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Surbek, Victor (1885?1975)
Hochalpines Institug in Ftan.
ca. 1920. Skizzen in Tusche. Blattgrösse: 24,5 x 35 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A
Referenz des Buchhändlers : 1706AG
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Surbek, Victor (1885?1975)
Hochalpines Institug und Kirche von Ftan in Bergwelt.
ca. 1920. Lithografie auf starkem bräunlichem Papier. Bildgrösse: 34,5 x 46 cm. Blattgrösse: 45 x 56,5 cm + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A
Referenz des Buchhändlers : 1704AG
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Surbek, Victor (1885?1975)
Hochalpines Institug und Kirche von Ftan in Bergwelt.
ca. 1920. Lithografie auf starkem Papier. Bildgrösse: 34,5 x 46 cm. Blattgrösse: 45 x 56,5 cm + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A
Referenz des Buchhändlers : 1703AG
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Surbek, Victor (1885?1975)
Landschaft bei Ftra und Tarasp.
ca. 1920. Farbige Lithografie auf starkem Papier. Bildausschnitt: 31,5 x 44 cm. Blattgrösse: 38,5 x 49,5 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A|B [2 Warenabbildungen]
Referenz des Buchhändlers : 1697AG
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Surtees, Robert Smith; engravings by John Leech
Mr. Sponge's Sporting Tour. By the author of "Handley Cross"
Bradbury Agnew London ca. 1860. Hardcover. Very Good. 8vo hardcover. No dj red decorative cloth. Vg condition. Later edition. with 13 hand colored engraved plates by John Leech and numerous woodcuts in text. Covers and contents clean unworn no marking or writing. Binding sturdy square and tight with no cracking at endpaper seams. 450 pp. A solid and attractive copy. Bradbury, Agnew, London hardcover
Referenz des Buchhändlers : 1191204.29
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Suter, Jakob (1805-1874)
Gaiss.
O.O., um 1835. Altkolorierte Aquatinta von Rudolf Bodmer (1805-1841). Bildgrösse: 14,1 x 19,5 cm. Blattgrösse: 17 x 22 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Abb.
Referenz des Buchhändlers : 783CG
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Suter, Joh(ann) Rudolf
Helvetiens Flora. Enthaltend die phanerogamischen Gewächse Helvetiens. Vermehrt herausgegeben von Joh(ann) Hegetschweiler.
Zürich, Orell, Füssli u. Compagnie, 1822. 12°. LXXII, 408 S.; (4) 504 S. Halbpergamentband der Zeit mit handschriftl. Rückentitel. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 1149B 2 Bde. in 1 Bd.
Referenz des Buchhändlers : 1149BB
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Suter, Johann Rudolf
Helvetiens Flora worinn alle im Hallerischen Werke enthaltenen und seither neuentdeckten Schweizer Pflanzen nach Linné's Methode aufgestellt sind.
Zürich, Orell, Fuessli und Comp., 1802. 12°. LXIII S., 345 S., 2 n.n. Bl., 416 S., 9 n.n. Bl. Index und Errata. Marmorierter Kalbsederband der Zeit mit rotem goldgeprägtem Rückenschild und Rückenvergoldung. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + 2 Bände in 1 Band.
Referenz des Buchhändlers : 35151DB
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SUTHERLAND, Graham (Londra, 1903 - Londra, 1980),
Three organic forms
Litografia originale da ''A Bestiary and some correspondences'', serie di 25 litografie alle quali l'Artista lavorò dal 1965 al 1968 Stampa eseguita da Mourlot, Parigi su carta Arches fatta a mano. Firma e numerazione a matita, data incisa su lastra (7-II-1968). Esemplare 20/70. cm 66x51. pp.. . Molto buono (Very Good). . Tiratura 70 + alcune p.d.a.. .
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SUTTON, P.C
(Hrsg.) Von Frans Hals bis Vermeer. Meisterwerke holländischer Genremalerei. (Ausstellungskatalog). Mit Beiträgen von Christopher Brown, Jan Kelch, Otto Naumann und William Robinson.
Berlin, Gemäldegalerie Staatliche Museen Preußischer Kulturbesitz, 1984. 4to. 400 S. m. Textabb. u. 126 meist ganzseitigen farb. Abb. OKart.
Referenz des Buchhändlers : 1226086
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Swanevelt, Herman van, Maler und Graphiker (ca. 1600-1655).
Radierung: Hirtenszene. Paris, o. D.
Ca. 107:80 mm. Radierung. Montiert auf Trägerpapier (480:320 mm). Bukolische Szene mit einem liegenden Esel, einem stehenden Esel und einem weiteren Esel, dessen Kopf seitlich in das Bild ragt; im Hintergrund ein lagernder Hirte. Die Platte gestochen von einem Mitglied der Künstlerfamilie Audran in Paris, signiert "Herman Swanevelt fecit". - Leicht braunfleckig, mit Lochspur alter Heftung. Mit Stempel der "Graphischen Sammlung" von Georg Denzel (1873-1959) unter Sammlungsnr. "2802 Nr. G" aufgenommen. Zudem verso mit Papiermarke und Sammlungsstempel "G + W D" des Prof. Wilhelm Denzel.
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SWINBURNE Algernon Charles text; BUCKLAND WRIGHT John engravings
Hymn To Proserpine
London: Golden Cockerel Press 1944. First Edition. One of 350 numbered copies this being copy no.69. Octavo 23.5cm; burgundy cloth blocked and titled in green and gilt on spine; top edge gilt; 12pp; illus. A couple spots of residue from binders glue to endpapers else very Near Fine. Handsome edition of Swinburne's poem illustrated with seven wood engravings throughout the text by John Buckland-Wright. Golden Cockerel Press unknown books
Referenz des Buchhändlers : 28607
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Swissair
Flugbild Disentis - Vue aerienne disentis - Veduta aerea disentis - Bird's-eye view disentis.
Herzogenbuchsee, Ernst Ingold, 1974. Offsetdruck nach einer Flugaufname der Swissair. Bildgrösse: 66 x 90 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, bild
Referenz des Buchhändlers : 513BG
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SYKES (Sir Mark Masterman)
A Catalogue of the Highly Valuable Collection of Prints, The Property of the Late Sir Mark Masterman Sykes, Bart. of Sledmore House and Settrington in the County of York. Part the First [-Fifth]... Which will be Sold by Auction, By Mr. Sotheby...
5 Parts in one, 4to (275 x 220 mm), [4], 94, [4]; [4], 17, [3]; viii, [2], 99, [5]; [4], 53, [3]; [4], iv, 58pp., wide-margin copy, engraved portrait frontis., (a little spotted), all lots annotated in a neat contemporary hand with prices realised and buyers' names, MS biograpgy of Sir Mark Masterman Sykes copied from the Gentleman's Magazine April 1823 on front free-endpaper, cont. half morocco, marbled boards, rubbed, re-backed with original spine laid-down corners bumped, uncut, top edge gilt a very good copy. Sykes's collection of old master and modern prints was on as impressive scale as his library. Some 4500 lots were sold over a period of ten months for nearly ?18,000. On succeeding to the Estate a difficult decision had to be made by Sir Tatton Sykes. "A large sum of money had to be raised to pay off the considerable debt with which the Estate was encumbered. He did not wish to sell any land since this was the main source of the family's income and he was reluctant to part with his horses or hounds which represented his favourite pastime. This left his brothers works of art and his books. Though he had no trouble coming to a decision about the former, which comprised Italian paintings, sculptures, medals and coins, and a collection of some 50,000 prints "believed to be the rarest and best selected assemblage, particularly of portraits, of any private collection in the Kingdom", he has greater difficulty when it came to the latter, knowing the passion Mark had felt for them It is said that when the day came when the decision finally had to be made, he went and stood outside the door of the Library... the library itself being sold between the 11th and 24th May caused a sensation and buyers came from all over the world... Thomas Dibdin reflected "Never did the owner of such treasures so thoroughly enjoy them". The sale of the library and prints did not get the tiniest mention in Tatton's diaries. On May 11th the entry is blank. On May 24th it reads "York Races"."?C. S. Sykes, The Big Hose. 2004. p.120.
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Symons, Julian
Did Sherlock Holmes meet Hercule. Wood engravings by John DePol
This is a fine hardcover copy bound in red quarter cloth and gray and white paper-covered boards, designed by John DePol, with no wear at all. Wood engravings in black and red, by John DePol. This is a limited edition of 200 copies, this copy is number 82, hand numbered and signed by John DePol. Also dated in the year of publication and briefly inscribed to a well known collector on the colophon. Additional printed paper spine label tipped in to the inside rear board. 9" high X 6" wide, 21 pages. A beautiful signed copy. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
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Sytova, Alla [Ed.]
The Lubok: Russian Folk Pictures - 17th to 19th Century
1.5kg. 285x245 mm. 178 pages. Hardcover with dust jacket. Jacket edges slightly wrinkled. Spine edges slightly bumped. Inner cover yellowing. Text block edges slightly age stained. Pages slightly yellowing. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
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Söhn, Gerhart
Handbuch der Original-Graphik. [7 Bände. Band 1-6 und Register-Band.] In deutschen Zeitschriften, Mappenwerken, Kunstbüchern und Katalogen (HDO) 1890-1933.
Düsseldorf, Edition GS - Graphik-Salon Gerhart Söhn, 1989-1994. 4°. 28,5 cm. 260, 260, 259, 260, 283, 284 und 42 Seiten. Original-Leinenbände mit Original-Schutzumschlägen (Register-Band ohne Schutzumschlag).
Referenz des Buchhändlers : 61892BB
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T(anner), C(onrad)
Schulbriefe aus den Bergkantonen, nebst einer Anleitung zum Briefschreiben. Von einem Landmann C.T.
Einsiedeln, Benziger und Eberle, 1813. 8°. (6) S., (1) Bl., 306 (recte 304) S. Halblederband der Zeit mit blauem Rückenschild. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
Referenz des Buchhändlers : 2560DB
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Tableaux historiques de la révolution francaise
57 Kupfertafeln von P. G. Berthault nach J. L. Prieur.
Paris, ohne Verlag, ohne Jahr (um 1792). Groß-Folio. VI, 236 Seiten und 57 von 58 nummerierte Blätter.. Goldgeprägter Halbledereinband der Zeit. Einband mit stärkeren Gebrauchsspuren, Überzugspapier teils gelöst und mit Fehlstellen. Buchrücken fleckig und Vordergelenk mit 6 cm Einriß. Innen sauber. Die breitrandigen Tafeln in kräftigen Abdrucken. Titelblatt fehlt.
Referenz des Buchhändlers : 703499
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Tacitus, Cornelius
Opera. 2 Bände (in 1 Buch).
Tübingen, Cotta, 1797-98. 2 Blatt, 348 Seiten und 4 gefalt. Tabellen; 2 Blatt, 282 Seiten. Schlichter Pappband. Seite 39 (2. Teil) mit roten Buntstiftanstreichungen, sonst stellenweise leicht fleckig, Buchrücken (alt) überklebt. Ecken und Kanten berieben und bestoßen.
Referenz des Buchhändlers : 702619
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TADINI, Emilio (Milano, 1927 - Milano, 2002),
Film
Litografia Firma e numerazione a matita. Timbro a secco dell'Editore Giorgio Upiglio. Stampata su carta Zerkall. Esemplare XXXI/XL. Cm 49x68,7. . . . . Tiratura 100 + XL. .
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TADINI, Emilio (Milano, 1927 - Milano, 2002),
Senza titolo
Litografia originale a colori. Note a matita dell'Artista per la tiratura finale Firma a matita. Timbro a secco dell'Editore Giorgio Upiglio. Stampata su carta delle Cartiere Filicarta. Esemplare BAT (Bon à tirer). cm 70x50. pp.. . . . . .
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TAILHARDAT
Le vagabond
- 1994, gravure = 11,5x16cm, Encadré. - Epreuve Artiste monotypée. Signée par l'artiste et datée 11/04/94. Encadrement baguette bois doré et Marie-Louise = 32x40cm Le monotype n'est pas une gravure au sens strict, mais une estampe (uvre obtenue après un pressage manuel ou mécanique). Il s'agit de peindre à l'encre typographique (aussi appelée aqualaque) ou à la peinture à l'huile, ou à la gouache, sur un support non poreux, en métal, plexiglas, Rhodoïd. Le monotype ne peut être numéroté, car, comme son nom l'indique, son tirage est unique. [ENGLISH DESCRIPTION ON DEMAND]
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TAKESHIRO NAGASSE
LA FIGURE HUMAINE DANS LES ESTAMPES JAPONAISES A LA FIN DU XVIII ET AU DEBUT DU XIXè SIECLE
Paris, Les éditions d'art et d'histoire 1934. In-4 broché, couverture rempliée, 38 pages + 8 planches hors texte
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Tal, Irit [Curator]
American Prints After World War II : From the Collection of the University Art Gallery, and other Collections in Israel [IN HEBREW AND ENGLISH]
IN HEBREW AND ENGLISH. Contain color plates. 27X21.5 cm. 96 pages. Softcover. Cover edges slightly stained. Else in good condition.
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Talmor, Daniella [Ed.]
From Pollaiolo to Paladino: Italian Engraving from the Renaissance to the Present.
275X215 mm. 123 pages. Softcover. Cover slightly stained. Else in good condition.
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TAMBURI, Orfeo (Jesi, 1910 - Parigi, 1994)
Dodici xilografie originali incise dal 1928 al 1940
Presentazione di Waldemar George. Le incisioni di Orfeo Tamburi sono state tirate a braccia su antico torchio costruito da Jon Barrett, london nel 1842. I legni e i linoleum sono impressi su carta a tino di Pescia, le stampe, custodite singolarmente in 12 passepartouts sigillati, sono tutte numerte firmate a mano dall'artista e convalidate con il timbro a secco della stamperia. Le incisione sono state biffate e mai più ristampate. Le incisioni sono di diverso formato: da un minimo di cm. 8x10 ad un massimo di cm 30x20 Edizione contenuta in custodia rigida di cm 56x42. . pp. . . . . Prima edizione di 40 es. numerati. .
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TAMBURI, Orfeo (Jesi, 1910 - Parigi, 1994)
I tetti
Litografia a 3 colori Firma e numerazione a matita. Stampata da Castelli. Esemplare p.d.s. 4/4. Foglio cm 52x67,5. . . Molto buono (Very Good). . Tiratura 100 + XXV. .
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Tanner, Hans
Beitrag zur Geologie der Molasse zwischen Ricken und Hörnli.
Frauenfeld, Huber & Co., 1944. 8°. 108 S. Mit 3 gef. Tafeln u. Profilen sowie vereinzelten Textabb. Orig.-Broschur. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + = "Mitteilungen aus dem Geologischen Institut der eidgen. techn. Hochschule und der Universität Zürich", Serie C. Nr. 22
Referenz des Buchhändlers : 2177DB
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TAPIES, Antoni (Barcellona, 1923 - Barcellona, 2012),
Senza titolo
Litografia originale dalla cartella ''El circulo de piedra'' Firma e numerazione a matita. Timbro a secco dell'Editore Giorgio Upiglio. Stampata su carta delle Cartiere Filicarta. cm 55x45. . . . . Tiratura 125 + XXV. .
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TAPIES, Antoni (Barcellona, 1923 - Barcellona, 2012),
Un punto rojo
Litografia originale a colori Non firmata dall'artista. Timbro a secco dell'Editore Giorgio Upiglio. Stampata su carta Magnani. Cm 60x80. . . . . . .
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TAQUOY Maurice
Les Propos désobligeants. Tenue pour le Concours Hippique (pl.33, La Gazette du Bon ton, 1914 n°4)
- Lucien Vogel éditeur, Paris Avril 1914, 19x24,5cm, une feuille. - Estampe originale en couleur, tirée sur papier vergé, signée en bas à droite de la planche. Gravure originale réalisée pour l'illustration de La Gazette du bon ton, l'une des plus belles et des plus influentes revues de mode du XXème siècle, célébrant le talent des créateurs et des artistes français en plein essor de l'art déco. Célèbre revue de mode fondée en 1912 par Lucien Vogel, La Gazette du bon ton a paru jusqu'en 1925 avec une interruption durant la Guerre de 1915 à 1920, pour cause de mobilisation de son rédacteur en chef. Elle se constitue de 69 livraisons tirées à seulement 2000 exemplaires et est illustrée notamment de 573 planches en couleurs et de 148 croquis représentant des modèles de grands couturiers. Dès leur parution, ces luxueuses publications « s'adressent aux bibliophiles et aux mondains esthètes » (Françoise Tétart-Vittu « La Gazette du bon ton » in Dictionnaire de la mode, 2016). Imprimées sur beau papier vergé, elles utilisent une police typographique spécialement créée pour la revue par Georges Peignot, le caractère Cochin, repris en 1946 par Christian Dior. Les estampes sont réalisées grâce à la technique du pochoir métallique, rehaussées en couleurs et pour certaines soulignées à l'or ou au palladium. L'aventure commence en 1912 lorsque Lucien Vogel, homme du monde et de la mode - il a déjà participé à la revue Femina - décide de fonder avec sa femme Cosette de Brunhoff (sur de Jean, le père de Babar) la Gazette du bon ton dont le sous-titre est alors « Art, modes et frivolités ». Georges Charensol rapporte les propos du rédacteur en chef : « En 1910, observe-t-il, il n'existait aucun journal de mode véritablement artistique et représentatif de l'esprit de son époque. Je songeais donc à faire un magazine de luxe avec des artistes véritablement modernes [...] J'étais certain du succès car pour la mode aucun pays ne peut rivaliser avec la France. » (« Un grand éditeur d'art. Lucien Vogel » in Les Nouvelles littéraires, n°133, mai 1925). Le succès de la revue est immédiat, non seulement en France, mais aussi aux Etats-Unis et en Amérique du Sud. À l'origine, Vogel réunit donc un groupe de sept artistes : André-Édouard Marty et Pierre Brissaud, suivis de Georges Lepape et Dammicourt ; et enfin ses amis de l'École des beaux-arts que sont George Barbier, Bernard Boutet de Monvel, ou Charles Martin. D'autres talents viennent rapidement rejoindre l'équipée : Guy Arnoux, Léon Bakst, Benito, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Maggie Salcedo. Ces artistes, inconnus pour la plupart lorsque Lucien Vogel fait appel à eux, deviendront par la suite des figures artistiques emblématiques et recherchées. Ce sont ces mêmes illustrateurs qui réalisent les dessins des publicités de la Gazette. Les planches mettent en lumière et subliment les robes de sept créateurs de l'époque : Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet et Doucet. Les couturiers fournissent pour chaque numéro des modèles exclusifs. Néanmoins, certaines des illustrations ne figurent aucun modèle réel, mais seulement l'idée que l'illustrateur se fait de la mode du jour. La Gazette du bon ton est une étape décisive dans l'histoire de la mode. Alliant l'exigence esthétique et l'unité plastique, elle réunit pour la première fois les grands talents du monde des arts, des lettres et de la mode et impose, par cette alchimie, une toute nouvelle image de la femme, élancée, indépendante et audacieuse, également portée par la nouvelle génération de couturiers Coco Chanel, Jean Patou, Marcel Rochas... Reprise en 1920 par Condé Montrose Nast, la Gazette du bon ton inspirera largement la nouvelle composition et les choix esthétiques du « petit journal mourant » que Nast avait racheté quelques années auparavant : le magazine Vogue. [ENGLISH DESCRIPTION ON DEMAND]
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Taqwa Prints
The Message of Islam Textbook: Level 3
New. Brand new and still unused unknown
Referenz des Buchhändlers : 1936569906 ISBN : 1936569906 9781936569908
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Tarnuzzer, Chr(istian)
L'Oberland grison illustré.
Zürich, Art. Institut Orell Füssli, um 1900. 8°. 176 S. Mit zahlr. Textillustr. und zum Teil gef. Tafeln. Illustr. Orig.-Broschur. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Broschur-Umschlag
Referenz des Buchhändlers : 3700DB
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Tartakover, David [Ed.]
The International Poster Exhibition, Helena Rubinstein, Tel Aviv 1993 [IN HEBREW AND ENGLISH]
IN HEBREW AND ENGLISH. 29.5X21.5 cm. 111 pages. Softcover. Cover slightly chafed. Spine slightly chafed. Else in good condition.
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TATSUSABRO, Kato
Kites of Japan. A Vanishing Art, 1971
The album contains the frontispiece, one leaf with an ideogram, the colophon, one frame for kite, one leaf with title and two leaves with index engravings, the woodcut reproduction of Hokusai's famous view, 18 hand-painted sails on Japanese paper each in their black folder with the stylized design of the sail and the title. All the paintings are executed by master Kato Tatsusaburo, who has been painting and making kites for more than sixty years / Il portfolio contiene il frontespizio, una pagina con ideogramma, il colophon, una struttura in bambù per aquiloni, una pagina con titolo, due pagine con indice delle 18 forme di aquiloni, una riproduzione xilografica della famosa vista di Hokusai, 18 acquiloni dipinti a mano su carta giapponese, ciascuno nella sua cartella nera con impresso al piatto il disegno stilizzato dell'acquilone e il titolo. Tutti i dipinti sono stati eseguiti dal maestro Kato Tatsusaburo, che ha dipinto e realizzato aquiloni per oltre sessant'anni Original bordeaux cloth case with gold ideogram. Copy N. 10 / Cartella in tela bordeaux con ideogramma in oro impresso al piatto anteriore. Copia n. 10. Folio (cm 49,5 x 35,5). . . . . Edizione originale di 100 esemplari numerati (Original edition of 100 numbered copies). . Guarda il video
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TATTERSFIELD Nigel
Bookplates by Beilby & Bewick. A Biographical Dictionary of Bookplates from the Workshop of Ralph Beilby, Thomas Bewick & Robert Bewick 1760-1849.
4to., First Edition, with a frontispiece and very numerous reproductions from engravings in the text; cloth, gilt back, a fine copy in unclipped dustwrapper.
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TAVERNARI, Vittorio (Milano 1919-1992),
Senza titolo
Acquaforte. Opera appartenente alla cartella ''Venezia 73'' , pubblicata dall'Unesco e contenente 31 opere grafiche di maestri italiani ed un saggio di Piero Chiara Firma a matita. Il foglio reca il timbro a secco del Museo di Castelvecchio di Verona e quello della Stamperia del Cappello. Esemplare 96/100. cm 23x29,5 (Foglio 50 x 70). pp.. . Ottimo (Fine). . 100 + XI f.c.. .
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Tboreau, Henry David; engravings by Thomas W Nason
WALDEN - or - Life in the Woods
Norwalk CT: Heritage Press 1981. 1st edition. Hardback in variegated cloth boards in cardboard cream slipcase. New in New slipcase. Deluxe special edition of this nature classic illustrated with numerous engravings made at Walden Pond. Latd-in is Sandglass descriptive folder. Perfect unread copy. <br/><br/>5-1/2 x 8-1/4 335 pp b/w engravings - many full-page. Heritage Press hardcover
Referenz des Buchhändlers : 38169
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Teignmouth, John Lord
Autograph letter signed with engraved portrait of Teignmouth
Exmouth Eng 1800. Very Good. 1 folded sheet creating 4 pages; handwritten letter on 2 pages signed 1 page blank address on the 4th page. Teignmouth notes that "Lady Teignmouth has lately presented me with another son." The engraved portrait drawn by J. Richmond engraved by W. Walker was published by Hatchard & Sons in 1843. John Shore 1st Baron Teignmouth 1751-1834 was an official of the East India Co. and served as Governor General of Bengal from 1793 to 1797; the following year he was created Baron Teignmouth. He was also the first president of the British and Foreign Bible Society. In Very Good Condition: letter is lightly creased; lightly soiled; print is lightly soiled in margins; indentation at upper edge; image is clean and crisp. unknown
Referenz des Buchhändlers : 006803
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TENNIEL, Sir John ARMAN, Mark (compiles, prints and introruces).
The Story of the Electrotypes used to illustrate Sir John Tenniel's drawings for Alice's Adventures in Wonderland & Through the Looking Glass.
The Workshop Press Thaxted. 1996. First edition. Quarto. pp 24. Card wrappers with flaps. Illustrated with twelve Tenniel drawings printed letterpress from electrotypes created from the original wood engravings cut by the Dalziel Brothers c. 1860-1970.Number 29 of fifty copies.Spine slightly faded otherwise fine. The Workshop Press, Thaxted. unknown
Referenz des Buchhändlers : TENNIELS014377
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Terry, Daniel
British Theatrical Gallery A Collection of Whole Length Portraits with Biographical Notices by D. Terry
London: H. Berthoud 1825. Hardcover. Good . 72 p. frontispiece and 19 leaves of plates; 36 cm. Contemporary black leather spine with plain grey paper over boards. The publisher intended the plate of Mrs. Siddons to be bound as the frontispiece but here the plate of Mr. Kean was bound as the frontispiece and that of Siddons before the text about her. Contains 20 engraved portraits by R. Cooper of famous contemporary actors and dancers including Sarah Siddons as Lady Macbeth Edmund Kean as Richard III Samuel Simmonds as Baron Munchausen dancers Lisa Noblet Felicite Hullin and Etienne Le Blond opera singer Giuseppe de Begnis and Henry Gattie Maria Theresa Bland Sarah Booth Frances Copeland and Charles Young. The plates have not been hand-colored. In Good Condition: front board and frontispiece are detached but present; lacking leather over spine; foxing primarily in margins of plates; otherwise clean and solid. H. Berthoud hardcover
Referenz des Buchhändlers : 007775
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Test Prints
Test Prints
unknown
Referenz des Buchhändlers : 66428
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Tester, Christian
Leitfaden zum zweckmässigen Verfahren beim Rechnungs-Unterricht in den Bündner'schen Volksschulen.
Chur, Simeon Benedict, 1832. 8°. VI, 228 S. Mit 1 gef. Tafel. Original illustrierter und mit dem Titel versehenen Pappband. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
Referenz des Buchhändlers : 3295BB
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Texts by ADELIA RISPOLI, LEONARDO SCIASCIA.
Pippo Gambino. Gravürler.= Opera Incisoria, 1954-1994: 15-31 Ekim 1996 [Engraving Exhibition Catalogue].
As New English Pippo Gambino. Gravürler = Opera Incisoria 1954 - 1994. 15 - 31 Ekim 1996 (Engraving exhibition catalogue)., texts by: Adelia Rispoli, Leonardo Sciascia; Italyan kültür merkezi, Ist., 1994. Paperback. Pbo. Mint. 4to. (30 x 21 cm). B/w and color ills. In Turkish and Italian.
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Texts by LALE GÜRSEL.
Fatih Mika. Dönüs. CKSM. [Engraving exhibition catalogue].
As New English Paperback. Pbo. Mint. Oblong 4to. (21 x 27 cm). 100 p. Color ills. In Turkish. Fatih Mika. Dönüs. CKSM. [Engraving exhibition catalogue].
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Texts by ROBERT WALSH; Engravings by THOMAS ALLOM
Constantinople and Its Environs. In A Series of Drawings From Nature by Thomas Allom. With An Historical Account of Constantinople and Descriptions of the Plates by The Rev. Robert Walsh LL. D.
<p>Istanbul: Demirören 2013. Hardover. New. 31x41 cm. In English. Cloth bdg. In publisher's special slip case. B/w and colour ills. Linen binding on cardboard with gold foil logo printing; color printing on fancy paper; magnetic fancy paper tassel box on cardboard; special plush ribbon and bag additions. Limited edition. Thomas Allom'un 1838'de Londra'da yayınlanan eşsiz eserinin tıpkıbasımı gerçekleştirildi. Kitap elle renklendirilmiş 97 adet Türkiye gravürü ve İstanbul'un çeşitli görünümlerini içeriyor. Ayrıca Bursa Manisa İzmir Efes Bergama ve Pamukkale gibi tarihi antik kentlerin gravürlerine de yer veriliyor. Kitabın sayfalarını çevirirken binalar manzaralar ve dönemin sosyal hayatına dair kesitler göreceksiniz. Bu kitap 19. yüzyıl seyahat edebiyatının temel örneklerinden biri olarak kabul edilirken Osmanlı tarihçileri toplum bilimcileri ve şarkiyatçılar için önemli bir kaynak ve çalışma alanı sunuyor.</p> Demirören hardcover
Referenz des Buchhändlers : 1670 ISBN : 994426444X 9789944264440
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Texts by ROBERT WALSH; Engravings by THOMAS ALLOM
Fisher's illustrations of Constantinople and its environs. Constantinople and the scenery of the Seven Churches of Asia Minor. Illustrated. In a series of drawings from nature by Thomas Allom. With an historical account of Constantinople and descriptions of the plates by the rev. Robert Walsh LL. D.
Istanbul: Denizler Kitabevi 2013. Soft cover. New. Folio - over 12 - 15" tall. In original decorative cloth bdg. Folio. 41 x 31 cm. In English. Color ills. 218 1 p. A very heavy volume. Fisher's illustrations of Constantinople and its environs. Constantinople and the scenery of the Seven Churches of Asia Minor. Illustrated. In a series of drawings from nature by Thomas Allom. With an historical account of Constantinople and descriptions of the plates by the rev. Robert Walsh LL. D. ISTANBUL - Constantinople Ottoman culture Engraving Illustrations History of art Travel Voyage Memoirs Archeology Byzantium Western travellers. <br/> <br/> Denizler Kitabevi paperback
Referenz des Buchhändlers : 019874 ISBN : 994426444x 9789944264440
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Tharaud, Jérome & Jean
L'An Prochain à Jerusalem [LIMITED EDITION OF 435 COPIES]. Illustrations d'André Suréda. Gravées sur Bois par Georges Beltrand.
RARE LIMITED EDITION OF 435 COPIES - COPY No.236 of a book set in British-ruled Palestine, written by Goncourt prize winners - the brothers Jérome (1874-1953 ) and Jean Tharaud (1877-1952). The exquisite illustrations are by two eminent French artists: the Orientalist painter and illustrator André Suréda (1872-1930) and the graphic artist Georges Beltrand (1881-1969). 300x215mm. 164 pages. Red leather Hardcover with gilt spine. Cover slightly curved. Cover and spine stained, rubbed/scratched and fading/yellowing. Cover corner bumped and peeling. Cover upper edge rubbed. Spine hinges upper part cracked and glued. Spine edge bumped and peeling/tattered. Pages slightly yellowing and rough-cut as published. [SUMMARY]: This extremely rare deluxe edition of a lavishly illustrated book about the Holy Land is in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
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The Committee of General Literature and Education
Thirty Prints of Places Mentioned in The Holy Scriptures, Illustrative of the Fulfilment of Prophecy
33.5x28 cm. 30 pages. Gilt hardcover. Cover stained, rubbed and slightly bumped. Cover edges and corners bumped. Spine wrinkled. Spine corners worn and torn. Inner cover stained. Sticker on front inner cover. Binding partly visible between inner cover and white pages. Front white page edge torn. page 14 slightly torn - no damage to text. Few pages slightly age stained. Pages slightly yellowing. Else in good condition.
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