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Richard Wilson (director, screenwriter); Larry Klein (teleplay); Elizabeth Wilson (screenwriter); Yul Brynner, Janice Rule, Geor
Invitation to a Gunfighter Six original photographs from the 1964 film
Los Angeles: Stanley Kramer Productions 1964. Six vintage borderless reference photographs from the 1964 film. Each with a provenance stamp on the versos. <br /> <br /> Based on a 1957 teleplay by Larry Klein which aired on CBS' "Playhouse 90" on March 7 1957. A confederate soldier returns home after the war to find his home sold by the town banker and his wife married to a union soldier. The banker hires a gunfighter to come after the former confederate soldier.<br /> <br /> Set in New Mexico shot on location in Arizona. <br /> <br /> Four photographs 9.5 x 7.5 two photographs 7.5 x 9.5 inches. Near Fine. Stanley Kramer Productions unknown
Référence libraire : 158795
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Richard Wilson (director, screenwriter); Larry Klien (teleplay); Elizabeth Wilson (screenwriter); Yul Brynner, Janice Rule, Geor
Invitation to a Gunfighter Two original photographs from the 1964 film
Beverly Hills CA: United Artists 1964. Two vintage studio still photographs from the 1964 film. <br /> <br /> Based on a 1957 teleplay by Larry Klien which aired on CBS' "Playhouse 90" on March 7 1957.<br /> <br /> Confederate soldier Matt Weaver George Segal returns home after the war to find his home sold by town boss Sam Brewster Pat Hingle who hires a gunfighter Jules Gaspard D'Estaing Yul Brynner to deal with Weaver.<br /> <br /> Set in New Mexico shot on location in Arizona. <br /> <br /> 8 x 10 inches. One Near Fine one Very Good with pinholes on outer edges. United Artists unknown
Référence libraire : 147853
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Richard Wilson director screenwriter; Larry Klien teleplay; Elizabeth Wilson screenwriter; Yul Brenner Janice Rule George Seg
Invitation to a Gunfighter Two original photographs from the 1964 film
Beverly Hills CA: United Artists 1964. Two vintage studio still photographs from the 1964 film. <br/><br/>Based on a 1957 teleplay by Larry Klien which aired on CBS' "Playhouse 90" on March 7 1957.<br/><br/>Confederate soldier Matt Weaver George Segal returns home after the war to find his home sold by town boss Sam Brewster Pat Hingle who hires a gunfighter Jules Gaspard D'Estaing Yul Brynner to deal with Weaver.<br/><br/>Set in New Mexico shot on location in Arizona. <br/><br/>8 x 10 inches. One Near Fine one Very Good with pinholes on outer edges. <br/><br/>Complete collation details available on request. United Artists unknown books
Référence libraire : 147853
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Richard Wright (novel, screenwriter, starring); Pierre Chenal (director); Gloria Madison, Willa Pearl Curtis (starring)
Native Son Sangre Negra Original one sheet poster from the Argentinian release of the 1951 film
Buenos Aires: Industia Argentina 1950. Vintage one sheet poster for the Argentinean release of the 1951 film the film's country of origin and whose premiere preceded the US release by more than three months.<br /> <br /> Richard Wright accepted an offer to star as the leading man in the film adaptation of his own novel after initial choice Canada Lee was stuck in South African customs after shooting "Cry the Beloved Country" 1951. Lee had starred in Orson Welles' prior stage adaptation.<br /> <br /> Set in Chicago and shot on location in Chicago and Argentina. <br /> <br /> 29 x 43.25 inches folded as issued. With a few small closed tears and creases at the extremities else Near Fine. Bright and unfaded. Industia Argentina unknown
Référence libraire : 158441
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Richard; Boleslawski Edmund Goulding Russell Mack Roy Rowland Sam Wood directors; Howard Dietz Arthur Kober screenwriter; St
Hollywood Party Original photograph from the 1934 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1934. Vintage reference photograph from the 1934 film showing Mickey Mouse speaking to an astonished Jimmy Durante. With holograph pencil and ink annotations to the verso regarding layout.<br/><br/>An actor known for starring in jungle films wants to work with real lions in his next movie and decides to throw a big star-studded party to win over a wealthy European baron who keeps lions as pets.<br/><br/>Set in Los Angeles.<br/><br/>10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
Référence libraire : 149509
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Richter, WD. (Screenwriter); Stuart Rosenberg (Director); Jack Hirshberg (Publicist); Robert Redford, Yaphet Kotto, Jane Alexand
BRUBAKER
Century City California: Twentieth Century-Fox 1979. Wraps. Very good. Third Revised Draft dated May 1 1979 of the script for the 1980 Stuart Rosenberg film starring Robert Redford as a newly arrived prison warden who attempts to clean up a corrupt and violent penal system. It was nominated for the Best Original Screenplay at the 1981 Academy Awards. This is Jack Hirshberg’s copy with the iconic film publicist’s signature or printed name on the first page of some of the revisions.<br /> <br /> Quarto: 292 pp. A rainbow script photomechanically reproduced on the recto of standard pink green white yellow and blue stock. The printed green paper front wrapper and plain blue rear wrapper are bound with two brass brads. Short closed tear to the left edge of the front wrapper just above the top brad; otherwise very good. Twentieth Century-Fox unknown
Référence libraire : 78850
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Rick Rosner (creator); John Florea (director); Larry Alexander (screenwriter); Larry Wilcox, Erik Estrada, Robert Pine (starring
CHiPs: Hot Wheels Original screenplay for the 1979 episode of the NBC televsison series
N.p.: MGM Television 1979. Final Draft script for the season three episode eight of the 1977-1983 NBC television series copy belonging to actress Christina Cummings who played the role of the "Bank Teller" with the ink annotation of her name on the front wrapper and manuscript ink annotations circling her character on one page and the names of the director and casting director on the title page.<br /> <br /> CHiPs was a popular crime drama series about the lives of two motorcycle officers of the California Highway Patrol CHP played by Larry Wilcox and Erik Estrada and aired on NBC premiering on September 15 1977 and ran for 139 episodes over six seasons before ending on May 1 1983.<br /> <br /> In this episode a series of jewelry robberies are committed by thieves in city trucks and Ponch Estrada recovering in the hospital believes he may have solved the crimes.<br /> <br /> Set in and shot on location in California.<br /> <br /> Untitled MGM Television wrappers with a die-cut window. Title page present dated August 17 1979 noted as Final DRAFT with credits for screenwriter Larry Alexander and Revisions by William D. Gordon and James Doherty. 62 leaves with last page of text numbered 58. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus with light foxing on the front wrapper and title page bound with two gold brads. MGM Television unknown
Référence libraire : 166503
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Rickman, Tom (screenwriter). Michael Apted (director). Bernard Schwartz (producer)
Coal Miner's Daughter promotional poster
Universal City Studios Inc 1980. Trade Paperback. Single sheet thick paper folded once 9 x 12 inches when folded. Cover color image of couple sitting on couch with 4 children. Inside leaves with cast credits and details. Film stars Sissy Spacek Tommy Lee Jones Beverly D'Angelo and Levon Helm. First edition first printing. Very good cop with few spots on rear leaves.<br> Universal City Studios, Inc paperback
Référence libraire : 290485
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Rico Cattani (screenwriter)
Benedetto's War Original screenplay for an unproduced film
Los Angeles: Cattani Films 1970. Draft script for an unproduced film. <br /> <br /> An evil underground organization is bent on stopping a reluctant soldier of fortune and martial arts expert who has been pressed into service against his own will. <br /> <br /> Tan titled wrappers. Title page present with credit for screenwriter Rico Cattani. 124 leaves with last page of text numbered 123. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with three gold brads. Cattani Films unknown
Référence libraire : 141478
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Ridley Scott (director); Tom Berenger, Mimi Rogers, Lorraine Bracco (starring); Howard Franklin (screenwriter)
Someone to Watch Over Me Original screenplay for the 1987 neo-noir film
N.p.: N.p. 1986. Draft script for the 1987 neo-noir film. Copy belonging to an unidentified crew member with his name on the title page and his annotations in manuscript ink throughout indicating props. Incomplete script ending on page 122.<br /> <br /> A police detective is called to protect a socialite when she becomes the key witness in a murder trial. <br /> <br /> Set and shot on location in New York City.<br /> <br /> Self wrappers. Title page present dated July 19 1987 noted as "Seltzer draft". 123 leaves with last page of text numbered 122. Xerographic duplication rectos only. Pages Very Good plus bound with two gold brads. N.p. unknown
Référence libraire : 165725
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Ridley Scott (director); Charles Gieg Jr., Felix Sutton (book); Todd Robinson (screenwriter); Jeff Bridges, Caroline Goodall, Jo
White Squall Original screenplay for the 1996 film
N.p.: Percy Main Productions 1995. Revised Final Draft script for the 1996 film. Three copied annotations on two pages consisting of one dialogue change and two revision date changes.<br /> <br /> Based on the 1962 book "The Last Voyage of the Albatross" by Charles Gieg Jr. and Felix Sutton about the sinking of the brigantine Albatross on May 2 1961.<br /> <br /> All American boy Chuck Gieg Scott Wolf narrates this coming-of-age story set in 1960 about a group of teenage boys setting out for a year-long voyage aboard the brigantine school ship Albatross commanded by Dr. Christopher B. Shelton Jeff Bridges only to face the ultimate challenge of surviving a deadly white squall storm.<br /> <br /> Shot on location in South Carolina Georgia Bermuda Grenada London Malta South Africa St Lucia and St Vincent and the Grenadines. <br /> <br /> White generic Lasher McManus & Robinson production company wrappers. Title page present dated March 18 1995 noted as Revised Final Draft with credits for screenwriter Todd Robinson. 123 leaves with last page of text numbered 107. Xerographic duplication rectos only with white revision pages labeled "Blue" throughout dated variously between 3/27/95 and 5/15/95. Pages Near Fine wrapper Near Fine bound with two gold brads. Percy Main Productions unknown
Référence libraire : 148684
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Ridley Scott director; Callie Khouri screenwriter; Geena Davis Susan Saradon Michael Madsen Harvey Keital Brad Pitt starring
Thelma and Louise Original photograph from the set of the 1991 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1991. Vintage studio still photograph from the 1991 showing director Ridley Scott and actors Susan Sarandon Gina Davis and Michael Madsen relaxing around the iconic 1966 Ford Thunderbird between takes. <br/><br/>Winner of the Academy Award for Best Screenplay and nominated for five more including Best Director and twice for Best Actress. <br/><br/>10 x 8 inches. Fine. Metro-Goldwyn-Mayer [MGM] unknown books
Référence libraire : 139691
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Ridley Scott director; Charles Gieg Jr. Felix Sutton book; Todd Robinson screenwriter; Jeff Bridges Caroline Goodall John Sav
White Squall Original screenplay for the 1996 film
N.p.: Percy Main Productions 1995. Revised Final Draft script for the 1996 film. Three copied annotations on two pages consisting of one dialogue change and two revision date changes.<br/><br/>Based on the 1962 book "The Last Voyage of the Albatross" by Charles Gieg Jr. and Felix Sutton about the sinking of the brigantine Albatross on May 2 1961.<br/><br/>All American boy Chuck Gieg Scott Wolf narrates this coming-of-age story set in 1960 about a group of teenage boys setting out for a year-long voyage aboard the brigantine school ship Albatross commanded by Dr. Christopher B. Shelton Jeff Bridges only to face the ultimate challenge of surviving a deadly white squall storm.<br/><br/>Shot on location in South Carolina Georgia Bermuda Grenada London Malta South Africa St Lucia and St Vincent and the Grenadines. <br/><br/>White untitled Lasher McManus & Robinson production company wrappers. Title page present dated March 18 1995 noted as Revised Final Draft with credits for screenwriter Todd Robinson. 123 leaves with last page of text numbered 107. Xerographic duplication rectos only with white revision pages labeled "Blue" throughout dated variously between 3/27/95 and 5/15/95. Pages Near Fine wrapper Near Fine bound with two gold brads. Percy Main Productions unknown books
Référence libraire : 148684
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Ridley Scott director; David James still photographer; Craig Bolotin and Warren Lewis screenwriter; Michael Douglas Andy Garcia
Black Rain Original photograph and color slide from the 1989 film
Hollywood: Paramount Pictures 1989. Vintage studio still photograph from the 1989 film with a 35mm color slide laid in. <br/><br/>Two New York City cops arrest a member of the Yakuza and escort him during his extradition to Japan. "Black Rain" marks the first collaboration between Ridley Scott and Hans Zimmerman the two would later work together on "Hannibal." <br/><br/>Set in New York and Japan shot on location in California New York and Japan. <br/><br/>8 x 10 inches. Fine. <br/><br/><br/>Grant US. Silver Classic Noir. Spicer US. Paramount Pictures unknown books
Référence libraire : 139531
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Rin Tin Tin Actor D. Ross Lederman director Robert Lord screenwriter Lee Duncan Trainer
THE MILLION DOLLAR COLLAR Original Vintage Photo from the 1929 RIN TIN TIN "Lost" Warner Brothers Film
Burbank California: Warner Brothers 1929. THE MILLION DOLLAR COLLAR. Original vintage gelatin silver publicity photo of leading actor RIN TIN TIN. Burbank California: Warner Brothers 1929. RARE image released to help promote Rin Tin Tin's gangster crime drama in which a $50000 diamond necklace is hidden in the heroic German Shepherd's collar. Roughly 8 1/8" x 10" single weight Very Good with toning and minor flaws. Great image of Rin Tin Tin about to call the cops and turn in the villains. Reverse with original Warner Brothers studio stamping. THE MILLION DOLLAR COLLAR was one of 26 films that "Rinty" made for Warner Brothers and one of only four for which there is no existing print making it a "Lost Film." Superb vintage Rin Tin Tin photographs in excellent condition with original studio info stamped on the back are very rarely encountered in commerce. First Thus. Very Good. Photograph. Warner Brothers unknown books
Référence libraire : 003204
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Rip Torn (starring); Daryl Duke (director); Don Carpenter (screenwriter); Ahna Capri, Elayne Heilveil, Michael C. Gwynne (starri
Payday Collection of 15 original photographs from the 1973 film
Los Angeles: Cinerama Releasing 1973. Collection of 13 vintage studio still photographs and 2 borderless portraits of actors Elayne Heilveil and Rip Torn all from the release of the 1973 film.<br /> <br /> Six photographs shown. Please inquire to see others.<br /> <br /> A ruthless manipulative country western singer tours the southern nightclub circuit in his big Cadillac accompanied by a bevy of girlfriends and copious amounts of liquor and drugs.<br /> <br /> Set in the American South shot on location in Selma Alabama. <br /> <br /> 13 photographs 10 x 8.25 inches 2 photographs 7.5 x 10 inches. Near Fine. Cinerama Releasing unknown
Référence libraire : 147719
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Rip Torn (starring); Daryl Duke (director); Don Carpenter (screenwriter); Ahna Capri, Elayne Heilveil, Michael C. Gwynne (starri
Payday Original vinyl 45 RPM record of radio spots for the 1973 film
Los Angeles: Cinerama Releasing 1973. Vintage 45 RPM vinyl record of a radio spot announcement for the 1973 film.<br /> <br /> A ruthless manipulative country western singer tours the southern nightclub circuit in his big Cadillac accompanied by a bevy of girlfriends and copious amounts of liquor and drugs.<br /> <br /> Set in the American South shot on location in Selma Alabama. <br /> <br /> 7 inches. Fine in the original Very Good plus white paper sleeve. Cinerama Releasing unknown
Référence libraire : 164108
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Rita Hayworth, Robert Mitchum, Jack Lemmon (starring); Robert Parrish (director); Max Catto (novel); Irvin Shaw (screenwriter)
Fire Down Below Two original photographs of Rita Hayworth from the 1957 film
London: Pictorial Press 1957. Two vintage reference photographs from the 1957 film both showing actress Rita Hayworth dancing surrounded by extras clad in Trinidadian costume. One with a printed mimeo snipe affixed to the verso and both with agency stamps on the versos. <br /> <br /> Based on the 1954 novel by Max Catto about two smugglers whose partnership is tested when they agree to transport an undocumented woman to a Caribbean island who turns out to be Rita Hayworth. <br /> <br /> 8 x 10 inches. Very Good plus lightly age toned. Pictorial Press unknown
Référence libraire : 162380
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Rita Hayworth, Victor Mature (starring); Irving Cummings (director); Seton I. Miller, Darrell Ware, Karl Tunberg (screenwriter);
My Gal Sal Original photograph from the 1942 film
Los Angeles: Twentieth Century-Fox 1942. Vintage studio still photograph from the 1942 film. <br /> <br /> Based on the true story of songwriter Paul Dresser and a woman he dated known professionally as Sallie Walker. A biopic about Dresser and singer Sally Elliot detailing their meeting the formation of their business relationship and eventual engagement. <br /> <br /> Set in New York City shot on location in Calabasas California. <br /> <br /> 8 x 10 inches. Near Fine. Twentieth Century-Fox unknown
Référence libraire : 158980
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Rita Hayworth (starring); Charles Vidor (director); Helen Deutsch (screenwriter); Prosper Merimee (novella); Glenn Ford (starrin
The Loves of Carmen Original photograph of Rita Hayworth and Charles Vidor on the set of the 1948 film
N.p.: N.p. 1948. Vintage reference photograph from the 1948 film showing actress Rita Hayworth leaning over to talk to director Charles Vidor on the set. Annotations in manuscript pencil on the verso.<br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> Based on Prosper Mérimée's 1845 novella and a remake of the 1927 film directed by Raoul Walsh about a hot-spirited gypsy who captures the hearts of those around her. Vidor Hayworth and costar Glenn Ford previously collaborated on the 1946 film "Gilda." <br /> <br /> 6.5 x 8.5 inches. Very Good moderately toned. N.p. unknown
Référence libraire : 163789
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Rita Moreno, Marlon Brando, Richard Boone (starring); Hubert Cornfield (director, screenwriter); Lionel White (novel); Robert Ph
The Night of the Following Day Two original photographs from the 1969 neo-noir film
N.p.: N.p. 1969. Two vintage borderless reference photographs from the stark 1969 neo-noir film both showing actress Rita Moreno. Mimeo snipes on the versos.<br /> <br /> Based on Lionel White's 1953 novel "The Snatchers" about a wealthy young woman who is kidnapped and held hostage in a remote French beach house. <br /> <br /> Set and shot on location in Le Touquet France. <br /> <br /> 7.25 x 9.25 inches. Near Fine. <br /> <br /> Grant UK. N.p. unknown
Référence libraire : 161068
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Ritchie Valens (subject); Lou Diamond Phillips, Joe Pantoliano, Elizabeth Pena (starring); Luis Valdez (director, screenwriter)
La Bamba Original poster for the 1987 film
Culver City CA: Columbia Pictures 1987. Vintage Italian 2-fogli poster for the 1987 film.<br /> <br /> A dramatization of the rise to fame and unexpected death of Mexican-American singer Ritchie Valens.<br /> <br /> Shot on location in Los Angeles San Jose Hollister and Fillmore California. <br /> <br /> 39 x 55 inches. Folded as issued. Very Good with moderate creasing and wear at the folds. Columbia Pictures unknown
Référence libraire : 158405
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Ritchie Valens (subject); Lou Diamond Phillips, Joe Pantoliano, Elizabeth Pena (starring); Luis Valdez (director, screenwriter)
La Bamba Original photograph from the 1987 film
N.p.: N.p. 1987. Vintage double-weight satin-finish reference photograph from the 1987 film showing Lou Diamond Phillips onstage as Ritchie Valens. Stamp of photographer Sam Emerson on the verso. <br /> <br /> A dramatization of the rise to fame and unexpected death of Mexican-American singer Ritchie Valens.<br /> <br /> Shot on location in Los Angeles San Jose Hollister and Fillmore California. <br /> <br /> 10 x 8 inches. Near Fine. N.p. unknown
Référence libraire : 158400
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Roald Dahl novel screenwriter; Gene Wilder Jack Albertson Peter Ostrum starring; Mel Stuart director
Willy Wonka and the Chocolate Factory Collection of five original photographs from the 1971 film
Los Angeles: Paramount Pictures 1971. Collection of four vintage borderless reference photographs and one vintage borderless studio still photograph from the 1971 film. Three with printed mimeo snipes affixed to the verso and the stamp of Paramount Pictures and two with the stamps of Israel Film Archive on the verso. <br/><br/>Based on Roald Dahl's 1964 novel "Charlie and the Chocolate Factory" with a screenplay also written by Dahl. A poor but cheerful young boy finds one of the prized five golden tickets which grants access to chocolatier Willy Wonka's mysterious factory. <br/><br/>Shot on location in Munich.<br/><br/>Approximately 10 x 8 inches. Near Fine. <br/><br/>Complete collation details available on request.<br/><br/>National Film Registry. Paramount Pictures unknown books
Référence libraire : 151252
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Robert Valey (réalisateur et scénariste)
Ce meurtre est impossible.
sd, in-4, broché, couverture plastifiée, 143 pages. Roman inédit.
Référence libraire : 15694
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Robert Rodi (avant propos) José Villarrubia David Drake (introduction) Alan Moore [Scénariste]
Le miroir de l'amour
Carabas 2006 136 pages 20x20x2cm. 2006. Broché. 136 pages.
Référence libraire : 300031195
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Robert Rodi (avant propos) José Villarrubia David Drake (introduction) Alan Moore [Scénariste]
Le miroir de l'amour
Carabas 2006 136 pages 20x20x2cm. 2006. Broché. 136 pages.
Référence libraire : 300031321
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Robert Rodi (avant propos) José Villarrubia David Drake (introduction) Alan Moore [Scénariste]
Le miroir de l'amour
Carabas 2006 136 pages 20x20x2cm. 2006. Broché. 136 pages.
Référence libraire : 300032906
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Robert Rodi (avant propos) José Villarrubia David Drake (introduction) Alan Moore [Scénariste]
Le miroir de l'amour
Carabas 2006 136 pages 20x20x2cm. 2006. Broché. 136 pages.
Référence libraire : 300033304
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Robert Rodi (avant propos) José Villarrubia David Drake (introduction) Alan Moore [Scénariste]
Le miroir de l'amour
Carabas 2006 136 pages 20x20x2cm. 2006. Broché. 136 pages.
Référence libraire : 500000283
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Robert Rodi (avant propos) José Villarrubia David Drake (introduction) Alan Moore [Scénariste]
Le miroir de l'amour
Carabas 2006 136 pages 20x20x2cm. 2006. Broché. 136 pages.
Référence libraire : 500000602
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Robert Rodi (avant propos) José Villarrubia David Drake (introduction) Alan Moore [Scénariste]
Le miroir de l'amour
Carabas 2006 136 pages 20x20x2cm. 2006. Broché. 136 pages.
Référence libraire : 500002395
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Robert Rodi (avant propos) José Villarrubia David Drake (introduction) Alan Moore [Scénariste]
Le miroir de l'amour
Carabas 2006 136 pages 20x20x2cm. 2006. Broché. 136 pages.
Référence libraire : 500003596
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Robert Rodi (avant propos) José Villarrubia David Drake (introduction) Alan Moore [Scénariste]
Le miroir de l'amour
Carabas 2006 136 pages 20x20x2cm. 2006. Broché. 136 pages.
Référence libraire : 500008604
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Robert Rodi (avant propos) José Villarrubia David Drake (introduction) Alan Moore [Scénariste]
Le miroir de l'amour
Carabas 2006 136 pages 20x20x2cm. 2006. Broché. 136 pages.
Référence libraire : 500019884
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Robert Rodi (avant propos) José Villarrubia David Drake (introduction) Alan Moore [Scénariste]
Le miroir de l'amour
Carabas 2006 136 pages 20x20x2cm. 2006. Broché. 136 pages.
Référence libraire : 500058814
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Rob Reiner (director, screenwriter, starring); Christopher Guest, Michael McKean, Harry Shearer (screenwriter, starring)
This Is Spinal Tap Original photograph taken on the set of the 1984 film
N.p.: N.p. 1984. Vintage reference photograph of actors Tony Hendra Christopher Guest Lara Cody and Harry Shearer on the set between takes and a take that ostensibly was not in the film.<br /> <br /> Reiner's debut and a much-loved cult classic about a documentary filmmaker chronicling the American comeback tour of an aging heavy-metal band. <br /> <br /> Shot on location throughout California. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> National Film Registry. Criterion Collection 12. Ebert II. McPadden Heavy Metal Movies. N.p. unknown
Référence libraire : 155631
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Rob Reiner director; Stephen King novel; Merrick Morton still photographer; William Goldman screenwriter; James Caan Kathy Bate
Misery Original photograph from the 1990 film
London: First Independent Films Limited 1991. Vintage black-and-white still photograph from the UK release of the 1990 film. <br/><br/>Kathy Bates' Academy award winning performance elevated the film to one of the best and highest grossing Stephen King adaptations. <br/><br/>8 x 10 inches. Ink notation on the verso else Near Fine. First Independent Films Limited unknown books
Référence libraire : 132115
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Rob Schneider (director, screenwriter, starring); Boon Collins (screenwriter); Steve Buscemi, Holland Taylor, Peter Riegert (sta
The Chosen One Original screenplay for the 2010 film
N.p.: Out of Nowhere Productions 2007. Rainbow Revision Draft script for the 2010 film. Manuscript ink annotation of copy number "241" on the title page. Copy belonging to carpenter/estimator Chris Scher. <br /> <br /> Rob Schneider who directed and co-wrote the screenplay stars as a suicidal middle-aged car salesman who while preparing his third suicide attempt is interrupted by a tribe of Columbian shaman who traveled from South America believing he is The Chosen One. Shot in 2007 the film took three years before it was finally released direct to video in 2010 primarily due to confusion over marketing as it is primarily a dramatic film and was inaccurately marketed as a straightforward comedy.<br /> <br /> Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018.<br /> <br /> Shot on location in Santa Clarita and Los Angeles California and Costa Rica. <br /> <br /> Front wrapper integral with title page dated June 15 2007 noted as Final with credits for screenwriters Rob Schneider and Boon Collins. 106 leaves with last page of text numbered 102. Xerographic duplication rectos only with white blue pink yellow and green revision pages throughout dated variously between June 20 2007 and August 17 2007. Pages Near Fine bound with two gold brads. Out of Nowhere Productions unknown
Référence libraire : 164068
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Robert [Bob] Willoughby (photographer); Bernard Girard (director, screenwriter); Andrew Lytle (novel); Robert Culp, Samantha Egg
A Name for Evil Original double weight photograph from the 1973 film
Boca Raton FL: Penthouse 1973. Vintage oversize double weight borderless still photograph from the 1973 film based on the 1947 novel by Andrew Lytle. Shot struck and mounted by the film's still photographer Bob Willoughby with a manuscript notation in his hand on the verso. Full provenance available. <br /> <br /> Culp and Eggar romp in a bed that is the middle of the woods for some reason while the haunted house that will exert a corrupting influence on the couple looms in the background. An image that does not appear in the so-bad-its-nearly-avant garde film but one that nevertheless captures its aura of surreal eroticism quite well. <br /> <br /> Set in the countryside of Southern California shot on location in British Columbia Indian Arm and Vancouver. <br /> <br /> After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br /> <br /> 13.25 x 9 inches. Fine. <br /> <br /> Thrower Nightmare USA. Penthouse unknown
Référence libraire : 139507
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Robert [Bob] Willoughby (photographer); Mike Nichols (director); Joseph Heller (novel); Buck Henry (screenwriter); Alan Arkin, A
Alan Arkin Art Garfunkel and Martin Sheen on the set of "Catch-22" 1969
N.p.: N.p. 1969. Vintage oversize double weight candid photograph of Alan Arkin Art Garfunkel and Martin Sheen on the set of Mike Nichols' "Catch-22" in 1969. Shot and struck by the film's still photographer Bob Willoughby. The photographer has written at the top of the verso in manuscript pencil: "Candid during rehearsal / The boys break up in briefing room scene / Art Garfunkel Alan Arkin Martin Sheen." Also with Willoughby's ASMP rubber stamp for both his New York and Ireland addresses. Full provenance available. <br /> <br /> After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br /> <br /> In a custom museum-quality frame archivally mounted with UV glass. 13.5 x 10 inches. Near Fine. <br /> <br /> National Film Registry. N.p. unknown
Référence libraire : 133199
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Robert [Bob] Willoughby (photographer); Otto Preminger (director); Arthur Laurents (screenwriter); Francoise Sagan (novel), Debo
Bonjour Tristesse Original oversize double weight photograph from the set of the 1958 film
Culver City CA: Columbia Pictures 1958. Vintage oversize double weight borderless still photograph from the 1958 film of a stone faced David Niven and smiling Deborah Kerr water skiiing on a break from filming on the French Riviera. Based on the 1954 novel by Francoise Sagan. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp and a lengthily manuscript description of the scene on the verso. Full provenance available. <br /> <br /> After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br /> <br /> 14 x 9.5. Near Fine with light edgewear. Columbia Pictures unknown
Référence libraire : 139533
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Robert [Bob] Willoughby (photographer); Henry Koster (director); Joseph Fields (screenwriter, play); Oscar Hammerstein II (play)
Flower Drum Song Original double weight photograph from the 1961 film
Universal City CA: Universal Pictures 1961. Vintage oversize double weight borderless still photograph from the 1961 musical film based on both the 1958 Rodgers and Hammerstein musical and the 1957 novel by C.Y. Lee. Nominated for five Academy Awards. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp on the verso. Full provenance available. <br /> <br /> After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br /> <br /> 13.5 x 9.5 inches. Near Fine with a shallow diagonal crease to one corner. <br /> <br /> Hirschhorn p. 373. Universal Pictures unknown
Référence libraire : 139506
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Robert [Bob] Willoughby (photographer); Jack Lemmon (director); John Paxton (screenwriter); Katharine Topkins (novel); Walter Ma
Kotch Original double weight photograph from the 1971 film
Burbank CA: American Broadcasting Company ABC 1971. Vintage oversize double weight borderless still photograph of Walter Matthau and a fetching Deborah Winters from the 1971 film based on the 1965 novel by Katharine Topkins. Nominated four Academy Awards including a Best Actor nod for Matthau starring in his friend Jack Lemmon's first and only directorial effort. Although not indicated shot struck and mounted by the film's still photographer Bob Willoughby. Full provenance available. <br /> <br /> After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br /> <br /> 9.25 x 13.5. Fine. American Broadcasting Company [ABC] unknown
Référence libraire : 139538
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Robert [Bob] Willoughby (photographer); Clive Donner (director); Eliot Baker (screenwriter); Murray Schisgal (play); Jack Lemmon
Luv Original oversize double weight color photograph of Jack Lemmon Elaine May and Peter Falk from the 1967 film
Culver City CA: Columbia Pictures 1967. Vintage oversize double weight color still photograph from the 1967 film based on the 1964 play by Murray Schisgal. Although not indicated shot and struck by the film's still photographer Bob Willoughby with an agency stamp on the verso. Full provenance available. <br /> <br /> After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br /> <br /> 13 x 19.25 inches mounted on board. About Near Fine with some soiling near the top edge and light edgewear overall. Columbia Pictures unknown
Référence libraire : 139540
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Robert [Bob] Willoughby (photographer); Bruce Malmuth (director); David Shaber (screenwriter); Sylvester Stallone, Billy Dee Wil
Nighthawks Original double weight photograph from the 1981 film
Universal City CA: Universal Pictures 1981. Vintage oversize double weight borderless still photograph from the 1981 film. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp on the verso.<br /> <br /> After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br /> <br /> 13.25 x 9.25 inches. Near Fine. Universal Pictures unknown
Référence libraire : 139508
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Robert [Bob] Willoughby (photographer); Edward Dmytryk (director); Millard Kaufman (screenwriter); Elizabeth Taylor, Montgomery
Raintree County Original photograph of Elizabeth Taylor Montgomery Clift and Eva Marie Saint from the 1956 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1956. Vintage film still photograph of Elizabeth Taylor Montgomery Clift and Eva Marie Saint from the 1956 film nominated for four Academy Awards and based on the 1948 novel by Ross Lockridge Jr. Paper snipe affixed to the verso. <br /> <br /> A graduating poetry teacher played with aplomb by Clift falls in love with a Southern woman Taylor but the woman's past and the Civil War begin to cause problems. <br /> <br /> 8 x 10 inches. Near Fine with black manuscript ink annotations to the verso and hole punches to the margin. Metro-Goldwyn-Mayer [MGM] unknown
Référence libraire : 141567
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Robert [Bob] Willoughby (photographer); David Lean (director); Robert Bolt (screenwriter); Robert Mitchum, John Mills, Christoph
Ryan's Daughter Original double weight photograph for the set of the 1970 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Vintage oversize double weight borderless still photograph from the 1970 film showing director David Lean as he imparts some advice to star Christopher Jones during a smoke break. Winner of two Academy Awards for cinematographer Freddie Young and supporting actor John Mills. Nominated for two more as well as ten BAFTA awards. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp on the verso. Full provenance available. <br /> <br /> After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br /> <br /> 9.25 x 13.25 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
Référence libraire : 139510
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Robert [Bob] Willoughby (photographer); William Wyler (director); John Michael Hayes (screenwriter); Lillian Hellman (play); Aud
The Children's Hour Original double weight photograph for the 1961 film
Beverly Hills CA: United Artists 1961. Vintage oversize double weight borderless still photograph from the 1961 film. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp on the verso. Full provenance available. <br /> <br /> Based on Lillian Hellman's 1934 play about two teachers at an all-girls boarding school accused of being in a lesbian relationship by one of the students ruining the careers and personal lives of both. The play was previously adapted by William Wyler in 1936 as "These Three" though the Production Code forced Hellman to change the substance of the rumor from homosexuality to infidelity. The 1961 version restores the content of the child's lie and is overall incredibly faithful to the stage play. Nominated for five Academy Awards including a Best Supporting Actress nomination for Fay Bainter. <br /> <br /> After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br /> <br /> 13.5 x 9.25 inches. Near Fine. United Artists unknown
Référence libraire : 139518
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Robert [Bob] Willoughby (photographer); Blake Edwards (director, screenwriter); Evelyn Anthony (novel); Julie Andrews, Omar Shar
The Tamarind Seed Original double weight photograph from the 1974 film
Los Angeles: Embassy Pictures 1974. Vintage oversize double weight borderless still photograph from the 1974 film based on the 1971 novel by Evelyn Anthony. Shot struck and mounted by the film's still photographer Bob Willoughby with manuscript notation on the verso in his hand. Full provenance available. <br /> <br /> After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br /> <br /> 11 x 14 inches. Near Fine. Embassy Pictures unknown
Référence libraire : 139505
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