|
Abel Ferrara (director); Nicholas St John (screenwriter); Tom Berenger, Billy Dee Williams, Jack Scalia, Melanie Griffith (starr
Fear City Two original photographs from the 1985 film
N.p.: N.p. 1985. Two vintage borderless reference photographs from the 1985 film both showing actress Melanie Griffith. <br /> <br /> A former boxer turned nightclub promoter joins together with a police detective to investigate a serial killer targeting strippers. <br /> <br /> Set in Manhattan and shot on location in New York and Los Angeles. N.p. unknown
Riferimento per il libraio : 161051
|
|
|
Abel Ferrara (director, screenwriter); William Gibson (story, screenwriter); Willem Dafoe, Christopher Walken, Asia Argento (sta
New Rose Hotel Archive of four original screenplays and ephemera from the 1998 film from the archive of screenwirter Christ Zois
N.p.: N.p. 1997. Archive of material relating to the 1998 film. Archive includes four scripts dated variously between 1991 and 1997 and credited variously to screenwriters Christ Zois Zoë Lund and William Gibson as well as approximately ten pages of correspondence and ephemera relating to the film's production and a xerographically duplicated copy of Gibson's source story. One screenplay with the ownership name of Zois on the title page.<br /> <br /> From the archive of Christ Zois Abel Ferrara's frequent co-screenwriter.<br /> <br /> Of note are several pieces of correspondence regarding writing credits for the film dated variously between 1997 and 1998. Screenwriters Abel Ferrara and Christ Zois claimed that prior adaptations of Gibson's novel by Gibson Lund and others had no bearing on their own adaptation. Ferrara and Zois would ultimately receive sole screenwriting credit on the completed film. <br /> <br /> Based on the 1984 short story by William Gibson about two freelance industrial spies in Tokyo who decide to use a call girl to execute their latest mission. <br /> <br /> Shot on location in New York.<br /> <br /> November 1991 Draft:<br /> <br /> Self wrappers. Title page present dated November 1991 noted as Third Draft with credit for author and screenwriter William Gibson. 93 leaves with last page of text numbered 92. Xerographic duplication rectos only. Pages Near Fine partially bound with a binder clip at the top left corner.<br /> <br /> October 9 1993 Draft:<br /> <br /> Self wrappers. Title page present dated Oct. 9. 1993 noted as SECOND DRAFT with credit for screenwriter Zoë Lund. 116 leaves with last page of text numbered 109. Xerographic duplication rectos only. Pages Near Fine partially bound with a binder clip at the top left corner. <br /> <br /> September 28 1997 Draft:<br /> <br /> Self wrappers. Title page present dated 9/28/97 noted as Draft with credits for screenwriters Christ Zois and Abel Ferrara. 75 leaves with last page of text numbered 74. Xerographic duplication rectos only. Pages Very Good plus partially bound with a binder clip at the top left corner. <br /> <br /> Undated Draft:<br /> <br /> Self wrappers. Title page present undated with credit for screenwriter Christ Zois. 99 leaves with last page of text numbered 98. Xerographic duplication rectos only. Pages Very Good plus partially bound with a binder clip on the top edge and housed in a red card folder. N.p. unknown
Riferimento per il libraio : 160437
|
|
|
Abel Ferrara (director, screenwriter); Willem Dafoe (starring); Maurizio Braucci, Nicola Tranquillino (screenwriters); Ninetto D
Pasolini Original screenplay for the 2014 film from the archive of screenwriter Christ Zois
N.p.: N.p. 2011. First Draft script for the 2014 film. From the archive of Christ Zois Abel Ferrara's frequent co-screenwriter.<br /> <br /> A biopic about the final days in the life of controversial Italian director Pier Paolo Pasolini then middle-aged and living in Rome as he finishes production of his notorious 1975 film "Salò or the 120 Days of Sodom." <br /> <br /> Housed in a blue card folder. Title page present dated February 28 2011 noted as First Draft with credits for director-screenwriter Abel Ferrara and screenwriter Nicola Tranquillino. 98 leaves with last page of text numbered 97. Xerographic duplication rectos only. Pages about Fine partially bound with a binder clip on the top left corner. N.p. unknown
Riferimento per il libraio : 160434
|
|
|
Abel Ferrara (director, screenwriter); Willem Dafoe (starring); Christ Zois (screenwriter); Dounia Sichov, Simon McBurney, Danie
Siberia Archive of two original screenplays for the 2020 film from the archive of screenwirter Christ Zois
N.p.: N.p. 2017. Archive of two Draft scripts for the 2020 film one undated and with the ownership name of screenwriter Christ Zois on the title page-this being from Zois' archive collection-with Zois' extensive annotations in manuscript ink throughout the other dated June 27 2017.<br /> <br /> From the archive of Christ Zois Abel Ferrara's frequent co-screenwriter.<br /> <br /> The sixth collaboration between actor Willem Dafoe and director Abel Ferrara a psychological thriller heavily based on the work of Carl Jung about an American living a largely solitary existence in Siberia. <br /> <br /> Undated script:<br /> <br /> Self wrappers. Title page present undated. 33 leaves with last page of text numbered 32. Xerographic duplication rectos only. Pages Very Good plus unbound.<br /> <br /> June 27 2017 script:<br /> <br /> Self wrappers. Title page integral with first page of text dated June 27 2017. 37 leaves with last page of text dated 37. Pages Very Good plus partially bound with a single binder clip on the top left corner. N.p. unknown
Riferimento per il libraio : 160435
|
|
|
Abel Ferrara (director); Shade Rupe (photographer); Nicholas St John (screenwriter); Lili Taylor, Christopher Walken, Annabella
The Addiction Collection of 17 original photographs taken on the set of the 1995 film
N.p.: N.p. 1994. Collection of 17 vintage reference photographs taken on the set of the 1995 film by photographer Shade Rupe. Variously featured are director Abel Ferrara actress Lili Taylor cinematographer Ken Kelsch screenwriter Nicholas St. John and other cast and crew members all photographed over the course of a single evening near Manhattan's Puck Building Lafayette Street an alley off Jersey Street NYU and Keith Haring's Pop Shop on Lafayette Street. <br /> <br /> Struck in 2020 from Rupe's original negatives these being the only existing prints. Full provenance available with letter from Rupe stating "no other prints have ever or will ever be struck." Stamp on verso of each photo crediting Rupe as photographer.<br /> <br /> A conceptual black-and-white reimagining of the vampire movie about a philosophy graduate student who is forced to reconsider the nature of evil and humanity after succumbing to a vampire and developing an addiction to human blood.<br /> <br /> Set and shot on location in Manhattan.<br /> <br /> 12 x 9 inches. Fine.<br /> <br /> Arrow 1769. Spicer US Neo-Noir. N.p. unknown
Riferimento per il libraio : 152444
|
|
|
Abel Gance (director, screenwriter); Steve Passeur (screenwriter); Victor Francen, Line Noro (starring)
J'accuse I Accuse Original double weight photograph from the 1938 film
France: Forrester-Parant 1937. Vintage double weight photograph from the 1938 film showing a group of soldiers many with facial disfigurements. French annotations in manuscript pencil and ink on the verso along with a provenance label. <br /> <br /> Both a remake and sequel to director Abel Gance's 1919 film of the same name born out of his anger and frustration in watching Europe descend into the Second World War as much as the original was born out of his horror with the First. <br /> <br /> 9.25 x 7 inches. Near Fine.<br /> <br /> Godard Histoires du cinema. Forrester-Parant unknown
Riferimento per il libraio : 168078
|
|
|
Abel Gance (director, screenwriter); Nelly Kaplan, Roger Richebe (screenwriters); Pierre Mondy, Jean Marais, Claudia Cardinale,
The Battle of Austerlitz Five original photographs from the 1960 French film
N.p.: Compagnie Internationale de Productions Cinematographiques 1960. Five vintage reference photographs taken on the set of the 1960 French film including one borderless photograph. One with a manuscript ink annotation and stamp on the verso noting the photograph as No. 756.<br /> <br /> A dramatization of the Battle of Austerlitz wherein Napoleon enjoyed the greatest victory of his career driving away both Austrian and Russian forces.<br /> <br /> Set and shot on location in Zagreb Croatia.<br /> <br /> Four photographs 4.75 x 3.5 inches one photograph 4.5 x 3.5 inches. Near Fine.<br /> <br /> <br /> Godard Histoires du cinema. Compagnie Internationale de Productions Cinematographiques unknown
Riferimento per il libraio : 149512
|
|
|
Abel Gance (director, screenwriter); Albert Dieudonne (starring)
The Madness of Dr. Tube La Folie du Docteur Tube Two photographs from the 1915 film
France: Le Film d'Art 1915. Photograph from the 1915 French experimental short film struck from the original negative circa 1936. With manuscript annotations and agency stamps on the verso. <br /> <br /> Dr. Tube develops a powder that distorts reality after ingestion. He tests it out on himself a dog and a two couples. An early experimental film that uses distorted lenses and mirrors to create special effects that mimic an altered state of consciousness. <br /> <br /> 7 x 5 inches. Near Fine. Le Film d'Art unknown
Riferimento per il libraio : 144596
|
|
|
Abel Gance (director, screenwriter); Michel Bouquet, Pierre Brasseur, Lia Di Leo, Paul Guers (starring); Alexandre Dumas (play);
Tower of Lust La tour de Nesle Original oversize photograph from the 1955 film
N.p.: N.p. 1955. Vintage oversize reference photograph from the 1955 French film showing actors Lia Di Leo and Marcel Raine in an intimate moment. Annotations in manuscript ink and pencil on the verso. <br /> <br /> Based on the 1832 play by Alexandre Dumas and Frédéric Gaillardet about Queen Margaret of Burgundy who kills her partners after their dalliances have ended in order to leave no trace of her sexual misdeeds.<br /> <br /> Partially shot on location in Paris.<br /> <br /> 11.5 x 9.25 inches. Very Good with multiple pinholes and accompanying wear at the corners and light soil on the verso. N.p. unknown
Riferimento per il libraio : 163793
|
|
|
Abel Gance director screenwriter; Albert Dieudonne starring
The Madness of Dr. Tube La Folie du Docteur Tube Two photographs from the 1915 film
France: Le Film d'Art 1915. Photograph from the 1915 French experimental short film struck from the original negative circa 1936. With holograph annotations and agency stamps on the verso. <br/><br/>Dr. Tube develops a powder that distorts reality after ingestion. He tests it out on himself a dog and a two couples. An early experimental film that uses distorted lenses and mirrors to create special effects that mimic an altered state of consciousness. <br/><br/>7 x 5 inches. Near fine. Le Film d'Art unknown books
Riferimento per il libraio : 144596
|
|
|
Abel Gance director screenwriter; Nelly Kaplan Roger Richebe screenwriters; Pierre Mondy Jean Marais Claudia Cardinale Orso
The Battle of Austerlitz Collection of five original photographs from the 1960 French film
N.p.: Compagnie Internationale de Productions Cinematographiques 1960. Collection of five vintage reference photographs taken on the set of the 1960 French film including one borderless photograph. One with a holograph ink annotation and stamp on the verso noting the photograph as No. 756.<br/><br/>A dramatization of the Battle of Austerlitz wherein Napoleon enjoyed the greatest victory of his career driving away both Austrian and Russian forces.<br/><br/>Set and shot on location in Zagreb Croatia.<br/><br/>Four photographs 4.75 x 3.5 inches one photograph 4.5 x 3.5 inches. Near Fine.<br/><br/><br/>Godard Histoires du cinema. Compagnie Internationale de Productions Cinematographiques unknown books
Riferimento per il libraio : 149512
|
|
|
Abner Biberman director; Robert Tallman screenwriter; Merle Oberon Lex Barker starring
The Price of Fear Post-production script for the 1956 film
Universal City CA: Universal Pictures 1956. Post-production Continuity and Dialogue script for the 1956 film noir. <br/><br/>The co-owner of a dog track Barker discovers his partner has sold out to a local gangster and soon finds himself framed for two murders by the gangster and a femme fatale Oberon. <br/><br/>White self wrappers noted as Continuity and Dialogue on the front wrapper production No. 1813 dated February 27 1956 with credits for actors Merle Oberson Lex Barker et al and director Abner Biberman. Title page integral to the front wrapper. 102 leaves with last page of text numbered 13. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. <br/><br/>Grant US. Selby US. Spicer US. Universal Pictures unknown books
Riferimento per il libraio : 130940
|
|
|
Abraham Eban (screenwriter)
Spots Original screenplay for an unproduced film
N.p.: N.p. 1987. First Draft script for an unproduced film. <br /> <br /> The white heir to a substantial fortune wakes up one day to discover that his skin has rapidly darkened leading his family to mistake him for an African American and subsequently disown him. <br /> <br /> Red titled wrappers with credits for screenwriter Abraham Eban. Title page present dated August 1987 noted as First Draft with credits for screenwriter Abraham Eban. 123 leaves with last page of text numbered 123. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine black tape binding. N.p. unknown
Riferimento per il libraio : 153170
|
|
|
ACTEURS INCONNUS Scénariste Inconnu Réalisateur Inconnu ACTEURS INCONNUS
14 Histoires pour Faire la fête
TF1 Studio 2017 14x18x1cm. 2017. DVD.
Riferimento per il libraio : 100073421
|
|
|
Adam Rodman (screenwriter)
The Silent Man Original screenplay for an unproduced film
N.p.: N.p. 1985. Draft script for an unproduced film. <br /> <br /> A Black man and his son struggle to survive in Apartheid-era South Africa where they find themselves constantly at odds with white society whether at the hands of questioning police the disrespect Mogane faces when he is promoted to foreman at his job and his son struggling to earn respect and money for hard work out on the streets. <br /> <br /> Set in South Africa. <br /> <br /> White titled self wrappers dated August 19 1985. Title page present dated August 19 1985 noted as Revised First Draft with credits for screenwriter Adam Rodman. 127 leaves with last page of text numbered 126. Xerographically duplicated. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
Riferimento per il libraio : 141905
|
|
|
Adam Rodman screenwriter
The Silent Man Original screenplay for an unproduced film
N.p.: N.p. 1985. Draft script for an unproduced film. <br/><br/>A black man and his son struggle to survive in Apartheid-era South Africa where they find themselves constantly at odds with white society whether at the hands of questioning police the disrespect Mogane faces when he is promoted to foreman at his job and his son struggling to earn respect and money for hard work out on the streets. <br/><br/>Set in South Africa. <br/><br/>White titled self wrappers dated August 19 1985. Title page present dated August 19 1985 noted as Revised First Draft with credits for screenwriter Adam Rodman. 127 leaves with last page of text numbered 126. Xerographically duplicated. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
Riferimento per il libraio : 141905
|
|
|
Adam West, Chris Alcaide, Joe Maross, Robert DoQui, Rudy Solari (starring); Byron Haskin (director); Jerry Sohl (screenwriter)
The Outer Limits: The Invisible Enemy Original screenplay for the 1964 television episode
N.p.: N.p. 1964. Draft script for Season 2 Episode 7 of the 1963-1965 television series. Copy belonging to an unidentified crew member with a penciled drawing with annotations on the rear wrapper laying out a set design.<br /> <br /> In the year 2024 astronauts visiting Mars are picked off one by one by mysterious "Sand-Beasts" shark-like monsters that live and travel under the planet's surface. Loosely based on a short story by screenwriter Jerry Sohl which originally appeared in "Imaginative Tales" magazine in September of 1955. <br /> <br /> Lacking front wrapper but with rear wrapper present. 54 leaves with last page of text numbered 53. Mimeograph duplication rectos only. Pages Very Good plus rear wrapper Very Good bound with two gold brads. N.p. unknown
Riferimento per il libraio : 166462
|
|
|
Adolfas Mekas director screenwriter; Heinz Edelman designer; Peter H. Beard Sheila Finn Martin Greenbaum starring
Hallelujah Die Hugel Hallelujah the Hills Original German poster for the 1963 film
Munich: Peter-Presse / Atlas Films 1965. Original 1965 German A1 poster for the 1963 US film. Designed by Heinz Edelman<br/><br/>From the collection of noted film historian Amos Vogel. Full provenance available. <br/><br/>An iconoclastic utterly American underground film best understood by way of the reactions it receives from viewers outside the US. Time Out Guide notes: "a highpoint from the 'innocent' years of American underground cinema and something of an enduring delight for real film buffs. Mekas' comedy starts from an enthusiastic parody of French 'new wave' concepts like using two actresses to play one character and manages to go on to incorporate references part satire part homage to what seems like every other branch of cinema extant . from samurai movies to Chaplinesque slapstick.hitting the intended tone between love and skepticism."<br/><br/>Jean-Luc Godard: "Next to the two big shots of the New York School Clarke and Cassavetes Mekas seemed a poor relative especially since people got him confused with his brother Jonas Mekas. 'Hallelujah the Hills' proves clearly that Adolfas is someone to be reckoned with. He is a master in the field of pure invention that is to say in working dangerously 'without a net. His film made according to the good old principle "one idea for each shot" has the lovely scent of fresh ingenuity and crafty sweetness. Physical efforts and intellectual gags are boldly put together. The slightest thing moves you and makes you laugh: a badly framed bush a banana stuck in a pocket a majorette in the snow. He shows life as defined by Ramuz: 'As with a dance such pleasure to begin a piston a clarinet such sorrow to be done the head spins and night has come.'"<br/><br/>23 x 33 inches non-archivally mounted on board. Light soil overall. Very Good plus overall. <br/><br/>Shipping billed at cost. Item can only be shipped within the US. Peter-Presse / Atlas Films unknown books
Riferimento per il libraio : 132221
|
|
|
Adolphe Menjou, Vera Zorina, Kenny Baker, Andrea Leeds (starring); Ben Hecht (screenwriter); George Marshall (director)
The Goldwyn Follies Four original photographs from the 1938 film
Los Angeles: The Samuel Goldwyn Company 1938. Two vintage double weight studio still photographs and two vintage reference photographs from the 1938 film. <br /> <br /> Seeking audience feedback a film producer recruits an ordinary girl to evaluate his movies from the perspective of the everyday American. <br /> <br /> Set in Hollywood. <br /> <br /> Three 10 x 8 inches one 8 x 10 inches. Very Good plus some with light edgewear creases and toning. The Samuel Goldwyn Company unknown
Riferimento per il libraio : 150942
|
|
|
Adrian Hoven, Beppo Brem, Karin Hardt (starring); Joe Stockel (director, screenwriter, starring); Max Wagner (screenwriter)
Der Dorfmonarch SIx original photographs from the 1950 German film
Berlin: Carlton-Film 1950. Six vintage studio still photographs from the 1950 West German film. <br /> <br /> The inhabitants of a small village in the Bavarian Alps lose their senses upon the arrival of a beautiful young dancer arousing the men and enraging their wives. <br /> <br /> Set and shot on location in Bavaria. <br /> <br /> 10 x 8 inches. Very Good to Very Good plus with pinholes on the margins. Carlton-Film unknown
Riferimento per il libraio : 167604
|
|
|
Adrian Lyne (director); Gerald Ayres (screenwriter); Jodie Foster, Scott Baio, Sally Kellerman, Randy Quaid, Cherie Currie (star
Foxes California Girls Original screenplay for the 1980 film
N.p.: N.p. 1977. Early First Draft script for the seminal 1980 film here under the working title "California Girls." Copy belonging to uncredited crew member Jim Brown no relation to the actor we suspect with his name in manuscript ink on the title page. <br /> <br /> A bleak seminal coming-of-age drama about four teenage girls grappling with their families drugs and relationships in Los Angeles in the late 1970s. Adrian Lyne's directorial debut.<br /> <br /> Shot on location in San Fernando Hollywood and Los Angeles California. <br /> <br /> Blue untitled wrappers. Title page present dated Nov. 28 1977 noted as First Draft with credits for screenwriter Gerald Ayres. 138 leaves with last page of text numbered 137. Xerographiic duplication with the exception of the title page which is a carbon typescript copy rectos onl. Pages Near Fine wrapper Very Good plus bound with two gold brads.<br /> <br /> McPadden Heavy Metal Movies. McPadden Teen Movie Hell. N.p. unknown
Riferimento per il libraio : 160904
|
|
|
Aeneas MacKenzie (screenwriter)
Four of a Kind Original screenplay for an unproduced film
Hollywood: Paul Kohner 1950. Draft script for an unproduced film. <br /> <br /> Wild Bill Hickok must play a high stakes poker game in order to win back his beloved mare. The script is a partial treatment draft with a moderate amount of script still in full paragraphs. <br /> <br /> Set in Deadwood Dodge City and the Chisholm Trail in 1867. <br /> <br /> Lacking wrappers presumably as issued. Title page present with credits for screenwriter AEneas MacKenzie. 55 leaves with last page of text numbered 54. Mimeograph duplication. Pages Fine bound with three gold brads. Paul Kohner unknown
Riferimento per il libraio : 144119
|
|
|
Aeneas MacKenzie (screenwriter)
Four of a Kind Original treatment script for an unproduced film
N.p.: N.p. Treatment script for an unproduced film. <br /> <br /> Four interrelated vignettes about life in the American West featuring Will Bill Hickok praised Indian killer coming a wild town without law enforcement and him acting as sheriff until he humiliated by a woman followed by a story in which he is found in a different town drinking himself to death. A different woman helps him get back on his feet which ultimately leads to him enforcing justice again only to be gunned down. The final two stories involve vengeance on the part of Hickok's friends seeking retribution for their gunned-down friend. <br /> <br /> Mint green titled wrappers. Title page present with credit for screenwriter MacKenzie. 59 leaves mimeograph duplication. Pages Fine wrapper Near Fine bound with two gold brads. N.p. unknown
Riferimento per il libraio : 130699
|
|
|
Aeneas MacKenzie screenwriter
Four of a Kind Original screenplay for an unproduced film
Hollywood: Paul Kohner 1950. Draft script for an unproduced film. <br/><br/>Wild Bill Hickok must play a high stakes poker game in order to win back his beloved mare. The script is a partial treatment draft with a moderate amount of script still in full paragraphs. <br/><br/>Set in Deadwood Dodge City and the Chisholm Trail in 1867. <br/><br/>Lacking wrappers presumably as issued. Title page present with credits for screenwriter AEneas MacKenzie. 55 leaves with last page of text numbered 54. Mimeograph duplication. Pages Fine bound with three gold brads. Paul Kohner unknown books
Riferimento per il libraio : 144119
|
|
|
Aeneas MacKenzie screenwriter
Four of a Kind Original treatment script for an unproduced film
N.p.: N.p. Treatment script for an unproduced film. <br/><br/>Four interrelated vignettes about life in the American West featuring Will Bill Hickok praised Indian killer coming a wild town without law enforcement and him acting as sheriff until he humiliated by a woman followed by a story in which he is found in a different town drinking himself to death. A different woman helps him get back on his feet which ultimately leads to him enforcing justice again only to be gunned down. The final two stories involve vengeance on the part of Hickok's friends seeking retribution for their gunned-down friend. <br/><br/>Mint green titled wrappers. Title page present with credit for screenwriter MacKenzie. 59 leaves mimeograph duplication. Pages Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
Riferimento per il libraio : 130699
|
|
|
Agee James sourcework: Reisman Philip Jr. screenwriter
ALL THE WAY HOME". ORIGINAL SCREENPLAY BY . BASED ON THE NOVEL "A DEATH IN THE FAMILY" BY JAMES AGEE AND THE STAGE PLAY "ALL THE WAY HOME" BY TAD MOSEL
Np: Paman Productions Inc. - Paramount Pictures Corp. 1962. 1197 leaves. Quarto. Mimeographed typescript printed on rectos only. Bradbound in titled stiff paper binder. Binder sunned and lightly used at overlap edges a few related pencil notes on verso of last leaf fore-margin of one leaf a bit tanned and frayed extreme upper fore- corner of another leaf torn away but very good. A preproduction draft of this important adaptation to the screen of two Pulitzer- winning literary properties Agee's 1957 novel and Mosel's 1960 adaptation of the novel to the stage. While the specific draft which the script in hand reflects is not identified its length which would translate into a film considerably longer than the eventual release length of 97 minutes suggests further revision lay ahead before shooting. The film under the direction of Alex Segal starred Jean Simmons Robert Preston John Henry Faulk Pat Hingle et al. Paman Productions Inc. - Paramount Pictures Corp. unknown books
Riferimento per il libraio : WRCLIT52737
|
|
|
Agee James sourcework: Reisman Philip Jr. screenwriter
Original Studio Publicity Campaign Press Book for: ALL THE WAY HOME
Los Angeles: Paramount 1963. 10pp. Folio. Pictorial self-wrappers. Heavily illustrated. About fine. Original campaign press book for the film based on Philip Reisman Jr.'s screenplay adaptation of two Pulitzer-winning literary properties Agee's 1957 novel A DEATH IN THE FAMILY and Mosel's 1960 adaptation of the novel to the stage. Directed by Alex Segal the David Susskind production starred Jean Simmons Robert Preston John Henry Faulk et al. Paramount unknown books
Riferimento per il libraio : WRCLIT36605
|
|
|
Agee James sourcework: Reisman Philip Jr. screenwriter
Set of Eleven Studio Publicity Stills for: ALL THE WAY HOME
Los Angeles: Paramount 1963. Eleven 8 x 10" glossy black and white stills with studio captions. Near fine. A good representative set of lobby stills promoting the film based on Philip Reisman Jr.'s screenplay adaptation of two Pulitzer- winning literary properties Agee's 1957 novel A DEATH IN THE FAMILY and Mosel's 1960 adaptation of the novel to the stage. Directed by Alex Segal the David Susskind production starred Jean Simmons Robert Preston John Henry Faulk et al. Paramount unknown books
Riferimento per il libraio : WRCLIT77790
|
|
|
Agee James sourcework: Reisman Philip Jr. screenwriter
Set of Studio Lobby Cards for: ALL THE WAY HOME
Los Angeles: Paramount 1963. Eight. full color 11 x 14" pictorial lobby cards. Apart from the natural faint tan toning of the card stock fine. A complete set of the studio lobby cards promoting the film based on Philip Reisman Jr.'s screenplay adaptation of two Pulitzer- winning literary properties Agee's 1957 novel A DEATH IN THE FAMILY and Mosel's 1960 adaptation of the novel to the stage. Directed by Alex Segal the David Susskind production starred Jean Simmons Robert Preston John Henry Faulk et al. Paramount unknown books
Riferimento per il libraio : WRCLIT69009
|
|
|
AGEE, James
Le vagabond d'un nouveau monde
2010 - broché - Editions Capricci - Collection dirigée par Emmanuel Burdeau - 2010 - In-12 (19 x 12,5 cm) broché - 162 pages - ISBN : 9782918040125 - Traduction de Pauline Soulat - Ouvrage contenant également "Agee et Chaplin: inspiration, dévotion" de John WRANOVICS
Riferimento per il libraio : 1067
|
|
|
Agnes Varda (photographer); Jacques Demy (director, screenwriter); Jeanne Moreau, Claude Mann, Paul Guers (starring)
Bay of Angels La Baie des anges Original photograph from the 1963 film
N.p.: N.p. 1963. Vintage reference photograph from the set of the 1963 film showing actors Jeanne Moreau and Claude Mann. Stamp of photographer Agnès Varda film director and wife of Jacques Demy on the verso. <br /> <br /> Varda and director Jacques Demy were married from 1962 until Demy's death in 1990. <br /> <br /> While vacationing in Nice a quiet young bank employee begins an affair with a gambler whose addiction and despair mirrors his own. <br /> <br /> Set and shot on location in Alpes-Maritimes Val-d'Oise and Paris France and in and Monte Carlo Monaco. <br /> <br /> 9.5 x 6.5 inches. Near Fine. <br /> <br /> Criterion Collection 715. N.p. unknown
Riferimento per il libraio : 163783
|
|
|
Agnes Varda (director, screenwriter); Corinne Marchand, Antoine Bourseiller, Dominique Davray (starring)
Cleo from 5 to 7 Photograph featuring four images from the 1962 film
Paris: Cine Tamaris 1962. Vintage oversize double weight single photograph of four studio still images from the 1962 film. "CINE VOG FILMS S.A." and "CLEO DE 5 A 7" stamps on the verso. <br /> <br /> Told more or less in real time the story of a pop singer trying to distract herself from worry while awaiting the results of a biopsy. Nominated for the Palme d'Or.<br /> <br /> Set and shot on location in Paris. <br /> <br /> 9.25 x 11.75 inches. Very Good plus some creasing and curling pinholes primarily in corners repaired with paper tape on the verso.<br /> <br /> <br /> Rosenbaum 1000. Ebert IV. Criterion Collection 73. Cine Tamaris unknown
Riferimento per il libraio : 146923
|
|
|
Agnes Varda (director, screenwriter); Raymond Cauchetier (photographer); Corinne Marchand, Antoine Marchand (starring)
Cleo from 5 to 7 Cleo de 5 a 7 Original photograph from the 1962 film
N.p.: N.p. 1962. Vintage borderless reference photograph from the 1962 French film showing actors Michel Legrand Corinne Marchand and Jean-Pierre Taste-from the memorable early sequence in the film where Legrand and Taste drop in to Marchand's flat. With manuscript pencil and ink annotations on the verso. <br /> <br /> Agnes Varda's second feature film following a pop singer over the course of two hours as she talks with friends and anxiously awaits the results of a biopsy. <br /> <br /> Varda is an important and influential French director writer and artist whose work uses both documentary style realism and experimental film techniques to explore issues of feminism and social justice. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work including this film stylistically prefigures the French New Wave and is today considered very much a part of it. <br /> <br /> Set and shot on location in Paris. <br /> <br /> 9.5 x 7 inches. Near Fine. N.p. unknown
Riferimento per il libraio : 150413
|
|
|
Agnes Varda (director, screenwriter); Raymond Cauchetier (photographer); Corinne Marchand, Antoine Marchand (starring)
Cleo from 5 to 7 Cleo de 5 a 7 Original photograph from the 1962 film
N.p.: N.p. 1962. Vintage borderless reference photograph of director Agnes Varda on the set of the 1962 French film. With a stamp noting Varda's name on the verso along with manuscript pencil and ink annotations.<br /> <br /> Agnes Varda's second feature film following a pop singer over the course of two hours as she talks with friends and anxiously awaits the results of a biopsy. <br /> <br /> Varda is an important and influential French director writer and artist whose work uses both documentary style realism and experimental film techniques to explore issues of feminism and social justice. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work including this film stylistically prefigures the French New Wave and is today considered very much a part of it. <br /> <br /> Set and shot on location in Paris. <br /> <br /> 4.5 x 6.5 inches. Near Fine. N.p. unknown
Riferimento per il libraio : 150424
|
|
|
Agnes Varda (director, screenwriter); Liliane de Kermadec (photographer); Corinne Marchand, Antoine Marchand (starring)
Cleo from 5 to 7 Four photographs from the 1962 film
Paris: Cine Tamaris / Rome Paris Films 1962. Four vintage black-and-white still photographs from the 1962 French film. <br /> <br /> Agnes Varda is an important and influential French director writer and artist whose work uses both documentary style realism and experimental film techniques to explore issues of feminism and social justice. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work including this film prefigures stylistically the French New Wave and is today considered very much a part of it. <br /> <br /> Varda was nominated for the Palme d'Or for "Cleo from 5 to 7" her second feature film about a female pop singer whose spends two adventurous and winsome hours on her own and talking to friends while awaiting the results of a biopsy. <br /> <br /> Set and shot on location in Paris. <br /> <br /> 8 x 10 inches. Near Fine. Edges lightly toned. Cine Tamaris / Rome Paris Films unknown
Riferimento per il libraio : 132899
|
|
|
Agnes Varda (director, screenwriter); Catherine Deneuve, Michel Piccoli, Lucien Bodard (starring)
Les Creatures The Creatures Original photograph of Agnes Varda Catherine Deneuve and Michel Piccoli on the set of the 1966 film
Paris: Madeleine Films 1966. Vintage photograph from the set of the 1966 film showing director Agnes Varda in conversation with actors Catherine Deneuve and Michel Piccoli. With the stamp of Madeleine Films on the verso.<br /> <br /> A writer and his pregnant wife move to a remote island off the coast of France following a car accident that has rendered the wife mute. The writer begins to plan his next novel using the local islanders as inspiration but the locals are distrustful of the reclusive couple and tensions heighten as the line between reality and fiction begins to melt together. Agnes Varda an important and influential French director writer and artist garnered praise as a filmmaker for her uncompromising documentary-style realism focusing on women and marginalized members of society as well as her experimental style. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work stylistically prefigures the French New Wave and is today considered very much a part of it. <br /> <br /> Set and shot on location in Noirmoutier-en-l'Ile France.<br /> <br /> 7 x 5 inches. Near Fine. Madeleine Films unknown
Riferimento per il libraio : 149672
|
|
|
Agnes Varda (director, screenwriter); Therese Liotard, Valerie Mairesse, Ali Raffi (starring)
One Sings the Other Doesn't L'une chante l'autre pas Five original photographs from the 1977 film
N.p.: N.p. 1977. Five vintage borderless reference photographs for the 1977 film including two showing director Agnes Varda on the set. All five with French press stamps and layout annotations on the verso.<br /> <br /> A remarkable film depicting the lifelong friendship of two dissimilar but close-knit French women beginning when one helps the other raise money for an abortion. <br /> <br /> Agnes Varda an important and influential French director writer and artist garnered praise as a filmmaker for her uncompromising documentary-style realism focusing on women and marginalized members of society as well as her experimental style. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work stylistically prefigures the French New Wave and is today considered very much a part of it. <br /> <br /> Set and shot on location in France. <br /> <br /> 9.5 x 7 inches. Near Fine. N.p. unknown
Riferimento per il libraio : 168492
|
|
|
Agnes Varda (director, screenwriter); Marilu Parolini (photographer); Catherine Deneuve, Michel Piccoli (starring)
The Creatures Archive of 46 photographs from the 1966 film
Paris: Parc Film 1966. Archive of 46 vintage reference stills for the 1966 French film. Each photograph numbered using two different numbering systems in manuscript marker and pencil. A single photograph shows director Varda with Catherine Deneuve on the set. <br /> <br /> A writer and his pregnant wife mute from a car accident move to a remote village while he works on a novel. Fantasy and reality fact and fiction begin to blend together as he transforms the villagers into characters in his story. In his 1969 review Roger Ebert called The Creatures "a complex and nearly hypnotic study of the way fact is made into fiction. It seems to operate on many levels but in fact it operates on only one illustrating how fantasy reality and style are simultaneously kept suspended in the mind of a creative writer." <br /> <br /> Three photographs 10.75 x 8 inches. Very Good plus with light scratches. <br /> <br /> Remaining photographs 4.75 x 3.5 inches. A few photographs lightly worn else Near Fine overall. Parc Film unknown
Riferimento per il libraio : 137871
|
|
|
Agnes Varda (director, screenwriter); Sandrine Bonnaire, Macha Meril, Yolande Moreau, Stephane Freiss (starring)
Vagabond Sans toit ni loi Five original photographs from the set of the 1985 French film
N.p.: N.p. 1985. Four vintage borderless reference photographs and one vintage reference photograph from the set of the 1985 French film three showing director Agnes Varda and actress Sandrine Bonnaire one showing Varda and cinematographer Patrick Blossier and one showing Varda and a film crew inspecting Bonnaire as she poses as a dead body in a ditch. With the stamp of Cinemagence three with provenance stamps and one with a stamp specific to the film's French release on the verso.<br /> <br /> Varda's most successful and critically acclaimed film beginning with the discovery of a young migrant woman's body frozen in a ditch in northern France and retracing her life up until the time of her death.<br /> <br /> As an important and influential French director writer and artist Agnes Varda garnered praise as a filmmaker for her uncompromising documentary-style realism focusing on women and marginalized members of society as well as her experimental style. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work stylistically prefigures the French New Wave and is today considered very much a part of it. <br /> <br /> Shot on location in Gard Herault and Bouches-du-Rhone France.<br /> <br /> Four photographs 7 x 5 inches one photograph 7 x 9.5 inches. Near Fine.<br /> <br /> Criterion Collection 74. N.p. unknown
Riferimento per il libraio : 149739
|
|
|
Agnes Varda director screenwriter; Catherine Deneuve Michel Piccoli Lucien Bodard starring
Les Creatures The Creatures Original photograph of Agnes Varda Catherine Deneuve and Michel Piccoli on the set of the 1966 film
Paris: Madeleine Films 1966. Vintage photograph from the set of the 1966 film showing director Agnes Varda in conversation with actors Catherine Deneuve and Michel Piccoli. With the stamp of Madeleine Films on the verso.<br/><br/>A writer and his pregnant wife move to a remote island off the coast of France following a car accident that has rendered the wife mute. The writer begins to plan his next novel using the local islanders as inspiration but the locals are distrustful of the reclusive couple and tensions heighten as the line between reality and fiction begins to melt together. Agnes Varda an important and influential French director writer and artist garnered praise as a filmmaker for her uncompromising documentary-style realism focusing on women and marginalized members of society as well as her experimental style. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work stylistically prefigures the French New Wave and is today considered very much a part of it. <br/><br/>Set and shot on location in Noirmoutier-en-l'Ile France.<br/><br/>7 x 5 inches. Near Fine. Madeleine Films unknown books
Riferimento per il libraio : 149672
|
|
|
Agnes Varda director screenwriter; Catherine Deneuve Michel Piccoli starring
The Creatures Original photograph from the 1966 film
Paris: Parc Film 1966. Vintage borderless photograph of director Agnes Varda and actor Catherine Deneuve on the set of the 1966 film. With a mimeo snipe on the verso. <br/><br/>A writer and his pregnant wife mute from a car accident move to a remote village while he works on a novel. Fantasy and reality fact and fiction begin to blend together as he transforms the villagers into characters in his story. In his 1969 review Roger Ebert called The Creatures "a complex and nearly hypnotic study of the way fact is made into fiction. It seems to operate on many levels but in fact it operates on only one illustrating how fantasy reality and style are simultaneously kept suspended in the mind of a creative writer." <br/><br/>5 x 7 inches. Near Fine. Parc Film unknown books
Riferimento per il libraio : 144962
|
|
|
Agnes Varda director screenwriter; Corinne Marchand Antoine Bourseiller Dominique Davray starring
Cleo from 5 to 7 Photograph of four photographs from the 1962 film
Paris: Cine Tamaris 1962. Vintage oversize double weight single photograph of four studio still images from the 1962 film. "CINE VOG FILMS S.A." and "CLEO DE 5 A 7" stamps on the verso. <br/><br/>Told more or less in real time the story of a pop singer trying to distract herself from worry while awaiting the results of a biopsy. Nominated for the Palme d'Or.<br/><br/>Set and shot on location in Paris. <br/><br/>9.25 x 11.75 inches. Very Good plus some creasing and curling pinholes primarily in corners repaired with paper tape on the verso.<br/><br/><br/>Rosenbaum 1000. Ebert IV. Criterion Collection 73. Cine Tamaris unknown books
Riferimento per il libraio : 146923
|
|
|
Agnes Varda director screenwriter; Liliane de Kermadec still photographer; Corinne Marchand Antoine Marchand starring
Cleo from 5 to 7 Cleo de 5 a 7 Original photograph from the 1962 film
Paris: Cine Tamaris / Rome Paris Films 1962. Vintage borderless black-and-white still photograph from the 1962 French film. Cleo is shown being helped into a white robe in a large bedroom. Light pencil and blue ink annotations to the verso. <br/><br/>Agnes Varda is an important and influential French director writer and artist whose work uses both documentary style realism and experimental film techniques to explore issues of feminism and social justice. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work including this film stylistically prefigures the French New Wave and is today considered very much a part of it. <br/><br/>Varda was nominated for the Palme d'Or for "Cleo from 5 to 7" her second feature film about a female pop singer whose spends two adventurous and winsome hours on her own and talking to friends while awaiting the results of a biopsy. <br/><br/>Set and shot on location in Paris. <br/><br/>7 x 9.25 inches. About Fine. Cine Tamaris / Rome Paris Films unknown books
Riferimento per il libraio : 138739
|
|
|
Agnes Varda director screenwriter; Liliane de Kermadec still photographer; Corinne Marchand Antoine Marchand starring
Cleo from 5 to 7 Collection of 4 photographs from the 1962 film
Paris: Cine Tamaris / Rome Paris Films 1962. Collection of four vintage black-and-white still photographs from the 1962 French film. <br/><br/>Agnes Varda is an important and influential French director writer and artist whose work uses both documentary style realism and experimental film techniques to explore issues of feminism and social justice. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work including this film prefigures stylistically the French New Wave and is today considered very much a part of it. <br/><br/>Varda was nominated for the Palme d'Or for "Cleo from 5 to 7" her second feature film about a female pop singer whose spends two adventurous and winsome hours on her own and talking to friends while awaiting the results of a biopsy. <br/><br/>Set and shot on location in Paris. <br/><br/>8 x 10 inches. Near Fine. Edges slightly toned. <br/><br/>Complete collation details available on request. Cine Tamaris / Rome Paris Films unknown books
Riferimento per il libraio : 132899
|
|
|
Agnes Varda director screenwriter; Marilu Parolini still photographer; Catherine Deneuve Michel Piccoli starring
The Creatures Archive of 46 photographs from the 1966 film
Paris: Parc Film 1966. Archive of 46 vintage reference stills for the 1966 French film. Each photograph numbered using two different numbering systems in holograph marker and pencil. A single photograph shows director Varda with Catherine Deneuve on the set. <br/><br/>A writer and his pregnant wife mute from a car accident move to a remote village while he works on a novel. Fantasy and reality fact and fiction begin to blend together as he transforms the villagers into characters in his story. In his 1969 review Roger Ebert called The Creatures "a complex and nearly hypnotic study of the way fact is made into fiction. It seems to operate on many levels but in fact it operates on only one illustrating how fantasy reality and style are simultaneously kept suspended in the mind of a creative writer." <br/><br/>Three photographs 10.75 x 8 inches. Very Good plus with light scratches. <br/><br/>Remaining photographs 4.75 x 3.5 inches. A few photographs lightly worn else generally Near Fine. Parc Film unknown books
Riferimento per il libraio : 137871
|
|
|
AJ Russell (screenwriter); Bernard L Kowalski (director); Harold Robbins (novel); Alex Cord, Britt Ekland, Joseph Wiseman, Barba
Stiletto Original screenplay from the 1969 film
New York: AVCO Embassy Pictures 1968. Revised Draft for the 1969 film. Script belonging to uncredited crew member with their name in manuscript ink in three places in the script. Additionally included with the script is a vintage reference photograph from the film showing cast and crew members on location. <br /> <br /> Based on the 1960 novel by Harold Robbins. A Mafia hit man is ready to retire but his employers not happy with this idea send a hit man out after him. <br /> <br /> Shot on location in New York City and Puerto Rico. <br /> <br /> Red titled wrappers. Title page present dated 9/27/68 with credits for novelist Harold Robbins screenwriter A.J. Russell and director Bernard L. Kowalski. PAGES leaves with last page of text numbered 121. Mimeograph duplication rectos only with pink yellow blue and green revision pages throughout dated variously between 10/15/68 and 11/5/68. Pages Near Fine wrapper Near Fine bound with two gold brads.<br /> <br /> Photograph: 10 x 8 inches. Near Fine. AVCO Embassy Pictures unknown
Riferimento per il libraio : 158755
|
|
|
Akira Kato (director); Ryoko Kinokawa (screenwriter, starring); Miyako Yamaguchi, Yuka Asagiri, Tomonori Fujii (starring)
Confessions of a College Girl: Red Temptation Joshidaisei no kokuhaku: Akai yuwakusha Three original photographs from the 1980 Japanese film
Tokyo: Nikkatsu 1980. Three vintage borderless reference photographs from the 1980 Japanese pinku pink film. Also included with the set is a film program in Japanese.<br /> <br /> Housed in a studio envelope. Photographs 6 x 4.25 inches Near Fine. Film program is 28.25 x 6.75 inches one sheet folded four times Near Fine.<br /> <br /> Weisser and Weisser The Japanese Cinema Encyclopedia: The Sex Films p. 89. Nikkatsu unknown
Riferimento per il libraio : 149772
|
|
|
Akira Kato director; Ryoko Kinokawa screenwriter starring; Miyako Yamaguchi Yuka Asagiri Tomonori Fujii starring
Confessions of a College Girl: Red Temptation Joshidaisei no kokuhaku: Akai yuwakusha Collection of three original photographs from the 1980 Japanese film
Tokyo: Nikkatsu 1980. Collection of three vintage borderless reference photographs from the 1980 Japanese pinku pink film. Also included with the set is a film program in Japanese.<br/><br/>Housed in a studio envelope. Photographs 6 x 4.25 inches Near Fine. Film program is 28.25 x 6.75 inches one sheet folded four times Near Fine.<br/><br/>Weisser and Weisser The Japanese Cinema Encyclopedia: The Sex Films p. 89. Nikkatsu unknown books
Riferimento per il libraio : 149772
|
|
|
Akira Kurosawa (director, screenwriter); Shugoro Yamamoto (novel); Hideo Oguni, Shinobu Hashimoto (screenwriters); Yoshitaka Zus
Dodes'ka-Den Dodeskaden Clickety-Clack Original screenplay for the 1970 film
Tokyo: Toho 1970. Draft script for the 1970 Japanese film. With manuscript ink and pencil annotations to the rear wrapper and throughout the text. Included with the script is a mimeographed shooting schedule. Text and titles in Japanese. <br /> <br /> Annotations relate to the following: a names of the chosen cast members b set rehearsals and camera rehearsals c times for shooting e.g. Morning Afternoon Evening and Night phone numbers for production personnel d names of potential and/or hired camera assistants e names of potential and/or hired actors f indication of the production company chosen Toho Corporation as well as film stock and lens sizes to be used g additional notes regarding location of some settings h changes to dialogue and action and h some final post-production notes.<br /> <br /> Director Akira Kurosawa's first color film based on Shugoro Yamamoto's 1962 novel "Kisetsu no nai machi" A City Without Seasons. A series of vignettes about a slum in the suburbs of Tokyo and its impoverished inhabitants. Nominated for an Academy Award for Best Foreign Film.<br /> <br /> Set and shot on location in Tokyo.<br /> <br /> Script:<br /> <br /> White titled wrappers. Title page present. 90 leaves with last page of text numbered d-37. Mimeograph duplication printed on rectos and versos. Pages Very Good plus wrapper Very Good with perfect binding.<br /> <br /> Schedule:<br /> <br /> White titled wrappers. 13 leaves with last page numbered 23. Mimeograph duplication printed on rectos and versos. Pages Very Good plus wrapper Very Good with a faintly toned spine and very faint foxing to the fore-edge side-stapled with two staples.<br /> <br /> Detailed notes with translation of annotations noted above with accompanying images are provided with the script. Toho unknown
Riferimento per il libraio : 148810
|
|
|
Akira Kurosawa (director, screenwriter); Keinosuke Uekusa (screenwriter); Toshiro Mifune, Takashi Shimura (starring)
Drunken Angel Original screenplay for the 1948 film noir
Tokyo: Toho Company 1948. Draft script for the 1948 Japanese film noir. Text and titles in Japanese.<br /> <br /> The first of sixteen film collaborations between director Akira Kurosawa and actor Toshiro Mifune. Kurosawa's seventh film saw him exploring the inter workings and motivations of the yakuza and machismo. Censorship was tight regarding the occupation forbidding criticism of Americans leading Kurosawa to slip in references to the US presence in Japan satirizing jazz "pan pan" girls unlicensed prostitutes catering to American soldiers and Western clothing and hairstyles.<br /> <br /> Set in the slums of postwar Japan.<br /> <br /> White titled wrappers. Approximately 40 leaves with last page of text numbered 79. Mimeograph duplication printed on rectos and versos. Pages Very Good plus wrapper Very Good plus covered in a protective plastic wrapping from when the script was used during filming side stapled. <br /> <br /> BFI 638. Criterion Collection 413. Grant Japan. Toho Company unknown
Riferimento per il libraio : 151633
|
|
Ricevere i risultati per e-mail
Scaricare i risultati in PDF
RSS feed
Link
