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Robert Boris director screenwriter; Elliott Kastner producer; Rob Lowe Ally Sheedy starring
Oxford Blues Original screenplay for the 1984 film with notations throughout
Beverly Hills CA: Metro-Goldwyn-Mayer MGM / United Artists 1983. First Draft script for the 1984 film. Numerous annotations possibly belonging to Rob Lowe in holograph ink and in pencil on the front wrapper and throughout the script noting his character's emotions style and motivations. <br/><br/>An American hustler targets a wealthy English woman and follows her to England. His only chance of engaging her is by joining the rowing team at Oxford University. One of the first "Brat Pack" films and a remake of the 1938 Jack Conway film "A Yank at Oxford." <br/><br/>Self wrappers. Title page integral with front wrapper dated October 13 1983 noted as FIRST DRAFT with credits for screenwriter Boris and producer Kastner. 125 leaves photocopied. Pages about Near Fine bound with two gold brads. Metro-Goldwyn-Mayer [MGM] / United Artists unknown books
Référence libraire : 131330
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Robert Bresson (director, screenwriter); Luc Simon, Laura Duke Condominas, Humbert Balsan (starring)
Lancelot of the Lake Lancelot du Lac Original photograph from the set of the 1974 film
N.p.: N.p. 1974. Vintage borderless reference photograph of director Robert Bresson and still photographer Jacques Henri Lartigue on the set of the 1974 film with cinematographer Pasqualino de Santis just visible at the top left corner. With a provenance stamp on the verso along with manuscript ink annotations. <br /> <br /> Bresson’s bloody take on the King Arthur legend was an expansion of the aesthetic he had already developed where the violence that was once implied became a reality—though certainly still quite surreal. <br /> <br /> Shot on location in Noirmoutier-en-L'Ile France. <br /> <br /> 9.25 x 7 inches. Near Fine.<br /> <br /> Rosenbaum 1000. N.p. unknown
Référence libraire : 150503
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Robert Bresson (director, screenwriter); Jacques Henri Lartigue (photographer); Luc Simon, Laura Duke Condominas, Humbert Balsan
Lancelot of the Lake Lancelot du Lac Original photograph from the set of the 1974 film
N.p.: N.p. 1974. Vintage borderless reference photograph of Robert Bresson and crew on the set of the 1974 film with two provenance stamps of film scholar and author "J. P. Berthome" on verso.<br /> <br /> Bresson’s bloody take on the King Arthur legend was an expansion of the aesthetic he had already developed where the violence that was once implied became a reality—though certainly still quite surreal. <br /> <br /> Shot on location in Noirmoutier-en-L'Ile France. <br /> <br /> 9.5 x 7 inches. Near Fine. <br /> <br /> Rosenbaum 1000. N.p. unknown
Référence libraire : 150864
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Robert Bresson (director, screenwriter); Jacques Henri Lartigue (photographer); Luc Simon, Laura Duke Condominas, Humbert Balsan
Lancelot of the Lake Lancelot du lac Original oversize photograph from the set of the 1974 film
N.p.: N.p. 1974. Vintage oversize borderless reference photograph of Robert Bresson on the set of the 1974 film one of the film's jousting sequences. Jacques Henri Lartigue credit printed on verso.<br /> <br /> Bresson’s bloody take on the King Arthur legend was an expansion of the aesthetic he had already developed where the violence that was once implied became a reality—though certainly still quite surreal. <br /> <br /> Shot on location in Noirmoutier-en-L'Ile France. <br /> <br /> 11.75 x 8 inches. Very Good plus with some creasing and wear to extremities. <br /> <br /> Rosenbaum 1000. N.p. unknown
Référence libraire : 150217
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Robert Bresson (director, screenwriter); Martin LaSalle, Marika Green, Jean Pelegri (starring)
Pickpocket Original photograph from the 1959 French film
Paris: Agence D E B. 1959. Vintage borderless reference photograph from the 1959 film showing actors Henri Kassagi and Pierre Etaix. Printed mimeo snipe affixed to the verso along with a provenance stamp and label. <br /> <br /> Director Robert Bresson's first wholly original screenplay perhaps the finest of his many films and according to one of its greatest champions Paul Schrader "as close to perfect as a film can be."<br /> <br /> Set and shot on location in Paris. <br /> <br /> 7 x 5 inches. Near Fine. <br /> <br /> Criterion Collection 314. Ebert I. Godard Histoires du cinema. Grant France. Rosenbaum 1000. Schrader Canon Fodder 4. Selby Classic Noir. Agence D E B. unknown
Référence libraire : 160494
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Robert Bresson (director, screenwriter); Martin LaSalle, Marika Green, Jean Pelegri (starring)
Pickpocket Two original photographs from the 1959 film
N.p.: Agence D E B. 1959. Two vintage French borderless studio still photographs from the 1959 film one of Martin LaSalle and one of Jean Pelegri. Mimeo snipe on verso one with annotations on verso. <br /> <br /> Bresson's first wholly original screenplay as opposed to one adapted from existing material perhaps the finest of his many films and according to one of its greatest champions Paul Schrader "as close to perfect as a film can be."<br /> <br /> 7.25 x 5.25 inches. Near Fine. <br /> <br /> Criterion Collection 314. Ebert I. Godard Histoires du cinema. Rosebaum 1000. Paul Schrader's Canon Fodder 4. Grant France Classic Noir. Selby France Classic Noir. Agence D E B. unknown
Référence libraire : 148847
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Robert Bresson (director, screenwriter); Martin LaSalle, Marika Green (starring)
Pickpocket Original photograph from the set of the set of the 1959 film
France: Compagnie Cinematographie de France 1959. Vintage borderless press photograph from the 1959 film showing director Robert Bresson on a Paris metro set going over a script while actor Martin LaSalle and crew look on. With the stamp of French photo agency Dalmas and manuscript pencil annotations regarding layout and identifying the image on the verso. <br /> <br /> Bresson's first wholly original screenplay as opposed to one adapted from existing material perhaps the finest of his many fine films and according to one of its greatest champions Paul Schrader "as close to perfect as a film can be."<br /> <br /> 5 x 7.25 inches. Near Fine. <br /> <br /> Criterion Collection 314. Ebert I. Godard Histoires du cinema. Rosebaum 1000. Schrader 4. Compagnie Cinematographie de France unknown
Référence libraire : 140945
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Robert Bresson (director, screenwriter); Antoine Monnier, Tina Irissari, Henri de Maublanc (starring)
The Devil Probably Le Diable probablement Three original photographs from the 1977 French film
N.p.: N.p. 1977. Three vintage reference photographs from the 1977 French film. Provenance labels and layout annotations in manuscript ink and pencil on the versos. <br /> <br /> A young alienated student grapples with his diminished faith in relationships religion and politics ultimately deciding that ending his life is the only option. Restricted to ages 18 and older in France as a result of its suicidal themes and described by Richard Hell as "by far the most punk movie ever." <br /> <br /> 9.5 x 7 inches. Two Near Fine one Very Good plus with ink residue on the recto. <br /> <br /> Godard Histoires du cinema. Olive Films 322. Rosenbaum 1000. N.p. unknown
Référence libraire : 167751
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Robert Bresson (director, screenwriter); Florence Delay, Jean-Claude Fourneau, Roger Honorat (starring)
The Trial of Joan of Arc Le proces de Jeanne d'Arc Three original photographs from the US release of the 1962 French film
N.p.: Agnes Delahaie Productions 1962. Three vintage photographs from the 1962 French film including two studio still photographs from the US release of the film and one borderless reference photograph.<br /> <br /> A dramatization of the imprisonment and killing of Jeanne a French peasant girl claiming to receive visions from God. Bresson's sixth release filmed in his typically spare style using non-professional performers and a screenplay drawn from transcriptions of Jeanne's trial at Rouen.<br /> <br /> Two photographs 10 x 8 inches one photograph 9.25 x 7 inches. Near Fine. Agnes Delahaie Productions unknown
Référence libraire : 151672
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Robert Bresson director screenwriter; Andre Devigny memoir; Francois Leterrier starring
A Man Escaped Un condamne a mort s'est echappe ou Le vent souffle ou il veut Original photograph from the set of the 1957 film
Neuilly-sur-Seine France: Gaumont 1956. Vintage borderless photograph from the set of the 1956 film showing director Robert Bresson demonstrating a small action to the film's lead actor Francois Leterrier. With holograph annotations on the verso. <br/><br/>Based on the 1956 memoir "A Man Condemned to Death has Escaped" by Andre Devigny about a French Resistance member's escape from the Nazi controlled prison of Montluc. Like Devigny Bresson himself was a French POW during the war. Nominated for the Palme d'Or at Cannes. <br/><br/>6.5 x 9 inches. Very Good plus with shallow diagonal creasing to the corners. <br/><br/>Criterion Collection 650. Ebert IV. Rosenbaum 1000. Selby France. Gaumont unknown books
Référence libraire : 143336
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Robert Bresson director screenwriter; Anne Wiazemsky Walter Green Francois Lafarge starring
Au Hasard Balthazar Balthazar Collection of four original photographs from the 1966 French film
London: Gala Film Distributors 1966. Collection of four vintage reference photographs from the 1966 French film. With printed mimeo snipes specific to the film's UK release affixed to the verso. <br/><br/>A donkey named Balthazar is followed through his life in rural France as he is passed from owner to owner most treating him cruelly. Revered as one of the masterpieces of French cinema. <br/><br/>Set in and shot on location in Yvelines France. <br/><br/>10 x 8 inches. Very Good plus several with faint soil on the edges. Gala Film Distributors unknown books
Référence libraire : 151335
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Robert Bresson director screenwriter; Antoine Monnier Tina Itissari Henri de Maublanc Laetitia Carcano Nicolas Deguy starri
The Devil Probably Collection of eight original photographs from the 1977 film
Paris: Sunchild Productions 1977. Collection of eight vintage photographs from the 1977 film. <br/><br/>In a fine outing from a director who basically made no missteps protagonist Charles drifts Bressonially through politics religion and psychoanalysis rejecting them all. Once he realizes the depth of his disgust with the moral and physical decline of the world he lives in he decides that suicide is the only option. <br/><br/>9.5 x 7 inches. Near Fine. <br/><br/>Godard Histoires du cinema. Olive Films 322. Rosenbaum 1000. Sunchild Productions unknown books
Référence libraire : 145745
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Robert Bresson director screenwriter; Martin LaSalle Marika Green starring
Pickpocket Original photograph from the set of the set of the 1959 film
France: Compagnie Cinematographie de France 1959. Vintage borderless press photograph from the 1959 film showing director Robert Bresson on a Paris metro set going over a script while actor Martin LaSalle and crew look on. With the stamp of French photo agency Dalmas and holograph pencil annotations regarding layout and identifying the image on the verso. <br/><br/>Bresson's first wholly original screenplay as opposed to one adapted from existing material perhaps the finest of his many fine films and according to one of its greatest champions Paul Schrader "as close to perfect as a film can be."<br/><br/>5 x 7.25 inches. Near Fine. <br/><br/>Criterion Collection 314. Ebert I. Godard Histoires du cinema. Rosebaum 1000. Schrader 4. Compagnie Cinematographie de France unknown books
Référence libraire : 140945
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Robert Bresson director screenwriter; Martin LaSalle Marika Green Jean Pelegri starring
Pickpocket Two original photographs from the 1959 film
N.p.: Agence D E B. 1959. Two vintage French borderless studio still photographs from the 1959 film one of Martin LaSalle and one of Jean Pelegri. Mimeo snipe on verso one with annotations on verso. <br/><br/>Bresson's first wholly original screenplay as opposed to one adapted from existing material perhaps the finest of his many films and according to one of its greatest champions Paul Schrader "as close to perfect as a film can be."<br/><br/>7.25 x 5.25 inches. Near Fine. <br/><br/>Criterion Collection 314. Ebert I. Godard Histoires du cinema. Rosebaum 1000. Paul Schrader's Canon Fodder 4. Grant France Classic Noir. Selby France Classic Noir. Agence D E B. unknown books
Référence libraire : 148847
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Robert Bright (novel); Tim Michael (screenwriter)
The Spirit of the Chase Original treatment script for an unproduced film
N.p.: N.p. 1971. Treatment script for an unproduced film.<br /> <br /> Based on the 1957 novel by Robert Bright. In postwar France an art collector discovers clues to the whereabouts of a major masterpiece long considered lost to time and sets off in pursuit of the treasure. <br /> <br /> Set in Paris. <br /> <br /> Yellow titled wrappers. Title page present with credits for screenwriter Tim Michael and novelist Robert Bright. 39 leaves with last page of text numbered 37. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown
Référence libraire : 153167
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Robert Butler director; Jonathan Brett screenwriter; Ray Liotta Lauren Holly starring
Turbulence Original screenplay for the 1997 film
Los Angeles: Turbulence Productions 1996. Revised Fourth Draft script for the 1997 film.<br/><br/>After both pilots and the navigator are killed mid-flight by two prisoners on board a brave flight attendant must direct the plane to safety.<br/><br/>Blue titled wrappers. Title page present dated May 6 1996 noted as Revised Fourth Draft with credits for screenwriter Jonathan Brett and revisions by Steven E. de Souza and John Herzfeld. 146 leaves with last page of text numbered 119. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between February 8 1996 and May 6 1996. Pages Near Fine wrapper Near Fine bound with two gold brads. Turbulence Productions unknown books
Référence libraire : 146034
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Robert Butler director; Michael Kozoll Steven Bochco screenwriter; Daniel J. Travanti Michael Conrad Michael Warren Bruce We
Hill Street Blues: Politics as Usual Original teleplay script for the 1981 television episode
Los Angeles: Twentieth Century-Fox 1980. First Draft script for Episode 3 from Season 1 of the 1981 television series. The debut season of the show received eight Emmy Awards and a total of 98 Emmy nominations during its seven season run. <br/><br/>A police drama with the appearance of a documentary feel. In the last episode a presidential visit is scheduled for the Hill Street Station. In this episode negotiations about the visit continue while old partners split up and some cops take bribes. <br/><br/>Set on Hill Street. <br/><br/>Red untitled wrappers. Title page present dated October 20 1980 noted as Script #2 with credits for screenwriter Michael Kozoll and Steven Bochco. 63 leaves with last page of text numbered 60. Mechanical duplication with revision pages throughout dated variously between June 28 1980 and October 20 1980. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown books
Référence libraire : 140786
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Robert Canton (director, screenwriter); Allen Garfield, Jennifer Welles, Robert Heinz (starring)
The Good the Bad and the Beautiful Original photograph from the 1970 film
N.p.: Abrams and Parish 1970. Vintage studio still photograph from the 1970 film. <br /> <br /> A sexploitation melodrama about the cruelties and perversities of a group of politicians in the days leading up to an election. <br /> <br /> 10 x 8 inches. Near Fine. Abrams and Parish unknown
Référence libraire : 157621
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Robert Clouse (director, screenwriter); Bruce Lee, Gig Young, Dean Jagger, Hugh O'Brian (starring)
Game of Death Original photograph of Hugh O'Brian and Dean Jagger from the 1978 film
Culver City CA: Columbia Pictures 1979. Vintage studio still photograph of Hugh O'Brian and Dean Jagger from the 1979 film. <br /> <br /> Bruce Lee's final film. Lee's footage shot between August and October 1972 when the film was suspended for Lee to work on Robert Clouse's "Enter the Dragon" 1973 and Lee died before returning to the film.<br /> <br /> Six years later Clouse would flesh out a feature around Lee's footage with a new cast using stand-ins for Lee when needed.<br /> <br /> Billy Lo Lee is threatened by a racketeering syndicate after gaining international success as a martial arts movie star. When Lo refuses to be intimidated by henchman Steiner O'Brian and his thug boss Dr. Land Dean Jagger orders his assassination.<br /> <br /> Set in and shot on location in Hong Kong and Macau China. <br /> <br /> 8 x 10 inches. Near Fine. Columbia Pictures unknown
Référence libraire : 148101
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Robert Clouse director; Gregory Teifer screenwriter; Robert Mitchum Richard Egan Leslie Nielsen Bradford Dillman starring
The Amsterdam Kill Original photograph from the 1977 film
London: National Screen Service / EMI Films Limited 1978. Vintage full-color still photograph from the 1978 UK release of the 1977 Chinese-American film. <br/><br/>Robert Mitchum stars as ex-DEA agent Quinlan hired by a the leader of a drug cartel in Amsterdam to act as a rat and give the DEA information on drug deals. <br/><br/>8 x 10 inches. Very Good plus with a diagonal crease and slight waviness to the top edge. National Screen Service / EMI Films Limited unknown books
Référence libraire : 132909
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Robert Collins (director, screenwriter); William Sullivan, William Brown (book); Treat Williams, Joe Regalbuto (starring)
J. Edgar Hoover Hoover Original screenplay for the 1987 film
Los Angeles: RLC/Finnegan 1986. Shooting script for the television film here under the working title "Hoover" first aired on Showtime on January 11 1987.<br /> <br /> A biopic documenting the rise to power and final years of J. Edgar Hoover the long-standing and controversial director of the Federal Bureau of Investigation. Loosely based on William C. Sullivan's 1979 memoir "The Bureau: My Thirty Years in Hoover's FBI."<br /> <br /> Set in Washington DC<br /> <br /> Gray titled wrappers. Title page present dated March 14 1986 noted as SHOOTING DRAFT with credits for director and screenwriter Robert Collins. 117 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with some foxing and light fading to the extremities bound with two gold brads. RLC/Finnegan unknown
Référence libraire : 146118
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Robert Collins director screenwriter; William Sullivan William Brown book; Treat Williams Joe Regalbuto starring
J. Edgar Hoover Hoover Original screenplay for the 1987 film
Los Angeles: RLC/Finnegan 1986. Shooting script for the television film here under the working title "Hoover" first aired on Showtime on January 11 1987.<br/><br/>A biopic documenting the rise to power and final years of J. Edgar Hoover the long-standing and controversial director of the Federal Bureau of Investigation. Loosely based on William C. Sullivan's 1979 memoir "The Bureau: My Thirty Years in Hoover's FBI."<br/><br/>Set in Washington DC<br/><br/>Gray titled wrappers. Title page present dated March 14 1986 noted as SHOOTING DRAFT with credits for director and screenwriter Robert Collins. 117 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with some foxing and light fading to the extremities bound with two gold brads. RLC/Finnegan unknown books
Référence libraire : 146118
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Robert D. Webb (director); WR. Burnett (story); Harold Medford (screenwriter); Vincent Price, Diana Ivarson, Robert Gunner (star
The Jackals Original color photograph from the 1967 film
Los Angeles: Twentieth Century-Fox 1967. Vintage color studio still photograph from the 1967 film. <br /> <br /> A South African DeLuxe Color remake of William A. Wellman's 1948 film "Yellow Sky" based on W.R. Burnett's unpublished novel which was loosely based on William Shakespeare's "The Tempest."<br /> <br /> Prospector Oupa Decker Vincent Price and his granddaughter Diana Ivarson are targeted by bandits led by 'Stretch' Hawkins Robert Gunner.<br /> <br /> Set in South Africa shot on location in Australia and South Africa. <br /> <br /> 8 x 10 inches. Near Fine. Twentieth Century-Fox unknown
Référence libraire : 147882
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Robert D. Webb director; WR. Burnett story; Harold Medford screenwriter; Vincent Price Diana Ivarson Robert Gunner starring W.
The Jackals Original color photograph from the 1967 film
Los Angeles: Twentieth Century-Fox 1967. Vintage color studio still photograph from the 1967 film. <br/><br/>A South African DeLuxe Color remake of William A. Wellman's 1948 film "Yellow Sky" based on W.R. Burnett's unpublished novel which was loosely based on William Shakespeare's "The Tempest."<br/><br/>Prospector Oupa Decker Vincent Price and his granddaughter Diana Ivarson are targeted by bandits led by 'Stretch' Hawkins Robert Gunner.<br/><br/>Set in South Africa shot on location in Australia and South Africa. <br/><br/>8 x 10 inches. Near Fine. Twentieth Century-Fox unknown books
Référence libraire : 147882
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Robert Daley (novel); Sidney Lumet (director, screenwriter); Robert Daley (novel); Jay Presson Allen (screenwriter); Treat Willi
Prince of the City Original photograph from the set of 1981 film
Beverly Hills CA: Orion Pictures 1981. Vintage studio still photograph of Sidney Lumet and Treat Williams on the set of the 1981 film. French mimeo snipe on the verso. <br /> <br /> Based on Robert Daley's 1978 nonfiction book of the same name. New York detective Daniel Ciello Treat Williams joins the Department of Justice to help put an end to police corruption. Along the way he uncovers a conspiracy and finds himself getting closer to the heart of the corruption than he anticipated. <br /> <br /> Shot on location in New York City. <br /> <br /> 10.25 x 8 inches. Near fine some edgewear. <br /> <br /> Spicer US Neo-Noir. Orion Pictures unknown
Référence libraire : 146142
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Robert Daley novel; Sidney Lumet director screenwriter; Robert Daley novel; Jay Presson Allen screenwriter; Treat Williams Jer
Prince of the City Original photograph from the set of 1981 film
Beverly Hills CA: Orion Pictures 1981. Vintage studio still photograph of Sidney Lumet and Treat Williams on the set of the 1981 film. French mimeo snipe on the verso. <br/><br/>Based on Robert Daley's 1978 nonfiction book of the same name. New York detective Daniel Ciello Treat Williams joins the Department of Justice to help put an end to police corruption. Along the way he uncovers a conspiracy and finds himself getting closer to the heart of the corruption than he anticipated. <br/><br/>Shot on location in New York City. <br/><br/>10.25 x 8 inches. Near fine some edgewear. <br/><br/>Spicer US Neo-Noir. Orion Pictures unknown books
Référence libraire : 146142
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Robert Day (director); Stein, Michael Eric (screenwriter); John Denver, Meg Wittner, David Renan, Brandon Marsh (starring)
Higher Ground Original teleplay script for the 1988 television film
Los Angeles: Columbia Broadcasting System CBS 1988. Third Draft script for the 1988 television film originally broadcast on CBS. Copy belonging to actor Brandon Marsh who portrayed Tommy with annotations in manuscript ink related to his role. <br /> <br /> Country musician John Denver stars as John Clayton a disillusioned CIA agent who retires to become a bush pilot in the Alaskan wilderness with his best friend. When his friend is murdered and branded a bootlegger Clayton works to solve the crime and clear his name. <br /> <br /> Set in Alaska shot on location in British Columbia CA. <br /> <br /> White titled wrappers. Title page present dated Februay 5 1988 noted as THIRD DRAFT with credits for screenwriter Michael Eric Stein. 117 leaves with last page of text numbered 115. Xerographic duplication first generation. Pages Near Fine wrapper Near Fine bound with two gold brads. Columbia Broadcasting System [CBS] unknown
Référence libraire : 142395
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Robert Day director; Edgar Rice Burroughs character; Lewis Reed story; Bob Barbash story screenwriter; Mike Henry Jan Murray
Tarzan and the Great River Three original photographs from the 1967 film
Los Angeles: Paramount Pictures 1967. Three vintage photographs from the 1967 film one studio still and two on the set photographs. <br/><br/>The second of three Tarzan films to star Mike Henry.<br/><br/>Tarzan is called to Brazil by his old friend The Professor Paulo Gracindo to help stop the evil Barcuma Rafer Johnson and the Jaguar Cult from destroying villages and enslaving natives. <br/><br/>Set in and shot on location in Brazil. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request. Paramount Pictures unknown books
Référence libraire : 147886
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Robert Day director; Stein Michael Eric screenwriter; John Denver Meg Wittner David Renan Brandon Marsh starring
Higher Ground Original teleplay script for the 1988 television film
Los Angeles: Columbia Broadcasting System CBS 1988. Third Draft script for the 1988 television film originally broadcast on CBS. Copy belonging to actor Brandon Marsh who portrayed Tommy with annotations in holograph ink related to his role. <br/><br/>Country musician John Denver stars as John Clayton a disillusioned CIA agent who retires to become a bush pilot in the Alaskan wilderness with his best friend. When his friend is murdered and branded a bootlegger Clayton works to solve the crime and clear his name. <br/><br/>Set in Alaska shot on location in British Columbia CA. <br/><br/>White titled wrappers. Title page present dated Februay 5 1988 noted as THIRD DRAFT with credits for screenwriter Michael Eric Stein. 117 leaves with last page of text numbered 115. Xerographic duplication first generation. Pages Near Fine wrapper Near Fine bound with two gold brads. Columbia Broadcasting System [CBS] unknown books
Référence libraire : 142395
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Robert De Niro, Michael Moriarty (starring); John Hancock (director); Mark Harris (novel, screenwriter)
Bang The Drum Slowly Original screenplay for the 1973 film
N.p.: N.p. 1972. Draft script for the 1973 film. Copy belonging to sound technician Les Lazarowitz with his name in manuscript ink on the title page as well as an annotation noting copy No. 89. Included with the script is a baseball signed by many of the actors in the film including Robert De Niro Phil Foster Tom Signorelli Andy Jarrell Tony Major Donny Burks and Vincent Gardenia with a manuscript letter of provenance signed by Lazarowitz. <br /> <br /> Based on the 1956 novel by screenwriter Mark Harris about a developmentally disabled baseball catcher with a terminal illness and his friendship with the team's star pitcher. <br /> <br /> Shot on location in New York Washington DC and Florida.<br /> <br /> Light blue titled wrappers with credit for novelist and screenwriter Mark Harris. Title page present copyrighted 1972 with credit for novelist and screenwriter Mark Harris. 126 leaves with last page of text numbered 125. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Housed in blue cloth covered clamshell box with label printed on spine. N.p. unknown
Référence libraire : 160230
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Robert De Niro, Meryl Streep, Harvey Keitel, Dianne Wiest (starring); Ulu Grosbard (director); Michael Cristofer (screenwriter)
Falling in Love Original screenplay for the 1984 film
Hollywood: Paramount Pictures 1984. Second Draft script for the 1984 film. Annotation in manuscript ink on the title page noting copy No. 23. Six revision pages and 30-page location breakdown sheet laid in with the script. <br /> <br /> Through multiple twists of fate two strangers in New York become friends soon realizing they are developing romantic feelings for each other—although both are married with families. Loosely based on David Lean's 1945 film "Brief Encounter." <br /> <br /> Set and shot on location throughout New York City.<br /> <br /> Dark red titled Studio Duplicating Service wrappers with credit for screenwriter Michael Cristofer on the front wrapper. Title page present dated January 10 1984 noted as Second Draft with credit for Cristofer. 124 leaves with last page of text numbered 117. Xerographic duplication rectos only with salmon revision pages laid in at the rear of the script dated 4/7/84. Pages Very Good plus wrapper Very Good plus bound with two gold brads. Paramount Pictures unknown
Référence libraire : 166545
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Robert De Niro, Robert Duvall (starring); John Gregory Dunne (screenwriter, novel); Joan Didion (screenwriter); Ulu Grosbard (di
True Confessions Original screenplay for the 1981 neo-noir film
N.p.: N.p. 1979. Third Draft script for the 1981 film with rainbow revisions. Laid in with the script are two additional yellow revision pages dated 3/28/80. <br /> <br /> Based on the 1977 novel by John Gregory Dunne who with his wife Joan Didion wrote the screenplay for the film. Loosely based on the notorious 1947 Black Dahlia murder about a homicide detective investigating the brutal murder of a young woman in Los Angeles. <br /> <br /> Set and shot on location in Los Angeles. <br /> <br /> Blue titled wrappers. Title page present dated November 29 1979 noted as Third Draft with credits for screenwriters John Gregory Dunne and Joan Didion. 136 leaves with last page of text numbered 121. Xerographic duplication rectos only with rainbow revision pages throughout dated between 1/9/80 and 3/24/80. Pages Fine wrapper Near Fine bound with two gold brads.<br /> <br /> Housed in a custom beige clamshell box. N.p. unknown
Référence libraire : 160041
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Robert Dhery (director); Alfred Adam, Robert Dhery, Pierre Tchernia (screenwriter); Alfred Adam, Colette Brosset, Robert Burnier
La Belle Americaine Original photograph from the 1961 film
N.p.: Continental Distributing 1961. Vintage studio still photograph from the 1961 French film. <br /> <br /> An unlucky man's life is made worse by the sudden acquisition of an expensive vehicle. <br /> <br /> Shot on location in Paris and Haut-de-Seine France. <br /> <br /> 10 x 8 inches. Near Fine with light red fingerprints to the verso. Continental Distributing unknown
Référence libraire : 139747
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Robert Dhery director; Alfred Adam Robert Dhery Pierre Tchernia screenwriter; Alfred Adam Colette Brosset Robert Burnier sta
La Belle Americaine Original photograph from the 1961 film
N.p.: Continental Distributing 1961. Vintage studio still photograph from the US release of the 1961 French film. <br/><br/>An unlucky man's life is made worse by the sudden acquisition of an expensive vehicle. <br/><br/>Shot on location in Paris and Haut-de-Seine France. <br/><br/>10 x 8 inches. Near Fine with light red fingerprints to the verso. <br/><br/>Complete collation details available on request. Continental Distributing unknown books
Référence libraire : 139747
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Robert Dornhelm (director); Michael Ventura (screenwriter); Tom Hulce, Susan Dey, Cheech Marin, Michael Bowen (starring)
Echo Park Original screenplay for the 1986 film
Beverly Hills CA: Walter Shenson-Robert Dornhelm 1984. Second Draft script for the 1986 film. With a single manuscript ink annotation on the front wrapper and a few copied manuscript annotations to page 59 and 60 noting grammatical revisions. <br /> <br /> A young pizza delivery worker falls for his new roommate a single mother who wants to be an actress but can only find work as a telegram-singing stripper. Meanwhile their next door neighbor an Austrian bodybuilder idolizes Arnold Schwarzenegger and dreams of true love.<br /> <br /> Set and shot on location in Echo Park Los Angeles and Vienna Austria.<br /> <br /> Blue untitled wrappers. Title page present dated May 1 1984 noted as Second Draft with credits for screenwriter Michael Ventura. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with three gold brads. Walter Shenson-Robert Dornhelm unknown
Référence libraire : 147136
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Robert Dornhelm director; Michael Ventura screenwriter; Tom Hulce Susan Dey Cheech Marin Michael Bowen starring
Echo Park Original screenplay for the 1986 film
Beverly Hills CA: Walter Shenson-Robert Dornhelm 1984. Second Draft script for the 1986 film. With a single holograph ink annotation to the front wrapper and a few copied holograph annotations to page 59 and 60 noting grammatical revisions. <br/><br/>A young pizza delivery worker falls for his new roommate a single mother who wants to be an actress but can only find work as a telegram-singing stripper. Meanwhile their next door neighbor an Austrian bodybuilder idolizes Arnold Schwarzenegger and dreams of true love.<br/><br/>Set and shot on location in Echo Park Los Angeles and Vienna Austria.<br/><br/>Blue untitled wrappers. Title page present dated May 1 1984 noted as Second Draft with credits for screenwriter Michael Ventura. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with three gold brads. Walter Shenson-Robert Dornhelm unknown books
Référence libraire : 147136
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Robert Douglas (director); Harry Spalding (screenwriter); Leslie Nielsen, Aliza Gur, Dorinda Stevens, Eric Pohlmann (starring)
Night Train to Paris Original screenplay for the 1964 British film
Shepperton UK: Lippert Films 1964. Draft script for the 1964 British film copy belonging to Art Director George Provis with his name and the date "8th May 1964" written on the front wrapper.<br /> <br /> George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films.<br /> <br /> Leslie Nielsen stars as a former OSS officer living in London who travels to Paris disguised as a photographer's assistant in order to deliver a secret tape reel after a former colleague with a decoy of the tape is killed.<br /> <br /> Shot on location in London. <br /> <br /> Yellow titled wrappers. Title page present. 84 leaves with last page of text numbered 88. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two flat metal brads. Lippert Films unknown
Référence libraire : 166111
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Robert Dozier (screenwriter)
The Sentries Original screenplay for an unproduced film
Burbank CA: Warner Brothers 1965. Estimating script for an unproduced film. <br /> <br /> The story of a small contingent of militant mercenaries who attempt to stir up a conflict between Cuba and the United States by piloting a hostile decoy Navy ship into enemy waters off Key West only to be thwarted by the actual Navy and a few well-meaning American citizens taken hostage. No doubt mirroring some of the public's concerns at the time given the tenuous peace established by the Cuban Missile Crisis the film remained unproduced perhaps considered too sensationalist or close to home. Screenwriter Dozier would go on to write largely for television including episodes of "Batman" and "Harry O."<br /> <br /> Tan titled wrappers noted as ESTIMATING on the front wrapper rubber-stamped copy No. 23 dated April 2 1965. Distribution page present with receipt intact. Title page present dated 4/1/65 with credits for screenwriter Dozier. 136 leaves mimeograph on yellow stock. Pages about Fine wrapper Very Good plus bound internally with two gold brads. Warner Brothers unknown
Référence libraire : 132145
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Robert Dozier screenwriter
The Sentries Original screenplay for an unproduced film
Burbank CA: Warner Brothers 1965. Estimating script for an unproduced film. <br/><br/>The story of a small contingent of militant mercenaries who attempt to stir up a conflict between Cuba and the United States by piloting a hostile decoy Navy ship into enemy waters off Key West only to be thwarted by the actual Navy and a few well-meaning American citizens taken hostage. No doubt mirroring some of the public's concerns at the time given the tenuous peace established by the Cuban Missile Crisis the film remained unproduced perhaps considered too sensationalist or close to home. Screenwriter Dozier would go on to write largely for television including episodes of "Batman" and "Harry O."<br/><br/>Tan titled wrappers noted as ESTIMATING on the front wrapper rubber-stamped copy No. 23 dated April 2 1965. Distribution page present with receipt intact. Title page present dated 4/1/65 with credits for screenwriter Dozier. 136 leaves mimeograph on yellow stock. Pages about Fine wrapper Very Good plus bound internally with two gold brads. Warner Brothers unknown books
Référence libraire : 132145
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Robert Duvall starring; Gerd Oswald director; Robert Towne screenwriter; Lou Morheim Joseph Stefano story
The Outer Limits: The Chameleon Original screenplay for the 1964 TV episode
Burbank CA: American Broadcasting Company ABC 1964. Revised Final script for Season 1 Episode 31 of the 1964-1966 television show "The Outer Limits" originally aired April 27 1964 on ABC. <br/><br/>Robert Duvall plays a disaffected CIA agent sent to infiltrate an alien flying saucer that has crash landed. He finds that the genetic material used to alter his appearance has overridden his human nature and he ultimately chooses to return to the home planet of the benevolent aliens and leave humanity and its violence behind. <br/><br/>Red titled wrappers noted as REVISED FINAL on the front wrapper rubber-stamped copy No. 52 and production No. SF# 30 dated March 3 1964 with credits for screenwriter Robert Towne. Title page present with credits for screenwriter Towne. 49 leaves with last page of text numbered 48. Mimeograph duplication rectos only. Pages Fine wrapper Fine bound with two gold brads. American Broadcasting Company [ABC] unknown books
Référence libraire : 145375
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Robert Ellis Miller (director); Herman Raucher (play, screenwriter); Sandy Dennis, Anthony Newley, Theodore Bikel (starring)
Sweet November Two original screenplays for the 1968 film
Los Angeles: Gershwin-Kastner Productions 1967. First Draft script and a Revised Estimating script for the 1968 film. The First Draft script is early written well over two years before the film's release. The Revised Estimating script is on all yellow stock except for distribution page white and pink "This Script Is Not Final and Is Given to You for Advance Information Only" page. Written a year prior the film's release the Revised Estimating script is only 79 pages ending with "PART II TO FOLLOW." <br /> <br /> From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye†Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and “Heat†Michael Mann 1996.<br /> <br /> A workaholic manufacturer meets a carefree young woman who takes lovers for a period of one month in order to help them get over their problems though complications ensue when he agrees to be her “November." Remade in 2001 directed by Pat O'Connor and starring Keanu Reeves and Charlize Theron.<br /> <br /> Set in and shot on location in Manhattan and Brooklyn New York. <br /> <br /> First draft script:<br /> <br /> Blue titled wrappers dated July 9 1965. Title page present dated 7/9/65 noted as First Draft with credits for screenwriter Herman Raucher. 135 leaves with last page of text numbered 134. Offset duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver brads.<br /> <br /> Rev. Estimating script:<br /> <br /> Beige titled wrappers noted as REV. ESTIMATING SCRIPT on the front wrapper rubber-stamped copy No. 65 dated February 1. 1967. Distribution page present with receipt intact. Title page present dated 2/1/67. 83 leaves with last page of text numbered 79. Offset duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Gershwin-Kastner Productions unknown
Référence libraire : 147239
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Robert Ellis Miller (director); Herman Raucher (play); Herman Raucher (screenwriter); Sandy Dennis, Anthony Newley, and Theodore
Sweet November Three original photograph from the 1968 film
Burbank CA: Warner Brothers / Seven Arts 1968. Three vintage black-and-white still photographs from the 1968 film. <br /> <br /> The film follows the story of a troubled young woman who seeks out emotionally crippled men and invites them to live with her for a month in an attempt to "cure" them. However she and Mr. November become quite attached and when he tries to continue the relationship past its prescribed termination he uncovers Sara's Sandy Dennis tragic secret. <br /> <br /> Set in New York City shot on location in New York City. <br /> <br /> 10 x 8 inches. Near Fine with film details affixed to the verso of image 508-27. Warner Brothers / Seven Arts unknown
Référence libraire : 139778
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Robert Ellis Miller (director); Janice Elliott (novel); Peter Draper (screenwriter); Hywel Bennett, Leigh Taylor-Young, Jane Ash
The Buttercup Chain Original screenplay for the 1970 film
London: Columbia British Productions 1969. Draft script for the 1970 British film. Cinematographer Douglas Slocombe's name written and underlined in manuscript ink on the title page as well as an encircled "71" in red manuscript marker. <br /> <br /> Based on Janice Elliott's 1967 novel about cousins born on the same day to twin sisters. Inseparable and maybe in love they agree to find suitable romantic partners for each other. Nominated for the Palme d'Or.<br /> <br /> Set in and shot on location in England Spain and Sweden. <br /> <br /> ornamental embossed titled wrapper. Title page present dated 1969 with credits for screenwriter Peter Draper and novelist Janice Elliott. PAGES leaves with last page of text numbered 111. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with three flat metal brads. Columbia British Productions unknown
Référence libraire : 147017
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Robert Ellis Miller director; Carson McCullers novel; Thomas C. Ryan screenwriter; Alan Arkin Sondra Locke Laurinda Barrett S
The Heart is a Lonely Hunter Original screenplay for the 1968 film
N.p.: The Landau Company 1963. Draft script for the 1968 film. <br/><br/>As early as 1950 there was talk of adapting Carson McCullers' 1940 debut novel "The Heart is a Lonely Hunter" for the screen. In 1963 producer David Susskind took over Jose Quintero's attempt at adapting the novel which began two years earlier with a script from British screenwriter Gavin Lambert. Susskind passed on Lambert's script opting for a script from Thomas C. Ryan.<br/><br/>Susskind planned to shoot the film in New York City with director Sidney Lumet but the project ended up being held up indefinitely. Four years later Marc Merson's Brownstone Productions had taken over the film rights with Thomas C. Ryan's original 1963 script and with Ryan co-producing. During filming Ryan and director Robert Ellis Miller would make extensive re-writes as they went.<br/><br/>One of the great film adaptations of any American novel starring Sondra Locke in her debut film opposite Alan Arkin. Although much of the political aspect of McCullers' novel was removed from the film the themes present in the author's work are readily apparent: race loneliness impoverishment and anger. Arkin and Locke were nominated for Best Actor and Best Supporting Actress Oscars. <br/><br/>Set in in a small Southern town shot on location in Selma Alabama.<br/><br/>Red titled vinyl Hart Stenographic Bureau wrappers. Title page present dated 8/26/63 with credits for novelist Carson McCullers and screenwriter Thomas C. Ryan. 130 leaves with last page of text numbered 127. Mimeographed rectos only with pink revision pages throughout dated 8/26/63. Pages Very Good plus wrapper Very Good plus bound with two metal screw brads. The Landau Company unknown books
Référence libraire : 146288
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Robert Ellis Miller director; Herman Raucher play screenwriter; Sandy Dennis Anthony Newley Theodore Bikel starring
Sweet November Two original screenplays for the 1968 film
Los Angeles: Gershwin-Kastner Productions 1967. First Draft script and a Revised Estimating script for the 1968 film. The First Draft script is early written well over two years before the film's release. The Revised Estimating script is on all yellow stock except for distribution page white and pink "This Script Is Not Final and Is Given to You for Advance Information Only" page. Written a year prior the film's release the Revised Estimating script is only 79 pages ending with "PART II TO FOLLOW." <br/><br/>From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996.<br/><br/>A workaholic manufacturer meets a carefree young woman who takes lovers for a period of one month in order to help them get over their problems though complications ensue when he agrees to be her "November." Remade in 2001 directed by Pat O'Connor and starring Keanu Reeves and Charlize Theron.<br/><br/>Set in and shot on location in Manhattan and Brooklyn New York. <br/><br/>First draft script:<br/><br/>Blue titled wrappers dated July 9 1965. Title page present dated 7/9/65 noted as First Draft with credits for screenwriter Herman Raucher. 135 leaves with last page of text numbered 134. Offset duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver brads.<br/><br/>Rev. Estimating script:<br/><br/>Beige titled wrappers noted as REV. ESTIMATING SCRIPT on the front wrapper rubber-stamped copy No. 65 dated February 1. 1967. Distribution page present with receipt intact. Title page present dated 2/1/67. 83 leaves with last page of text numbered 79. Offset duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Gershwin-Kastner Productions unknown books
Référence libraire : 147239
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Robert Ellis Miller director; Herman Raucher play; Herman Raucher screenwriter; Sandy Dennis Anthony Newley and Theodore Bikel
Sweet November Original photograph from the 1968 film
Burbank CA: Warner Brothers / Seven Arts 1968. Vintage borderless black-and-white on the set photograph from the US release of the 1968 film. <br/><br/>On the set of "Sweet November" pictured are actors Anthony Newley and Sandy Dennis as well as cinematographer Daniel L. Fapp. The film follows the story of a troubled young woman who seeks out emotionally crippled men and invites them to live with her for a month in an attempt to "cure" them. However she and Mr. November become quite attached and when he tries to continue the relationship past its prescribed termination he uncovers Sara's Sandy Dennis tragic secret. <br/><br/>Set in New York City shot on location in New York City. <br/><br/>9 x 7 inches. Near Fine with two yellow tape stains to the verso. Warner Brothers / Seven Arts unknown books
Référence libraire : 139776
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Robert Ellis Miller director; Herman Raucher play; Daniel L. Fapp cinematographer; Herman Raucher screenwriter; Sandy Dennis An
Sweet November Original photograph from the 1968 film
Burbank CA: Warner Brothers / Seven Arts 1968. Vintage borderless black-and-white on the set photograph from the US release of the 1968 film. <br/><br/>On the set of "Sweet November" pictured from left to right: cinematographer Daniel L. Fapp and actors Anthony Newley and Sandy Dennis. The film follows the story of a troubled young woman who seeks out emotionally crippled men and invites them to live with her for a month in an attempt to "cure" them. However she and Mr. November become quite attached and when he tries to continue the relationship past its prescribed termination he uncovers Sara's Sandy Dennis tragic secret. <br/><br/>Set in New York City shot on location in New York City. <br/><br/>10 x 8 inches. Near Fine with a blue holograph notation to the verso. Warner Brothers / Seven Arts unknown books
Référence libraire : 139469
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Robert Ellis Miller director; Herman Raucher play; Herman Raucher screenwriter; Sandy Dennis Anthony Newley and Theodore Bikel
Sweet November Three original photograph from the 1968 film
Burbank CA: Warner Brothers / Seven Arts 1968. Collection of three vintage black-and-white still photographs from the 1968 film. <br/><br/>The film follows the story of a troubled young woman who seeks out emotionally crippled men and invites them to live with her for a month in an attempt to "cure" them. However she and Mr. November become quite attached and when he tries to continue the relationship past its prescribed termination he uncovers Sara's Sandy Dennis tragic secret. <br/><br/>Set in New York City shot on location in New York City. <br/><br/>10 x 8 inches. Near Fine with film details affixed to the verso of image 508-27. <br/><br/>Complete collation details available on request. Warner Brothers / Seven Arts unknown books
Référence libraire : 139778
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Robert Ellis Miller director; Janice Elliott novel; Peter Draper screenwriter; Hywel Bennett Leigh Taylor Young Jane Asher Sv
The Buttercup Chain Original screenplay for the 1970 film
London: Columbia British Productions 1969. Draft script for the 1970 film. Ornamental Art Nouveau Mucha-esque imprinted front wrapper design. Cinematographer Douglas Slocombe's name written and underlined in holograph ink on the title page as well as an encircled "71" in red holograph marker. <br/><br/>Based on Janice Elliott's 1967 novel about cousins born on the same day to twin sisters. Inseparable and maybe in love they agree to find suitable romantic partners for each other. Nominated for the Palme d'Or.<br/><br/>Set in and shot on location in England Spain and Sweden. <br/><br/>Tall ornamental titled wrapper. Title page present dated 1969 with credits for screenwriter Peter Draper and novelist Janice Elliott. PAGES leaves with last page of text numbered 111. Mimeographed rectos only. Pages Near Fine wrapper Very Good plus bound internally with three flat metal brads. Columbia British Productions unknown books
Référence libraire : 147017
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Robert Florey (director); Richard H. Landau (screenwriter); Pat O'Brien, Wayne Morris, Dolores Moran (starring)
Johnny One-Eye Original mini-banner poster for the 1950 film noir
Beverly Hills CA: United Artists 1949. Vintage mini-banner poster for the 1949 film. <br /> <br /> Based on the 1944 short story by Damon Runyon. Gangster Martin Martin is hoping to give up his career in crime for a career in politics when the district attorney attempts to arrest him for a murder five years earlier. On the lamb Martin holes up in an abandoned house and is befriended by a little girl Elsie and her dog Skipper who Martin names Johnny One-Eye.<br /> <br /> 4.75 x 28 inches. Very Good plus with light rubbing and creasing at the extremities.<br /> <br /> Spicer US. United Artists unknown
Référence libraire : 160942
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