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‎Michel Boisrond director; Annette Wademant screenwriter; William Camus photographer; Dany Saval Jean Poiret Jacqueline Maillan‎

‎How to Succeed in Love Comment reussir en amour Collection of 75 original film stills for the 1962 film‎

‎Paris: France Cinema 1962. Collection of 75 original black-and-white film still photographs for the 1962 French-Italian film here under the original French title. Starring actress Saval is prominently featured as is costar Poiret with metal crutches in tow and actress Maillan. Several images show members of the crew during filming rainy scenes cars and large cameras. All with numerical annotations in holograph pencil on the versos. Housed in an original French Gevaert photo paper box. <br/><br/>Based on Annette Wademant's screenplay one of twelve written by Wademant for director Boisrond. Bernard Poiret is a new publisher who falls in love with Sophie Saval but their foolish love nearly destroys them and his job. <br/><br/>5 x 7 inches borderless. Very Good plus overall with slight curling and foxing to photos box lightly rubbed. France Cinema unknown books‎

Bookseller reference : 144275

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‎Michel Boisrond director; Annette Wademant screenwriter; William Camus photographer; Dany Saval Jean Poiret Jacqueline Maillan‎

‎How to Succeed in Love Comment reussir en amour Collection of original film stills for the 1962 film‎

‎Paris: France Cinema 1962. Collection of 8 vintage borderless single weight film still photographs for the 1962 French-Italian film here under the original French title. Starring actress Saval is prominently featured both at the salon and in sickbed scenes with Eddy Mitchell. Notations in holograph pencil on three smaller photos larger photos rubber-stamped on the verso crediting photographer William Camus and press agency Dalmas. Included is an original small manila envelope with "Monsieur JEAN 'Garland'" on the front in holograph ink. <br/><br/>Based on Annette Wademant's screenplay one of twelve written by Wademant for director Boisrond. Bernard Poiret is a new publisher who falls in love with Sophie Saval but their foolish love nearly destroys them and his job. <br/><br/>Three photos range from 5 x 7 inches five slightly larger the biggest being 8 x 10.75 inches. Slight curling else Near Fine overall. France Cinema unknown books‎

Bookseller reference : 144076

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‎Michel Boisrond director; Annette Wademant screenwriter; Dany Saval Jean Poiret Jacqueline Maillan Jacques Charon starring‎

‎How to Succeed in Love Comment reussir en amour Original French film premiere invitation for the 1962 film‎

‎Paris: France Cinema 1962. Original French invitation for the premier of the 1962 French-Italian film here under the original French title. Presented as a wedding invitation for the fictional characters portrayed by Saval and Poiret cursive font on lightweight card stock with a laid-in list of starring actors appearing at the Cine Le Rex for the November 16 premiere. <br/><br/>Based on Annette Wademant's screnplay one of twelve written by Wademant for director Boisrond. Bernard Poiret is a new publisher who falls in love with Sophie Saval but their foolish love nearly destroys them and his job. <br/><br/>5.75 x 7.5 inches folded horizontally. Near Fine. France Cinema unknown books‎

Bookseller reference : 144077

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‎Michel Boisrond director; Annette Wademant screenwriter; Dany Saval Jean Poiret Jacqueline Maillan Jacques Charon starring‎

‎How to Succeed in Love Comment reussir en amour Original screenplay for the 1962 film‎

‎Paris: France Cinema Productions 1962. Original scenario with dialogue script for the 1962 film here under the French title. French language. Unbound carbon leaves housed in a turquoise folder with silver prong brad another French film title on the front "Venus Imperiale" presumably Jean Delannoy's "Imperial Venus" of the same year. Notations on several pages in holograph ink and pencil and a few typed corrections. <br/><br/>Based on Annette Wademant's screenplay one of twelve written by Wademant for director Boisrond. Bernard Poiret is a new publisher who falls in love with Sophie Saval but their foolish love nearly destroys them and his job. <br/><br/>Title page present undated noted as "Scenario et dialogues" with credits for director Boisrond and screenwriter Wademant. 224 leaves with last page of text numbered 224. Carbon typescript on white stock. Pages and folder Very Good plus. France Cinema Productions unknown books‎

Bookseller reference : 144013

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‎Michel Boisrond director; Annette Wademant screenwriter; Dany Saval Jean Poiret Jacqueline Maillan Jacques Charon starring‎

‎How to Succeed in Love Comment reussir en amour Press material for the 1962 film‎

‎Paris: Cinedis 1962. Press material for the 1962 French-Italian film "Comment reussir en amour" from the French distributor and press and film agency Cinedis. French language throughout. Resembling the star biography and film credit packets often seen with US press kits this material details film credits cast and crew biographies and the synopsis. <br/><br/>Based on Annette Wademant's screnplay one of twelve written by Wademant for director Boisrond. Bernard Poiret is a new publisher who falls in love with Sophie Saval but their foolish love nearly destroys them and his job. <br/><br/>Cinedis was prominent during the heyday of French New Wave distributing and promoting some of the genre's greatest films including "Jules and Jim" "Le Trou" "The Gates of Paris" even the popular "Don Camillo" series starring Fernandel. <br/><br/>10 leaves corner-stapled printed rectos on Cinedis parchment mimeograph duplication. Near Fine. Cinedis unknown books‎

Bookseller reference : 140654

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‎Michel Cournot (director, screenwriter); Pierre Zucca (photographer); Annie Girardot, Jean-Pierre Kalfon, Nella Bielski, Bruno C‎

‎Les gauloises bleues Four photographs from the 1969 film‎

‎Beverly Hills CA: United Artists / Les Films 13 1969. Collection of 4 vintage black-and-white still photographs from the 1969 UK release of the 1969 French film. Mimeograph snipes affixed to the versos. <br /> <br /> Produced late in the French New Wave cycle implementing flashbacks and imagined scenarios about a troubled young man who meets a pretty shop girl and the two fall in love and eventually marry. The couple does not get along however and things get worse when the husband reverts back to his criminal ways and gets caught. <br /> <br /> 8 x 10 inches. Some toning else Near Fine. United Artists / Les Films 13 unknown‎

Bookseller reference : 132645

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‎Michel Cournot director screenwriter; Pierre Zucca still photographer; Annie Girardot Jean Pierre Kalfon Nella Bielski Bruno‎

‎Les gauloises bleues Collection of 4 photographs from the 1969 film‎

‎Beverly Hills CA: United Artists / Les Films 13 1969. Collection of 4 vintage black-and-white still photographs from the 1969 UK release of the 1969 French film. Mimeograph snipes affixed to the versos. <br/><br/>Produced late in the French New Wave cycle implementing flashbacks and imagined scenarios about a troubled young man who meets a pretty shop girl and the two fall in love and eventually marry. The couple does not get along however and things get worse when the husband reverts back to his criminal ways and gets caught. <br/><br/>8 x 10 inches. Some toning else Near Fine. United Artists / Les Films 13 unknown books‎

Bookseller reference : 132645

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‎Michel Cournot director screenwriter; Pierre Zucca still photographer; Annie Girardot Jean Pierre Kalfon Nella Bielski Bruno‎

‎Les gauloises bleues Original keybook contact print photographs from the 1969 film‎

‎Paris: Les Films 13 1969. Collection of 38 original keybook contact print photographs from the 1969 French film. Color and black-and-white contact prints of small and medium format transparencies several printed in Agfa photo paper most with 36 images per print amounting to over 1300 images of starring actors Girardot and Kalfon child actors and a few of the film crew. Several images with series numbers etched in the original film before development and as many with cropping annotations in holograph red pencil on the rectos numerical annotations in holograph pencil no the versos. Housed in an oblong quarto paper binder with French title in holograph ink on the front wrapper. <br/><br/>Produced late in the French New Wave era using flashbacks and imagined scenarios about a troubled young man who meets a pretty shop girl and the two fall in love and eventually marry. The couple does not get along however and things get worse when the husband reverts back to his criminal ways and gets caught. Cournot's arthouse film was listed to compete at the 1968 Cannes Film Festival but the festival was canceled due to the political and social unrest in France.<br/><br/>Photos range from 6.5 x 10.5 inches to 10.5 x 14.5 inches including binder 12.5 x 17 inches. Very Good overall curling and light oxidation several with bruises at the edges a result of moisture and prints adhering to each other and some contact sheets still stuck together. Moderate foxing and small tears to the binder binder front wrapper nearly detached. Les Films 13 unknown books‎

Bookseller reference : 144626

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‎Michel Deville (director, screenwriter); Dominique Sanda, Geraldine Chaplin, Jacques Zabor, Jean Crubelier (starring)‎

‎A Sweet Journey Four original photographs from the 1980 film‎

‎N.p.: N.p. 1980. Four vintage borderless reference photographs from the 1980 French film. <br /> <br /> Two childhood friends take a trip from Paris to the French countryside where they discuss their shared sexual and romantic experiences. <br /> <br /> 9.5 x 7 inches. Fine. N.p. unknown‎

Bookseller reference : 160985

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‎Michel Deville (director, screenwriter); Dominique Sanda, Geraldine Chaplin, Jacques Zabor, Jean Crubelier, Valerie Masterson (s‎

‎Le Voyage en Douce Original photograph from the 1980 film‎

‎France: Maurice Bernard 1980. Vintage borderless photograph of Geraldine Chaplin from the 1980 film. With manuscript annotations on the verso. <br /> <br /> Childhood friends Lucia and Elena leave Paris for the countryside where they share an intimate understanding of each others inner lives and desires.<br /> <br /> 9.5 x 7 inches. Near Fine. Maurice Bernard unknown‎

Bookseller reference : 145685

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‎Michel Deville director screenwriter; Dominique Sanda Geraldine Chaplin Jacques Zabor Jean Crubelier Valerie Masterson star‎

‎Le Voyage en Douce Original photograph from the 1980 film‎

‎France: Maurice Bernard 1980. Vintage borderless photograph of Geraldine Chaplin from the 1980 film. With holograph annotations on the verso. <br/><br/>Childhood friends Lucia and Elena leave Paris for the countryside where they share an intimate understanding of each others inner lives and desires.<br/><br/>9.5 x 7 inches. Near Fine. Maurice Bernard unknown books‎

Bookseller reference : 145685

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‎Michel Piccoli, Jane Birkin, Gerard Depardieu, Marina Vlady (starring); Jacques Rouffio (director, screenwriter); Georges Concho‎

‎7 Seven Deaths by Prescription Sept morts sur ordonnance Original photograph of Jane Birkin and Gérard Depardieu from the 1975 French film‎

‎Paris: Sygma 1975. Vintage oversize borderless reference photograph from the 1975 French film showing actors Jane Birkin and Gérard Depardieu. Mimeo snipe and stamp of Sygma on the verso.<br /> <br /> A surgeon at a public hospital in a small French town faces harassment from a rival surgeon and his incompetent sons who hate competition. <br /> <br /> 12 x 8 inches with a wide right margin Very Good plus with moderate edgewear and a short closed tear on the right edge. Sygma unknown‎

Bookseller reference : 158520

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‎Michel Piccoli, Rada Rassimov, Julieta Serrano (starring); Luis Garcia Berlanga (director, screenwriter); Rafael Azcona, Jean-Cl‎

‎Lifesize Life Size Original photograph from the 1974 film‎

‎N.p.: N.p. 1974. Vintage reference photograph from the 1974 film showing actors Michel Piccoli and Claudia Bianchi. Mimeo snipe and stamp of photographer Tony Crawley on the verso. <br /> <br /> An unhappily married man falls in love with his perfect woman—a sex doll. The relationship begins to sour however when he begins to project jealousy and dissatisfaction onto the mannequin.<br /> <br /> Shot on location in Paris. <br /> <br /> 10 x 8 inches. Near Fine. N.p. unknown‎

Bookseller reference : 159628

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‎Michelangelo Antonioni (director, screenwriter); Julio Cortazar (short story); Arthur Evans (photographer); Tonino Guerra, Edwar‎

‎Blow-Up Original photograph of Michelangelo Antonioni from the set of the 1966 film‎

‎N.p.: N.p. 1966. Vintage borderless double weight photograph of Michelangelo Antonioni on the set of the 1966 film with provenance stamp of film scholar and author "J. P. Berthome" on verso.<br /> <br /> Inspired by the 1959 short story "Las Babas del Diablo" by Julio Cortazar.<br /> <br /> Michelangelo Antonioni's first English-language film marking the beginning of the final phase of his work co-produced by companies in Italy the United States and the United Kingdom and featuring an international cast. The director's brash use of color set design non-standard editing techniques and typical emphasis of atmosphere over plot would carry over into the two major films that followed "Zabriskie Point" 1970 and "The Passenger" 1975. <br /> <br /> In his 2009 essay on the film Danny Lyon notes "It is apt that through his established style Antonioni made a movie that is perhaps closest to communicating the myth of the swinging Sixties scene but also the confusion of the time. . Britain's new and very chaotic cultural revolution was perhaps most effectively captured by an Italian."<br /> <br /> Winner of the Palme d'Or. Nominated for two Academy Awards for Best Director and Best Screenplay.<br /> <br /> 10 x 8 inches. Light edgewear and creasing in far corners else Near Fine. <br /> <br /> Criterion Collection 865. Ebert I. Grant UK/Italy. N.p. unknown‎

Bookseller reference : 150834

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‎Michelangelo Antonioni (director, screenwriter); Andrea Barbato (screenwriter)‎

‎Chung Kuo China Original photograph of Michelangelo Antonioni on the set of the 1972 film‎

‎N.p.: N.p. 1972. Vintage borderless reference photograph of Michelangelo Antonioni on the set of the 1972 film. Layout annotations in manuscript pencil and "Collection" stamp obscured struck with manuscript pencil on verso. <br /> <br /> In 1972 during China's Cultural Revolution Antonioni was invited by the People's Republic of China to direct a documentary on the "New China." The final film at 220 minutes was divided into three parts. The first focusing on Beijing the second Suzhou and the third Shanghai. In each section Antonioni focuses primarily on the faces of the people. Mao Zedong was reportedly so displeased with the film Antonioni was charged with being anti-Chinese and counterrevolutionary.<br /> <br /> Shot on location in Beijing Henan Jiangsu and Shanghai China. <br /> <br /> 6.75 x 10 inches. Very Good plus with very light creasing and a tiny bruise on mid right edge. N.p. unknown‎

Bookseller reference : 150687

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‎Michelangelo; Antonioni Mauro Bolognini (directors); Franco Indovina (director, screenwriter); Clive Exton (screenwriter); Soray‎

‎I tre volti The Three Faces Original photograph of Michelangelo Antonioni and Soraya on the set of the 1965 Italian film‎

‎N.p.: N.p. 1965. Vintage borderless photograph of director Michelangelo Antonioni filming a scene with actress Soraya on the set of the 1965 Italian film. With a printed mimeo snipe specific to the film's German release affixed to the verso. <br /> <br /> An anthology film with three short episodes following the experiences of various women all played by Soraya directed by Antonioni Mauro Bolognini and Franco Indovina. Antonioni's contribution "Il Provino" "The Preface" features Soraya as a former Iranian princess turned actress posing for a screen test. <br /> <br /> Shot on location in Sardinia and Lazio Italy and Athens Greece. <br /> <br /> 9.5 x 7.25 inches. Very Good plus overall. N.p. unknown‎

Bookseller reference : 150399

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‎Michelangelo Antonioni (director, screenwriter); Gerard Brach, Tonino Guerra (screenwriters); Tomas Milian, Daniela Silverio, Ch‎

‎Identification of a Woman Identification D'une Femme Two original French color lobby cards from the 1982 film‎

‎Paris: G Darmon 1982. Two vintage French color lobby cards from the 1982 film. <br /> <br /> Antonioni's rarely discussed final feature and one of his greatest achievements. Niccolo Tomas Milian a recently divorced movie director pursues a new relationship with a younger woman Mavi Daniela Silverio who he imagines could play the leading role in his next film. She quickly vanishes and he embarks on a search to find her sparking up a series of romances with other women. Winner of the 35th Anniversary Prize at the 1982 Cannes Film Festival.<br /> <br /> Shot on location in Venice and Rome. <br /> <br /> 8.5 x 10.75 inches. Near Fine. <br /> <br /> Criterion Collection 585. G Darmon unknown‎

Bookseller reference : 148336

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‎Michelangelo Antonioni (director, screenwriter); Gerard Brach, Tonino Guerra (screenwriters); Tomas Milian, Daniela Silverio, Ch‎

‎Identification of a Woman Identificazione di una donna Three original photographs from the 1982 Italian film‎

‎Grunwald Germany: Concorde Film 1982. Three vintage borderless reference photographs from the German release of the 1982 Italian film. With mimeo snipes on the verso.<br /> <br /> Antonioni's rarely discussed final feature and one of his greatest achievements. A recently divorced director pursues a new relationship with a younger woman who he imagines could play the leading role in his next film. She quickly vanishes and he embarks on a search to find her sparking up a series of romances with other women. Winner of the 35th Anniversary Prize at the 1982 Cannes Film Festival.<br /> <br /> Shot on location in Venice and Rome. <br /> <br /> 9.5 x 7 inches. Near Fine. <br /> <br /> Criterion Collection 585. Concorde Film unknown‎

Bookseller reference : 149294

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‎Michelangelo Antonioni (director, screenwriter); Gerard Brach, Tonino Guerra (screenwriters); Tomas Milian, Daniela Silverio, Ch‎

‎Identification of a Woman Identificazione Di Una Donna Original screenplay for the 1982 film‎

‎Rome: Iterfilm 1982. Agency draft script in English for the 1982 Italian film. <br /> <br /> Antonioni's rarely discussed final feature but generally considered one of his greatest achievements. Niccolo Tomas Milian a recently divorced movie director pursues a new relationship with a younger woman Mavi Daniela Silverio who he imagines could play the leading role in his next film. She quickly vanishes and he embarks on a search to find her sparking up a series of romances with other women. Winner of the 35th Anniversary Prize at the 1982 Cannes Film Festival.<br /> <br /> Shot on location in Venice and Rome. <br /> <br /> Blue untitled agency wrappers. Title page present with credits for director Michelangelo Antonioni. 91 leaves with last page of text numbered 82. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads.<br /> <br /> Criterion Collection 585. Iterfilm unknown‎

Bookseller reference : 144397

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‎Michelangelo Antonioni (director, screenwriter); Elio Bartolini, Tonino Guerra (screenwriters); Monica Vitti, Lea Massari, Gabri‎

‎L'Avventura Original photograph of Michelangelo Antonioni on the set of the 1960 film‎

‎N.p.: N.p. 1960. Vintage borderless reference photograph of director Michelangelo Antonioni on the set of the 1960 film. With the stamp of Promopress agency on the verso along with manuscript pencil annotations. <br /> <br /> A young woman disappears during a cruise in the Mediterranean leading her lover and best friend to search for her. The first film in Antonioni's famed trilogy followed by "La Notte" 1961 and "L'eclisse" 1962. <br /> <br /> Shot on location throughout Italy including in Rome the Aeolian Islands and Sicily.<br /> <br /> 7 x 9.5 inches. Very Good plus overall. <br /> <br /> Criterion Collection 98. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Scorsese My Voyage to Italy. Vogel Film as a Subversive Art. N.p. unknown‎

Bookseller reference : 150432

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‎Michelangelo Antonioni (director, screenwriter); Tonino Guerra, Elio Bartolini, Ottiero Ottieri (screenwriter); Alain Delon, Mon‎

‎L'Eclisse Original photograph from the set of the 1962 film‎

‎Rome: Cineriz 1962. Vintage borderless reference photograph of director Michelangelo Antonioni and actors Monica Vitti and Alain Delon during a cafe scene on the set of the 1962 film. With a mimeo snipe on the verso along with the stamps of Keystone Photo and Publifoto and a stamp noting No. 8710. <br /> <br /> A woman's newfound relationship with a power-hungry stockbroker gradually erodes as she becomes dissatisfied with his shallow interests. The final film in Antonioni's modernity trilogy all starring Vitti preceded by "L'avventura" 1960 and "La notte" 1961. Awarded the Jury Special Prize and nominated for the Palme d'Or at the 1961 Cannes Film Festival.<br /> <br /> Shot on location in Rome and Verona Italy. <br /> <br /> 10.5 x 8.5 inches. Near Fine. <br /> <br /> Criterion Collection 278. Rosenbaum 1000. Scorsese My Voyage to Italy. Vogel Film as a Subversive Art. Cineriz unknown‎

Bookseller reference : 150414

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‎Michelangelo Antonioni (director, screenwriter); Tonino Guerra, Elio Bartolini, Ottiero Ottieri (screenwriter); Alain Delon, Mon‎

‎L'Eclisse The Eclipse Two original photographs from the set of the 1962 film‎

‎N.p.: N.p. 1962. Two vintage borderless reference photographs from the 1962 film one of Michelangelo Antonioni with Alain Delon and Monica Vitti and one of Antonioni and crew shooting a scene in Rome from scaffolding built in the water. One with French "L'Eclipse" stamp and provenance stamp of film historian "Maurice Bessy" on verso one with "P.I.P." and "Copyright" stamps on verso.<br /> <br /> A woman's newfound relationship with a power-hungry stockbroker gradually erodes as she becomes dissatisfied with his shallow interests. The final film in Antonioni's modernity trilogy all starring Vitti preceded by "L'avventura" 1960 and "La notte" 1961. Awarded the Jury Special Prize and nominated for the Palme d'Or at the 1961 Cannes Film Festival.<br /> <br /> Shot on location in Rome and Verona Italy. <br /> <br /> 6.75 x 9.25 inches and 9.5 x 7 inches. Very Good plus with light creasing and edgewear. <br /> <br /> Criterion Collection 278. Rosenbaum 1000. Scorsese My Voyage to Italy. Vogel Film as a Subversive Art. N.p. unknown‎

Bookseller reference : 150683

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‎Michelangelo Antonioni (director, screenwriter); Tonino Guerra, Elio Bartolini, Ottiero Ottieri (screenwriter); Alain Delon, Mon‎

‎L'eclisse The Eclipse Original photograph of Alain Delon from the 1962 film‎

‎Rome: Cineriz 1962. Vintage borderless reference photograph from the 1962 film showing actor Alain Delon leaning against a fence. With a mimeo snipe on the verso along with the stamps of Keystone Photo and Publifoto.<br /> <br /> A woman's newfound relationship with a power-hungry stockbroker gradually erodes as she becomes dissatisfied with his shallow interests. The final film in Michelangelo Antonioni's modernity trilogy preceded by "L'avventura" 1960 and "La notte" 1961.<br /> <br /> Shot on location in Rome and Verona Italy. <br /> <br /> 7.25 x 9.5 inches. Very Good plus with light creasing to the bottom left corner reinforced with white paper tape on the verso. <br /> <br /> Criterion Collection 278. Rosenbaum 1000. Scorsese My Voyage to Italy. Vogel Film as a Subversive Art. Cineriz unknown‎

Bookseller reference : 153200

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‎Michelangelo Antonioni (director, screenwriter); Tonino Guerra (screenwriter); Monica Vitti, Richard Harris (starring)‎

‎Red Desert Il deserto rosso Original photograph of Monica Vitti and Richard Harris from the 1964 film‎

‎Rome: Film Duemila 1964. Vintage borderless reference photograph of Monica Vitti and Richard Harris from the 1964 film. "Deserto Ross" stamp on verso. <br /> <br /> Antonioni's first color film and the last in a quartet of films made between 1959 and 1964 about women in modern culture preceded by "L'avventura" "La Notte" and L'Eclisse" and the lie of happiness and better living. This entry very much an antecedent to Todd Haynes' "Safe" 1995 focuses on Vitti a woman trying to survive in the modern world of cultural neurosis and existential doubt. Carlo Di Palma's cinematography remains legendary today for its stunningly colored industrial landscapes beautifully and yet indirectly evoking Vitti's unease alienation and vivid perceptions. <br /> <br /> Shot on location in Ravenna Sardinia and Rome Italy. <br /> <br /> 9.5 x 12 inches. Near Fine. <br /> <br /> BFI 1134. Criterion Collection 522. Godard Histoires du cinema. Rosenbaum 1000. Film Duemila unknown‎

Bookseller reference : 152012

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‎Michelangelo Antonioni (director, screenwriter); Mark Peploe, Peter Wollen (screenwriters); Jack Nicholson, Maria Schneider, Ste‎

‎The Passenger Professione: reporter Original photograph from the 1975 Italian film‎

‎N.p.: N.p. 1975. Vintage borderless double weight reference photograph of director Michelangelo Antonioni talking with actors Jack Nicholson and Maria Schneider on the set of the 1975 Italian film. Annotations in manuscript ink on the verso relating to cropping as well as the stamp of Cinema International in London. <br /> <br /> A cynical war correspondent in northern Africa assumes the identity of a deceased arms dealer to gain information for his documentary. Antonioni's final film in a three picture contract with Metro-Goldwyn-Mayer following "Blowup" 1966 and "Zabriskie Point" 1970. <br /> <br /> Set in Chad shot on location in Germany Spain and England. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Rosenbaum 1000. N.p. unknown‎

Bookseller reference : 160516

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‎Michelangelo Antonioni (director, screenwriter); Mark Peploe, Peter Wollen (screenwriters); Jack Nicholson, Maria Schneider, Ste‎

‎The Passenger Professione: reporter Original photograph from the 1975 Italian film‎

‎N.p.: N.p. 1975. Vintage borderless reference photograph from the 1975 Italian film showing actors Jack Nicholson and Maria Schneider. <br /> <br /> A cynical war correspondent in northern Africa assumes the identity of a deceased arms dealer to gain information for his documentary. Antonioni's final film in a three picture contract with Metro-Goldwyn-Mayer following "Blowup" 1966 and "Zabriskie Point" 1970. <br /> <br /> Set in Chad shot on location in Germany Spain and England. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Rosenbaum 1000. N.p. unknown‎

Bookseller reference : 152317

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‎Michelangelo Antonioni (director, screenwriter); Mark Frechette, Daria Halprin, Paul Fix, GD. Spradlin, Bill Garaway, Kathleen C‎

‎Zabriskie Point Original photograph of Mark Frechette Daria Halprin and Michelangelo Antonioni on location for the 1970 film‎

‎N.p.: N.p. 1968. Vintage reference photograph from the 1970 film showing actors Mark Frechette and Daria Halprin talking with director Michelangelo Antonioni while on location in the desert. Annotations in manuscript pencil on the verso identifying subjects and crediting photographer Bruce Davidson with Magnum Photos.<br /> <br /> Antonioni’s great American experiment and the only film the director ever made in the United States written for the screen by a young Sam Shepard. Though made from an Italian’s perspective the film stands today as a great visual statement on the American West in the late 1960s rampant consumerism and the hippie zeitgeist. <br /> <br /> 8 x 10 inches with wide top and bottom margins. Fine.<br /> <br /> Godard Histoires du cinema. Rosenbaum 1000. N.p. unknown‎

Bookseller reference : 167659

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‎Michelangelo Antonioni (director, screenwriter); Bruce Davidson (photographer); Franco Rossetti, Sam Shepard, Tonino Guerra, Cla‎

‎Zabriskie Point Original photograph of Daria Halprin from the 1970 film‎

‎Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Vintage studio still photograph of Daria Halprin seemingly trapped in the middle of a mid-century modern glass vestibule from the 1970 film. Mimeo snipe on the verso.<br /> <br /> Antonioni’s great American experiment and the only film the director ever made in the United States written for the screen by a young Sam Shepard. Though made from an Italian’s perspective the film stands today as a great visual statement on the American West in the late 1960s rampant consumerism and the hippie zeitgeist. <br /> <br /> 8 x 10 inches with wide horizontal margins. Near Fine. <br /> <br /> Rosenbaum 1000. Godard Histoires du cinema. Metro-Goldwyn-Mayer [MGM] unknown‎

Bookseller reference : 148876

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‎Michelangelo Antonioni (director, screenwriter); Franco Rossetti, Sam Shepard, Tonino Guerra, Clare Peploe (screenwriters); Mark‎

‎Zabriskie Point Five original reference photographs from the 1970 film‎

‎Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Near Fine. <br /> <br /> Godard Histoires du cinema. Rosenbaum 1000. Metro-Goldwyn-Mayer [MGM] unknown‎

Bookseller reference : 144970

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‎Michelangelo Antonioni director screenwriter; Alain Delon Monica Vitti starring‎

‎L'Eclisse Original photograph from the set of the 1962 film‎

‎Rome: Cineriz 1962. Vintage borderless photograph of Monica Vitti and Alain Delon on the set of the 1962 film. With holograph annotations in blue ink and pencil on the verso. <br/><br/>Vittoria Monica Vitti leaves her fiance Francisco Rabal and enters a new relationship with Piero a young stock broker Alain Delon who is obsessed with material posessions and wealth his shallow nature troubles Vittoria and leads to the demise of their relationship. Awarded the Jury Special Prize and nominated for the Palme d'Or at the 1961 Cannes Film Festival.<br/><br/>Shot on location in Rome and Verona Italy. <br/><br/>10.5 x 8.5 inches. Near Fine. <br/><br/>Criterion Collection. Rosenbaum 1000. Scorsese My Voyage to Italy. Vogel Film as a Subversive Art. Cineriz unknown books‎

Bookseller reference : 144222

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‎Michelangelo Antonioni director screenwriter; Alain Delon Monica Vitti starring‎

‎L'Eclisse The Eclipse Collection of three original photographs from the 1962 film‎

‎Rome: Cineriz 1962. Collection of three vintage reference photographs from the 1962 film two showing actors Alain Delon and Monica Vitti the other showing a busy scene on the trading floor. All three photographs with a stamp specific to the film's Italian release on the verso along with cropping annotations in pencil and two with holograph ink annotations identifying Delon and Vitti. <br/><br/>A woman's newfound relationship with a power-hungry stockbroker gradually erodes as she becomes dissatisfied with his shallow interests. The final film in Antonioni's modernity trilogy preceded by "L'avventura" 1960 and "La notte" 1961.<br/><br/>Shot on location in Rome and Verona Italy. <br/><br/>9 x 6.75 inches. Near Fine. <br/><br/>Criterion Collection 278. Rosenbaum 1000. Scorsese My Voyage to Italy. Vogel Film as a Subversive Art. Cineriz unknown books‎

Bookseller reference : 152309

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‎Michelangelo Antonioni director screenwriter; Bruce Davidson still photographer; Franco Rossetti Sam Shepard Tonino Guerra C‎

‎Zabriskie Point Original double weight photograph from the set of the 1970 film‎

‎Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Vintage double weight photograph of director Michelangelo Antonioni and members of the cast and crew on location in the Mojave Desert shooting the 1970 film. Shot by noted photographer Bruce Davidson. With holograph annotations in pencil and blue pen on the verso.<br/><br/>Antonioni's great American experiment and the only film the director ever made in the United States written for the screen by a young Sam Shepard. Though made from an Italian's perspective the film stands today as a great visual statement on the American West in the late 1960s rampant consumerism and the hippie zeitgeist. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Godard Histoires du cinema. Rosenbaum 1000. Metro-Goldwyn-Mayer [MGM] unknown books‎

Bookseller reference : 144408

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‎Michelangelo Antonioni director screenwriter; Bruce Davidson still photographer; Franco Rossetti Sam Shepard Tonino Guerra C‎

‎Zabriskie Point Original photograph of Daria Halprin from the 1970 film‎

‎Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Vintage studio still photograph of Daria Halprin seemingly trapped in the middle of a mid-century modern glass vestibule from the 1970 film. Mimeo snipe on the verso.<br/><br/>Antonioni's great American experiment and the only film the director ever made in the United States written for the screen by a young Sam Shepard. Though made from an Italian's perspective the film stands today as a great visual statement on the American West in the late 1960s rampant consumerism and the hippie zeitgeist. <br/><br/>8 x 10 inches with wide horizontal margins. Near Fine. <br/><br/>Rosenbaum 1000. Godard Histoires du cinema. Metro-Goldwyn-Mayer [MGM] unknown books‎

Bookseller reference : 148876

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‎Michelangelo Antonioni director screenwriter; Franco Rossetti Sam Shepard Tonino Guerra Clare Peploe screenwriters; Mark Fre‎

‎Zabriskie Point Collection of 5 original reference photographs from the 1970 film‎

‎Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Near Fine. <br/><br/>Godard Histoires du cinema. Rosenbaum 1000. Metro-Goldwyn-Mayer [MGM] unknown books‎

Bookseller reference : 144970

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‎Michelangelo Antonioni director screenwriter; Gerard Brach Tonino Guerra screenwriters; Tomas Milian Daniela Silverio Christ‎

‎Identification of a Woman Identificazione di una donna Collection of three original photographs from the 1982 Italian film‎

‎Grunwald Germany: Concorde Film 1982. Collection of three vintage borderless reference photographs from the German release of the 1982 Italian film. With mimeo snipes on the verso.<br/><br/>Antonioni's rarely discussed final feature and one of his greatest achievements. A recently divorced director pursues a new relationship with a younger woman who he imagines could play the leading role in his next film. She quickly vanishes and he embarks on a search to find her sparking up a series of romances with other women. Winner of the 35th Anniversary Prize at the 1982 Cannes Film Festival.<br/><br/>Shot on location in Venice and Rome. <br/><br/>9.5 x 7 inches. Near Fine. <br/><br/>Criterion Collection 585. Concorde Film unknown books‎

Bookseller reference : 149294

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‎Michelangelo Antonioni director screenwriter; Gerard Brach Tonino Guerra screenwriters; Tomas Milian Daniela Silverio Christ‎

‎Identification Of A Woman Identificazione Di Una Donna Original screenplay for the 1982 film‎

‎Rome: Iterfilm 1982. Agency draft script in English for the 1982 Italian film. <br/><br/>Antonioni's rarely discussed final feature and one of his greatest achievements. Niccolo Tomas Milian a recently divorced movie director pursues a new relationship with a younger woman Mavi Daniela Silverio who he imagines could play the leading role in his next film. She quickly vanishes and he embarks on a search to find her sparking up a series of romances with other women. Winner of the 35th Anniversary Prize at the 1982 Cannes Film Festival.<br/><br/>Shot on location in Venice and Rome. <br/><br/>Blue untitled agency wrappers. Title page present with credits for director Michelangelo Antonioni. 91 leaves with last page of text numbered 82. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads.<br/><br/>Criterion Collection 585. Iterfilm unknown books‎

Bookseller reference : 144397

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‎Michelangelo Antonioni director screenwriter; Julio Cortazar short story; Arthur Evans still photographer; Tonino Guerra Edwar‎

‎Blow-Up Collection of 20 original photographs from the 1966 film‎

‎N.p.: N.p. 1966. Collection of 20 vintage borderless photographs from the 1966 film 18 reference photographs and 2 fashion photographs of Rosaleen Murray and Ann Norman. Mimeo snipes on the verso of three of the photographs. <br/><br/>Inspired by the 1959 short story "Las Babas del Diablo" by Julio Cortazar.<br/><br/>Michelangelo Antonioni's first English-language film marking the beginning of the final phase of his work co-produced by companies in Italy the United States and the United Kingdom and featuring an international cast. The director's brash use of color set design non-standard editing techniques and typical emphasis of atmosphere over plot would carry over into the two major films that followed "Zabriskie Point" 1970 and "The Passenger" 1975. <br/><br/>In his 2009 essay on the film Danny Lyon notes "It is apt that through his established style Antonioni made a movie that is perhaps closest to communicating the myth of the swinging Sixties scene but also the confusion of the time. . Britain's new and very chaotic cultural revolution was perhaps most effectively captured by an Italian."<br/><br/>Winner of the Palme d'Or. Nominated for two Academy Awards for Best Director and Best Screenplay.<br/><br/>8 x 10 inches. Lightest edgewear else Near Fine. <br/><br/>Complete collation details available on request.<br/><br/>Criterion Collection 865. Ebert I. Grant UK/Italy. N.p. unknown books‎

Bookseller reference : 148795

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‎Michelangelo Antonioni director screenwriter; Mark Peploe Peter Wollen screenwriters; Jack Nicholson Maria Schneider Steven‎

‎The Passenger Professione: reporter Original photograph from the 1975 Italian film‎

‎N.p.: N.p. 1975. Vintage borderless reference photograph from the 1975 Italian film showing actors Jack Nicholson and Maria Schneider. <br/><br/>A cynical war correspondent in northern Africa assumes the identity of a deceased arms dealer to gain information for his documentary. Antonioni's final film in a three picture contract with Metro-Goldwyn-Mayer following "Blowup" 1966 and "Zabriskie Point" 1970. <br/><br/>Set in Chad shot on location in Germany Spain and England. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Rosenbaum 1000. N.p. unknown books‎

Bookseller reference : 152317

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‎Michelangelo Antonioni director screenwriter; Sergio Strizzi still photographer; Tonino Guerra Elio Bartolini Ottiero Ottieri‎

‎L'Eclisse The Eclipse Original photograph of Monica Vitti from the 1962 film‎

‎N.p.: N.p. 1962. Vintage borderless reference photograph of Monica Vitti sitting on a sofa and staring into the existential void from the 1962 film. "ROMA's Press Photo" stamp on verso with address in Rome for same. <br/><br/>The third and final chapter of Michelangelo Antonioni's trilogy preceeded by "L'Avventura" 1960 starring Gabriele Ferzetti and Monica Vitti and "La Notte" 1961 starring Marcello Mastrioianni Jeanne Moreau and Monica Vitti.<br/><br/>Vittoria Vitti leaves her fiance Riccardo Francisco Rabal for Piero Alain Delon a young stock broker obsessed with material possessions and wealth.<br/><br/>Awarded the Jury Special Prize and nominated for the Palme d'Or at the 1961 Cannes Film Festival.<br/><br/>Shot on location in Rome and Verona Italy. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Criterion Collection 278. Rosenbaum 1000. Vogel Film as a Subversive Art. Scorsese My Voyage to Italy. N.p. unknown books‎

Bookseller reference : 148877

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‎Michelangelo Antonioni director screenwriter; Tonino Guerra screenwriter; Monica Vitti Richard Harris starring‎

‎Red Desert Il deserto rosso Original photograph of Monica Vitti and Richard Harris from the 1964 film‎

‎Rome: Film Duemila 1964. Vintage borderless reference photograph of Monica Vitti and Richard Harris from the 1964 film. "Deserto Ross" stamp on verso. <br/><br/>Antonioni's first color film and the last in a quartet of films made between 1959 and 1964 about women in modern culture preceded by "L'avventura" "La Notte" and L'Eclisse" and the lie of happiness and better living. This entry very much an antecedent to Todd Haynes' "Safe" 1995 focuses on Vitti a woman trying to survive in the modern world of cultural neurosis and existential doubt. Carlo Di Palma's cinematography remains legendary today for its stunningly colored industrial landscapes beautifully and yet indirectly evoking Vitti's unease alienation and vivid perceptions. <br/><br/>Shot on location in Ravenna Sardinia and Rome Italy. <br/><br/>9.5 x 12 inches. Near Fine. <br/><br/>BFI 1134. Criterion Collection 522. Godard Histoires du cinema. Rosenbaum 1000. Film Duemila unknown books‎

Bookseller reference : 152012

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‎Michele Morgan, Henri Vidal (starring); Henri Decoin (director, screenwriter); Michel Audiard, Pierre Roustang, Albert Valentin‎

‎Too Late to Love Porquoi viens-tu si tard Four original photographs from the 1959 film‎

‎Neuilly-sur-Seine France: Gaumont / Ulysse Productions 1959. Four items including three vintage borderless reference photographs and one vintage reference photograph from the 1959 film. <br /> <br /> A small-town reporter helps a lawyer incriminate a wine-selling company revealing how the merchants target poor people and youth in their advertising campaigns. <br /> <br /> Shot on location in Paris and Yvelines France. <br /> <br /> One photograph 9.5 x 7.25 two photographs 7 x 5 inches one photograph 5.25 x 4 inches. Very good plus with some curling at the edges and one photograph with some foxing on the verso. Gaumont / Ulysse Productions unknown‎

Bookseller reference : 160052

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‎Michele Morgan, Henri Vidal (starring); Henri Decoin (director, screenwriter); Michel Audiard, Pierre Roustang, Albert Valentin‎

‎Too Late to Love Pourquoi viens-tu si tard Original photograph of Michèle Morgan from the 1959 film‎

‎N.p.: N.p. 1959. Vintage borderless oversize reference photograph from the 1959 French film showing actress Michèle Morgan. <br /> <br /> A small-town reporter helps a lawyer incriminate a wine-selling company revealing how the merchants target poor people and youth in their advertising campaigns. <br /> <br /> Shot on location in Paris and Yvelines France.<br /> <br /> 9.25 x 12.25 inches. Very Good moderately foxed with a small closed tear at the bottom right corner. N.p. unknown‎

Bookseller reference : 158235

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‎Michener James A. sourcework and Dalton Trumbo screenwriter‎

‎French Souvenir Program for: HAWAII‎

‎France: United Artists 1966. 4pp. quarto leaflet. Heavily illustrated. Near fine. A promotional program for the French language release of George Roy Hill's film adaptation of Michener's novel based on a screenplay by Dalton Trumbo and Daniel Taradash starring Max Von Sydow Julie Harris and Richard Harris. United Artists unknown books‎

Bookseller reference : WRCLIT67573

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‎Mick Jagger, Len Jenkin (screenwriters); Gene Taft (director, screenwriter); Nick Mancuso, Byron Thames, Leslie Ackerman, Richar‎

‎Blame It on the Night Tin Soldiers Original screenplay for the 1984 film‎

‎N.p.: N.p. 1983. Revised Draft script for the 1984 film here under the working title "Tin Soldiers." With a single manuscript annotation to the verso of the final leaf noting No. 88.<br /> <br /> After the death of his mother a straitlaced cadet is taken out of his military academy by his alleged father a wild-spirited rock star. <br /> <br /> Shot on location in Arizona and California. <br /> <br /> Green titled wrappers. Title page present dated May 27 1983 noted as TAFT REVISION with credits for screenwriters Gene Taft and Len Jenkin and story credits to Jenkin and Michael Philip Jagger. 130 leaves with last page of text numbered 128. Xerographic duplication rectos only. Pages Very Good lightly foxed on the first and last leaves wrapper Near Fine bound with two gold brads. N.p. unknown‎

Bookseller reference : 152549

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‎Mickey Rooney, Virginia Welles, David Janssen (starring); Charles Lamont (director); Herb Margolis, William Raynor (screenwriter‎

‎Francis in the Haunted House Original photograph from the 1956 film‎

‎Universal City: Universal-International 1956. Vintage reference photograph from the 1956 film showing Mickey Rooney facing off with a knight. Printed mimeo snipe affixed to the verso. <br /> <br /> The seventh and final film in the "Francis the Talking Mule" series. The only film in the series to be directed by Charles Lamont instead of Arthur Lubin and the only film in the series to star Mickey Rooney instead of Donald O'Connor.<br /> <br /> 10 x 8 inches. Near Fine. Universal-International unknown‎

Bookseller reference : 167582

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‎Mickey Rooney, Dan Duryea, Terry Moore (starring); Charles Haas (director); Robert Smith (screenwriter)‎

‎Platinum High School Four original photographs from the 1960 film‎

‎Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1960. Four vintage studio still photographs from the 1960 film.<br /> <br /> A man travels to a remote military academy to inquire about his son reported to have died in an unspecified accident only to learn that the boy's death was caused by a violent hazing ritual. <br /> <br /> 10 x 8 inches. Lightly toned else Near Fine. Metro-Goldwyn-Mayer [MGM] unknown‎

Bookseller reference : 168180

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‎Mickey Rooney (starring); WS. Van Dyke (director); John Lee Mahin, Richard Schayer (screenwriter); Freddie Bartholomew, Jackie C‎

‎The Devil is a Sissy Original photograph from the 1936 film‎

‎Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1936. Vintage studio still photograph from the 1936 film. <br /> <br /> A wealthy child of divorced parents must spend half of his year with his father in New York City and attend school there as part of their custody agreement. He sticks out amongst the city kids of lower-class upbringings. <br /> <br /> Set and shot on location in New York City. <br /> <br /> 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown‎

Bookseller reference : 159015

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‎Mickey Rooney (starring); George Blair (director); PJ. Wolfson (screenwriter); Coleen Gray, Hugh O'Brian, Joey Forman, Don Barry‎

‎The Twinkle in God's Eye Original photograph from the 1955 film‎

‎North Hollywood: Republic Pictures 1955. Vintage studio still photograph from the 1955 film. <br /> <br /> A new parson in a small town attempts to spread the word of God while battling the local saloon owner. <br /> <br /> Set in the fictional town of Lodestone.<br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Pitts 4601. Republic Pictures unknown‎

Bookseller reference : 159013

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‎Mickey Spillane (author); Tay Garnett (director, screenwriter)‎

‎The Delta Factor Original corrected manuscript screenplay for the 1970 film‎

‎N.p.: N.p. 1969. Original ribbon copy typescript for Tay Garnett's screenplay adaptation of Mickey Spillane's 1967 novel. Profusely annotated by Garnett in blue and red ink on every page and with a annotations by him at the top right corner of the first leaf: "First Draft Work Copy" "Screenplay by Tay Garnett" and "From Mickey Spillane's novel."<br /> <br /> Raoul Walsh eventually worked with Garnett on the script but this draft precedes his involvement. The film was released on May 15 1970 and starred Yvette Mimieux Christopher George and Yvonne De Carlo. <br /> <br /> 182 leaves rectos only. Leaves supple Very Good plus overall. N.p. unknown‎

Bookseller reference : 136883

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€1,565.28 Buy

‎Mickey Spillane author; Tay Garnett director screenwriter‎

‎The Delta Factor Original corrected manuscript screenplay for the 1970 film‎

‎N.p.: N.p. 1969. Original ribbon copy typescript for Tay Garnett's screenplay adaptation of Mickey Spillane's 1967 novel. Profusely annotated by Garnett in blue and red ink on every page and with a annotations by him at the top right corner of the first leaf: "First Draft Work Copy" "Screenplay by Tay Garnett" and "From Mickey Spillane's novel."<br/><br/>Raoul Walsh eventually worked with Garnett on the script but this draft precedes his involvement. The film was released on May 15 1970 and starred Yvette Mimieux Christopher George and Yvonne De Carlo. <br/><br/>182 leaves rectos only. Leaves supple Very Good plus overall. N.p. unknown books‎

Bookseller reference : 136883

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