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Jean Renoir director screenwriter; Georges de La Fouchardiere novel; Andre Mouezy Eon play Roger Forster still photographer; Mi
La Chienne Original photograph from the 1931 film
N.p.: N.p. 1931. Vintage reference photograph from the 1931 film. Cropping annotations in holograph pencil and two overlapping National Film Archive stamps on the verso.<br/><br/>A key French film noir antecedent based on the 1929 novel by Georges de La Fouchardiere and the 1930 play by Andre Mouezy-Eon. An aspiring painter trapped in an abusive marriage falls in love with a prostitute who scams him out of the money for his paintings with the help of her pimp. The second sound film by Jean Renoir. Remade in 1945 as Scarlet Street directed by Fritz Lang and starring Edward G. Robinson and Joan Bennett.<br/><br/>Set in and shot on location in Paris.<br/><br/>9.75 x 7.5 inches. Near Fine. <br/><br/>Rosenbaum 1000. Criterion Collection 818. Grant France. N.p. unknown books
Référence libraire : 148495
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Jean Renoir director screenwriter; Jean Louis Barrault Teddy Bilis Sylviana Margolle Jean Bertho Jaques Ciron starring
Experiment In Evil Le testament de Docteur Cordelier Original photograph from the 1959 film
France: Radio-Television Francaise RTF 1959. Vintage photograph of Jean Renoir and members of the crew on the set of the 1959 film. With holograph annotations on the verso. <br/><br/>Renoir's loose adaptation of Robert Louis Stevenson's 1886 novella "The Strange Case of Dr. Jekyll and Mr. Hyde" premiering at the Venice Film Festival followed by airing on French television and an international theatrical release. <br/><br/>11 x 8.25 inches. Near Fine. Radio-Television Francaise [RTF] unknown books
Référence libraire : 144576
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Jean Renoir director screenwriter; Jean Serge screenwriter; Ingrid Bergman Jean Marais Mel Ferrer starring
Elena et les Hommes Elena and Her Men Original photograph of Ingrid Bergman on the set of the 1956 French film
N.p.: N.p. 1956. Vintage oversize borderless reference photograph of actress Ingrid Bergman filing her nails on the set of the 1956 film. With the stamps of Match magazine Photo Garofalo and Gamma picture agency on the verso. <br/><br/>In turn-of-the-century France a young Polish princess agrees to marry a wealthy older man to save her family from the poorhouse but finds herself falling in love with a handsome stranger despite her engagement. The third film in director Jean Renoir's romance trilogy preceded by "The Golden Coach" 1953 and "French Cancan" 1955. <br/><br/>Set and shot on location in France. <br/><br/>9 x 11.25 inches. Near Fine. N.p. unknown books
Référence libraire : 150324
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Jean Renoir director screenwriter; Jean Serge screenwriter; Ingrid Bergman Jean Marais Mel Ferrer Jean Richard starring
Elena et les Hommes Elena and Her Men Original photograph of Jean Renoir and Joseph Kosma on the set of the 1956 film
N.p.: Franco-London Film 1956. Vintage borderless reference photograph of director Jean Renoir listening while composer Joseph Kosma plays the organ on the set of the 1956 film. With a mimeo snipe on the verso along with a stamp specific to the film's French release. <br/><br/>In turn-of-the-century France a young Polish princess agrees to marry a wealthy older man to save her family from the poorhouse but finds herself falling in love with a handsome stranger despite her engagement. The third film in director Jean Renoir's romance trilogy preceded by "The Golden Coach" 1953 and "French Cancan" 1955. <br/><br/>Set and shot on location in France. <br/><br/>7 x 5.25 inches. Near Fine. Franco-London Film unknown books
Référence libraire : 151415
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Jean Renoir director screenwriter; R. Sauget photographer; Robert Louis Stevenson novel; Jean Louis Barrault starring
Experiment in Evil Le testament de Docteur Cordelier Collection of 36 original photographs with negatives from the set of the 1959 film
France: Radio-Television Francaise RTF / Societe Financiere de Radiodiffusion / Compagnie Jean Renoir 1959. Archive of 36 press photographs taken on the set of the 1959 film mounted to four printed card stock proof sheets from "Telerama" magazine with each sheet containing holograph ink annotations with the name of the production credits for Renoir and photographer R. Saguet and with three dated January 26 1959 and one dated April 4 1959. Accompanying the photographs are 35 negatives for photographs in the archive and 1 negative for a photograph that was not struck and mounted. <br/><br/>All the photographs featuring cast and crew working on the set and 16 feature images of Renoir on the set. <br/><br/>Also included are two vintage borderless press photographs depicting scenes for the film. Each with the stamp of "Telerama" on the verso along with holograph annotations identifying the film and for layout. <br/><br/>Renoir's loose adaptation of Robert Louis Stevenson's 1886 novella "The Strange Case of Dr. Jekyll and Mr. Hyde" premiering at the Venice Film Festival followed by airing on French television and an international theatrical release. <br/><br/>Proof photographs and negatives roughly 2 x 2 inches. Fine. <br/><br/>Proof sheets 11.5 x 9.5 inches. Card stock. About Near Fine with some wear at the corners. <br/><br/>Press photographs 7.25 x 5 inches. Light diagonal creasing to the upper corner of one photograph else Near Fine. Radio-Television Francaise [RTF] / Societe Financiere de Radiodiffusion / Compagnie Jean Renoir unknown books
Référence libraire : 142159
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Jean Renoir director screenwriter; Roger Corbeau still photographer; Charles Blavette Celia Montalvan Edouard Delmont Max Da
Toni Original photograph of Celia Montalvan Charles Blavette and Jean Renoir on the set of the 1935 film
Marseille: Les Films Marcel Pagnol 1935. Vintage double weight reference photograph from the 1935 film showing director Jean Renoir and actors Charles Blavette and Celia Montalvan on location during filming of the 1935 film. With the stamps of photographer Roger Corbeau and Cinemonde to the verso.<br/><br/>Renoir's seventh sound film and an early example of the director's influence on both the French Left Bank and Italian neorealist movements. Renoir cast primarily non-professional actors and shot on location to craft the story of a group of immigrants working in a small town in Provence. <br/><br/>Set and shot on location in the south of France.<br/><br/>9 x 7 inches. Near Fine lightly and evenly toned. Les Films Marcel Pagnol unknown books
Référence libraire : 149372
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Jean Renoir director screenwriter; Rumer Godden novel screenwriter; Nora Swinburne Esmond Knight Arthur Shields Patricia Wa
The River Collection of four original photographs from the 1951 film
Beverly Hills CA: United Artists 1951. Collection of four vintage studio still photographs from the 1951 film three showing crew members on the set including novelist Rumer Godden cinematographer Satyajit Ray producer Kenneth McEldowney and director Jean Renoir. One with a partially faded provenance stamp on the verso. <br/><br/>From the archive of film historian and author Joel Finler. <br/><br/>Based on Godden's 1946 novel. Renoir's first feature length film in color following an adolescent girl coming of age in British colonial India. <br/><br/>Shot on location in West Bengal India. <br/><br/>Three photographs 8 x 10 inches one 10 x 8 inches. Near Fine. <br/><br/>Complete collation details available on request. United Artists unknown books
Référence libraire : 151232
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Jean Renoir director screenwriter; Rumer Godden novel screenwriter; Nora Swinburne Esmond Knight Arthur Shields starring
The River Original photograph from the set of the 1951 film
Beverly Hills CA: Oriental International Pictures / United Artists 1951. Vintage reference photograph from the 1951 film showing Renoir giving directions to an actor while members of the crew look on. <br/><br/>Based on the 1946 novel by Rumer Godden who adapted it for the screen with Renoir. The film's crew included Satyajit Ray who worked as an assistant director on the film after meeting Renoir. Ray's longtime cinematographer Subrata Mitra also worked on the film and the two would come to international attention four years later with "Pather Panchali."<br/><br/>Set and shot on location in India. <br/><br/>10 x 8 inches. Slight wear around the edges else Near Fine. <br/><br/>BFI 619. Criterion Collection 276. Ebert III. Oriental International Pictures / United Artists unknown books
Référence libraire : 142076
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Jean Renoir director screenwriter; Rumer Godden novel screenwriter; Nora Swinburne Esmond Knight Arthur Shields Patricia Wa
The River Original photograph of Jean Renoir and Rumer Godden on the set of the 1951 film
Beverly Hills CA: United Artists 1951. Vintage studio still photograph of director Jean Renoir and screenwriter Rumer Godden on the set of the 1951 film. <br/><br/>Based on Godden's 1946 novel. Renoir's first feature length film in color following an adolescent girl coming of age in British colonial India. <br/><br/>Shot on location in West Bengal India. <br/><br/>8 x 10 inches. Very Good plus.<br/><br/>Ebert III. BFI 619. Criterion Collection 276. United Artists unknown books
Référence libraire : 149591
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Jean Renoir director; Dudley Nichols screenwriter; Charles Laughton Maureen O'Hara George Sanders starring
This Land is Mine Original screenplay for the 1943 film copy inscribed by screenwriter Dudley Nichols to film critic Phil Scheuer
Santa Ana CA: RKO Radio Pictures 1942. Final Draft screenplay for the 1942 film. Copy belonging to legendary screenwriter Dudley Nichols inscribed by Nichols to Los Angeles Times film critic Phil Scheuer on the title page: "By Dudley Nichols / Confidential! / For Phil Scheuer from D. Nichols-with admiration." Nichols' ownership name is also in holograph pencil at the top right corner.<br/><br/>Renoir's second American feature an antifascist propaganda film following a meek schoolteacher in a German-occupied European country who is falsely accused of murder and forced to take a stand against the Nazis and their collaborators. <br/><br/>At the peak of his career Nichols worked with many key Golden Age directors including John Ford George Cukor Howard Hawks Fritz Lang and of course Jean Renoir. He was a founding member of the Screen Writers Guild and is best remembered for "The Informer" 1935 for which Nichols won an Academy Award "Bringing Up Baby" 1938 "Stagecoach" 1939 "For Whom the Bell Tolls" 1943 "Scarlet Street" 1945 "And Then There Were None" 1945 "The Bells of St. Mary's" 1945 and "The Tin Star" 1957. He continued to write prolifically for film up until the time of his death in 1960. <br/><br/>Housed in a custom quarter-leather clamshell box. <br/><br/>Pink titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 104 dated OCTOBER 2 1942 with credits for director Jean Renoir and screenwriter Dudley Nichols. Distribution page present with receipt removed. Title page integral with the front wrapper. 169 leaves with last page of text numbered 162. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. RKO Radio Pictures unknown books
Référence libraire : 151348
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Jean Rollin (director, screenwriter, starring); Jean-Pierre Bouyxou (screenwriter); Tania Busselier, Martine Grimaud, Eva Khris
Douces pénétrations Seven original photographs of Tania Busselier and Eva Khris from the 1976 French film
N.p.: N.p. 1976. Seven vintage borderless reference photographs of Tania Busselier and Eva Khris from the 1976 French film. One with the stamp of photographer Hubert Toyot on the verso. <br /> <br /> JJean Michel Rollin Roth Le Gentil more commonly known as Jean Rollin had gained notoriety and some scandal with his early French vampire films "Le Viol du Vampire" 1968 "La Vampier Nue" 1970 "Le Frisson des Vampires" 1970 and "Requiem pour un Vampire" 1971. When beginning production on his first non-vampire film "La Rose de Fer" 1973 he found himself in need of funding and began making adult sex films which he continued to direct under a variety of pseudonyms through the mid-1980s.<br /> <br /> Two photographs 7 x 5 inches five photographs 9.25 x 7 inches. Very Good plus. N.p. unknown
Référence libraire : 157637
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Jean Rollin as Michel Gentil (director, screenwriter, starring); Jean-Pierre Bouyxou (screenwriter); Tania Busselier, Martine Gr
Douces pénétrations Four original photographs and 1 original contact sheet from the 1976 film
N.p.: Films du Berry 1976. Four vintage borderless studio still photographs and one contact sheet from the 1976 film. Two larger gloss finish photographs and two smaller matte finish photographs and contact sheet containing eleven images.<br /> <br /> Jean Michel Rollin Roth Le Gentil more commonly known as Jean Rollin had gained notoriety and some scandal with his early French vampire films "Le Viol du Vampire" 1968 "La Vampier Nue" 1970 "Le Frisson des Vampires" 1970 and "Requiem pour un Vampire" 1971. When beginning production on his first non-vampire film "La Rose de Fer" 1973 he found himself in need of funding and began making adult sex films which he continued to direct under a variety of pseudonyms through the mid-1980s.<br /> <br /> Two photographs 7 x 9.5 inches two photographs 5 x 7 inches Contact Sheet 7 x 9.5 inches. Near Fine. Films du Berry unknown
Référence libraire : 146900
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Jean Rollin as Michel Gentil (director, screenwriter); Joelle Coeur, Anne Belle, Marie-Pierre Castel (starring)
Fly Me the French Way Bacchanales sexuelles Tout le monde il en a deux Six original photographs and two contact sheets from the 1974 French adult film
N.p.: N.p. 1974. Six vintage borderless reference photographs and two contact sheets from the 1974 French sexploitation film. Contact sheets with twelve images each. <br /> <br /> While housesitting for her cousin a young girl is kidnapped by a vengeful sadomasochistic sex cult. An early adult film by noted French director Jean Rollin. <br /> <br /> Jean Michel Rollin Roth Le Gentil more commonly known as Jean Rollin had gained notoriety and some scandal with his early French vampire films "Le Viol du Vampire" 1968 "La Vampier Nue" 1970 "Le Frisson des Vampires" 1970 and "Requiem pour un Vampire" 1971. When beginning production on his first non-vampire film "La Rose de Fer" 1973 he found himself in need of funding and began making adult sex films which he continued to direct under a variety of pseudonyms through the mid-1980s.<br /> <br /> Contact sheets 9.5 x 7.25 inches. Three photographs 7 x 5 inches three photographs 9.5 x 7 inches. Generally Very Good plus to Good with some moderate fading and edgewear. <br /> <br /> Bier 1669. N.p. unknown
Référence libraire : 158144
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Jean Rollin directing as Michel Gentil (director, screenwriter); Natalie Perrey (screenwriter); Joelle Coeur, Brigitte Borghese,
Fly Me the French Way Bacchanales sexuelles Tout le monde il en a deux Five original photographs from the 1974 French film
N.p.: Nordia Films 1974. Five vintage borderless reference photographs from the 1974 erotic horror film. <br /> <br /> A young woman watching over her cousin's house is mistakenly kidnapped by a crazed sex cult.<br /> <br /> Jean Michel Rollin Roth Le Gentil more commonly known as Jean Rollin had gained notoriety and some scandal with his early French vampire films "Le Viol du Vampire" 1968 "La Vampier Nue" 1970 "Le Frisson des Vampires" 1970 and "Requiem pour un Vampire" 1971. When beginning production on his first non-vampire film "La Rose de Fer" 1973 he found himself in need of funding and began making adult sex films which he continued to direct under a variety of pseudonyms through the mid-1980s.<br /> <br /> 5 x 7 inches. Very Good plus.<br /> <br /> Bier 1669. Nordia Films unknown
Référence libraire : 149588
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Jean Rollin (director, screenwriter); Monique Natan (screenwriter); Sandra Julien, Marie-Pierre Castel, Jean-Marie Durand (starr
The Shiver of the Vampires Le frisson des vampires Original photograph from the 1971 film
N.p.: N.p. 1971. Vintage borderless reference photograph from the 1971 French film. Provenance stamp and annotations in manuscript pencil on the verso. <br /> <br /> Director Jean Rollin's third vampire film following "Le viol du vampire" 1968 and "La vampire nue" 1970.<br /> <br /> 7 x 9.5 inches with a wide right margin. Near Fine. N.p. unknown
Référence libraire : 166092
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Jean Rollin director screenwriter starring; Jean Pierre Bouyxou screenwriter; Tania Busselier Martine Grimaud Eva Khris star
Douces Penetrations Collection of four original photographs and 1 original contact sheet from the 1976 film
N.p.: Films du Berry 1976. Collection of four vintage borderless studio still photographs and one contact sheet from the 1976 film. Two larger gloss finish photographs and two smaller matte finish photographs and contact sheet containing eleven images.<br/><br/>Jean Michel Rollin Roth Le Gentil more commonly known as Jean Rollin had gained notoriety and some scandal with his early French vampire films "Le Viol du Vampire" 1968 "La Vampier Nue" 1970 "Le Frisson des Vampires" 1970 and "Requiem pour un Vampire" 1971. When beginning work on his first non-vampire film "La Rose de Fer" 1973 he found himself in need of funding and began a foray into making adult sex films under the pseudonym Michel Gentil which he continued to make under various pseudonyms through the mid 1980s.<br/><br/>An erotic comedy directed by Jean Rollin under the pseudonym Michel Gentil and starring Tania Busselier and Martine Grimaud.<br/><br/> 2 - 7 x 9.5 inches 2 - 5 x 7 inches Contact Sheet 7 x 9.5 inches. Near Fine some light curling. Films du Berry unknown books
Référence libraire : 146900
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Jean Seberg (starring); Otto Preminger (director); Francoise Sagan (novel); Arthur Laurents (screenwriter)
Bonjour Tristesse Original photograph of Jean Seberg from the 1957 film
Culver City CA: Columbia Pictures 1957. Vintage reference photograph of Jean Seberg from the 1957 film. An image we have never seen. <br /> <br /> 8 x 10 inches. Near Fine. Columbia Pictures unknown
Référence libraire : 138551
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Jean Seberg, Stanley Baker, Philippe Forquet (starring); Robert Parrish (director); Irwin Shaw (screenwriter)
In the French Style Two original photographs from the 1963 film
N.p.: N.p. 1963. Two vintage borderless reference photographs taken on the set of the 1963 film including one showing actress Jean Seberg with director Robert Parrish.<br /> <br /> A young American art student must choose between her monied life in the US and her newfound love in Paris when her father arrives to bring her home. <br /> <br /> Set and shot on location in Paris. <br /> <br /> One photograph 9.5 x 8.25 inches one photograph 9.5 x 7 inches. Near Fine. N.p. unknown
Référence libraire : 159624
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Jean Seberg, James Mason, Curd Jurgens, Stephen Boyd (starring); Romain Gary (director, screenwriter)
Kill! Kill! Kill! Kill! Two original oversize photographs from the 1973 film
Amsterdam: Actueel Film NV 1973. Two vintage oversize photographs from the 1973 film. Both with the stamp of Actueel Film on the versos. <br /> <br /> A group of Interpol agents investigate the seemingly random killings of drug and pornography traffickers. Director Romain Gary was married to the film's star Jean Seberg at the time of production.<br /> <br /> Shot on location in Afghanistan in Comunidad Valenciana Murcia and Madrid Spain and in Tunisia. <br /> <br /> 11.5 x 9.5 inches. Very Good plus with pinholes at the corners repaired with paper tape on the verso. Actueel Film NV unknown
Référence libraire : 161101
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Jean Seberg starring; Otto Preminger director; Francoise Sagan novel; Arthur Laurents screenwriter
Bonjour Tristesse Original photograph of Jean Seberg from the 1957 film
Culver City CA: Columbia Pictures 1957. Vintage reference photograph of Jean Seberg from the 1957 film. An image we have never seen. <br/><br/>8 x 10 inches. Near Fine. Columbia Pictures unknown books
Référence libraire : 138551
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Jean Shrimpton (starring); Peter Watkins (director, screenwriter); Johnny Speight (story); Duffy, Patrick Ward (still photograph
Privilege Original photograph from the 1967 film
Universal City: Universal Pictures 1967. Vintage borderless reference photograph from the 1967 British film showing actors Jean Shrimpton and Paul Jones dancing. Mimeo snipe to the verso along with the stamp of the Israel Film Archive. <br /> <br /> An outrageous paranoiac satire following a beloved pop star named Steven Shorter whose actions beliefs and performances are controlled by a totalitarian British government.<br /> <br /> Set in a near-future England shot on location in London and Birmingham.<br /> <br /> 8 x 9.5 inches. Very Good plus with pinholes and light creases to the corners. <br /> <br /> BFI Flipside 7. Rosenbaum 1000. Universal Pictures unknown
Référence libraire : 152327
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Jean Shrimpton starring; Peter Watkins director screenwriter; Johnny Speight story; Duffy Patrick Ward still photographers; No
Privilege Original photograph from the 1967 film
Universal City: Universal Pictures 1967. Vintage borderless reference photograph from the 1967 British film showing actors Jean Shrimpton and Paul Jones dancing. Mimeo snipe to the verso along with the stamp of the Israel Film Archive. <br/><br/>An outrageous paranoiac satire following a beloved pop star named Steven Shorter whose actions beliefs and performances are controlled by a totalitarian British government.<br/><br/>Set in a near-future England shot on location in London and Birmingham.<br/><br/>8 x 9.5 inches. Very Good plus with pinholes and light creases to the corners. <br/><br/>BFI Flipside 7. Rosenbaum 1000.<br/><br/>Complete collation details available on request. Universal Pictures unknown books
Référence libraire : 152327
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Jean Simmons, Joan Fontaine, Piper Laurie, Paul Newman (starring); Robert Wise (director); Robert Anderson (screenwriter); James
Until They Sail Original photograph from the 1957 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1957. Vintage double weight reference photograph from the 1957 film. Mimeo snipe and one provenance stamp on the verso. <br /> <br /> Based on the 1951 story by James A. Michener. During WWII three sisters fall in and out of love with the soldiers who are stationed in Christchurch though one sister is married. <br /> <br /> Set and shot on location in New Zealand. <br /> <br /> 10 x 8 inches. Near Fine with some small splashes at the top center. Metro-Goldwyn-Mayer [MGM] unknown
Référence libraire : 159061
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Jean Vigo (director, screenwriter); Jean Guinee, Albert Riera (screenwriters); Dita Parlo, Jean Daste, Gilles Margaritis, Michel
L'Atalante The Atlantic Eight original photographs from the 1960s re-release of the 1934 French film
London: Contemporary Films 1960. Eight vintage double weight studio still photographs from the 1960s UK re-release of the 1934 French film. Manuscript ink annotations identifying scenes on the versos. <br /> <br /> From the archive of film historian and author Joel Finler. <br /> <br /> A classic of French cinema Jean Vigo's only theatrical feature a film that in the minds of many including Francois Truffaut predicted and even helped define the French New Wave that would come 20 years later. <br /> <br /> Shot on location in Paris Yvelines and Seine-Maritime France. <br /> <br /> 10 x 8 inches. Four Near Fine four Very Good plus with faint dampstains to the bottom edges.<br /> <br /> Ebert I. Rosenbaum 1000. Contemporary Films unknown
Référence libraire : 153973
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Jean Vigo (director, screenwriter); Jean Daste, Robert le Flon, Du Verron (starring)
Zero for Conduct Zero de conduite Original oversize photograph from the 1933 film
Paris: Franfilmdis 1933. Vintage oversize double weight studio still photograph for the landmark 1933 silent film. Provenance stamp on the verso. <br /> <br /> Although he only made four films before his death from tuberculosis at the age of 29 Jean Vigo would come to have an outsized influence on cinema particularly the French New Wave with François Truffaut in particular paying homage to Vigo's anarchic boarding school students in "Zero for Conduct" during the classroom and recess scenes in his 1959 film "The 400 Blows." <br /> <br /> 11.75 x 9.75 inches with wide bottom margins. Very Good plus lightly creased at the edges. <br /> <br /> Criterion Collection 578. Godard Histoires du cinema. Rosenbaum 1000. Franfilmdis unknown
Référence libraire : 161157
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Jean Vigo (director, screenwriter); Jean Daste, Robert le Flon, Du Verron (starring)
Zero for Conduct Zero de conduite Three original photographs from the 1933 film
Paris: Franfilmdis 1933. Collection of 3 vintage borderless double weight studio still photographs from the landmark 1933 silent film by Jean Vigo.<br /> <br /> Although he only made four films before his death from tuberculosis at the age 29 Jean Vigo would come to have an outsized influence on cinema particularly the French New Wave with Truffaut in particular paying homage to the anarchic boarding school students in "Zero for Conduct" during the classroom and recess scenes in "The 400 Blows." <br /> <br /> 9.5 x 7 inches. Very Good plus corner pinholes. <br /> <br /> Criterion Collection 578. Godard Histoires du cinema. Rosenbaum 1000. Franfilmdis unknown
Référence libraire : 146133
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Jean Vigo (director, screenwriter); Mars Marstrich (photographer)
Zero for Conduct Zero de conduite Original double weight photograph from the 1933 film
Paris: Franfilmdis / Argui-Film 1933. Vintage double weight borderless reference photograph for the landmark 1933 silent film by Jean Vigo. With the stamp of photographer Mars Marstrich on the verso. <br /> <br /> Although he only made four films before his death from tuberculosis at the age 29 Jean Vigo would come to have an outsized influence on cinema particularly the French New Wave with Truffaut in particular paying homage to the anarchic boarding school students in "Zero for Conduct" during the classroom and recess scenes in "The 400 Blows." <br /> <br /> 8.75 x 6.5 inches. A few tiny pinholes at the right edge else Near Fine. <br /> <br /> Criterion Collection 578. Godard Histoires du cinema. Rosenbaum 1000. Franfilmdis / Argui-Film unknown
Référence libraire : 139665
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Jean Vigo (director, screenwriter); Boris Kaufman (cinematographer)
À propos de Nice Original photograph from the 1930 documentary film
N.p.: N.p. 1930. Vintage borderless photograph from the 1930 French silent short documentary film. Mimeo snipe on the verso. <br /> <br /> Although he only made four films before his death from tuberculosis at the age of 29 Jean Vigo would come to have an outsized influence on cinema particularly the French New Wave with François Truffaut in particular paying homage to Vigo's anarchic boarding school students in "Zero for Conduct" during the classroom and recess scenes in his 1959 film "The 400 Blows." <br /> <br /> Vigo's first film a short documentary about people from all walks of life in Nice showing both the ennui of the vacationing bourgeoisie and the struggles of life in the slums. <br /> <br /> 9.25 x 7 inches. Very Good plus moderately age toned. N.p. unknown
Référence libraire : 161319
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Jean Vigo director screenwriter
Zero for Conduct Zero de conduite Collection of three photographs from the 1933 film
Paris: Franfilmdis / Argui-Film 1933. Collection of three vintage oversize double weight studio still photographs for the landmark 1933 silent film by Jean Vigo. Each with the stamp of French weekly "Tele Magazine" on verso two with holograph annotations regarding layout. <br/><br/>Although he only made four films before his death from tuberculosis at the age 29 Jean Vigo would come to have an outsized influence on cinema particularly the French New Wave with Truffaut in particular paying homage to the anarchic boarding school students in "Zero for Conduct" during the classroom and recess scenes in "The 400 Blows." <br/><br/>11.75 x 9.75 inches with wide bottom margins. Very Good plus. <br/><br/>Criterion Collection 578. Godard Histoires du cinema. Rosenbaum 1000. Franfilmdis / Argui-Film unknown books
Référence libraire : 142664
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Jean Vigo director screenwriter; Jean Daste Robert le Flon Du Verron starring
Zero for Conduct Collection of 3 original photographs from the 1933 film
Paris: Franfilmdis 1933. Collection of 3 vintage borderless double weight studio still photographs from the landmark 1933 silent film by Jean Vigo.<br/><br/>Although he only made four films before his death from tuberculosis at the age 29 Jean Vigo would come to have an outsized influence on cinema particularly the French New Wave with Truffaut in particular paying homage to the anarchic boarding school students in "Zero for Conduct" during the classroom and recess scenes in "The 400 Blows." <br/><br/>9.5 x 7 inches. Very Good plus corner pinholes. <br/><br/>Criterion Collection 578. Godard Histoires du cinema. Rosenbaum 1000. Franfilmdis unknown books
Référence libraire : 146133
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Jean Vigo director screenwriter; Mars Marstrich photographer
Zero for Conduct Zero de conduite Original double weight photograph from the 1933 film
Paris: Franfilmdis / Argui-Film 1933. Vintage double weight borderless reference photograph for the landmark 1933 silent film by Jean Vigo. With the stamp of photographer Mars Marstrich on the verso. <br/><br/>Although he only made four films before his death from tuberculosis at the age 29 Jean Vigo would come to have an outsized influence on cinema particularly the French New Wave with Truffaut in particular paying homage to the anarchic boarding school students in "Zero for Conduct" during the classroom and recess scenes in "The 400 Blows." <br/><br/>8.75 x 6.5 inches. A few tiny pinholes at the right edge else Near Fine. <br/><br/>Criterion Collection 578. Godard Histoires du cinema. Rosenbaum 1000. Franfilmdis / Argui-Film unknown books
Référence libraire : 139665
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Jean Yarbrough (director); Albert Band (story, screenwriter); Elwood Ullman (screenwriter); Bill Elliott, Don Haggerty, Eleanore
Footsteps in the Night Night Target Original screenplay for the 1957 film
Hollywood: Allied Artists Productions 1956. Draft script for the 1957 film noir here under the working title "Night Target." A strike through the printed title and "Footsteps in the Night" and "1956" written in manuscript ink on the wrapper with the name of an uncredited crew member written in manuscript pencil on upper right of wrapper.<br /> <br /> The final of five Los Angeles-set police thrillers starring Bill Elliott as a L.A.sheriff's department detective following "Dial Red O" 1955 "Sudden Danger" 1955 "Calling Homicide" 1956 and "Chain of Evidence" 1957. <br /> <br /> Two detectives investigate the strangulation death of well-liked card player. A gambling addicted neighbor is suspected but something doesn't quite add up. "Wild" Bill Elliott's final film retiring from acting in 1957.<br /> <br /> Green titled wrappers. Distribution page present with receipt removed. Title page integral to the distribution page present with receipt removed dated March 14 1956 with credits for screenwriter Albert Band. 95 leaves with last page of text numbered 94. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with three gold brads.<br /> <br /> Spicer US. Lyons p. 91. Grant US. Selby US. Allied Artists Productions unknown
Référence libraire : 146325
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Jean Yarbrough director; Albert Band story screenwriter; Elwood Ullman screenwriter; Bill Elliott Don Haggerty Eleanore Tanin
Footsteps in the Night Night Target Original screenplay for the 1957 film
Hollywood: Allied Artists Productions 1956. Draft script for the 1957 film noir here under the working title "Night Target." A strike through the printed title and "Footsteps in the Night" and "1956" written in holograph ink on the wrapper with the name of an uncredited crew member written in holograph pencil on upper right of wrapper.<br/><br/>The final of five Los Angeles-set police thrillers starring Bill Elliott as a L.A.sheriff's department detective following "Dial Red O" 1955 "Sudden Danger" 1955 "Calling Homicide" 1956 and "Chain of Evidence" 1957. <br/><br/>Two detectives investigate the strangulation death of well-liked card player. A gambling addicted neighbor is suspected but something doesn't quite add up. "Wild" Bill Elliott's final film retiring from acting in 1957.<br/><br/>Green titled wrappers. Distribution page present with receipt removed. Title page integral to the distribution page present with receipt removed dated March 14 1956 with credits for screenwriter Albert Band. 95 leaves with last page of text numbered 94. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with three gold brads.<br/><br/>Spicer US. Lyons p. 91. Grant US. Selby US. Allied Artists Productions unknown books
Référence libraire : 146325
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Jean-Claude Tramont (director); W. D. Richter (screenwriter); Barbra Streisand, Gene Hackman, Diane Ladd, Dennis Quaid, Kevin Do
All Night Long Original press kit for the 1981 film
Universal City: Universal Pictures 1981. Vintage press kit for the 1981 film. Full-color illustrated pocketed folder containing ten black and white photographs and eleven gatherings of promotional reading material.<br /> <br /> A middle-aged executive in the midst of a midlife begins an affair with his son's girlfriend a suburban housewife who is married to a volatile fireman. <br /> <br /> Folder photographs and promotional material Near Fine. Universal Pictures unknown
Référence libraire : 151184
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Jean-Claude Tramont (director); Len Hekel (photographer); WD. Richter (screenwriter); Gene Hackman, Barbra Streisand, Diane Ladd
All Night Long Original photograph from the 1981 film
Universal City CA: Universal Pictures 1981. Vintage black-and-white still photograph from the 1981 film. Features Faith Monton holding up Gene Hackman with finesse. <br /> <br /> A lesser-known Hackman film about a forlorn man who has an affair with a distant cousin. <br /> <br /> 8 x 10 inches. Very Good plus. Universal Pictures unknown
Référence libraire : 132114
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Jean-Claude Tramont (director); Jeff Andrus (screenwriter); Winston Groom (novel); Jamie Lee Curtis, Bette Davis, Scott Glenn (s
As Summers Die Original screenplay for the 1986 television film
N.p.: N.p. 1985. Final Draft script for the 1986 film. <br /> <br /> Based on Winston Groom's 1980 novel. In the late 1950s an elderly Black woman fights to keep the land she was given by the former owner of the plantation where she worked for years. <br /> <br /> Set in southern Louisiana shot on location in Valdosta Georgia. <br /> <br /> White untitled wrappers. Title page present dated FEBRUARY 28 1985 noted as FINAL DRAFT with credits for screenwriter Jeff Andrus. 131 leaves with last page of text numbered 129. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good lightly dampstained on the front wrapper bound with three gold brads. N.p. unknown
Référence libraire : 146958
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Jean-Claude Van Damme (starring); John Woo (director); Chuck Pfarrer (screenwriter); Lance Henriksen, Yancy Butler, Wilford Brim
Hard Target Original photograph of Jean-Claude Van Damme and John Woo on the set of of the 1993 film
Universal City: Universal Pictures 1993. Vintage studio still photograph of director John Woo and actor Jean-Claude Van Damme on the set of the 1993 film. <br /> <br /> A woman arrives in New Orleans in search of her father where she meets a drifter who helps her uncover the terrifying story behind her father's disappearance.<br /> <br /> Shot on location in Alabama and Louisiana. <br /> <br /> 10 x 8.25 inches. Light edgewear else Near Fine. <br /> <br /> Grant US. Universal Pictures unknown
Référence libraire : 158004
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Jean-Claude Laureux (director, screenwriter); Michel Parmentier (screenwriter);
Les bijoux de famille French Blue Archive of 95 original photographs from the 1975 film
N.p.: N.p. 1975. Archive of 95 vintage borderless reference photographs essentially keybook photos demonstrating sequences from the 1975 French pornographic film. Included with the collection is a French pressbook for the film.<br /> <br /> Class barriers dissolve and invert in unusual and unexpected ways at the reading of an aristocratic patriarch's will.<br /> <br /> 9.5 x 7 inches. Near Fine. <br /> <br /> Bier 160. N.p. unknown
Référence libraire : 153250
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Jean-Francois Adam (director, screenwriter); Brigitte Fossey, Sami Frey (starring)
M Comme Mathieu M as in Mathieu Original photograph of Brigitte Fossey from the 1973 French film
N.p.: N.p. 1973. Vintage borderless reference photograph from the 1973 French film showing actress Brigitte Fossey in silhouette.<br /> <br /> A man recently released from the hospital falls in love with a woman who is identical in appearance to his wife.<br /> <br /> Shot on location in Morbihan France. <br /> <br /> 9.25 x 7 inches. Near Fine. N.p. unknown
Référence libraire : 149662
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Jean-Jacques Beineix (director, screenplay); Daniel Odier (novel); Jean Van Hamme (screenwriter); Wilhelmenia Fernandez, Frederi
Diva Five original photographs from the US release of the 1981 French film
Beverly Hills CA: United Artists 1982. Five vintage studio still photographs from the US release of the 1981 French film. <br /> <br /> Based on the 1979 novel by Daniel Odier writing under the pseudonym Delacora. A stylish and influential French thriller wherein a young postman and opera enthusiast inadvertently becomes entangled with the mob and the police after a woman slips a cassette that fingers a corrupt police chief into his bag.<br /> <br /> Set and shot on location in Paris France. <br /> <br /> 8 x 10 inches. One with a small chip and tape shadow at the bottom right corner else Near Fine. United Artists unknown
Référence libraire : 156076
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Jean-Jacques Annaud (director); James Oliver Curwood (novel); Gerard Brach (screenwriter); Tcheky Karyo, Jack Wallace (starring)
The Bear Two original photographs from a re-release of the 1988 film
Los Angeles: Columbia Pictures / Cinemax 1990. Two vintage reference photographs from the US release of the 1988 French film including one showing a camera crew on the set capturing a scene with Bart a trained Kodiak bear. One photo with a Cinemax label affixed to the verso. <br /> <br /> Based on James Oliver Curwood's 1916 novella "The Grizzly King" about an orphaned bear cub who befriends an adult Kodiak bear in the wild. Shot on location in the Italian and Austrian regions of the Dolomites using both live animals and animatronics created by Jim Henson's Creature Shop. <br /> <br /> 10 x 8 inches. About Fine. Columbia Pictures / Cinemax unknown
Référence libraire : 167901
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Jean-Louis Richard (director, screenwriter); Francois Truffaut (screenwriter); Jeanne Moreau, Jean-Louis Trintignant, Claude Ric
Mata Hari Agent H21 Original oversize photograph of Jeanne Moreau and Jean-Louis Trintignant on the set of the 1964 film
N.p.: N.p. 1964. Vintage oversize borderless reference photograph from the 1964 film showing actors Jean-Louis Trintignant and Jeanne Moreau between takes. With a printed mimeo snipe affixed to the verso along with the stamp of PRPresse. <br /> <br /> From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969.<br /> <br /> Loosely based on the adventures of Dutch dancer-turned-spy Mata Hari who worked as a secret agent for the Germans during World War I. <br /> <br /> Shot on location in Paris. <br /> <br /> 8 x 11.5 inches. Near Fine. N.p. unknown
Référence libraire : 150307
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Jean-Luc Godard (director, screenwriter); Macha Meril, Bernard Noel (starring)
A Married Woman Une Femme mariée Five original photographs from the 1964 French film
N.p.: N.p. 1964. Five vintage borderless reference photographs from the 1964 film including one of director Jean-Luc Godard pushing longtime cinematographer Raoul Cotard seated in a wheelchair on the set. Layout annotations in ink and pencil on the versos and one with a Télérama stamp. <br /> <br /> Godard used a cameraman seated in a wheelchair instead of a camera dolly in several films including "Breathless" 1959.<br /> <br /> During a period of romantic tumult a woman discovers she is pregnant with two possible fathers. After premiering at the Venice Film Festival the film was briefly banned in France for its scandalous depiction of infidelity and was only passed by the censors after forcing Godard to make several small changes including changing the film's title from "The Married Woman" to the slightly less inflammatory "A Married Woman." <br /> <br /> Four photographs 7.25 x 9.5 inches one photograph 5 x 7 inches. Very Good plus to Near Fine. <br /> <br /> Masters of Cinema 80. N.p. unknown
Référence libraire : 164256
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Jean-Luc Godard (director, screenwriter); Raymond Cauchetier (photographer); Jean-Claude Brialy, Anna Karina, Jean-Paul Belmondo
A Woman is a Woman Une femme est une femme Original photograph of Jean-Claude Brialy and Anna Karina from the 1961 film
N.p.: N.p. 1961. Vintage borderless reference photograph of Jean-Claude Brialy and Anna Karina from the 1961 film. "Michel Casanova" stamp and "R. Levy" stamp on verso.<br /> <br /> Godard's homage to romantic comedies and the Hollywood musical about a woman who wants to have child but is caught between her resistant boyfriend and his overeager best friend. Perhaps the director's warmest and funniest film. <br /> <br /> Set in and shot on location in Paris. <br /> <br /> 9.25 x 7.25 inches. Near Fine. <br /> <br /> Criterion Collection 238. N.p. unknown
Référence libraire : 150014
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Jean-Luc Godard (director, screenwriter); Georges Pierre (photographer); Eddie Constantine, Anna Karina, Akim Tamiroff (starring
Alphaville Original photograph of Eddie Constantine from the 1965 film
N.p.: Andre Michelin Productions 1965. Vintage borderless reference photograph of Eddie Constantine as Lemmy Caution in bed armed and reading a French translation of Raymond Chandler's "The Big Sleep" from the 1965 film. Printed snipe and provenance stamp of "G. Toussier" on verso. <br /> <br /> Jean-Luc Godard's neo-noir foray into science fiction transplanting the fictional detective Lemmy Caution Constantine into a dystopian future assigned to kill the machine intelligence that rules over a fascist state where emotion is outlawed.<br /> <br /> 9.5 x 7.25 inches. Very light edgewear to the corners else Near Fine. <br /> <br /> Criterion Collection 25. Godard Histoires du Cinema. Grant France. Rosenbaum 1000. Andre Michelin Productions unknown
Référence libraire : 151996
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Jean-Luc Godard (director, screenwriter); Georges Pierre (photographer); Eddie Constantine, Anna Karina, Akim Tamiroff (starring
Alphaville Original photograph from the 1965 French film
France: Athos Films / Chaumiane / Filmstudio 1965. Vintage borderless reference photograph from the 1965 French film. With the stamp of still photographer Georges Pierre on the verso.<br /> <br /> Jean-Luc Godard's neo-noir foray into science fiction following a secret agent in a dystopian future who is assigned to kill the machine intelligence that rules over a fascist state.<br /> <br /> Shot on location in Paris. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Criterion Collection 25. Rosenbaum 1000. Grant US. Godard Histoires du cinema. Athos Films / Chaumiane / Filmstudio unknown
Référence libraire : 149515
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Jean-Luc Godard (director); Anna Karina, Daniele Girard, Louisa Colpeyn (starring); Dolores Hitchens (novel, screenwriter)
Band of Outsiders Bande à Part Five original photographs from the 1964 film
N.p.: N.p. 1964. Five vintage borderless reference photographs from the 1964 French film including two showing director Jean-Luc Godard with a camera on the set. One with a French release stamp on the verso and all with annotations in manuscript ink and pencil on the same. <br /> <br /> Based on Dolores Hitchens' 1958 novel "Fools' Gold." A young woman convinces two men to help her steal a large stash of money from her aunt. An outrageous and comical crime film and a classic of French New Wave cinema later described by Godard as "'Alice in Wonderland' meets Franz Kafka." <br /> <br /> Shot on location in Paris. <br /> <br /> Photographs range in size from 9.5 x 7 inches to 7 x 5 inches. Generally Near Fine. <br /> <br /> Grant France. Spicer France. BFI 549. Criterion Collection 174. Godard Histoires du cinema. Rosenbaum 1000. N.p. unknown
Référence libraire : 167663
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Jean-Luc Godard (director); Anna Karina, Daniele Girard, Louisa Colpeyn (starring); Dolores Hitchens (novel, screenwriter)
Band of Outsiders Bande à Part Original oversize photograph from the 1964 film
N.p.: N.p. 1964. Vintage borderless double-weight oversize reference photograph from the 1964 French film showing actors Samy Frey and Claude Brasseur in the middle of a gunfight in the street. Annotations in manuscript ink and pencil on the verso. <br /> <br /> Based on Dolores Hitchens' 1958 novel "Fools' Gold." A young woman convinces two men to help her steal a large stash of money from her aunt. An outrageous and comical crime film and a classic of French New Wave cinema later described by director Jean-Luc Godard as "'Alice in Wonderland' meets Franz Kafka." <br /> <br /> Shot on location in Paris. <br /> <br /> 11.5 x 7.5 inches. Pinholes at the top corners else about Near Fine.<br /> <br /> BFI 549. Criterion Collection 174. Godard Histoires du cinema. Grant France. Rosenbaum 1000. Spicer France. N.p. unknown
Référence libraire : 168094
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Jean-Luc Godard (director); Anna Karina, Daniele Girard, Louisa Colpeyn (starring); Dolores Hitchens (novel, screenwriter)
Band of Outsiders Bande à Part Original photograph from the 1964 film
N.p.: N.p. 1964. Vintage borderless reference photograph from the 1964 French film showing Pierre Brasseur and Anna Karina reading a newspaper together. Stamp specific to the French release of the film on the verso.<br /> <br /> Based on Dolores Hitchens' 1958 novel "Fools' Gold." A young woman convinces two men to help her steal a large stash of money from her aunt. An outrageous and comical crime film and a classic of French New Wave cinema later described by Godard as "'Alice in Wonderland' meets Franz Kafka." <br /> <br /> Shot on location in Paris. <br /> <br /> 9.5 x 7.25 inches with wide bottom margin. Near Fine.<br /> <br /> BFI 549. Criterion Collection 174. Godard Histoires du cinema. Grant France. Rosenbaum 1000. Spicer France. N.p. unknown
Référence libraire : 161127
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Jean-Luc Godard (director); Dolores Hitchens (novel, screenwriter); Anna Karina, Daniele Girard, Louisa Colpeyn (starring)
Band of Outsiders Bande a Part Original photograph from the 1964 film
N.p.: N.p. 1964. Vintage borderless reference photograph from the 1964 film. <br /> <br /> Based on Dolores Hitchens' 1958 novel "Fools' Gold." A young woman convinces two men to help her steal a large stash of money from her aunt. An outrageous and comical crime film and a classic of French New Wave cinema later described by director Jean-Luc Godard as "'Alice in Wonderland' meets Franz Kafka." <br /> <br /> Shot on location in Paris. <br /> <br /> 9.5 x 7.25 inches. Near Fine. <br /> <br /> BFI 549. Criterion Collection 174. Godard Histoires du cinema. Grant France. Rosenbaum 1000. Spicer France. N.p. unknown
Référence libraire : 151743
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