‎Scénariste‎

‎Roy Thinnes, Don Porter, Angie Dickinson, Claude Akins (starring); Dan Curtis (director); William F. Nolan (screenwriter)‎

‎The Norliss Tapes Demon Original screenplay for the 1973 television movie‎

‎N.p.: N.p. 1972. Shooting Script for the 1973 television movie seen here under the working title "Demon" with manuscript pencil annotations on four pages. Stapled to the verso of the front wrapper are seven call sheets dating from 11/30/72 to 12/5/72. <br /> <br /> A writer disappears while working on a book debunking spiritualists leaving behind a series of audio tapes documenting a number of strange and supernatural events. Originally produced as a pilot for a series which ultimately failed to materialize and first aired as a television movie on NBC on February 21 1973. Now considered a cult classic following a brief theatrical revival in the early 2000s.<br /> <br /> Shot on location in San Francisco and Monterey California. <br /> <br /> Brown titled wrappers. Title page present dated November 8 1972 noted as SHOOTING SCRIPT with credits for screenwriter William F. Nolan. 79 leaves with last page of text numbered 78. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown‎

Référence libraire : 166308

‎Roy Ward Baker (director); Arthur Evans, Wilfrid Newton, Charles Trigg (still photographers); Eric Ambler (screenwriter); John M‎

‎The October Man Five original photographs from the 1947 film‎

‎West Hollywood: Eagle-Lion Films 1947. Five vintage studio still photographs from the 1948 British film. One with Dion McGregor Collection stamp on the verso.<br /> <br /> After sustaining a head injury in a bus crash young scientist convalesces in a boardinghouse where a young woman is brutally murdered. Now a prime suspect with a poor memory due to the accident and no alibi he begins to wonder if he could have done it. Roy Ward Baker's directorial debut.<br /> <br /> Shot on location in Buckinghamshire and London England. <br /> <br /> 8 x 10 inches. Very Good plus light corner and edgewear one with small chip to upper left corner two with pinholes and modest bruising.<br /> <br /> Selby Master. Selby UK. Grant UK. Spicer UK. Eagle-Lion Films unknown‎

Référence libraire : 148811

‎Roy Ward Baker (director); Sheridan Le Fanu (story); Harry Fine, Tudor Gates, Michael Style (screenwriter); Ingrid Pitt, Pippa S‎

‎The Vampire Lovers Original photograph from the set of the 1970 film‎

‎Los Angeles: American International Pictures AIP 1970. Vintage studio still photograph of director Roy Ward Baker and cinematographer Moray Grant on the set of the 1970 Hammer horror film. With manuscript annotations on the verso. <br /> <br /> Based on the 1872 story "Carmilla" by Sheridan Le Fanu about a female vampire named Marcilla Karnstein Ingrid Pitt who comes back from death renamed Mircalla and spreads havoc. She kills the daughter of General Von Spielsdorf Peter Cushing who swears revenge on the beguiling seductive bloodsucker. <br /> <br /> Set in Styria shot on location in England. <br /> <br /> 8 x 10 inches. Near Fine.<br /> <br /> Johnson and Del Vecchio p. 317. American International Pictures [AIP] unknown‎

Référence libraire : 144963

‎Roy Ward Baker director; Arthur Evans Wilfrid Newton Charles Trigg still photographers; Eric Ambler screenwriter; John Mills‎

‎The October Man Collection of five original photographs from the 1947 film‎

‎West Hollywood: Eagle-Lion Films 1947. Collection of five vintage studio still photographs from the 1948 British film. One with Dion McGregor Collection stamp on the verso.<br/><br/>After sustaining a head injury in a bus crash young scientist convalesces in a boardinghouse where a young woman is brutally murdered. Now a prime suspect with a poor memory due to the accident and no alibi he begins to wonder if he could have done it. Roy Ward Baker's directorial debut.<br/><br/>Shot on location in Buckinghamshire and London England. <br/><br/>8 x 10 inches. Very Good plus light corner and edge wear one with small chip to upper left corner two with pinholes and modest bruising.<br/><br/>Complete collation details available on request.<br/><br/>Selby Master. Selby UK. Grant UK. Spicer UK. Eagle-Lion Films unknown books‎

Référence libraire : 148811

‎Roy Ward Baker director; Sheridan Le Fanu novella; Harry Fine Tudor Gates Michael Style screenwriter; Ingrid Pitt Pippa Steel‎

‎The Vampire Lovers Two original photographs from the 1970 film‎

‎N.p.: American International Pictures AIP 1970. Two vintage studio still photographs from the 1970 British-American film. <br/><br/>Based on Sheridan Le Fanu's 1871 novella "Carmilla." An erotic vampire horror entry in which a beautiful seductive vampire befriends a young woman and begins to feast off her blood. The lesbian relationship between the vampire and her young victim concerned the censor who warned that they might have to cut significant portions before it was suitable for release. However once the production company made it clear that the lesbian relationship was implied in the source material and was not simply a sensationalist ploy the film was released uncensored. <br/><br/>Set in Styria shot on location in England. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request.<br/><br/>Johnson and Del Vecchio p. 317. American International Pictures [AIP] unknown books‎

Référence libraire : 140333

‎Roy William Neill (director); Curt Siodmak (screenwriter); Lon Chaney Jr., Ilona Massey, Bela Lugosi (starring)‎

‎Frankenstein Meets the Wolf Man Two original publicity photographs of Bela Lugosi as the Monster from the 1943 film‎

‎Universal City: Universal Pictures 1943. Two vintage photographs of Bela Lugosi as Frankenstein's Monster for the 1943 film. One photograph with a provenance label on the verso.<br /> <br /> From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s.<br /> <br /> The first of Universal's "monster rally films" which incorporated seemingly disparate Universal monsters into a single narrative and the only film to feature Lugosi as the monster originally made famous by Boris Karloff in the 1931 film "Frankenstein." <br /> <br /> Accidentally revived by grave robbers"wolf man" Lawrence Talbot seeks out Dr. Frankenstein in the hopes of finding a cure only to discover the doctor has died but finds his creature still very much alive.<br /> <br /> 8 x 10 inches. Near Fine. Universal Pictures unknown‎

Référence libraire : 165456

‎Roy William Neill (director); Leonard Lee (screenwriter); Arthur Conan Doyle (novelist); Basil Rathbone, Nigel Bruce (starring)‎

‎Pursuit to Algiers The Fugitive Original screenplay for the 1945 film‎

‎N.p.: N.p. 1945. Revised Draft script for the 1945 film here under the working title "The Fugitive." With a single manuscript ink annotation on the front wrapper reading "92." All leaves watermarked CONTRACT FILE COPY.<br /> <br /> NOTE: script is incomplete as issued with text ending on page 92. <br /> <br /> The twelfth entry in the fourteen film Sherlock Holmes series featuring Basil Rathbone and Nigel Bruce loosely based on Arthur Conan Doyle's 1911 short story "The Adventure of the Red Circle." The prime minister of the fictitious eastern European country Rovinia begs Holmes and Watson to escort Prince Nikolas back home as the king has been assassinated and the prince must ascend to the throne. The transatlantic voyage proves to be a dangerous journey and every passenger becomes a suspect though Holmes carries more than a few tricks and surprises up his cape.<br /> <br /> Set in Algiers. <br /> <br /> Tan titled wrappers rubber-stamped production No. 7309 dated May 20 1945. 93 leaves with last page of text numbered 92. Carbon typescript on onionskin stock rectos only. Pages Near Fine wrapper Very Good plus with three closed tears on the front wrapper and light edgewear overall bound with three gold brads. N.p. unknown‎

Référence libraire : 146433

‎Roy William Neill director; Curt Siodmak screenwriter; Lon Chaney Jr. Bela Lugosi Ilona Massey starring‎

‎Frankenstein Meets the Wolf Man Wolfman Original publicity photograph of Lon Chaney Jr. and Bela Lugosi from the 1943 film‎

‎N.p.: N.p. 1943. Vintage reference publicity photograph of Lon Chaney Jr. and Bela Lugosi in battle as the wolf man and Frankenstein respectively and Ilona Massey as the frightened helpless damsel from the 1943 film.<br/><br/>The first ensemble film from the Universal Studios to combine characters from different horror series. A sequel to both the 1941 classic "The Wolf Man" directed by George Waggner and the 1942 Frankenstein sequel the fourth in the series "The Ghost of Frankenstein" directed by Erle C. Kenton. <br/><br/>Lugosi's only portrayal of the Frankenstein monster originally shot featuring an articulate monster who was blind and deaf explaining the outstretched arms and lumbering gait unfortunately both plot elements were cut and left unexplained leaving Lugosi's performance to become the subject of ridicule.<br/><br/>The resurrected wolf man Larry Talbot enlists the aid of mad scientist to end his curse who has plans of his own to revive Frankenstein's frozen monster.<br/><br/>8 x 10.25 inches. Some edgewear and light creasing in far corners else Near Fine. <br/><br/>Complete collation details available on request.<br/><br/>Weaver and Brunas Universal Horrors. N.p. unknown books‎

Référence libraire : 150100

‎RS. Allen (screenwriter) R. S.‎

‎New Love American Style: Love and the Logical Explanation Original screenplay an unproduced television episode‎

‎N.p.: N.p. 1985. First Draft script for an unproduced episode of the 1985-1986 television series.<br /> <br /> An updated version of the 1969-1974 television show "Love American Style" focused on love and relationships and following in the vignette style of the original. In this installment a couple finds a pair of women's underwear in their car and the husband not knowing why they were there comes up with ridiculous excuses to get his wife to understand. <br /> <br /> Set in San Francisco. <br /> <br /> Beige titled wrappers noted as FIRST DRAFT on the front wrapper production No. 1-066 dated 11/15/85 with credits for screenwriter R.S. Allen. Title page integral with front wrapper. 18 leaves with last page of text numbered 17. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown‎

Référence libraire : 163259

‎Rudolf Jugert (director); Margot Hielscher (screenwriter, starring); Helmut Weiss (screenwriters); Hans Sohnker, Peter van Eyck‎

‎Hallo Fräulein! Original program for the 1949 German film‎

‎N.p.: Herzog Film 1949. Vintage program for the 1949 German film. Text and titles in German. <br /> <br /> After World War II the American troops occupying a small German town attempt to make peace with the locals by organizing a musical show starring a multinational orchestra led by a successful music student who has recently returned from entertaining troops on the Eastern Front. <br /> <br /> 8 x 11.5 inches. Bifold. Very Good plus moderately age toned. Herzog Film unknown‎

Référence libraire : 156125

‎Rudolph Mate (director); James Edward Grant (screenwriter); Charlton Heston, Anne Baxter, Gilbert Roland (starring)‎

‎Three Violent People Original photograph of Anne Baxter Rudolph Mate and Charlton Heston from the set of the 1956 film‎

‎Los Angeles: Paramount Pictures 1956. Vintage reference photograph of Anne Baxter director Rudolph Mate and Charlton Heston on the set of the 1956 film. <br /> <br /> Capt. Colt Saunders Heston returns to Texas from the Civil War to find his land wanted by carpetbaggers and his town controlled by corrupt Yankees. <br /> <br /> Set in Texas shot on location in Arizona. <br /> <br /> 8 x 10 inches. Near Fine.<br /> <br /> Pitts 4373. Paramount Pictures unknown‎

Référence libraire : 152016

‎Rudolph Valentino (starring); Clarence Brown (director); Alexander Pushkin (story); George Marion, Jr. (screenwriter); Vilma Ban‎

‎The Eagle Original photograph from the set of the 1925 film‎

‎Beverly Hills CA: United Artists 1925. Vintage reference photograph from the set of the 1925 film with a mimeo snipe and photographer's stamp on the verso. Based on the unfinished 1832 novel "Dubrovsky" by Alexander Pushkin. <br /> <br /> A posed shot showing director Brown and stars Valentino and Banky with painter Federico Beltran Masses a well known figure in Hollywood because of his friendship with William Randolph Hearst. <br /> <br /> 10 x 8 inches. Very Good with diagonal chips missing from two corners but the image largely unaffected. United Artists unknown‎

Référence libraire : 137138

‎Rudyard Kipling (novel); Laurence Stallings (screenwriter); Sabu, Joseph Calleia, John Qualen (starring); Zoltan Korda (director‎

‎The Jungle Book Three original oversize photographs from the 1942 film‎

‎Los Angeles: Walt Disney Productions 1942. Three vintage oversize borderless double weight reference photographs from the 1942 film. Printed mimeo snipes and photographer stamps on the versos. <br /> <br /> Based on the 1894 collection of stories by Rudyard Kipling. A Technicolor live-action version of the classic Kipling stories made by the Hungarian-born filmmaking team of director Zoltan Korda producer Alexander Korda and art director Vincent Korda. The production brilliantly utilized live exotic animals and featured Indian actor Sabu as Mowgli the boy raised by wolves who can communicate with the animals of the jungle. Nominated for four Academy Awards including Best Cinematography.<br /> <br /> Shot on location in Sherwood Forest California. <br /> <br /> 9 x 12 inches. Fine. <br /> <br /> Criterion Collection Eclipse Series 30. Walt Disney Productions unknown‎

Référence libraire : 159797

‎Runyon Damon source work: Bernstein Walter screenwriter‎

‎LITTLE MISS MARKER . FROM THE STORY BY DAMON RUNYON‎

‎Universal City: Universal Studios 1979. 1168 leaves. Quarto. Mechanically reproduced typescript printed on rectos only of pale green stock. Bradbound in studio wrappers. Annotations throughout see below. A very good or better copy. A "Revised First Draft" of this new film adaptation of Runyon's short story. Bernstein also directed the 21 March 1980 release starring Walter Matthau Julie Andrews Tony Curtis Brian Dennehy Sarah Stimson Lee Grant and Bob Newhart. Runyon's tale of a bookie saddled with a young girl as a marker for a bet saw an earlier adaptation in 1934 starring Shirley Temple based on a script by Walter Lippman. Neatly annotated throughout with relevant annotations attributed to Philip Lathrop the film's cinematographer. Universal Studios unknown books‎

Référence libraire : WRCLIT61125

‎Rupert Birkin (screenwriter); Jim Thompson (novel)‎

‎Nothing More Than Murder Original screenplay for an unproduced film‎

‎Los Angeles: Discovery Productions 1990. Draft script for an unproduced film. Based on the 1949 Jim Thompson novel. <br /> <br /> The story of a small town movie theater owner who gets mixed up in a murderous love triangle with his wife and lover. Though a film from this script was never made the original Thompson story adapted by a different writer remains in possible development. <br /> <br /> Lacking front wrapper with a red rear wrapper. Title page present dated June 1 1990 with credits for screenwriter Birkin and novelist Thompson. 113 leaves photocopy. Fine condition bound with three gold brads. Discovery Productions unknown‎

Référence libraire : 134461

‎Russ Meyer (director, story); Roger Ebert (screenwriter); Dolly Read, Cynthia Myers, Marcia McBroom (starring)‎

‎Beyond the Valley of the Dolls Original photograph from the 1970 film‎

‎Los Angeles: Twentieth Century-Fox 1970. Vintage studio still photograph of Edy Williams and David Gurian from the 1970 film. <br /> <br /> Based on an original story by Roger Ebert who also helped write the screenplay. Three girls come to Hollywood to make it big with their rock band "The Kelly Affair" stopping first to visit Kelly MacNamara's 1966 Playboy Playmate Dolly Read estranged aunt. Kelly's aunt introduces the band comprised of Kelly Read Casey Anderson 1968 Playboy Playmate Cynthia Myers and Petronella Danforth Marcia McBroom to a flamboyant producer named Ronnie "Z-Man" Barzell John LaZar who changes their name to "The Carrie Nations" and has them perform at one of his orgiastic parties after a set by Strawberry Alarm Clock. Throughout the success of the new band the girls use drugs and alcohol attempt to maintain romantic relationships even a lesbian tryst with Erica Gavin director Meyer's "Vixen" and find "Z-Man" to be a murderous transsexual. <br /> <br /> The film proved to be sexploitation and exploitation to its psychedelic limits at the time was Meyer's biggest box-office draw to date and gave the director a new audience: mainstream filmgoers in mainstream cinemas. Originally intended as a sequel to <br /> "Valley of the Dolls" 1967 with an original screenplay by Jacqueline Susann Twentieth Century-Fox found the script unsatisfactory and sought new material. The film was released as part of a settlement with Susann with the disclaimer "This is not a sequel to VALLEY OF THE DOLLS." One of few X-rated films released by Twentieth Century-Fox another being "Myra Breckenridge" 1970. <br /> <br /> Pam Grier got her start in this film as an uncredited party attendant. Meyer regulars like Charles Napier Lavelle Roby and Haji all make appearances. <br /> <br /> Set in Los Angeles. <br /> <br /> 8 x 10 inches. CONDITION. <br /> <br /> Criterion Collection 836. Meyer US. Twentieth Century-Fox unknown‎

Référence libraire : 148340

‎Russ Meyer (director, screenwriter); Roger Ebert (screenwriter); Erica Gavin, Cynthia Myers, Dolly Read, Marcia McBroom, John La‎

‎Beyond the Valley of the Dolls Three original photographs from the set of the 1970 film‎

‎N.p.: N.p. 1970. Three vintage reference photographs taken on the set of the 1970 film two showing director Russ Meyer with actress Phyllis Davis between takes and one showing Meyer directing Dolly Read and Michael Blodgett. One photograph with a printed mimeo snipe affixed to the verso and all three photographs with library stamps and provenance labels on the versos.<br /> <br /> After nearly a decade as one of America's most successful independent filmmakers sexploitation auteur Russ Meyer first reached out for the brass ring of major studio success with this frantic and most entertaining cult favorite once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." The film follows three members of an all-girl rock band called The Kelly Affair who relocate to Hollywood in search of fame and fortune. Their success comes at the price of their friendship and integrity however and the girls eventually succumb to a nonstop train of decadence drugs and betrayal. Featuring one-hit wonders the Strawberry Alarm Clock supporting performances by Meyer regulars Charles Napier and Haji and a bit part from future Blaxploitation icon Pam Grier the film proved to be Meyer's biggest box-office success.<br /> <br /> Set and shot on location in Hollywood.<br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Criterion Collection 836. N.p. unknown‎

Référence libraire : 156306

‎Russ Meyer (director, screenwriter); Roger Ebert (screenwriter); Erica Gavin, Cynthia Myers, Dolly Read, Marcia McBroom, John La‎

‎Beyond the Valley of the Dolls Original photograph of Edy Williams from the 1970 film‎

‎N.p.: N.p. 1970. Vintage oversize borderless reference photograph from the 1970 film showing a near-nude Edy Williams. With the stamp of still photographer Willy Rizzo on the verso. <br /> <br /> After nearly a decade as one of America's most successful independent filmmakers sexploitation auteur Russ Meyer first reached out for the brass ring of major studio success with this frantic and most entertaining cult favorite once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." The film follows three members of an all-girl rock band called The Kelly Affair who relocate to Hollywood in search of fame and fortune. Their success comes at the price of their friendship and integrity however and the girls eventually succumb to a nonstop train of decadence drugs and betrayal. Featuring one-hit wonders the Strawberry Alarm Clock supporting performances by Meyer regulars Charles Napier and Haji and a bit part from future Blaxploitation icon Pam Grier the film proved to be Meyer's biggest box-office success.<br /> <br /> Set and shot on location in Hollywood.<br /> <br /> 8 x 12 inches. Near Fine. <br /> <br /> Criterion Collection 836. N.p. unknown‎

Référence libraire : 153231

‎Russ Meyer (director, screenwriter); Roger Ebert (screenwriter); Erica Gavin, Cynthia Myers, Dolly Read, Marcia McBroom, John La‎

‎Beyond the Valley of the Dolls Original photograph of Erica Gavin and Cynthia Myers from the 1970 film‎

‎N.p.: N.p. 1975. Vintage oversize borderless reference photograph from the set of the 1970 film showing actresses Erica Gavin and Cynthia Myers with cinematographer Fred J. Koenekamp behind the camera at the far left. With the film's French 1975 release title "Orgissimo" at the bottom right.<br /> <br /> After nearly a decade as one of America's most successful independent filmmakers sexploitation auteur Russ Meyer first reached out for the brass ring of major studio success with this frantic and most entertaining cult favorite once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." The film follows three members of an all-girl rock band called The Kelly Affair who relocate to Hollywood in search of fame and fortune. Their success comes at the price of their friendship and integrity however and the girls eventually succumb to a nonstop train of decadence drugs and betrayal. Featuring one-hit wonders the Strawberry Alarm Clock supporting performances by Meyer regulars Charles Napier and Haji and a bit part from future Blaxploitation icon Pam Grier "Beyond the Valley of the Dolls" proved to be Meyer's biggest box-office success.<br /> <br /> Set and shot on location in Hollywood.<br /> <br /> 12 x 9.5 inches. Near Fine with light wear to the corners.<br /> <br /> Criterion Collection 836. N.p. unknown‎

Référence libraire : 149729

‎Russ Meyer (director, screenwriter)‎

‎Erotica Original pressbook for the 1961 film‎

‎Hollywood: Pad-Ram Enterprises 1961. Vintage pressbook for the 1961 film. <br /> <br /> With his fourth feature a 68-minute quickie Russ Meyer continued to market the "nudie" film genre he basically invented in 1959 with his first film "The Immoral Mr. Teas." He also continues to advertise the "French" sensibility "bon vivant" of his films—once described as "a narrated Playboy magazine" with no real plot per se just lots of buxom women shedding their clothing at every opportunity. <br /> <br /> One leaf bifold. 8.5 x 11 inches. Near Fine. Pad-Ram Enterprises unknown‎

Référence libraire : 152049

‎Russ Meyer (director, screenwriter); Veronique Gabriel, Gigi La Touche, Abundavita, Denise Du Vall (starring)‎

‎Europe in the Raw Two original photographs from the 1963 film‎

‎N.p.: N.p. 1963. Two vintage borderless reference photographs from the 1963 film. Included is a distributor's pamphlet. <br /> <br /> A mondo documentary following the sexual exploits of buxom women across Europe. <br /> <br /> Photographs 7 x 9.5 inches. Near Fine. Pamphlet bi-fold 8.5 x 11 inches. Very Good moderately chipped and soiled. N.p. unknown‎

Référence libraire : 151457

‎Russ Meyer (director, screenwriter); Babette Bardot, Pat Barrington, Darlene Gray (starring)‎

‎Mondo Topless Original pressbook for the 1966 film‎

‎California: Eve Productions 1966. Vintage pressbook for the 1966 film. <br /> <br /> A sexploitation "documentary" following several buxom strippers as they discuss their lives in 1960s San Francisco.<br /> <br /> One leaf bifold. 11 x 17 inches. Folded once horizontally. Very Good plus overall. Eve Productions unknown‎

Référence libraire : 152053

‎Russ Meyer (director, screenwriter); Raymond Friday Locke (novel, screenwriter); Hal Hopper, Antoinette Christiani, John Furlong‎

‎Mudhoney Original pressbook for the 1965 film‎

‎Los Angeles: Delta Films 1965. Vintage pressbook for the 1965 film. <br /> <br /> Based on Raymond Friday Locke's 1958 novel "Streets Paved With Gold." A melodramatic tale about a drifter who falls in love with his employer's married niece a beautiful young woman with an abusive alcoholic husband.<br /> <br /> The first film in Russ Meyer's "noir" cycle 1964-1965 or "Gothic" period as Meyer puts it a series of sexploitation films shot in black and white with powerful female characters male impotence and a serious dramatic plot involving less of the "nudie" filmmaking style so prominent in the director's early films. <br /> <br /> Set in Spooner Missouri.<br /> <br /> Six leaves saddle stitched 11 x 17 inches. Folded once horizontally. Very Good plus overall. Delta Films unknown‎

Référence libraire : 152050

‎Russ Meyer (director, screenwriter); Shari Eubank, Charles Napier, Uschi Digard (starring)‎

‎Supervixens Super Vixens Original photograph from the 1975 film‎

‎N.p.: N.p. 1975. Vintage reference photograph from the 1975 film showing actress Shari Eubank.<br /> <br /> After his wife is murdered a gas station attendant at a remote desert station finds himself sexually pursued by several different but equally buxom women.<br /> <br /> Shot on location in New Mexico Arizona and California. <br /> <br /> 10 x 8 inches. Very Good plus lightly toned on the right edge. N.p. unknown‎

Référence libraire : 161301

‎Russ Meyer (director, screenwriter); Shari Eubank, Charles Napier, Uschi Digard, Charles Pitts (starring)‎

‎Supervixens Original Spanish poster for the 1975 film‎

‎Madrid Spain: RM Films International 1986. Original Spanish one sheet poster for the 1986 release of the 1975 US film. Features buxom Christy Hartburg who starred as SuperLorna. Hartburg along with Kitten Natividad and Uschi Digard has become one of the more recognizable faces of Russ Meyer filmdom even though this was her only film. <br /> <br /> Meyer's successful return to independent filmmaking after the big-budget "Beyond the Valley of the Dolls" 1970 and the unfortunate films "The Seven Minutes" 1971 and "Black Snake" 1973. Arguably the most entertaining Meyer project with all the trademarks present: strong sexual women impotent men and healthy doses of sex violence and nudity with a nod to the desert violence of Italian Euro Westerns of the 1960s. <br /> <br /> Shot on location in Arizona California and New Mexico. <br /> <br /> 27 x 41 inches folded as issued. Near Fine. Scarce. RM Films International unknown‎

Référence libraire : 139240