUBLISHED BY THE ARMY MUSEUMS OGILBY TRUST. 4to. x488pp. Illustrated. unknown
Referentie van de boekhandelaar : 64684
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British Museum. Sub-Dept. of Oriental Prints and Drawings / Binyon, Laurence, 1869-1943.
A Catalogue of Japanese & Chinese Woodcuts Preserved In The Sub-Department of Oriental Prints And Drawings In The B. M.
Eastford CT Martino / London Printed by Order of the Trustees British Museum 1916 / 2011. Hard Cover. 605 p. col. front. plates part col. Still one of the most useful works on Japanese prints from the earliest examples to 1868. In fullness of information this book was considered the first detailed and descriptive catalogue of a public collection of Japanese prints ever published. It also marked an advance over every other book about Japanese Prints previous to its publication. Binyon provides a compact historical survey of the art of wood-engraving as practiced in the Far East. Binyon also provides short biographies for each artist as well as a description of each work including medium dimensions and often a short annotation. Also provided are: Table of artists arranged according to schools; notes on the dating of Japanese woodcuts; States variations reprints forgeries; Pigments; sales catalogues; exhibition catalogues signature of artists and more. Well over a thousand prints are described. A standard work. Artnzen / Rainwater; N148. Stock# 46600x. Fine new from publisher / no dj. Eastford, CT, Martino / [London] Printed by Order of the Trustees, British Museum, 1916 / 2011 hardcover
Referentie van de boekhandelaar : 46600
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British Museum. Department of Prints and Drawings
A handbook to the drawings and water-colours in the Department of Prints and Drawings British Museum / by A.E. Popham
London : Printed by order of the Trustees 1939. First Edition. Hardcover. Very good copy in the original gilt-blocked cloth-backed paper-covered boards. Spine bands and panel edges somewhat dulled and dust-toned as with age. Remains quite well-preserved overall. Physical description: 144 pages; vii plates including frontispiece; 22 cm. Subjects: British Museum. Department of Prints and Drawings; British Museum. Department of Prints and Drawings ; Catalogs; Drawing England London; Watercolor painting England London; Watercolour painting European Collections England; Drawing European Collections England. London : Printed by order of the Trustees hardcover
Referentie van de boekhandelaar : 435679
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BRITISH MUSEUM Department of Prints and Drawings *
an EXHIBITION of MODERN PRINTS and DRAWINGS and OTHER RECENT ACQUISITIONS 1967~1972: 28 APRIL to 31 AUGUST 1972
Great Britain : Trustees of BRITISH MUSEUM 1972. Soft cover. Very Good. Book: Very Good/ $25.88 0714107352 an EXHIBITION of MODERN PRINTS and DRAWINGS and OTHER RECENT ACQUISITIONS 1967~1972: 28 APRIL to 31 AUGUST 1972 BRITISH MUSEUM Department of Prints and Drawings Trustees of BRITISH MUSEUM 1972 UnStated Edition Great Britain Tall Wide S/c Sun Bleaching On An Two Stapled Orange Spine With No Title: Soft Cover Book: Very Good/ Condition Printed On 0ff~White Paper In Very Good/ Condition Clean And Tight To The Spine. Cover Has Some Sun Browning And So Does 1sT Page. D/j: None. This Item Will Be Sent Wrapped In Plastic Taped Shut And In A = Padded Mailing Envelope = To Prevent Shipping Damage So That It Will Arrive In The Description Described Which Applies To This B00K Only. = No Odors No Writing No Names No Rippling Not Stuck Together No Book Plate Not X~Library No Other Marks. = Will Make It An Excellent Addition To Your Own Personal Library Collection Or As A Gift For The Discriminating Reader / Collector. = WORLD WIDE SHIPPING AVAILABLE <br/> <br/> Trustees of BRITISH MUSEUM paperback
Referentie van de boekhandelaar : 017461 ISBN : 0714107352 9780714107356
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British Museum. Department of Prints and Drawings
Auden poems Moore lithographs : an exhibition of a book dedicated by Henry Moore to W.H. Auden with related drawings / British Museum Department of Prints and Drawings
London : British Museum 1974. 1st edition. Softcover. Very good paperback copy; edges somewhat dust-dulled and nicked. Slight foxing to the cover. Remains quite well-preserved overall. Physical description; 48 unnumbered pages : illustrations ; 21 cm. Notes; ""Catalogue of an exhibition held at the British Museum 24 April to 30 June 1974."" ""The nucleus of this exhibition is an advance copy presented to the Department of Prints and Drawings by the artist of the selection of poems by W.H. Auden illustrated . with lithographs by Henry Moore."" Subjects; Moore Henry 1898-1986. Moore Henry 1898-1986 Exhibitions. Moore Henry 1898-1986. Auden W. H. Wystan Hugh 1907-1973 Illustrations. Lithography 20th century England ; Exhibitions. Illustration of books 20th century ; Exhibitions. Lithography 20th century ; Exhibitions. London : British Museum paperback
Referentie van de boekhandelaar : 411293 ISBN : 0714107387 9780714107387
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British Museum Department of Prints
Catalogue of the Collection of Playing Cards Bequeathed to the Trustees of the British Museum by the Late Lady Charlotte Schreiber. Comp. by Freeman O'Donoghue . Printed by Order of the Trustees
Paperback / softback. New. paperback
Referentie van de boekhandelaar : B9781015290679 ISBN : 1015290671 9781015290679
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British Museum Dept of Prints and D
Catalogue of the Collection of Fans and Fan-leaves Presented to the Trustees of the British Museum by the Lady Charlotte Schreiber.
like new. unknown
Referentie van de boekhandelaar : 43848071 ISBN : 1015187595 9781015187597
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British Museum Dept of Prints and D
Catalogue of Drawings by British Artists and Artists of Foreign Origin Working in Great Britain .; 3
Paperback / softback. New. paperback
Referentie van de boekhandelaar : B9781013902895 ISBN : 1013902890 9781013902895
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British Museum Department of Prints
Catalogue of the Collection of Playing Cards Bequeathed to the Trustees of the British Museum by the Late Lady Charlotte Schreiber. Comp. by Freeman O'Donoghue . Printed by Order of the Trustees
Hardback. New. hardcover
Referentie van de boekhandelaar : B9781013926969 ISBN : 101392696x 9781013926969
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British Museum Dept of Prints and D
Catalogue of Prints and Drawings in the British Museum: Division I. Political and Personal Satires; Volume 5
Hardback. New. hardcover
Referentie van de boekhandelaar : A9781018562117 ISBN : 1018562117 9781018562117
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British Museum Dept of Prints and D
Catalogue of Early German and Flemish Woodcuts Preserved in the Department of Prints and Drawings in the British Museum; Volume 2
Hardback. New. hardcover
Referentie van de boekhandelaar : A9781017432336 ISBN : 1017432333 9781017432336
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British Museum. Department of Prints and Drawings
Catalogue of prints and drawings in the British Museum. Division I. Political and personal satires - vol. II
London : By Order of the Trustees 1873. 1st edition. Hardcover. Poor copy in the original gilt-blocked cloth. Spine damaged with loss. Spine bands worn; panel edges somewhat dust-toned and rubbed as with age. Text remains clear and without blemish. Physical description; 1 v.: ill ; 26 cm. Subjects; British Museum. Department of Prints and Drawings . Catalogue of political and personal satires. Bibliography. Caricatures and cartoons. London : By Order of the Trustees hardcover
Referentie van de boekhandelaar : 406989
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British Museum; Dept; Of Prints and Drawings
Catalogue of Prints and Drawings in the British Museum: Division I Political and Personal Satires Classic Reprint
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referentie van de boekhandelaar : 1331589126.G ISBN : 1331589126 9781331589129
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British Museum Dept of Prints and D
Catalogue Of Prints And Drawings In The British Museum Volume 3 Part 2
Hardback. New. hardcover
Referentie van de boekhandelaar : B9781020980596 ISBN : 1020980591 9781020980596
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British Museum Dept of Prints and D
Catalogue Of Prints And Drawings In The British Museum Volume 3 Part 2
Paperback / softback. New. paperback
Referentie van de boekhandelaar : B9781022553330 ISBN : 102255333x 9781022553330
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British Museum Department of Prints and Drawings
Catalogue of prints and drawings in the British Museum Division One Satires Volume One Two and Three Part One
London: By order of the Trustees 1870. First Edition. Hardcover. 3 Volumes. Good to very good copies in gilt-blocked cloth. Spine band worn on volume three. Panel edges bumped and rubbed as with age. Internally bright and clean. Remains quite well-preserved overall. Physical description: 3 Volumes. Contents: Volume 1- 1320 to April 11 1689. Volume 2- June 1689 to 1733. Volume 3 Part One March 28 1734 to c. 1750. Subjects: Engraving England London; Catalogs.Drawing England London; Catalogs. Caricatures and cartoons; Catalogs. London: By order of the Trustees hardcover
Referentie van de boekhandelaar : 375224
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British Museum Dept of Prints and D
Catalogue of the Collection of Fans and Fan-leaves Presented to the Trustees of the British Museum by the Lady Charlotte Schreiber.
Paperback / softback. New. paperback
Referentie van de boekhandelaar : B9781015187597 ISBN : 1015187595 9781015187597
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British Museum Dept of Prints and D
Catalogue of Prints and Drawings in the British Museum: Division I. Political and Personal Satires; Volume 5
Paperback / softback. New. paperback
Referentie van de boekhandelaar : B9781018566726 ISBN : 1018566724 9781018566726
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British Museum Dept of Prints and D
Catalogue of Drawings by Dutch and Flemish Artists Preserved in the Department of Prints and Drawings in the British Museum; 1
Hardback. New. hardcover
Referentie van de boekhandelaar : B9781015378421 ISBN : 1015378420 9781015378421
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British Museum Dept of Prints and D
Catalogue of Prints and Drawings in the British Museum: Division I. Political and Personal Satires; Volume 4
Hardback. New. hardcover
Referentie van de boekhandelaar : B9781018562162 ISBN : 1018562168 9781018562162
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British Museum Dept of Prints and D
Catalogue of Prints and Drawings in the British Museum: Division I. Political and Personal Satires; Volume 4
Paperback / softback. New. paperback
Referentie van de boekhandelaar : B9781018566818 ISBN : 1018566813 9781018566818
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British Museum Dept of Prints and D
Catalogue of Drawings by Dutch and Flemish Artists Preserved in the Department of Prints and Drawings in the British Museum; 1
Paperback / softback. New. paperback
Referentie van de boekhandelaar : B9781013831171 ISBN : 1013831179 9781013831171
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British Museum Dept of Prints and D
Catalogue of Drawings by British Artists and Artists of Foreign Origin Working in Great Britain .; 4
Paperback / softback. New. paperback
Referentie van de boekhandelaar : B9781014313720 ISBN : 1014313724 9781014313720
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British Museum Dept of Prints and D
Catalogue of Drawings by British Artists and Artists of Foreign Origin Working in Great Britain .; 1
Paperback / softback. New. paperback
Referentie van de boekhandelaar : B9781013650628 ISBN : 101365062x 9781013650628
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British Museum Dept of Prints and D
Catalogue of Drawings by British Artists and Artists of Foreign Origin Working in Great Britain .; 3
Hardback. New. hardcover
Referentie van de boekhandelaar : B9781013388200 ISBN : 1013388208 9781013388200
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British Museum Dept of Prints and D
Catalogue of Prints and Drawings in the British Museum: Division I. Political and Personal Satires; Volume 5
Hardback. New. hardcover
Referentie van de boekhandelaar : B9781018562117 ISBN : 1018562117 9781018562117
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British Museum Dept of Prints and D
Catalogue of Early German and Flemish Woodcuts Preserved in the Department of Prints and Drawings in the British Museum; Volume 2
Paperback / softback. New. paperback
Referentie van de boekhandelaar : B9781017436983 ISBN : 1017436983 9781017436983
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British Museum Dept of Prints and D
Catalogue of Drawings by British Artists and Artists of Foreign Origin Working in Great Britain .; 3
Hardback. New. hardcover
Referentie van de boekhandelaar : A9781013388200 ISBN : 1013388208 9781013388200
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British Museum Dept of Prints and D
Catalogue of Prints and Drawings in the British Museum: Division I. Political and Personal Satires; Volume 4
Hardback. New. hardcover
Referentie van de boekhandelaar : A9781018562162 ISBN : 1018562168 9781018562162
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British Museum Dept of Prints and D
Catalogue of Prints and Drawings in the British Museum: Division I. Political and Personal Satires; Volume 4
Paperback / softback. New. paperback
Referentie van de boekhandelaar : A9781018566818 ISBN : 1018566813 9781018566818
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British Museum Dept of Prints and D
Catalogue of Prints and Drawings in the British Museum: Division I. Political and Personal Satires; Volume 5
Paperback / softback. New. paperback
Referentie van de boekhandelaar : A9781018566726 ISBN : 1018566724 9781018566726
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British Museum Dept of Prints and D
Catalogue of Drawings by British Artists and Artists of Foreign Origin Working in Great Britain .; 1
Paperback / softback. New. paperback
Referentie van de boekhandelaar : A9781013650628 ISBN : 101365062x 9781013650628
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|
|
British Museum Dept of Prints and D
Catalogue of Drawings by Dutch and Flemish Artists Preserved in the Department of Prints and Drawings in the British Museum; 1
Hardback. New. hardcover
Referentie van de boekhandelaar : A9781015378421 ISBN : 1015378420 9781015378421
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British Museum Department of Prints
Catalogue of the Collection of Playing Cards Bequeathed to the Trustees of the British Museum by the Late Lady Charlotte Schreiber. Comp. by Freeman O'Donoghue . Printed by Order of the Trustees
Hardback. New. hardcover
Referentie van de boekhandelaar : A9781013926969 ISBN : 101392696x 9781013926969
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British Museum Dept of Prints and D
Catalogue of the Collection of Fans and Fan-leaves Presented to the Trustees of the British Museum by the Lady Charlotte Schreiber.
Paperback / softback. New. paperback
Referentie van de boekhandelaar : A9781015187597 ISBN : 1015187595 9781015187597
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|
|
British Museum Dept of Prints and D
Catalogue of Drawings by British Artists and Artists of Foreign Origin Working in Great Britain .; 4
Paperback / softback. New. paperback
Referentie van de boekhandelaar : A9781014313720 ISBN : 1014313724 9781014313720
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British Museum Dept of Prints and D
Catalogue of Drawings by Dutch and Flemish Artists Preserved in the Department of Prints and Drawings in the British Museum; 1
Paperback / softback. New. paperback
Referentie van de boekhandelaar : A9781013831171 ISBN : 1013831179 9781013831171
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British Museum Dept of Prints and D
Catalogue of Drawings by British Artists and Artists of Foreign Origin Working in Great Britain .; 3
Paperback / softback. New. paperback
Referentie van de boekhandelaar : A9781013902895 ISBN : 1013902890 9781013902895
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British Museum Dept of Prints and D
Catalogue of Early German and Flemish Woodcuts Preserved in the Department of Prints and Drawings in the British Museum; Volume 2
Paperback / softback. New. paperback
Referentie van de boekhandelaar : A9781017436983 ISBN : 1017436983 9781017436983
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British Museum Department of Prints
Catalogue of the Collection of Playing Cards Bequeathed to the Trustees of the British Museum by the Late Lady Charlotte Schreiber. Comp. by Freeman O'Donoghue . Printed by Order of the Trustees
Paperback / softback. New. paperback
Referentie van de boekhandelaar : A9781015290679 ISBN : 1015290671 9781015290679
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British Museum Dept of Prints and D
Catalogue of Early German and Flemish Woodcuts Preserved in the Department of Prints and Drawings in the British Museum; Volume 2
Hardback. New. hardcover
Referentie van de boekhandelaar : B9781017432336 ISBN : 1017432333 9781017432336
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British Museum Dept of Prints and Draw
Catalogue of Engraved British Portraits Preserved in the Department of Prints and Drawings in the British Museum Volume 1
Hardback. New. hardcover
Referentie van de boekhandelaar : A9781346155289 ISBN : 1346155283 9781346155289
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British Museum Dept of Prints and Draw
Catalogue of the Collection of Fans and Fan-Leaves
Hardback. New. hardcover
Referentie van de boekhandelaar : A9781340108144 ISBN : 1340108143 9781340108144
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