|
|
|
Saint-Lambert, Jean-Francois, Marquis de.
LES SAISONS, POEME. Cinquieme Edition, revue & corrigee.
Two volumes in one. pp. xxxvi, 224; 203, [2](Errata). Five wonderful engraved plates by a remarkable group of graphic artists; with title vignette; head-pieces, etc. Plates: Frontis by Jean-Baptiste Le Prince (1734-1781), engraved by Augustin de Saint-Aubin (1736-1807); "Spring" by Le Prince, without name of engraver; "Autumn" by Benoit Louis Prevost (1747-1804), engraved by Jean Francois Rousseau; "Winter" by Gravelot [Hubert Francois Bourguignon danville](1699-1773), engraved by Nicolas de Launay (1739-1792). Vignettes and headpieces by Pierre Philippe Choffard (1731-1809). The plates are dated mainly 1767-1769. 8vo. 210 mm. Plates slightly foxed. Text very clean. Marbled edges and endpapers. Original French full leather binding with marbled decoration. Spine tooled in gold gilt. Binding somewhat worn at extremities, but still attractive. Large printed French bookplate with the text: De la Douce Lumiere / De L'Ombre / De La Flamme / Et des Livres Amis [Soft light / the shadow / flame / and friends books] . Saint-Lambert (1716-1803) began writing poetry in his adolescence and belonged to the circle around Francoise de Graffigny in Luneville. In 1733 he had already begun work on The Seasons, his major poetical work, but it did not appear completed in print until 1769. Cohen 926; Reynaud 481. **PRICE JUST REDUCED! SAFE ADD 1
|
|
|
Gift Book.
THE BOOK OF BEAUTY, OR TOKEN OF FRIENDSHIP. A Gift for all Seasons. Edited by a Lady.
127p. Plus engraved frontis and full page plates. All edges gilt. 4to. Original full gilt decorated embossed cloth binding, very worn. Engraved plates have some soiling and foxing. A good candidate for rebinding. A wonderful contemporary insight into American Antebellum romantic ideas and ideals. Scarce. WOMEN 2
|
|
|
Crafts, William August.
THE SOUTHERN REBELLION. Very Rare Original Parts Issue.
Fifty parts (some bound two in one). pp. 648; 652. Highly illustrated. Original paper wraps. 4to. In our set the issue with parts 41 & 42 is missing, as id the paper cover to partt one. This is a set almost never found complete (if at all). The true first edition of this famous history of the Civil War illustrated with numerous steel engraved plates. . Sabin 17349; Dornbusch III:181; Nicholson, 172-73. RARE. A truly remarkable survivor. OVERSIZE 6 / YORK HS
|
|
|
Collection of French Pamphlets, with Beautiful & Fine French Engravings; Various Authors, and Illustrators.
HEROIDES OU LETTRES EN VERS. Vols I & II.
Fourteen (14) Rare French Literary Pamphlets in two volumes. All 8vo. 205 mm. Leather backed marbled boards, very slightly worn. Hardbound. Text in fine condition; some offsetting from the engravings. Contents include: Vol. I - 1). LETTRE AMOUREUSE D'HELOISE A ABAILARD. Translation of: Eloisa to Abelard, by Alexander Pope. New Edition corrected by the autor. Chez la veuve Duchesne, Paris: 1766. 30 p. + large engraving by Eisen; Engraved headpiece by Colardeau. 2). LETTRE DE DON CARLOS A ELISABETH, SUIVIE DUN PASSAGE DE L'AMINTE DU TASSE, TRADUIT EN VERS, & Du Poeme De La Nuit, imite de Gesner. Panckoucke, Paris & Duchesne, Lille: 1768. pp. VIII, 29 + Gravelot engraved plate. 3). LETTRE DE JULIE, FILLE D'AUGUSTE, A OVIDE. By Claude Dorat. A Geneve, Et se trouve a Paris: Chez Bauche: 1766. 23p. With Engraved head and tail pieces by Eisen and Massard. 4). LETTRE D'OVIDE A JULIE, PRECEDEE DUNE LETTRE EN PROSE A M. DIDEROT. [By the Marquis de Pezay]. [Geneva]: 1767. 32p. + Full page engraved plate and vignettes after Eisen. 5). LETTRE DE SAPHO A PHAON, Precedee d'une Epitre a Rosine, D'une vie de Sapho, & suivie d'une Traduction en Vers des Ouvrages de ce Poete. By Blin de Sainmore. Sebastien Jorry, Paris: 1766. 32 p. + Engraved plate by Aliamet after Gravelot; Vignettes by Ghendt after Eisen, another by Choffard. 6). LETTRE DE CATON D'UTIQUE A CESAR. By Abbe Parmentier. Lambert, Paris: 1766. 34 p. + Engraved plate after Gravelot. 7). LETTRE D'ALCIBIADE A GLICERE: Bouquetiere d'Athenes, suivie d'une Lettre de Venus a Paris, et d'une Epitre a la Maitresse que J'Aurai. By Marquis de Pezay. S. Jorry, Geneva & Paris: 1764. 36 p. Large engraved plate and vignettes by Eisen. Vol. II - 1). LETTRE DU COMTE DE COMMINGES A SA MERE: Suivie d'une Lettre de Philomele a Progne. By Claude-Joseph Dorat. S. Jorry, Paris: 1764. 68 p. Two full page engravings + vignettes by Eisen & Massard. 2). L'HEUREUX JOUR, EPITRE A MON AMI. By le Parquis de Pezay. (Duchene, Paris): 1768. pp. 29, (1). + Engraved title, full page engraving, & vignettes by Eisen & Massard. Cohen p. 797. 3). LISLE MERVEILLEUSE. Poeme en Trois Chants, Traduit du Grec, Suivi d'Alphonse ou de l'Alcide Espagnol, Conte tres Moral. By C. J. Dorat. Geneva: 1768. 85 p. Engraved plate after Eisen. 4). L'HOPITAL DES FOUS [Aesculapius - or, The Hospital of Fools] by William Walsh. [A Play translated by De La Flotte]. Jorry, Paris: 1765. Large plate, head-piece and tail-piece engraved by Delafosse after Eisen. Two lines of French manuscript about Fools. 5). EXTRAIT DE QUELQUES PIECES PRESENTEES A L'ACADEMIE FRANCOISE, Pour concourir au Prix de poesie de L'Annee 1766. Regnard, Paris: 1766. 27 p. 6). EPITRE AUX MALHEUREUX, Piece qui a Eu L'Accessit du Prix de l'Academie Francois 1766. par M*** [G.-H. Gaillard]. Paris, Regnard: 1766. 10p. 7). EPITRE A UN AMI SUR LA RECHERCHE DU BONHEUR. Cette Piece a concouru au Price de l'Academie Francois 1766. par M.D.*** Avocat au Parlement, Cuissart & Regnard, Paris: 1766. 19p. Small circular stain on first 10 pages. ** This collection is sometimes found with the texts in a different order and with different pagings and signatures and/or with one or more pieces omitted. There are often different printers and publishers where identified. The artists and engravers were among the best of this great era in illustration: Charles-Dominique-Joseph Eisen (1720-1778); Charles-Pierre Colardeau (1732-1776); Hubert Francois Gravelot (1699-1773); Jacques Aliamet 1726-1788); Jean Francois Rousseau; Emmanuel Jean Nepomucene de Ghendt (1738-1815); Joseph de Longueil (1730-1792); Jean Massard (1740-1822); Pierre-Philippe Choffard (1730-1809). A classic of 18th century French book illustration. CHEST 2/1
|
|
|
Aa Vv.
Art in Seventeenth Century Italy
Mm 140x215 Brossura editoriale catalogo di stampe e alcuni disegni, della Colnaghi & Co. di Londra, 175 opere d'arte in vendita dal 13 aprile al 13 maggio 1972, con immagini in bianco e nero, in buono stato. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
|
|
|
[Jackson, Herbert J.].
[European Hand Firearms of the Sixteenth, Seventeenth & Eighteenth Century:] "Very Fine Example of a XVIth Century Wheel-Lock Pistol." [ORIGINAL COLLOTYPE PRINT].
Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
|
|
|
[Jackson, Herbert J.].
[European Hand Firearms of the Sixteenth, Seventeenth & Eighteenth Century:] "Pair of Brescian Wheel-Lock Pistols, Chiselled Mounts, and Pair of Brescian Wheel-Lock Pistols, Pierced and Chiselled Mounts." [ORIGINAL COLLOTYPE PRINT].
Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
|
|
|
[Jackson, Herbert J.].
[European Hand Firearms of the Sixteenth, Seventeenth & Eighteenth Century:] "Wheel-Lock Gun, Stock Overlaid with Ivory." [ORIGINAL COLLOTYPE PRINT].
Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
|
|
|
[Jackson, Herbert J.].
[European Hand Firearms of the Sixteenth, Seventeenth & Eighteenth Century:] "Finely Chiselled Brescian Wheel-Lock, and a Wheel-Lock Sporting Gun, Dutch." [ORIGINAL COLLOTYPE PRINT].
Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
|
|
|
[Jackson, Herbert J.].
[European Hand Firearms of the Sixteenth, Seventeenth & Eighteenth Century:] "Brescian Wheel-Lock Pistol, Pierced and Chiselled Mounts." [ORIGINAL COLLOTYPE PRINT].
Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
|
|
|
[Jackson, Herbert J.].
[European Hand Firearms of the Sixteenth, Seventeenth & Eighteenth Century:] "Brescian Sporting Gun with Finely Chiselled and Pierced Mounts." [ORIGINAL COLLOTYPE PRINT].
Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
|
|
|
[Jackson, Herbert J.].
[European Hand Firearms of the Sixteenth, Seventeenth & Eighteenth Century:] "XVIth Century Wheel-Lock Pistols." [ORIGINAL COLLOTYPE PRINT].
Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. (Small spot or two.) First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
|
|
|
[Jackson, Herbert J.].
[European Hand Firearms of the Sixteenth, Seventeenth & Eighteenth Century:] "Fine Example of Early Brescian Pistol with Flattened Butt." [ORIGINAL COLLOTYPE PRINT].
Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
|
|
|
[Jackson, Herbert J.].
[European Hand Firearms of the Sixteenth, Seventeenth & Eighteenth Century:] "Four-Barrel Revolving Pistol and Double-Barrel (Side by Side), Both Metal Butted." [ORIGINAL COLLOTYPE PRINT].
Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. (Light marginal finger soiling.) First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
|
|
|
[Jackson, Herbert J.].
[European Hand Firearms of the Sixteenth, Seventeenth & Eighteenth Century:] "Metal-Butted Single- and Double-barrel (Under and Over) Pistols, and Pair of Metal-Butted Pistols with Barrels Chiselled, Each with Different Design." [ORIGINAL COLLOTYPE PRINT].
Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
|
|
|
[Jackson, Herbert J.].
[European Hand Firearms of the Sixteenth, Seventeenth & Eighteenth Century:] "Group of Four Metal-Butted Pistols, Single Barrels, Two with Secret Folding Triggers." [ORIGINAL COLLOTYPE PRINT].
Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
|
|
|
[Jackson, Herbert J.].
[European Hand Firearms of the Sixteenth, Seventeenth & Eighteenth Century:] "Cannon Barrel Holster Pistols, and Cannon Barrel Holster Pistols with Barrel Attached by Swivel Ring." [ORIGINAL COLLOTYPE PRINT].
Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
|
|
|
[Jackson, Herbert J.].
[European Hand Firearms of the Sixteenth, Seventeenth & Eighteenth Century:] "Single-Barrel Pistol of Unusual Length, and Group of Four Fine Pistols, Stocks Mounted and Inlaid with Silver." [ORIGINAL COLLOTYPE PRINT].
Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
|
|
|
[Jackson, Herbert J.].
[European Hand Firearms of the Sixteenth, Seventeenth & Eighteenth Century:] "Pair of Double-Barrel (Cannon) Pistols of Exceptional Length." [ORIGINAL COLLOTYPE PRINT].
Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. (Minor marginal spotting.) First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
|
|
|
[Jackson, Herbert J.].
[European Hand Firearms of the Sixteenth, Seventeenth & Eighteenth Century:] "Two-Barrel Pistols, Under and Over, and Side by Side." [ORIGINAL COLLOTYPE PRINT].
Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
|
|
|
[Jackson, Herbert J.].
[European Hand Firearms of the Sixteenth, Seventeenth & Eighteenth Century:] "English Hunting Sword with Flint-Lock Pistol Attachment Finely Mounted in Silver, and English Seven-Barrel Flint-Lock [Flintlock] Revolving Pistol." [ORIGINAL COLLOTYPE PRINT].
Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
|
|
|
[Jackson, Herbert J.].
[European Hand Firearms of the Sixteenth, Seventeenth & Eighteenth Century:] "Pair of Single-Barrel Pistols, Well Mounted with Silver Medallions on Brass, and Pair of Spanish Pistols Fitted with Southern Italian Locks." [ORIGINAL COLLOTYPE PRINT].
Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
|
|
|
[Jackson, Herbert J.].
[European Hand Firearms of the Sixteenth, Seventeenth & Eighteenth Century:] "French Revolving Sporting Gun, Dated 1720." [ORIGINAL COLLOTYPE PRINT].
Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
|
|
|
[Jackson, Herbert J.].
[European Hand Firearms of the Sixteenth, Seventeenth & Eighteenth Century:] "Two Holster Pistols, One Well Mounted with Silver Medallions on Brass, the Other with Silver, and Hammerless Pistols, the Flint-Holder Contained within the Barrel." [ORIGINAL COLLOTYPE PRINT].
Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
|
|
|
[Jackson, Herbert J.].
[European Hand Firearms of the Sixteenth, Seventeenth & Eighteenth Century:] "Air Pistol, End of XVIIIth Century, and Pistol to Fire Four Charges from One Barrel." [ORIGINAL COLLOTYPE PRINT].
Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
|
|
|
[Jackson, Herbert J.].
[European Hand Firearms of the Sixteenth, Seventeenth & Eighteenth Century:] "Single Trigger Double-Barrel (Under and Over) Pistol with Bayonet Attached." [ORIGINAL COLLOTYPE PRINT].
Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
|
|
|
[Jackson, Herbert J.].
[European Hand Firearms of the Sixteenth, Seventeenth & Eighteenth Century:] "Flint-Lock Double-Barrel Sporting Gun, Early English Type, and Pair of Flint-Lock [Flintlock] Holster Pistols, English Military Type." [ORIGINAL COLLOTYPE PRINT].
Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. (Light marginal finger soiling.) First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
|
|
|
[Jackson, Herbert J.].
[European Hand Firearms of the Sixteenth, Seventeenth & Eighteenth Century:] "Scottish Hand Firearms of the XVIth, XVIIth & XVIIIth Centuries." [ORIGINAL COLLOTYPE PRINT].
Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
|
|
|
[Jackson, Herbert J.].
[European Hand Firearms of the Sixteenth, Seventeenth & Eighteenth Century:] "Scottish Hand Firearms of the XVIth, XVIIth & XVIIIth Centuries." [ORIGINAL COLLOTYPE PRINT].
Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
|
|
|
[Jackson, Herbert J.].
[European Hand Firearms of the Sixteenth, Seventeenth & Eighteenth Century:] "Scottish Hand Firearms of the XVIth, XVIIth & XVIIIth Centuries." [ORIGINAL COLLOTYPE PRINT].
Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
|
|
|
[Jackson, Herbert J.].
[European Hand Firearms of the Sixteenth, Seventeenth & Eighteenth Century:] "Scottish Hand Firearms of the XVIth, XVIIth & XVIIIth Centuries." [ORIGINAL COLLOTYPE PRINT].
Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
|
|
|
[Jackson, Herbert J.].
[European Hand Firearms of the Sixteenth, Seventeenth & Eighteenth Century:] "Scottish Hand Firearms of the XVIth, XVIIth & XVIIIth Centuries." [ORIGINAL COLLOTYPE PRINT].
Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
|
|
|
[Jackson, Herbert J.].
[European Hand Firearms of the Sixteenth, Seventeenth & Eighteenth Century:] "Scottish Hand Firearms of the XVIth, XVIIth & XVIIIth Centuries." [ORIGINAL COLLOTYPE PRINT].
Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
|
|
|
[Jackson, Herbert J.].
[European Hand Firearms of the Sixteenth, Seventeenth & Eighteenth Century:] "Scottish Hand Firearms of the XVIth, XVIIth & XVIIIth Centuries." [ORIGINAL COLLOTYPE PRINT].
Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
|
|
|
[Jackson, Herbert J.].
[European Hand Firearms of the Sixteenth, Seventeenth & Eighteenth Century:] Pair of German Pistols, XVIIIth Century, and Pair of Dutch Pistols (Theodorus Coop). [ORIGINAL COLLOTYPE PRINT].
Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. (Light marginal finger soiling.) First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
|
|
|
[Crimean War] De Vrede (caption title). [The War in the Crimea; Russo-Turkish War; Der Krieg Russlands mit der Türkei; La guerre de Crimée 1853-56; La guerre d'Orient; L'expédition de Crimée; Krimkrieg; Guerra de / di Crimea; Sewastopol; Sevastopol; Sebastopol: LITHOGRAPH PRINT].
Original single-sheet lithograph of fine quality, printed by C. W. Mieling, Royal Lithographer. Overall size 355 X 265 mm. Fine impression on good paper with good margins all round (vague single folding mark). Excellent. Preserved in acid-free, pH-balanced conservation paper. Scarce.
|
|
|
[Crimean War] Uitdeeling van medailles te Parijs aan de Zouaven uit de Krim; AND: Inwendige van den grooten Redan na de bestroming (caption titles). [The War in the Crimea; Russo-Turkish War; Der Krieg Russlands mit der Türkei; La guerre de Crimée 1853-56; La guerre d'Orient; L'expédition de Crimée; Krimkrieg; Guerra de / di Crimea; Sewastopol; Sevastopol; Sebastopol: LITHOGRAPH PRINT].
Two plates on original single-sheet lithograph of fine quality, printed by C. W. Mieling, Royal Lithographer. Overall size 355 X 265 mm. Fine impressions on good paper with good margins all round (verso and margins bit spotted, image flawless). Excellent. Preserved in acid-free, pH-balanced conservation paper. Scarce.
|
|
|
[Crimean War Portraits] Frans Josef I, Keizer van Oostenrijk (caption title). [LITHOGRAPH PRINT].
Original single-sheet lithograph of fine quality, printed by C. W. Mieling, Royal Lithographer. Overall size 355 X 265 mm. Fine impression on good paper with good margins all round (some spotting). Very good. Preserved in acid-free, pH-balanced conservation paper. Scarce.
|
|
|
[Crimean War Portraits] Ingenieur van Todtleben, chef der genie in Sebastopol; AND: General Simpson, opperbevelhebber van 't Engelsche leger in de Krim (caption titles). [LITHOGRAPH PRINT].
Two plates on original single-sheet lithograph of fine quality, printed by C. W. Mieling, Royal Lithographer. Overall size 355 X 265 mm. Fine impressions on good paper. Excellent. Preserved in acid-free, pH-balanced conservation paper. Scarce.
|
|
|
[Crimean War] Generaal Pélissier, opperbevelhebber van het fransche leger in de Krim (caption title). [LITHOGRAPH PRINT].
Original single-sheet lithograph of fine quality, printed by C. W. Mieling, Royal Lithographer. Overall size 355 X 265 mm. Fine impression on good paper with ample margins all round (some spotting). Very good. Preserved in acid-free, pH-balanced conservation paper. Scarce.
|
|
|
[Crimean War Portraits] Victor Emmanuel, Koning van Sardinië (caption title). [LITHOGRAPH PRINT].
Original single-sheet lithograph of fine quality, printed by C. W. Mieling, Royal Lithographer. Overall size 355 X 265 mm. Fine impression on good paper with ample margins all round. Fine. Preserved in acid-free, pH-balanced conservation paper. Scarce.
|
|
|
[Crimean War Portraits] Frederik Wilhelm IV, Koning van Pruissen (caption title). [LITHOGRAPH PRINT].
Original single-sheet lithograph of fine quality, printed by C. W. Mieling, Royal Lithographer. Overall size 355 X 265 mm. Fine impression on good paper with ample margins all round (abrasion mark to verso; some spotting to margins; short closed tear to extreme edge at bottom well away from image). Good. Preserved in acid-free, pH-balanced conservation paper. Scarce.
|
|
|
[Crimean War Portraits] Alexander II, Keizer alter Russen (caption title). [LITHOGRAPH PRINT].
Original single-sheet lithograph of fine quality, printed by C. W. Mieling, Royal Lithographer. Overall size 355 X 265 mm. Fine impression on good paper with ample margins all round (some spotting to margins; short closed tear to extreme edge at bottom well away from image). Very good. Preserved in acid-free, pH-balanced conservation paper. Scarce.
|
|
|
[Crimean War Portraits] Ruslands Keizer en zijne zonen (caption title). [LITHOGRAPH PRINT].
Original single-sheet lithograph of fine quality, printed by Fuhri & Smits. Overall size 355 X 265 mm. Fine impression on good paper with ample margins all round (some spotting to margins and verso; short closed tear to extreme edge well away from image). Very good. Preserved in acid-free, pH-balanced conservation paper. Scarce.
|
|
|
[Crimean War Portraits] Generaal Bosquet; AND: Engelsche batterij voor Sebastopol (caption titles). [LITHOGRAPH PRINT].
Two plates, one portrait and one combat view, on original single-sheet lithograph of fine quality, printed by C. W. Mieling, Royal Lithographer. Overall size 355 X 265 mm. Fine impression on good paper with good margins all round (bottom corner dog-eared well away from image). Very good. Preserved in acid-free, pH-balanced conservation paper. Scarce.
|
|
|
[Crimean War Portraits] Vorst Gortschakoff, Opperbevelhebber van het Russische leger in de Krim; AND: Het overtrekken der Russen naar de Noordzijde der baai van Sebastopol (Allegorische Voorstelling) (caption titles). [LITHOGRAPH PRINT].
Two plates, one portrait and one alegorical view, on original single-sheet lithograph of fine quality, printed by C. W. Mieling, Royal Lithographer. Overall size 355 X 265 mm. Fine impression on good paper with good margins (some spotting to verso). Very good. Preserved in acid-free, pH-balanced conservation paper. Scarce.
|
|
|
[Crimean War Portraits] Generaal A. della Marmora, Opperbevelhebber van het Sardinische Contingent; AND: Vertrek der Sardinische troepen van Genua (caption titles). [LITHOGRAPH PRINT].
Two plates, one portrait and one view, on original single-sheet lithograph of fine quality, printed by C. W. Mieling, Royal Lithographer. Overall size 355 X 265 mm. Fine impression on good paper with good margins (some spotting). Good. Preserved in acid-free, pH-balanced conservation paper. Scarce.
|
|
|
[Franco-Prussian War; Deutsch-Französischer Krieg; Illustrierte Geschichte des Krieges 1870/71] [PRINT].
Original single-sheet engraving. Overall size ca. 22 x 30 cm; good margins. Bearing at foot a legend set in Gothic type. Printed on verso. Fine (possible minor marginal imperfections; image flawless.) - - During the seven months of the war, dramatic sketches of the battlefields and horrifying images of life under fire appeared in print, mostly in periodicals and special publications. This print is a fine example of a scarce survivor. Preserved in acid-free, pH-balanced archival paper.
|
|
|
[Franco-Prussian War; Deutsch-Französischer Krieg; Illustrierte Geschichte des Krieges 1870/71] [PRINT].
Original single-sheet engraving. Overall size ca. 22 x 30 cm; good margins. Bearing at foot a legend set in Gothic type. Printed on verso. Fine (minor marginal imperfection; single brown spot.) - - During the seven months of the war, dramatic sketches of the battlefields and horrifying images of life under fire appeared in print, mostly in periodicals and special publications. This print is a fine example of a scarce survivor. Preserved in acid-free, pH-balanced archival paper.
|
|
|
[Franco-Prussian War; Deutsch-Französischer Krieg; Illustrierte Geschichte des Krieges 1870/71] [PRINT].
Original single-sheet engraving. Overall size ca. 22 x 30 cm; good margins. Bearing at foot a legend set in Gothic type. Printed on verso. Fine (possible minor marginal imperfections; image flawless.) - - During the seven months of the war, dramatic sketches of the battlefields and horrifying images of life under fire appeared in print, mostly in periodicals and special publications. This print is a fine example of a scarce survivor. Preserved in acid-free, pH-balanced archival paper.
|
|
|
Ricevere i risultati per e-mail
Scaricare i risultati in PDF
RSS feed
Link
