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Pola Negri (starring); George Fitzmaurice (director); Robert Hichens (novel); Ouida Bergere (screenwriter)
Bella Donna Original photograph of Pola Negri and George Fitzmaurice on the set of the 1923 film
Hollywood: Paramount Pictures 1923. Vintage reference photograph taken on the set of the 1923 silent film showing director actress Pola Negri and George Fitzmaurice between takes together consulting a copy of Robert Hichens' source novel. Mimeo snipe provenance stamp and Famous Players-Lasky stamp on the verso.<br /> <br /> Based on Paramount's 1915 film of the same name which was based in turn on Hichens' 1909 novel about the titular seductress and the men who fall into her love trap. Early noir antecedent.<br /> <br /> 10 x 8 inches. Very Good plus with a two-inch flaw in the finish affecting the bottom left corner. Paramount Pictures unknown
Référence libraire : 164284
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Pola Negri (starring); Sada Cowan (screenwriter); Robert Frazer, Wallace MacDonald, Trixie Friganza (starring); Sidney Olcott (d
The Charmer Original photograph of Pola Negri from the 1925 silent film
Los Angeles: Paramount Pictures 1925. Vintage reference photograph from the 1925 silent film showing actress Pola Negri holding a small goat. With a mimeo snipe on the verso. <br /> <br /> A dancer achieves sudden fame and wealth when she is discovered performing in a Spanish cafe and brought to New York but soon finds life in high society is more difficult than glamorous. Now considered to be a lost film.<br /> <br /> Set in New York and Spain.<br /> <br /> 10 x 8 inches. Very Good plus with light even toning and edgewear. Paramount Pictures unknown
Référence libraire : 148229
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Polonsky Abraham screenwriter
MONSIGNOR" SCREENPLAY BY.
Np: Twentieth Century-Fox 1981. 1132 leaves. Quarto. Mechanically reproduced typescript printed on rectos only. Bradbound in printed studio wrappers. Slight sunning to wrappers title lettered on spine but very good or better. An unspecified draft of Abraham Polonsky's adaptation to the screen of Jack-Alain Léger's novel. However a number of drafts preceded and many subsequent revised drafts followed and the script for the 1982 film release directed by Frank Perry was credited on screen to Wendell Mayes who wrote at least one early draft in February 1979. In spite of that drafts as late as October 1981 bore only Polonsky's name. This was the last film with which Polonsky was associated as screenwriter though to what degree it was a collaborative effort is unclear. As screenwriter for BODY AND SOUL 1947 and writer/director of FORCE OF EVIL 1948 Polonsky was well on his way toward a distinguished career in film when he was blacklisted and fired by Fox for refusing to cooperate with HUAC. He continued to work during the Blacklist either uncredited or pseudonymously and in 1996 the Writers Guild restored his real name and credits. Twentieth Century-Fox unknown books
Référence libraire : WRCLIT60361
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Polonsky Abraham screenwriter
MONSIGNOR" SCREENPLAY BY.
Np: Twentieth Century-Fox 1980. 1142 leaves. Quarto. Photomechanically reproduced typescript printed on rectos only. Bradbound in printed studio wrappers. Two neatly written ink queries re: plotting in upper margin of front wrapper a couple corner creases title lettered on spine else very good or better. An unspecified draft of Abraham Polonsky's adaptation to the screen of Jack-Alain Léger's novel. However a number of drafts preceded and many subsequent revised drafts followed and the script for the 1982 film release directed by Frank Perry was credited on screen to Wendell Mayes who wrote at least one early draft in February 1979. In spite of that drafts as late as October 1981 bore only Polonsky's name. This was the last film with which Polonsky was associated as screenwriter though to what degree it was a collaborative effort is unclear. As screenwriter for BODY AND SOUL 1947 and writer/director of FORCE OF EVIL 1948 Polonsky was well on his way toward a distinguished career in film when he was blacklisted and fired by Fox for refusing to cooperate with HUAC. He continued to work during the Blacklist either uncredited or pseudonymously and in 1996 the Writers Guild restored his real name and credits. Twentieth Century-Fox unknown books
Référence libraire : WRCLIT60360
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Polonsky Abraham screenwriter
MONSIGNOR" SCREENPLAY BY.
Los Angeles: Twentieth Century-Fox 1981. 2138 leaves. Quarto. Mechanically reproduced typescript printed on rectos only. Bradbound in printed studio wrappers. Small ink stroke on upper wrapper but very good or better. A "revised" draft of Abraham Polonsky's adaptation to the screen of Jack-Alain Léger's novel. A number of drafts preceded and the script for the 1982 film release directed by Frank Perry was credited on screen to Wendell Mayes who wrote at least one early draft in February 1979. In spite of that many interim drafts preceding this one bear only Polonsky's name. A prefatory leaf notes "This script not to be interchanged with Italian Script." This was the last film with which Polonsky was associated as screenwriter though to what degree it was a collaborative effort is unclear. As screenwriter for BODY AND SOUL 1947 and writer/director of FORCE OF EVIL 1948 Polonsky was well on his way toward a distinguished career in film when he was blacklisted and fired by Fox for refusing to cooperate with HUAC. He continued to work during the Blacklist either uncredited or pseudonymously and in 1996 the Writers Guild restored his real name and credits. Twentieth Century-Fox unknown books
Référence libraire : WRCLIT60363
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Polonsky Abraham screenwriter
MONSIGNOR" SCREENPLAY BY.
Np 1979. 1124 leaves. Quarto. Mimeographed typescript printed on rectos only. Boltbound into plain stiff wrappers. Scattered and occasionally detailed revisions deletions comments and annotations in an unknown hand in pencil and ink otherwise very good or better. Denoted a "Final Draft" of Abraham Polonsky's adaptation to the screen of Jack-Alain Léger's novel. However many subsequent revised drafts followed and the script for the 1982 film release directed by Frank Perry was credited on screen to Wendell Mayes who wrote at least one early draft in February 1979. In spite of that drafts as late as October 1981 bore only Polonsky's name. This was the last film with which Polonsky was associated as screenwriter though to what degree it was a collaborative effort is unclear. As screenwriter for BODY AND SOUL 1947 and writer/director of FORCE OF EVIL 1948 Polonsky was well on his way toward a distinguished career in film when he was blacklisted and fired by Fox for refusing to cooperate with HUAC. He continued to work during the Blacklist either uncredited or pseudonymously and in 1996 the Writers Guild restored his real name and credits. While the authors of the annotations may not be identifiable at this point the notes/revisions were surely made by someone intimately involved in the process. unknown books
Référence libraire : WRCLIT54944
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Polonsky Abraham: Mayes Wendell screenwriter
MONSIGNOR" SCREENPLAY BY . BASED ON THE NOVEL BY JACK-ALAIN LEGER
Los Angeles: Frank Yablans Presentations in Association with Twentieth Century-Fox 1979. 1156 leaves. Quarto. Mechanically reproduced typescript printed on rectos only. Bradbound in printed production company/studio wrappers. Near fine. A quite early "third" draft of Mayes's adaptation to the screen of Jack-Alain Léger's novel. The script for the 1982 film release directed by Frank Perry was credited on screen to Mayes. In spite of that many many subsequent drafts bear Abraham Polonsky's name exclusively. This draft differs markedly from the several Polonsky drafts that we have examined the earliest dating from October of 1979. This was the last film with which Polonsky was associated as screenwriter though to what degree it was a collaborative effort is unclear. As screenwriter for BODY AND SOUL 1947 and writer/director of FORCE OF EVIL 1948 Polonsky was well on his way toward a distinguished career in film when he was blacklisted and fired by Fox for refusing to cooperate with HUAC. He continued to work during the Blacklist either uncredited or pseudonymously and in 1996 the Writers Guild restored his real name and credits. Frank Yablans Presentations in Association with Twentieth Century-Fox unknown books
Référence libraire : WRCLIT60364
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Ponicsan Darryl screenwriter
TAPS
Los Angeles: Stanley Jaffe Productions / Twentieth century- Fox 1981. 11261 leaves. Quarto. Photoduplicated typescript printed on rectos only of yellow stock. Bradbound without wrappers. An unidentified but revised draft of this adaptation of Deverey Freeman's novel FATHER SKY. The 1981 release was directed by Harold Becker and starred George C. Scott Timothy Hutton Ronny Cox Sean Penn and Tom Cruise. The final screen credits were shared by Ponicsan James Lineberger and Robert Kamen. We have also had a copy of the first draft dated 28 January 1961 and this draft is significantly revised. Stanley Jaffe Productions / Twentieth century- Fox unknown books
Référence libraire : WRCLIT67885
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Ponicsan Darryl screenwriter
TAPS
Los Angeles: Stanley Jaffe Productions / Twentieth century- Fox 1981. 11261 leaves. Quarto. Photoduplicated typescript printed on rectos only of yellow stock. Bradbound in light blue printed production company wrappers. Trace of sunning and a few stray minor marks to upper wrapper otherwise very good to near fine. An unidentified but revised draft of this adaptation of Deverey Freeman's novel FATHER SKY. The 1981 release was directed by Harold Becker and starred George C. Scott Timothy Hutton Ronny Cox Sean Penn and Tom Cruise. The final screen credits were shared by Ponicsan James Lineberger and Robert Kamen. We have also had a copy of the first draft dated 28 January 1981 and this draft is significantly revised. Stanley Jaffe Productions / Twentieth century- Fox unknown books
Référence libraire : WRCLIT66776
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Ponicsan Darryl screenwriter
TAPS
Los Angeles: Stanley Jaffe Productions / Twentieth century- Fox 1981. 1131 leaves. Quarto. Photoduplicated typescript printed on rectos only. Bradbound in medium brown printed production company wrappers. Title lettered on spine tips of brads poking through lower wrapper very good or better. Denoted a "first draft" of this adaptation of Deverey Freeman's novel FATHER SKY. The 1981 release was directed by Harold Becker and starred George C. Scott Timothy Hutton Ronny Cox Sean Penn and Tom Cruise. The final screen credits were shared by Ponicsan James Lineberger and Robert Kamen. Stanley Jaffe Productions / Twentieth century- Fox unknown books
Référence libraire : WRCLIT61674
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Ponicsan Darryl screenwriter
THE MISSISSIPPI A ONE HOUR PILOT .
Burbank CA: Waite -Dorso Productions / Warner Bros. 1982. 1621 leaves. Quarto. Photomechanically reproduced typescript printed on rectos only. Bradbound in studio wrappers. Light use script number inked on upper wrapper very good. A revised first draft of this pilot for the two-season series directed by Richard Sarafian and starring Ralph Waite. This pilot aired in June of the same year and at least on IMDB other writers receive credit for some of the episodes in the remainder of the series. Waite -Dorso Productions / Warner Bros. unknown books
Référence libraire : WRCLIT68060
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Porter William S. sourcework: Michaels Sidney screenwriter
THE GIFT OF THE MAGI" teleplay
Beverly Hills: Cates Bros. Co. Production 1978. 1A-F4139 leaves with many lettered inserted revises and some spanning leaves. Quarto. Mechanically reproduced typescript printed on rectos only of yellow white blue salmon and goldenrod stock. Bradbound. A few scattered annotations cover and terminal leaves detached from brads; a modestly used but good copy. A "revised final draft" but with a multitude of subsequent dated revisions inserted of this made for television movie adaptation - as a musical - inspired somewhat by O. Henry's classic Christmas story directed by Marc Daniels starring Jim Backus Peter Graves as O. Henry Debby Boone John Rubenstein et al. This version aired 21 December 1978 on NBC and this script appears to have been utilized in the process of transfer to video. The music is credited to Stanley Lebowsky with lyrics by Fred Tobias. Curiously Sidney Michaels the multi-Tony award nominated writer is given full credit on this script but at the time of this cataloguing is not credited on IMDB. Cates Bros. Co. Production unknown books
Référence libraire : WRCLIT77061
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Poul Nyrup (director, screenwriter); Preben Nicolaisen, Anders Dahlerup, Annette Post (starring)
Days of Sin and Nights of Nymphomania Two original photographs from the 1963 film
N.p.: Audubon Films 1965. Two vintage studio still photographs from the US release of the 1963 Danish film. One photograph with a provenance stamp on the verso. <br /> <br /> Quickie and Rabbit organize a wild party for their friend Kim who was just released from jail for attempted rape.<br /> <br /> 8 x 10 inches. Very Good plus one with light creasing and several pinholes. Audubon Films unknown
Référence libraire : 161652
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Powers Boothe, Meg Foster, Charley Boorman (starring); John Boorman (director); Rospo Pallenberg (screenwriter)
The Emerald Forest Six original publicity photographs for the 1985 film
Los Angeles: Embassy Films 1985. Six vintage publicity photographs for the US release of the 1985 British film.<br /> <br /> After his family moves to Brazil for his father's engineering job an American boy is kidnapped by an indigenous tribe and raised in the Amazon jungle. <br /> <br /> 8 x 10 inches. Very Good plus to Near Fine. Embassy Films unknown
Référence libraire : 168039
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Preston Foster George Barbier Lynn Bari starring; Alfred L. Werker director; John Larkin screenwriter
News Is Made at Night Original screenplay for the 1939 film
Los Angeles: Twentieth Century-Fox 1939. Final script for the 1939 film. <br/><br/>Steve Drum Foster is a crusading newspaper editor helps free a man framed for a crime and aids in finding the real culprit. Staff reporter Maxine Thomas Bari goes along for the ride. <br/><br/>Director Werker's other notable films include the films noir "Shock" 1946 and "He Walked by Night" 1948. <br/><br/>Light blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 33 dated JANUARY 17 1939. Distribution page present with receipt intact. Title page present dated January 17 1939 noted as Final script with credits for screenwriter Larkin. 146 leaves mechanical duplication with the last leaf of text numbered 143. Blue revision pages throughout dated variously between 1/21/39 and 2/2/39. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Twentieth Century-Fox unknown books
Référence libraire : 128768
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Preston Sturges (director, screenwriter); GE. Richardson (photographer); Brian Donlevy, Muriel Angelus, Akim Tamiroff, Allyn Jos
The Great McGinty Original photograph of Preston Sturges and Muriel Angelus on the set of the 1940 film
Los Angeles: Paramount Pictures 1940. Vintage borderless photograph of Preston Sturges and Muriel Angelus on the set of the 1940 film. Mimeo snipe and "Paramount Photo by G.E. Richardson" stamp on verso. <br /> <br /> Sturges had become a very successful Hollywood screenwriter by the late 1930s and with his screenplay for "The Biography of a Bum" wanted so much to direct the film that he offered to do the job for free. With very few exceptions notably Charlie Chaplin the notion of an established studio writer directing a film was nearly unheard of in Hollywood where writers were typically not even allowed on the set. Only the irresistible cheapness of Sturges' offer made it possible for the film to get made. <br /> <br /> Over the six year period during which the script remained unproduced the title changed to "The Vagrant" then "Down with McGinty" then finally just prior to production to "The Great McGinty." It was not only a success but won Sturges an Oscar for Best Screenplay. More importantly he was allowed to continue as a writer-director with a magnificent career that included one classic after another including "Sullivan's Travels" "The Lady Eve" "Unfaithfully Yours" "The Palm Beach Story" and "Hail the Conquering Hero."<br /> <br /> 8 x 10 inches. Light edgewear and faint creasing else Near Fine. Paramount Pictures unknown
Référence libraire : 148508
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Preston Sturges (director, screenwriter); Claudette Colbert, Joel McCrea, Mary Astor (starring)
The Palm Beach Story Original photograph of Preston Sturges and Claudette Colbert from the set of the 1942 film
Los Angeles: Paramount Pictures 1942. Vintage photograph of Preston Sturges adjusting Claudette Colbert's outfit made of men's pajamas and a pullman blanket on the set of the 1942 film. Studio label affixed to bottom margin of recto with ambiguous initials and "May 30" written in manuscript ink. Mimeo snipe on verso. <br /> <br /> In the minds of some critics Sturges closed out the screwball comedy era with a bang in this breakneck venture which had dialogue flying back and forth at a speed that was radical even by Sturges' standards. <br /> <br /> 8 x 10 inches. Very Good with some creasing and edgewear. <br /> <br /> <br /> Criterion Collection 742. Rosenbaum 1000. Byrge & Miller The Screwball Comedy Films: A History and Filmography 1934-1942. Paramount Pictures unknown
Référence libraire : 149117
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Preston Sturges (director, screenwriter); Rex Harrison, Linda Darnell, Rudy Vallee (starring)
Unfaithfully Yours Original photograph from the 1948 film
Los Angeles: Twentieth Century-Fox 1948. Vintage studio still photograph of Kurt Kreuger Linda Darnell and Rex Harrison from the 1948 film. <br /> <br /> Sturges set a goal of combining what is today known as a film noir dynamic with his trademark literate screwball comedy dialogue and structure making a movie that is today still as unique as it is classic. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Criterion Collection 292. Selby US. Twentieth Century-Fox unknown
Référence libraire : 148200
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Preston Sturges (director, screenwriter); Linda Darnell, Rex Harrison (starring)
Unfaithfully Yours Original photograph from the set of the 1948 film
Berlin: Nero AG 1948. Vintage black-and-white photograph of director Preston Sturges and actors Linda Darnell and Rex Harrison on the set of the 1948 film. <br /> <br /> 8 x 10 inches 20.5 x 25.5 inches. Near Fine. <br /> <br /> Criterion Collection 292. Nero AG unknown
Référence libraire : 135654
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Preston Sturges director screenwriter; Barbara Stanwyck Henry Fonda starring; GE. Richardson photographer G. E.
The Lady Eve Original double weight photograph of Henry Fonda and Barbara Stanwyck from the 1941 film
Hollywood: Paramount Pictures 1941. Vintage double weight studio still photograph of hapless Henry Fonda and beguiling Barbara Stanwyck from the 1941 film. Rubber stamp on the verso dated December 4 1940 indicating that Hollywood Advisory Council i.e. Hayes Office has approved the photo as not being scandalous. <br/><br/>8 x 10 inches. Fine. <br/><br/>National Film Registry. Criterion Collection 103. Paramount Pictures unknown books
Référence libraire : 134870
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Preston Sturges director screenwriter; Barbara Stanwyck Henry Fonda starring; GE. Richardson photographer G. E.
The Lady Eve Original photograph of Preston Sturges and Barbara Stanwyck on the set of the 1941 film
Hollywood: Paramount Pictures 1941. Single weight borderless photograph of director Preston Sturges and Barbara Stanwyck working on the set of "The Lady Eve" in 1941. Rubber stamp crediting Paramount photographer G.E. Richardson on the verso with a corresponding date stamp of April 7 1941 and a mimeo snipe printed on same describing the scene. <br/><br/>9.5 x 7.5 inches. Fine. <br/><br/>National Film Registry. Criterion Collection 103. Paramount Pictures unknown books
Référence libraire : 134859
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Preston Sturges director screenwriter; Brian Donlevy William Demarest starring
The Great McGinty Down Went McGinty Original screenplay for the 1940 film
Hollywood: Paramount Pictures 1939. Master File script for the 1940 film "The Great McGinty" seen here under the working title "Down Went McGinty" corrected in red pencil to "The Great McGinty." This revision contains an appropriately unusual and rather whimsical foreword by Sturges with two earlier titles "Biography of a Bum" and "The Vagrant" cited on the second and fourth leaves respectively. <br/><br/>Sturges had become a very successful Hollywood screenwriter by the late 1930s and with his screenplay for "The Biography of a Bum" wanted so much to direct the film that he offered to do the job for free. With very few exceptions notably Charlie Chaplin the notion of an established studio writer directing a film was nearly unheard of in Hollywood where writers were typically not even allowed on the set. Only the irresistible cheapness of Sturges' offer made it possible for the film to get made. <br/><br/>Over the six year period during which the script remained unproduced the title changed to "The Vagrant" then "Down with McGinty" then finally just prior to production to "The Great McGinty." It was not only a success but won Sturges an Oscar for Best Screenwriter. More importantly he was allowed to continue as a writer-director with a magnificent career that included one classic after another including "Sullivan's Travels" "The Lady Eve" "Unfaithfully Yours" "The Palm Beach Story" and "Hail the Conquering Hero."<br/><br/>Tall cream colored titled self wrappers rubber-stamped Production No. 672 MASTER FILE FILE COPY PRODUCED and PLEASE RETURN TO THE STORY DEPARTMENT / PARAMOUNT STUDIO - HOLLYWOOD. Dated April 28 1939. Title page present dated 1933 with credits for screenwriter Sturges and Sturges' name written in holograph pencil just above. 109 leaves mimeograph on cream colored stock. Pages Near Fine wrapper Very Good plus. Side stapled. Paramount Pictures unknown books
Référence libraire : 151485
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Preston Sturges director screenwriter; GE. Richardson photographer; Brian Donlevy Muriel Angelus Akim Tamiroff Allyn Joslyn
The Great McGinty Original photograph of Preston Sturges and Muriel Angelus on the set of the 1940 film
Los Angeles: Paramount Pictures 1940. Vintage borderless photograph of Preston Sturges and Muriel Angelus on the set of the 1940 film. Mimeo snipe and "Paramount Photo by G.E. Richardson" stamp on verso. <br/><br/>Sturges had become a very successful Hollywood screenwriter by the late 1930s and with his screenplay for "The Biography of a Bum" wanted so much to direct the film that he offered to do the job for free. With very few exceptions notably Charlie Chaplin the notion of an established studio writer directing a film was nearly unheard of in Hollywood where writers were typically not even allowed on the set. Only the irresistible cheapness of Sturges' offer made it possible for the film to get made. <br/><br/>Over the six year period during which the script remained unproduced the title changed to "The Vagrant" then "Down with McGinty" then finally just prior to production to "The Great McGinty." It was not only a success but won Sturges an Oscar for Best Screenplay. More importantly he was allowed to continue as a writer-director with a magnificent career that included one classic after another including "Sullivan's Travels" "The Lady Eve" "Unfaithfully Yours" "The Palm Beach Story" and "Hail the Conquering Hero."<br/><br/>8 x 10 inches. Light edgewear and faint creasing else Near Fine. Paramount Pictures unknown books
Référence libraire : 148508
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Preston Sturges director screenwriter; Linda Darnell Rex Harrison starring
Unfaithfully Yours Original photograph from the set of the 1948 film
Berlin: Nero AG 1948. Vintage black-and-white photograph of director Preston Sturges and actors Linda Darnell and Rex Harrison on the set of the 1948 film. <br/><br/>8 x 10 inches 20.5 x 25.5 inches. Near Fine. <br/><br/>Criterion Collection 292. Nero AG unknown books
Référence libraire : 135654
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Preston Sturges director screenwriter; Rex Harrison Linda Darnell Rudy Vallee Barbara Lawrence starring
Unfaithfully Yours Original screenplay for the 1948 film crew member's copy
Los Angeles: Twentieth Century-Fox 1948. Revised Final Draft script for the 1948 film. Copy belonging to an uncredited member of the film cast or crew with that person's name in holograph pencil on the front wrapper. Notations in holograph pencil on the title page noting members of the cast and on a few pages. Housed in a custom cloth clamshell box. From the Richard Manney collection of film noir. <br/><br/>Red titled wrappers noted as REVISED FINAL on the front wrapper rubber-stamped copy No. 24 dated February 10 1948. Title page present dated February 10 1948 noted as Revised Final with a credit for screenwriter Sturges. 153 leaves with last page of text numbered 154. Mimeograph duplication dated variously betwee 2/10/48 and 2/13/48 with blue revision pages throughout dated variously between 2/16/48 and 3/4/48. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. <br/><br/>Criterion Collection 292. Selby US. Twentieth Century-Fox unknown books
Référence libraire : 137021
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PREVERT Jacques
Lettres des Iles BALADAR
In 8 cartonné à l’italienne, couverture illustrée en couleurs, titre illustré, 48 pages, illustrations, dans le texte et à pleine page, de Jacques FRANCOIS Librairie Gallimard 1952. Collection le point du jour. Trace de scotch, séchée, page, ainsi un petit manque de papier, restauré, page de titre. Sinon bon ensemble
Référence libraire : 9462
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PREVERT Jacques
spectacle
in 12 broché, couverture rouge imprimée, titre, 365 pages, non coupé, Gallimard collection le point du jour 20 octobre 1951 sur papier très bon état
Référence libraire : 11988
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Price Richard sourcework and Walter Newman screenwriter
BLOODBROTHERS" . FROM THE NOVEL BY .
Los Angeles: Warner Brothers 1977. 11321 leaves plus lettered inserts. Quarto. Mechanically reproduced typescript printed on rectos only of white blue and salmon stock. Bradbound in studio wrappers. Inner top corner of lower wrapper and terminal leaf a bit dust-tanned small spot on lower wrapper typical modest use at overlap wrapper edges but very good or better. Copy #3 of this "Final Draft" of Newman's adaptation to film of Price's 1976 novel but evidencing further revisions over the 8 week stretch noted above. Robert Mulligan directed the Fall 1978 release starring Paul Sorvino Richard Gere Tony Lo Bianco et al. Marcus's screenplay was nominated for both Academy and WGA awards. Newman had a distinguished career as screen and television writer going back to the 1950s with credits on THE MAN WITH THE GOLDEN ARM CAT BALLOU and uncredited work on THE MAGNIFICENT SEVEN. In 1986 with THE COLOR OF MONEY for which he received an Oscar nomination Price emerged in his own right as a significant screen and television writer. Warner Brothers unknown books
Référence libraire : WRCLIT69501
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Price Richard sourcework & screenwriter
CLOCKERS
Np: The Author 1993. 1138 leaves. Quarto. Photomechanically reproduced typescript printed on rectos only. Bradbound in plain red stiff wrappers. Title lettered on lower edge and spine otherwise near fine. Facetiously denoted the "One Millionth" draft of Price's own film adaptation of his 1992 novel. This draft differs considerably from subsequent drafts that involved Spike Lee as co-writer. The Author unknown books
Référence libraire : WRCLIT61301
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Price, Michael (Screenwriter), and Landers, Ace (Adapted by)
The Padawan Menace
New York NY: Scholastic. 2012. Trade paperback. Fine. Trade paperback US. Glued binding. 32 p. Contains: Illustrations color. Lego Star Wars. Audience: Children/juvenile. . No previous owner's name. Clean tight pages. No bent corners. . Scholastic paperback
Référence libraire : Alibris.0044143 ISBN : 0545404509 9780545404501
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Producer/Screenwriter/James L Brooks Shirley MacLaine + Debra Winger + Jack Nicholson Dongho
Days of Love and Memories
Not Available 1984. Soft Cover. Fine. The book is in fine condition. Not Available paperback
Référence libraire : 2090502113708144
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Publishing, Screenwriter Life
Screenwriter Journal: Funny Screenwriter Gag Gift Coworker Screenwriter Journal Funny Screenwriter Office Gift 6 x 9 Lined Notebook 120 pages
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Référence libraire : 1078298858.G ISBN : 1078298858 9781078298858
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Quentin Masters director; Jackie Collins novel screenwriter; Dave Humphries Christopher Stagg screenwriters; Joan Collins Oli
The Stud Original British poster for the 1978 film
England: Artoc Films 1978. Original British quad poster for the 1978 British film. Distributed by Brent Walker Film Distributors. Distributor annotations on the verso in holograph pencil. <br/><br/>Based on Jackie Collins' 1969 novel. Fontaine Joan Collins is a nymphomaniac and wife of a boring man. She hires a stud Tobias to manage her nightclub and her sexual desires. The stud would rather spend time with Fontaine's daughter who uses him to get revenge on Fontaine for cheating her father. Rated "X" in the UK. <br/><br/>30 x 40 inches folded as issued. Very Good plus with a few short tears a few tape ghosts. Scarce. Artoc Films unknown books
Référence libraire : 139938
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Quentin Tarantino (director, screenwriter); Uma Thurman (screenwriter, starring); Lucy Liu, Vivica A. Fox, Daryl Hannah, David C
Kill Bill: Volume 1 Original photograph from of Uma Thurman and Quentin Tarantino on the set of the 2003 film
Los Angeles: Miramax 2003. Vintage oversize borderless reference photograph of Quentin Tarantino providing instruction to Uma Thurman on the set of the 2003 film. Thurman wears her iconic yellow track suit. Struck on Fujicolor Crystal Archive paper stock.<br /> <br /> The first entry in Tarantino's bloody two-part female vigilante film. A female samurai assassin wakes from a four-year coma following a sadistic attack and resolves to seek revenge on her former colleagues for their betrayal. A love letter to the glory days of martial arts cinema of the 1970s and 1980s with a grindhouse temperament and even nods to giallo incorporating practical effects in lieu of computer-generated imagery and with nods as usual to samurai and other exploitation films throughout. <br /> <br /> Shot on location in Los Angeles Pasadena and Lancaster California; Tokyo Japan; and Austin Texas.<br /> <br /> 12 x 8 inches. Near Fine. Miramax unknown
Référence libraire : 149658
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Quentin Tarantino director screenwriter; Uma Thurman screenwriter starring; Lucy Liu Vivica A. Fox Daryl Hannah David Carra
Kill Bill: Volume 1 Original photograph from of Uma Thurman and Quentin Tarantino on the set of the 2003 film
Los Angeles: Miramax 2003. Vintage oversize borderless reference photograph of Quentin Tarantino providing instruction to Uma Thurman on the set of the 2003 film. Thurman wears her iconic yellow track suit. Struck on Fujicolor Crystal Archive paper stock.<br/><br/>The first entry in Tarantino's bloody two-part female vigilante film. A female samurai assassin wakes from a four-year coma following a sadistic attack and resolves to seek revenge on her former colleagues for their betrayal. A love letter to the glory days of martial arts cinema of the 1970s and 1980s with a grindhouse temperament and even nods to giallo incorporating practical effects in lieu of computer-generated imagery and with nods as usual to samurai and other exploitation films throughout. <br/><br/>Shot on location in Los Angeles Pasadena and Lancaster California; Tokyo Japan; and Austin Texas.<br/><br/>12 x 8 inches. Near Fine. Miramax unknown books
Référence libraire : 149658
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QUESTERBERT Marie-Christine
Les scénaristes italiens. 50 ans d'écriture cinématographique
Paris, Hatier / Suisse, Renens, "Bibliothèque du cinéma", 1988, 16 x 23, 300 pages sous couverture souple illustrée. Préface de Jean A. Gili. Photographies noir & blanc.
Référence libraire : CINEMAAHH87870323
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R. Delano Brown (screenwriter)
Operation Sub Rosa Original screenplay for an unproduced film
N.p.: Hemdale / Double Eagle 1984. Draft script for an unproduced film. With the name of actor Aaron Norris on the front wrapper an unusual indication of a perhaps intended role.<br /> <br /> A group of scientists accidentally create a deadly chemical compound which is promptly stolen by a rival scientist who threatens to kill thousands of people with the compound unless he is given one billion dollars. Two spies from the mysterious Sub Rosa agency are sent to retrieve the chemical. <br /> <br /> Titled self wrappers in a generic binder. Title page present undated with credits for screenwriter R. Delano Brown. 100 leaves with last page of text numbered 98. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver brads. Hemdale / Double Eagle unknown
Référence libraire : 153795
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R. Lee Fleming Jr. (screenwriter)
Nick and Emily Original screenplay for an unproduced television pilot
N.p.: The Greenblatt Janollari Studio 2000. First Draft script for an unproduced television pilot. <br /> <br /> A few months after graduating high school the eponymous teen couple Nick and Emily discover that Emily is pregnant forcing the pair to grow up more quickly than anticipated. Screenwriter R. Lee Fleming Jr. was better known for his involvement in early 2000s young adult-oriented television shows such as "Friends" 2001-2004 and "One Tree Hill" 2004-2006 as well as the films "She's All That" 1999 and "Get Over It" 2001.<br /> <br /> Set in Burbank CA.<br /> <br /> White Greenblatt Janollari studio wrappers. Title page present dated January 28 2000 noted as First Draft with credits for screenwriter R. Lee Fleming Jr. 58 leaves with last page of text numbered 57. Xerographic duplication rectos only. Pages Near FIne wrapper Very Good plus bound with two silver brads. The Greenblatt Janollari Studio unknown
Référence libraire : 146410
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R. Lee Fleming Jr. screenwriter
Nick and Emily Original screenplay for an unproduced television pilot
N.p.: The Greenblatt Janollari Studio 2000. First Draft script for an unproduced television pilot. <br/><br/>A few months after graduating high school the eponymous teen couple Nick and Emily discover that Emily is pregnant forcing the pair to grow up more quickly than anticipated. Screenwriter R. Lee Fleming Jr. was better known for his involvement in early 2000s young adult-oriented television shows such as "Friends" 2001-2004 and "One Tree Hill" 2004-2006 as well as the films "She's All That" 1999 and "Get Over It" 2001.<br/><br/>Set in Burbank CA.<br/><br/>White Greenblatt Janollari studio wrappers. Title page present dated January 28 2000 noted as First Draft with credits for screenwriter R. Lee Fleming Jr. 58 leaves with last page of text numbered 57. Xerographic duplication rectos only. Pages Near FIne wrapper Very Good plus bound with two silver brads. The Greenblatt Janollari Studio unknown books
Référence libraire : 146410
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Radley Metzger (director); Alexandre Dumas fils (novel, play); Michael DeForrest (screenwriter); Daniele Gaubert, Nino Castelnuo
Camille 2000 Original photograph from the 1969 film
N.p.: Audubon Films 1969. Vintage studio still photograph from the 1969 film with two provenance stamps on the verso. <br /> <br /> Based on Alexandre Dumas' 1848 novel and 1852 play "La Dame aux Camelias." A young adventurous woman with a decadent lifestyle falls in love with a wealthy bachelor who insists on absolute fidelity in their relationship forcing her to sacrifice her passions for his reputation. <br /> <br /> Shot on location in Rome and Tuscany Italy. <br /> <br /> 8 x 10 inches. Near Fine.<br /> <br /> Arrow. Audubon Films unknown
Référence libraire : 161568
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Radley Metzger (director, screenwriter); Pierre Brice, Nicole Burgot, Dora Doll (starring)
Dictionary of Sex Original photograph from the 1964 film
N.p.: Audubon Films 1964. Vintage studio still photograph from the 1964 film. Provenance stamp on the verso. <br /> <br /> Director Radley Metzger's compilation of various erotic scenes from mainstream European films which include female nudity lesbianism and a 'duo love' dance sequence.<br /> <br /> 8 x 10 inches. Near Fine. Audubon Films unknown
Référence libraire : 161684
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Rafael Sabatini (screenwriter)
Columbus Original screenplay for an unproduced film circa 1939
N.p.: N.p. 1939. Draft script for an unproduced film by Rafael Sabatini. A fine leatherbound copy with gilt lettering and decorated endpapers.<br /> <br /> One of prolific screenwriter Rafael Sabatini's final projects. A romanticized swashbuckling account of the adventures and loves of Italian explorer Christopher Columbus here re-imagined as the Spanish "Cristobal Colon" from Castile. Delays in the production of the film led Sabatini to turn his early screenplay into a novel first published by Hutchinson in 1941. Although interest was again raised in a Columbus film in the late 1940s—leading to the British "Christopher Columbus" 1949 starring Fredric March—Sabatini's script was ultimately rewritten for the film.<br /> <br /> Set in Spain.<br /> <br /> Red titled wrappers with credits for screenwriter Rafael Sabatini. Title page integral with the front wrapper as issued. 259 leaves with last page of text numbered 256. Carbon typescript rectos only. Pages Near Fine wrapper Near Fine with wear at the extremities. N.p. unknown
Référence libraire : 146098
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Rafael Sabatini screenwriter
Columbus Original screenplay for an unproduced film circa 1939
N.p.: N.p. 1939. Draft script for an unproduced film by Rafael Sabatini. A fine leatherbound copy with gilt lettering and decorated endpapers.<br/><br/>One of prolific screenwriter Rafael Sabatini's final projects. A romanticized swashbuckling account of the adventures and loves of Italian explorer Christopher Columbus here re-imagined as the Spanish "Cristobal Colon" from Castile. Delays in the production of the film led Sabatini to turn his early screenplay into a novel first published by Hutchinson in 1941. Although interest was again raised in a Columbus film in the late 1940s-leading to the British "Christopher Columbus" 1949 starring Fredric March-Sabatini's script was ultimately rewritten for the film.<br/><br/>Set in Spain.<br/><br/>Red titled wrappers with credits for screenwriter Rafael Sabatini. Title page integral with the front wrapper as issued. 259 leaves with last page of text numbered 256. Carbon typescript rectos only. Pages Near Fine wrapper Near Fine with wear at the extremities. N.p. unknown books
Référence libraire : 146098
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Ragnar Lasse Henriksen (screenwriter)
Niveau 4 Original screenplay for an unproduced film
N.p.: N.p. 1984. Draft script for an unproduced film. With a few copied manuscript annotations but without hole shadows made from a master. Laid in with the script is a business card for screenwriter Ragnar Lasse Henriksen. <br /> <br /> A meditation on torture and governmental violence told through the perspective of a former torture victim. <br /> <br /> Set in Latin America. <br /> <br /> Pictorial yellow transparent front wrapper and navy rear wrapper. Title page present dated JAN 12 1984 with credits for screenwriter RAGNAR LASSE HENRIKSEN. 39 leaves with last page of text numbered 36. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with black Velo binding. N.p. unknown
Référence libraire : 147005
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Rainer Werner Fassbinder (director, screenwriter, starring)
Faustrecht der Freiheit Fox and His Friends Original press photograph from the set of the 1975 film
Berlin: Der Spiegel 1975. Vintage borderless black-and-white press photograph of Fassbinder on the set of his 1975 film "Faustrecht der Freiheit." Shot by Manjit Jari for the German publication Der Spiegel with stamps for both Jari and the publication on the verso along with an archive date of March 19 1975. <br /> <br /> Franz "Fox" Biberkopf Fassbinder loses his job at a carnival after his boyfriend Klaus Karl Scheydt is arrested for tax fraud. After hustling for the money to buy a lottery ticket he wins 500000 marks and attracts the attention of Eugen Peter Chatel a sophisticated but amoral young man in need of money. He begins a relationship with the uneducated Fox and slowly swindles him out of his winnings driving him to eventual poverty and suicide. <br /> <br /> 9.5 x 7 inches. Near Fine. Der Spiegel unknown
Référence libraire : 135906
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Rainer Werner Fassbinder (director, screenwriter); Hanna Schygulla, Ulli Lommel, Katrin Schaake, Ingrid Caven (starring)
Love is Colder Than Death Original photograph of Hanna Schygulla and Ulli Lommel from the 1969 German film
N.p.: Ceres-Film 1969. Vintage reference photograph from the 1969 German film showing a half-nude Hanna Schygulla with Ulli Lommel reclining in bed on the right. Printed mimeo snipe in German affixed to the verso. <br /> <br /> A small-time pimp is caught between his obligations to his mistress and to a powerful violent crime syndicate. Director Rainer Werner Fassbinder's first feature film heavily influenced by the French New Wave. <br /> <br /> Shot on location in Munich. <br /> <br /> 9.5 x 7.25 inches. Very Good plus.<br /> <br /> Arrow 15. Criterion Collection Eclipse 39. Grant Germany. Ceres-Film unknown
Référence libraire : 162507
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Rainer Werner Fassbinder (director, screenwriter); Margit Carstensen, Hanna Schygulla, Katrin Schaake (starring)
The Bitter Tears of Petra von Kant Four original photographs from the 1972 German film
N.p.: N.p. 1972. Four vintage reference photographs from the 1972 German film. Three with printed mimeo snipes affixed to the versos. <br /> <br /> An exploration of 1950s Hollywood melodramas through the lens of 1970s Germany about the destructive skewed power dynamics between a twice-divorced fashion designer her live-in maid and her new lover. <br /> <br /> Set in Bremen shot on location in Worpswede Germany. <br /> <br /> Three photographs 5 x 7.5 inches one photograph 4.5 x 7 inches. Very Good plus.<br /> <br /> Arrow 12. Criterion Collection 740. N.p. unknown
Référence libraire : 164302
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Rainer Werner Fassbinder director screenwriter starring
Faustrecht der Freiheit Fox and His Friends Original press photograph from the set of the 1975 film
Berlin: Der Spiegel 1975. Vintage borderless black-and-white press photograph of Fassbinder on the set of his 1975 film "Faustrecht der Freiheit." Shot by Manjit Jari for the German publication Der Spiegel with stamps for both Jari and the publication on the verso along with an archive date of March 19 1975. <br/><br/>Franz "Fox" Biberkopf Fassbinder loses his job at a carnival after his boyfriend Klaus Karl Scheydt is arrested for tax fraud. After hustling for the money to buy a lottery ticket he wins 500000 marks and attracts the attention of Eugen Peter Chatel a sophisticated but amoral young man in need of money. He begins a relationship with the uneducated Fox and slowly swindles him out of his winnings driving him to eventual poverty and suicide. <br/><br/>9.5 x 7 inches. Near Fine. Der Spiegel unknown books
Référence libraire : 135906
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Rainer Werner Fassbinder director screenwriter; Alfred Doblin novel; Gunter Lamprecht Hanna Schygulla Claus Holm starring
Berlin Alexanderplatz Original photograph from the set of the 1980 television mini-series
Grunwald Germany: Bavaria Film 1980. Vintage photograph showing director Rainer Werner Fassbinder on the set of 1980 German television mini-series. With the stamps of German magazine "Der Spiegel" and photo agency Presse-Seeger as well as holograph annotations on the verso. <br/><br/>Based on the 1929 novel by Alfred Doblin previously filmed in 1931 directed by Phil Jutzi. Despite taking place over 14 parts with a runtime of 15 and a half hours the film received a theatrical release in the US in 1983 with theaters showing two or three parts per night and the series gained a cult following leading to PBS broadcasts and a VHS release. <br/><br/>8.5 x 6 inches. Near Fine. <br/><br/>Criterion Collection 411. Bavaria Film unknown books
Référence libraire : 143327
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Ralph Farquhar (screenwriter)
Fast Eddie and the Runners Original screenplay for an unproduced film
N.p.: Indigo 1984. Revised Second Draft script for an unproduced film. With manuscript ink and pencil annotations to virtually every page noting scenes requiring stunts and special effects. Incomplete as issued. <br /> <br /> A young African American man tries to make it big in Hollywood and finally secures a job as a studio runner leading to a number of comic misunderstandings. <br /> <br /> African-American screenwriter Ralph Farquhar began his career in 1981 with a script for "Happy Days" and went on to write 43 episodes for the the very white "Married with Children" but also for many African-American television series and TV movies including "Fame" "Krush Groove" "Livin' Large" "New Attitude" "The Sinbad Show" "South Central" "Moesha" "The Parkers" and "The Proud Family."<br /> <br /> Self wrappers. Title page present dated October 5 1984 noted as REVISED 2ND DRAFT with credits for screenwriter Ralph R. Farquhar. 112 leaves with last page of text numbered 111. Xerographic duplication rectos only. Pages Very Good plus lightly soiled and edgeworn bound with two gold brads. Indigo unknown
Référence libraire : 152306
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