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Erich von Stroheim (director, screenwriter); Frank Norris (novel); June Mathis (screenwriter); Zasu Pitts, Gibson Gowland, Jean
Greed Original photograph of Gibson Gowland from the 1924 film
N.p.: N.p. 1924. Vintage reference photograph from the 1924 film showing actor Gibson Gowland in character as McTeague. Printed mimeo snipe affixed to the verso. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> Based on the 1899 novel "McTeague" by Frank Norris. An impoverished miner-turned-dentist wins the lottery but the ensuing fortune threatens to ruin the lives of everyone it touches. Director Erich von Stroheim's masterpiece one of the first films to be shot entirely on location in San Francisco and Death Valley using what were then considered sophisticated and relatively new filming techniques such as montage editing and deep focus. <br /> <br /> Stroheim's first cut of the film was a mammoth 9.5 hour presentation edited down to two and a half hours against his wishes. All that survives today is a restored slightly choppy but coherent 240-minute version supplanted with still photographs that conveys to the viewer the unimaginable grandeur of the original. <br /> <br /> 7.5 x 9.75 inches. Very Good plus with brief wear along the bottom edge and a small toned spot near the bottom left corner. <br /> <br /> National Film Registry. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. N.p. unknown
Référence libraire : 156300
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Erich von Stroheim (director, screenwriter); Frank Norris (novel); Warren Lynch (photographer); June Mathis (screenwriter); Zasu
Greed Original photograph of the cast and crew from the set of the 1925 film
N.p.: Metro-Goldwyn-Mayer MGM 1923. Vintage reference photograph of the cast crew and onlookers from the set of the 1925 film. Mimeo snipe and annotations in manuscript ink on verso.<br /> <br /> Based on the 1899 novel "McTeague" by Frank Norris. An impoverished miner-turned-dentist wins the lottery but the ensuing fortune threatens to ruin the lives of everyone it touches. Director Erich von Stroheim's masterpiece one of the first films to be shot entirely on location in San Francisco and Death Valley using what were then considered sophisticated and relatively new filming techniques such as montage editing and deep focus. <br /> <br /> Stroheim's first cut of the film was a mammoth 9.5 hour presentation edited down to two and a half hours against his wishes. All that survives today is a restored slightly choppy but coherent 240-minute version supplanted with still photographs that conveys to the viewer the unimaginable grandeur of the original. <br /> <br /> 8 x 10 inches. Very Good plus with a small closed tear in bottom margin and faint creasing. <br /> <br /> National Film Registry. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Metro-Goldwyn-Mayer [MGM] unknown
Référence libraire : 151959
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Erich von Stroheim (director, screenwriter); Franz Lehar, Victor Leon, Leo Stein (operetta); Henri Meilhac (play); Benjamin Glaz
The Merry Widow Two original photographs from the 1925 film struck circa 1950s
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1925. Two vintage reference photographs from the 1925 film struck from the negative circa 1950s one showing actor Mae Murray and the other showing Murray and actor John Gilbert. <br /> <br /> Based on the 1905 Hungarian operetta which was in turn based on the 1861 French play "The Embassy Attache." A lush romantic melodrama with touches of humor involving a European prince who falls for an American dancer. The relationship falls prey to every manner of trouble and the never-married couple eventually reunites on location at Maxim's in Paris. A rare program for an early and restrained gem by one of the great directors of the silent era. <br /> <br /> Set and partially shot on location in Paris.<br /> <br /> One photograph 8 x 10 inches one photograph 10 x 8 inches. One Near Fine with faint wear to the corners one Very Good plus with light wear to the left edge. Metro-Goldwyn-Mayer [MGM] unknown
Référence libraire : 148182
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Erich von Stroheim (director, screenwriter, starring); Harry Carr (screenwriter); Fay Wray, Matthew Betz, Zasu Pitts (starring)
The Wedding March The Honeymoon Photograph of Fay Wray and Erich Von Stroheim from the 1928 film struck circa 1950s
N.p.: N.p. 1928. Reference photograph from the 1928 silent film struck circa 1950s showing director and actor Erich von Stroheim in a tender moment with Fay Wray. Manuscript ink and pencil annotations to the verso noting the film's title and the names of the photograph subjects.<br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> Stroheim's runaway production was halted after nine months of shooting by producer Pat Powers having gone nearly $1 million over budget with an edited running time of over four hours. After a disastrous preview Paramount decided to release two films from the footage as was Stroheim's original intent with the second part entitled "The Honeymoon" now lost.<br /> <br /> The film follows Prince Nicki an impoverished aristocrat who is in love with a beautiful but poor innkeeper's daughter but is forced to marry the daughter of a wealthy factory owner.<br /> <br /> 5 x 7 inches. Near Fine. <br /> <br /> National Film Registy. Scorsese A Personal Journey through American Movies. N.p. unknown
Référence libraire : 153194
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Erich von Stroheim (director, screenwriter, starring); Harry Carr (screenwriter); Fay Wray, Matthew Betz, Zasu Pitts (starring)
The Wedding March Original photograph of Erich von Stroheim and Fay Wray from the 1928 film
N.p.: N.p. 1928. Vintage reference photograph from the 1928 film struck circa 1950 from the original negative showing actors Erich von Stroheim and Fay Wray. With a stamp specific to the film's French release on the verso along with a few manuscript ink annotations.<br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> Stroheim's runaway production was halted after nine months of shooting by producer Pat Powers having gone nearly $1 million over budget with an edited running time of over four hours. After a disastrous preview Paramount decided to release two films from the footage as was Stroheim's original intent with the second part entitled "The Honeymoon" now lost.<br /> <br /> The film follows Prince Nicki an impoverished aristocrat who is in love with the beautiful innkeeper's daughter Mitzi Fay Wray but is forced to marry Cecilia the daughter of a wealthy factory owner Zasu Pitts.<br /> <br /> 5 x 7 inches. Near Fine. <br /> <br /> National Film Registy. Scorsese A Personal Journey through American Movies. N.p. unknown
Référence libraire : 152353
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Erich von Stroheim (director, screenwriter, starring); Harry Carr (screenwriter); Fay Wray, Matthew Betz, Zasu Pitts (starring)
The Wedding March Original portrait photograph of Erich von Stroheim for the 1928 film
N.p.: N.p. 1928. Vintage portrait photograph of Erich von Stroheim from 1926 released as a publicity still for the 1928 film. Newspaper clipping of photograph with two "DEC 19 1934" stamps affixed to verso and an "Erich von Stroheim" stamp and "Erich von Stroheim Goldwyn director" printed on verso.<br /> <br /> Stroheim's runaway production was halted after nine months of shooting by producer Pat Powers having gone nearly $1 million over budget with an edited running time of over four hours. After a disastrous preview Paramount decided to release two films from the footage as was Stroheim's original intent with the second part entitled "The Honeymoon" now lost.<br /> <br /> Prince Nicki an impoverished aristocrat is in love with the beautiful innkeeper's daughter Mitzi but is forced to marry Cecilia the daughter of a wealthy factory owner.<br /> <br /> 8 x 10 inches. Very Good plus with two small chips one on top left corner and one on center right margin. <br /> <br /> National Film Registy. Scorsese A Personal Journey through American Movies. N.p. unknown
Référence libraire : 150743
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Erich von Stroheim director screenwriter starring; Irving Thalberg producer; Marian Ainslee Walter Anthony screenwriters; Rud
Foolish Wives Original photograph of Erich von Stroheim from the set of the 1922 film
N.p.: N.p. 1922. Vintage reference photograph of Erich von Stroheim from the set of the 1922 film. <br/><br/>The legendary von Stroheim's third film as a director at time the most expensive film ever made and the first to cost over one million dollars although the original budget was $250000. The overruns led to the first of many clashes between von Stroheim and Irving Thalberg then just 21 years old and still in his first year as the head of Universal. Thalberg eventually shut down production and took over editing the film himself cutting nearly three hours from the footage in the first of several instances in the next few years that would assert the primacy of the studio over that of the director. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>National Film Registry. Godard Histoires du Cinema. Rosenbaum 1000. N.p. unknown books
Référence libraire : 150742
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Erich von Stroheim director screenwriter starring; Harry Carr screenwriter; Fay Wray Matthew Betz Zasu Pitts starring
The Wedding March Original photograph of Erich von Stroheim and Fay Wray from the 1928 film
N.p.: N.p. 1928. Vintage reference photograph from the 1928 film struck circa 1950 from the original negative showing actors Erich von Stroheim and Fay Wray. With a stamp specific to the film's French release on the verso along with a few holograph ink annotations.<br/><br/>From the archive of film historian and author Joel Finler.<br/><br/>Stroheim's runaway production was halted after nine months of shooting by producer Pat Powers having gone nearly $1 million over budget with an edited running time of over four hours. After a disastrous preview Paramount decided to release two films from the footage as was Stroheim's original intent with the second part entitled "The Honeymoon" now lost.<br/><br/>The film follows Prince Nicki an impoverished aristocrat who is in love with the beautiful innkeeper's daughter Mitzi Fay Wray but is forced to marry Cecilia the daughter of a wealthy factory owner Zasu Pitts.<br/><br/>5 x 7 inches. Near Fine. <br/><br/>National Film Registy. Scorsese A Personal Journey through American Movies. N.p. unknown books
Référence libraire : 152353
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Erich von Stroheim director screenwriter starring; Harry Carr screenwriter; Fay Wray Matthew Betz Zasu Pitts starring
The Wedding March Original portrait photograph of Erich von Stroheim for the 1928 film
N.p.: N.p. 1928. Vintage portrait photograph of Erich von Stroheim from 1926 released as a publicity still for the 1928 film. Newspaper clipping of photograph with two "DEC 19 1934" stamps affixed to verso and an "Erich von Stroheim" stamp and "Erich von Stroheim Goldwyn director" printed on verso.<br/><br/>Stroheim's runaway production was halted after nine months of shooting by producer Pat Powers having gone nearly $1 million over budget with an edited running time of over four hours. After a disastrous preview Paramount decided to release two films from the footage as was Stroheim's original intent with the second part entitled "The Honeymoon" now lost.<br/><br/>Prince Nicki an impoverished aristocrat is in love with the beautiful innkeeper's daughter Mitzi but is forced to marry Cecilia the daughter of a wealthy factory owner.<br/><br/>8 x 10 inches. Very Good plus with two small chips one on top left corner and one on center right margin. <br/><br/>National Film Registy. Scorsese A Personal Journey through American Movies. N.p. unknown books
Référence libraire : 150743
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Erich von Stroheim director screenwriter starring; Harry Carr screenwriter; Fay Wray Matthew Betz Zasu Pitts starring
The Wedding March The Honeymoon Original photograph of Fay Wray Zasu Pitts and Erich Von Stroheim from the 1928 film
N.p.: N.p. 1928. Vintage reference studio still photograph of Fay Wray Zasu Pitts and Erich von Stroheim from the second half of the 1928 film "The Wedding March" titled "The Honeymoon." Mimeo snipe and provenance stamp from prominent early film collector "I.K. MEGINNIS" on verso. <br/><br/>Stroheim's runaway production which was halted after nine months of shooting by producer Pat Powers having gone nearly $1 million over budget and with an edited running time of over four hours. After a disastrous preview Paramount decided to release two films from the footage as was Stroheim's original intent with the second part entitled "The Honeymoon" now lost.<br/><br/>Prince Nicki an impoverished aristocrat is in love with the beautiful innkeeper's daughter Mitzi but is forced to marry Cecilia the daughter of a wealthy factory owner.<br/><br/>8 x 10 inches. Light rippling to upper right margins and light edgewear else Near Fine. <br/><br/>Complete collation details available on request.<br/><br/>National Film Registy. Scorsese A Personal Journey through American Movies. N.p. unknown books
Référence libraire : 150733
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Erich Von Stroheim director screenwriter; Frank Norris novel
Greed Original herald for the 1924 film's premiere
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1924. Vintage herald or broadside for the 1924 film. A clever and excessively rare bit of advertisement designed as a "Wanted" poster pulling together the main character from Frank Norris' novel John "Doc" McTeague a photo of "McTeague" Gibson Gowland and mention of a specific screening at San Francisco's Imperial Theatre on Market Street today the Market Street Cinema. <br/><br/>The first cut of Stroheim's "Greed" was a mammoth 9.5-hour presentation. All that survives today is a restored slightly choppy but coherent 240-minute version supplanted with still photographs that conveys to the viewer the unimaginable grandeur of the original. Very little paper advertisement has survived. The only poster that has ever surfaced is a disappointing window card showing none of the characters and this remarkable broadside the only example we have ever encountered. <br/><br/>13 x 6 inches. Near Fine with a couple of tiny internal tears overall extremely clean and with no paper loss. Metro-Goldwyn-Mayer [MGM] unknown books
Référence libraire : 143516
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Erich von Stroheim director screenwriter; Frank Norris novel; Warren Lynch still photographer; June Mathis screenwriter; Zasu P
Greed Original photograph of the cast and crew from the set of the 1925 film
N.p.: Metro-Goldwyn-Mayer MGM 1923. Vintage reference photograph of the cast crew and onlookers from the set of the 1925 film. Mimeo snipe and annotations in holograph ink on verso.<br/><br/>Based on the 1899 novel "McTeague" by Frank Norris. An impoverished miner-turned-dentist wins the lottery but the ensuing fortune threatens to ruin the lives of everyone it touches. Director Erich von Stroheim's masterpiece one of the first films to be shot entirely on location in San Francisco and Death Valley using what were then considered sophisticated and relatively new filming techniques such as montage editing and deep focus. <br/><br/>Stroheim's first cut of the film was a mammoth 9.5 hour presentation edited down to two and a half hours against his wishes. All that survives today is a restored slightly choppy but coherent 240-minute version supplanted with still photographs that conveys to the viewer the unimaginable grandeur of the original. <br/><br/>8 x 10 inches. Very Good plus with a small closed tear in bottom margin and faint creasing. <br/><br/>National Film Registry. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Metro-Goldwyn-Mayer [MGM] unknown books
Référence libraire : 151959
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Erie C. Kenton (director); Curt Siodmak (story); Edward T. Lowe Jr. (screenwriter); Boris Karloff, Lon Chaney Jr., J. Carrol Nai
House of Frankenstein Original photograph from the 1944 film
Universal City: Universal Pictures 1944. Vintage photograph from the 1944 film.<br /> <br /> Universal Pictures' follow up to "Frankenstein Meets the Wolf Man" ups the ante on its predecessor with the addition of Dracula John Carradine a mad scientist Boris Karloff and a hunchback J. Carroll Naish. Glenn Strange takes up the role of the creature the fourth actor to play the part with Lon Chaney Jr. reprising his role as the Wolf Man making it the first multi-monster movie from Universal.<br /> <br /> Set in Switzerland. <br /> <br /> 7.75 x 10 inches. Very Good Plus with faint creasing at a few extremities.<br /> <br /> Weaver and Brunas Universal Horrors. Universal Pictures unknown
Référence libraire : 145835
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Erie C. Kenton director; Curt Siodmak story; Edward T. Lowe Jr. screenwriter; Boris Karloff Lon Chaney Jr. J. Carrol Naish Jo
House of Frankenstein Original photograph from the 1944 film
Universal City: Universal Pictures 1944. Vintage photograph from the 1944 film.<br/><br/>Universal Pictures' follow up to "Frankenstein Meets the Wolf Man" ups the ante on its predecessor with the addition of Dracula John Carradine a mad scientist Boris Karloff and a hunchback J. Carroll Naish. Glenn Strange takes up the role of the creature the fourth actor to play the part with Lon Chaney Jr. reprising his role as the Wolf Man making it the first multi-monster movie from Universal.<br/><br/>Set in Switzerland. <br/><br/>7.75 x 10 inches. Very Good Plus with a slight crease on bottom right and some light creasing throughout. <br/><br/>Weaver and Brunas Universal Horrors. Universal Pictures unknown books
Référence libraire : 145835
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Erik Ode (director); Georg Fraser (play); Karl Peter Gillmann (screenwriter); Viktor de Kowa, Jeanette Schultze, Andrews Engelma
Skandal in der Botschaft Scandal at the Embassy Original program for the 1950 West German film
N.p.: N.p. 1950. Vintage program for the 1950 West German film. Text and titles in German. <br /> <br /> Based on the twentieth century play "Ein anständiger Mensch" "A Good Man" by Georg Fraser. A thief is offered freedom if he will use his lockpicking skills on behalf of the government to crack a safe at the embassy of a hostile country. <br /> <br /> Shot on location in Munich.<br /> <br /> 7.25 x 10.5 inches. Bifold. About Near Fine. N.p. unknown
Référence libraire : 156156
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Eriq La Salle, Ving Rhames, Vondie Curtis-Hall, Kasi Lemmons (starring); David C. Johnson (director, screenwriter); Butch Robins
Drop Squad Five original photographs from the 1994 film
Los Angeles: Gramercy Pictures 1994. Five vintage studio still photographs from the 1994 film including four compilation photographs one showing director David Johnson on the set. <br /> <br /> A comedy produced by Spike Lee through his production company 40 Acres and a Mule about a team of African Americans who seek out and deprogram other Black Americans who they feel have betrayed their race. <br /> <br /> 8 x 10 inches. Fine. Gramercy Pictures unknown
Référence libraire : 167932
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Erle C. Kenton (director); Edward T. Lowe (screenwriter); Lon Chaney, Jr., John Carradine, Martha O'Driscoll, Glenn Strange (sta
House of Dracula Original photograph from the 1945 film
Universal City: Universal Pictures 1945. Vintage photograph of Onslow Stevens lighting Lon Chaney Jr.'s way up a macabre stone stairway from the 1945 film. <br /> <br /> The last entry in Universal's famed "monsters" canon a direct sequel to 1944's "House of Frankenstein" which appropriately hosted Universal's "big three" monsters all in Dracula's house including the Prince of Darkness himself John Carradine the Wolf Man Chaney Jr. and Frankenstein Glenn Strange along with the requisite mad scientist Onslow Stevens and hunchbacked assistant Jane Adams.<br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Weaver and Brunas Universal Horrors. Universal Pictures unknown
Référence libraire : 147050
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Erle C. Kenton (director); David Silverstein, Gordon Rigby (screenwriter); Freddie Bartholomew, Jimmy Lydon, Billy Cook, Pierre
Naval Academy Original photograph from the 1963 re-release of the 1941 film
Culver City CA: Columbia Pictures 1963. Vintage studio still photograph from the 1963 re-release of the 1941 film. Provenance stamp on the verso. <br /> <br /> A student at a reform high school finds his life upended when he gets the chance to attend a naval academy. <br /> <br /> 10 x 8 inches. Very Good plus. Columbia Pictures unknown
Référence libraire : 159029
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Erle C. Kenton director; Edward T. Lowe screenwriter; Lon Chaney Jr. John Carradine Martha O'Driscoll Glenn Strange starring
House of Dracula Original photograph from the 1945 film
Universal City: Universal Pictures 1945. Vintage photograph of Onslow Stevens lighting Lon Chaney Jr.'s way up a macabre stone stairway from the 1945 film. <br/><br/>The last entry in Universal's famed "monsters" canon a direct sequel to 1944's "House of Frankenstein" which appropriately hosted Universal's "big three" monsters all in Dracula's house including the Prince of Darkness himself John Carradine the Wolf Man Chaney Jr. and Frankenstein Glenn Strange along with the requisite mad scientist Onslow Stevens and hunchbacked assistant Jane Adams.<br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request.<br/><br/>Weaver and Brunas Universal Horrors. Universal Pictures unknown books
Référence libraire : 147050
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Ernest B. Schoedsack (director); Ruth Rose (screenwriter); Terry Moore, Ben Johnson, Robert Armstrong (starring)
Mighty Joe Young Original photograph from the 1949 film
Culver City CA: RKO Radio Pictures 1949. Vintage reference photograph from the 1949 film showing the titular gorilla facing off against a man on a rearing horse. Printed mimeo snipe and RKO Radio Pictures stamp on the verso. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> A stop-motion monster fantasy film created in the wake of the massive success of Radio Pictures' "King Kong" 1933 even using the same director-screenwriter-producer team. A young woman heads to Hollywood with her pet gorilla named Joseph hoping to make enough money to save her ranch home in Africa. When a seedy nightclub entrepreneur proposes the gorilla be used as part of his nightclub's entertainment it seems like an easy way to make money—but Joe is miserable as he is mistreated and unhappy in America. Received an Academy Award in 1950 for Best Special Effects.<br /> <br /> Set in Hollywood.<br /> <br /> 10 x 8 inches. About Very Good plus with short closed tears at the edges and creases at the corners. RKO Radio Pictures unknown
Référence libraire : 156358
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Ernest Haycox (story); Johnny Crawford (screenwriter)
The Predators Original screenplay for an unproduced film
N.p.: N.p. 1966. First Draft script for an unproduced film. With manuscript ink annotations on the front wrapper noting the title and "First Draft" as well as annotations to the bottom right corner of the title page noting "first draft" and the name of screenwriter Johnny Crawford. Note that this script bears no relationship at all to the "Predator" action film series that began in the 1980s.<br /> <br /> Housed in a white envelope with manuscript ink annotations noting the title date and draft and crediting Crawford and story writer Ernest Haycox. <br /> <br /> Based on the 1948 story "Dead-Man Trail" by Ernest Haycox. A man carrying a large shipment of gold dust tries to shake bandits off his trail on his way from California to The Dalles Oregon.<br /> <br /> Blue card wrappers. Title page present dated December 1966 with credits for screenwriter Johnny Crawford and story credits to Ernest Haycox. 31 leaves with last page of text numbered 30. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with three gold brads. N.p. unknown
Référence libraire : 152256
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Ernest Haycox (story); Johnny Crawford (screenwriter)
The Predators Archive of material for an unproduced film
N.p.: N.p. 1966. Archive of material for an unproduced Western film including two draft scripts two xerographically duplicated copies of Ernest Haycox's story with manuscript ink annotations four pages of handwritten notes for the screenplay and an original draft for the script containing a mix of typescript and xerographically duplicated leaves. First Draft script with a brief typed note from screenwriter Johnny Crawford clipped to the title page introducing the script and a single manuscript ink annotation to page 16 noting an editorial revision. <br /> <br /> Based on the 1948 story "Dead-Man Trail" by Ernest Haycox. A man carrying a large shipment of gold dust tries to shake bandits off his trail on his way from California to The Dalles Oregon.<br /> <br /> First Draft:<br /> <br /> Blue titled card wrappers. Title page present dated December 1966 with credits for screenwriter Johnny Crawford and story credits to Ernest Haycox. 31 leaves with last page of text numbered 30. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with three gold brads.<br /> <br /> Draft script:<br /> <br /> Blue titled card wrappers. Title page present dated December 1966 with credits for screenwriter Johnny Crawford and story credits to Ernest Haycox. 31 leaves with last page of text numbered 30. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with three gold brads.<br /> <br /> All other ephemera generally Very Good plus. N.p. unknown
Référence libraire : 152190
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Ernest Hemingway (novel); Charles Vidor, John Huston (director); Ben Hecht (screenwriter); Rock Hudson, Jennifer Jones, Vittorio
A Farewell to Arms Original screenplay for the 1957 film
Los Angeles: Twentieth Century-Fox 1957. Draft script for the 1957 film. In Selznick Studio wrappers with the insignia on the front wrapper. An original production script with a perforated distribution leaf preceding the title page. <br /> <br /> The second film version of Ernest Hemingway's 1929 novel and also the last film produced by David O. Selznick. Frederick Henry Hudson is an American serving in the Italian Army during WWI where he meets Catherine Barkley Jones a Red cross nurse. They have a torrid affair which results in pregnancy. The two gradually lose contact with one another. But Henry makes it to Switzerland where Barkley is hospitalized. The baby is stillborn and Barkley dies shortly afterward. <br /> <br /> Set in Europe shot on location in Italy. <br /> <br /> White titled wrappers with credits for screenwriter Hecht original director Vidor and producer Selznick. Title page present dated 1957 with a credit for screenwriter Hecht. 177 leaves with last page of text numbered 173. Mimeograph on eye-rest green stock. Pages and wrapper Near Fine bound with two gold brads. <br /> <br /> Davenport p. 122. Twentieth Century-Fox unknown
Référence libraire : 136403
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Ernest Hemingway (novel); Alan Scott (screenwriter)
Across the River and into the Trees Original screenplay for an unproduced film
N.p.: N.p. 1980. Draft script for an unproduced film based on Ernest Hemingway's final novel.<br /> <br /> A middle-aged man dying of a heart disease takes a duck hunting trip in Trieste Italy reminiscing on his past experiences as a military officer and recent romance with an 18 year old girl. <br /> <br /> Set in Italy.<br /> <br /> White untitled wrappers. Title page present with credits for screenwriter Alan Scott and novelist Ernest Hemingway. 114 leaves with last page of text numbered 112. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with three gold brads. N.p. unknown
Référence libraire : 147323
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Ernest Hemingway (novel); Gary Cooper, Ingrid Bergman (starring); Sam Wood (director); Dudley Nichols (screenwriter)
For Whom the Bell Tolls Original photograph from the set of the 1943 film
Los Angeles: Paramount Pictures 1943. Vintage borderless reference photograph from the 1943 film showing director Sam Wood speaking with actors Ingrid Bergman Lilo Yarsen Katina Paxinou and Gray Cooper on the set. Printed mimeo snipe affixed to the verso along with the stamps of PIX Agency and the Westport Public Library. <br /> <br /> From the archive of the PIX Agency a photo house that acted as an intermediary between émigré photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969.<br /> <br /> Based on Ernest Hemingway's 1940 novel which follows the experiences of an American fighting against the fascists in the Spanish Civil War and his relationship with a young guerrilla fighter. Nominated for nine Academy Awards winning one for Best Supporting Actress for Katina Paxinou. <br /> <br /> Set and shot on location in Spain.<br /> <br /> 9.5 x 7.5 inches. Photograph laminated presumably as issued else Near Fine. Paramount Pictures unknown
Référence libraire : 155306
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Ernest Hemingway (story); Martin Ritt (director); AE. Hotchner (screenwriter); Richard Beymer, Diane Baker (starring) A. E.
Hemingway's Adventures of a Young Man Ernest Hemingway's Young Man Original screenplay for the 1962 film
Los Angeles: Twentieth Century-Fox 1961. Revised Final Draft script for the 1962 film. <br /> <br /> Based on Ernest Hemingway's "A Farewell to Arms" as well as his "Nick Adams" stories about a 19-year-old who leaves his Michigan home holding various jobs before signing up to become an ambulance driver for the Italian Army during World War I. Nominated for five Golden Globes including Best Drama and Best Supporting Actor. <br /> <br /> Shot on location in Mellen Wisconsin and in Verona Italy. <br /> <br /> Red titled wrappers noted as REVISED FINAL on the front wrapper dated October 17 1961. Title page present dated October 17 1961 noted as Revised Final with credits for screenwriter A.E. Hotchner. 167 leaves with last page of text numbered 67. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 10/23/61 and 11/27/61. Pages with silverfish damage to the top of the confidentiality page and a small amount to the top of the title page else Near Fine wrapper Very Good plus bound internally with three gold brads. Twentieth Century-Fox unknown
Référence libraire : 156240
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Ernest Hemingway (novel); Franklin J. Schaffner (director); Denne Bart Petitclerc (screenwriter); George C. Scott, David Hemming
Islands in the Stream Original screenplay for the 1977 film
Los Angeles: Paramount Pictures 1975. Final Draft script for the 1977 film. <br /> <br /> Based on the novel by Ernest Hemingway published posthumously in 1970 following three episodes in the life of a stoic aging artist living in the British-controlled Bahamas. <br /> <br /> Set in the Bahamas shot on location in Kaua'i Hawaii. <br /> <br /> Green generic Paramount wrappers with a die-cut title window in the British style. Title page present dated September 10 1975 noted as FINAL DRAFT with credits for screenwriter Denne Bart Petitclerc. 130 leaves with last page of text numbered 129. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Paramount Pictures unknown
Référence libraire : 153845
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Ernest Hemingway (story); Larry Cohen (screenwriter)
Soldier's Home Original screenplay for an unproduced television episode
N.p.: N.p. 1960. Draft script for an unproduced television episode. Incomplete as issued. <br /> <br /> Based on Ernest Hemingway's 1925 short story about a young man dealing with discontent and malaise while living with his family after returning from World War I. <br /> <br /> An unproduced venture by screenwriter Larry Cohen best known for his Blaxploitation films "Bone" 1972 "Black Caesar" 1973 and "Hell Up in Harlem" 1973 as well as several popular horror and science fiction films including "It's Alive" 1974 "God Told Me To" 1976 and "The Stuff" 1985. <br /> <br /> Set in Oklahoma. <br /> <br /> Self wrappers. Title page present undated with credits for story writer Ernest Hemingway and screenwriter Larry Cohen. 13 leaves not numbered. Carbon typescript rectos only. Pages Near Fine unbound. N.p. unknown
Référence libraire : 153707
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Ernest Hemingway (story); Don Siegel (director); Gene L. Coon (screenwriter); Lee Marvin, Angie Dickinson, John Cassavetes, Rona
The Killers Original Pressbook for the 1964 film
Universal City CA: Universal Pictures 1964. Original pressbook for the 1964 film the second time Hemingway's short story was adapted for the screen following the classic 1946 version starring Burt Lancaster and Ava Gardner. <br /> <br /> Notable as Ronald Reagan's last film role and perhaps in preparation for his move into politics the first time he played a villain. <br /> <br /> 12 x 18 inches. 12 pages saddle stapled. Light foxing overall else Near Fine. Universal Pictures unknown
Référence libraire : 137342
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Ernest Hemingway (novel); John Sturges (director); Peter Viertel (screenwriter); Spencer Tracy, Harry Bellaver, Don Diamond (sta
The Old Man and the Sea Original bound set of ten literary photographic prints published in conjunction with the 1958 film
Logan IA: The Perfection Form Company 1958. Complete bound set of ten literary photographic prints published in conjunction with the 1958 film made for educational use.<br /> <br /> Based on the Pulitzer Prize winning 1952 novel by Ernest Hemingway. Winner of an Academy Award and nominated for two more including Best Actor for Spencer Tracy one of nine nominations he would receive during his career. <br /> <br /> Housed in blue wrappers measuring 13 x 10 inches. Photographs 12 x 9 inches. Very Good plus lightly creased. The Perfection Form Company unknown
Référence libraire : 152832
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Ernest Hemingway (novel); John Sturges (director); Jack Woods (photographer); Peter Viertel (screenwriter); Spencer Tracy, Harry
The Old Man and the Sea Original photograph of Spencer Tracy on the set of the 1958 film
Burbank CA: Warner Brothers 1958. Vintage photograph of a camera crew capturing a shot of actor Spencer Tracy and child actor Felipe Pazos on the set of the 1958 film. Printed mimeo snipe affixed to the verso along with a stamp crediting Warner photographer Jack Woods. <br /> <br /> Based on the Pulitzer Prize winning 1952 novel by Ernest Hemingway. Winner of an Academy Award and nominated for two more including Best Actor for Spencer Tracy one of nine nominations he would receive during his career. <br /> <br /> 10 x 8 inches. Near Fine. Warner Brothers unknown
Référence libraire : 155788
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Ernest Hemingway (novel); John Sturges (director); Peter Viertel (screenwriter); Spencer Tracy, Felipe Pazos, Harry Bellaver (st
The Old Man and the Sea Original photograph from the set of the 1958 film
N.p.: Leland Hayward Productions 1958. Vintage photograph of Ernest Hemingway and Spencer Tracy on the set of the 1958 film. Mimeo snipe on the verso. <br /> <br /> Based on the Pulitzer Prize winning novel by Ernest Hemingway published in 1952. Winner of an Academy Award and nominated for two more including Best Actor for Spencer Tracy one of nine nominations he would receive during his career. <br /> <br /> 8 x 10 inches. Near Fine very light creasing. Leland Hayward Productions unknown
Référence libraire : 146914
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Ernest Hemingway (novel); Peter Viertel (screenwriter); Henry King (director); Tyrone Power, Ava Gardner, Errol Flynn, Eddie Alb
The Sun Also Rises Original screenplay for the 1957 film
Los Angeles: Twentieth Century-Fox 1957. Final Draft script for the 1957 film. <br /> <br /> The first screen adaptation of the 1926 novel by Ernest Hemingway. One of the most honest film adaptations of its era attributable mainly to the screenplay by novelist and Hemingway acolyte Peter Viertel. Featuring a standout performance by Errol Flynn as the hedonistic hard-drinking burned-out Mike Campbell. in other words as himself. <br /> <br /> Shot on location in Pamplona Paris Biarritz and Mexico.<br /> <br /> Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 97 and production No. 683 dated February 20 1957. Distribution page present with receipt removed. Title page present dated February 20 1957 noted as Final Script. 154 leaves with last page of text numbered 142. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 3/11/57 and 6/3/57. Pages with silverfish damage to the corners of the first few pages and final revision page else Near Fine wrapper Very Good plus with toning and creasing at the extremities and a small dampstain to the heel bound internally with three gold brads. Twentieth Century-Fox unknown
Référence libraire : 156242
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Ernest Hemingway (short story); Jean Negulesco (director); Casey Robinson (screenwriter); John Garfield, Micheline Presle (as Mi
Under My Skin Original mini-banner poster for the 1950 film
Los Angeles: Twentieth Century-Fox 1950. Vintage mini-banner poster for the 1950 film.<br /> <br /> Based on the 1923 short story "My Old Man" by Ernest Hemingway. John Garfield stars as a crooked washed-up expatriate jockey on the run from a racketeer for not throwing a race while trying to redeem himself for the sake of his son. Remade in 1979 as the CBS television film "My Old Man" directed by John Erman and starring Kristy McNichol and Warren Oates.<br /> <br /> Shot on location in Sherwood Forest California.<br /> <br /> 4.75 x 28 inches. Very Good plus with light creasing at the extremities. Twentieth Century-Fox unknown
Référence libraire : 160936
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Ernest Hemingway novel; Alan Scott screenwriter
Across the River and into the Trees Original screenplay for an unproduced film
N.p.: N.p. 1980. Draft script for an unproduced film based on Ernest Hemingway's final novel.<br/><br/>A middle-aged man dying of a heart disease takes a duck hunting trip in Trieste Italy reminiscing on his past experiences as a military officer and recent romance with an 18 year old girl. <br/><br/>Set in Italy.<br/><br/>White untitled wrappers. Title page present with credits for screenwriter Alan Scott and novelist Ernest Hemingway. 114 leaves with last page of text numbered 112. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with three gold brads. N.p. unknown books
Référence libraire : 147323
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Ernest Hemingway novel; Charles Vidor John Huston director; Ben Hecht screenwriter; Rock Hudson Jennifer Jones Vittorio De Si
A Farewell to Arms Original screenplay for the 1957 film
Los Angeles: Twentieth Century-Fox 1957. Draft script for the 1957 film. In Selznick Studio wrappers with the insignia on the front wrapper. An original production script with a perforated distribution leaf preceding the title page. <br/><br/>The second film version of Ernest Hemingway's 1929 novel and also the last film produced by David O. Selznick. Frederick Henry Hudson is an American serving in the Italian Army during WWI where he meets Catherine Barkley Jones a Red cross nurse. They have a torrid affair which results in pregnancy. The two gradually lose contact with one another. But Henry makes it to Switzerland where Barkley is hospitalized. The baby is stillborn and Barkley dies shortly afterward. <br/><br/>Set in Europe shot on location in Italy. <br/><br/>White titled wrappers with credits for screenwriter Hecht original director Vidor and producer Selznick. Title page present dated 1957 with a credit for screenwriter Hecht. 177 leaves with last page of text numbered 173. Mimeograph on eye-rest green stock. Pages and wrapper Near Fine bound with two gold brads. <br/><br/>Davenport p. 122. Twentieth Century-Fox unknown books
Référence libraire : 136403
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Ernest Hemingway novel; John Sturges director; Peter Viertel screenwriter; Spencer Tracy Felipe Pazos Harry Bellaver starring
The Old Man and the Sea Original photograph from the set of the 1958 film
N.p.: Leland Hayward Productions 1958. Vintage photograph of Ernest Hemingway and Spencer Tracy on the set of the 1958 film. Mimeo snipe on the verso. <br/><br/>Based on the Pulitzer Prize winning novel by Ernest Hemingway published in 1952. Winner of an Academy Award and nominated for two more including Best Actor for Spencer Tracy one of nine nominations he would receive during his career. <br/><br/>8 x 10 inches. Near Fine very light creasing. <br/><br/>Complete collation details available on request. Leland Hayward Productions unknown books
Référence libraire : 146914
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Ernest Hemingway story; Don Siegel director; Gene L. Coon screenwriter; Lee Marvin Angie Dickinson John Cassavetes Ronald Rea
The Killers Original Pressbook for the 1964 film
Universal City CA: Universal Pictures 1964. Original pressbook for the 1964 film the second time Hemingway's short story was adapted for the screen following the classic 1946 version starring Burt Lancaster and Ava Gardner. <br/><br/>Notable as Ronald Reagan's last film role and perhaps in preparation for his move into politics the first time he played a villain. <br/><br/>12 x 18 inchescm. 12 pages saddle stapled. Light foxing overall else Near Fine. Universal Pictures unknown books
Référence libraire : 137342
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Ernest Lehman (director, screenwriter); Phillip Roth (novel); Richard Benjamin, Karen Black, Lee Grant, Jack Somack (starring)
Portnoy's Complaint Original post-production script for the 1972 film
Burbank CA: Warner Brothers 1972. Post-production script for the 1972 film. <br /> <br /> Based on the 1969 novel by Philip Roth. A young man sits in a session with his psychoanalyst as he recounts his childhood his family and his problems with women. <br /> <br /> Set in New York City shot on location in Dorset Vermont Lazio Italy Athens Greece Tel Aviv Isreal and Manhattan New York. <br /> <br /> Tall white self-wrappers dated July 12 1972. 168 leaves with last page of text numbered 168. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound a silver prong along the top edge. Warner Brothers unknown
Référence libraire : 130717
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Ernest Morris (director); Fred Eggers (screenwriter); Henry Silva, Terence Longdon, Suzanne Lloyd (starring)
The Return of Mr. Moto Collection of 20 original photographs from the 1965 film
N.p.: Lippert Pictures 1965. Collection of 20 vintage studio still photographs from the 1965 film in their original brown paper sleeve stamped "THE RETURN OF MR. MOTO 25 STILLS SET A." <br /> <br /> Mr. Moto the fictional Japanese secret agent created by author John P. Marquand appearing in 6 of his novels between 1935 and 1957 and portrayed by Peter Lorre in 8 motion pictures between 1937 and 1939 as well as a 1951 radio show starring James Monks is here portrayed by Henry Silva an undercover Interpol agent investigating the bombing of Middle East oil fields assisted by Beta Oil secretary Maxine Powell Suzanne Lloyed and Police Inspector Jim Halliday Stanley Morgan.<br /> <br /> 8 x 10 inches. Near Fine. Paper sleeve Near Fine closed tear along one edge. Lippert Pictures unknown
Référence libraire : 146683
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Ernest Morris director; Fred Eggers screenwriter; Henry Silva Terence Longdon Suzanne Lloyd starring
The Return of Mr. Moto Collection of 20 original photographs from the 1965 film
N.p.: Lippert Pictures 1965. Collection of 20 vintage studio still photographs from the 1965 film in their original brown paper sleeve stamped "THE RETURN OF MR. MOTO 25 STILLS SET A." <br/><br/>Mr. Moto the fictional Japanese secret agent created by author John P. Marquand appearing in 6 of his novels between 1935 and 1957 and portrayed by Peter Lorre in 8 motion pictures between 1937 and 1939 as well as a 1951 radio show starring James Monks is here portrayed by Henry Silva an undercover Interpol agent investigating the bombing of Middle East oil fields assisted by Beta Oil secretary Maxine Powell Suzanne Lloyed and Police Inspector Jim Halliday Stanley Morgan.<br/><br/>8 x 10 inches. Near Fine. Paper sleeve Near Fine closed tear along one edge.<br/><br/>Complete collation details available on request. Lippert Pictures unknown books
Référence libraire : 146683
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Ernest Tidyman (screenwriter); Martin Caidin (novel)
The Last Dogfight Original screenplay for an unproduced film
N.p.: N.p. 1975. First Draft script for an unproduced film written by the Oscar-winning screenwriter Ernest Tidyman.<br /> <br /> Based on Martin Caidin's 1974 novel. An American ace pilot and his Japanese counterpart take to the skies during World War II to duel and are eventually forced into a friendship built on necessity. Screenwriter Ernest Tidyman previously won an Academy Award for Best Adapted Screenplay for "The French Connection" 1971 and was also known for writing both the John Shaft novel series and the screenplay for the 1971 film.<br /> <br /> Set in and above Japan.<br /> <br /> Black titled wrappers. Title page present dated May 6 1975 noted as "first draft" with credits for screenwriter Tidyman and novelist Martin Caidin. 106 leaves with last page of text numbered 105. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good with tape reinforcements to its silver prong binding. N.p. unknown
Référence libraire : 146429
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Ernest Tidyman screenwriter; Martin Caidin novel
The Last Dogfight Original screenplay for an unproduced film
N.p.: N.p. 1975. First Draft script for an unproduced film written by the Oscar-winning screenwriter Ernest Tidyman.<br/><br/>Based on Martin Caidin's 1974 novel. An American ace pilot and his Japanese counterpart take to the skies during World War II to duel and are eventually forced into a friendship built on necessity. Screenwriter Ernest Tidyman previously won an Academy Award for Best Adapted Screenplay for "The French Connection" 1971 and was also known for writing both the John Shaft novel series and the screenplay for the 1971 film.<br/><br/>Set in and above Japan.<br/><br/>Black titled wrappers. Title page present dated May 6 1975 noted as "first draft" with credits for screenwriter Tidyman and novelist Martin Caidin. 106 leaves with last page of text numbered 105. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good with tape reinforcements to its silver prong binding. N.p. unknown books
Référence libraire : 146429
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Ernie Kovacs Dick Shawn Margo Moore Jack Warden starring; Mervyn LeRoy director producer; Richard L. Breen screenwriter; How
Wake Me When It's Over Original screenplay for the 1960 film
Los Angeles: Twentieth Century-Fox 1959. Draft script for the 1960 film. <br/><br/>Due to a clerical error Gus Brubaker is drafted for a second time following his first stint in the Korean War. This time he is sent to a tiny Japanese island full of bored natives and airmen to which Brubacker responds by resolving to build a hotel based around the hot springs on the island. <br/><br/>Light blue titled wrappers rubber-stamped copy No. 4002 and production No. 843 dated November 11 1959. Title page present dated November 11 1959 with credit for screenwriter Breen. 156 leaves mimeograph duplication. Pages Fine wrapper Near Fine internally bound with three gold brads. Twentieth Century-Fox unknown books
Référence libraire : 129183
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Ernst Lubitsch (director); Miklos Laszlo (play); Samson Raphaelson (screenwriter); Margaret Sullavan, James Stewart, Frank Morga
The Shop Around the Corner Two original photographs from the 1940 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1940. Two vintage studio still photographs from the 1940 film one with "Metro-Goldwyn-Mayer" stamp on the verso. <br /> <br /> Based on the 1937 play "Parfumerie."<br /> <br /> Klara Novak Margaret Sullavan is the new employee at the Matuschek and Company store and Alfred Kralik James Stewart their best salesman can't stand each other unaware they're falling in love through the post as anonymous pen pals.<br /> <br /> Selected for the National Film Registry in 1999.<br /> <br /> Set in Budapest. <br /> <br /> 8 x 10 inches. Very Good plus with pinholes at corners one with two small pieces of paper tape at top pinholes on verso. <br /> <br /> Rosenbaum 1000. Metro-Goldwyn-Mayer [MGM] unknown
Référence libraire : 148233
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Ernst Lubitsch (director); Edwin Justus Mayer (screenwriter); Carole Lombard, Jack Benny, Robert Stack (starring)
To Be or Not to Be Original photograph from the set of the 1942 film
Beverly Hills CA: United Artists 1941. Vintage wide reference photograph of Ernst Lubitsch playing piano on the set of the 1942 film. <br /> <br /> Remade in 1983 directed by Alan Johnson starring Mel Brooks and Anne Bancroft. Carol Lombard's final film having died in an airplane accident during post-production.<br /> <br /> Jack Benny and Carole Lombard star as Joseph and Maria Tura husband and wife thespians in Nazi occupied Warsaw who inadvertently become part of the Resistance and must utilize every acting trick in the book to retrieve a list of Polish Resistance fighters from a German spy. <br /> <br /> Set in Warsaw immediately before and during the 1939 German invasion. <br /> <br /> 10 x 8 inches image 4.5 x 3.75 inches. Near Fine. <br /> <br /> National Film Registry. Byrge and Miller The Screwball Comedy Films: A History and Filmography 1934-1942. Criterion Collection 670. United Artists unknown
Référence libraire : 150534
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Ernst Lubitsch director; Edwin Justus Mayer screenwriter; Carole Lombard Jack Benny Robert Stack starring
To Be or Not to Be Original photograph from the set of the 1942 film
Beverly Hills CA: United Artists 1941. Vintage wide reference photograph of Ernst Lubitsch playing piano on the set of the 1942 film. <br/><br/>Remade in 1983 directed by Alan Johnson starring Mel Brooks and Anne Bancroft. Carol Lombard's final film having died in an airplane accident during post-production.<br/><br/>Jack Benny and Carole Lombard star as Joseph and Maria Tura husband and wife thespians in Nazi occupied Warsaw who inadvertently become part of the Resistance and must utilize every acting trick in the book to retrieve a list of Polish Resistance fighters from a German spy. <br/><br/>Set in Warsaw immediately before and during the 1939 German invasion. <br/><br/>10 x 8 inches image 4.5 x 3.75 inches. Near Fine. <br/><br/>Complete collation details available on request.<br/><br/>National Film Registry. Byrge and Miller The Screwball Comedy Films: A History and Filmography 1934-1942. Criterion Collection 670. United Artists unknown books
Référence libraire : 150534
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Ernst Lubitsch director; Melchior Lengyel play; Samson Raphaelson screenwriter; Marlene Dietrich starring
Angel Original double weight photograph of Ernst Lubitsch and Marlene Dietrich on the set of the 1937 film
Hollywood: Paramount Pictures 1937. Vintage sepia double weight photograph for the 1937 film showing the director and star relaxing on the set. Based on the play "Angyal" by Hungarian playwright Melchior Lengyel. <br/><br/>8 x 10 inches. Near Fine. Paramount Pictures unknown books
Référence libraire : 137977
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Errol Flynn (starring); Raoul Walsh (director); Ronald Reagan (starring); Arthur T. Horman (screenwriter)
Desperate Journey Original photograph of Errol Flynn from the 1942 film
N.p.: N.p. 1942. Vintage reference photograph from the 1942 film showing actor Errol Flynn in a leather aviator jacket. Photographer stamp on the verso. <br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> A war film about a group of Allied aviators who must escape the Third Reich after being shot down near the Polish border and captured by the Germans. <br /> <br /> 8 x 10 inches. Very Good plus with creasing and a small splash on the recto and adhesive residue on the verso. N.p. unknown
Référence libraire : 162029
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Ethan Hawke, John C. McGinley, Gary Sinise, Peter Berg (starring); Keith Gordon (director, screenwriter); William Wharton (novel
A Midnight Clear Original photograph from the 1992 film
N.p.: N.p. 1992. Vintage reference photograph from the 1992 film.<br /> <br /> Based upon the 1982 novel by William Wharton. In December 1945 the members of an American intelligence squad decide to negotiate with a small group of German soldiers who wish to surrender rather than die in one final offensive.<br /> <br /> Shot on location in Utah.<br /> <br /> 10 x 8 inches. About Fine. N.p. unknown
Référence libraire : 158402
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