|
Ridley Scott director; Callie Khouri screenwriter; Geena Davis Susan Saradon Michael Madsen Harvey Keital Brad Pitt starring
Thelma and Louise Original photograph from the set of the 1991 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1991. Vintage studio still photograph from the 1991 showing director Ridley Scott and actors Susan Sarandon Gina Davis and Michael Madsen relaxing around the iconic 1966 Ford Thunderbird between takes. <br/><br/>Winner of the Academy Award for Best Screenplay and nominated for five more including Best Director and twice for Best Actress. <br/><br/>10 x 8 inches. Fine. Metro-Goldwyn-Mayer [MGM] unknown books
Riferimento per il libraio : 139691
|
|
|
Ridley Scott director; Charles Gieg Jr. Felix Sutton book; Todd Robinson screenwriter; Jeff Bridges Caroline Goodall John Sav
White Squall Original screenplay for the 1996 film
N.p.: Percy Main Productions 1995. Revised Final Draft script for the 1996 film. Three copied annotations on two pages consisting of one dialogue change and two revision date changes.<br/><br/>Based on the 1962 book "The Last Voyage of the Albatross" by Charles Gieg Jr. and Felix Sutton about the sinking of the brigantine Albatross on May 2 1961.<br/><br/>All American boy Chuck Gieg Scott Wolf narrates this coming-of-age story set in 1960 about a group of teenage boys setting out for a year-long voyage aboard the brigantine school ship Albatross commanded by Dr. Christopher B. Shelton Jeff Bridges only to face the ultimate challenge of surviving a deadly white squall storm.<br/><br/>Shot on location in South Carolina Georgia Bermuda Grenada London Malta South Africa St Lucia and St Vincent and the Grenadines. <br/><br/>White untitled Lasher McManus & Robinson production company wrappers. Title page present dated March 18 1995 noted as Revised Final Draft with credits for screenwriter Todd Robinson. 123 leaves with last page of text numbered 107. Xerographic duplication rectos only with white revision pages labeled "Blue" throughout dated variously between 3/27/95 and 5/15/95. Pages Near Fine wrapper Near Fine bound with two gold brads. Percy Main Productions unknown books
Riferimento per il libraio : 148684
|
|
|
Ridley Scott director; David James still photographer; Craig Bolotin and Warren Lewis screenwriter; Michael Douglas Andy Garcia
Black Rain Original photograph and color slide from the 1989 film
Hollywood: Paramount Pictures 1989. Vintage studio still photograph from the 1989 film with a 35mm color slide laid in. <br/><br/>Two New York City cops arrest a member of the Yakuza and escort him during his extradition to Japan. "Black Rain" marks the first collaboration between Ridley Scott and Hans Zimmerman the two would later work together on "Hannibal." <br/><br/>Set in New York and Japan shot on location in California New York and Japan. <br/><br/>8 x 10 inches. Fine. <br/><br/><br/>Grant US. Silver Classic Noir. Spicer US. Paramount Pictures unknown books
Riferimento per il libraio : 139531
|
|
|
Rin Tin Tin, Alice Calhoun, Don Alvarado (starring); Herman C Raymaker (director); Ewart Adamson (screenwriter)
A Hero of the Big Snows Original photograph of Rin Tin Tin from the 1926 film
Burbank CA: Warner Brothers 1926. Vintage studio still photograph of canine favorite Rin Tin Tin from the 1926 silent film.<br /> <br /> A nomadic trapper rescues a stray dog only to find that the animal inspires him to create a better life for himself. The twelfth screen appearance by Rin Tin Tin who appeared in 27 Hollywood films between 1922 and 1932. <br /> <br /> 8 x 10 inches. Very Good plus lightly toned. Warner Brothers unknown
Riferimento per il libraio : 171420
|
|
|
Rin Tin Tin, Helene Costello, Walter Merrill (starring); Howard Bretherton (director); Walter Morosco (screenwriter)
While London Sleeps Original photograph of Rin Tin Tin from the 1926 film
Burbank CA: Warner Brothers 1926. Vintage studio still photograph from the 1926 silent film a portrait of canine actor Rin Tin Tin. "Made in USA" stamp on the verso. <br /> <br /> The thirteenth screen appearance by Rin Tin Tin who appeared in 27 Hollywood films between 1922 and 1932. Currently considered lost. <br /> <br /> 8 x 10 inches. Very Good toned with a tide mark to the bottom right corner. Warner Brothers unknown
Riferimento per il libraio : 171419
|
|
|
Rin Tin Tin Actor D. Ross Lederman director Robert Lord screenwriter Lee Duncan Trainer
THE MILLION DOLLAR COLLAR Original Vintage Photo from the 1929 RIN TIN TIN "Lost" Warner Brothers Film
Burbank California: Warner Brothers 1929. THE MILLION DOLLAR COLLAR. Original vintage gelatin silver publicity photo of leading actor RIN TIN TIN. Burbank California: Warner Brothers 1929. RARE image released to help promote Rin Tin Tin's gangster crime drama in which a $50000 diamond necklace is hidden in the heroic German Shepherd's collar. Roughly 8 1/8" x 10" single weight Very Good with toning and minor flaws. Great image of Rin Tin Tin about to call the cops and turn in the villains. Reverse with original Warner Brothers studio stamping. THE MILLION DOLLAR COLLAR was one of 26 films that "Rinty" made for Warner Brothers and one of only four for which there is no existing print making it a "Lost Film." Superb vintage Rin Tin Tin photographs in excellent condition with original studio info stamped on the back are very rarely encountered in commerce. First Thus. Very Good. Photograph. Warner Brothers unknown books
Riferimento per il libraio : 003204
|
|
|
Rip Torn (starring); Daryl Duke (director); Don Carpenter (screenwriter); Ahna Capri, Elayne Heilveil, Michael C Gwynne (starrin
Payday Collection of 15 original photographs from the 1973 film
Los Angeles: Cinerama Releasing 1973. Collection of 13 vintage studio still photographs and 2 borderless portraits of actors Elayne Heilveil and Rip Torn all from the release of the 1973 film.<br /> <br /> Six photographs shown. Please inquire to see others.<br /> <br /> A ruthless manipulative country western singer tours the southern nightclub circuit in his big Cadillac accompanied by a bevy of girlfriends and copious amounts of liquor and drugs.<br /> <br /> Set in the American South shot on location in Selma Alabama. <br /> <br /> 13 photographs 10 x 8.25 inches 2 photographs 7.5 x 10 inches. Near Fine. Cinerama Releasing unknown
Riferimento per il libraio : 147719
|
|
|
Rita Hayworth, Robert Mitchum, Jack Lemmon (starring); Robert Parrish (director); Max Catto (novel); Irvin Shaw (screenwriter)
Fire Down Below Two original photographs of Rita Hayworth from the 1957 film
London: Pictorial Press 1957. Two vintage reference photographs from the 1957 film both showing actress Rita Hayworth dancing surrounded by extras clad in Trinidadian costume. One with a printed mimeo snipe affixed to the verso and both with agency stamps on the versos. <br /> <br /> Based on the 1954 novel by Max Catto about two smugglers whose partnership is tested when they agree to transport an undocumented woman to a Caribbean island who turns out to be Rita Hayworth. <br /> <br /> 8 x 10 inches. Very Good plus lightly age toned. Pictorial Press unknown
Riferimento per il libraio : 162380
|
|
|
Rita Hayworth (starring); Charles Vidor (director); Helen Deutsch (screenwriter); Prosper Merimee (novella); Glenn Ford (starrin
The Loves of Carmen Original photograph of Rita Hayworth and Charles Vidor on the set of the 1948 film
N.p.: N.p. 1948. Vintage reference photograph from the 1948 film showing actress Rita Hayworth leaning over to talk to director Charles Vidor on the set. Annotations in manuscript pencil on the verso.<br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> Based on Prosper Mérimée's 1845 novella and a remake of the 1927 film directed by Raoul Walsh about a hot-spirited gypsy who captures the hearts of those around her. Vidor Hayworth and costar Glenn Ford previously collaborated on the 1946 film "Gilda." <br /> <br /> 6.5 x 8.5 inches. Very Good moderately toned. N.p. unknown
Riferimento per il libraio : 163789
|
|
|
Rita Moreno, Marlon Brando, Richard Boone (starring); Hubert Cornfield (director, screenwriter); Lionel White (novel); Robert Ph
The Night of the Following Day Two original photographs from the 1969 neo-noir film
N.p.: N.p. 1969. Two vintage borderless reference photographs from the stark 1969 neo-noir film both showing actress Rita Moreno. Mimeo snipes on the versos.<br /> <br /> Based on Lionel White's 1953 novel "The Snatchers" about a wealthy young woman who is kidnapped and held hostage in a remote French beach house. <br /> <br /> Set and shot on location in Le Touquet France. <br /> <br /> 7.25 x 9.25 inches. Near Fine. <br /> <br /> Grant UK. N.p. unknown
Riferimento per il libraio : 161068
|
|
|
Ritchie Valens (subject); Lou Diamond Phillips, Joe Pantoliano, Elizabeth Pena (starring); Luis Valdez (director, screenwriter)
La Bamba Original poster for the 1987 film
Culver City CA: Columbia Pictures 1987. Vintage Italian 2-fogli poster for the 1987 film.<br /> <br /> A dramatization of the rise to fame and unexpected death of Mexican-American singer Ritchie Valens.<br /> <br /> Shot on location in Los Angeles San Jose Hollister and Fillmore California. <br /> <br /> 39 x 55 inches. Folded as issued. Very Good with moderate creasing and wear at the folds. Columbia Pictures unknown
Riferimento per il libraio : 158405
|
|
|
Roald Dahl novel screenwriter; Gene Wilder Jack Albertson Peter Ostrum starring; Mel Stuart director
Willy Wonka and the Chocolate Factory Collection of five original photographs from the 1971 film
Los Angeles: Paramount Pictures 1971. Collection of four vintage borderless reference photographs and one vintage borderless studio still photograph from the 1971 film. Three with printed mimeo snipes affixed to the verso and the stamp of Paramount Pictures and two with the stamps of Israel Film Archive on the verso. <br/><br/>Based on Roald Dahl's 1964 novel "Charlie and the Chocolate Factory" with a screenplay also written by Dahl. A poor but cheerful young boy finds one of the prized five golden tickets which grants access to chocolatier Willy Wonka's mysterious factory. <br/><br/>Shot on location in Munich.<br/><br/>Approximately 10 x 8 inches. Near Fine. <br/><br/>Complete collation details available on request.<br/><br/>National Film Registry. Paramount Pictures unknown books
Riferimento per il libraio : 151252
|
|
|
Robert Valey (réalisateur et scénariste)
Ce meurtre est impossible.
sd, in-4, broché, couverture plastifiée, 143 pages. Roman inédit.
Riferimento per il libraio : 15694
|
|
|
Robert Rodi (avant propos) José Villarrubia David Drake (introduction) Alan Moore [Scénariste]
Le miroir de l'amour
Carabas 2006 136 pages 20x20x2cm. 2006. Broché. 136 pages.
Riferimento per il libraio : 300031195
|
|
|
Robert Rodi (avant propos) José Villarrubia David Drake (introduction) Alan Moore [Scénariste]
Le miroir de l'amour
Carabas 2006 136 pages 20x20x2cm. 2006. Broché. 136 pages.
Riferimento per il libraio : 300031321
|
|
|
Robert Rodi (avant propos) José Villarrubia David Drake (introduction) Alan Moore [Scénariste]
Le miroir de l'amour
Carabas 2006 136 pages 20x20x2cm. 2006. Broché. 136 pages.
Riferimento per il libraio : 300032906
|
|
|
Robert Rodi (avant propos) José Villarrubia David Drake (introduction) Alan Moore [Scénariste]
Le miroir de l'amour
Carabas 2006 136 pages 20x20x2cm. 2006. Broché. 136 pages.
Riferimento per il libraio : 300033304
|
|
|
Robert Rodi (avant propos) José Villarrubia David Drake (introduction) Alan Moore [Scénariste]
Le miroir de l'amour
Carabas 2006 136 pages 20x20x2cm. 2006. Broché. 136 pages.
Riferimento per il libraio : 500000283
|
|
|
Robert Rodi (avant propos) José Villarrubia David Drake (introduction) Alan Moore [Scénariste]
Le miroir de l'amour
Carabas 2006 136 pages 20x20x2cm. 2006. Broché. 136 pages.
Riferimento per il libraio : 500000602
|
|
|
Robert Rodi (avant propos) José Villarrubia David Drake (introduction) Alan Moore [Scénariste]
Le miroir de l'amour
Carabas 2006 136 pages 20x20x2cm. 2006. Broché. 136 pages.
Riferimento per il libraio : 500002395
|
|
|
Robert Rodi (avant propos) José Villarrubia David Drake (introduction) Alan Moore [Scénariste]
Le miroir de l'amour
Carabas 2006 136 pages 20x20x2cm. 2006. Broché. 136 pages.
Riferimento per il libraio : 500003596
|
|
|
Robert Rodi (avant propos) José Villarrubia David Drake (introduction) Alan Moore [Scénariste]
Le miroir de l'amour
Carabas 2006 136 pages 20x20x2cm. 2006. Broché. 136 pages.
Riferimento per il libraio : 500008604
|
|
|
Robert Rodi (avant propos) José Villarrubia David Drake (introduction) Alan Moore [Scénariste]
Le miroir de l'amour
Carabas 2006 136 pages 20x20x2cm. 2006. Broché. 136 pages.
Riferimento per il libraio : 500019884
|
|
|
Robert Rodi (avant propos) José Villarrubia David Drake (introduction) Alan Moore [Scénariste]
Le miroir de l'amour
Carabas 2006 136 pages 20x20x2cm. 2006. Broché. 136 pages.
Riferimento per il libraio : 500058814
|
|
|
Rob Reiner (director, screenwriter, starring); Christopher Guest, Michael McKean, Harry Shearer (screenwriter, starring)
This Is Spinal Tap Original photograph taken on the set of the 1984 film
N.p.: N.p. 1984. Vintage reference photograph of actors Tony Hendra Christopher Guest Lara Cody and Harry Shearer on the set between takes and a take that ostensibly was not in the film.<br /> <br /> Reiner's debut and a much-loved cult classic about a documentary filmmaker chronicling the American comeback tour of an aging heavy-metal band. <br /> <br /> Shot on location throughout California. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> National Film Registry. Criterion Collection 12. Ebert II. McPadden Heavy Metal Movies. N.p. unknown
Riferimento per il libraio : 155631
|
|
|
Rob Reiner director; Stephen King novel; Merrick Morton still photographer; William Goldman screenwriter; James Caan Kathy Bate
Misery Original photograph from the 1990 film
London: First Independent Films Limited 1991. Vintage black-and-white still photograph from the UK release of the 1990 film. <br/><br/>Kathy Bates' Academy award winning performance elevated the film to one of the best and highest grossing Stephen King adaptations. <br/><br/>8 x 10 inches. Ink notation on the verso else Near Fine. First Independent Films Limited unknown books
Riferimento per il libraio : 132115
|
|
|
Rob Schneider (director, screenwriter, starring); Boon Collins (screenwriter); Steve Buscemi, Holland Taylor, Peter Riegert (sta
The Chosen One Original screenplay for the 2010 film
N.p.: Out of Nowhere Productions 2007. Rainbow Revision Draft script for the 2010 film. Manuscript ink annotation of copy number "241" on the title page. Copy belonging to carpenter/estimator Chris Scher. <br /> <br /> Rob Schneider who directed and co-wrote the screenplay stars as a suicidal middle-aged car salesman who while preparing his third suicide attempt is interrupted by a tribe of Columbian shaman who traveled from South America believing he is The Chosen One. Shot in 2007 the film took three years before it was finally released direct to video in 2010 primarily due to confusion over marketing as it is primarily a dramatic film and was inaccurately marketed as a straightforward comedy.<br /> <br /> Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018.<br /> <br /> Shot on location in Santa Clarita and Los Angeles California and Costa Rica. <br /> <br /> Front wrapper integral with title page dated June 15 2007 noted as Final with credits for screenwriters Rob Schneider and Boon Collins. 106 leaves with last page of text numbered 102. Xerographic duplication rectos only with white blue pink yellow and green revision pages throughout dated variously between June 20 2007 and August 17 2007. Pages Near Fine bound with two gold brads. Out of Nowhere Productions unknown
Riferimento per il libraio : 164068
|
|
|
Robert [Bob] Willoughby (photographer); Bernard Girard (director, screenwriter); Andrew Lytle (novel); Robert Culp, Samantha Egg
A Name for Evil Original double weight photograph from the 1973 film
Boca Raton FL: Penthouse 1973. Vintage oversize double weight borderless still photograph from the 1973 film based on the 1947 novel by Andrew Lytle. Shot struck and mounted by the film's still photographer Bob Willoughby with a manuscript notation in his hand on the verso. Full provenance available. <br /> <br /> Culp and Eggar romp in a bed that is the middle of the woods for some reason while the haunted house that will exert a corrupting influence on the couple looms in the background. An image that does not appear in the so-bad-its-nearly-avant garde film but one that nevertheless captures its aura of surreal eroticism quite well. <br /> <br /> Set in the countryside of Southern California shot on location in British Columbia Indian Arm and Vancouver. <br /> <br /> After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br /> <br /> 13.25 x 9 inches. Fine. <br /> <br /> Thrower Nightmare USA. Penthouse unknown
Riferimento per il libraio : 139507
|
|
|
Robert [Bob] Willoughby (photographer); Mike Nichols (director); Joseph Heller (novel); Buck Henry (screenwriter); Alan Arkin, A
Alan Arkin Art Garfunkel and Martin Sheen on the set of "Catch-22" 1969
N.p.: N.p. 1969. Vintage oversize double weight candid photograph of Alan Arkin Art Garfunkel and Martin Sheen on the set of Mike Nichols' "Catch-22" in 1969. Shot and struck by the film's still photographer Bob Willoughby. The photographer has written at the top of the verso in manuscript pencil: "Candid during rehearsal / The boys break up in briefing room scene / Art Garfunkel Alan Arkin Martin Sheen." Also with Willoughby's ASMP rubber stamp for both his New York and Ireland addresses. Full provenance available. <br /> <br /> After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br /> <br /> In a custom museum-quality frame archivally mounted with UV glass. 13.5 x 10 inches. Near Fine. <br /> <br /> National Film Registry. N.p. unknown
Riferimento per il libraio : 133199
|
|
|
Robert [Bob] Willoughby (photographer); Otto Preminger (director); Arthur Laurents (screenwriter); Francoise Sagan (novel), Debo
Bonjour Tristesse Original oversize double weight photograph from the set of the 1958 film
Culver City CA: Columbia Pictures 1958. Vintage oversize double weight borderless still photograph from the 1958 film of a stone faced David Niven and smiling Deborah Kerr water skiiing on a break from filming on the French Riviera. Based on the 1954 novel by Francoise Sagan. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp and a lengthily manuscript description of the scene on the verso. Full provenance available. <br /> <br /> After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br /> <br /> 14 x 9.5. Near Fine with light edgewear. Columbia Pictures unknown
Riferimento per il libraio : 139533
|
|
|
Robert [Bob] Willoughby (photographer); Henry Koster (director); Joseph Fields (screenwriter, play); Oscar Hammerstein II (play)
Flower Drum Song Original double weight photograph from the 1961 film
Universal City CA: Universal Pictures 1961. Vintage oversize double weight borderless still photograph from the 1961 musical film based on both the 1958 Rodgers and Hammerstein musical and the 1957 novel by C.Y. Lee. Nominated for five Academy Awards. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp on the verso. Full provenance available. <br /> <br /> After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br /> <br /> 13.5 x 9.5 inches. Near Fine with a shallow diagonal crease to one corner. <br /> <br /> Hirschhorn p. 373. Universal Pictures unknown
Riferimento per il libraio : 139506
|
|
|
Robert [Bob] Willoughby (photographer); Jack Lemmon (director); John Paxton (screenwriter); Katharine Topkins (novel); Walter Ma
Kotch Original double weight photograph from the 1971 film
Burbank CA: American Broadcasting Company ABC 1971. Vintage oversize double weight borderless still photograph of Walter Matthau and a fetching Deborah Winters from the 1971 film based on the 1965 novel by Katharine Topkins. Nominated four Academy Awards including a Best Actor nod for Matthau starring in his friend Jack Lemmon's first and only directorial effort. Although not indicated shot struck and mounted by the film's still photographer Bob Willoughby. Full provenance available. <br /> <br /> After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br /> <br /> 9.25 x 13.5. Fine. American Broadcasting Company [ABC] unknown
Riferimento per il libraio : 139538
|
|
|
Robert [Bob] Willoughby (photographer); Clive Donner (director); Eliot Baker (screenwriter); Murray Schisgal (play); Jack Lemmon
Luv Original oversize double weight color photograph of Jack Lemmon Elaine May and Peter Falk from the 1967 film
Culver City CA: Columbia Pictures 1967. Vintage oversize double weight color still photograph from the 1967 film based on the 1964 play by Murray Schisgal. Although not indicated shot and struck by the film's still photographer Bob Willoughby with an agency stamp on the verso. Full provenance available. <br /> <br /> After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br /> <br /> 13 x 19.25 inches mounted on board. About Near Fine with some soiling near the top edge and light edgewear overall. Columbia Pictures unknown
Riferimento per il libraio : 139540
|
|
|
Robert [Bob] Willoughby (photographer); Bruce Malmuth (director); David Shaber (screenwriter); Sylvester Stallone, Billy Dee Wil
Nighthawks Original double weight photograph from the 1981 film
Universal City CA: Universal Pictures 1981. Vintage oversize double weight borderless still photograph from the 1981 film. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp on the verso.<br /> <br /> After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br /> <br /> 13.25 x 9.25 inches. Near Fine. Universal Pictures unknown
Riferimento per il libraio : 139508
|
|
|
Robert [Bob] Willoughby (photographer); Edward Dmytryk (director); Millard Kaufman (screenwriter); Elizabeth Taylor, Montgomery
Raintree County Original photograph of Elizabeth Taylor Montgomery Clift and Eva Marie Saint from the 1956 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1956. Vintage film still photograph of Elizabeth Taylor Montgomery Clift and Eva Marie Saint from the 1956 film nominated for four Academy Awards and based on the 1948 novel by Ross Lockridge Jr. Paper snipe affixed to the verso. <br /> <br /> A graduating poetry teacher played with aplomb by Clift falls in love with a Southern woman Taylor but the woman's past and the Civil War begin to cause problems. <br /> <br /> 8 x 10 inches. Near Fine with black manuscript ink annotations to the verso and hole punches to the margin. Metro-Goldwyn-Mayer [MGM] unknown
Riferimento per il libraio : 141567
|
|
|
Robert [Bob] Willoughby (photographer); David Lean (director); Robert Bolt (screenwriter); Robert Mitchum, John Mills, Christoph
Ryan's Daughter Original double weight photograph for the set of the 1970 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Vintage oversize double weight borderless still photograph from the 1970 film showing director David Lean as he imparts some advice to star Christopher Jones during a smoke break. Winner of two Academy Awards for cinematographer Freddie Young and supporting actor John Mills. Nominated for two more as well as ten BAFTA awards. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp on the verso. Full provenance available. <br /> <br /> After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br /> <br /> 9.25 x 13.25 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
Riferimento per il libraio : 139510
|
|
|
Robert [Bob] Willoughby (photographer); William Wyler (director); John Michael Hayes (screenwriter); Lillian Hellman (play); Aud
The Children's Hour Original double weight photograph for the 1961 film
Beverly Hills CA: United Artists 1961. Vintage oversize double weight borderless still photograph from the 1961 film. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp on the verso. Full provenance available. <br /> <br /> Based on Lillian Hellman's 1934 play about two teachers at an all-girls boarding school accused of being in a lesbian relationship by one of the students ruining the careers and personal lives of both. The play was previously adapted by William Wyler in 1936 as "These Three" though the Production Code forced Hellman to change the substance of the rumor from homosexuality to infidelity. The 1961 version restores the content of the child's lie and is overall incredibly faithful to the stage play. Nominated for five Academy Awards including a Best Supporting Actress nomination for Fay Bainter. <br /> <br /> After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br /> <br /> 13.5 x 9.25 inches. Near Fine. United Artists unknown
Riferimento per il libraio : 139518
|
|
|
Robert [Bob] Willoughby (photographer); Blake Edwards (director, screenwriter); Evelyn Anthony (novel); Julie Andrews, Omar Shar
The Tamarind Seed Original double weight photograph from the 1974 film
Los Angeles: Embassy Pictures 1974. Vintage oversize double weight borderless still photograph from the 1974 film based on the 1971 novel by Evelyn Anthony. Shot struck and mounted by the film's still photographer Bob Willoughby with manuscript notation on the verso in his hand. Full provenance available. <br /> <br /> After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br /> <br /> 11 x 14 inches. Near Fine. Embassy Pictures unknown
Riferimento per il libraio : 139505
|
|
|
Robert Aldrich (director, screenwriter); Teddi Sherman (screenwriter); Frank Sinatra, Dean Martin, Anita Ekberg, Ursula Andress,
4 Four for Texas Two original photographs from the 1963 film
Burbank CA: Warner Brothers 1963. Two vintage studio still photographs from the 1963 film showing actors Frank Sinatra Dean Martin Anita Ekberg and Ursula Andress. With layout annotations in manuscript pencil on the verso along with a provenance stamp.<br /> <br /> Two sharpshooters duel over a large amount of cash carried by a railway official and eventually settle their differences by opening a casino. <br /> <br /> Shot on location in Mojave and Cantil California. <br /> <br /> 10 x 8 inches. Near Fine.<br /> <br /> Pitts 1422. Warner Brothers unknown
Riferimento per il libraio : 151297
|
|
|
Robert Aldrich (director, screenwriter); Teddi Sherman (screenwriter); Frank Sinatra, Dean Martin, Anita Ekberg, Ursula Andress,
4 Four for Texas Two for Texas Original photograph of Dean Martin and Ursula Andress from the 1963 film
Burbank CA: Warner Brothers 1963. Vintage studio still photograph of Dean Martin and Ursula Andress from the 1963 film.<br /> <br /> Gambling wenching and struggles for control define this iconic Rat Pack film with a stellar supporting cast including Victor Buono Charles Bronson Anita Ekberg and Ursula Andress. <br /> <br /> Set in Galveston Texas shot on location in Red Rock Canyon and Mojave California. <br /> <br /> 8 x 10 inches. Light edgewear and a small bruise in bottom right margin else Near Fine. Warner Brothers unknown
Riferimento per il libraio : 149994
|
|
|
Robert Aldrich (director, screenwriter); Teddi Sherman (screenwriter); Frank Sinatra, Dean Martin, Anita Ekberg, Ursula Andress,
4 Four for Texas Original contact sheet from the 1963 film
Burbank CA: Warner Brothers 1963. Vintage contact sheet from the 1963 film showing six images of actors Frank Sinatra and Anita Ekberg during filming. <br /> <br /> Two sharpshooters duel over a large amount of cash carried by a railway official and eventually settle their differences by opening a casino. <br /> <br /> Shot on location in Mojave and Cantil California. <br /> <br /> 11 x 6.75 inches. Near Fine. <br /> <br /> Pitts 1422. Warner Brothers unknown
Riferimento per il libraio : 155650
|
|
|
Robert Aldrich (director, screenwriter); Teddi Sherman (screenwriter); Frank Sinatra, Dean Martin, Anita Ekberg, Ursula Andress,
4 Four for Texas Two for Texas Original screenplay for the 1963 film
Burbank CA: Warner Brothers 1963. Estimating Script for the 1963 film. <br /> <br /> Two sharpshooters duel over a large amount of cash carried by a railway official and eventually settle their differences by opening a casino. An iconic Rat Pack film.<br /> <br /> Shot on location in Mojave and Cantil California. <br /> <br /> Tan studio wrappers noted as Estimating Script on the front wrapper dated March 18 1963. Distribution page present with receipt intact. Title page present dated 3-18-63 with credits for screenwriters Teddi Sherman and Robert Aldrich. 121 leaves with last page of text numbered 119. Mimeograph duplication on yellow stock rectos only. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Housed in a custom quarter leather clamshell case. <br /> <br /> Pitts 1422. Warner Brothers unknown
Riferimento per il libraio : 156799
|
|
|
Robert Aldrich (director); Norman Brooks (play); James Poe (screenwriter); Jack Palance, Eddie Albert, Lee Marvin, William Smith
Attack! Original photograph of Robert Aldrich on the set of the 1956 film noir
Beverly Hills CA: United Artists 1956. Vintage studio still photograph of director Robert Aldrich on the set of the 1956 film one of only a handful of war films made in the noir style during the classic era.<br /> <br /> One of Aldrich's finest efforts a noirish take on the evils of war with a interesting focus on nepotism. Unpopular on release due to a grim ending and a cynical tone much the opposite of a flag-waving World War II film. <br /> <br /> Set in Belgium.<br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Selby US. United Artists unknown
Riferimento per il libraio : 153068
|
|
|
Robert Aldrich (director); John McNulty, Lou Morheim (story); Herbert Baker (screenwriter); Edward G Robinson, Vera-Ellen, Jeff
Big Leaguer The Long Way Up Original treatment script for the 1953 film
Culver City CA: Loew's Incorporated 1952. Treatment script for the 1953 film on yellow paper created by screenwriter Louis Morheim who received a story credit in the final film. With a single annotation in manuscript pencil changing the revision date on page five.<br /> <br /> Robert Aldrich's directorial debut wherein a baseball scout at a New York Giants training camp in Florida evaluates prospective hopefuls for a minor league contract. Starring Edward G. Robinson in his first major role after being threatened with blacklisting by the House Un-American Activities Committee HUAC.<br /> <br /> Shot on location in Melbourne Florida. <br /> <br /> Blue titled wrappers rubber-stamped copy No. 2 stamped "Incomplete" dated 6-18-52 with credits for screenwriter Louis Morheim. 42 leaves with last page of text numbered 42. Mimeograph duplication rectos only on yellow pages dated variously between 6-18-52 and 6-20-52. Pages Near Fine wrapper Near Fine bound with two gold brads. Loew's Incorporated unknown
Riferimento per il libraio : 154485
|
|
|
Robert Aldrich (director); AI Bezzerides (screenwriter); Mickey Spillane (novel); Ralph Meeker, Albert Dekker, Paul Stewart, Str
Kiss Me Deadly Five original photographs from the 1955 film noir
N.p.: N.p. 1955. Five vintage reference photographs from the 1955 film. Two with provenance labels affixed to the versos. <br /> <br /> Perhaps the ultimate film noir in the classic cycle and by far the best and most insanely interpreted Spillane adaptation. Director Robert Aldrich spins the hard boiled source material into a symphony of speed violence and Cold War nuclear terror today often acknowledged as a major influence on the French New Wave. <br /> <br /> Set in Los Angeles area shot in Los Angeles including The Castle and other locations in Bunker Hill and Malibu. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> National Film Registry. Criterion Collection 568. Selby US Masterwork. Silver Classic Noir. Spicer US. N.p. unknown
Riferimento per il libraio : 160989
|
|
|
Robert Aldrich (director, producer); James Poe (screenwriter); Clifford Odets (playwright); Jack Palance, Ida Lupino (starring)
The Big Knife Original photograph from the set of the 1955 film
Beverly Hills CA: United Artists 1955. Vintage press photograph from the set of the 1955 film.<br /> <br /> Based on Clifford Odets' 1949 Broadway play. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Grant Worldwide. Selby US Canon. Silver and Ward Classic Noir. Spicer US. United Artists unknown
Riferimento per il libraio : 145400
|
|
|
Robert Aldrich (director, producer); Lukas Heller (screenwriter); Elleston Trevor (novel); James Stewart, Richard Attenborough,
The Flight of the Phoenix Original screenplay for the 1965 film
Los Angeles: Twentieth Century-Fox 1965. First Draft script for the 1965 film. Included are production notes dated November 1965 laid in and an architectural sketch of the "sky truck" noted as "REVISED / APR. 22. '65" As deluxe a script for this film as we have seen and a highspot for noted director Robert Aldrich. <br /> <br /> One of the great adventure films of the twentieth century wherein a cargo plane with fewer than a dozen men goes down in the Sahara in a sandstorm. One of the men is an airplane designer who comes up with the idea of ripping off the undamaged wing and using it as the basis for an airplane they will build to escape before food and water are depleted. <br /> <br /> Black titled wrappers noted as 2ND DRAFT on the front wrapper dated April 6th. Distribution page present with receipt removed. Title page present with credits for screenwriter Heller and novelist Trevor. 178 leaves mechanical duplication with blue and pink revision pages throughout dated variously between 4/15/65 and 4/27/65. Pages Near Fine wrapper about Near Fine with a small fingernail-size bruise at the top left corner of the front wrapper. Bound internally with three gold brads. Twentieth Century-Fox unknown
Riferimento per il libraio : 132451
|
|
|
Robert Aldrich (director); Frank Marcus (play); Lukas Heller (screenwriter); Beryl Reid, Susannah York, Coral Browne (starring)
The Killing of Sister George Two original photographs from the 1968 film
N.p.: N.p. 1968. Two vintage borderless reference photographs from the 1968 film one showing actors Beryl Reid and Susannah York the other showing director Robert Aldrich. <br /> <br /> A tyrannical aging actress is a long-standing staple on a soap opera but her increasingly unstable behavior causes the producers to kill off her character. As she spirals out of control she lashes out at her lover a young and beautiful actress. Director Aldrich spent $75000 fighting the film's mature rating earned as a result of its explicit content most notably a sex scene between two women which limited the film's screening and advertisement platforms but was unsuccessful. <br /> <br /> Shot on location in London. <br /> <br /> Approximately 7.5 x 9.5 inches. Near Fine. N.p. unknown
Riferimento per il libraio : 150411
|
|
|
Robert Aldrich (director); Howard Rigsby (novel); Shirley Clarke (photographer); Dalton Trumbo (screenwriter); Rock Hudson, Kirk
The Last Sunset Original photograph of Rock Hudson on the set of the 1961 film
Universal City: Universal Pictures 1960. Vintage borderless reference photograph of actor Rock Hudson signing autographs on the set of the 1961 Western film here under the working title "The Day of the Gun." With a printed mimeo snipe affixed to the verso along with the stamp of still photographer Shirley Clarke not to be confused with the filmmaker of the same name.<br /> <br /> Based on the 1957 novel "Sundown at Crazy Horse" by Howard Rigsby under the pseudonym Vechel Howard. While on the run from the law a cowboy travels to visit an old lover in Mexico only to find her married to a drunk.<br /> <br /> Set in Texas and Mexico and shot on location in Mexico. <br /> <br /> 8 x 10 inches. Very Good plus with light creasing to the edges. <br /> <br /> Pitts 2237. Universal Pictures unknown
Riferimento per il libraio : 150186
|
|
|
Robert Aldrich (director); Howard Rigsby writing as Vechel Howard (novel); Dalton Trumbo (screenwriter); Rock Hudson, Kirk Dougl
The Last Sunset Original photograph from the 1961 film
Universal City: Universal Pictures 1961. Vintage photograph of Robert Aldrich and Kirk Douglas on the set of the 1961 film. With manuscript annotations on the verso in green and brown ink and pencil. <br /> <br /> Based on the 1957 novel by Howard Rigsby under the pseudonym Vechel Howard about a cowboy who on the run from the law travels to visit an old lover in Mexico only to find her married to a drunk. Screenwriter Dalton Trumbo was also at work writing the script for Otto Preminger's "Exodus" while he wrote for this film. <br /> <br /> Set and shot on location in Mexico. <br /> <br /> 10 x 8 inches. Near Fine. Universal Pictures unknown
Riferimento per il libraio : 144217
|
|
Ricevere i risultati per e-mail
Scaricare i risultati in PDF
RSS feed
Link
