‎Scénariste‎

‎Jack Nicholson director screenwriter; Jeremy Larner novel screenwriter; Terence Malick uncredited screenwriter; William Tepper‎

‎Drive He Said Original Australian poster for the 1971 film‎

‎Culver City CA: Columbia Pictures 1971. Vintage Australian insert poster for the 1971 US film. Printed by Robert Burton Pty. in Sydney. <br/><br/>Based on screenwriter Larner's 1964 novel. Nominated for the Palme d'Or and a key film in the BBS Productions cycle of the early 1970s as well as a New Hollywood film albeit lesser-known. Hector Tepper plays college basketball superbly but his lover Olive Black has reservations about their relationship. All the while Hector's friend Gabriel Margotta contemplates and protests the Vietnam War. <br/><br/>Nicholson's directorial debut after astonishing performances in "Easy Rider" 1969 and "Five Easy Pieces" 1970. <br/><br/>Shot on location at the University of Oregon and throughout the state. <br/><br/>12.75 x 30 inches folded twice as issued. Very Good plus with light toning brief edge creasing and a few central tears. Scarce. <br/><br/>Criterion Collection 547. Columbia Pictures unknown books‎

Référence libraire : 139058

‎Jack Pulman (1925-1979), British screenwriter [ Ronald Duncan (1914-1982), author; Jack Cardiff (1914-2009), film director; The‎

‎'The Girl on a Motorcycle' 1968 film starring Alain Delon and Marianne Faithfull. Material relating to arbitration by Jack Pulman for the Writers' Guild of Great Britain of dispute over credits between Jack Cardiff and Ronald Duncan.‎

‎The Writers' Guild of Great Britain 430 Edgware Road London. Two items on Pulman's letterhead 31 Steele's Road London. 1968. Six items relating to Pulman's arbitration including 'a careful breakdown by him of scene continuity of the Bourguignon script the Duncan script and the final shooting script' these three breakdowns Items Two to Four below totalling 8pp. In his four-page arbitration Pulman gives a detailed account of the process of the film's composition of all the more interest as coming from a master screenwriter and contemporary. All six items in good condition lightly aged. ONE: Carbon copy of Pulman's signed four-page 'Arbitration - "GIRL ON A MOTORCYLE" Writers involved - S. Bourguignon Ronald Duncan Jack Cardiff Gillian Freeman'. A full description of the case in fourteen numbered sections giving a great deal of detail regarding the composition of the script beginning with a list of six 'writing stages' and Pulman's reasons for reaching his conclusion. He describes the film as 'a story done very much in the style of “Un Homme et Une Femme†using a very similar continuity of flashback and throught sic track'. On reading through the material presented to him Pulman found that 'one impression emerged clearer than ever – that the final shooting script 6 differed very little from Bourguignon's adaptation which Cardiff says could “never be used on a professional basis.†To see whether this impression was correct or not I made a careful breakdown of scene continuity of the Bouguignon script the Duncan script and the final shooting script and compared them. These are enclosed with this opinion.' The are Items Two to Four below. He does not 'believe that anyone comparing these breakdowns could come to any conclusion other than that the screenplay credit belongs niether sic to Cardiff nor Duncan but solely to Bourguignon'. Since Bourguignon 'seems to be claiming no credit' he proposes to amend the credit to: 'SCREENPLAY by S. Bourguignon. Additional Scenes by Ronald Duncan and Jack Cardiff.' TWO: Two-page typescript headed 'Continuity - BOURGIGNON sic'. Twenty-four points beginning with 'Rebecca rises from her husband's bed puts on her black suit takes her motorcycle and sets off to see her lover Daniel.' Last point: '24. She leaves the cafe and gets on her motor cycle again. She is going very fast. She is killed in a collision.' THREE: Three-page typescript headed 'Ronald DUNCAN - Continuity. Second Draft'. Twenty-seven numbered points beginning with: '1. Rebecca rises from her husband's bed takes her black suit and motorcycle and sets off for her lover.' Last point: '27. She leaves the grass verge and drives on. She arrives at Daniels. He is not present but she sees the photo frame this time with the woman in it which is sic obviously always takes out when he visits her. She walks out of his life leaving the motor cycle there.' FOUR: Three-page typescript headed 'Continuity - Final Script Jack Cardiff'. Thirty-one points beginning with: '1. Rebecca asleep with her husband has a dream about him and Daniel.' Last point: '31. She leaves the grass verge and gets back on the road again. Thinking of Daniel she has a collision with a car and is killed.' FIVE: Copy of typed 'postscript to my opinion dated 29th April 1968' by Pulman. On his letterhead. Dated 6 May 1968. 1p. 4to. Amending his proposed credit following a discussion 'at some length with Dick Sharples' to 'Screenplay by - RONALD DUNCAN Adapted by - JACK CARDIFF'. SIX: Copy of letter from Alan Griffiths General Secretary of the Writers' Guild to Stuart Freeman 14 May 1968. 1p. 4to. With Griffiths' compliments slip. [ The Writers' Guild of Great Britain, 430 Edgware Road, London. ] Two items on Pulman's letterhead, 31 Steele's Road, London. 1 unknown‎

Référence libraire : 18371

‎Jack Sher director screenwriter; Irene Kamp screenwriter; Tommy Sands Fabian Toby Michaels Edward Andrews starring‎

‎Love in a Goldfish Bowl The Beach Pad Original screenplay for the 1961 film‎

‎Hollywood: Paramount Pictures 1960. First Draft script for the 1961 film. With a typeover correction to the title page changing "The Beach Pad" to "Love in a Goldfish Bowl". <br/><br/>Two unlikely friends at a small college are forbidden to associate with each other despite each being the other's protector. Neither wishes to spend Easter break with their respective families and instead devise a plan to spend the holiday at an empty beach house. <br/><br/>Self-wrappers dated October 13 1960 noted as First Draft Screenplay rubber-stamped copy No. 120 with credits for screenwriter Jack Sher. 131 leaves with last page of text numbered 131. Mimeograph duplication with yellow and blue revision pages throughout dated variously between November 1 1960 and November 23 1960. Pages Very Good plus wrapper Very Good plus bound with three ring binding. Paramount Pictures unknown books‎

Référence libraire : 140101

‎Jack Smight (director); William Goldman (novel); John Gay (screenwriter); Rod Steiger, Lee Remick, George Segal, Eileen Heckart‎

‎No Way to Treat a Lady Original pressbook for the 1968 film‎

‎Los Angeles: Paramount Pictures 1968. Vintage pressbook for the 1968 film. <br /> <br /> One of the best unsung crime films of the 1960s featuring Rod Steiger as a serial killer and master of disguise a role which proved to be one of his best.<br /> <br /> 15 pages saddle stitched 12.25 x 15 inches. Near Fine. Paramount Pictures unknown‎

Référence libraire : 152857

‎Jack Smight director; William Goldman novel; John Gay screenwriter; Rod Steiger Lee Remick George Segal starring‎

‎No Way to Treat a Lady Original screenplay for the 1968 film signed by George Segal‎

‎Hollywood: Paramount Pictures 1967. Final Shooting script for the 1968 film. SIGNED by actor George Segal on the title page with a brief inscription. <br/><br/>Based on the 1964 novel by William Goldman. Christopher Gill Steiger is a serial killer who always seems to elude police detective Brummel Segal. <br/><br/>Green titled wrappers with Paramount logo in white and die cut title window on the front wrapper. Title page present dated June 13 1967 noted as Final Shooting Script with credits for screenwriter Gay director Smight and producer Sol C. Siegel rubber stamped copy No. 129. Last leaf of text numbered 143. Mechanical duplication on eye-rest green stock. Pages and wrapper Near Fine internally bound with two gold brads. Paramount Pictures unknown books‎

Référence libraire : 137956

‎Jack Warden, Catherine Hicks, Corey Feldman (starring); William Asher (director, screenwriter); Paul Diamond (screenwriter)‎

‎The Bad News Bears: The Headless Ghost of Mackintosh Manor Original screenplay for the 1980 television episode‎

‎Hollywood: Paramount Pictures 1979. Shooting script for Season 2 Episode 14 of the 1979-1980 television series. Copy belonging to an unidentified cast or crew member with their name in manuscript ink on the front wrapper.<br /> <br /> Based on the classic 1976 film starring Walter Matthau about an alcoholic former minor-league baseball player who becomes the coach of an unsuccessful youth baseball team. In this installment the kids pressure Buttermaker to take them on a camping trip.<br /> <br /> Beige titled wrappers dated July 18 1979 noted as SHOOTING SCRIPT. Title page present dated July 18 1979 noted as SHOOTING SCRIPT with credits for screenwriter Paul Diamond and others. 39 leaves with last page of text numbered 35. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Paramount Pictures unknown‎

Référence libraire : 162749

‎Jack Webb (director, starring); Jack Barrett (screenwriter); Henry Morgan (starring)‎

‎Dragnet 1970: Burglary Auto Forgery Narco Three original screenplays from the 1969 television series‎

‎Burbank CA: National Broadcasting Company NBC 1969. Three scripts from the seminal police procedural television program from its colorful pop culture-infused revival made between 1967-1970 starring Jack Webb and Henry Morgan along with a relentless cast of hippies druggies bad parents priests and a host of substantially less hip efficient and often troubled men and women of the Los Angeles Police Department. The collection includes:<br /> <br /> "Burglary Auto: Courtroom": Revised Draft script for Season Four episode nine which originally aired on November 20 1969. With a manuscript ink notation on the front wrapper referring to LAPD Sergeant Dan Cooke who was the department's liaison to the show. Friday and Gannon testify in court about a search of suspect's car but their key witness is missing. <br /> <br /> Pink self wrappers with title page integral on the front wrapper noted as production number 30208 dated September 9 and September 12 1969 with credits for screenwriter Barrett and LAPD technical advisor Lt. Charles W. Walters. 41 leaves with last page of text numbered 39. Mechanical duplication on pink stock with revision pages throughout dated 9/12/69. Pages Near Fine wrapper Very Good plus bound with two gold brads. <br /> <br /> "Narco: Pill Maker": Revised Draft script for Season Four episode 18 which originally aired on February 19 1970. Here under the slightly more formal working title "Narcotics: Pill Maker."<br /> <br /> Pink self wrappers with title page integral on the front wrapper noted as production No. 30237 dated November 26 and December 5 1969 with credits for screenwriter Harris and LAPD technical advisor Sgt. Ronald Garrahan. 43 leaves with last page of text numbered 41. Mechanical duplication on pink stock. Pages Near Fine wrapper Very Good plus bound with one gold brad. <br /> <br /> "Forgery: The Ranger": Revised Draft script for Season Four episode 21 which originally aired on March 12 1970. With a manuscript ink notation on the front wrapper referring to LAPD Sergeant Dan Cooke who was the department's liaison to the show. A routine traffic stop reveals a forest ranger in possession of checks and credit cards not in his name and Friday and Gannon begin to suspect him of being a con man. <br /> <br /> Blue self wrappers with title page integral on the front wrapper noted as production No. 30239 dated December 29 1969 and Janary 5 and 6 1970 with credits for screenwriter Dan Page and LAPD technical advisor Sgt. Robert L. Cameron. 42 leaves with last page of text numbered 34. Mechanical duplication on pink stock with blue revision pages bound in front dated 1/6/70. Pages Very Good plus wrapper Very Good plus bound with one silver brad. National Broadcasting Company [NBC] unknown‎

Référence libraire : 140527

‎Jack Webb (director, starring); Peggy Lee, Janet Leigh, Edmond O'Brien (starring); Richard L. Breen (screenwriter)‎

‎Pete Kelly's Blues Original publicity photograph of Jack Webb from the 1955 film‎

‎N.p.: N.p. 1955. Vintage borderless reference photograph for the 1955 film showing director and actor Jack Webb framed by two handcuffed arms. Newspaper clipping and "Examiner" reference library stamp on the verso.<br /> <br /> Based on the 1951 radio series about a bandleader and jazz cornetist working at a speakeasy in Prohibition-era Kansas City. Actress Peggy Lee was nominated for the Academy Award for Best Supporting Actress for her performance as alcoholic singer Rose Hopkins. <br /> <br /> From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. <br /> <br /> 7.75 x 12 inches archivally matted in a 14 x 18 inch 8-ply white mat. Very Good with touchups on the recto for print moderately creased and edgeworn. N.p. unknown‎

Référence libraire : 162921

‎Jack Webb director starring; Jack Barrett screenwriter; Henry Morgan starring‎

‎Dragnet 1970: Burglary Auto Forgery Narco Collection of three original screenplays from the 1969 television series‎

‎Burbank CA: National Broadcasting Company NBC 1969. Three scripts from the seminal police procedural television program from its colorful pop culture-infused revival made between 1967-1970 starring Jack Webb and Henry Morgan along with a relentless cast of hippies druggies bad parents priests and a host of substantially less hip efficient and often troubled men and women of the Los Angeles Police Department. The collection includes:<br/><br/>"Burglary Auto: Courtroom": Revised Draft script for Season Four episode nine which originally aired on November 20 1969. With a holograph ink notation on the front wrapper referring to LAPD Sergeant Dan Cooke who was the department's liaison to the show. Friday and Gannon testify in court about a search of suspect's car but their key witness is missing. <br/><br/>Pink self wrappers with title page integral to the front wrapper noted as production number 30208 dated September 9 and September 12 1969 with credits for screenwriter Barrett and LAPD technical advisor Lt. Charles W. Walters. 41 leaves with last page of text numbered 39. Mechanical duplication on pink stock with revision pages throughout dated 9/12/69. Pages Near Fine wrapper Very Good plus bound with two gold brads. <br/><br/>"Narco: Pill Maker": Revised Draft script for Season Four episode 18 which originally aired on February 19 1970. Here under the slightly more formal working title "Narcotics: Pill Maker."<br/><br/>Pink self wrappers with title page integral to the front wrapper noted as production No. 30237 dated November 26 and December 5 1969 with credits for screenwriter Harris and LAPD technical advisor Sgt. Ronald Garrahan. 43 leaves with last page of text numbered 41. Mechanical duplication on pink stock. Pages Near Fine wrapper Very Good plus bound with one gold brad. <br/><br/>"Forgery: The Ranger": Revised Draft script for Season Four episode 21 which originally aired on March 12 1970. With a holograph ink notation on the front wrapper referring to LAPD Sergeant Dan Cooke who was the department's liaison to the show. A routine traffic stop reveals a forest ranger in possession of checks and credit cards not in his name and Friday and Gannon begin to suspect him of being a con man. <br/><br/>Blue self wrappers with title page integral to the front wrapper noted as production No. 30239 dated December 29 1969 and Janary 5 and 6 1970 with credits for screenwriter Dan Page and LAPD technical advisor Sgt. Robert L. Cameron. 42 leaves with last page of text numbered 34. Mechanical duplication on pink stock with blue revision pages bound in front dated 1/6/70. Pages Very Good plus wrapper Very Good plus bound with one silver brad. National Broadcasting Company [NBC] unknown books‎

Référence libraire : 140527

‎Jackie Cooper (director); Bernard Slade (screenwriter); Jacqueline Bisset, Stella Stevens, Steve Lawrence, Gary Lockwood (starri‎

‎Stand Up and Be Counted Original photograph from the 1972 film‎

‎Culver City CA: Columbia Pictures 1972. Vintage borderless reference photograph from the 1972 film showing actors Gary Lockwood and Jacqueline Bisset in a candid pose.<br /> <br /> A journalist returns to her hometown to write an article about women's liberation and is surprised to discover her mother and sister are already self-declared feminists.<br /> <br /> Shot on location in Denver Colorado.<br /> <br /> 8 x 10 inches. Near Fine. Columbia Pictures unknown‎

Référence libraire : 149603

‎Jackie Cooper director; Bernard Slade screenwriter; Jacqueline Bisset Stella Stevens Steve Lawrence starring‎

‎Stand Up and Be Counted Original screenplay for the 1972 film‎

‎Culver City CA: Columbia Pictures 1971. Estimating script for the 1972 film. <br/><br/>Actor Jackie Cooper's directorial debut a humorous set of stories that follow multiple women. One of the first major Hollywood films on the Women's Liberation movement it contains depictions of militant women's rights groups mass political demonstrations and women who shirk traditional familial structures though due to its humor the film is often critically considered to have touched on the movement in a largely shallow manner. <br/><br/>Set in Denver and shot there on location. <br/><br/>Pale pink titled wrappers. Title page present dated July 9 1971 noted as ESTIMATING SCRIPT with credits for screenwriter Slade. 112 leaves mimeograph duplication on eye-rest green stock. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Columbia Pictures unknown books‎

Référence libraire : 130202

‎Jacqueline Bisset, Stella Stevens, Steve Lawrence (starring); Jackie Cooper (director); Bernard Slade (screenwriter)‎

‎Stand Up and Be Counted Original screenplay for the 1972 film‎

‎Culver City CA: Columbia Pictures 1971. Estimating script for the 1972 film. <br /> <br /> Actor Jackie Cooper's directorial debut a humorous set of stories that follow multiple women. One of the first major Hollywood films on the Women's Liberation movement it contains depictions of militant women's rights groups mass political demonstrations and women who shirk traditional familial structures though due to its humor the film is often critically considered to have touched on the movement in a largely shallow manner. <br /> <br /> Set in Denver and shot there on location. <br /> <br /> Pale pink titled wrappers. Title page present dated July 9 1971 noted as ESTIMATING SCRIPT with credits for screenwriter Slade. 112 leaves mimeograph duplication on eye-rest green stock. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Columbia Pictures unknown‎

Référence libraire : 130202

‎Jacques Becker (director, screenwriter); Roger Pigaut, Claire Maffei, Noel Roquevert, Gaston Modot (starring); Maurice Griffe, F‎

‎Antoine and Antoinette Three oversize photographs taken on the set of the 1947 film‎

‎Paris: Gaumont 1947. Three oversize photographs of director Jacques Becker and actors Claire Maffei and Roger Pigaut on the set of the 1947 film. Manuscript annotations and stamp of Gaumont Eagle-Lion on the versos. <br /> <br /> A working class couple in Paris find their dreams of a life free of financial hardship about to come true when they win the lottery only to have the dream snatched away when they lose the ticket on the Metro.<br /> <br /> Shot on location in Paris. <br /> <br /> 12 x 9 inches. Near Fine. Gaumont unknown‎

Référence libraire : 154857

‎Jacques Becker (director, screenwriter); Jose Giovanni (novel); Henry Thibault (photographer); Jean Aurel (screenwriter); Michel‎

‎Le Trou The Hole Original photograph of Jacques Becker and Marc Michel from the set of the 1960 film‎

‎Paris: Lorcaster 1960. Vintage borderless reference photograph of Jacques Becker and Marc Michel on the set of the 1960 film. "Lorcaster" and "636" stamps on verso. <br /> <br /> Based on the 1957 novel by Jose Giovanni. <br /> <br /> True story of the 1947 Le Sante Prison break with one of the real escapees Keraudy playing his own character in the film. <br /> <br /> Jacques Becker's final film having died two weeks after completing the film. Nominated for the Palm d'Or.<br /> <br /> 7 x 9 inches. Some light creasing else Near Fine. <br /> <br /> Buss French Film Noir. Criterion Collection 129. Godard Histoires du Cinema. Grant France. Hayden and Schneider 1001. Selby France. Spicer France. Lorcaster unknown‎

Référence libraire : 149957

‎Jacques Becker director screenwriter; Jose Giovanni novel; Jean Aurel screenwriter; Yves Le Deliou photographer; Michel Constan‎

‎Le Trou The Hole Collection of 16 original photographs from the 1960 film‎

‎France / Italy: Filmsonor 1960. Collection of 16 vintage borderless single weight still photographs from the 1960 French film noir. A remarkable collection including still photographs from the film candid shots and shots from the set. On-set images include director Jacques Becker with his camera and with the actors actors Marc Michel and Michel Constantin and other members of the cast and crew. Notations in holograph pencil on the versos of nearly the photos.<br/><br/>Based on Jose Giovanni's 1957 first novel "Le Trou" The Break. True story of the 1947 Le Sante Prison break with one of the real escapees Keraudy playing his own character in the film. <br/><br/>Four photos 7 x 9.5 inches twelve photos 5 x 7 inches. Very Good plus to Near Fine. <br/><br/>Buss French Film Noir. Criterion Collection 129. Godard Histoires du Cinema. Grant France. Hayden and Schneider 1001. Selby France. Spicer France. Filmsonor unknown books‎

Référence libraire : 140402

‎Jacques Becker director screenwriter; Maurice Griffe Francoise Giroud screenwriters; Roger Pigaut Claire Maffei Noel Roqueve‎

‎Antoine and Antoinette Original photograph from the set of the 1947 film‎

‎Paris: Gaumont 1947. Vintage photograph of director Jacques Becker and actor Claire Maffei on the set of the 1947 film. With holograph annotations and a rubber stamp on the verso. <br/><br/>A working class couple in Paris find their dreams of a life free of financial hardship about to come true when they win the lottery only to have the dream snatched away when they lose the ticket on the Metro.<br/><br/>Shot on location in Paris. <br/><br/>7 x 5 inches. Near Fine. Gaumont unknown books‎

Référence libraire : 144680

‎Jacques Deray (director, screenwriter); Eugene Saccomano (novel); Jean-Claude Carriere, Jean Cau, Claude Sautet (screenwriters);‎

‎Borsalino Marseille 1930 Original screenplay for the 1970 film‎

‎Paris: Adel Productions 1969. Draft script for the 1970 French film noir here under the working title "Marseille 1930." Text in French.<br /> <br /> Annotation on front wrapper of release title written large and boldly in cursive manuscript pencil with working title on title page. Erased annotations in manuscript pencil still visible on upper left of title page of names of actors "Alan Delon" and "Belmondo" with two other names illegible. A few annotations in manuscript pencil and ink on several pages circling characters or props and one noting the camera field of vision otherwise changes to scene numbers.<br /> <br /> Based on the 1959 history of Marseille gangsters "Bandits a Marseille" by Eugene Saccamano. Two small time gangsters Belmondo and Delon in 1930s Marseille join forces and go into business themselves vying for control against mob bosses. Director Jacques Deray released the sequel "Borsalino and Co" in 1974 starring Alain Delon and Riccardo Cucciolla.<br /> <br /> <br /> Set in and shot on location in Marseille and Paris. <br /> <br /> Gray untitled wrappers bound at the left in black cloth tape as issued. Title page present. Mimeograph duplication rectos only. Pages Near Fine with first two pages separating from binding near top wrapper with light soiling else Near Fine bound with binding tape.<br /> <br /> Grant France. Spicer France. Adel Productions unknown‎

Référence libraire : 148989

‎Jacques Demy (director, screenwriter); Charles Perrault (fairy tale); Catherine Deneuve, Jean Marais, Jacques Perrin (starring)‎

‎Donkey Skin Peau d'Ane Original photograph of Jacques Demy from the set of the 1970 film‎

‎Vintage borderless double weight reference photograph of Jacques Demy on the set of the 1970 film. <br /> <br /> Based on the 1695 French fairytale in verse by Charles Perrault with numerous references to Jean Cocteau's 1946 "Beauty and the Beast."<br /> <br /> Upon the deathbed of his beautiful wife the Blue Queen the Blue King promises he would only marry someone more beautiful than her and the only woman lovelier in the kingdom is their daughter the Blue Princess. With the help of her wise godmother the Fairy of the Lilac the Blue Princess escapes to a nearby village wearing the foul skin of the king's prize donkey.<br /> <br /> Shot on location in Chambord Ecuille Gmabais Manche and Oise France. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Criterion Collection 718. unknown‎

Référence libraire : 150845

‎Jacques Demy (director, screenwriter); Raymond Cauchetier (photographer); Anouk Aimee, Marc Michel, Jacques Harden (starring)‎

‎Lola Original oversize photograph of Anouk Aimee from the 1961 film‎

‎N.p.: N.p. 1961. Vintage oversize borderless double weight reference photograph of Anouk Aimee from the 1961 film. Provenance stamp of film scholar and author "Jean-Pierre Berthome" and provenance label of "de Selva - Tapabor" on verso. <br /> <br /> Jacques Demy's tribute to Max Ophuls with title and character inspired by Josef von Sternberg's "Der Blaue Engel" 1930 starring Marlene Dietrich.<br /> <br /> Roland Cassard is a bored layabout until he has a chance encounter with Lola a girl he dated in his teens before the war. Roland finds a renewed purpose in life realizing he is still in love with Lola now a cabaret dancer and mother who hopes her son's father her true love may still return. <br /> <br /> Shot on location in Nantes France. <br /> <br /> 8.75 x 12 inches. Very Good plus with some edge and corner wear. <br /> <br /> Criterion Collection 714. Rosenbaum 1000. N.p. unknown‎

Référence libraire : 151020

‎Jacques Demy (director, screenwriter); Anouk Aimee, Gary Lockwood, Alexandra Hay (starring)‎

‎Model Shop Three original photographs two of Jacques Demy and Anouk Aimee and one of Demy with a crew member from the set of the 1969 film‎

‎N.p.: N.p. 1969. Three vintage borderless reference photographs from the set of the 1969 film. Provenance stamps of film scholar and author J. P. Berthome on versos of all three and one with a National Film Archive stamp on the verso.<br /> <br /> Demy's first English language film recently a subject of renewed interest in two different documentaries about the Laurel Canyon music scene of the late 1960s.<br /> <br /> A young discontented man in a dead-end relationship learns his draft notice has arrived and he is due to report for Army duty the following week. While out trying to raise money to keep his car from being repossessed he sees and becomes obsessed with the beautiful Lola an older French model who works in a "model shop" posing for photographers.<br /> <br /> Set and shot on location in Laurel Canyon Los Angeles California. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Twilight Time 327. N.p. unknown‎

Référence libraire : 150969

‎Jacques Demy (director, screenwriter); Sylvain Legrand (photographer); Francis Huster, Laurent Malet, Jean Marais (starring)‎

‎Parking Original photograph from the 1985 film‎

‎Paris: France 3 Cinema 1985. Vintage matte reference photograph of Marie-France Pisier Francis Huster and Jean Marais from the 1985 film. Provenance stamp of film scholar and author "Jean-Pierre Berthome" on verso.<br /> <br /> Jacques Demy's homage to and an update on Jean Cocteau's 1950 masterwork "Orpheus." A quintessentially 1980s Rock Opera musical with Orpheus as a French pop star and Cocteau's Orpheus Marais returning as Hades operating out of an underground parking garage. Music by Demy's long-time collaborator Michel Legrand.<br /> <br /> Set in and shot on location in Paris France. <br /> <br /> 9.5 x 7 inches. Near Fine. France 3 Cinema unknown‎

Référence libraire : 151510

‎Jacques Demy (director, screenwriter); Donovan, Donald Pleasence, John Hurt, Diana Dors (starring); Andrew Birkin, Mark Peploe (‎

‎The Pied Piper Two original photographs one of John Hurt Jacques Demy and Donald Pleasance on the set and one of Donovan all from the 1972 film‎

‎N.p.: N.p. 1972. Two vintage borderless reference photographs from of the 1972 film one showing actor Donovan in costume as the Piper the other showing actors John Hurt and Donald Pleasance with director Jacques Demy on the set. One with mimeo snipe and provenance stamp of film scholar and author Jean-Pierre Berthome on the verso the other with layout annotations in manuscript pencil on both recto and verso.<br /> <br /> Demy's take on the classic medieval German legend set in 1349 Germany during the spread of the Black Death and featuring Donovan who also composed music for the film. <br /> <br /> 6.75 x 10 inches and 7 x 10 inches. One Near Fine the other Very Good plus both with light rippling. N.p. unknown‎

Référence libraire : 151016

‎Jacques Demy (director, screenwriter); Catherine Deneuve, Anne Vernon, Nino Castelnuovo, Marc Michel (starring)‎

‎The Umbrellas of Cherbourg Les Parapluies de Cherbourg Six original photographs from the 1965 US release of the 1964 French film‎

‎Glendale CA: Allied Artists 1965. Six vintage studio still photographs from the US release of the 1964 French film. <br /> <br /> One of director Jacques Demy's most beloved films about a young woman in Cherbourg who falls in love with a man who is promptly drafted into the Algerian War. A classic of French cinema with every word of dialogue sung in recitative. The first French film musical shot in color and the movie that made Catherine Deneuve a star.<br /> <br /> Winner of the Palme d'Or and two other prizes at the 1964 Cannes Film Festival and nominated for five Academy Awards<br /> <br /> Set and shot on location in Cherbourg Normandy France.<br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Criterion Collection 716. Godard Histoires du cinema. Allied Artists unknown‎

Référence libraire : 151677

‎Jacques Demy (director, screenwriter); Catherine Deneuve, Anne Vernon, Nino Castelnuovo, Marc Michel (starring)‎

‎The Umbrellas of Cherbourg Les Parapluies de Cherbourg Five original photographs from the 1964 French film‎

‎Paris: Parc Film 1964. Five vintage borderless photographs from the 1964 film including three reference photographs showing Jacques Demy on the set and one of Demy and composer Michel Legrand. Three with French release stamps on the verso and one with a provenance stamp on the same.<br /> <br /> One of Demy's most beloved films about a young woman in Cherbourg who falls in love with a man who is promptly drafted into the Algerian War. A classic of French cinema with every word of dialogue sung in recitative. The first French film musical shot in color and the movie that made Deneuve a star. <br /> <br /> Winner of the Palme d'Or and two other prizes at the 1964 Cannes Film Festival and nominated for five Academy Awards including Best Screenplay.<br /> <br /> Set and shot on location in Cherbourg Normandy France.<br /> <br /> Photographs range in size from 7 x 5 inches to 9.5 x 7.25 inches. Some light edgewear else Near Fine overall.<br /> <br /> Criterion Collection 716. Godard Histoires du cinema. Parc Film unknown‎

Référence libraire : 151000

‎Jacques Demy (director, screenwriter); Catherine Deneuve, George Chakiris, Francoise Dorleac, Gene Kelly (starring)‎

‎The Young Girls of Rochefort Les Demoiselles de Rochefort Two original photographs from the 1967 French film‎

‎Paris: France-Soir 1967. Two vintage borderless reference photographs from the 1967 French film. Both with stamps on the verso crediting photographer André Grassart. <br /> <br /> In search of love two sisters leave their small hometown and begin working as traveling carnival singers. Director Jacques Demy's charming follow-up to his 1964 film "The Umbrellas of Cherbourg."<br /> <br /> Shot on location in Rochefort Charente-Maritime France. <br /> <br /> Both photographs approximately 12 x 8 inches. Near Fine. <br /> <br /> BFI. Criterion Collection 717. Rosenbaum 1000. France-Soir unknown‎

Référence libraire : 157108