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Salvatore Samperi (screenwriter, director); Ottavio Jemma (screenwriter); Franco Nero, Lisa Gastoni, Raymond Pellegrin, Andreas
Submission Scandal Original screenplay for the 1976 film
Rome: Ciesi 1975. First Draft script for the 1976 Italian film here under the working title "Scandal." Text in English.<br /> <br /> From the archive of longtime producer-agent Paul Kohner.<br /> <br /> In wartime France a married pharmacist begins a passionate affair with her assistant. Their relationship sours however as he begins to demand more and more from her—including access to her daughter. <br /> <br /> Shot on location in Italy. <br /> <br /> Title page present dated 1975 noted as First Draft with credits for screenwriters Ottavio Jemma and Salvatore Samperi. 324 leaves with last page of text numbered 322. Xerographically duplicated rectos only. Pages Near Fine lacking wrapper unbound. Housed in a typewriter box. Ciesi unknown
Référence libraire : 141752
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Salvatore Samperi (screenwriter, director); Ottavio Jemma (screenwriter); Franco Nero, Lsa Gastoni, Raymond Pellegrin, Andreas F
Submission Scandal Original screenplay for the 1976 film
Rome: Ciesi 1975. First Draft script for the 1976 film. Here under the working title "Scandal." <br /> <br /> Eliane is a pharmicist with a dull husband and teenage daughter. A fellow pharmacy clerk makes a pass at her one night after mistaking her for someone else and she allows it to happen ultimately becoming his complete sex slave. <br /> <br /> Set in France shot on location in Italy. <br /> <br /> Tan untitled wrappers. Title page present dated 1975 noted as First draft with credits for screenwriters Ottavio Jemma and Salvatore Samperi. 324 leaves with last page of text numbered 322. Xerographically duplicated. Pages Near Fine wrapper Near Fine bound internally with gold brads. Ciesi unknown
Référence libraire : 141891
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Salvatore Samperi screenwriter director; Ottavio Jemma screenwriter; Franco Nero Lsa Gastoni Raymond Pellegrin Andreas Ferre
Submission Scandal Original screenplay for the 1976 film
Rome: Ciesi 1975. First Draft script for the 1976 film. Here under the working title "Scandal." <br/><br/>Eliane is a pharmicist with a dull husband and teenage daughter. A fellow pharmacy clerk makes a pass at her one night after mistaking her for someone else and she allows it to happen ultimately becoming his complete sex slave. <br/><br/>Set in France shot on location in Italy. <br/><br/>Tan untitled wrappers. Title page present dated 1975 noted as First draft with credits for screenwriters Ottavio Jemma and Salvatore Samperi. 324 leaves with last page of text numbered 322. Xerographically duplicated. Pages Near Fine wrapper Near Fine bound internally with gold brads. Ciesi unknown books
Référence libraire : 141891
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Sam and Ron Ormond Newfield (directors); Orville H. Hampton (screenwriter); Marie Windsor, Richard Rober, Carla Balenda, Jackie
Outlaw Women Original screenplay for the 1952 film
Los Angeles: Lippert Pictures 1952. Draft script for the 1952 film. Copy belonging to an uncredited crew member with brief annotations in manuscript pencil on the verso of the last page of text and on a few pages. <br /> <br /> An unusual story for a low-budget Western: a tough woman gambler named Iron Mae McLeod Windsor runs a town where law states that men are illegal. The tough McLeod is soon caught in the lusty lasso of Woody Callaway Rober a handsome and persistent cowboy. <br /> <br /> The Poverty Row studio Lippert Pictures lasted nearly two decades 1948-1969 and would resurface as the production company for "Don't Do It" 1994. Notable films produced or distributed by Lippert include "Jungle Goddess" 1948 "I Shot Jesse James" 1949 forgotten films noir like "Radar Secret Service" and "Motor Patrol" both 1950 Samuel Fuller's "The Steel Helmet" 1951 Sam Newfield's "Lost Continent" 1951 and Terence Fisher's classic Hammer noir "Man Bait" 1952. <br /> <br /> Blue untitled wrappers. Title page integral with first page of text undated with a credit for screenwriter Hampton. 115 leaves with last page of text numbered 115. Mimeograph duplication. Pages and wrapper Near Fine bound with three gold brads. <br /> <br /> Hardy The Western p. 218. Okuda 486. Lippert Pictures unknown
Référence libraire : 135865
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Sam and Ron Ormond Newfield directors; Orville H. Hampton screenwriter; Marie Windsor Richard Rober Carla Balenda Jackie Coog
Outlaw Women Original screenplay for the 1952 film
Los Angeles: Lippert Pictures 1952. Draft script for the 1952 film. Copy belonging to an uncredited crew member with brief annotations in holograph pencil on the verso of the last page of text and on a few pages. <br/><br/>An unusual story for a low-budget Western: a tough woman gambler named Iron Mae McLeod Windsor runs a town where law states that men are illegal. The tough McLeod is soon caught in the lusty lasso of Woody Callaway Rober a handsome and persistent cowboy. <br/><br/>The Poverty Row studio Lippert Pictures lasted nearly two decades 1948-1969 and would resurface as the production company for "Don't Do It" 1994. Notable films produced or distributed by Lippert include "Jungle Goddess" 1948 "I Shot Jesse James" 1949 forgotten films noir like "Radar Secret Service" and "Motor Patrol" both 1950 Samuel Fuller's "The Steel Helmet" 1951 Sam Newfield's "Lost Continent" 1951 and Terence Fisher's classic Hammer noir "Man Bait" 1952. <br/><br/>Blue untitled wrappers. Title page integral with first page of text undated with a credit for screenwriter Hampton. 115 leaves with last page of text numbered 115. Mimeograph duplication. Pages and wrapper Near Fine bound with three gold brads. <br/><br/>Hardy The Western p. 218. Okuda 486. Lippert Pictures unknown books
Référence libraire : 135865
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Sam Elliott, Anne Archer, Kathleen Quinlan (starring); Daniel Petrie (director); Ron Koslow (screenwriter)
Lifeguard Original photograph from the 1976 film
Hollywood: Paramount Pictures 1975. Vintage borderless studio still photograph from the 1976 film.<br /> <br /> A beach lifeguard is forced to confront his priorities and consider changing professions when he rekindles a flame with his old high school girlfriend who is now divorced with a five-year-old son. <br /> <br /> Shot on Torrance Beach California.<br /> <br /> 10 x 8 inches. Near Fine. Paramount Pictures unknown
Référence libraire : 167900
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Sam Newfield (director); Orville H. Hampton (screenwriter); Sid Melton, Mara Lynn, Sam Flint (starring)
Sky High Off We Go! Original screenplay for the 1951 film
Hollywood: Tom Productions 1951. Draft script for the 1951 film here under the working title "Off We Go!" With manuscript pencil annotations throughout.<br /> <br /> Desperate to leave his lowly post as a tailgunner an unskilled G.I. asks his girlfriend who owns a cafe on the air base to flirt with his commanding officer in order to get him a promotion. Instead of the better position he desires however the officer finds himself roped by the base special intelligence officer into impersonating the head saboteur of a spy ring.<br /> <br /> Gray titled wrappers rubber-stamped copy No. 10 and noted as production No. 1067 dated May 5 1951. Title page present dated May 5 1951 with credits for screenwriter Orville H. Hampton. 114 leaves with last page of text numbered 110. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus with tide marks to the lower edge bound with three gold brads. Tom Productions unknown
Référence libraire : 146057
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Sam Newfield director; Orville H. Hampton screenwriter; Sid Melton Mara Lynn Sam Flint starring
Sky High Off We Go! Original screenplay for the 1951 film
Hollywood: Tom Productions 1951. Draft script for the 1951 film here under the working title "Off We Go!" With holograph pencil annotations throughout.<br/><br/>An unskilled G.I. desperate to leave his lowly post as a tailgunner asks his girlfriend who owns a cafe on the air base to flirt with his commanding officer in order to get him a promotion. Instead of the better position he desires however the officer finds himself roped by the base special intelligence officer into impersonating the head saboteur of a spy ring.<br/><br/>Grey titled wrappers rubber-stamped copy No. 10 and noted as production No. 1067 dated May 5 1951. Title page present dated May 5 1951 with credits for screenwriter Orville H. Hampton. 114 leaves with last page of text numbered 110. Mimeographed rectos only. Pages Very Good plus wrapper Very Good plus with tidemarks to the lower edge bound with three gold brads. Tom Productions unknown books
Référence libraire : 146057
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Sam Peckinpah (director, screenwriter); Gordon T. Dawson (screenwriter); Warren Oates, Isela Vega, Robert Webber, Gig Young (sta
Bring Me the Head of Alfredo Garcia Original screenplay for the 1974 film file copy belonging to Sam Peckinpah
N.p.: N.p. 1972. Early Draft script for the 1974 film file copy belonging to director Sam Peckinpah. Dated July 8 1972 over a year before production commenced and notably featuring the original ending with Bennie getting away—in true Peckinpah fashion the director would later rewrite the ending to show Bennie dying in a shootout. With Peckinpah's brief annotations in manuscript ink on the title page and two leaves of the script. <br /> <br /> Warren Oates stars as Bennie a bartender who travels through the Mexican underworld accompanied by his sex worker girlfriend to collect the bounty on the head of a gigolo. The only Peckinpah film not re-cut by the studio.<br /> <br /> Shot on location in Mexico. <br /> <br /> Yellow titled wrappers. Title page present dated July 8 1972 with credits for Peckinpah and screenwriter Gordon Dawson. 128 leaves with last page of text numbered 126. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads.<br /> <br /> Ebert II. Nilsen Warped and Faded. Rosenbaum 1000. Twilight Time 497. N.p. unknown
Référence libraire : 166560
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Sam Peckinpah (director, screenwriter); Gordon T. Dawson (screenwriter); Warren Oates, Isela Vega, Robert Webber, Gig Young (sta
Bring Me the Head of Alfredo Garcia Original screenplay for the 1974 film
N.p.: N.p. 1972. Early Draft script for the 1974 film dated July 8 1972 over a year before production commenced. Script notably features the original ending with Bennie getting away—in true Peckinpah fashion Peckinpah would later rewrite the ending to show Bennie dying in a shootout. Annotations in manuscript ink and pencil on fifteen pages largely regarding spelling and grammatical corrections.<br /> <br /> Warren Oates stars as Bennie a bartender who travels through the Mexican underworld accompanied by his sex worker girlfriend to collect the bounty on the head of a gigolo. The only Peckinpah film not re-cut by the studio.<br /> <br /> Shot on location in Mexico. <br /> <br /> Yellow titled wrappers. Title page present dated 7/8/72 with credits for screenwriters Gordon Dawson and Sam Peckinpah. 128 leaves with last page of text numbered 126. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads.<br /> <br /> Ebert II. Nilsen Warped and Faded. Rosenbaum 1000. Twilight Time 497. N.p. unknown
Référence libraire : 158698
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Sam Peckinpah (director, screenwriter); Harry Julian Fink, Oscar Saul (screenwriters); Charlton Heston, Richard Harris, James Co
Major Dundee Seven original lobby cards from the 1965 film
Culver City CA: Columbia / Jerry Bresler Productions 1965. Seven vintage lobby cards for the French release of the 1965 US film. <br /> <br /> During the Civil War an obsessed glory seeking Union cavalry officer leads a disparate crew of soldiers Confederate POWs and American Indian scouts into Mexico to attack a group of Apaches that have been raiding towns in the US. <br /> <br /> 11.75 x 9.25. Very Good plus with pinholes to the corners. Columbia / Jerry Bresler Productions unknown
Référence libraire : 143145
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Sam Peckinpah (director); Rudy [Rudolph] Wurlitzer (screenwriter); James Coburn, Harry Dean Stanton, Bruce Dern, Richard Jaeckel
Pat Garrett and Billy the Kid Original screenplay for the 1975 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1972. Draft script for the 1975 film. Annotation in manuscript ink on the front wrapper noting "We all lost when the studio took this picture away from Peckinpah the hed" sic. <br /> <br /> A very nearly experimental Western made by Sam Peckinpah at his peak sufficiently strange to have remained of interest only to the most intense fans of Western revisionism. Comparable only to "McCabe and Mrs. Miller" 1971 and "The Shooting" 1966 in terms of sheer impressionism being laid upon the genre with iconic imagery and super-stylization in every frame. <br /> <br /> Shot on location in Durango Mexico.<br /> <br /> Beige titled Metro-Goldwyn-Mayer front wrapper dated July 7 1972 with credits for Peckinpah and screenwriter Rudolph Wurlitzer. Missing rear wrapper. Title page integral with front wrapper. 125 leaves with last page of text numbered 134. Mimeograph duplication rectos only with blue and gray revision pages throughout dated variously between July 3 and 25 1972. Pages Very Good plus wrapper Very Good bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown
Référence libraire : 166485
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Sam Peckinpah (director); Rudy Wurlitzer (screenwriter); James Coburn, Kris Kristofferson, Bob Dylan, Jason Robards (starring)
Pat Garrett and Billy the Kid Original photograph of Sam Peckinpah on the set of the 1973 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1973. Vintage studio still photograph of director Sam Peckinpah on the set of the 1973 film.<br /> <br /> A very nearly experimental Western made by Peckinpah at his peak sufficiently strange to have remained of interest only to the most intense fans of revisionism. Comparable only to "McCabe and Mrs. Miller" 1971 and "The Shooting" 1966 in terms of sheer impressionism being laid upon the genre with iconic imagery and super-stylization in every frame. Particularly so in the case of Bob Dylan whose mysteriousness was yet again renewed by his performance as "Alias" in the film. <br /> <br /> Filmed on location in Durango Mexico. <br /> <br /> 8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
Référence libraire : 150388
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Sam Peckinpah (director, screenwriter); David Zelag Goodman (screenwriter); Gordon Williams (novel); Dustin Hoffman, Susan Georg
Straw Dogs Original post-production screenplay for the 1971 film
Middlesex: Amerbroco Films 1970. Post-production Continuity script for the 1971 film. <br /> <br /> Based on Gordon M. Williams’s 1969 novel. An American man returns to his wife's hometown in England only to run afoul of the locals with increasingly violent consequences. Controversial in its depiction of physical and sexual violence even within Sam Peckinpah's often controversial filmography the film is also frequently considered one of the director's best. <br /> <br /> Set in Dando Cornwall and shot on location in Cornwall and Middlesex England.<br /> <br /> Tall golden titled wrappers dated November 1 1971 noted as Continuity on the front wrapper with credits for director Sam Peckinpah actors Dustin Hoffman Susan George and Peter Vaughan and others. Approximately 200 leaves. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound at the top edge with two gold brads.<br /> <br /> Criterion Collection 182. Grant US. Amerbroco Films unknown
Référence libraire : 160833
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Sam Peckinpah (director); Jim Thompson (novel); Walter Hill (screenwriter); Steve McQueen, Ali McGraw, Ben Johnson, Sally Struth
The Getaway Original photograph of Sam Peckinpah on the set of the 1972 film
New York: National General Pictures 1972. Vintage double weight matte-finish reference photograph from the set of the 1972 film showing director Sam Peckinpah at work on location.<br /> <br /> Peckinpah at the peak of his powers a ballet of violence and to date easily the finest adaptation of a Jim Thompson novel ever produced. Other grand alliances made this one of the great crime films of New Hollywood Cinema including a supremely confident Steve McQueen as an anti-hero and a young Walter Hill—who first encountered McQueen on the set of "Bullitt" 4 years prior—handling the screenplay. <br /> <br /> Approximately 10 x 8 inches. Near Fine. <br /> <br /> Lee The Heist Film. Spicer Neo-Noir US. Silver and Ward Neo-Noir US. Grant US. National General Pictures unknown
Référence libraire : 158714
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Sam Peckinpah (director); Jim Thompson (novel); Walter Hill (screenwriter); Steve McQueen, Ali McGraw, Ben Johnson, Sally Struth
The Getaway Original photograph of Sam Peckinpah Steve McQueen and Ali McGraw on the set of the 1972 film
New York: National General Pictures 1972. Vintage reference photograph from the set of the 1972 film showing director Sam Peckinpah with actors Steve McQueen and Ali McGraw. With a mimeo snipe on the verso. <br /> <br /> Peckinpah at the peak of his powers a ballet of violence and to date easily the finest adaptation of a Jim Thompson novel ever produced. Other grand alliances made this one of the great crime films of New Hollywood Cinema including a supremely confident Steve McQueen as an anti-hero and a young Walter Hill—who first encountered McQueen on the set of "Bullitt" 4 years prior—handling the screenplay. <br /> <br /> Approximately 10 x 8 inches. Near Fine. <br /> <br /> Lee The Heist Film. Spicer Neo-Noir US. Silver and Ward Neo-Noir US. Grant US. National General Pictures unknown
Référence libraire : 150387
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Sam Peckinpah (director, screenwriter); Walon Green (screenwriter); William Holden, Ernest Borgnine, Robert Ryan, Edmond O'Brien
The Wild Bunch Original screenplay for the 1969 film
Burbank CA: Warner Brothers / Seven Arts 1967. Revised Estimating script for the 1969 Western film.<br /> <br /> Sam Peckinpah's classic revisionist Western of nearly inestimable importance and violence made at the peak of his career and which—along with "Straw Dogs" 1971—remains the lasting testament to his vision. A major contributor to the "end of the West" theme so prevalent of the genre in the 1970s and one of the earliest New Hollywood Westerns. <br /> <br /> Set in Mexico shot on location in Mexico and Spain. <br /> <br /> Beige titled Warner Brothers wrappers dated November 15 1967 noted as Rev. Estimating Script and stamped copy No. 75. Title page present dated 11/15/67 with credits for screenwriters Wallen Green and Sam Peckinpah and story credit for Roy Sickner. 125 leaves with last page of text numbered 123. Mimeograph duplication rectos only. Pages about Fine wrapper Very Good plus bound internally with two gold brads. <br /> <br /> National Film Registry. Ebert I. Hardy US. Pitts 4934. Rosenbaum 1000. Schrader Canon Fodder 28. Warner Brothers / Seven Arts unknown
Référence libraire : 160830
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Sam Peckinpah director screenwriter; David Zelag Goodman screenwriter; Gordon Williams novel; Dustin Hoffman starring
Straw Dogs The Siege of Trencher's Farm Original screenplay for the 1971 film
Talent Associates/N.S.I. / ABC Pictures 1970. Final Draft script for the 1971 film here under the working title and title of the source material "The Siege of Trencher's Farm." <br/><br/>Based on Gordon M. Williams's 1969 novel. Director Sam Peckinpah and screenwriter David Z. Goodman kept only the central concept of the siege itself but completely altered the circumstances around it including the creation of the film's controversial rape scene. Nominated for an Academy Award.<br/><br/>Set in Trencher's Farm in Dando Cornwall shot on location in Cornwall and Middlsex England. <br/><br/>Maroon titled wrappers. Title page present dated 24th August 1970 noted as Final Draft with credits for screenwriters David Z. Goodman and Sam Peckinpah. 131 leaves with last page of text numbered 130. Mimeograph duplication. Pages Near Fine wrapper Very Good plus bound with two gold brads.<br/><br/>Clover Men Women and Chainsaws. Criterion Collection 182. Grant US. Talent Associates/N.S.I. / ABC Pictures unknown books
Référence libraire : 143123
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Sam Peckinpah director screenwriter; Gordon Williams novel; David Zelag Goodman screenwriter; Dustin Hoffman Susan George Pet
Straw Dogs Original double weight photograph from the set of the 1971 film
Los Angeles: ABC Pictures 1971. Vintage borderless double weight photograph of actress Susan George huddled in a coat on the set of the 1971 film. With a mimeo snipe on the verso. <br/><br/>Based on the 1969 novel "The Siege of Trencher's Farm" by Gordon Williams an American man who returns to his wife's hometown in England only to run afoul of the locals with increasingly violent consequences. Controversial in its depiction of physical and sexual violence even within Peckinpah's often controversial filmography it is also frequently considered one of his best. Nominated for an Academy Award. <br/><br/>Set and shot on location in Cornwall England. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Criterion Collection 182. Grant US. ABC Pictures unknown books
Référence libraire : 143067
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Sam Peckinpah director screenwriter; Gordon Williams novel; David Zelag Goodman screenwriter; Dustin Hoffman Susan George Pet
Straw Dogs Original photograph from the set of the 1971 film
Los Angeles: ABC Pictures 1971. Vintage borderless satin-finish reference photograph from the set of the 1971 film showing director Sam Peckinpah and actor Jim Norton. With two printed mimeo snipes affixed to the verso. <br/><br/>Based on the 1969 novel "The Siege of Trencher's Farm" by Gordon Williams. An American man returns to his wife's hometown in England only to run afoul of the locals with increasingly violent consequences. Controversial in its depiction of physical and sexual violence even within Peckinpah's often controversial filmography it is also frequently considered one of his best. <br/><br/>Set and shot on location in Cornwall England. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Criterion Collection 182. Grant US. ABC Pictures unknown books
Référence libraire : 151471
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Sam Peckinpah director screenwriter; Harry Julian Fink Oscar Saul screenwriters; Charlton Heston Richard Harris James Coburn
Major Dundee Collection of 7 original lobby cards from the 1965 film
Culver City CA: Columbia / Jerry Bresler Productions 1965. Collection of seven vintage lobby cards for the French release of the 1965 US film. <br/><br/>During the Civil War an obsessed glory seeking Union cavalry officer leads a disparate crew of soldiers Confederate POWs and American Indian scouts into Mexico to attack a group of Apaches that have been raiding towns in the US. <br/><br/>11.75 x 9.25. Very Good plus with pinholes to the corners. Columbia / Jerry Bresler Productions unknown books
Référence libraire : 143145
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Sam Peckinpah director; BWL. Norton screenwriter; Kris Kristoferson Ali MacGraw Burt Young Madge Sinclair starring B. W.
Convoy Original photograph of Sam Peckinpah and Ali McGraw on the set of the 1978 film
N.p.: N.p. 1978. Vintage borderless reference photograph taken on the set of the 1978 film showing director Sam Peckinpah laughing with actress Ali McGraw in the desert.<br/><br/>From the archive of film historian and author Joel Finler.<br/><br/>An aggrieved group of truck drivers hold an ongoing high-speed protest convoy over a mile long. Peckinpah's most commercially successful film loosely based on the 1975 country song "Convoy" by C. W. McCall. <br/><br/>Shot on location in New Mexico and California. <br/><br/>10 x 8 inches. Near Fine. N.p. unknown books
Référence libraire : 151425
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Sam Raimi (director); Scott Smith (novel, screenwriter); Bill Paxton, Bridget Fonda, Billy Bob Thornton (starring)
A Simple Plan Original For Your Consideration screenplay
Hollywood: Paramount Pictures 1998. For Your Consideration for the 1998 film. <br /> <br /> Based on the 1993 novel by Scott Smith. Two brothers and their friend discover a crashed plane in the woods with a dead pilot and millions of dollars inside. In trying to keep the money for themselves without suspicion the men start to lose themselves in greed and paranoia about being caught. <br /> <br /> Set in Wright County Minnesota shot on location in Ashland Wisconsin and Delano Golden Valley and St. Paul Minnesota. <br /> <br /> Brown titled wrappers noted as For Your Consideration on the front wrapper with credits for screenwriter and novelist Scott B. Smith. Title page present with credits for screenwriter and novelist Scott B. Smith. 135 leaves with last page of text numbered 119. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Paramount Pictures unknown
Référence libraire : 135957
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Sam Raimi director; Scott Smith novel screenwriter; Bill Paxton Bridget Fonda Billy Bob Thornton starring
A Simple Plan For Your Consideration screenplay
Hollywood: Paramount Pictures 1998. Original "For Your Consideration" script post-production for the 1998 crime film. <br/><br/>Printed wrappers in brown black and white with a credit for novelist Scott B. Smith who adapted his story to the screen. Approximately 130 pages with revision pages throughout. Pages and wrapper Near Fine. Paramount Pictures unknown books
Référence libraire : 135957
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Sam Raimi director; Simon Moore screenwriter; Sharon Stone Gene Hackman Russell Crow Leonardo DiCaprio starring
The Quick and the Dead Original screenplay for the 1995 film
N.p.: N.p. 1993. Third Revision Draft script for the 1995 Western film with script divided into the four days of the tournament. From the collection of novelist-screenwriter William Hjortsberg.<br/><br/>Sam Raimi's exuberant homage to the spaghetti western criminally underrated at the time of its release it has since been reassessed a unique and finely crafted revisionist Western. Featuring memorable performances all around including Russell Crowe's first US film role and an up-and-coming Leonardo Di Caprio.<br/><br/>A woman gunfighter "The Lady" Sharon Stone rides into the town of Redemption run by the ruthless outlaw John Herod Gene Hackman to participate in a deadly quick draw elimination tournament with 15 other gunfighters and to exact revenge.<br/><br/>Set in the fictional town of Redemption shot on location in Arizona. <br/><br/>Gray untitled wrappers. Title page present dated July 1993 noted as 3red Revision with credits for screenwriter Simon Moore. 107 leaves with last page of text numbered 106. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with some toning and splashing bound with two gold brads. N.p. unknown books
Référence libraire : 150422
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Sam Shepard, Scott Glenn, Ed Harris, Dennis Quaid, Fred Ward, Barbara Hershey (starring); Philip Kaufman (director, screenwriter
The Right Stuff Collection of 20 original slides from the 1983 film
Beverly Hills CA: United Artists 1983. Collection of 20 vintage color slides from the 1983 film. Annotations in manuscript ink and pencil on the slide sleeves noting the film title distributor names and file numbers. <br /> <br /> Based on Tom Wolfe's 1979 book about the first 15 years of the US space program. Winner of four Academy Awards and nominated for four others.<br /> <br /> 2 x 2 inches. Near Fine.<br /> <br /> National Film Registry. Ebert II. United Artists unknown
Référence libraire : 163766
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Sam Shepard, Scott Glenn, Ed Harris, Dennis Quaid, Fred Ward, Barbara Hershey (starring); Philip Kaufman (director, screenwriter
The Right Stuff Original screenplay for the 1983 film
Beverly Hills CA: United Artists 1980. First Draft script for the 1983 film. <br /> <br /> Based on Tom Wolfe's 1979 book about the first 15 years of the US space program. Winner of four Academy Awards and nominated for four others.<br /> <br /> Blue generic United Artists wrappers. Title page present dated June 1980 noted as First Draft with credits for novelist Tom Wolfe and screenwriter William Goldman. 149 leaves with last page of text numbered 148. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads.<br /> <br /> National Film Registry. Ebert II. United Artists unknown
Référence libraire : 160598
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Sam Wood (director); Luke Short (serial); Marguerite Roberts (screenwriter); Robert Taylor, John Hodiak, Arlene Dahl, Don Taylor
Ambush Original photograph from the 1950 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1950. Vintage double weight studio still photograph of John Hodiak and Don Taylor from the 1950 film. Mimeo snipe on the verso. <br /> <br /> Based on the serial "Ambush" by Luke Short which was published in "The Saturday Evening Post" December 25 1948 to February 12 1949.<br /> <br /> Ward Kinsman Robert Taylor a prospector and Indian scout is in search of a white woman Mary Carlyle a general's daughter who has been abducted by Apaches.<br /> <br /> Sam Wood's final film.<br /> <br /> Shot on location in Arizona New Mexico and the Corrigan Ranch in Simi Valley California. <br /> <br /> 8 x 10 inches. Near Fine with light edgewear. Metro-Goldwyn-Mayer [MGM] unknown
Référence libraire : 147934
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Sam Wood (director); Dudley Nichols (screenwriter); Ernest Hemingway (novel); Gary Cooper, Ingrid Bergman (starring)
For Whom the Bell Tolls Five original photographs taken on the set of the 1943 film
Los Angeles: Paramount Pictures 1943. Five vintage borderless double weight reference photographs taken on location in Spain for the 1943 film most showing director Sam Wood and actors Joseph Calleia Lilo Yarson Gary Cooper Katina Paxinou and Ingrid Bergman. With printed mimeo snipes affixed to the verso. <br /> <br /> From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969.<br /> <br /> Based on Ernest Hemingway's 1940 novel which follows the experiences of an American fighting against the fascists in the Spanish Civil War and his relationship with a young guerrilla fighter. Nominated for nine Academy Awards winning one for Best Supporting Actress for Katina Paxinou. <br /> <br /> Set and shot on location in Spain.<br /> <br /> 9.5 x 7.5 inches. Near Fine. Paramount Pictures unknown
Référence libraire : 150216
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Sam Wood (director); Norman Krasna (screenwriter); Jean Arthur, Robert Cummings (starring)
The Devil and Miss Jones Original screenplay for the 1941 film
Culver City CA: RKO Radio Pictures 1940. Final script for the 1941 screwball comedy film with "286" in manuscript pencil to the top right of the front wrapper. Laid in is a ribbon copy typescript listing the five lead actors on RKO letterhead.<br /> <br /> A cantankerous tycoon goes undercover as a shoe clerk at his own New York department store in order to identify labor agitators but finds himself befriending the workers and becoming sympathetic to their needs. A key film in the American screwball comedy cycle with proletarian elements deftly woven into a hilarious and whip-smart story. Nominated for two Academy Awards for Best Screenplay and Best Supporting Actor for Charles Coburn.<br /> <br /> Pink titled wrappers rubber-stamped FINAL SCRIPT on the front wrapper rubber-stamped copy No. 60 dated November 26 1940 with credits for screenwriter Norman Krasna. Distribution page integral with title page with receipt removed dated 11/26/40 noted as FINAL. 163 leaves with last page of text numbered 158. Mimeograph duplication rectos only. Pages Very Good plus with a small amount of silverfish damage on the second and third leaves with foxing to the top edge and faint foxing to the fore-edge wrapper Very Good plus with light foxing and soiling bound with three gold brads.<br /> <br /> Byrge and Miller The Screwball Comedy Films: A History and Filmography. Olive 53203. RKO Radio Pictures unknown
Référence libraire : 155765
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Sam Wood director; Charles Bennett screenwriter; Marie Belloc Lowndes novel; Joan Fontaine Patric Knowles Herbert Marshall sta
Ivy Original post-production screenplay for the 1947 film
Universal City CA: Universal Pictures 1947. Post-production Continuity and Dialogue script for the 1947 film. With holograph annotations in ink and pencil to the first leaf reading "Program" and "UF258."<br/><br/>Joan Fontaine hell-bent on seducing her way into money tries to break off her extramarital affair in order to woo a wealthier man. When her new target refuses her affection because of her current marriage she poisons her husband and frames her lover for the crime. A classic visually striking period noir with a ruthless woman dogged police and karmic fate. One of a litany of films released in 1947 that make it the most significant year for the femme fatale joined by "The Paradine Case" and "Out of the Past."<br/><br/>White titled wrappers noted as production No. 1530 dated MAY 23 1947 with credits for director Sam Wood and actors Joan Fontaine Patric Knowles Herbert Marshall Richard Key and others. Title page integral with the front wrapper as issued. Mimeograph duplication rectos only. Pages Near Fine with a small closed tear to the top edge of the first leaf bound with two gold brads at the top edge.<br/><br/><br/>Selby US. Spicer US. Grant US. Silver and Ward Classic Noir. Universal Pictures unknown books
Référence libraire : 149862
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Sam Wood director; Dudley Nichols screenwriter; Ernest Hemingway novel; Gary Cooper Ingrid Bergman starring
For Whom the Bell Tolls Collection of five original photographs taken on the set of the 1943 film
Los Angeles: Paramount Pictures 1943. Collection of five vintage borderless double weight reference photograph taken on location for the 1943 film most showing director Sam Wood and actors Joseph Calleia Lilo Yarson Gary Cooper Katina Paxinou and Ingrid Bergman. With printed mimeo snipes affixed to the verso. <br/><br/>From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969.<br/><br/>Based on Ernest Hemingway's 1940 novel which follows the experiences of an American fighting against the fascists in the Spanish Civil War and his relationship with a young guerrilla fighter. Nominated for nine Academy Awards winning one for Best Supporting Actress for Katina Paxinou. <br/><br/>Set and shot on location in Spain.<br/><br/>9.5 x 7.5 inches. Near Fine. Paramount Pictures unknown books
Référence libraire : 150216
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Sam Wood director; Howard Emmett Rogers screenwriter; Myrna Loy Spencer Tracy Harvey Stephens William Harrigan starring
Whipsaw Original photograph from the 1935 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1935. Vintage black-and-white reference still photograph from the 1935 film. Blindstamp of the French Customs office just to the left of Myrna Loy's head in the shot. <br/><br/>G-Man Ross McBride Tracy goes undercover to join a gang of jewel thieves when they transport stolen jewels from Paris to New York. Vivian Palmer Loy is amongst the gang and falls in love with McBride leaving the gang shortly after. McBride arrests her when he recovers the jewels but she forgives him. <br/><br/>Set in France and New York. <br/><br/>8 x 10 inches. Very Good plus with pinholes and tiny creases. <br/><br/>Complete collation details available on request. Metro-Goldwyn-Mayer [MGM] unknown books
Référence libraire : 135204
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Sam Wood director; Luke Short serial; Marguerite Roberts screenwriter; Robert Taylor John Hodiak Arlene Dahl Don Taylor starr
Ambush Original photograph from the 1950 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1950. Vintage double weight studio still photograph of John Hodiak and Don Taylor from the 1950 film. Mimeo snipe on the verso. <br/><br/>Based on the serial "Ambush" by Luke Short which was published in "The Saturday Evening Post" December 25 1948 to February 12 1949.<br/><br/>Ward Kinsman Robert Taylor a prospector and Indian scout is in search of a white woman Mary Carlyle a general's daughter who has been abducted by Apaches.<br/><br/>Sam Wood's final film.<br/><br/>Shot on location in Arizona New Mexico and the Corrigan Ranch in Simi Valley California. <br/><br/>8 x 10 inches. Near Fine with light edgewear. <br/><br/>Complete collation details available on request. Metro-Goldwyn-Mayer [MGM] unknown books
Référence libraire : 147934
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Sammy Davis Jr., Zsa Zsa Gabor, Hedda Hopper (starring); Lewis Carroll (novel); Bill Dana (starring, screenwriter); Charles Stro
Alice in Wonderland or What's a Nice Kid like You Doing in a Place like This Original photograph of Sammy Davis Jr. from the 1966 television movie
N.p.: Screen Gems 1967. Vintage reference photograph of actor Sammy Davis Jr. in the recording studio on the set of the 1966 animated musical film holding a poster with a drawing by John Tenniel and pointing to the character Davis voiced in the movie—the Cheshire cat. <br /> <br /> A modern adaptation of Lewis Carroll's classic 1865 novel with Alice falling through the "looking glass" of the television screen into Wonderland. Originally broadcast on ABC on March 30 1966 the special featured music by composer Charles Strouse and lyricist Lee Adams best known for the Broadway production "Bye Bye Birdie" 1960. <br /> <br /> 10 x 8 inches. About Near Fine. Screen Gems unknown
Référence libraire : 162219
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Samuel Fuller (director, screenwriter); Gene Barry, Angie Dickinson, Nat King Cole (starring)
China Gate Two original photographs from the 1957 film
Los Angeles: Twentieth Century-Fox 1957. Two vintage studio still photographs from the 1957 film. <br /> <br /> In 1954 during the Vietnam conflict a smuggler named "Lucky Legs" and a group of French mercenaries infiltrate and destroy an arms depot near the Chinese border.<br /> <br /> 10 x 8 inches. Near Fine.<br /> <br /> Olive Films 566. Twentieth Century-Fox unknown
Référence libraire : 154819
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Samuel Fuller (director, screenwriter); Gene Barry, Angie Dickinson, Nat King Cole, Paul Dubov (starring)
China Gate Original photograph of Angie Dickinson from the 1957 film
N.p.: N.p. 1957. Vintage reference photograph from the 1957 film showing actress Angie Dickinson's legs. <br /> <br /> In 1954 during the Vietnam conflict a smuggler named "Lucky Legs" and a group of French mercenaries infiltrate and destroy an arms depot near the Chinese border.<br /> <br /> 10 x 8 inches. Very Good plus lightly and evenly toned. <br /> <br /> Olive Films 566. N.p. unknown
Référence libraire : 151460
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Samuel Fuller (director, screenwriter); Milton Gold (photographer); John Ireland, Reed Hadley (starring)
I Shot Jesse James Oversize original double weight cast photograph from the 1949 film
Los Angeles: Lippert Pictures 1949. Oversize vintage black-and-white double weight still photograph of director Samuel Fuller with the cast and crew of the 1949 film dated Nov. 24 1948. <br /> <br /> Fuller's auspicious directorial debut one of three films he made for independent producer Robert Lippert before moving to Hollywood studios. An intense portrait of guilt and psychological torment the film based on the life of Robert Ford displays many of the hallmarks of the iconoclastic director's subsequent career. <br /> <br /> 20 x 15 inches. Very Good plus with a couple of small closed tears to the bottom edge. <br /> <br /> Criterion Eclipse 5. Lippert Pictures unknown
Référence libraire : 131899
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Samuel Fuller (director, screenwriter); Gene Evans, Mary Welch, Bela Kovacs (starring)
Park Row Two original photographs of director Samuel Fuller at the premiere of the 1952 film
Beverly Hills CA: United Artists 1952. Two vintage publicity photographs taken at a special premiere of the 1952 film held in New York at the Waldorf-Astoria's Starlight Roof. One photograph shows director Samuel Fuller with New York Post columnist Leonard Lyons and the other shows Fuller with Hearst Foundation executive Richard Berlin and King Features Syndicate columnist George Sokolsky. Both photographs with printed snipes affixed to the versos along with "Photofest" labels. <br /> <br /> Generally considered one of Fuller's greatest early achievements "Park Row" takes place in the red-hot newspaper scene of 1880s New York City where every kind of newspaper—from those being championed by Joseph Pulitzer to the multitude of yellow-rag tabloids—held sway over the public's attention and opinion. The plot concerns an upstart newspaper The Globe that is founded by an employee fired by an established one resulting in a circulation war. <br /> <br /> Snipes note that the special premiere was held specifically for newspaper publishers and was attended by over 600 publishers and editors. <br /> <br /> 10 x 8 inches. Very Good plus with light creasing on the center of the top edge and the left edge from paper clips. United Artists unknown
Référence libraire : 159784
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Samuel Fuller (director, screenwriter); Victor Canning (novel); John T. Dugan (screenwriter); Burt Reynolds, Arthur Kennedy, Bar
Shark Original poster for the 1969 film
N.p.: Heritage Enterprises Film 1969. Vintage insert poster for the 1969 film.<br /> <br /> Based on the 1955 novel "His Bones are Coral" by Victor Canning. <br /> <br /> Gunrunner Caine Burt Reynolds stranded in a small coastal Sudanese town is enlisted by the attractive Anna Silvia Pinal and her alcoholic partner Doc Arthur Kennedy to dive into shark infested waters for a purported scientific expedition but is actually for sunken treasure.<br /> <br /> Set in the Sudan on the Red Sea shot on location in Manzanillo Mexico. <br /> <br /> 14 x 36 inches. Near Fine.<br /> <br /> Nilsen Warped and Faded. Olive Films. Heritage Enterprises Film unknown
Référence libraire : 163825
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Samuel Fuller (director, screenwriter); Peter Breck, Constance Towers, Gene Evens, James Best (starring)
Shock Corridor Original poster for the 1963 film
Glendale CA: Allied Artists 1963. Vintage insert poster for the 1963 film.<br /> <br /> Samuel Fuller's hallucinatory tour-de-force wherein Daily Globe journalist Johnny Barrett Peter Breck determined to win a Pulitzer Prize has himself institutionalized in an asylum to solve a case where an inmate had recently been murdered.<br /> <br /> 14 x 36 inches. Very Good plus with three horizontal creases from being previously folded and light edgewear.<br /> <br /> National Film Registry. Criterion Collection 19. Rosenbaum 1000. Scorsese A Personal Journey Through American Movies. Spicer US. Grant US. Allied Artists unknown
Référence libraire : 163824
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Samuel Fuller (director, screenwriter); Lee Marvin, John Carradine (starring)
The Big Red One Original poster for the 1980 film
Beverly Hills CA: United Artists 1980. Vintage US one sheet film poster for the classic 1980 war film.<br /> <br /> A low budget epic based primarily on director and screenwriter Samuel Fuller's own experiences in the 1st Infantry Division. <br /> <br /> 27 x 41 inches folded as issued. Fine. United Artists unknown
Référence libraire : 103795
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Samuel Fuller (director, screenwriter); Constnace Towers, Anthony Eisley, Michael Dante, Virginia Grey, Patsy Kelly (starring)
The Naked Kiss Original photograph of Patsy Kelly from the 1964 film
Glendale CA: Allied Artists 1964. Vintage reference photograph of actress Patsy Kelly from the 1964 film.<br /> <br /> Basis for the late film noir by Samuel Fuller released in 1964 starring Constance Towers as a former call girl trying to make good in a new town. <br /> <br /> 10 x 8 inches. Very Good plus with one large seam down the middle-right of the photograph. <br /> <br /> Criterion Collection 18. Grant US. Scorsese A Personal Journey Through American Movies. Silver and Ward Classic Noir. Spicer US. Weldon 1983. Allied Artists unknown
Référence libraire : 159397
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Samuel Fuller (director, screenwriter); Robert Hutton, Steve Brodie, James Edwards, Richard Loo (starring)
The Steel Helmet Original insert poster for the 1951 film
N.p.: Lippert Pictures 1951. Vintage insert poster for the 1951 film.<br /> <br /> Director Samuel Fuller's underrated and influential Korean War film wherein a group of ragtag soldiers battle against overwhelming Communist forces in an abandoned Buddhist Temple. <br /> <br /> Fuller's first of several war films with probably his most gripping and realistic depictions of life and death on the battlefield. The film was shot in ten days on a budget of $100 000 and dealt with themes of American racism bigotry and war crimes which caused Fuller as well as actor Gene Evans to be a target of an FBI investigation.<br /> <br /> 14 x 36 inches. Very Good plus.<br /> <br /> Criterion Collection Eclipse Series 5. Rosenbaum 1000. Selby Master. Spicer US. Lippert Pictures unknown
Référence libraire : 163823
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Samuel Fuller director screenwriter novel; Constance Towers Anthony Eisley Michael Dante Virginia Grey starring
The Naked Kiss Original photograph of Constance Towers from the 1964 film
N.p.: N.p. 1964. Vintage reference photograph from the 1964 film showing actress Constance Towers consulting a newspaper with a salacious headline.<br/><br/>Director Samuel Fuller's bizarre outrageous and perverse pulp masterwork. Kelly Constance Towers a former call girl who tries to make good in a new town nursing handicapped children falls in love with the saintly businessman J.L. Grant Michael Dante who has a dark secret of his own.<br/><br/>Set in the fictional town of Grantville USA.<br/><br/>10 x 8 inches. Near Fine.<br/><br/>Criterion Collection 18. Scorsese A Personal Journey Through American Movies. Spicer US. Silver and Ward US. Grant US. N.p. unknown books
Référence libraire : 152369
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Samuel Fuller director screenwriter; Gene Barry Angie Dickinson Nat King Cole Paul Dubov starring
China Gate Original photograph of Angie Dickinson from the 1957 film
N.p.: N.p. 1957. Vintage reference photograph from the 1957 film showing actress Angie Dickinson's legs. <br/><br/>In 1954 during the Vietnam conflict a smuggler named "Lucky Legs" and a group of French mercenaries infiltrate and destroy an arms depot near the Chinese border.<br/><br/>10 x 8 inches. Very Good plus lightly and evenly toned. <br/><br/>Olive Films 566. N.p. unknown books
Référence libraire : 151460
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Samuel Fuller director screenwriter; Milton Gold still photographer; John Ireland Reed Hadley starring
I Shot Jesse James Oversize original double weight cast photograph from the 1949 film
Los Angeles: Lippert Pictures 1949. Oversize vintage black-and-white double weight still photograph of director Samuel Fuller with the cast and crew of the 1949 film dated Nov. 24 1948. <br/><br/>Fuller's auspicious directorial debut one of three films he made for independent producer Robert Lippert before moving to Hollywood studios. An intense portrait of guilt and psychological torment the film based on the life of Robert Ford displays many of the hallmarks of the iconoclastic director's subsequent career. <br/><br/>20 x 15 inches. Very Good plus with a couple of small closed tears to the bottom edge. <br/><br/>Criterion Eclipse 5. Lippert Pictures unknown books
Référence libraire : 131899
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Sandy Dennis (starring); Robert Mulligan (director); Bel Kaufman (Novelist); Tad Mosel (screenwriter); Patrick Bedford, and Eile
Up the Down Staircase Collection of 15 original photographs from the 1967 film
Burbank CA: Warner Brothers 1967. Collection of 15 vintage black-and-white studio still photographs from the 1967 film. <br /> <br /> A young naive graduate begins teaching at an underfunded inner city high school. She faces daily problems from unnecessary bureaucracy to unruly students and begins to question whether or not she is making a difference in her students' lives. Actress Sandy Dennis featured in many of the photographs previously was awarded an Academy Award for supporting actress in the film "Who's Afraid of Virginia Woolf"<br /> <br /> Set in New York City shot on location in New York City. <br /> <br /> 10 x 8 inches. Very Good plus with pin holes in the margin corners of image 497-5 and manuscript annotations on the rear. Warner Brothers unknown
Référence libraire : 139427
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Sandy Howard (director); Freddie Francis (screenwriter); Joe Silver, Dom DeLuise, Arlene Golonka, Paula Stewart (starring)
Diary of a Bachelor Original photograph from the 1964 film
N.p.: N.p. 1964. Vintage studio still photograph of Paula Stewart from the 1964 film.<br /> <br /> Joanne Dagne Crane is a young bride-to-be who finds her fiancee's diary a diary that includes lurid tales of his sexual exploits. Starring Dom DeLuise in his second movie credit. <br /> <br /> Shot on location in New York.<br /> <br /> 8 x 10 inches. Near Fine. N.p. unknown
Référence libraire : 161672
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Sandy Howard director; Freddie Francis screenwriter; Joe Silver Dagne Crane Denise Lor Jan Crockett starring
Diary of a Bachelor Original poster for the 1964 film
Los Angeles: American International Pictures AIP 1964. Original one-sheet US poster for the 1964 film. Distributor rubber stamp on the verso. <br/><br/>Joanne Crane is a young bride-to-be who finds her fiancee's diary a diary that includes lurid tales of his sexual exploits. One of his past triumphs an airline hostess re-emerges comes between the couple and eventually breaks up their engagement. <br/><br/>Comedian Dom DeLuise has a small role in the film his second movie credit. <br/><br/>27 x 41 inches folded as issued. A few short closed tears else Near Fine. American International Pictures [AIP] unknown books
Référence libraire : 139436
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