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Martin Scorsese (director, screenwriter); Nicholas Pileggi (book, screenwriter); Phil Caruso (photographer); Robert De Niro, Sha
Casino Two original photographs from the set of the 1995 film
Universal City: Universal Pictures 1995. Two truly striking vintage reference photographs taken on the set of the 1995 film each demonstrating the film's true aspect ratio. With manuscript pencil and ink annotations regarding layout and the printed label of the film's still photographer Phillip V. Caruso to the verso. Shown in the two photographs are Scorsese working with actors and crew on the expansive casino floor set. Also shown are Robert De Niro Don Rickles Billy Crystal and others. <br /> <br /> Based on screenwriter Nicholas Pileggi's 1995 nonfiction book "Casino: Love and Honor in Las Vegas." Martin Scorsese's fifteenth film one of his finest a fast-paced bloody tale following a low-level mobster and gambling expert who climbs to power at the Mafia-run Tangiers Casino in the 1970s.<br /> <br /> Set and shot on location in Las Vegas with casino scenes shot at the Riviera.<br /> <br /> 10 x 8 inches. Fine. <br /> <br /> Spicer US Neo-Noir. Universal Pictures unknown
Riferimento per il libraio : 149323
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Martin Scorsese (director); Mardik Martin (screenwriter); Robert DeNiro, Harvey Keitel (starring)
Mean Streets Collection of 15 original still photographs from the 1973 film
Burbank CA: Warner Brothers 1973. Complete-as-issued set of 15 black-and-white studio still photographs from the 1973 film. Housed in the original sack envelope as issued rubber stamped "MEAN STREETS / 15 STILLS / B." <br /> <br /> Scorsese's breakthrough film one of the establishing pillars of New Hollywood cinema setting the template that would guide the best of his work to follow. <br /> <br /> Set in New York City and shot on location there. <br /> <br /> 8 x 10 inches. Near Fine. Sack Very Good Plus with minor wear. Warner Brothers unknown
Riferimento per il libraio : 134920
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Martin Scorsese (director); Jay Cocks (screenwriter); Edith Wharton (novel); Daniel Day-Lewis, Michelle Pfeiffer, Winona Ryder (
The Age of Innocence Original photograph of Martin Scorsese and Daniel Day-Lewis on the set of the 1993 film
N.p.: N.p. 1993. Vintage reference photograph from the set of the 1993 film showing Martin Scorsese directing actor Daniel Day-Lewis between takes. Annotations in manuscript ink on the verso identifying subjects in the photograph. <br /> <br /> Based on the 1920 novel by Edith Wharton about a wealthy lawyer who begins to fall in love with his fiancée's cousin a scandalously divorced countess. Nominated for four Academy Awards winning one. <br /> <br /> Set in New York and shot on location in Troy New York. N.p. unknown
Riferimento per il libraio : 157315
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Martin Scorsese (director); Paul D Zimmerman (screenwriter); Robert De Niro, Jerry Lewis, Diahnne Abbott, Sandra Bernhard (starr
The King of Comedy Three original photographs from the 1982 film
N.p.: N.p. 1982. Three vintage borderless reference photographs from the 1982 film.<br /> <br /> A black comedy following the delusional and increasingly violent experiences of a painfully untalented comedian. Perhaps Martin Scorsese's most underrated film a brilliant study of celebrity worship and American media culture. Basis for the successful 2019 film "Joker" starring Joaquin Phoenix. <br /> <br /> Set and shot on location in New York. <br /> <br /> 9.5 x 7 inches. Near Fine. N.p. unknown
Riferimento per il libraio : 159948
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Martin Scorsese (director); Antonio Carozza (photographer); Paul D Zimmerman (screenwriter); Robert De Niro, Jerry Lewis, Diahnn
The King of Comedy Three original photographs from the shooting of 1982 film
New York: New Regency Films 1981. Three vintage photographs from the shooting of the 1982 film. Mimeo snipe on the verso of one photograph and manuscript annotations and agency stamps on the verso of each.<br /> <br /> Perhaps Scorsese's most underrated film "The King of Comedy" is a brilliant study of celebrity worship and American media culture by way of an exploratory journey into the mind of Rupert Pupkin a man totally lacking in self-awareness driven only by obsession. The titular character is played by Robert De Niro cast completely against type in furious pursuit of his idol Jerry Langford Jerry Lewis along with the genius addition of Sandra Bernhard as De Niro's crazed groupie assistant. <br /> <br /> Set and shot on location in New York. <br /> <br /> 8 x 10 inches. Near Fine. New Regency Films unknown
Riferimento per il libraio : 144553
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Martin Scorsese (director); Nikos Kazantzakis (novel); Paul Schrader (screenwriter); Willem Dafoe, Harvey Keitel, Barbara Hershe
The Last Temptation of Christ Original photograph from the 1988 film
Paris: Sygma 1988. Vintage oversize borderless color reference photograph from the 1988 film showing Barbara Hershey with curly hair and heavily hennaed hands and arms. Mimeo snipe on the verso.<br /> <br /> Based on the controversial 1955 novel by Nikos Kazantazkis adapted by Paul Schrader. Departing from the Gospels' depiction of Jesus Christ the film explored the humanity of Jesus and the various temptations he encountered during his time on Earth incurring outrage upon release from some Christian groups. Nominated for an Academy Award for Best Director. <br /> <br /> Shot on location in Morocco. <br /> <br /> 8 x 12 inches. About Fine.<br /> <br /> Criterion Collection 70. Sygma unknown
Riferimento per il libraio : 171028
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Martin Sheen, Blythe Danner, Sebastian Dungan (starring); Dick Richards (director); Erich Segal (screenwriter, novel); David Zel
Man Woman and Child Eight original photographs from the 1983 film
Los Angeles: Paramount Pictures 1983. Eight vintage publicity photographs from the 1983 film including two compilation photographs. Printed mimeo snipes affixed to the versos of seven photographs. <br /> <br /> Based on Erich Segal's 1980 novel about a family man confronted with an illegitimate child from a long-since-past affair. <br /> <br /> 8 x 10 inches. Very Good plus to Near Fine. Paramount Pictures unknown
Riferimento per il libraio : 167890
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Martin Warner (screenwriter)
The Courtship of Joe Mankowitz Original treatment script for an unproduced television film
N.p.: N.p. Unknown. Treatment script for an unproduced television film. Incomplete as issued. With a small handwritten label to the first leaf noting the name and address of screenwriter Martin Warner.<br /> <br /> A lonely widower finds new love with a vibrant retired school teacher aided by his well-intentioned but meddling apartment building neighbors.<br /> <br /> Set in Santa Monica California.<br /> <br /> White lacking titled wrappers. Title page present with credits for screenwriter Martin Warner. 45 leaves with last page of text numbered 44. Xerographic duplication rectos only. Pages Very Good with light rust to the first and last leaves likely from a paper clip bound with two gold brads. N.p. unknown
Riferimento per il libraio : 146805
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Marty Feldman (screenwriter, starring); Jim Clark (director); Herbert Kretzmer, Milton Shulman (story); Barry Took, Denis Norden
Every Home Should Have One Original screenplay for the 1970 film
London: Ned Sherrin 1969. Early Draft script for the 1970 British film with annotations in manuscript ink on four pages a "1." on the title page and three underlining locations. Script preceded by six pages of notes on story cast of characters and notes on principal characters. <br /> <br /> An ad man is tasked with creating a new sexy image for a frozen porridge brand. A satirical farce directly ridiculing British conservative activist Mary Whitehouse who in 1970 was staging a war on gratuitous sex in advertising and many other fields of British life. <br /> <br /> Shot on location in London and Surrey. <br /> <br /> Dark blue untitled wrappers with die-cut window in the British Fashion. Title page present dated 6th February 1969 with credits for screenwriters Marty Feldman and Barry Took and story credit for Milton Shulman and Herbert Kretzmer. 101 leaves with last page of text numbered 93. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three flat metal brads. Ned Sherrin unknown
Riferimento per il libraio : 153094
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Mary Ellen Bute (director, screenwriter); James Joyce (novel); Romana Javitz, Mary Manning, Ted Nemeth (screenwriter); Martin J
Passages from James Joyce's Finnegans Wake Original screenplay for the 1966 film
Los Angeles: Expanding Cinema 1966. Shooting final for the 1966 film. Copy belonging to actor Peter Haskell with his manuscript annotations throughout and his shooting schedule laid in. <br /> <br /> Mary Ellen Bute's final film and the first cinematic adaptation of James Joyce's masterfully complex work of fiction. Shot over a two year period Bute was tasked with transforming Joyce's impenetrable prose without losing any of the work's surreal lyrical essence. The subsequent film maintains the original novel's oneiric style. Bute and her husband Ted Nemeth were longtime collaborators and Nemeth worked as both cinematographer and producer of the film. In 1965 it was honored at the Cannes Film Festival as Best Debut and remains Bute's sole feature length film. <br /> <br /> Shot on location in New York City and Dublin. <br /> <br /> Brown untitled wrappers. Title page present dated March 4 1963 and December 3 1962 noted as Shooting Final with credits for screenwriters Mary Ellen Bute Romana Javitz and T. J. Nemeth Jr and editor A.I.M.S. Street. 148 leaves with last page of text numbered 139. Mimeograph duplication with onionskin revision pages throughout. Pages Very Good plus wrapper Very Good plus. Some pages detaching and wrapper slightly cracked. Bound internally with prong binding. Expanding Cinema unknown
Riferimento per il libraio : 140604
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Mary McMinnies (novel); John Mortimer (screenwriter)
The Visitors Original treatment script for an unproduced film
London: J. Arthur Rank 1959. Treatment script for an unproduced film circa 1959. Not to be confused with the 1972 BBC mini-series based on the same literary source.<br /> <br /> Based on Mary McMinnies' 1958 novel which follows the adventures of a pleasantly immoral young woman who has recently been relocated with her English Foreign Service husband to a Communist-run eastern European country. <br /> <br /> Gray titled wrappers noted as Treatment on the front wrapper dated 18-3-59. Title page present with credits for screenwriter JOHN MORTIMER and novel credits to Mary MacMinnies sic. 48 leaves with last page of text numbered 46. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with a gold prong. J. Arthur Rank unknown
Riferimento per il libraio : 151144
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Mary Tyler Moore (starring); Charles Williams (novel, screenwriter); Ron Winston (director); Robert Wagner (starring)
Don't Just STAND There The Wrong Venus Original screenplay for the 1968 film
Universal City CA: Universal City Studios 1967. Final script for the 1968 film. Prop master C.S. Chrisman's copy with his trademark manuscript ink initial on the front wrapper and profuse manuscript annotations throughout the text regarding scenes that will require props. <br /> <br /> Based on the 1966 novel "The Wrong Venus" by Charles Williams. An author on a European cruise is slacking on finishing her newest novel when her publisher sends someone to check in on her progress. The first of two screenplays Williams wrote in Hollywood. Williams was one of the most popular hard-boiled authors in the Gold Medal stable. Beginning in the early 1960s he found work as a screenwriter adapting his novel "All the Way" first adapted in 1960 in the US as an obscure late film noir "The 3rd Voice" as a comedy for French director Marcel Ophuls. <br /> <br /> Set in Europe. <br /> <br /> Red titled wrappers noted as Final draft on the front wrapper production No. 02000 dated February 6 1967. Title page present noted as Final draft with credits for author and screenwriter Charles Williams. 132 leaves with last page of text numbered 131. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. Universal City Studios unknown
Riferimento per il libraio : 119761
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Mary Tyler Moore, Betsy Aidern, John D Bair, Firdous Bamji (starring); Michael Apted (director); Michelle Ashford (screenwriter)
New York News Original screenplay for the pilot episode of the 1995 television series
Burbank CA: Warner Brothers 1995. Revised Shooting script for the pilot episode of the 1995 television series which originally aired on September 28 1995 on CBS.<br /> <br /> A fictional tabloid publication struggles to survive in the fast-paced world of New York journalism. The series ran for a brief single season with 13 episodes total only eight of which were aired.<br /> <br /> Self wrappers. Title page integral with front wrapper dated 03/28/95 noted as GOLDEN REVISION and SHOOTING SCRIPT with credits for screenwriter Michelle Ashford. 65 leaves with last page of text numbered 61. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads.<br /> <br /> Full provenance available. Warner Brothers unknown
Riferimento per il libraio : 150007
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Masaki Kobayashi (director); Shinobu Hashimoto (screenwriter); Yasuhiko Takiguchi (novel); Tatsuya Nakadai, Shima Iwashita, Tets
Harakiri Seppuku Original program for the US release of the 1962 Japanese film
Tokyo: Shochiku 1962. Vintage program for the US release of the classic 1962 Japanese film. Text and titles in English. <br /> <br /> A down-on-his-luck veteran searching for a place to commit suicide wanders into the courtyard of a feudal lord where he is forced to reveal the story behind his current circumstances. Director Masaki Kobayashi's masterpiece considered one of the finest samurai films ever made skewering the hypocrisy of the feudal system and the empty glory of samurai culture. <br /> <br /> Shot on location in Kyoto. <br /> <br /> 8 x 11 inches. 8 pages folded. Very Good plus lightly creased. <br /> <br /> Criterion Collection 302. Ebert IV. Eureka Masters of Cinema 20. Shochiku unknown
Riferimento per il libraio : 156287
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Masaki Kobayashi (director); Yoko Mizuki (screenwriter); Lafcadio Hearn (stories); Tatsuya Nakadai, Rentar Mikuni, Tetsur Tamba,
Kwaidan Original oversize photograph from the 1964 Japanese film
N.p.: N.p. 1964. Vintage oversize reference photograph from the 1964 Japanese anthology film showing actor Katsuo Nakamura in the film's third segment "Miminashi H ichi no Hanashi" "Hoichi the Earless". Provenance stamps on the verso as well as a stamp of the film's title. <br /> <br /> Based on Lafcadio Hearn's 1904 collection of Japanese ghost tales "Kwaidan: Stories and Studies of Strange Things." Nominated for an Academy Award and the Palme d'Or. <br /> <br /> 11 x 9 inches. Very Good with wear on the finish and light creases at the corners.<br /> <br /> Criterion Collection 90. Eureka Masters of Cinema 228. N.p. unknown
Riferimento per il libraio : 158255
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MAT
La jungle pour rire
in 12 carré broché, couverture illustrée en ouleurs, 14 pages illustrées en couleurs plus la couverture de MAT. Les éditions de l’Ame Française sans date. Très bon état.
Riferimento per il libraio : 11277
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Mats Arehn (director); Rolf Borjlind (screenwriter); Kjell Bergqvist, Henrik Lundstrom, Peter Viitanen, Ralph Carlsson (starring
The Cook Original screenplay for the 2005 film
Stockholm: Omega Film 1985. Draft script for the 2005 Swedish film. Text in English.<br /> <br /> A young man recalls the strange emotionally intense year he spent working as the sous chef in the claustrophobic galley of a ship headed for Cape Town. A very early draft of the script written twenty years before the film's release.<br /> <br /> Set and shot on location in Belgium Sweden Spain and South Africa. <br /> <br /> White lacking titled wrappers. Title page present dated 1985 with credits for director Mats Arehn and screenwriter Rolf Borjlind. 128 leaves with last page of text numbered 126. Xerographic duplication rectos only. Pages Very Good lightly soiled and toned along the edges side stapled with five staples. Omega Film unknown
Riferimento per il libraio : 146885
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Matt Lipsey (director); Richard Lumsden, Chris Niel (screenwriter); Kelly Reilly, Greg Wise, Tony Gardner (starring)
Complete archive of scripts for Wonderful You Eleven original screenplays for all seven episodes of the 1999 television miniseries
Cardiff Wales: Hartswood Films 1998. An archive of 11 scripts for the complete 7 episode British television miniseries "Wonderful You." Copies belonging to make-up artist Teresa Kelly with her manuscript name and annotations throughout in highlighter and ink. Included in the listing are Archive also includes 20 pages of call sheets and shooting schedules with Kelly's manuscript annotations. <br /> <br /> Almost certainly begun as an attempt to at least in part mimic the early success of the long-running sitcom "Friends" "Wonderful You" follows a group of thirty-something aged friends in London as they navigate their convoluted interpersonal relationships. Unlike "Friends" however in which all the main characters start out as single and slowly acquire partners "Wonderful You" contains a number of different states of romantic relationships right from the beginning including a few single people a successful couple in a long term relationship a gay couple and an unhappily married couple with a young son. Though "Friends" may be considered one of the more successful sitcoms of the late 1990s and certainly one of the longest-running "Wonderful You" instead makes a much more succinct and arguably much less saccharine statement about the nature of relationships themselves. Shot on location in London. <br /> <br /> Scripts all housed in tall white self wrappers as issued some unbound sheets and some prong bound. One script then further housed in a red spring binder. All have credits for screenwriters Niel and Lumsden. Title page integral with the front wrappers. Mechanical duplication some with pink blue or yellow revision pages. Very Good plus condition or better. Hartswood Films unknown
Riferimento per il libraio : 135856
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Maureen O'Hara, Jason Beghe, Catherine Bell (starring); Christopher Leitch (director); Dalene Young (screenwriter)
Cab to Canada Original screenplay for the 1998 television film
Pasadena: Madison Avenue Productions 1998. Shooting script for the 1998 television film with annotations in manuscript highlighter on pages 8-9. Laid in is a Crew Call Sheet with copied annotations ten reduced copies of ten pages of the script with copied annotations and a copy of a map for the crew to the Metropolitan Baptist Church with the copied date of 6/6/98. Bound in following the script is a nine page Crew List a June 2 1998 Memorandum and a two page shooting schedule. The television film aired on CBS on November 29 1998.<br /> <br /> Based on a true story of a Pasadena cab driver who picks up an elderly woman en route to a funeral who ends up insisting the driver take her on a cross-county trip ending in Vancouver. <br /> <br /> Shot on location in Los Angeles. <br /> <br /> Front wrapper integral with the title page dated 4/27/98 noted as SHOOTING SCRIPT with credits for screenwriter Dalene Young and story by Beth Polson. 117 leaves with last page of text numbered 106. Xerographic duplication rectos only with blue and pink revision pages throughout dated 5/5/98 and 5/15/98. Pages Near Fine bound with two gold brads.<br /> <br /> Crew Call Sheet 6 x 9 inches stapled to the reduced script pages. Near Fine.<br /> <br /> Ten Reduced Script Pages 5.75 x 7.5 inches. Near Fine<br /> <br /> Map 14 x 8.5 inches. With a single vertical fold else Near Fine. Madison Avenue Productions unknown
Riferimento per il libraio : 157392
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Maureen O'Hara, Walter Pidgeon, Donald Crisp (starring); John Ford (director); Philip Dunne (screenwriter); Richard Llewellyn (n
How Green Was My Valley Original screenplay for the 1941 film
Los Angeles: Twentieth Century-Fox 1941. Second Revised Final script for the 1941 film. <br /> <br /> Based on Richard Llewellyn's 1939 novel. The men of the Morgan family earn a living working in their small Welsh town's mine where they face dangerous and unhealthy conditions and exploitation at the hands of the mine owners. Winner of five Academy Awards including Best Picture and Best Director.<br /> <br /> Set in Wales shot on location in California. <br /> <br /> Red titled Twentieth Century-Fox wrappers dated April 18 1941 noted as SECOND REVISED FINAL. Distribution page present stamped copy No. 240 with receipt removed. Title page present with credit for Philip Dunne noted as 2nd Revised Final and dated April 18 1941. 167 leaves with last page of text numbered 169. Mimeograph duplication rectos only with blue revision pages dated 5/19/41 throughout. Pages Very Good plus slightly yapped with light tide marks along the bottom edges of the first five leaves wrapper Poor bound with two gold brads. <br /> <br /> National Film Registry. Twentieth Century-Fox unknown
Riferimento per il libraio : 162231
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Maurice Cazeneuve (director, screenwriter); Paul Guimard, Henri-Francois Rey (screenwriters); Mylene Demongeot, Maurice Ronet, J
Night Heat Cette nuit la Collection of over 400 original photographs from the 1958 film
Paris: Cinedis 1958. Collection of 419 vintage black-and-white photographs with original publicity ephemera from the set of the 1958 film "Night Heat" here under the original French title "Cette nuit la." Featured are over 300 smaller photographs elegantly presented in two "Lavis aquarelle" spiral bound notebooks with maroon faux leather front wrappers and affixed paper title labels with 3 or 4 photographs to a page. One notebook bears a label on the front wrapper verso noting film lab Tele-Photo production company Sopro Film Cinedis film title and photographer P. Apoteker. Several larger photographs credit photographer Francois Pages with his rubber stamp on the versos featuring images of actress Demongeot as she models in fur coat for onlookers including costar Maurice Ronet and director Cazeneuve. Several photos feature cast and crew at a release party. <br /> <br /> Brief annotations in manuscript pencil on the versos two with rubber-stamped series number. Several photographs with annotations on the verso in manuscript ink and pencil several with layout annotations on the recto a few with rubber-stamped series number. Loose photographs ephemera and original envelopes are housed in the original French Kodak paper box with annotations on the box top in manuscript ink and film title affixed to the side. <br /> <br /> Noir thriller based on Michel Lebrun's novel "Un Silence de Mort" 1957 starring Demongeot as Sylvie married to Jean Ronet an executive at a fashion magazine. Jean's boss André Servais obsesses over Sylvie whose demure femininity can be fatal. An early film credit for still photographer Paul Apoteker whose "Too Late for Love" 1959 is regarded as his first credited film. His dramatic execution would later be seen in Clouzot's "The Truth" 1960 Sautet's romance noir "Classe Tous Risques" 1960 and Woody Allen's "Love and Death" 1975. Demongeot and Ronet are amply represented throughout the collection including a preliminary mockup of the poster art. <br /> <br /> Photographs in large quarto notebooks 3.75 x 5 inches loose photographs range from 3.25 x 4 inches to 8 x 11.75 inches. Photographs Near Fine overall light curling a handful with short creases ephemera and notebooks Very Good plus box Very Good. Cinedis unknown
Riferimento per il libraio : 143132
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Maurice Cazeneuve (director, screenwriter); Paul Guimard, Henri-Francois Rey (screenwriters); P Apoteker (photographer); Mylene
Night Heat Cette nuit la 71 original keybook contact sheets from the 1958 film
Paris: Cinedis 1958. 71 vintage single weight keybook contact sheets amounting to over 800 numbered images from the 1958 French film. Much of the film is represented in minute detail along with test shots set design shots and many candid moments from the set. Dramatic high-contrast images of starring actors Demongeot answering telephones and in heated embraces with several sheets capturing a formal dinner with the cast and crew presumably the film's premiere. Most with 12 images per sheet a few with 6-frame strips of 35mm film each image with a series number and all sheets credit at the top the photo laboratory Tele-Photo film studio Cinedis film title and photographer Apoteker. Housed in a red paper 2-ring binder with French titles printed on the front. Several with brief numerical annotations on the verso. <br /> <br /> Noirish crime thriller based on Michel Lebrun's novel "Un Silence de Mort" 1957 starring Demongeot as Sylvie married to Jean Ronet an executive at a fashion magazine. Jean's boss André Servais obsesses over Sylvie whose demure femininity can be fatal. An early film credit for still photographer Paul Apoteker whose "Too Late for Love" 1959 is regarded as his first credited film. His dramatic execution would later be seen in Clouzot's "The Truth" 1960 Sautet's romance noir "Classe Tous Risques" 1960 and Woody Allen's "Love and Death" 1975. Demongeot and Ronet are amply represented throughout the collection including a preliminary mockup of the poster art. <br /> <br /> Photos 8.25 x 10.25 inches a few slightly variant sizes hole-punched and two with square cuts. Very Good plus overall with curling and light foxing creases to the binder. Cinedis unknown
Riferimento per il libraio : 144082
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Maurice Labro (1910-1987), réalisateur, scénariste.
Page d'album avec dédicace autographe signée
Maurice Labro (1910-1987), réalisateur, scénariste. P.A.S., 2 avril 1983, 1p in-8. Extrait d'un album, « en souvenir de L'héroïque Monsieur Boniface, Le roi du bla bla bla et Le fauve est lâché », films qu'il a réalisés. [422]
Riferimento per il libraio : 018239
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Maurice Pialat (director, screenwriter); William Karel, Luc Roux (still photographers); Cathreine Breillat, Sylvie Danton, Jacqu
Police Original photograph of Maurice Pialat from the set of the 1985 film
N.p.: N.p. 1985. Vintage borderless reference photograph of Maurice Pialat on the set of the 1985 film. <br /> <br /> Brutish and jaded police detective Louis Mangin Gerard Depardieu in one of his strongest performances investigates a Tunisian drug gang and begins to fall for the girlfriend Sophie Marceau of one of the criminals. <br /> <br /> Set in and shot on location in Paris France. <br /> <br /> 7 x 5 inches. Near Fine. <br /> <br /> Olive Films 1326. Grant France. N.p. unknown
Riferimento per il libraio : 150497
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Mauro Bolognini (director); Pier Paolo Pasolini (novel, screenwriter); Jacques-Laurent Bost (screenwriter); Rosanna Schiaffino,
The Big Night La notte brava Original photograph from the 1959 film
Rome: Union Photos 1959. Vintage borderless reference photograph from the 1959 Italian film showing actress Elsa Martinelli. With the stamps of Union Photos and Atlantic Press on the verso.<br /> <br /> Loosely based on Pier Paolo Pasolini's 1955 novel "Ragazzi di vita" following three amoral young men as they make their way through Rome's seedy criminal underworld. The third collaboration between director Mauro Bolognini and screenwriter Pasolini who would of course go on to become a great and arguably better-known filmmaker in his own right preceded by "Marisa" 1957 and "Giovani mariti" 1958 and followed by "Bell' Antonio" 1960 and "From a Roman Balcony" 1960.<br /> <br /> Set and shot on location in Rome.<br /> <br /> 7.25 x 9.5 inches. Near Fine. Union Photos unknown
Riferimento per il libraio : 149576
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Maury Dexter (director); Harry Spalding (screenwriter); Ron Foster, Merry Anders, Richard Crane, Erika Peters (starring)
House of the Damned Original banner poster for the 1963 film
Los Angeles: Twentieth Century-Fox 1963. Vintage banner poster for the 1963 film. Rare in this format.<br /> <br /> An architect and his wife survey an old mansion where the previous tenant an eccentric heiress has disappeared. Strange noises suspicious strangers and vanishing keys ensue. Inspired by the Winchester Mystery House in San Jose California.<br /> <br /> Shot on location at the Greystone Park and Mansion in Beverly Hills California.<br /> <br /> 82 x 24 inches. Very Good plus with light soiling and faint rubbing overall. Twentieth Century-Fox unknown
Riferimento per il libraio : 164221
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Maury Dexter (director); Harry Spalding (screenwriter); Kent Taylor, Marie Windsor, William Mims, and Betty Beall (starring)
The Day Mars Invaded Earth Original screenplay for the 1963 film
Los Angeles: Twentieth Century-Fox 1962. First Draft script for the 1963 film. <br /> <br /> A nuanced "invasion from Mars" film that borrows cleverly from both "Invasion of the Body Snatchers" aliens use human beings as physical hosts and Val Lewton threat of a creature but creature is only implied not shown. An unusually heavy emphasis on dread atmosphere and characterization makes this one of the most overlooked "adult" science fiction films of the 1960s. <br /> <br /> Black three-ring binder noted as "DAY MARS INVADED EARTH" on the front wrapper with a credit for screenwriter Spalding as "Spaulding". Title page present with the title "SPACERAID 63" with a credit for screenwriter Spalding production No. 6277 dated June 22 1962. 96 leaves Multilith duplication with blue revision pages throughout dated 6/28/62. Pages Near Fine with a few small creases binder wrapper Near Fine with a bit of wrinkling on the front title label. Twentieth Century-Fox unknown
Riferimento per il libraio : 126547
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Max Allan Collins (director, screenwriter); Patty McCormack, Sarah Jane Miller, Rachel Lemieux, Jason Miller, Brinke Stevens (st
Mommy Original screenplay for the 1995 film actor Mickey Spillane's copy
N.p.: N.p. 1995. Final Shooting script for the 1995 film. Copy belonging to noted crime writer Mickey Spillane who appeared in a cameo in the film as a personal favor to director Max Allan Collins. With Spillane's name in manuscript ink on the front wrapper and annotations highlighting lines to pages 56-59.<br /> <br /> A woman's increasingly psychotic obsession with her young daughter culminates in a string of gruesome murders. Collins' debut film following a lengthy career as a mystery novelist and comic writer. Followed by a sequel "Mommy 2: Mommy's Day" in 1997. <br /> <br /> Shot on location in Muscatine Iowa. <br /> <br /> White titled wrappers. Title page integral with front wrapper noted as FINAL SHOOTING SCRIPT on the front wrapper with credits for director Max Allan Collins. 79 leaves with last page of text numbered 79. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
Riferimento per il libraio : 151599
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Max Kleven (screenwriter)
Charley April Original screenplay for an unproduced television film
N.p.: N.p. 1980. Draft script for an unproduced television film. <br /> <br /> The sheriff of the town of Slayton is tasked with closing the old Barton family mine after a series of disasters and accidents-not realizing the Bartons would rather blow up the mine than surrender it to outsiders. <br /> <br /> Set in the fictional town of Slayton Nevada.<br /> <br /> Brown faux-leather non-standard titled wrappers. Title page present with credits for screenwriter Max Kleven. 104 leaves with last page of text numbered 102. Xerographic duplication rectos only. Pages Near Fine with a small rust mark to the first leaf wrapper Very Good plus bound with two gold brads. N.p. unknown
Riferimento per il libraio : 147188
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Max Neufeld (director); Hermann H Ortner (screenwriter); Franz Schafheitlin, Hans Olden, Wiener Sangerknaben, Erich Scholz (star
An Orphan Boy of Vienna Mit Musik durchs Leben Original program for the 1936 Austrian film
N.p.: Prisma 1936. Vintage program for the 1936 Austrian film. Text and titles in German. <br /> <br /> A new member of the Vienna Boys Choir is framed for a theft. <br /> <br /> Shot on location in Tirol Austria. <br /> <br /> 7.25 x 10.5 inches. Bifold. About Near Fine. Prisma unknown
Riferimento per il libraio : 156146
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Max Nosseck (director); Philip Yordan (screenwriter); Edmund Lowe, Anne Jeffreys, Eduardo Ciannelli, Lawrence Tierney (starring)
Dillinger Original program for the 1945 film
New York: Noel Meadow / Monogram Pictures 1945. Original program for the 1945 film. Features ad layouts side-by-side comparison of Lawrence Tierney and the real John Dillinger and various headline suggestions. <br /> <br /> Dillinger Tierney robs a store meets fellow gangster Specs Lowe in jail and continues his heists once freed from prison this time with a moll named Helen Jeffreys who eventually rats him out to the Fuzz. <br /> <br /> Nominated for an Academy Award. Director Nosseck made good use of stock footage from previous gangster films. <br /> <br /> Illustrated wrappers saddle-stapled. 16 leaves. Very Good with light foxing faint bruising and a vertical fold at the center. <br /> <br /> Grant US. Hardy The Gangster Film US. Okuda 440. Selby US. Spicer US. Stephens pp. 85-86. Noel Meadow / Monogram Pictures unknown
Riferimento per il libraio : 135327
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Max Nosseck (director, screenwriter); Nat Tanchuck (screenwriter); Mickey Knox, RG Armstrong, Arch Johnson (starring) R G
Garden of Eden Original program for the 1954 film
New York: Excelsior Pictures 1954. Vintage souvenir program for the 1954 nudist film.<br /> <br /> A widowed woman leaves the home of her tyrannical father-in-law accompanied by her young daughter and moves into a nudist camp in Florida. "Nudist" movies were typically shot at nudist campgrounds in order to skirt laws prohibiting on-screen nudity. "Garden of Eden" was nevertheless the subject of a court case in the late 1950s regarding obscenity. The court ruled that on-screen nudity was not obscene opening the door to more open depictions of nudity in film. <br /> <br /> Shot on location at the Lake Como Family Nudist Resort in Lutz Florida. <br /> <br /> 9 x 12 inches. About Fine. Excelsior Pictures unknown
Riferimento per il libraio : 167826
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Max Ophuls (director, screenwriter); Colette, Jean-Georges Auriol (screenwriters); Simone Berriau, George Rigaud, Gina Manes (st
Divine Three original photographs from the 1935 film
N.p.: N.p. 1935. Three vintage reference photographs from the 1935 film. Annotations in manuscript pencil on the versos in French. <br /> <br /> A farm girl gets tangled up with a depraved Parisian after starting a new job as a performer at a seedy music hall but finds redemption in her relationship with a wholesome milkman. One of two films written by notorious French author Colette the other being Marc Allégret's "Lake of Ladies" in 1934. <br /> <br /> Shot on location in Paris and in Hyères. <br /> <br /> 9.5 x 7 inches. Very Good plus lightly creased at the corners one with faint foxing on the bottom edge of the verso. N.p. unknown
Riferimento per il libraio : 160585
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Max Ophuls (director, screenwriter); Jacques Natanson (screenwriter); Guy de Maupassant (stories); Claude Dauphin, Jean Galland,
Le Plaisir House of Pleasure Original photograph from the 1952 French film
Culver City CA: Columbia Pictures 1952. Vintage reference photograph from the 1952 French anthology film showing actors Jean Galland Paul Azais and Gaby Bruyere who appear in the episode "Le Masque." With manuscript pencil annotations on the verso.<br /> <br /> Based on three short stories by Guy de Maupassant: "Le Masque" 1889 "La Maison Tellier" 1881 and "Le Modele" 1883. An exploration of pleasure and its repercussions.<br /> <br /> Set and shot on location in Paris and Calvados France<br /> <br /> 9.25 x 7 inches. Very Good plus with a light diagonal crease to the bottom right corner.<br /> <br /> Criterion Collection 444. Columbia Pictures unknown
Riferimento per il libraio : 149568
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Max Ophuls (director, screenwriter); Jacques Natanson (screenwriter); Guy de Maupassant (stories); Claude Dauphin, Jean Galland,
Le Plaisir House of Pleasure Original photograph of Max Ophuls and Jean Gabin on the set of the 1952 French film
Culver City CA: Columbia Pictures 1952. Vintage borderless reference photograph from the 1952 French anthology film showing director Max Ophuls with a camera crew filming a scene with actor Jean Gabin who appears in the episode "La Maison Tellier." <br /> <br /> Based on three short stories by Guy de Maupassant: "Le Masque" 1889 "La Maison Tellier" 1881 and "Le Modele" 1883. An exploration of pleasure and its repercussions.<br /> <br /> Set and shot on location in Paris and Calvados France.<br /> <br /> 7 x 9.5 inches. Near Fine. <br /> <br /> Criterion Collection 444. Columbia Pictures unknown
Riferimento per il libraio : 149919
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Max Ophuls (director, screenwriter); Jacques Natanson (screenwriter); Guy de Maupassant (stories); Claude Dauphin, Jean Galland,
Le Plaisir House of Pleasure Collection of 20 original photographs from the 1952 film
Paris: Columbia Pictures 1952. Collection of 20 vintage borderless reference photographs from the 1952 film. One photograph with the stamp of Columbia Pictures on the verso. <br /> <br /> Based on three short stories by Guy de Maupassant: "Le Masque" 1889 "La Maison Tellier" 1881 and "Le Modele" 1883. An exploration of pleasure and its repercussions.<br /> <br /> Set and shot on location in Paris and Calvados France.<br /> <br /> 9.75 x 7.25 inches. Very Good plus with light edgewear and creasing at the corners. <br /> <br /> Criterion Collection 444. Columbia Pictures unknown
Riferimento per il libraio : 155081
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Max Ophuls (director, screenwriter); Louise de Vilmorin (novel), Marcel Achard, Annette Wademant (screenwriters); Charles Boyer,
Madame De. The Earrings of Madame De. Original film still of Charles Boyer from the 1953 film
Paris: Franco London Films 1953. Vintage test photograph of Charles Boyer as "General Andre de." in the 1953 French-Italian film. In the film he wears a mustache not so in this image and likely this session occurred just before or after filming was complete. <br /> <br /> Based on de Vilmorin's 1951 novel. Generally considered to be Max Ophuls' masterpiece the third of four acclaimed films he made after his return to France in 1950 and a 1950s masterpiece. Nominated for an Academy Award for Best Costume Black-and-White Rosine Delamare and Georges Annenkov. <br /> <br /> 11.5 x 14.75 inches small white border double weight full-color printed on Agfa photo paper. Very Good with moderate rubbing and curling a few short tears and creases.<br /> <br /> Criterion Collection. Ebert II. Godard Histoires du cinema. Rosenbaum 1000. Franco London Films unknown
Riferimento per il libraio : 144522
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Max Ophuls (director); Douglas Fairbanks Jr (screenwriter, starring); Cosmo Hamilton (novel); Maria Montez, Henry Daniell, Nigel
The Exile Two original photographs from the 1947 film
Universal City: Universal Pictures 1947. Two vintage publicity photographs from the 1947 film both showing actor Nigel Bruce. Printed mimeo snipe affixed to the verso of one. <br /> <br /> Loosely based on the 1926 novel "His Majesty the King" by Cosmo Hamilton. King Charles II lives in exile in the Netherlands after being deposed by Oliver Cromwell and his supporters. There Charles falls in love with a farm girl while hiding from Cromwell's assassins. <br /> <br /> From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s.<br /> <br /> 10 x 8 inches. Very Good plus. Universal Pictures unknown
Riferimento per il libraio : 164413
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Max Ophuls (director); Cosmo Hamilton (novel); Douglas Fairbanks Jr (screenwriter, starring); Maria Montez, Paula Corday, Henry
The Exile Two original publicity photographs of Douglas Fairbanks Jr. and Paula Corday from the 1947 film
Universal City: Universal Pictures 1947. Two vintage publicity photographs featuring Douglas Fairbanks Jr. and Paula Corday from the 1947 film. Both photographs with mimeo snipes affixed to the versos one also with a provenance stamp on the verso. <br /> <br /> From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s.<br /> <br /> Loosely based on the 1926 novel "His Majesty the King" by Cosmo Hamilton. King Charles II lives in exile in the Netherlands after being deposed by Oliver Cromwell and his supporters. There Charles falls in love with a farm girl while hiding from Cromwell's assassins. <br /> <br /> 8 x 10 inches. Very Good plus. Universal Pictures unknown
Riferimento per il libraio : 165206
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Max Pecas (director, screenwriter); Michele Ressi (screenwriter); Nicole Debonne, Astrid Frank, Yves Vincent (starring)
Her and She and Him Five original photographs from the 1970 film
N.p.: Rochambeau Films 1970. Five vintage studio still photographs from the US release of the 1970 French film. <br /> <br /> Greta a Swedish student arrives in Paris and finds refuge from dogged men in the arms of Claude a rich possessive lesbian. But she soon feels oppressed and begins falling for Jean a bisexual lover of a celebrated gay artist. <br /> <br /> Set in and shot on location in Paris. <br /> <br /> 8 x 10 inches. Near Fine.<br /> <br /> 88 Films. Rochambeau Films unknown
Riferimento per il libraio : 161818
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Max Pecas (director, screenwriter); Anne Libert, Henri Serre, Julia Tomas, Gilda Arancio, Paul Bisciglia (starring)
House of 1000 Pleasures Club Privé Collection of 13 original oversize color photographs from the 1974 French erotic film
N.p.: N.p. 1974. Collection of 13 vintage oversize borderless color reference photographs from the 1974 French erotic film. Typed labels affixed to the recto corners noting the film's French title and an over-18 rating. <br /> <br /> A taxi driver falls for a seductive passenger and follows her to an erotic club where he enjoys a series of sexual encounters with various women. <br /> <br /> Director Max Pécas worked as a screenwriter director and producer through the late twentieth century and while he is today best remembered for directing "La main noire" 1968 and "Felicia" 1975 much of his filmography has been recently restored and released by the curated label Cult Epics in the US and 88 Films in the UK resulting in a wave of renewed interest.<br /> <br /> 9.25 x 12 inches. Near Fine.<br /> <br /> 88 Films. Pitts pp. 189-190. N.p. unknown
Riferimento per il libraio : 163967
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Max Pecas (director, screenwriter); Michel Vocoret (screenwriter); Philippe Gaste, Denyse Roland, Chantal Arondel (starring)
House of 1000 Pleasures The House of a Thousand Pleasures Three original photographs from the 1974 film
N.p.: Group 1 Int. Dist. Org 1975. Three vintage studio still photographs from the US release of the 1974 French film. Two photographs with provenance stamps on the versos one of which also has a label obscuring a previous provenance stamp. <br /> <br /> A beautiful woman undresses in the back of Marcel's taxi and proceeds to take him to the "Private Club" a sex club where he can live out his wildest sexual fantasies unfortunately Marcel's mind is on Lisa a girl he met in Paris. <br /> <br /> 8 x 10 inches. Very Good plus one with a wax pencil annotation on the top right of the recto. Group 1 Int. Dist. Org unknown
Riferimento per il libraio : 161837
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Max Pecas (director); Claude Mulot (screenwriter); Sandra Julien (starring)
I Am a Nymphomaniac Je Suis un Nymphomane Three original photographs from the 1971 French film
N.p.: N.p. 1971. Three vintage borderless reference photographs from the 1971 French sexploitation film. <br /> <br /> A provincial French woman falls down an elevator shaft and survives but finds herself uncontrollably addicted to sex following the incident. <br /> <br /> 10 x 8 inches. Very Good plus overall. <br /> <br /> Bier 934. N.p. unknown
Riferimento per il libraio : 151283
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Maxim Gorky (novel); Vsevolod Pudovkin (director), Nathan Zarkhi (screenwriter), Vera Baranovskaya, Nikolai Batalov, Aleksandr C
Mother Original Program for the 1926 silent film
Russia: Mezhrabpom-Rus 1927. Vintage German program for the 1926 Russian silent film. Photo-illustrated throughout. The only cinema paper dating from the decade of release we have encountered for the film. <br /> <br /> Based on the 1906 novel by Maxim Gorky about a woman's struggle to free her son from a Czarist prison camp during the Russian Revolution of 1905. The first film in Pudovkin's "revolutionary trilogy" followed by "The End of St. Petersburg" 1927 and "Storm Over Asia" 1928 and a key film in the development of montage techniques in film although in contrast to his colleague Eisenstein Pudovkin tended to use montage to capture individual character rather than mass movements. <br /> <br /> Six pages in self wrappers. Manuscript pencil annotations on the front wrapper. Presenting as Very Good with light chipping and a few short closed tears. Disbound binding repaired with cello tape. Mezhrabpom-Rus unknown
Riferimento per il libraio : 141367
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Mel Brooks (director, screenwriter, starring); Cleavon Little, Gene Wilder (starring); Norman Steinberg, Andrew Bergman, Richard
Blazing Saddles Original photograph of Cleavon Little and Mel Brooks on the set of the 1974 film
N.p.: N.p. 1974. Vintage reference photograph of Cleavon Little talking with director Mel Brooks on the set of the 1974 film.<br /> <br /> Brooks' slapstick homage to the Western in which an escaped African American railroad construction worker becomes the sheriff in an all-white town and must protect it from politicians and railroad tycoons looking to raze it. A satire on the racism and misogyny inherent in Hollywood's depiction of the American West among many other targets. Nominated for three Academy Awards.<br /> <br /> Set in the fictional frontier town of Rock Ridge shot on location in California. <br /> <br /> 9.5 x 7 inches. Near Fine. <br /> <br /> National Film Registry. N.p. unknown
Riferimento per il libraio : 161048
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Mel Brooks (director, screenwriter, starring); Cleavon Little, Gene Wilder (starring); Norman Steinberg, Andrew Bergman, Richard
Blazing Saddles Five original transparencies from the 1974 film
N.p.: N.p. 1974. Five vintage transparencies from the 1974 film.<br /> <br /> Mel Brooks' slapstick homage to the Western in which an escaped African-American railroad construction worker becomes the sheriff in an all-white town and must protect it from politicians and railroad tycoons looking to raze it. A satire on the racism and misogyny inherent in Hollywood's depiction of the American West among many other targets. Nominated for three Academy Awards.<br /> <br /> Set in the fictional frontier town of Rock Ridge shot on location in California. <br /> <br /> 5 x 4 inches. Near Fine.<br /> <br /> National Film Registry. N.p. unknown
Riferimento per il libraio : 166113
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Mel Brooks (director, screenwriter, starring); Dom DeLuise, Madeline Kahn, Harvey Korman, Cloris Leachman (starring)
History of the World Part I Three original oversize printed set illustrations and one original graphite set illustration for the 1981 film
N.p.: Crossbow Productions 1980. Three vintage oversize printed set illustrations and one original graphite set illustration from the 1981 film. Two printed illustrations stamped with a Crossbow Productions title block crediting production designer Harold Michelson and art director Norm Newberry on the bottom right corners of the rectos.<br /> <br /> The oversize printed illustrations depict two grand designs for the Roman Empire sequence and one for the French Revolution sequence while the graphite illustration depicts a design for the Temple of Eros sequence. <br /> <br /> An ambitious sprawling historical farce made by Mel Brooks in the heat of his success as a film director. Brooks plays Moses Tomas de Torquemada King Louis XVI and "Jacques le gar on de pisse." Part I begins of course with the Dawn of Man and covers The Old Testament The Roman Empire The Spanish Inquisition and The French Revolution ending with a "preview" of Part II never made in keeping with Sir Walter Raleigh who was beheaded before he could write his Part II. The preview includes Hitler on Ice a Viking funeral and "Jews in Space."<br /> <br /> Printed illustrations: 42.5 x 26 inches to 44.25 x 28.25 inches. Folded horizontally and vertically. About Near Fine overall.<br /> <br /> Graphite illustration: 16.5 x 11.75 inches. Very Good plus with a chip at the top left corner.<br /> <br /> Rosenbaum 1000. Crossbow Productions unknown
Riferimento per il libraio : 160816
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Mel Brooks (director, screenwriter, producer, starring); Madeline Kahn, Dom DeLuise, Harvey Korman, Cloris Leachman (starring)
History of the World: Part I Original British poster for the 1981 film
London: Twentieth Century-Fox 1981. Original British "bus stop" poster for the 1981 US film. Printed in England by Lonsdale & Bartholomew. <br /> <br /> An ambitious sprawling historical farce made by Mel Brooks in the heat of his success as a film director. Brooks plays Moses Tomas de Torquemada King Louis XVI and Jacques "Jacques le garcon de pisse." Part I begins of course with the Dawn of Man and covers The Old Testament The Roman Empire The Spanish Inquisition and The French Revolution ending with a "preview" of Part II never made in keeping with Sir Walter Raleigh who was beheaded before he could write his Part II. The preview includes Hitler on Ice a Viking funeral and "Jews in Space."<br /> <br /> 40 x 60 inchesfolded folded as issued. Faint foxing and brief annotations in ink and pencil to the verso light creasing else Near Fine. Twentieth Century-Fox unknown
Riferimento per il libraio : 139023
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Mel Brooks (director, screenwriter); Gene Wilder (screenwriter, starring); Mary Wollstonecraft Shelley (novel); Peter Boyle, Mar
Young Frankenstein Original photograph from the 1974 film
Los Angeles: Twentieth Century-Fox 1974. Vintage reference photograph from the 1974 film showing Gene Wilder and Peter Boyle as Dr. Frankenstein and his monster respectively during the famous "Puttin' on the Ritz" dance sequence. <br /> <br /> Widely considered Mel Brooks' finest comedy and surely the peak of his powers as a director. One of the few modern film comedies in the National Film Registry joined by two of Brooks' other masterpieces "The Producers" 1968 and "Blazing Saddles" 1974. Nominated for two Academy Awards. <br /> <br /> 10 x 8 inches. Fine. <br /> <br /> National Film Registry. Twentieth Century-Fox unknown
Riferimento per il libraio : 168007
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Mel Brooks (director, screenwriter); Gene Wilder (screenwriter, starring); Mary Wollstonecraft Shelley (novel); Peter Boyle, Mar
Young Frankenstein Seven original photographs from the 1974 film
N.p.: N.p. 1974. Seven vintage borderless reference photographs from the 1974 film. <br /> <br /> Widely considered Mel Brooks' finest comedy and surely the peak of his powers as a director. One of the few modern film comedies in the National Film Registry joined by two of Brooks' other masterpieces "The Producers" 1968 and "Blazing Saddles" 1974. Nominated for two Academy Awards. <br /> <br /> 9.25 x 7 inches. Near Fine to Fine. <br /> <br /> National Film Registry. N.p. unknown
Riferimento per il libraio : 169578
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