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Jean Negulesco (director); WR. Burnett (screenwriter); Walter Brennan, John Garfield, Geraldine Fitzgerald, Faye Emerson, George
Humoresque Original photograph from the 1946 film noir
Burbank CA: Warner Brothers 1946. Vintage reference photograph from the 1946 film noir. <br /> <br /> Based on the 1919 short story by Fannie Hurst. Previously filmed in 1920 directed by Frank Borzage and starring Gaston Glass and Vera Gordon.<br /> <br /> Helen Crawford is a wealthy but neurotic socialite who catches the eye of Paul Garfield a celebrated classical violinist who was raised in the slums. <br /> <br /> Nominated for an Academy Award. <br /> <br /> Set in New York and California shot on location in Malibu and Laguna Beach California and New York City. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Grant US. Selby US. Selby US Canon. Silver and Ward Classic Noir. Spicer US. Warner Brothers unknown
Référence libraire : 160109
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Jean Negulesco (director); Nunnally Johnson (screenwriter); Shelley Winters, Gary Merrill, Michael Rennie, Keenan Wynn (starring
Phone Call From a Stranger Original photograph from the 1952 film
Los Angeles: Twentieth Century-Fox 1952. Vintage studio still photograph from the 1952 film showing actress Shelley Winters. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> While waiting for a delayed flight from Chicago to Los Angeles a lawyer meets three fellow travelers all of whom have painful conversations waiting for them in California. The plane crashes and the lawyer is one of the few survivors compelling him to contact the families of the three travelers he met before their untimely deaths. <br /> <br /> Set in Chicago and Los Angeles. <br /> <br /> 8 x 10 inches. Very Good plus with a short closed tear at the bottom edge. Twentieth Century-Fox unknown
Référence libraire : 151256
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Jean Negulesco (director); Nunnally Johnson (screenwriter); Shelley Winters, Gary Merrill, Michael Rennie, Bette Davis (starring
Phone Call from a Stranger Original photograph of Jean Negulesco and Beatrice Straight on the set of the 1952 film
Los Angeles: Twentieth Century-Fox 1952. Vintage reference photograph of director Jean Negulesco and actress Beatrice Straight on the set of the 1952 film. With a printed mimeo snipe affixed to the verso along with manuscript annotations regarding layout.<br /> <br /> While waiting for a delayed flight from Chicago to Los Angeles a lawyer meets three fellow travelers all of whom have painful conversations waiting for them in California. The plane crashes and the lawyer is one of the few survivors compelling him to contact the families of the three travelers he met before their untimely deaths. <br /> <br /> Set in Chicago and Los Angeles. <br /> <br /> 8 x 10 inches with a wide top margin. Very Good plus with light edgewear. Twentieth Century-Fox unknown
Référence libraire : 149876
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Jean Negulesco (director); Luther Davis (screenwriter); Lauren Bacall, Robert Stack, Evelyn Rudie, Lorne Green (starring)
The Gift of Love Original photograph of Lauren Bacall on the set of the 1958 film
N.p.: N.p. 1958. Vintage reference photograph of Lauren Bacall smoking a cigarette between takes on the set of the 1958 film. <br /> <br /> A childless woman learns she has a terminal heart condition and adopts a young orphan whom she hopes will console her husband after she passes. Based on the 1946 film "Sentimental Journey" directed by Walter Lang. <br /> <br /> 10 x 8 inches. Near Fine. N.p. unknown
Référence libraire : 156322
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Jean Negulesco (director); Luther Davis (screenwriter); Lauren Bacall, Robert Stack, Evelyn Rudie, Lorne Green (starring)
The Gift of Love Three British front-of-house cards from the 1958 film
London: Twentieth Century-Fox 1958. Collection of 3 vintage hand-tinted British front-of-house cards from the UK release of the 1958 US film. <br /> <br /> A physicist meets and marries a doctor's receptionist who later develops a heart condition. She decides to adopt an orphan to keep her husband company in the wake of her premature demise. <br /> <br /> Shot on location in San Francisco and Palomar Mountain California. <br /> <br /> 8 x 10 inches. Light rubbing and faint creases else Near Fine. Twentieth Century-Fox unknown
Référence libraire : 132871
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Jean Negulesco (director); Claude Binyon (screenwriter); Russel Crouse (screenwriter); Howard Lindsay (screenwriter); Mary Loos
Woman's World Original screenplay for the 1954 film Van Heflin's working copy
Los Angeles: Twentieth Century-Fox 1954. Final Draft script for the 1954 film. Actor Van Heflin's copy with blue revision pages throughout and with Heflin's substantial annotations in manuscript pencil on five pages see images. <br /> <br /> Clifton Webb plays Earnest Gifford the CEO of a car company tasked with replacing one of his managers after the incumbent dies. In a bit of a twist the CEO decides to observe the wives of his top three candidates hoping to tease out useful information and character traits via their choice of spouses. <br /> <br /> Title page present dated April 20 1954 noted as Final Script with credits for screenwriters Lindsay Crouse and Binyon. 128 leaves Multilith duplication with blue revision pages throughout dated variously between 4-22-54 and 5-11-54. Pages Near Fine bound with two gold brads. Twentieth Century-Fox unknown
Référence libraire : 130751
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Jean Negulesco director; Claude Binyon screenwriter; Russel Crouse screenwriter; Howard Lindsay screenwriter; Mary Loos screenwr
Woman's World Original screenplay for the 1954 film Van Heflin's working copy
Los Angeles: Twentieth Century-Fox 1954. Final Draft script for the 1954 film. Actor Van Heflin's copy. <br/><br/>Clifton Webb plays Earnest Gifford the CEO of a car company tasked with replacing one of his managers after the incumbent dies. In a bit of a twist the CEO decides to observe the wives of his top three candidates hoping to tease out useful information and character traits via their choice of spouses. <br/><br/>Lacking studio wrappers as used by Van Heflin. Title page present dated April 20 1954 noted as Final Script with credits for screenwriters Lindsay Crouse and Binyon. 128 leaves mimeograph duplication with blue revision pages throughout dated variously between 4-22-54 and 5-11-54. Pages Near Fine bound with two gold brads. <br/><br/>Fox Cinema Archives. Twentieth Century-Fox unknown books
Référence libraire : 130751
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Jean Negulesco director; Francoise Sagan novel; Frances Goodrich and Albert Hackett screenwriter; Rossano Brazzi Joan Fontaine
A Certain Smile Original photograph from the 1958 film
London: Twentieth Century-Fox 1958. Vintage full-color still photograph from the 1958 UK release of the 1958 US film. <br/><br/>Based on Francoise Sagan's 1956 novel about a law student Christine Carere at the Sorbonne engaged to a fellow classmate Bradford Dillman but more attracted to his philandering uncle. The two subsequently engage in a steamy affair. Johnny Mathis gives a stellar performance of "A Certain Smile" Dillman makes his film debut and Carere makes her US film debut. <br/><br/>8 x 10 inches. Light rubbing and faint creases else Near Fine. Twentieth Century-Fox unknown books
Référence libraire : 132555
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Jean Negulesco director; Luther Davis screenwriter; Lauren Bacall Robert Stack Evelyn Rudie Lorne Green starring
The Gift of Love Collection of 3 photographs from the 1958 film
London: Twentieth Century-Fox 1958. Collection of 3 vintage hand-tinted still photographs from the 1958 UK release of the 1958 US film. <br/><br/>A physicist meets and marries a doctor's receptionist who later develops a heart condition. She decides to adopt an orphan to keep her husband company in the wake of her premature demise. <br/><br/>Shot on location in San Francisco and Palomar Mountain California. <br/><br/>8 x 10 inches. Light rubbing and faint creases else Near Fine. Twentieth Century-Fox unknown books
Référence libraire : 132871
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Jean Negulesco director; Nunnally Johnson screenwriter; Shelley Winters Gary Merrill Michael Rennie Keenan Wynn starring
Phone Call From a Stranger Original photograph from the 1952 film
Los Angeles: Twentieth Century-Fox 1952. Vintage studio still photograph from the 1952 film showing actress Shelly Winters. <br/><br/>From the archive of film historian and author Joel Finler.<br/><br/>While waiting for a delayed flight from Chicago to Los Angeles a lawyer meets three fellow travelers all of whom have painful conversations waiting for them in California. The plane crashes and the lawyer is one of the few survivors compelling him to contact the families of the three travelers he met before their untimely deaths. <br/><br/>Set in Chicago and Los Angeles. <br/><br/>8 x 10 inches. Very Good plus with a short closed tear at the bottom edge. Twentieth Century-Fox unknown books
Référence libraire : 151256
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Jean Negulesco director; Nunnally Johnson screenwriter; Shelley Winters Gary Merrill Michael Rennie Bette Davis starring
Phone Call from a Stranger Original photograph of Jean Negulesco and Beatrice Straight on the set of the 1952 film
Los Angeles: Twentieth Century-Fox 1952. Vintage reference photograph of director Jean Negulesco and actress Beatrice Straight on the set of the 1952 film. With a printed mimeo snipe affixed to the verso along with holograph annotations regarding layout.<br/><br/>While waiting for a delayed flight from Chicago to Los Angeles a lawyer meets three fellow travelers all of whom have painful conversations waiting for them in California. The plane crashes and the lawyer is one of the few survivors compelling him to contact the families of the three travelers he met before their untimely deaths. <br/><br/>Set in Chicago and Los Angeles. <br/><br/>8 x 10 inches with a wide top margin. Very Good plus with light edgewear. Twentieth Century-Fox unknown books
Référence libraire : 149876
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Jean Paul Belmondo starring; Philippe de Broca director screenwriter; Jean Paul Rappeneau Ariane Mnouchkine Daniel Boulanger
That Man From Rio L'Homme de Rio Original photograph from the 1964 film
Paris: Les Films Ariane 1964. Vintage borderless photograph from the set of the 1964 film. With an agency stamp and holograph annotations on the verso. <br/><br/>Dufourquet Belmondo is in Paris on shore leave eager to see his Agnes Dorléac. When he finally sees her only briefly before she's kidnapped and held for ransom by a treasure-hungry family friend. A James Bond spoof in the wake of Belmondo's swashbuckling success "Cartouche" 1962 opposite Claudia Cardinale with puzzle solving murder in Brasilia art thieves and a pursuit to find sacred Amazon treasure. Nominated for an Academy Award for Best Writing Story and Screenplay: Written Directly for the Screen 1965 and winner of a New York Film Critics Circle Award for Best Foreign Language Film 1964. <br/><br/>Shot on location in Rio de Janeiro Brazil and Paris. <br/><br/>8 x 10 inches. Near Fine. Les Films Ariane unknown books
Référence libraire : 144481
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Jean Paul Clebert author; Clive Rees director screenwriter; John Gould screenwriter; Peter Sellers Charles Aznavour Jeremy Ke
The Blockhouse Original screenplay for the 1973 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1973. Draft script for the 1973 film. With a single notation to the title page in holograph ink indicating this copy is from Barry Levinson. <br/><br/>Based on the 1955 novel "Le Blockhaus" by Jean-Paul Clebert the story follows a mixed-group of forced laborers held by German forces taking shelter in a German bunker on D-Day. However due to the heavy shelling they are entombed in the blockhouse. Fortunately it is a storehouse as well so the prisoners have food to last them for years but unfortunately they are permanently trapped in there. The film deals with how they lived in their underground prison and their eventual deaths. <br/><br/>Set in Normandy shot on location in Guernsey Channel Islands. <br/><br/>Blue blank wrappers with die cut title window in the British style. Title page present with credits for screenwriter John Gould and author Jean-Paul Clebert. 141 leaves with last page of text numbered 140. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with two silver brads. Metro-Goldwyn-Mayer [MGM] unknown books
Référence libraire : 140845
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Jean Paul Sartre screenwriter; Arthur Miller play; Raymond Rouleau director; Simone Signoret Yves Montand Mylene Demongeot sta
The Crucible Les sorcieres de Salem Original photograph from the 1957 film
France Germany: Pathe Consortium Cinema 1957. Vintage borderless photograph from the 1957 film. With the stamp of French weekly "Tele Magazine" and holograph annotations regarding layout on the verso. <br/><br/>Based on the 1953 Tony Award winning play by Arthur Miller and the first of two film adaptations. The second came 43 years later and was written by Miller himself. <br/><br/>6.5 x 9.5 inches. Near Fine. Pathe Consortium Cinema unknown books
Référence libraire : 142608
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Jean Pierre Melville director screenwriter; Alain Delon Richard Crenna Catherine Deneuve starring
Un Flic A Cop Four original photographs of Jean-Pierre Melville Catherine Deneuve Alain Delon and Richard Crenna from the set of the 1972 film
N.p.: N.p. 1972. Four borderless reference photographs one oversize of Jean-Pierre Melville Catherine Deneuve Alain Delon and Richard Crenna on the set of and on location for the 1972 film.<br/><br/>A police detective played by Delon in a switch from his usual criminal roles in Melville pictures is on the trail of a gang of thieves unaware that they are led by a friend. Melville's final film. <br/><br/>Shot on location in Paris and Bordeaux France.<br/><br/>Oversize photo 11.5 x 8.25 inches. Other photos variously from 9 x 7 inches to 10.5 x 7.25 inches. Near Fine. <br/><br/>Grant France. Selby France. Spicer France. N.p. unknown books
Référence libraire : 149967
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Jean Pierre Melville director screenwriter; Beatrix Beck novel; Henri Decae cinematographer; Jean Paul Belmondo Emmanuelle Riv
Leon Morin pretre priest Original French promotional book 1961 film
Paris: Concordia Compagnia Cinematografica 1961. Original French promotional book for the 1961 French film. Based on the 1952 novel by Beatrix Beck. With a small red rubber stamp from a French movie house at the top center of the front wrapper. <br/><br/>A departure for both Melville and Belmondo both turning from the crime films for which they were best known in order to make a moving adaptation of Beck's novel a complex story of unrequited love set during World War II and the Holocaust. <br/><br/>6 pages saddle stapled 9.5 x 12.25 inches. Single horizontal fold at the center likely as issued else Near Fine. <br/><br/>Criterion Collection 572. Concordia Compagnia Cinematografica unknown books
Référence libraire : 134750
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Jean Pierre Melville director screenwriter; Georges Pellegrin screenwriter; Alain Delon Francois Perier Nathalie Delon starri
Le Samourai The Godson Original photograph from the US release of the 1967 film
N.p.: Compagnia Industrielle et Commerciale Cinematographique 1967. Vintage studio still photograph from the US release of the 1967 French film noir. <br/><br/>Alain Delon plays the silent hitman Jef Costello who is spotted by the piano player after carrying out a job at a nightclub. His lover provides an alibis keeping the police temporarily at bay but eventually the entire plot begins to slowly unwind. <br/><br/>Shot on location in France. <br/><br/>8 x 10 inches. Holograph pencil notation to the verso else Near Fine. <br/><br/>Complete collation details available on request. <br/><br/>Criterion Collection 306. Buss French Film Noir. Ebert I. Grant France. Spicer France. Compagnia Industrielle et Commerciale Cinematographique unknown books
Référence libraire : 140371
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Jean Pierre Melville director screenwriter; Roger Duchesne Isabelle Corey Guy Decomble starring
Bob le Flambeur Bob the Gambler Original oversize photograph from the 1956 French film noir
N.p.: N.p. 1956. Vintage oversize borderless reference photograph from the 1956 French film noir showing actor Roger Duchesne surrounded by Gallic toughs. With holograph ink annotations to the verso. <br/><br/>Faced with an unlucky streak and debts to pay a former bank robber turned gambler plans a heist of the Deauville casino during Grand Prix weekend. A key French New Wave antecedent and core French film noir.<br/><br/>Set and shot on location in the Montmartre district in Paris and Calvados France.<br/><br/>9.5 x 12 inches with a small bottom margin. Near Fine with some light edgewear.<br/><br/>Criterion Collection 150. Grant France. Ebert II. Lee The Heist Film. Selby France. N.p. unknown books
Référence libraire : 152432
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Jean Pierre Mocky director screenwriter; Jean Charles Pinchon Louis Sapin screenwriters; Jacques Charrier Charles Aznavour A
The Chasers Les Draguers Original photograph from the 1959 film
Paris: Les Films Fernand Rivers 1959. Vintage photograph of director Jean-Pierre Mocky behind a camera on the set of his 1959 directorial debut. <br/><br/>Two young men wander around Paris attempting to pick up women. <br/><br/>6.75 x 5.5 inches. Near Fine. Les Films Fernand Rivers unknown books
Référence libraire : 144939
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Jean Pierre Mocky director screenwriter; Raymond Queneau Alain Moury Jacques Rouffio screenwriters; Juliette Mayniel Jean Ko
Un Couple A Couple Collection of three original photographs of Jean-Pierre Mocky and Juliette Mayniel on the set of the 1960 film
Paris: Balzac 1960. Collection of three vintage borderless reference photographs from the set of the 1960 French film showing director Jean-Pierre Mocky actors Juliette Mayniel Jean Kosta and other members of the cast and crew. With numbered stamps on the verso. <br/><br/>A husband and wife decide to separate when they realize their relationship lacks sexual excitement after three years together.<br/><br/>Shot on location in France.<br/><br/>6.75 x 5.5 inches. About Near Fine.<br/><br/>Complete collation details available on request. Balzac unknown books
Référence libraire : 149354
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Jean Renoir (director); Roger Ferdinand (play, screenwriter); Jeanne Boitel, Fernand Charpin, Jeanne Loury (starring)
Chotard and Company Chotard et Cie Original photograph from the 1933 film
N.p.: N.p. 1933. Vintage reference photograph of Andre Dignimont and Georges Pomies from the 1933 film. Layout annotations in manuscript pencil and provenance stamp of film historian "Maurice Bessy"on verso Bessy was a noted cinephile best known for his association with Orson Welles.<br /> <br /> One of Jean Renoir's more obscure but equally charming early sound films from 1933 wherein hard-working grocer Francois Chotard Fernand Charpin marries his daughter Jeanne Loury off to the seemingly lazy writer Julien Collient Georges Pomies and has a change of heart when Julien receives a prestigious literary award.<br /> <br /> 9 x 7 inches. Evenly faded else Near Fine. N.p. unknown
Référence libraire : 150898
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Jean Renoir (director, screenwriter); Jean Serge (screenwriter); Ingrid Bergman, Jean Marais, Mel Ferrer, Jean Richard, Juliette
Elena and Her Men Elena et Les Hommes Original photograph from the 1956 film
Burbank CA: Warner Brothers 1956. Vintage photograph of Jean Renoir and Ingrid Bergman on the set of the 1956 French film. Agency stamps on the verso. <br /> <br /> A romantic-comedy set in 1890 Paris starring Ingrid Bergman as Elena Sokorowskaa Polish princess who has a reputation for bringing good luck to her lovers. While scheduled to be married to a wealthy family friend with plans to bring new money to the family's dwindling fortune she meets Count de Chevincourt Mel Ferrer the aide to General Rollan Jean Marais. Both men are taken by her charm and find themselves in a romantic knot with repercussions for all of France. <br /> <br /> Shot on location in and around Paris. <br /> <br /> 5 x 7 inches. Near Fine with single bottom margin. <br /> <br /> 244 Criterion Collection. Godard Histoires du cinema. Rosenbaum 1000. Warner Brothers unknown
Référence libraire : 144496
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Jean Renoir (director, screenwriter); Emmanuel Lowenthal (photographer); Jean Serge (screenwriter); Ingrid Bergman, Jean Marais
Elena and Her Men Elena et hommes Original photograph from the 1956 film
Paris: Cinedis 1956. Original borderless single weight still photograph from the 1956 French-Italian film. Bergman and Marais enjoy a moment sharply dressed. Numerical notation in manuscript pencil and a rubber-stamp crediting starring actors director and French film title on the verso. <br /> <br /> One of director Renoir's final films a turn of the century romantic comedy about Polish princess Elena Bergman and various men of military rank in pre-WWI Paris. <br /> <br /> Shot on location throughout France. <br /> <br /> 7 x 9.25 inches. Very Good plus with pinholes and brief creases at the corners and a faint dampstain. <br /> <br /> Criterion Collection 244. <br /> <br /> Godard Histoire du cinema. Rosenbaum 1000. Cinedis unknown
Référence libraire : 144442
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Jean Renoir (director, screenwriter); Jean Serge (screenwriter); Ingrid Bergman, Jean Marais, Mel Ferrer (starring)
Elena et les Hommes Elena and Her Men Original photograph of Ingrid Bergman on the set of the 1956 French film
N.p.: N.p. 1956. Vintage oversize borderless reference photograph of actress Ingrid Bergman filing her nails on the set of the 1956 film. With the stamps of Match magazine Photo Garofalo and Gamma picture agency on the verso. <br /> <br /> In turn-of-the-century France a young Polish princess agrees to marry a wealthy older man to save her family from the poorhouse but finds herself falling in love with a handsome stranger despite her engagement. The third film in director Jean Renoir's romance trilogy preceded by "The Golden Coach" 1953 and "French Cancan" 1955. <br /> <br /> Set and shot on location in France. <br /> <br /> 9 x 11.25 inches. Near Fine. N.p. unknown
Référence libraire : 150324
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Jean Renoir (director, screenwriter); Jean Serge (screenwriter); Ingrid Bergman, Jean Marais, Mel Ferrer, Jean Richard (starring
Elena et les Hommes Elena and Her Men Original photograph of Jean Renoir and Joseph Kosma on the set of the 1956 film
N.p.: Franco-London Film 1956. Vintage borderless reference photograph of director Jean Renoir listening while composer Joseph Kosma plays the organ on the set of the 1956 film. With a mimeo snipe on the verso along with a stamp specific to the film's French release. <br /> <br /> In turn-of-the-century France a young Polish princess agrees to marry a wealthy older man to save her family from the poorhouse but finds herself falling in love with a handsome stranger despite her engagement. The third film in director Jean Renoir's romance trilogy preceded by "The Golden Coach" 1953 and "French Cancan" 1955. <br /> <br /> Set and shot on location in France. <br /> <br /> 7 x 5.25 inches. Near Fine. Franco-London Film unknown
Référence libraire : 151415
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Jean Renoir (director, screenwriter); Albert Decamps (photographer); Jean-Louis Barrault (starring)
Experiment In Evil Le testament de Docteur Cordelier Original photograph on the set of the 1959 film
France: Radio-Television Francaise RTF 1959. Vintage borderless photograph of director Jean Renoir and actor Jean-Louis Barrault on the set of the 1959 film. With the stamp of photographer Albert Decamps on the verso. <br /> <br /> Renoir's loose adaptation of Robert Louis Stevenson's 1886 novella "The Strange Case of Dr. Jekyll and Mr. Hyde" premiering at the Venice Film Festival followed by airing on French television and an international theatrical release. <br /> <br /> 7 x 5 inches. Near Fine. Radio-Television Francaise [RTF] unknown
Référence libraire : 145128
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Jean Renoir (director, screenwriter); Jean-Louis Barrault, Teddy Bilis, Sylviana Margolle, Jean Bertho, Jaques Ciron (starring)
Experiment In Evil Le testament de Docteur Cordelier Original photograph from the 1959 film
France: Radio-Television Francaise RTF 1959. Vintage photograph of Jean Renoir and members of the crew on the set of the 1959 film. With manuscript annotations on the verso. <br /> <br /> Renoir's loose adaptation of Robert Louis Stevenson's 1886 novella "The Strange Case of Dr. Jekyll and Mr. Hyde" premiering at the Venice Film Festival followed by airing on French television and an international theatrical release. <br /> <br /> 11 x 8.25 inches. Near Fine. Radio-Television Francaise [RTF] unknown
Référence libraire : 144576
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Jean Renoir (director, screenwriter); R. Sauget (photographer); Robert Louis Stevenson (novel); Jean-Louis Barrault (starring)
Experiment in Evil Le testament de Docteur Cordelier 36 original photographs with negatives from the set of the 1959 film
France: Radio-Television Francaise RTF / Societe Financiere de Radiodiffusion / Compagnie Jean Renoir 1959. Archive of 36 press photographs taken on the set of the 1959 film mounted to four printed card stock proof sheets from "Telerama" magazine with each sheet containing manuscript ink annotations with the name of the production credits for Renoir and photographer R. Saguet and with three dated January 26 1959 and one dated April 4 1959. Accompanying the photographs are 35 negatives for photographs in the archive and 1 negative for a photograph that was not struck and mounted. <br /> <br /> All the photographs featuring cast and crew working on the set and 16 feature images of Renoir on the set. <br /> <br /> Also included are two vintage borderless press photographs depicting scenes for the film. Each with the stamp of "Telerama" on the verso along with manuscript annotations identifying the film and for layout. <br /> <br /> Renoir's loose adaptation of Robert Louis Stevenson's 1886 novella "The Strange Case of Dr. Jekyll and Mr. Hyde" premiering at the Venice Film Festival followed by airing on French television and an international theatrical release. <br /> <br /> Proof photographs and negatives roughly 2 x 2 inches. Fine. <br /> <br /> Proof sheets 11.5 x 9.5 inches. Card stock. About Near Fine with some wear at the corners. <br /> <br /> Press photographs 7.25 x 5 inches. Light diagonal creasing to the upper corner of one photograph else Near Fine. Radio-Television Francaise [RTF] / Societe Financiere de Radiodiffusion / Compagnie Jean Renoir unknown
Référence libraire : 142159
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Jean Renoir (director, screenwriter); Jean Gabin, Francoise Arnoul, Maria Felix (starring); Andre-Paul Antoine (screenwriter)
French Cancan Only the French Can Three original photographs of Jean Renoir on the set of the 1955 film
N.p.: N.p. 1955. Three vintage reference photographs of director Jean Renoir on the set of the 1955 film two showing Renoir with actress Françoise Arnoul and one showing Renoir examining the ground while surrounded by cast members. All three photographs with Amsterdam distributor stamps on the versos.<br /> <br /> A dramatization of the opening of the famed Moulin Rouge nightclub about a theatre producer who decides to revive the cancan dance after seeing a beautiful young woman dancing at an old-fashioned Montmartre dance hall. <br /> <br /> 7 x 5 inches. Very Good plus lightly worn one with faint ink residue on the top portion of the recto. N.p. unknown
Référence libraire : 161316
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Jean Renoir (director, screenwriter); Maria Felix, Francoise Arnoul, Jean Gabin (starring)
French Cancan French-Cancan Original program for the 1955 film
Paris: Franco London Film S.A. 1956. Original program for the 1956 English language release of the 1955 French-Italian film. Deluxe program in English text illustrated throughout in black-and-white stills from the film detailing the film synopsis. Also includes 8 full-color borderless film stills akin to lobby cards a brief filmography of director Renoir and transcript of an interview between Renoir and Georges Van Parys from January 1 1955 and sheet music for the theme song "Complainte de la butte." Housed in a Franco London Film folder with tipped-in plate reproducing Pierre-Auguste Renoir's "Le Moulin de la Galette" and film title in red on the front wrapper. <br /> <br /> Based on an idea by Andre-Paul Antoine his second to last film credit before "La dulce enemiga" 1957. Set in 1890s Paris Henri Danglard Gabin is the owner of a cafe where his mistress Lola Felix performs as a belly dancer. With the cafe nearly bankrupt Henri inspired by an old-fashioned cancan in Montmartre decides to add a new dancer to revive his business. Cue a laundress named Nini Arnoul who soon finds fame at the Moulin Rouge. <br /> <br /> François Truffaut's review in "Arts" magazine May 1955 was highly supportive even though other critics like Bernard Chardere criticised the music the sets even the final cancan scene. Regardless the film was awarded the Grand Prix de l'Academie du Cinéma 1956. <br /> <br /> Program 9 x 12.5 inches saddle-stapled and string-bound 4 leaves in slightly larger folder. 8 film stills 9 x 12 inches. Interview slightly smaller than stills single leaf printed on both sides and sheet music slightly larger dated 1954 single leaf folded twice 3 sides printed. Very Good plus overall with a few small scattered creases and brief dampstains to the folder. <br /> <br /> Criterion Collection. Roger Ebert Great Movies IV. Franco London Film S.A. unknown
Référence libraire : 143992
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Jean Renoir (director, screenwriter); Emile Zola (novel); Sam Levin (photographer); Jean Gabin, Simone Simon, Fernand Ledoux (st
La Bete Humaine Original double weight oversize photograph from the 1938 film
Paris: Paris Film 1938. Vintage oversize double weight reference photograph from the 1938 film showing actors Jean Gabin and Julien Carette.<br /> <br /> Based on the 1890 social realist novel by Emile Zola. Director Jean Renoir's film remains true to the proletarian source material while grafting on elements of film noir and his own humanist philosophy. One of the director's biggest commercial successes with a powerful lead performance by Jean Gabin. Remade in the US by Fritz Lang in 1954 as "Human Desire."<br /> <br /> 15.75 x 12 inches. Very Good plus with creasing to far bottom corners with a small bruise on right side small crease to top right and a very small closed tear in top margin.<br /> <br /> Criterion Collection 324. Godard Histoires du cinema. Grant France. Rosenbaum 1000. Paris Film unknown
Référence libraire : 151968
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Jean Renoir (director, screenwriter); Georges de La Fouchardiere (novel); Andre Mouezy-Eon (play) Roger Forster (photographer);
La Chienne Original photograph from the 1931 film
N.p.: N.p. 1931. Vintage reference photograph from the 1931 film. Layout annotations in manuscript pencil and two overlapping National Film Archive stamps on the verso.<br /> <br /> A key French film noir antecedent based on the 1929 novel by Georges de La Fouchardiere and the 1930 play by Andre Mouezy-Eon. An aspiring painter trapped in an abusive marriage falls in love with a prostitute who scams him out of the money for his paintings with the help of her pimp. The second sound film by Jean Renoir. Remade in 1945 as Scarlet Street directed by Fritz Lang and starring Edward G. Robinson and Joan Bennett.<br /> <br /> Set in and shot on location in Paris.<br /> <br /> 9.75 x 7.5 inches. Near Fine. <br /> <br /> Rosenbaum 1000. Criterion Collection 818. Grant France. N.p. unknown
Référence libraire : 148495
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Jean Renoir (director, screenwriter); Charles Spaak (screenwriter); Jean Gabin, Dita Parlo, Pierre Fresnay, Erich von Stroheim (
La Grande Illusion The Grand Illusion Original photograph from the 1937 film
New York: Filmarte 1937. Vintage reference photograph from the 1937 film showing L-R Jean Gabin Gaston Modot Pierre Fresnay Julien Carette Jean Daste and Marcel Dalio. Provenance stamp and library stamps to the verso. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> A disparate group of French soldiers plan an escape from their German captors during World War I. Widely regarded as a masterpiece of French cinema a poignant look at nationalism class differences and prejudice. <br /> <br /> 10 x 8 inches. Very Good plus with light wear to the corners.<br /> <br /> Criterion Collection 1. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Filmarte unknown
Référence libraire : 154246
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Jean Renoir (director, screenwriter); Charles Spaak (screenwriter); Jean Gabin, Dita Parlo, Pierre Fresnay, Erich von Stroheim (
La Grande Illusion The Grand Illusion Original program for the 1938 US premiere of the 1937 French film
New York: Filmarte 1938. Vintage program for the US premiere of the 1937 French film which opened at the Filmarte Theatre in New York on September 12 1938. <br /> <br /> A disparate group of French soldiers plan an escape from their German captors during World War I. Widely regarded as a masterpiece of French cinema a poignant look at nationalism class differences and prejudice. <br /> <br /> 5.5 x 8.75 inches. One leaf bi-fold. Near Fine. <br /> <br /> Criterion Collection 1. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Filmarte unknown
Référence libraire : 151432
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Jean Renoir (screenwriter, starring); Catherine Hessling (starring); Alberto Cavalvanti (director, starring)
Little Red Riding Hood Le Petit Chaperon rouge Two original photographs of Jean Renoir and Catherine Hessling on the set of the 1930 film
N.p.: N.p. 1930. Two vintage reference photographs from the 1930 French film one showing actress Catherine Hessling the other showing actor Jean Renoir and Hessling together. Annotations in manuscript ink on the versos.<br /> <br /> Catherine Hessling's beauty drew her to the attention of Henri Matisse who sent her to model for Pierre-Auguste Renoir. A romance developed between the fledgling model and Renoir's second son Jean and the couple were married in January of 1920. Hessling appeared in several of Renoir's films before the couple's divorce in 1931 including Renoir's first feature-length film "The Whirlpool of Fate" 1925 and his 1926 adaptation of Émile Zola's "Nana."<br /> <br /> 6.75 x 9 inches. Very Good plus. N.p. unknown
Référence libraire : 167086
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Jean Renoir (director, screenwriter); Jacques Perret (novel); Stefan Borczok (photographer); Guy Lefranc (screenwriter); Jean-Pi
The Elusive Corporal Le Caporal Epingle Five original photographs from the 1962 film
N.p.: N.p. 1962. Five vintage borderless reference photographs from the 1962 film including one of Jean Renoir sitting amongst the cast on the set of the film. Layout annotations in manuscript pencil provenance stamp and label of film historian "Maurice Bessy" and "Le Caporal Epingle" stamp all on verso.<br /> <br /> Two photos shown please inquire to see others.<br /> <br /> Based on the 1947 novel by Jacques Perret.<br /> <br /> A comedic account of a French aristocrat's repeated attempts to escape from a German POW camp during WWII. A companion piece to Renoir's earlier WWI set masterpiece "Le Grande Illusion" 1937. <br /> <br /> Shot on location in Paris France and Vienna Austria. <br /> <br /> 9.5 x 7 inches. Some light edgewear else Near Fine. N.p. unknown
Référence libraire : 151080
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Jean Renoir (director, screenwriter); Jacques Perret (novel); Guy Lefranc (screenwriter); Jean-Pierre Cassel (starring)
The Elusive Corporal Original photograph from the set of the 1962 film
France: Les Films du Cyclope / Omnia Films 1962. Vintage photograph from the 1962 film showing Jean Renoir directing star Jean-Pierre Cassel and some supporting actors during an outdoor shot with the boom operator in the background. Manuscript pencil notation on the verso identifying the subjects and film. <br /> <br /> Based on Jacques Perret's 1947 novel a comedic account of a French aristocrat's repeated attempts to escape from a German POW camp during WWII and a companion piece to Renoir's earlier WWI set masterpiece "Le Grande Illusion" 1937. <br /> <br /> 10.75 x 8.25 inches. Light creasing to the borders Near Fine. Les Films du Cyclope / Omnia Films unknown
Référence libraire : 140952
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Jean Renoir (director, screenwriter); Maxim Gorky (play); Jean Gabin, Suzy Prim, Louis Jouvet, Jany Holt, Vladimir Sokoloff (sta
The Lower Depths Les bas-fonds Original photograph from the 1936 film
Paris: Films Albatros 1936. Vintage oversize double weight French studio still photograph from the 1936 film. <br /> <br /> Notations listing other French films in manuscript ink on verso and with a negative-printed credit for photographer Roger Forster at the bottom left corner of the recto.<br /> <br /> Winner of 1936’s Louis Delluc Prize the first year the prize was awarded Renoir’s film is based on a Maxim Gorky play depicting life in a flophouse centering on a bankrupted Baron Louis Jouvet a thief Jean Gabin his two lovers and the landlord.<br /> <br /> Akira Kurosawa also adapted Gorky’s play in 1957 as . Renoir’s adaptation not nearly as bleak as Gorky’s play maintains a warm humanity but in the case of Kurosawa the setting is changed to Edo period Japan and the story remains faithfully grim.<br /> <br /> Set in Russia shot on location in France.<br /> <br /> 9 x 11.75 inches. Very Good plus light edgewear creases and pinholes at corners.<br /> <br /> Scorsese My Voyage to Italy. Criterion Collection 239. Films Albatros unknown
Référence libraire : 145854
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Jean Renoir (director, screenwriter); Rumer Godden (novel, screenwriter); Nora Swinburne, Esmond Knight, Arthur Shields (starrin
The River Three original photographs from the 1951 film
N.p.: N.p. 1951. Three vintage studio still photographs with narrow margins from the 1951 film. All with "Archives Maurice Bessy" labels two with provenance stampa of film historian "Maurice Bessy" and one with Italian mimeo snipe on the verso. <br /> <br /> Based on the 1946 novel by Rumer Godden who adapted it for the screen with Renoir. The film's crew included Satyajit Ray who worked as an assistant director on the film after meeting Renoir. Ray's longtime cinematographer Subrata Mitra also worked on the film and the two would come to international attention four years later with "Pather Panchali."<br /> <br /> "The River" an international co-production distributed by United Artists concerns three young girls two British one Indian in Bengal who become infatuated with an ex-soldier who comes into their lives. <br /> <br /> Set and shot on location in India. <br /> <br /> 7 x 9.5 inches. Near Fine. <br /> <br /> BFI 619. Criterion Collection 276. Ebert III. N.p. unknown
Référence libraire : 148360
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Jean Renoir (director, screenwriter); Rumer Godden (novel, screenwriter); Nora Swinburne, Esmond Knight, Arthur Shields, Patrici
The River Four original photographs from the 1951 film
Beverly Hills CA: United Artists 1951. Four vintage studio still photographs from the 1951 film three showing crew members on the set including novelist Rumer Godden cinematographer Satyajit Ray producer Kenneth McEldowney and director Jean Renoir. One with a partially faded provenance stamp on the verso. <br /> <br /> From the archive of film historian and author Joel Finler. <br /> <br /> Based on Godden's 1946 novel. Renoir's first feature length film in color following an adolescent girl coming of age in British colonial India. <br /> <br /> Shot on location in West Bengal India. <br /> <br /> Three photographs 8 x 10 inches one 10 x 8 inches. Near Fine. United Artists unknown
Référence libraire : 151232
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Jean Renoir (director, screenwriter); Rumer Godden (novel, screenwriter); Nora Swinburne, Esmond Knight, Arthur Shields, Patrici
The River Original photograph of Jean Renoir and Rumer Godden on the set of the 1951 film
Beverly Hills CA: United Artists 1951. Vintage studio still photograph of director Jean Renoir and screenwriter Rumer Godden on the set of the 1951 film. <br /> <br /> Based on Godden's 1946 novel. Renoir's first feature length film in color following an adolescent girl coming of age in British colonial India. <br /> <br /> Shot on location in West Bengal India. <br /> <br /> 8 x 10 inches. Very Good plus.<br /> <br /> Ebert III. BFI 619. Criterion Collection 276. United Artists unknown
Référence libraire : 149591
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Jean Renoir (director, screenwriter); Rumer Godden (novel, screenwriter); Nora Swinburne, Esmond Knight, Arthur Shields (starrin
The River Original photograph from the set of the 1951 film
Beverly Hills CA: Oriental International Pictures / United Artists 1951. Vintage reference photograph from the 1951 film showing Renoir giving directions to an actor while members of the crew look on. <br /> <br /> Based on the 1946 novel by Rumer Godden who adapted it for the screen with Renoir. The film's crew included Satyajit Ray who worked as an assistant director on the film after meeting Renoir. Ray's longtime cinematographer Subrata Mitra also worked on the film and the two would come to international attention four years later with "Pather Panchali."<br /> <br /> Set and shot on location in India. <br /> <br /> 10 x 8 inches. Slight wear around the edges else Near Fine. <br /> <br /> BFI 619. Criterion Collection 276. Ebert III. Oriental International Pictures / United Artists unknown
Référence libraire : 142076
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Jean Renoir (director, screenwriter); Zachary Scott, Blanche Yurka, Betty Field, J. Carrol Naish, Beulah Bondi (starring); Georg
The Southerner Original photograph from the 1945 film
N.p.: N.p. 1945. Vintage reference photograph from the 1945 film showing actors Percy Kilbride Blanche Yurka Charles Kemper and Betty Field. <br /> <br /> Based on George Sessions Perry's 1941 novel "Hold Autumn in Your Hand." A poor southern family struggles to establish a cotton crop in Texas hoping to fend off starvation and the hardships of rural life. The fourth of six American films made by director Jean Renoir and the only film for which he received an Academy Award nomination. <br /> <br /> Shot in Madera and Millerton Lake California. <br /> <br /> 10 x 8 inches. Near Fine. N.p. unknown
Référence libraire : 150906
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Jean Renoir (director, screenwriter); Mitchell Wilson (novel); Frank Davis, JR. Michael Hogan (screenwriters); Joan Bennett, Rob
The Woman on the Beach Original photograph from the set of the 1947 film
Culver City CA: RKO Radio Pictures 1947. Vintage reference photograph of director Jean Renoir talking with actors Joan Bennett and Robert Ryan on the set of the 1947 film. Printed mimeo snipe affixed to the verso along with a provenance stamp and the stamp of RKO photographer John Miehls.<br /> <br /> Renoir's last Hollywood film one of his most impressionistic and artistic efforts. A coast guard officer with post-traumatic stress disorder becomes involved with the beautiful wife of a blind painter. <br /> <br /> Shot on location in Malibu and Sequit Point California. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Grant US. Rosenbaum 1000. Selby US. Silver and Ward US. Spicer US. RKO Radio Pictures unknown
Référence libraire : 159822
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Jean Renoir (director); Dudley Nichols (screenwriter); Charles Laughton, Maureen O'Hara, George Sanders (starring)
This Land is Mine Original screenplay for the 1943 film copy inscribed by screenwriter Dudley Nichols to film critic Phil Scheuer
Santa Ana CA: RKO Radio Pictures 1942. Final Draft screenplay for the 1942 film. Copy belonging to legendary screenwriter Dudley Nichols inscribed by Nichols to Los Angeles Times film critic Phil Scheuer on the title page: "By Dudley Nichols / Confidential! / For Phil Scheuer from D. Nichols—with admiration." Nichols' ownership name is also in manuscript pencil at the top right corner.<br /> <br /> Renoir's second American feature an anti-fascist propaganda film following a meek schoolteacher in a German-occupied European country who is falsely accused of murder and forced to take a stand against the Nazis and their collaborators. <br /> <br /> At the peak of his career Nichols worked with many key Golden Age directors including John Ford George Cukor Howard Hawks Fritz Lang and of course Jean Renoir. He was a founding member of the Screen Writers Guild and is best remembered for "The Informer" 1935 for which Nichols won an Academy Award "Bringing Up Baby" 1938 "Stagecoach" 1939 "For Whom the Bell Tolls" 1943 "Scarlet Street" 1945 "And Then There Were None" 1945 "The Bells of St. Mary's" 1945 and "The Tin Star" 1957. He continued to write prolifically for film up until the time of his death in 1960. <br /> <br /> Housed in a custom quarter-leather clamshell box. <br /> <br /> Pink titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 104 dated OCTOBER 2 1942 with credits for director Jean Renoir and screenwriter Dudley Nichols. Distribution page present with receipt removed. Title page integral with the front wrapper. 169 leaves with last page of text numbered 162. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. RKO Radio Pictures unknown
Référence libraire : 151348
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Jean Renoir (director, screenwriter); Roger Corbeau (photographer); Charles Blavette, Celia Montalvan, Edouard Delmont, Max Dalb
Toni Original photograph of Celia Montalvan Charles Blavette and Jean Renoir on the set of the 1935 film
Marseille: Les Films Marcel Pagnol 1935. Vintage double weight reference photograph from the 1935 film showing director Jean Renoir and actors Charles Blavette and Celia Montalvan on location during filming of the 1935 film. With the stamps of photographer Roger Corbeau and Cinemonde to the verso.<br /> <br /> Renoir's seventh sound film and an early example of the director's influence on both the French Left Bank and Italian neorealist movements. Renoir cast primarily non-professional actors and shot on location to craft the story of a group of immigrants working in a small town in Provence. <br /> <br /> Set and shot on location in the south of France.<br /> <br /> 9 x 7 inches. Near Fine lightly and evenly toned. Les Films Marcel Pagnol unknown
Référence libraire : 149372
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Jean Renoir director screenwriter; Albert Decamps photographer; Jean Louis Barrault starring
Experiment In Evil Le testament de Docteur Cordelier Original photograph on the set of the 1959 film
France: Radio-Television Francaise RTF 1959. Vintage borderless photograph of director Jean Renoir and actor Jean-Louis Barrault on the set of the 1959 film. With the stamp of photographer Albert Decamps on the verso. <br/><br/>Renoir's loose adaptation of Robert Louis Stevenson's 1886 novella "The Strange Case of Dr. Jekyll and Mr. Hyde" premiering at the Venice Film Festival followed by airing on French television and an international theatrical release. <br/><br/>7 x 5 inches. Near Fine. Radio-Television Francaise [RTF] unknown books
Référence libraire : 145128
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Jean Renoir director screenwriter; Charles Spaak screenwriter; Jean Gabin Dita Parlo Pierre Fresnay Erich von Stroheim starr
La Grande Illusion The Grand Illusion Original program for the 1938 US premiere of the 1937 French film
New York: Filmarte 1938. Vintage program for the US premiere of the 1937 French film which opened at the Filmarte Theatre in New York on September 12 1938. <br/><br/>A disparate group of French soldiers plan an escape from their German captors during World War I. Widely regarded as a masterpiece of French cinema a poignant look at nationalism class differences and prejudice. <br/><br/>5.5 x 8.75 inches. One leaf bi-fold. Near Fine. <br/><br/>Criterion Collection 1. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Filmarte unknown books
Référence libraire : 151432
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Jean Renoir director screenwriter; Eliot Gibbons screenwriter
Love Without Love Original screenplay for an unproduced film carbon typescript
N.p.: N.p. 1948. Draft carbon typescript screenplay for an unproduced film.<br/><br/>While hiding out from his wife and business associates at a seedy hotel a millionaire who has recently lost his fortune falls in love with a troubled young woman.<br/><br/>Screenwriter Eliot Gibbons worked at Metro-Goldwyn-Mayer and Republic Studios for most of his career. He was best known for his aviation pictures most notably "Storm Over the Andes" 1935 "Flight at Midnight" 1939 and "Sky Raiders" 1941. <br/><br/>Set in postwar Chicago and Los Angeles. <br/><br/>Housed in a quarter-leather clamshell box. <br/><br/>Green titled wrappers with the label of Paul Kohner Agency affixed to the front wrapper with credits for screenwriters Jean Renoir and Eliot Gibbons. Title page present undated with credits for screenwriters Jean Renoir and Eliot Gibbons. 144 leaves with last page of text numbered 143. Carbon typescript on onionskin stock rectos only. Pages Fine wrapper Very Good plus bound with three gold brads. N.p. unknown books
Référence libraire : 151350
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Jean Renoir director screenwriter; Emile Zola novel; Sam Levin still photographer; Jean Gabin Simone Simon Fernand Ledoux sta
La Bete Humaine Original double weight oversize photograph from the 1938 film
Paris: Paris Film 1938. Vintage oversize double weight reference photograph of Jean Gabin and Julien Carette from the 1938 film. <br/><br/>Based on the 1890 social realist novel by Emile Zola Renoir's film remains true to the proletarian source material while grafting on elements of film noir and his own humanist philosophy. One of the director's biggest commercial successes with a powerful lead performance by Jean Gabin. Remade in the US by Fritz Lang in 1954 as "Human Desire."<br/><br/>15.75 x 12 inches. Very Good plus with creasing to far bottom corners with a small bruise on right side small crease to top right and a very small closed tear in top margin.<br/><br/>Criterion Collection 324. Godard Histoires du cinema. Grant France. Rosenbaum 1000. Paris Film unknown books
Référence libraire : 151968
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