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Russ Meyer (director, screenwriter); Bill Teas, Ann Peters, Marilyn Wesley, Michele Roberts, Dawn Danielle (starring)
The Immoral Mr. Teas Original pressbook for the 1959 film
Hollywood: Pad-Ram Enterprises 1959. Vintage pressbook for the 1959 film. <br /> <br /> A door-to-door dental appliance salesman has a chemical reaction to an anesthetic which grants him X-ray vision as in "seeing through women's clothes." He subsequently overcomes all of his inhibitions leading to ribald encounters with his dental nurse his therapist his secretary a girl in a bar etc. <br /> <br /> Russ Meyer's first feature produced by Pad-Ram Enterprises a monogram using the initials of director Russell Albion Meyer and producer Peter A. DeCenzie the film that basically launched the lighthearted nudie pictures of the early 1960s. At a time when Hollywood moguls were losing audiences to the comfort of in-home cinema through television Meyer and DeCenzie who spent years on the burlesque and nightclub circuits released an independent naturally sexy endeavor in the tradition of the great Chaplin films.<br /> <br /> For his debut Meyer did even more of the crew work than usual shooting in four days during the spring of 1958 with a budget of $24000 ultimately making over $1.5 million worldwide. The film was marketed as a "Frenchy" "nudist" film but exhibited all the distinctive traits for which Meyer would soon become known including large bosoms insane plots an arguably feminist perspective campy dialogue and guerilla cinematography. <br /> <br /> Shot on location in various California destinations including Malibu Lagoon State Beach.<br /> <br /> One leaf bifold. 11 x 17 inches. Very Good plus overall. Pad-Ram Enterprises unknown
Referentie van de boekhandelaar : 152047
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Russ Meyer (director, screenwriter); Ken Parker (photographer); Bill Teas, Ann Peters, Marilyn Wesley, Michele Roberts, Dawn Dan
The Immoral Mr. Teas Mr. Teas and His Playthings Eight original still photographs from the 1959 film
Los Angeles: Pad-Ram Enterprises 1959. A Eight vintage still photographs from the 1959 film. Included are 4 stills from the US release and 4 stills from the UK release under the title "Mr. Teas and His Playthings." From a cursory glance one can immediately see the differences with regard to nudity paid by both US and UK publicists the UK stills decidedly more liberal with regard to the "forbidden flesh."<br /> <br /> The US stills were taken directly from scenes of the film and the UK stills appear to be from either a deleted scene or a mock setup designed for foreign publicity with Mr. Teas seen in a bathhouse with the "Buxom Bath House Beauties" Baby Dahl Chicky Fricase Frenchie Tost Teri Clawthe that were not seen in the final cut. The UK stills purport "Monstrous Murder!" and "Sizzling Suspense!" taglines however the final cut features neither murder nor suspense. <br /> <br /> The story finds the shy Mr. Teas played by William Ellis Teas a door-to-door dental appliance salesman who has a chemical reaction with an anesthetic that allows him to have X-ray vision as in "seeing through women's clothes." He also overcomes all of his inhibitions leading to ribald encounters with his dental nurse his therapist his secretary a girl in a bar etc. <br /> <br /> Russ Meyer's first feature produced by Pad-Ram Enterprises a monogram using the initials of director Russell Albion Meyer and producer Peter A. DeCenzie and the film that basically launched the lighthearted "nudie" pictures of the early 1960s. The film was immediately touted as "ribald" and "Frenchy" with regard to the "genuinely sexy sequences with generous expanses of attractive flesh" that used to be seen strictly in foreign films. At a time when Hollywood moguls were losing audiences to the comfort of in-home cinema through television Meyer and DeCenzie who spent years on the burlesque and night club circuits released an independent naturally sexy endeavor in the tradition of the great Chaplin films. The bigger productions companies would never have made a film as far overboard on sex. <br /> <br /> For his debut Russ Meyer did even more of the crew work than usual shooting in four days during the spring of 1958 with a budget of $24000 ultimately making over $1.5 million worldwide. The film was marketed as a "nudist" film with a "French" sensibility but exhibited all the distinctive traits for which Meyer would soon become known including large bosoms insane plots a somewhat feminist perspective campy dialogue and guerilla cinematography. <br /> <br /> Shot on location in various California destinations including Malibu Lagoon State Beach. Meyer even shot various scenes at his beach-front home in Los Angeles. <br /> <br /> All stills 8 x 10 inches some differ slightly in size. Two US stills Very Good plus others Near Fine. UK stills Near Fine. Pad-Ram Enterprises unknown
Referentie van de boekhandelaar : 134256
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Russ Meyer (director, screenwriter); Bill Teas, Ann Peters, Marilyn Wesley, Michele Roberts, Dawn Danielle (starring)
The Immoral Mr. Teas Two original pressbooks for the 1961 re-releases of the 1959 film
Los Angeles: Pad-Ram Enterprises 1961. Original pressbooks two variants for 1961 re-releases of the 1959 film. Featured are the two most commonly seen layouts used for publicity: the full-color illustrated "hat" variant and the other with Mr. Teas surrounded by a bevy of well-developed women the female leads of the film from left to right: Ann Peters Michele Roberts Dawn Danielle and Marilyn Wesley. <br /> <br /> The story finds the shy Mr. Teas played by William Ellis Teas a door-to-door dental appliance salesman who has a chemical reaction with an anesthetic that allows him to have X-ray vision as in "seeing through women's clothes." He also overcomes all of his inhibitions leading to ribald encounters with his dental nurse his therapist his secretary a girl in a bar etc. <br /> <br /> Russ Meyer's first feature produced by Pad-Ram Enterprises a monogram using the initials of director Russell Albion Meyer and producer Peter A. DeCenzie and the film that basically launched the lighthearted "nudie" pictures of the early 1960s. The film was immediately touted as "ribald" and "Frenchy" with regard to the "genuinely sexy sequences with generous expanses of attractive flesh" that used to be seen strictly in foreign films. At a time when Hollywood moguls were losing audiences to the comfort of in-home cinema through television Meyer and DeCenzie who spent years on the burlesque and night club circuits released an independent naturally sexy endeavor in the tradition of the great Chaplin films. The bigger productions companies would never have made a film as far overboard on sex. <br /> <br /> For his debut Russ Meyer did even more of the crew work than usual shooting in four days during the spring of 1958 with a budget of $24000 ultimately making over $1.5 million worldwide. The film was marketed as a "nudist" film with a "French" sensibility but exhibited all the distinctive traits for which Meyer would soon become known including large bosoms insane plots a somewhat feminist perspective campy dialogue and guerilla cinematography. <br /> <br /> Shot on location in various California destinations including Malibu Lagoon State Beach. Meyer even shot various scenes at his beach-front home in Los Angeles. <br /> <br /> Both pressbooks 11 x 17 inches folded horizontally. "Hat" variant includes a 9 x 12 ad mat dated "Fri. Aug. 18 1961." Light rubbing overall rubber stamps from "Sack Amusement Enterprises" in Dallas Texas and a few light creases and tiny closed tears else Near Fine. Pad-Ram Enterprises unknown
Referentie van de boekhandelaar : 134255
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Russ Meyer (director, producer); Robert Rudelson (screenwriter); Erica Gavin, Garth Pillsbury, Harrison Page, Jon Evans (starrin
Vixen Original British photograph from the 1968 film
Middlesex England: Eve Productions Cinecenta 1969. Vintage black-and-white double weight British still photograph from the 1968 US film. Rubber stamp on the verso of COLTMAN DISPLAYS LTD a distributor in Middlesex England. <br /> <br /> "Vixen!" was one of Meyer's best sleaziest and most commercially successful films made at the peak of his independent productions after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970. What is less well known is that this film by way of Ms. Gavin marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. <br /> <br /> Gavin's titular character is a married woman whose sexual boundaries are none but instead of being a typical sex romp the film heads off into areas that can be reasonably described as unexplored by sexploitation films including communism race relations political debate and terrorist activity. But also present in the film are many of the genre's more familiar themes breast size incest nonstop sexual activity and a generous dose of humor. <br /> <br /> 8 x 10 inches. Very Good plus with edge creasing and a single short tear. Eve Productions Cinecenta unknown
Referentie van de boekhandelaar : 139328
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Russ Meyer (director, producer); Robert Rudelson (screenwriter); Erica Gavin, Garth Pillsbury, Harrison Page, Jon Evans (starrin
Vixen Two original photographs from the 1968 film
California: Eve Productions 1968. Two vintage black-and-white still photographs from the 1968 film. Seen in the stills is Erica Gavin Vixen and Jon Evans Judd and a split image with Erica Gavin and Harrison Page Niles the duo responsible for the film's thick racial tensions. <br /> <br /> "Vixen!" was one of Meyer's best sleaziest and most commercially successful films made at the peak of his independent productions after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970. What is less well known is that this film by way of Ms. Gavin marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. <br /> <br /> Gavin's titular character is a married woman whose sexual boundaries are none but instead of being a typical sex romp the film heads off into areas that can be reasonably described as unexplored by sexploitation films including communism race relations political debate and terrorist activity. But also present in the film are many of the genre's more familiar themes breast size incest nonstop sexual activity and a generous dose of humor. <br /> <br /> 8 x 10 inches. One still with a faint tape ghost and two short tears else Near Fine overall. Eve Productions unknown
Referentie van de boekhandelaar : 139327
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Russ Meyer director producer; Robert Rudelson screenwriter; Erica Gavin Garth Pillsbury Harrison Page Jon Evans starring
Vixen Original British photograph from the 1968 film
Middlesex England: Eve Productions Cinecenta 1969. Vintage black-and-white double weight British still photograph from the 1968 US film. Rubber stamp on the verso of COLTMAN DISPLAYS LTD a distributor in Middlesex England. <br/><br/>"Vixen!" was one of Meyer's best sleaziest and most commercially successful films made at the peak of his independent productions after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970. What is less well known is that this film by way of Ms. Gavin marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. <br/><br/>Gavin's titular character is a married woman whose sexual boundaries are none but instead of being a typical sex romp the film heads off into areas that can be reasonably described as unexplored by sexploitation films including communism race relations political debate and terrorist activity. But also present in the film are many of the genre's more familiar themes breast size incest nonstop sexual activity and a generous dose of humor. <br/><br/>8 x 10 inches. Very Good plus with edge creasing and a single short tear. <br/><br/>Complete collation details available on request. Eve Productions Cinecenta unknown books
Referentie van de boekhandelaar : 139328
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Russ Meyer director producer; Robert Rudelson screenwriter; Erica Gavin Garth Pillsbury Harrison Page Jon Evans starring
Vixen Two original photographs from the 1968 film
California: Eve Productions 1968. Two vintage black-and-white still photographs from the 1968 film. Seen in the stills is Erica Gavin Vixen and Jon Evans Judd and a split image with Erica Gavin and Harrison Page Niles the duo responsible for the film's thick racial tensions. <br/><br/>"Vixen!" was one of Meyer's best sleaziest and most commercially successful films made at the peak of his independent productions after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970. What is less well known is that this film by way of Ms. Gavin marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. <br/><br/>Gavin's titular character is a married woman whose sexual boundaries are none but instead of being a typical sex romp the film heads off into areas that can be reasonably described as unexplored by sexploitation films including communism race relations political debate and terrorist activity. But also present in the film are many of the genre's more familiar themes breast size incest nonstop sexual activity and a generous dose of humor. <br/><br/>8 x 10 inches. One still with a faint tape ghost and two short tears else Near Fine overall. <br/><br/>Complete collation details available on request. Eve Productions unknown books
Referentie van de boekhandelaar : 139327
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Russ Meyer director screenwriter starring; Bill Cummings Princess Livingston starring
Heavenly Bodies Collection of four original photographs from the 1963 film
California: Eve Productions 1963. Collection of four vintage studio still photographs from the 1963 film. With stars drawn on the recto and two with stamps on the bottom right corner of the recto noting production No. 72-640. With hand-inked black stars over portions of breasts where one would normally expect to see a nipple or a pasty.<br/><br/>An early Russ Meyer effort a faux documentary following several pin-up girls around and exploring the art of nude glamor photography. <br/><br/>10 x 8 inches. Near Fine. Eve Productions unknown books
Referentie van de boekhandelaar : 150643
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Russ Meyer director screenwriter still photographer; Ross Massbaum Billy Sprague screenwriter; Haji Alex Rocco Steve Oliver
Motorpsycho Motorpsicho Two original lobby cards from the 1965 film
Romania: Eve Productions 1970. Two vintage oversize borderless black-and-white lobby cards from a 1970s Romanian release of the 1965 US film. Rubber-stamped on the versos MOTQRPSICHO sic FAVORIT indicative of the Cinema Favorit in Romania once the largest and most popular cinema in the country and one that operated even under the then-Communist regime. One lobby card also bears the imprint of the cinema on the recto. <br/><br/>Seen in the lobby cards is Haji as a voluptuous Cajun woman named Ruby and Alex Rocco as a veterinarian named Cory whose wife was raped by a sex-hungry motorcycle gang the same Vietnam Vet-led gang that killed Ruby's husband. <br/><br/>The last of Meyer's "noir" cycle 1964-1965 or "Gothic" period as Meyer puts it a series of sexploitation films shot in black-and-white with powerful psycho-sexual female characters male impotence and a serious dramatic plot involving less of the "nudie" filmmaking style so prominent in the director's early films. Other films in his "Gothic" period include "Lorna" 1964 "Mudhoney" 1965 and the epic and legendary "Faster Pussycat! Kill! Kill! " 1965. "Fanny Hill" 1964 snuck in right after "Lorna" although that film is generally left out of the "Gothic" period. <br/><br/>"Motorpsycho!" was written by James Griffith who starred as the Preacher narrator in "Lorna" and the underrated Hal Hopper another Meyer regular. The film explores not only the ever present "biker" culture and its association with uncontrolled violence but the lasting effects of war or post-traumatic stress disorder particularly the Vietnam War; Meyer's statement on PTSD and Vietnam stands as one of the earliest inferences. <br/><br/>9.25 x 11.5 inches. One card is matte the other glossy. Very Good plus overall both with pinholes at the corners edge creases slight curling. Eve Productions unknown books
Referentie van de boekhandelaar : 139232
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Russ Meyer director screenwriter; Bill Teas Ann Peters Marilyn Wesley Michele Roberts Dawn Danielle starring
The Immoral Mr. Teas Two original pressbooks for the 1961 re-releases of the 1959 film
Los Angeles: Pad-Ram Enterprises 1961. Original pressbooks two variants for 1961 re-releases of the 1959 film. Featured are the two most commonly seen layouts used for publicity: the full-color illustrated "hat" variant and the other with Mr. Teas surrounded by a bevy of well-developed women the female leads of the film from left to right: Ann Peters Michele Roberts Dawn Danielle and Marilyn Wesley. <br/><br/>The story finds the shy Mr. Teas played by William Ellis Teas a door-to-door dental appliance salesman who has a chemical reaction with an anesthetic that allows him to have X-ray vision as in "seeing through women's clothes." He also overcomes all of his inhibitions leading to ribald encounters with his dental nurse his therapist his secretary a girl in a bar etc. <br/><br/>Russ Meyer's first feature produced by Pad-Ram Enterprises a monogram using the initials of director Russell Albion Meyer and producer Peter A. DeCenzie and the film that basically launched the lighthearted "nudie" pictures of the early 1960s. The film was immediately touted as "ribald" and "Frenchy" with regard to the "genuinely sexy sequences with generous expanses of attractive flesh" that used to be seen strictly in foreign films. At a time when Hollywood moguls were losing audiences to the comfort of in-home cinema through television Meyer and DeCenzie who spent years on the burlesque and night club circuits released an independent naturally sexy endeavor in the tradition of the great Chaplin films. The bigger productions companies would never have made a film as far overboard on sex. <br/><br/>For his debut Russ Meyer did even more of the crew work than usual shooting in four days during the spring of 1958 with a budget of $24000 ultimately making over $1.5 million worldwide. The film was marketed as a "nudist" film with a "French" sensibility but exhibited all the distinctive traits for which Meyer would soon become known including large bosoms insane plots a somewhat feminist perspective campy dialogue and guerilla cinematography. <br/><br/>Shot on location in various California destinations including Malibu Lagoon State Beach. Meyer even shot various scenes at his beach-front home in Los Angeles. <br/><br/>Both pressbooks 11 x 17 inches folded horizontally. "Hat" variant includes a 9 x 12 ad mat dated "Fri. Aug. 18 1961." Light rubbing overall rubber stamps from "Sack Amusement Enterprises" in Dallas Texas and a few light creases and tiny closed tears else Near Fine. Pad-Ram Enterprises unknown books
Referentie van de boekhandelaar : 134255
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Russ Meyer director screenwriter; Ken Parker still photographer; Bill Teas Ann Peters Marilyn Wesley Michele Roberts Dawn D
The Immoral Mr. Teas Mr. Teas and His Playthings Collection of 8 original still photographs from the 1959 film
Los Angeles: Pad-Ram Enterprises 1959. A collection of 8 vintage still photographs from the 1959 film. Included are 4 stills from the US release and 4 stills from the UK release under the title "Mr. Teas and His Playthings." From a cursory glance one can immediately see the differences with regard to nudity paid by both US and UK publicists the UK stills decidedly more liberal with regard to the "forbidden flesh."<br/><br/>The US stills were taken directly from scenes of the film and the UK stills appear to be from either a deleted scene or a mock setup designed for foreign publicity with Mr. Teas seen in a bathhouse with the "Buxom Bath House Beauties" Baby Dahl Chicky Fricase Frenchie Tost Teri Clawthe that were not seen in the final cut. The UK stills purport "Monstrous Murder!" and "Sizzling Suspense!" taglines however the final cut features neither murder nor suspense. <br/><br/>The story finds the shy Mr. Teas played by William Ellis Teas a door-to-door dental appliance salesman who has a chemical reaction with an anesthetic that allows him to have X-ray vision as in "seeing through women's clothes." He also overcomes all of his inhibitions leading to ribald encounters with his dental nurse his therapist his secretary a girl in a bar etc. <br/><br/>Russ Meyer's first feature produced by Pad-Ram Enterprises a monogram using the initials of director Russell Albion Meyer and producer Peter A. DeCenzie and the film that basically launched the lighthearted "nudie" pictures of the early 1960s. The film was immediately touted as "ribald" and "Frenchy" with regard to the "genuinely sexy sequences with generous expanses of attractive flesh" that used to be seen strictly in foreign films. At a time when Hollywood moguls were losing audiences to the comfort of in-home cinema through television Meyer and DeCenzie who spent years on the burlesque and night club circuits released an independent naturally sexy endeavor in the tradition of the great Chaplin films. The bigger productions companies would never have made a film as far overboard on sex. <br/><br/>For his debut Russ Meyer did even more of the crew work than usual shooting in four days during the spring of 1958 with a budget of $24000 ultimately making over $1.5 million worldwide. The film was marketed as a "nudist" film with a "French" sensibility but exhibited all the distinctive traits for which Meyer would soon become known including large bosoms insane plots a somewhat feminist perspective campy dialogue and guerilla cinematography. <br/><br/>Shot on location in various California destinations including Malibu Lagoon State Beach. Meyer even shot various scenes at his beach-front home in Los Angeles. <br/><br/>All stills 8 x 10 inches some differ slightly in size. Two US stills Very Good plus others Near Fine. UK stills Near Fine. Pad-Ram Enterprises unknown books
Referentie van de boekhandelaar : 134256
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Russ Meyer director screenwriter; Roger Ebert screenwriter; Erica Gavin Cynthia Myers Dolly Read Marcia McBroom John Lazar
Beyond the Valley of the Dolls Original photograph of Erica Gavin and Cynthia Myers from the 1970 film
N.p.: N.p. 1975. Vintage oversize borderless reference photograph from the set of the 1970 film showing actresses Erica Gavin and Cynthia Myers with cinematographer Fred J. Koenekamp behind the camera at the far left. With the film's French 1975 release title "Orgissimo" at the bottom right.<br/><br/>After nearly a decade as one of America's most successful independent filmmakers sexploitation auteur Russ Meyer first reached out for the brass ring of major studio success with this frantic and most entertaining cult favorite once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." The film follows three members of an all-girl rock band called The Kelly Affair who relocate to Hollywood in search of fame and fortune. Their success comes at the price of their friendship and integrity however and the girls eventually succumb to a nonstop train of decadence drugs and betrayal. Featuring one-hit wonders the Strawberry Alarm Clock supporting performances by Meyer regulars Charles Napier and Haji and a bit part from future blaxploitation icon Pam Grier "Beyond the Valley of the Dolls" proved to be Meyer's biggest box-office success.<br/><br/>Set and shot on location in Hollywood.<br/><br/>12 x 9.5 inches. Near Fine with light wear to the corners.<br/><br/>Criterion Collection 836. N.p. unknown books
Referentie van de boekhandelaar : 149729
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Russ Meyer director screenwriter; Shari Eubank Charles Napier Uschi Digard Charles Pitts starring
Supvervixens Original Spanish poster for the 1975 film
Madrid Spain: RM Films International 1986. Original Spanish one-sheet poster for the 1986 release of the 1975 US film. Features buxom Christy Hartburg who starred as SuperLorna. Hartburg along with Kitten Natividad and Uschi Digard has become one of the more recognizable faces of Russ Meyer filmdom even though this was her only film. <br/><br/>Clint Pitts operates a small-town gas station where he is constantly harassed by his wife SuperAngel Eubank. On one occasion the police are called and Harry Napier arrives and is promptly seduced by SuperAngel however his impotence becomes him. Stricken by SuperAngel's taunts Harry murders her in a rather gruesome bathtub scene and pins the act on Clint. On the lam Clint meets a farmer with a heyper-sexual Austrian mail-order bride named SuperSoul Digard. In keeping with director Meyer's powerful female roles SuperSoul rapes Clint a few times notably in a barn where the farmer discovers his wife's indiscretions. Clint meets up with SuperVixen Eubank an inexplicable reincarnation of SuperAngel and the two fall in love. Harry is however still hot on the trail. <br/><br/>Meyer's successful return to independent filmmaking after the big-budget "Beyond the Valley of the Dolls" 1970 and the unfortunate films "The Seven Minutes" 1971 and "Black Snake" 1973. Arguably the most entertaining Meyer project with all the trademarks present: strong sexual women impotent men and healthy doses of sex violence and nudity with a nod to the desert violence of Italian Euro Westerns of the 1960s. <br/><br/>Shot on location in Arizona California and New Mexico. <br/><br/>27 x 41 inches folded as issued. Near Fine. Scarce. RM Films International unknown books
Referentie van de boekhandelaar : 139240
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Russ Meyer director screenwriter; Veronique Gabriel Gigi La Touche Abundavita Denise Du Vall starring
Europe in the Raw Two original photographs from the 1963 film
N.p.: N.p. 1963. Two vintage borderless reference photographs from the 1963 film. Included is a distributor's pamphlet. <br/><br/>A mondo documentary following the sexual exploits of buxom women across Europe. <br/><br/>Photographs 7 x 9.5 inches. Near Fine. Pamphlet bi-fold 8.5 x 11 inches. Very Good moderately chipped and soiled. N.p. unknown books
Referentie van de boekhandelaar : 151457
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Russ Meyer director story; James Griffith screenwriter; Lorna Maitland Mark Bradley James Rucker Hal Hopper starring
Russ Meyer's Lorna Lorna Original program from the 1964 film
California: Art Theatre Guild / Eve Productions 1964. Original black-and-white program for the 1964 film printed for the Art Theatre Guild. The Art Theatre Guild ATG began in 1961 as an independent agency distributing films mostly Japanese rejected by major studios. The company operated until the 1980s with theaters in Arizona California Colorado Illinois Kentucky Massachusetts Missouri New Mexico Ohio and Tennessee. <br/><br/>The first of Meyer's "noir" cycle 1964-1965 or "Gothic" period as Meyer puts it a series of sexploitation films shot in black-and-white powerful psycho-sexual female characters male impotence and a serious dramatic plot involving less of the "nudie" filmmaking style so prominent in the director's early films. Other films in his "Gothic" period include "Mudhoney" 1965 "Motorpsycho!" 1965 and the epic and legendary "Faster Pussycat! Kill! Kill! " 1965. "Fanny Hill" 1964 snuck in right after "Lorna" although that film is generally left out of the "Gothic" period. <br/><br/>"Lorna" was written by James Griffith who stars as the Preacher narrator of the film and stars Lorna Maitland as a voluptuous sexually unfulfilled newlywed. Her husband Jim Rucker works in a salt mine all day and studies all night giving Lorna too much time to herself. One day while Lorna skinny-dips in a nearby river an escaped convict Bradley rapes her in the reeds. The vile act could otherwise have been exploited perhaps comically by Meyer but here the scene acts as a catalyst for one repressed woman's sexual awakening. Lorna invites the convict into her home while her husband is gone prompting Jim's coworkers among them the underrated Hal Hopper to tease him about Lorna's infidelity. Things take a bitter fatal turn when Jim returns home to discover Lorna and her object of desire. <br/><br/>5.5 x 8.5 inches folded once as issued. Two horizontal creases and faint foxing else Near Fine. Art Theatre Guild / Eve Productions unknown books
Referentie van de boekhandelaar : 139221
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Russ Meyer director; Tom McGowan screenwriter; Larissa Ely Linda Ashton Charles Napier Uschi Digard starring
Cherry Harry and Raquel Original French poster for the 1970 film
France: Eve Productions 1989. Original French grande poster for the 1989 release of the 1970 US film. Scarce. <br/><br/>A small-town border sheriff and marijuana smuggler sets out to kill a rival drug dealer while his girlfriend has a dalliance with another woman. The first Meyer film to feature full frontal male nudity a rarity even in sexploitation films at the time and quite the introduction to soon-to-be Meyer's regular Charles Napier. <br/><br/>Meyer shot several new sequences late in production about a quarter of the film's runtime either to replace footage lost by a photo lab or because an actress left the shoot early the reason is disputed. The new sequences unrelated to the original ones give the film an almost surreal quality leading Roger Ebert to call it "possibly the only narrative film ever made without a narrative."<br/><br/>The film was one of the most successful of Meyer's career leading him to return to and refine this style in subsequent films peaking with Beneath the Valley of the Ultra-Vixens in 1979.<br/><br/>47 x 63 inches folded as issued. Near Fine. Eve Productions unknown books
Referentie van de boekhandelaar : 139236
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Russell Mack director screenwriter; HW. Hanemann Arthur T. Horman Richard Shayer screenwriters; Zasu Pitts Pert Kelton El B
The Meanest Gal in Town Once Over Lightly Original screenplay for the 1934 film
Culver City CA: RKO Radio Pictures 1933. Final script for the 1934 film. Copy belonging to a unknown cast member with his signature on front wrapper. With some holograph pencil annotations. <br/><br/>A pre-Code comedy featuring a stranded actress in a small town who becomes a manicurist and inadvertently has a great impact on the lives of the local citizenry. <br/><br/>Red titled wrappers noted as Final Script on the front wrapper rubber-stamped copy production No. 722 dated October 14 1933 with credits for screenwriters Richard Schayer and Russell Mack. 135 leaves with last page of text numbered "H:7-8." Mimeograph duplication with revision pages throughout dated variously between October 12 1933 and October 19 1933. Pages Very Good plus wrapper Very Good plus bound with three gold brads. RKO Radio Pictures unknown books
Referentie van de boekhandelaar : 140054
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Russell Nype (subject); Gene Kelly (director); Peter De Vries (novel, play); Joseph Fields (screenwriter, play); Jerome Chodorov
The Tunnel of Love Original photograph of Russell Nype from the 1958 film
N.p.: N.p. 1958. Vintage studio still photograph from the 1958 film showing uncredited actor Russell Nype. Newspaper clippings and reference library stamps on the verso.<br /> <br /> A comedy of errors about a married man who comes to believe that he has impregnated the owner of an adoption agency and that she will serve as the surrogate. <br /> <br /> From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. <br /> <br /> 8 x 10 inches archivally matted on a 11 x 14 inch mat. Very Good with annotations in manuscript ink on the recto regarding cropping and a small splash on the right edge. N.p. unknown
Referentie van de boekhandelaar : 163067
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Rutger Hauer, Jennifer Jason Leigh, Susan Tyrrell, Brion James (starring); Paul Verhoeven (director, screenwriter)
Flesh and Blood Flesh Blood Original photograph from the 1985 film
N.p.: N.p. 1985. Vintage color reference photograph from the 1985 film showing a sex scene with actors Jennifer Jason Leigh and Rutger Hauer. <br /> <br /> In sixteenth-century Italy an army of mercenary peasants kidnaps a nobleman's fiancée as revenge for unpaid debts. Although disgusted by the brutality of the peasants the woman soon falls in love with the group's leader. Although the film's cynicism and violence made it unsuccessful at the box office upon release it has since become a cult favorite. <br /> <br /> Shot on location in Spain in Belmonte Cáceres and Ãvila. <br /> <br /> 10 x 8 inches. Near Fine. N.p. unknown
Referentie van de boekhandelaar : 161325
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Ruth Prawer Jhabvala (screenwriter, novel); James Ivory (director); Christopher Cazenove, Greta Scacchi, Julian Glover, Susan Fl
Heat and Dust Original photograph of Shashi Kapoor from the 1983 film
New York: Merchant Ivory Productions 1983. Vintage studio still photograph of actor Shashi Kapoor from the 1983 film. <br /> <br /> Based on the 1975 novel by Ruth Prawer Jhabvala. An Englishwoman goes to India to learn more about her great-aunt's life. Her aunt had an affair with a Nawab in India in the 1920s. Her life starts to somewhat parallel her aunt's as she also has an affair with an Indian man.<br /> <br /> Set in India shot on location in India and England. <br /> <br /> 8 x 10 inches. About Fine. Merchant Ivory Productions unknown
Referentie van de boekhandelaar : 158873
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Ryan O'Neal, Ali MacGraw, John Marley, Ray Milland (starring); Arthur Hiller (director); Erich Segal (novel, screenwriter)
Love Story Original photograph from the 1970 film
N.p.: N.p. 1970. Vintage borderless reference photograph from the 1970 film showing actors Ryan O'Neal and Ali MacGraw. Annotations in manuscript ink and pencil on the verso. <br /> <br /> Based on the 1970 novel by screenwriter Erich Segal. An enormously successful romantic drama about the tumultuous relationship between a working-class musician and a wealthy law student. <br /> <br /> Shot on location in New York and Massachusetts. <br /> <br /> 8 x 10 inches. Near Fine with light wear at the corners. N.p. unknown
Referentie van de boekhandelaar : 158514
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Ryan O'Neal Leigh Taylor Young Van Heflin starring; Alex March director; Elmore Leonard novel; Robert Dozier screenwriter
The Big Bounce Complete set of eight original color photographs from the 1969 film
Burbank CA: Warner Brothers / Seven Arts 1969. Complete set of eight vintage color studio still photographs from the 1969 film. <br/><br/>Based on Elmore Leonard's 1969 novel. A Vietnam veteran turned migrant farm laborer falls into a secretary's scheme to steal $50000 from the owner of a California farm.<br/><br/>Set and shot on location in Carmel and Monterey California. <br/><br/>10 x 8 inches. Seven Near Fine one Very Good plus with a small closed tear with accompanying creasing to the right edge. <br/><br/>Grant US. Warner Brothers / Seven Arts unknown books
Referentie van de boekhandelaar : 150714
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Ryan; O'Neal Leigh Taylor Young Van Heflin starring; Alex March director; Elmore Leonard novel; Robert Dozier screenwriter
The Big Bounce Collection of eight original photographs from the 1969 film
Burbank CA: Warner Brothers / Seven Arts 1969. Collection of eight vintage studio still photographs from the 1969 film. <br/><br/>Based on Elmore Leonard's 1969 novel. A Vietnam veteran with a shady past falls into a secretary's scheme to steal $50000 from the owner of a California farm.<br/><br/>Set and shot on location in Carmel and Monterey California. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Complete collation details available on request.<br/><br/>Grant US. Warner Brothers / Seven Arts unknown books
Referentie van de boekhandelaar : 150712
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S. Lee Pogostin (director, screenwriter); Charles Aidman, Bradford Dillman, Karen Jensen (starring)
Bob Hope Presents the Chrysler Theatre: Crazier Than Cotton Original screenplay for the 1966 television episode
N.p.: N.p. 1966. Draft script for the fourth episode of the fourth season of "Bob Hope Presents the Chrysler Theatre." With two manuscript pencil annotations to the first leaf noting names of prospective actors for the roles of Vicky and Ramon. <br /> <br /> While the Chrysler Theatre program was primarily known for actor Bob Hope's comedy routines many of the episodes presented musical and dramatic storylines. In "Crazier Than Cotton" after being forced to borrow money from his girlfriend to attend his father's funeral an unsuccessful young sculptor realizes he must drastically change his life.<br /> <br /> Set in New York City. <br /> <br /> White self-wrappers lacking front wrapper and title page. 75 leaves with last page of text numbered 74. Mimeograph duplication rectos only. Pages Very Good with the first leaf detached from the binding partially bound with a single staple. N.p. unknown
Referentie van de boekhandelaar : 147190
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S. Lee Pogostin (screenwriter)
Kilometer 33 Original screenplay for an unproduced film
Burbank CA: Sequoia Pictures 1970. Draft script for an unproduced film. <br /> <br /> Thriller set in Spain. American gangsters find themselves in the cross fire between armed revolutionaries and the military. <br /> <br /> Light blue titled wrappers with credits for screenwriter S. Lee Pogostin. Title page present with credits for screenwriter S. Lee Pogostin. 117 leaves with last page of text numbered 116. Mechanical duplication. Pages Fine wrapper Near Fine bound with two gold brads. Sequoia Pictures unknown
Referentie van de boekhandelaar : 144150
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S. Lee Pogostin screenwriter
Kilometer 33 Original screenplay for an unproduced film
Burbank CA: Sequoia Pictures 1970. Draft script for an unproduced film. <br/><br/>Thriller set in Spain. American gangsters find themselves in the cross fire between armed revolutionaries and the military. <br/><br/>Light blue titled wrappers with credits for screenwriter S. Lee Pogostin. Title page present with credits for screenwriter S. Lee Pogostin. 117 leaves with last page of text numbered 116. Mechanical duplication. Pages Fine wrapper Near Fine bound with two gold brads. Sequoia Pictures unknown books
Referentie van de boekhandelaar : 144150
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S. Torriano Berry (screenwriter)
Rock and Roll Heaven Original screenplay for an unproduced film circa 1980s
N.p.: N.p. 1980. Draft script for an unproduced film. <br /> <br /> Written by noted African American screenwriter S. Torriano Berry. A rock star dies in a freak accident but is reincarnated to the chagrin of his greedy recording company who have already made plans to replace him in the spotlight. Heavily influenced by earlier films "Heaven Can Wait" Ernst Lubitsch 1943 and "Heaven Can Wait" Warren Beatty and Elaine May 1978<br /> <br /> Blue titled front wrapper missing rear wrapper with credits for screenwriter S. Torriano Berry. Missing title page presumably as issued. 75 leaves with last page of text numbered 75. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with three gold brads. N.p. unknown
Referentie van de boekhandelaar : 152436
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S. Torriano Berry screenwriter
Rock and Roll Heaven Original screenplay for an unproduced film circa 1980s
N.p.: N.p. 1980. Draft script for an unproduced film. <br/><br/>Written by noted African-American screenwriter S. Torriano Berry. A rock star dies in a freak accident but is reincarnated to the chagrin of his greedy recording company who have already made plans to replace him in the spotlight. Heavily influenced by earlier films "Heaven Can Wait" Ernst Lubitsch 1943 and "Heaven Can Wait" Warren Beatty and Elaine May 1978<br/><br/>Blue titled front wrapper missing rear wrapper with credits for screenwriter S. Torriano Berry. Missing title page presumably as issued. 75 leaves with last page of text numbered 75. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with three gold brads. N.p. unknown books
Referentie van de boekhandelaar : 152436
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Sabu (starring); Jack Lewis (screenwriter)
Jungle Slaver Original screenplay for an unproduced film
N.p.: N.p. 1960. Draft script for an unproduced film. Annotations in manuscript pencil throughout. <br /> <br /> Two slavers travel through the jungle and the desert imprisoning people. Intended for child actor Sabu with his name throughout.<br /> <br /> Title page integral with the first page of narrative text. 35 leaves with last page of text numbered 35. Typescript rectos only. Pages Very Good plus bound with staples. N.p. unknown
Referentie van de boekhandelaar : 141061
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Sabu (starring); Jack Lewis (screenwriter)
Shark Bait Original screenplay for an unproduced television episode
N.p.: N.p. 1952. Draft script for an unproduced television episode. With a letter from screenwriter Jack Lewis dated 1952 laid in. <br /> <br /> The series as intended would have followed the jungle adventures of child actor Sabu. <br /> <br /> White titled wrappers with credits for screenwriter Jack Lewis. 34 leaves with last page of text numbered 34. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three silver brads. N.p. unknown
Referentie van de boekhandelaar : 141063
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Sabu (starring); Jack Lewis (screenwriter)
The Cobra King Original treatment script for an unproduced film
N.p.: N.p. 1960. Treatment script for an unproduced film. Single annotation in manuscript ink on page four. <br /> <br /> A young boy must save himself and a young woman from a dangerous cobra. Intended for child actor Sabu with his name throughout.<br /> <br /> Title page with credit for screenwriter Jack Lewis. Seven leaves with last leaf of text numbered seven. Mimeograph duplication rectos only. Pages Near Fine partially bound with a staple. N.p. unknown
Referentie van de boekhandelaar : 141062
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Sacha Guitry (director, screenwriter, starring); Edward Quinn (photographer); Daniel Gelin, Raymond Pellegrin, Michele Morgan (s
Napoleon Two original photographs from the set of the 1955 film
N.p.: N.p. 1955. Two vintage reference photographs of director Sacha Guitry on the set of the 1955 film taken by photographer Edward Quinn. "Ed. Quinn" stamps on verso of both one with additional "Cinema Napoleon" stamp.<br /> <br /> Guitry's historical epic depicting the life of Napoleon from his early life in Corsica to his death at Saint Helena with Napoleon depicted by two actors Daniel Gelin as the young and Raymond Pellegrin as the old. Featuring notable cameos by Erich von Stroheim as Ludwig van Beethoven and Orson Welles as Napoleon's British jailor Sir Hudson Lowe.<br /> <br /> Shot on location throughout France. <br /> <br /> 7 x 9.75 inches. Light edgewear and light creasing at extremities else Near Fine. N.p. unknown
Referentie van de boekhandelaar : 150449
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Sacha Guitry, French stage actor, film actor, director, screenwriter, and playwright of the boulevard theatre:
Sacha Guitry French stage actor film actor director screenwriter and playwright of the boulevard theatre Photograph with manuscript inscription in Guitry's hand on reverse 'Pour <M>r. <> Barman de la Passable <ebr. or etc>'. See Images.
1939. French actor and dramatist 1885-1957. Dimensions roughly 7 inches by 9 inches. In good condition though somewhat grubby with 'SACHA GUITRY in 1939' in manuscript written in white ink on Guitry's collar. A striking head and shoulders portrait shot from below out of doors of Guitry staring intently ahead and to the left. He wears a white panama hat with black band a patterned tie dark shirt and grey jacket with specks. Gum marks from previous mounting around edges of reverse. See Images. 1939. unknown
Referentie van de boekhandelaar : 3452
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Sacha Guitry (director); Sacha Guitry (novel); Sacha Guitry (screenwriter); Sacha Guitry, Marguerite Moreno, and Jacqueline Delu
The Story of a Cheat Le Roman D'un Tricheur Collection of 13 original photographs from the 1936 film
N.p.: Cineas 1936. Collection of 13 vintage black-and-white studio still photographs from the French release of the 1936 film. Based on director Sacha Guitry's 1935 only novel "Les Memoires d'un Tricheur." <br /> <br /> A delightfully clever film in which Guitry plays an aging con artist reflecting back on his many exploits. After cheating death at a young age the Cheat played by Guirty embarks on a life laden with mischief and deceit. <br /> <br /> Set in France and Monaco shot on location in Monaco. <br /> <br /> 10 x 8 inches. Very Good plus. Occasional notation to the verso and shallow chip in the top margin of image 22. <br /> <br /> Criterion Eclipse 22. Cineas unknown
Referentie van de boekhandelaar : 139602
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Sacha Guitry (director, screenwriter, starring); Lana Marconi, Claire Brilletti, Pauline Carton (starring)
The Treasure of Cantenac Un Miracle Le Tresor de Cantenac Original screenplay for the 1950 film
Paris: B.M.P. Films 1950. Draft script for the 1950 French film "The Treasure of Cantenac" here under its title of origin "Le Tresor de Cantenac" on the title page with the film's working title "Un miracle" also on the title page. French copy company rubber stamp and faint pencil annotations on the front wrapper. Pre-New Wave items are scarce this being a completely original example with text in French throughout. <br /> <br /> Set in a rundown French village the film is a series of vignettes illustrating the human condition. The Baron de Cantenac on the verge of suicide after losing his fortune goes on one last walk through his dying town. On the way he meets the town's oldest citizen who reveals a royal treasure that he has been jealously guarding for years. <br /> <br /> Director-screenwriter-actor Guitry was a prominent French filmmaker during the post-WWI years of French cinema following in the footsteps of his father silent film actor Lucien Guitry. His notable film credits include English titles "The Lover of Camille" 1924 "The Story of a Cheat" 1936 "Nine Bachelors" 1939 "Royal Affairs in Versailles" 1954 a film notable for its appearance of a young Brigitte Bardot and "Napoleon" 1955. <br /> <br /> Blue titled wrappers. Title page present undated with a credit for Guitry and B.M.P. Films in Paris the US branch is in California. 102 leaves with last page of text numbered 100. Mimeograph duplication. Pages Near Fine wrapper Very Good perfect-bound and side-stiched. B.M.P. Films unknown
Referentie van de boekhandelaar : 135620
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Sacha Guitry (1885-1957), écrivain, réalisateur, scénariste, metteur en scène.
ensemble de notes autographes
Sacha Guitry (1885-1957), écrivain, réalisateur, scénariste, metteur en scène. Manuscrit autographe, sd, 4p in-4. Notes, difficiles à lire, au crayon rouge, à déchiffrer. Petits manques. [259]
Referentie van de boekhandelaar : 015987
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Sacha Guitry (1885-1957), écrivain, réalisateur, scénariste, metteur en scène.
important ensemble de notes autographes
Sacha Guitry (1885-1957), écrivain, réalisateur, scénariste, metteur en scène. Manuscrit en partie autographe, [ca.juin 1935], environ 28f. in-4 [dont 11f. au moins sont autographes]. Important ensemble de notes sur les enfants, listant de nombreux petits enfants avec leur nom, leur ville et parfois leur âge et surtout des détails les concernant : « sucent leurs doigts, paresseux, désobéissants, taquins, gourmands, pleurnicheurs . ». Ces notes sont très largement d'une autre main. A cela sont joints différents textes de Guitry dont un petit discours (2p 1/2, complet), un petit discours sur l'importance du calcul (2p, incomplet de la fin), un petit discours sur les enfants qui sucent leurs doigts (2p 1/2, a priori complet) et diverses notes. Tout cela étant autographe. Sur un feuillet non autographe, on remarquera la note autographe de Guitry : « Il ne faut pas être gourmands / Il faut être gourmets ». On remarquera, parmi les pleurnicheurs, un « Michel Houelbecq » (et non Houellebecq), petit enfant de 6ans originaire du Calvados. En plus de ces 28 feuillets (parfois écrits - partiellement - au verso) se trouvent des pages coupées, des pages pliées ayant dû servir de chemises, etc. Nous ne savons quel fut l'usage de ces textes, si cela a donné lieu à une intervention ou à une publication. Ils furent bien écrits en 1935 car, grâce à certains noms d'enfant avec les âges, on peut affirmer que c'est écrit entre mars et septembre 1935. On remarquera que c'est en décembre 1935 que Guitry fit une présentation de son film sur Pasteur aux écoles de Vincennes. C'est peut-être la période où il s'intéressa le plus aux enfants ? Très bel et important ensemble. [259]
Referentie van de boekhandelaar : 015986
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Sacha Guitry director screenwriter starring; Edward Quinn photographer; Daniel Gelin Raymond Pellegrin Michele Morgan starri
Napoleon Two original photographs from the set of the 1955 film
N.p.: N.p. 1955. Two vintage reference photographs of director Sacha Guitry on the set of the 1955 film taken by photographer Edward Quinn. "Ed. Quinn" stamps on verso of both one with additional "Cinema Napoleon" stamp.<br/><br/>Guitry's historical epic depicting the life of Napoleon from his early life in Corsica to his death at Saint Helena with Napoleon depicted by two actors Daniel Gelin as the young and Raymond Pellegrin as the old. Featuring notable cameos by Erich von Stroheim as Ludwig van Beethoven and Orson Welles as Napoleon's British jailor Sir Hudson Lowe.<br/><br/>Shot on location throughout France. <br/><br/>7 x 9.75 inches. Light edgewear and light creasing at extremities else Near Fine. N.p. unknown books
Referentie van de boekhandelaar : 150449
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Sacha Guitry director screenwriter starring; Lana Marconi Claire Brilletti Pauline Carton starring
The Treasure of Cantenac Un Miracle Le Tresor de Cantenac Original screenplay for the 1950 film
Paris: B.M.P. Films 1950. Draft script for the 1950 French film "The Treasure of Cantenac" here under its title of origin "Le Tresor de Cantenac" on the title page with the film's working title "Un miracle" also on the title page. French copy company rubber stamp and faint pencil annotations on the front wrapper. Pre-New Wave items are scarce this being a completely original example with text in French throughout. <br/><br/>Set in a rundown French village the film is a series of vignettes illustrating the human condition. The Baron de Cantenac on the verge of suicide after losing his fortune goes on one last walk through his dying town. On the way he meets the town's oldest citizen who reveals a royal treasure that he has been jealously guarding for years. <br/><br/>Director-screenwriter-actor Guitry was a prominent French filmmaker during the post-WWI years of French cinema following in the footsteps of his father silent film actor Lucien Guitry. His notable film credits include English titles "The Lover of Camille" 1924 "The Story of a Cheat" 1936 "Nine Bachelors" 1939 "Royal Affairs in Versailles" 1954 a film notable for its appearance of a young Brigitte Bardot and "Napoleon" 1955. <br/><br/>Blue titled wrappers. Title page present undated with a credit for Guitry and B.M.P. Films in Paris the US branch is in California. 102 leaves with last page of text numbered 100. Mimeograph duplication. Pages Near Fine wrapper Very Good perfect-bound and side-stiched. B.M.P. Films unknown books
Referentie van de boekhandelaar : 135620
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Sacha Guitry director; Sacha Guitry novel; Sacha Guitry screenwriter; Sacha Guitry Marguerite Moreno and Jacqueline Delubac st
The Story of a Cheat Le Roman D'un Tricheur Collection of 13 original photographs from the 1936 film
N.p.: Cineas 1936. Collection of 13 vintage black-and-white studio still photographs from the French release of the 1936 film. Based on director Sacha Guitry's 1935 only novel "Les Memoires d'un Tricheur." <br/><br/>A delightfully clever film in which Guitry plays an aging con artist reflecting back on his many exploits. After cheating death at a young age the Cheat played by Guirty embarks on a life laden with mischief and deceit. <br/><br/>Set in France and Monaco shot on location in Monaco. <br/><br/>10 x 8 inches. Very Good plus. Occasional notation to the verso and shallow chip in the top margin of image 22. <br/><br/>Complete collation details available on request. <br/><br/>Criterion Eclipse 22. Cineas unknown books
Referentie van de boekhandelaar : 139602
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Sackler Howard sourcework & screenwriter
Set of Eight Color Stills for: THE GREAT WHITE HOPE
Np: Twentieth-Century Fox 1970. Eight 10.5 x 14" color stills plus additional slightly 11 X 14" captioned title- card. Some slight offsetting to versos minor use to a couple corners otherwise about fine. A complete set of these deluxe lobby stills for Howard Sackler's adaptation to film of his own play. The 1970 release was directed by Martin Ritt and starred James Earl Jones James Alexander Hal Holbrook et al. Noted director / photographer Lawrence Schiller is known to have taken a number of photographs during the production of the film but the images used for these stills are uncredited. Twentieth-Century Fox unknown books
Referentie van de boekhandelaar : WRCLIT69265
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Sal Mineo (starring); Gene Krupa (subject); Don Weis (director); Orin Jannings (screenwriter); James Darren, Susan Oliver, Red N
The Gene Krupa Story Original oversize photograph of Sal Mineo on the set of the 1959 film
New York: Pictorial Parade 1958. Vintage oversize satin finish photograph from the set of the 1959 film showing actor Sal Mineo in costume as Gene Krupa. Stamps of photographer Jack Albin and "Pictorial Parade" on the verso. <br /> <br /> A dramatization of the life of legendary jazz drummer and bandleader Gene Krupa whose ostentatious lifestyle and drug and alcohol addictions nearly wrecked his career. <br /> <br /> From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. <br /> <br /> 10.25 x 13.5 inches archivally matted in a 20 x 16 inch 8-ply white mat. Very Good plus. Pictorial Parade unknown
Referentie van de boekhandelaar : 162944
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Sal Watts (director, screenwriter, starring); Tanya Boyd, James Watts, Louis Zito (starring); Jack Bomay (director)
Solomon King Original poster for the 1974 Blaxploitation film
N.p.: Stage Struck Productions / Entertainment Pyramid 1974. Vintage one sheet poster for the 1974 Blaxploitation film. <br /> <br /> A former Green Beret turned detective and nightclub owner seeks revenge on the men responsible for his girlfriend's death. Written produced and directed by Oakland Channel 20 television talk show host Sal Watts the film was for years considered lost until 2022 when it was restored and re-released by Deaf Crocodile Films. <br /> <br /> Set in California and the Middle East shot on location in Oakland. <br /> <br /> 27 x 41 inches folded as issued. Very Good plus lightly worn at the creases with a couple small chips at the left and right edges.<br /> <br /> Howard Blaxploitation Cinema p. 195. Stage Struck Productions / Entertainment Pyramid unknown
Referentie van de boekhandelaar : 164097
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Sal Watts (director, screenwriter, starring); Jack Bomay (director); Jim Alston (story); James Watts, Samaki Bennett, Claudio Ru
Solomon King Black Agent Lucky King Original poster for the 1974 Blaxploitation film
N.p.: N.p. 1974. Vintage two-color one sheet poster for the 1974 film here under its original release title "Black Agent Lucky King."<br /> <br /> Former Oakland Channel 20 television talk show host Sal Watts in response to complaints from his audience about current black action films was determined to make a quality motion picture for African American audiences. The result was "Solomon King" which Watts produced wrote co-directed and starred a first for an independent black producer. Believed lost this obscure Blaxploitation classic is scheduled for restoration and re-release from Deaf Crocodile Films in 2022.<br /> <br /> Ex-Green Beret Solomon King Watts vows vengeance when his former lover Princess Oneeba is murdered by Arab agents from the country she once escaped. With the aid of several fellow Vietnam veterans brother Maney King and CIA agent O'Malley King plans a commando raid into the Arab country to kill the hit man. Featuring a cameo from Watt's friend baseball player Tito Fuentes.<br /> <br /> Set in Oakland California and an undisclosed Arab nation shot on location in Oakland California.<br /> <br /> 27 x 41 inches folded as issued. Very Good with pinholes some creasing and soiling two modest closed tears three small chips and an annotation in manuscript ink on the outer middle right margin.<br /> <br /> Howard Blaxploitation Cinema p. 195. N.p. unknown
Referentie van de boekhandelaar : 155950
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Sally Benson, SIGNED & INSCRIBED, NO INTERIOR Illustrations, American screenwriter and short story author (1897-1972) BACK DJ F
MEET ME IN ST. LOUIS IN TATTERED WORN Partial DUSTJACKET MOVIE EDITION FEATURING JUDY GARLAND & MARGARET O’BRIEN on Front SIGNED By Sally Benson With BACK & Spine DJ MISSING also included is a tiny letter invitation to a tea party found within the book
HBDJ 1945 1st Edition THUS IN POOR TATTERED WORN DUSTJACKET With BACK & Spine DJ MISSING MOVIE EDITION FEATURING JUDY GARLAND & MARGARET O'BRIEN on DJ Front NO INTERIOR Illustrations SCUFF & RUB BOOK COVER GOOD CONDITION WITH SOME WATER DAMAGE TO EDGES CVR DJ IS POOR Condition Only DJ Front is There The Back Flap with Rub & Wear the Rest of DJ NOT PRESENT 6" X 8 1/2" HC DJ front cover torn and frayed - repaired spine and back section missing - as is the front flap autograph note by it's author Sally Benson also included is a tiny letter invitation to a tea party found within the book. Interior is clean clear and together making it an solid 'readers copy'<br /> WORLD PUBLISHING FORUM BOOKS hardcover
Referentie van de boekhandelaar : 29200
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Sally Forrest, Raymond Burr, Don Taylor (starring); Don Weis (director); Milton S. Gelman (screenwriter)
Ride the High Iron Five original photographs from the 1956 film
Culver City CA: Columbia Pictures 1956. Five vintage studio still photographs from the 1956 film: three studio stills two with Don Taylor and Sally Forrest and one with Raymond Burr Don Taylor and Sally Forrest and two studio stills of Don Taylor. <br /> <br /> Originally made as a 74-minute pilot episode of a proposed 1956 TV anthology "Command Performance" which was not taken up. "Ride the High Iron" was then released theatrically by Columbia Pictures.<br /> <br /> Young soldier Hugo Danielchik Taylor just returned home from the Korean war and gets a job with dubious publicist Ziggy Moline Raymond Burr to publicize the socialite debutante Elise Vanders Sally Forrest and keep her recklessness out of the newspapers.<br /> <br /> 8 x 10 inches. Near Fine some light creasing. Don Taylor photographs lightly toned. Columbia Pictures unknown
Referentie van de boekhandelaar : 146613
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Salt Waldo screenwriter
BEAU BRUMMEL wrapper title
Culver City: Metro-Goldwyn-Mayer / Loew's Inc. 1939. 1145 leaves. Quarto. Mimeographed typescript printed on rectos only. Bradbound in printed and variously stamped studio wrappers printed label. Some small chips and tears to wrapper extremities 15 x 40 mm piece torn away from fore-edge of upper wrapper internally near fine. An unspecified - but revised and slightly extended - draft of this unproduced original though drawing on precedents screenplay by Salt undertaken rather early in his career at a point when IMDB records he had only one credited and two uncredited produced films under his belt. Another draft dated 17 days earlier is 17 pages shorter. In April 1951 Salt was called before the HUAC and then placed on the Black List. After struggling for a decade and a half with often- pseudonymous television writing and commercial work in 1969 he wrote the award- winning screenplay for MIDNIGHT COWBOY. Subsequent credits included SERPICO THE DAY OF THE LOCUST and COMING HOME. In 1987 just prior to his death he received the WGA Laurel Award in recognition of his achievements. The upper wrapper is stamped in succession noting the transition of this copy from "Temporary Complete" to "Vault Copy." Metro-Goldwyn-Mayer / Loew's Inc. unknown books
Referentie van de boekhandelaar : WRCLIT61324
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Salt Waldo screenwriter
BEAU BRUMMEL wrapper title
Culver City: Metro-Goldwyn-Mayer / Loew's Inc. 1939. 1128 leaves. Quarto. Mimeographed typescript printed on rectos only. Bradbound in printed and variously stamped studio wrappers printed label. Some small chips and tears to label and wrapper extremities otherwise very good internally near fine. An unspecified draft of this unproduced original though drawing on precedents screenplay by Salt undertaken rather early in his career at a point when IMDB records he had only one credited and two uncredited produced films under his belt. In April 1951 Salt was called before the HUAC and then placed on the Black List. After struggling for a decade and a half with often- pseudonymous television writing and commercial work in 1969 he wrote the award- winning screenplay for MIDNIGHT COWBOY. Subsequent credits included SERPICO THE DAY OF THE LOCUST and COMING HOME. In 1987 just prior to his death he received the WGA Laurel Award in recognition of his achievements. The upper wrapper is stamped in succession noting the transition of this copy from "Temporary Complete" to "Vault Copy." Metro-Goldwyn-Mayer / Loew's Inc. unknown books
Referentie van de boekhandelaar : WRCLIT61323
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Salt Waldo screenwriter
THE GANG THAT COULDN'T SHOOT STRAIGHT wrapper title
Culver City: Metro-Goldwyn-Mayer 1971. 120 leaves. Quarto. Photomechanically reproduced typescript printed on rectos only of white stock Bradbound in printed studio wrappers. Small nick and crease and some modest edge sunning to wrappers title lettered on spine otherwise very good or better. An unspecified but relatively early draft of this adaptation by Salt of Jimmy Breslin's book. The July 1972 release was directed by James Goldstone and starred Jerry Orbach Robert De Niro et al. In April 1951 Salt was called before the HUAC and then placed on the Black List. After struggling for a decade and a half with often-pseudonymous television writing and commercial work in 1969 he wrote the award-winning screenplay for MIDNIGHT COWBOY. Subsequent credits included SERPICO THE DAY OF THE LOCUST and COMING HOME. In 1987 just prior to his death he received the WGA Laurel Award in recognition of his considerable achievements. Metro-Goldwyn-Mayer unknown books
Referentie van de boekhandelaar : WRCLIT62505
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Salt Waldo screenwriter
THE GANG THAT COULDN'T SHOOT STRAIGHT wrapper title
Culver City: Metro-Goldwyn-Mayer 1971. 120 leaves plus lettered inserts. Quarto. Photomechanically reproduced typescript printed on rectos only of white blue green and yellow stock. Bradbound in printed studio wrappers. Upper wrapper pulled at lower brad scattered relevant pencil annotations in an unknown hand but a very good copy. An unspecified but revised draft of this adaptation by Salt of Jimmy Breslin's book with dated revises on colored stock scattered throughout. The July 1972 release was directed by James Goldstone and starred Jerry Orbach Robert De Niro et al. In April 1951 Salt was called before the HUAC and then placed on the Black List. After struggling for a decade and a half with often- pseudonymous television writing and commercial work in 1969 he wrote the award- winning screenplay for MIDNIGHT COWBOY. Subsequent credits included SERPICO THE DAY OF THE LOCUST and COMING HOME. In 1987 just prior to his death he received the WGA Laurel Award in recognition of his considerable achievements. Metro-Goldwyn-Mayer unknown books
Referentie van de boekhandelaar : WRCLIT61411
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