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‎Barksy, Vivianne [Ed., Trans.] / Perry-Lehmann, Meira [Curation]‎

‎The Printer's Imprint: Twenty Years of the Jerusalem Print Workshop [IN HEBREW AND ENGLISH]‎

‎IN HEBREW AND ENGLISH. 30X22.5 cm. 118+21 pages. Softcover. Cover slightly chafed. Cover edges slightly torn. Inner back cover slightly stained. Several pages slightly stained. Else in good condition.‎

MareMagnum

The Book Gallery
United States Estados Unidos Estados Unidos États-Unis
[この書籍販売業者の本を検索: The Book Gallery]

€ 12.28 購入

‎Canaday, John‎

‎Metropolitan Seminars in Art, Portfolio 10: Technique‎

‎No marks or inscriptions. No creasing to covers or to slightly sunned spine. A very clean very tight copy with bright unmarked boards, foxing to page edges and no bumping to very sharp corners. Protected in glassine jacket.. All twelve colour prints in excellent condition in folder at front plus 31pp. Techniques of water colour, pastel and print plus full size colour plates and descriptions.‎

‎Canaday, John‎

‎Metropolitan Seminars in Art, Portfolio 11: The Artist as a Social Critic‎

‎No marks or inscriptions. No creasing to covers or to slightly sunned spine. A very clean very tight copy with bright unmarked boards, foxing to page edges and no bumping to corners. Protected in glassine jacket.. All twelve colour prints in excellent condition in folder at front plus 31pp. Full size colour plates and descriptions featuring the artist as a critic of society. Scarce volume in this series.‎

‎Canaday, John‎

‎Metropolitan Seminars in Art, Portfolio 8: Fresco‎

‎No marks or inscriptions. No creasing to covers or to spine. A very clean very tight copy with bright unmarked boards, foxing to page edges and no bumping to very sharp corners. Protected in glassine jacket.. All twelve colour prints in excellent condition in folder at front plus 31pp. Techniques of water colour, pastel and print plus full size colour plates and descriptions with emphasis on the fresco or wall painting.‎

‎James Laver‎

‎English Sporting Prints (Collectors Monograph)‎

‎Ex-library book with usual marks and stamps. A very clean very tight copy with bright unmarked boards, missing front end paper and no bumping to corners. Dust jacket not price clipped or marked or torn or creased. 96pp. a study of the English sporting print, popular for around a hundred years over the last half of the 18th and the first half of the 19th centuries. About 75% of the book is a display of actual examples.‎

‎Bewick, Thomas‎

‎A General History of Quadrupeds‎

‎Inscription dated 1830 inside front board. No other added marks No creasing to covers, creasing to leather spine. Clean very tight pages with unmarked rubbed marbled boards and well-rubbed edges, foxing to end papers and a few other pages and dusty page edges. Gilt lettered leather spine and corners rubbed and top of spine slightly frayed. 528pp. The characters, descriptions and uses of the animals from the Adive (similar to a Jackal) to the Zorilla (or African skunk). Excellent figure engravings on wood by Thomas Bewick.‎

‎Bewick, Thomas‎

‎A History of British Birds‎

‎Ink mark to page 45 of Part II and a few fingermarks. No other added marks or inscriptions. No creasing to covers. A tight page block with foxing to dusty edged pages, well rubbed full-leather boards, edges and spine with surprisingly clear intact maroon title block to spine. Front board held just by binding cords and front end paper present but loose. Some loss to lower edge of title page. Page numbering in good order. 327 plus 360pp. Parts I and II of Bewick's Birds present in one volume. Wood engravings by T Bewick. Green Sandpiper at p100.‎

‎Herrmann, Daniel F. (editor)‎

‎Eduardo Paolozzi‎

‎No marks or inscriptions. No creasing to covers or to spine. A very clean very tight copy with bright unmarked boards and no bumping to corners. 288pp. Biography of the sculptor considered the 'Godfather of Pop Art' Eduardo Paolozzi and 217 plates of his works in sculpture, print and collage in this catalogue for this major exhibition in London 2017 and Berlin in 2018 plus comment and discussion of his public sculpture.‎

‎Linkhorn, Forbes Lloyd (editor)‎

‎Illustrators 22 : The Twenty Second Annual of American Illustration‎

‎No marks or inscriptions. A lovely clean very tight copy with bright unmarked boards and no bumping to corners. Dust jacket not price clipped or marked or torn or creased with slight sunning to spine. Unpaginated pp. With 633 illustrations chosen for the Society of Illustrators' 1980/81 Exhibition. A heavy book. Scarce in the UK.‎

‎Quennell, Peter & Hodge, Alan (editors)‎

‎History Today : April 1977‎

‎No marks or inscriptions. No creasing to covers. A very clean very tight copy with bright unmarked boards, tiny bump to upper front edge and no bumping to corners. 69pp. Periodical magazine with feature articles on the Trans-Siberian caravan route, An Adriatic Hastings 1081, Saragarhi - Sikhs and Pathans, Ohio Frontier Valley, Lord Odo Russell and Bismarck, Doukhobors in Russia and Canada, Jean Baptiste Oudry, Catchpenny prints in Holland plus book reviews and letters.‎

‎Wilkie, David‎

‎Three Greek Sisters at Therapia‎

‎Napartuk, Henry‎

‎Eskimo Building Igloo‎

‎Henri Napartuk (1932 - 1985) Inuit sculptor and print maker. Stone block signed and titled in pencil by the artist. Original print tipped on to blue paper in the form of a folded sheet used as a greeting card (now with a message inside and it is missing the envelope), else fine. Undated 1/4" x 9 1/2" Print‎

‎Barr, John‎

‎Britain Portrayed: A Regency Album, 1780-1830‎

‎Around the turn of the 19th century the towns, villages and countryside of Britain attained a level of picturesque beauty and charm that has been unsurpassed since. In watercolour drawing artists caught the changing light and weather to perfection, and in aquatint engravings their subtle tones could be reproduced in prints virtually indistinguishable from the originals. Here nearly 50 of the finest views and scenes in prints of the period are reproduced, their colours still as fresh and vivid today as when they were first published. Drawing upon contemporary accounts, John Barr provides a commentary of the artists, engravers and prints in this album which portrays the elegance and robust variety of Regency Britain for today's armchair tourist.A selection 50 illustrations reproduced from Topographical and Colour Plate Books of the Regency period [1790-1840] "providing today's armchair tourist with an album that faithfully portrays the elegance and robust variety of Regency Britain." 127p.illus. Illustrated endpapers Book‎

‎Home, Alan; Landon, Richard & Upjohn, Guy‎

‎Eric Gill : His Life and Art‎

‎An exhibition in the Thomas Fisher Rare Book Library, University of Toronto, 19 April-30 June 1991.This commemoration of Gill's life and work is drawn primarily from a private collection in Toronto formed by J. Kemp Waldie, and also contains items from the Fisher Library and the Library of the University of Waterloo. It illustrates the varied aspects of Gill's career, with special emphasis on his graphic art and book illustration. The catalogue, by Alan Horne, Richard Landon, and Guy Upjohn won a first place award from the Rare Books and Manuscripts Sections of the American Library Association, and two design awards from the National Composition and Prepress Association. Printed in Canada in Gill's Perpetua type. 56p. illus.bibliography. BUT an errrata slip is laid in... which states "Title page : Dates of exhibition should read "5 October - 29 December 1991" Book‎

‎BIBLIOTHEQUE NATIONALE / LAMBERT (Gisèle), BOUQUILLARD (Jocelyn), sous la direction de.‎

‎Estampes japonaises - Images d'un monde éphémère.‎

‎Catalogue de l'exposition "Ukiyo-e, images d'un monde éphémère - Estampes japonaises des XVIIIe et XIXe siècles" présentée en 2008 au Centre cultural Caixa Catalunya La Pedrera, à Barcelone, et à la Bibliothèque Nationale de France (Paris): 126 n°s avec notices, commentaires et reproductions couleurs, souvent pleines ou doubles pages; en classement thématique: technique de l'estampe, théâtre et sumô, "Les beautés féminines et la vie quotidienne", "Estampes parodiques, poèmes et surimono: la culture ludique à l'époque d'Edo", estampes érotiques, "L'avènement de l'estampe de paysage au XIXè siècle": Hokusai et Hiroshige, chaque thème étant introduit par un texte de Gisèle LAMBERT, Christophe MARQUET (pour les estampes érotiques) ou Jocelyn BOUQUILLARD (pour les paysages du XIXè); textes introductifs de Gisèle LAMBERT sur l'histoire de la collection "estampes et livres illustrés de l'art ukiyo-e" de la B.N.F. et sur "L'apparition de l'ukiyo-e à l'époque Edo"; publié sous la direction de Gisèle Lambert et Jocelyn Bouquillard, conservatrices au Département des Estampes de la Bibliothèque nationale de France; index des biographies des principaux dessinateurs; glossaire; bibliographie. Français‎

‎ADHEMAR (Jean), HEBERT (Michèle), LETHEVE (Jacques).‎

‎Les Estampes.‎

‎Ouvrage publié par 3 conservateurs de la Bibliothèque Nationale, Jean ADHEMAR, du Cabinet des estampes (1908-1987), Michèle HEBERT (1905-1994), et Jacques LETHEVE, directeur du Département des Imprimés (1914-1992), avec la collaboration du journaliste Pierre MAZARS, spécialiste d'histoire de l'art (1921-1985): histoire de la gravure, de la fin du XIVè au XXè siècle, la lithographie contemporaine, la gravure populaire, les techniques de gravures; avec chapitre introductif présentant des conseils aux amateurs (identification, faux, classement...); nombreuses reproductions, dont 8 planches couleurs; tableaux synoptiques; bibliographie. Dans la collection dirigée par Pierre Mazars; exemplaire bien complet de sa jaquette, et enrichi de 2 articles de Catherine BEDEL sur l'achat d'estampes (coupure de "Le Monde" du 15/1/1994). Français‎

‎[COLLECTIF].‎

‎L'Estampe en France du XVIème au XIXème siècle.‎

‎Catalogue bilingue, en français et en japonais, de l'exposition présentée en 1987 au Musée des estampes de la ville de Machida: 208 n°s avec vignettes et notices, en 3 parties chronologiques: XVIè-XVIIè siècles (n°s 1-69), avec présentation ("Des estampes du roi à celles de l'Académie: la constitution d'un style") et notices de W. McALLISTER JOHNSON; XVIIIè siècle (n°s 70-142) avec présentation ("De la gravure d'interprétation à la gravure d'imitation") et notices de Madeleine BARBIN; XIXè siècle (n°s 143-208) avec présentation ("De la gravure à l'estampe") et notices de Blandine BOURET; précédé d'un texte de l'historien d'art Mitsuru SAKAMOTO sur "Le monde de la gravure"; introduction de Madeleine BARBIN, conservatrice au Département des estampes et de la photographie de la Bibliothèque Nationale; glossaire; index; bibliographie. Bilingue japonais / français‎

‎SHIMIZU (Christine).‎

‎Japon, la tentation de l'Occident 1868-1912.‎

‎Catalogue de l'exposition présentée en 1988 au Musée Guimet, à Paris, par la conservatrice Christine SHIMIZU: sélection de 58 oeuvres japonaises représentatives de la féconde époque Meiji, époque d'ouverture au monde occidental et de renouveau artistique: estampes, albums photographiques, peintures à l'encre... avec reproductions (dont 15 en couleurs), notices, commentaires et notices sur les artistes; présentées au fil d'une étude historique: "prémices de l'occidentalisation" (rapports du Japon avec le Portugal puis la Hollande), "ouverture du Japon", "Japon nationaliste", "Japon impérial"; chronologie; glossaire; index des artistes; bibliographie. Français‎

‎Mintz, G.A. (Bud) - Compiler‎

‎A Northwest Coast Indian Colouring Book - Volume 1 - Prints‎

‎56 ages. 49 Illustrations rendered for colouring from original designs by 21 native artists. Colour code provided. Light wear. Unmarked. Nice copy. Book‎

‎Daniels, Harvey‎

‎Printmaking‎

‎224 pages. Index. "A thorougly practical introduction to the art and craft of printmaking." - from dust jacket. Moderate wear. Clean and unmarked. Dust jacket now preserved in a glossy new archival-grade Brodart cover. Solid copy. Book‎

‎Author Not Stated‎

‎Ukiyoe - from Matsukata Collection‎

‎286 pages. Exhibition catalog of 244 ukiyo-e prints carefully selected from the Matsukata collection in order to display the history of ukiyo-e prints from their earliest days to the end of the Edo period. Text predominantly in Japanese. Illustrated in colour. Light to moderate wear. Unmarked. Binding tight and square. Sound copy. Book‎

‎Hall, Edwin S. Jr.; Blackman, Margaret B.; Rickard, Vincent‎

‎Northwest Coast Indian Graphics - An Introduction to Silk Screen Prints‎

‎144 pages. "The first volume to show the range of individual and regional styles and subject matter of these contemporary articles... Provides an introduction to the peoples of the Northwest Coast and their art and explores the relationship of traditional art to that being produced by contemporary artists." - from dust jacket. Abundantly illustrated, approximately one third in colour. Book clean, bright and unmarked with minimal wear. Dust jacket bears moderate wear and is now preserved in a glossy new archival-grade Brodart cover. Lovely copy. Book‎

‎Hasluck, Paul N.: Editor‎

‎Upholstery - with Numerous Engravings and Diagrams‎

‎160 pages. Index. Numerous line drawings. Contains "a comprehensive digest of the knowledge of upholstery, scattered over more than twenty thousand columns of Work - one of the weekly journals it is my fortune to edit - and supplies concise information on the details of the subjects of which it treats." - Editor. Binding intact. Illustrated boards. Average wear. Sound copy. Book‎

‎Houston, John: Editor‎

‎Pangnirtung 1977: Prints/estampes‎

‎36 pages. Bilingual English/French. "Among these prints, some recalling the days of the whalers, and life in the camps on Cumberland Sound, the printmakers and I hope you will find something to call these bright moments to mind." - John Houston. Average wear. Unmarked. Book‎

‎Sotheby's‎

‎Fine Japanese Prints and Works of Art: Sotheby's Auction Catalogue #5793, New York, December 8 and 9, 1988‎

‎Unpaginated. Illustrated in colour and black and white. Relatively large and heavy - over 0.5" thick. Auction results stapled inside back cover. Few markings to contents. Address label inside front cover. Moderate wear. Sound copy. Book‎

‎Christie's‎

‎Japanese Works of Art - Christie's Auction Catalogue‎

‎215 pages. Auction results mounted inside back cover. Items include: Japanese Prints, Illustrated Books, Manuscripts, Paintings, Screens, Netsuke, Tobacco Pipes, Inro Sword Fittings, Swords, Ceramics, Cloisonne, Shibayama, Bronzes, Metalwork, and Lacquer. Book clean, bright and unmarked with very light wear. Nice copy. Book‎

‎Multiple Contributors‎

‎Shooting Times and Country Magazine: September 11-17, 1980‎

‎Features: Of Mink and Mallard; Modern Firearm Engravings; and more. Book‎

‎Multiple Contributors‎

‎Canadian Antiques Collector Magazine - November/December 1973‎

‎Features: Toile de Jouy - textile pattern; Symposium '73; Loyalist Settlement of Upper Canada; British Sporting Prints; Chine Export Trade Porcelain; Chinese Chippendale. Average wear. Address label upon front cover. Unmarked. Sound copy. Magazine‎

‎Multiple Contributors‎

‎Ikebana International, Issue No. 57‎

‎Features: Cover artist - Liao Shiou-ping; Saga School - Chiko School; Ikenobo School; Ichiyo School; Koryu Shohtoh-kai School; Floral Designs in Japanese Lacquer - many lovely colour photos with article; That day in Tehran when Ohara Houn Made an Old Man Cry; Ohara School; Soami School; Ryusei School; Japanese Contemporary Prints; Sogetsu School. Moderate wear. Unmarked. A sound copy. Book‎

‎Moore, Keiko Hiratsuka‎

‎Moku-Hanga: How to Make Japanese Woodblock Prints‎

‎144 pages. Bibliography. Index. Glossary. Illustrated in colour and black and white. Many diagrams. "...Written to communicate to people of all ages, in every walk of life, the simple basic techniques which have been used for centuries in Japan to make creative prints." - from introduction. Average wear. Binding intact. A sound copy. Book‎

‎Barbeau, Jacques; Hughes, E. J.‎

‎A Journey with E.J. Hughes : One Collector's Odyssey‎

‎180 pages. Index. References. Biographical overview. List of works. Colour illustrated endpapers. "E.J. Hughes is famous for his unforgettably rich and accomplished landscapes, primarily depicting the British Columbia coast. His works now command the highest auction prices ever paid for a living Canadian artist, confirmation of his emergence as a major figure on the international art scene... The passionate collector has always been central to the emergence of important artists. In this extraordinarily personal account, the world of a collector comes alive. Here are 76 Hughes sketches, paintings and prints, in colour and black and white - only a handful previously published in book form - accompanied by a text rich with anecdotes about the joys, frustrations and satisfactions of the chase. This is a very human story of art as master - one which sheds important new light on Hughes and his work." - from dust jacket. "Hughes is the chronicler of a landscape almost too beautiful and too alive with spirit to be believed." - Globe and Mail. Clean, bright and unmarked with very light wear. Appears unread. Faintly visible tape repair to back panel of dust jacket which is now preserved in glossy new archival-grade Brodart cover. An excellent copy. Book‎

‎MacLennan, Barbara; Warner, Glen; Lewis, Steve; Squires, Nicole-Marie; MacKinnon, George; Griffin, Mike; Bonellie, Janet; Davis, Ray;‎

‎Collectibles (Magazine) - Articles of Excellence, Summer 1982, Vol 1, No. 3 - Gregory Perillo / James Lorimer Keirstead‎

‎74 pages. Features: Dolls - From Toy to Collectible; Collecting Graphics - How to Distinguish Original Prints; Paperweight Collecting - Treasures in Glass; James Lorimer Keirstead; Figurines for Collectors; Canadiana captures plate market; Gregory Perillo documents American Indian; Expert Opinion; Showcase; Happenings; Vancouver Plate Collector's Fair; and more. Clean and unmarked with moderate wear. A quality copy. Magazine‎

‎Greenfield, Val‎

‎Graphex 6 (Six) - 6th Annual Juried and Invitational Exhibition of Canadian Prints and Drawings‎

‎68 pages. Profusely illustrated in black and white. Printed on glossy stock. Average wear. Unmarked. A sound copy. Book‎

‎Sotheby & Co.‎

‎Sotheby & Co. Catalogue of Good Nineteenth Century and Modern Prints - Auction Catalogue, 21 January 1975, London (DANUBE)‎

‎36 pages. Printed upon glossy stock. Abundantly illustrated in black and white. 160 items. List of estimated prices laid-in. Clean and unmarked with light wear. Sunning to coverfold.. A quality copy. Book‎

‎Sotheby & Co.‎

‎Sotheby & Co. Catalogue of Fine Nineteenth Century and Modern Prints - Auction Catalogue, 29 April 1975, London (TIBER)‎

‎68 pages. Printed upon glossy stock. Abundantly illustrated in black and white. 197 items. List of estimated prices laid-in. Clean and unmarked with light wear. Sunning to spine. A sound copy. Book‎

‎Sotheby & Co.‎

‎Sotheby & Co. Sale of Contemporary and Modern Prints - Auction Catalogue, 26 June 1975, London (MERSEY)‎

‎44 pages. Printed upon glossy stock. Generously illustrated in black and white. List of estimated prices laid in. Includes works by David Hockney, R.B. Kitaj, Richard Hamilton, Dim Dine, Antoni Tapies and Roy Lichtenstein. Unmarked with moderate wear. A sound copy. Book‎

‎Barbeau, Jacques (Signed)‎

‎A Journey with E.J. Hughes : One Collector's Odyssey‎

‎Signed upon title page by author. 180 pages. Index. References. Biographical overview. List of works. Colour illustrated endpapers. "E.J. Hughes is famous for his unforgettably rich and accomplished landscapes, primarily depicting the British Columbia coast. His works now command the highest auction prices ever paid for a living Canadian artist, confirmation of his emergence as a major figure on the international art scene... The passionate collector has always been central to the emergence of important artists. In this extraordinarily personal account, the world of a collector comes alive. Here are 76 Hughes sketches, paintings and prints, in colour and black and white - only a handful previously published in book form - accompanied by a text rich with anecdotes about the joys, frustrations and satisfactions of the chase. This is a very human story of art as master - one which sheds important new light on Hughes and his work." - from dust jacket. "Hughes is the chronicler of a landscape almost too beautiful and too alive with spirit to be believed." - Globe and Mail. Clean, bright and unmarked with negliglble wear. Dust jacket now preserved in glossy new archival-grade Brodart cover. Gift quality. Book‎

‎Sotheby's Belgravia‎

‎Sotheby's Belgravia: English Prints 1800-1940 Which Will be Sold By Auction on Tuesday, 24th June, 1975 (WESER)‎

‎36 pages. Presents 216 lots. Printed upon glossy stock. Illustrated in black and white. Estimated price list laid in. Clean and unmarked with light wear. A nice copy. Book‎

‎Sotheby's Belgravia‎

‎Sotheby's Belgravia: Catalogue of Sporting Prints, Caricatures, Naval and Military Prints, Decorative Subjects and Views, Tuesday, 26th November, 1974 (CHRISTINA)‎

‎48 pages. Presents 290 lots. Printed upon glossy stock. Illustrated in black and white. Estimated price sheet laid-in. Clean and unmarked with light wear. A nice copy. Book‎

‎Marlborough Graphics Gallery‎

‎Prints and Drawings From Germany, 1894-1931: Marlborough Catalogue No. 3 - Nineteenth and Twentieth Century Master Prints‎

‎32 pages. Printed upon glossy stock. Twenty-eight prints Illustrated in colour and black and white. Features works by Edvard Munch, Kathe Kollwitz, Ernest Ludwig Kirchner, Oskar Kokoschka, Erich Heckel, Emil Nolde, Karl Schmidt-Rottluff, Lyonel Feininger, Emil Nolde, Otto Muller, and others. Clean and unmarked with light wear. Price list laid-in. A nice copy. Book‎

‎Roch, Ernst [Editor]; Furneaux, Patrick; Rosshandler, Leo‎

‎Arts of the Eskimo: Prints‎

‎240 pages. Bibliography. Index. "The definitive work on printed Eskimo graphics. A comprehensive survey of all areas in the Canadian Arctic where prints are produced and contains works by all the leading printmakers. The two texts deal respectively with the aesthetic content of printed Eskimo graphics and with the social, cultural and anthropological background to the art. All the prints - over one-hundred - are reproduced full page in their original colours, each accompanied by a facing page of descriptive text. Also contains short biographies of all artists represented." - dust jacket. Light wear to clean and unmarked book. Moderate wear to dust jacket now preserved in glossy new archival-grade Brodart. A quality copy of this wonderful compilation. Bibliographic reference: About Indians (4th Edn) 1190. Book‎

‎Ellis, Bill‎

‎First Annual Collection - 'Ksan 1978 Original Graphics‎

‎Oblong 7 inches by 9.5 inches. 40 unnumbered pages. Black and white reproductions of photos of artists and two-colour (black and red) reproductions of the prints of these artists, who include: Ken Mowatt, Neil Sterritt, Walter Harris, Vernon Stephens, Art Sterritt, and Earl Muldoe. "The first of what is hoped will be many annual collections of original graphics of the talented artists of 'Ksan." - Introduction. Average wear. Unmarked. A sound vintage copy. Book‎

‎DUPLESSIS Georges.‎

‎DE LA GRAVURE DE PORTRAIT EN FRANCE.‎

‎français 0 Paris, Rapilly, 1875, In-8 broché, 162 pages, non coupé. GRAVURE ESTAMPES BIBLIOPHILIE FRANCE‎

‎[Andachtsbild].‎

‎Fac ut tecum lugeam. Rom, um 1800.‎

‎Gestochene Kupferplatte (98:150 mm). Wohl Teil einer Stichserie zum "Stabat Mater", hier zu einer Zeile aus der fünften Strophe ("Eja Mater, fons amoris, me sentire vim doloris fac ut tecum lugeam" - "Gib, o Mutter, Born der Liebe, dass ich mich mit dir betrübe, dass ich fühl die Schmerzen dein"). Die dazugehörige Darstellung zeigt eine Madonna mit Schwert in der Brust. - Mit Druckvermerk "In Roma al Gesu N. 80".‎

‎[Charlotte Amalie von Hessen-Barchfeld]. - Calamo / Trinks, Heinrich David.‎

‎Tuschzeichnung mit eigenh. Widmungsgedicht zum 32. Geburtstag. [Wohl Meiningen], 10. VIII. 1762.‎

‎Zeichentusche auf Papier (Blattmaß 485:295 mm). Unter Passepartout (615:430 mm). Die schöne Dedikationszeichnung zeigt Apoll, auf eine geborstene Schrifttafel weisend. Auf derselben findet sich ein 21zeiliges kalligraphiertes Festgedicht: "Apollo spielt, die Gegend hört | Den Wunderklang der reinen Leyer; | Mir ist kein gleiches Glück beschert, | Ich lodre nicht in gleichem Feuer, | Nur Ehrfurcht ist's und wahre Treue | Die ich der Grosen Fürstin weyhe | [...]". Der Steinblock, auf dem Apolls Leier ruht, trägt außerdem eine 15zlg. Widmung "Der Durchlauchtigsten Fürstin und Frau, Frau Charlotten Amalien, Herzogin zu Sachsen, Jülich, Cleve und Berg auch Engern und Westphalen, Landgräfin zu Thüringen, Marggräfin zu Meissen, gefürsteten Gräfin zu Henneberg, Gräfin zu der Marck und Ravensberg, Frau zu Ravenstein, gebornen Landgräfin zu Hessen, Fürstin zu Hersfeld, Gräfin zu Katzenelnbogen, Diez, Ziegenhain, Nidda, Schaumburg und Hanau, auch Sayn und Witgenstein [...]"; am Schluß der Widmung vom Gratulanten Heinrich David Trinks in millimeterhoher Schrift signiert. Das Motiv von etwas Pflanzenstaffage eingerahmt; im Hintergrund ein Monopteros. Außerhalb des Rahmens vom sonst nicht nachgewiesenen Zeichner signiert: "Calamo delin." (nicht im AKL). - Charlotte Amalie (1730-1801) war die Tochter des Landgrafen Karl I. von Hessen-Philippsthal und seiner Gemahlin Christine von Sachsen-Eisenach. 1750 heiratete sie 20jährig den 43 Jahre älteren Herzog Anton Ulrich von Sachsen-Meiningen, dem sie in der verbleibenden Zeitspanne seines Lebens noch acht Kinder schenkte. 1763 übernahm sie als Vormund ihrer Söhne die Regentschaft im Herzogtum, das finanziell und wirtschaftlich völlig ruiniert war. Aufgrund ihrer straffen Reformen und Sparmaßnahmen, ihres wirtschaftlichen Wiederaufbaus und ihrer Förderung des geistigen Lebens gilt sie als "Retterin des Herzogtums". Die beliebte und volksverbundene Herzogin wurde nicht in der Fürstengruft, sondern gemäß ihrem Wunsch auf dem städtischen Friedhof begraben. - Hübsche Zeichnung als Jubiläumsgabe, womöglich auch Vorzeichnung für einen Kupferstich.‎

‎Draner [d. i. Renard, Jules Jean Georges].‎

‎Les Soldats de la République. L'Armee Française en Campagne. (Souvenirs du siège de Paris). Paris, Bureau d'Eclipse, [um 1872].‎

‎Kolor. Titelblatt und 31 kolor. lithogr. Tafeln. Lose in Originalmappe mit montiertem, wdh. Titelblatt. Reste von Bindebändern. Folio (262:338 mm). Mappenwerk des belgischen Zeichners und Karikaturisten Draner (Anagramm für Renard; 1833-1926), der ab 1861 in Paris lebte und neben seiner Arbeit für diverse Zeitschriften auch Theater- und Opernkostüme entwarf und mehrere Alben mit Bildern zum Militärleben veröffentlichte. "Draner interessiert sich stofflich vor allem für das Militär" (Thieme/B.). Die Tafeln zeigen die verschiedenen Soldaten der französischen Armee um 1870 ("Officier de Turcos", "Dragons", "Artillerie", "Chasseur d'Afrique" etc.). - Die Mappe leicht bestoßen; Titel und Ränder gering gebräunt bzw. vereinzelt unbedeutend fleckig. Vgl. Thieme/Becker IX, 540.‎

‎Jené, Edgar, Maler (geb. 1904).‎

‎Naturgaben. Ein Gedicht aus dem Anakreon. 3 Holzschnitte von Edgar Jené. (Wien, um 1925-30).‎

‎4 Bll. (als Blockbuch gebunden) mit mont. handschriftl. Titel, 3 handschriftl. Gedichten [von Rudolf Pointner?] u. den 3 Orig.-Holzschnitten (ca. 25:18 cm) von Edgar Jené. Karton der Zeit mit marmor. Umschlag und hs. Deckelschild ("Naturgaben"). 4to. Wohl sehr frühe Arbeit des österreichischen Künstlers Edgar Jené, vermutlich nur in kleinster Auflage (vielleicht aber auch nur dieses eine Exemplar) handschriftlich hergestellt. Während die ersten beiden Holzschnitte noch unausgereift und unausgewogen wirken, hat das dritte Blatt bereits den für Jené so typischen surrealistischen Anklang.‎

‎Volckensdorf, Wolfgang Wilhelm von. - Kilian, Lucas.‎

‎Illustris et generos. Dominus Dn. Wolufgangus Wilhelmus Dn. ab et in Volckensdorff, Weissenburg, Stein, et Reichersdorf, Archiducatus Austriae vexillifer haeredit. Sacr. Caes. Mai. Consil. et Cubicul. Provinc. Q. Austriae Supr-Anisinae Capitanaeus. Aetat. suae XLIX. O. O., 1616.‎

‎Portraitkupferstich (248:172 mm). Brustbild des obderennsischen Landeshauptmanns Wolfgang Wilhelm von und zu Volckensdorf, Weißenburg, Stein und Reichersdorf im Alter von 49 Jahren. Das ovale Portrait gefaßt von 16 Wappen; darunter ein 8zlg. Widmungsgedicht. Der Augsburger Zeichner und Kupferstecher Lucas Kilian (1579-1637) war vor allem als Portraitist geschätzt: "Seine Porträtgalerie enthält Gelehrte und Künstler, Herrführer und Monarchen - eine Geschichte in Bildern jener ereignisreichen Jahre des 30jährigen Krieges [...] Unter den Stechern der Familie Kilian steht Lucas an erster Stelle" (Thieme/B. XX, 295f.) - Innerhalb des Plattenrands beschnitten und auf Kartonträger montiert. Thieme/Becker XX, 298.‎

‎[Kupferplatte].‎

‎Pius VII. Wohl Rom, 1800.‎

‎Gestochene Kupferplatte (120:166 mm). Unsigniertes Portraitkupfer des Papstes Pius VII. (Graf Luigi Barnabà Niccolò Maria Chiaramonti; 1742-1823), wohl anläßlich seiner Papstkür am 21. März 1800 gestochen. Unter dem ovalen Brustbild das Wappen des Papstes.‎

‎[Laxenburg].‎

‎[Laxenburg bei Wien in bildlicher Darstellung. Vienna, Lithogr. Institut, 1820-1826].‎

‎47 (instead of 55) lithographs (c. 610 x 485 to 480 x 385 mm). In contemp. cloth portfolio with ties. Large folio (630 x 490 mm). "Privately printed at the command of Emperor Franz I and published in a very small press run, not available to the common public [...] Shows views, interiors, decorations, etc. [...] The plates are not captioned or numbered" (cf. Nebehay/W.). Drawn by Jakob Alt, Johann Rupp, Carl Bschor, and Albert von Radmannsdorf. - Slight fingerstaining and foxing (usually confined to margins); some small tears. Portfolio is rather severly rubbed. Wants nos. 1, 4-6, 15-17, and 20. The view of the castle from the South is a lithograph by Jakob von Alt, not an anonymous etching as in the Albertina copy. No. 7 ("Gothische Brücke") is a trial print from the collection of the great Austrian otologist Adam Politzer (1835-1920), whose collection was sold by Schwarz in 1922 (cf. Lugt 2037 and 2741). "Il collectionnait depuis 1870 environ, sans système bien défini, mais seulement d'après son goût artistique [...] L' amateur a consacré une attention spéciale à la lithographie, de ses debuts à l'année 1880" (Lugt, p. 513). Nebehay/Wagner 359. H. Schwarz (Anfänge der Lithographie in Österr.) 76.‎

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