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[Blaxploitation] Roland Cutler (screenwriter); Cecil Brown (novel)
Mister Jiveass Original screenplay for an unproduced film
Hollywood: Turman-Foster 1975. First Draft script for an unproduced film. <br /> <br /> Based on noted African American writer and academic Cecil Brown's 1969 debut novel. A cynical silver-tongued black man from the rural south makes a living through scamming and stealing which he considers informal reparation for the injustices he has faced. Fed up with the quality of life in the US he decides to leave for Sweden where he spends his days with other black expatriates and his nights with beautiful Swedish women. <br /> <br /> Set in New York and Stockholm Sweden. <br /> <br /> Blue titled wrappers. Title page present dated March 21 1975 noted as FIRST DRAFT with credits for screenwriter Roland Cutler and novelist Cecil Brown. 120 leaves with last page of text numbered 118. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Turman-Foster unknown
Riferimento per il libraio : 146241
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Joseph Conrad (novel); Terence Young (director); Jo Eisinger (screenwriter); Anthony Quinn, Rosanna Schiaffino, Rita Hayworth (s
L'avventuriero The Rover Original screenplay for the 1967 film
Rome: Arco 1967. Draft script for the 1967 Italian film. Text in English printed in Rome. <br /> <br /> Based on the 1923 novel wherein a former pirate falls in love with a mentally ill young woman who falls in love instead with a French naval officer. <br /> <br /> Set in France shot on location in Italy.<br /> <br /> Blue wrappers with the film's English title printed on a red label and affixed on the front wrapper. Title page present with the film's English and Italian titles given. 207 leaves with last page of text numbered 206. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good with a strip of adhesive residue likely from tape running vertically across the rear wrapper binding bound with two gold brads. Arco unknown
Riferimento per il libraio : 146428
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John Huston (director, screenwriter); Stephen Crane (novel); Albert Band (screenwriter); Audie Murphy, Bill Mauldin, Douglas Dic
The Red Badge of Courage Original photograph of John Huston from the 1951 film
N.p.: N.p. 1951. Vintage reference photograph from the 1951 film showing director John Huston in costume for his cameo as a Union veteran. With manuscript ink and pencil annotations on the verso regarding layout along with a collector label. <br /> <br /> Based on the classic 1895 novel by Stephen Crane which follows a Union soldier throughout the course of the Civil War. At the completion of shooting Huston considered the film one of his best but MGM cut over an hour from his film before releasing it to a poor reception. <br /> <br /> 8 x 10 inches. Very Good plus lightly creased and worn to the corners. N.p. unknown
Riferimento per il libraio : 149914
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Walter Hill (director, screenwriter); Ryan O'Neal, Bruce Dern, Isabelle Adjani, Ronee Blakley (starring)
The Driver Original photograph from the 1978 film
Los Angeles: Twentieth Century-Fox 1978. Vintage matte black-and-white reference photograph of director Walter Hill and actor Isabelle Adjani on the set of the 1978 film. With manuscript ink and pencil annotations on the verso.<br /> <br /> Director Walter Hill's existential neo-noir heavily influenced by Jean-Pierre Melville's "Le Samourai" 1967 with some of the finest car-chase sequences ever committed to celluloid. The film follows a skilled getaway driver whose elusive escapes torment a self-assured police detective driving the detective to the brink of obsession.<br /> <br /> 10 x 8 inches. Near Fine.<br /> <br /> Silver and Ward US Neo-Noir. Spicer US. Twilight Time 53. Twentieth Century-Fox unknown
Riferimento per il libraio : 149435
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Francois Truffaut (director, screenwriter); Cornell Woolrich (novel); Jean-Paul Belmondo, Catherine Deneuve, Nelly Borgeaud (sta
Mississippi Mermaid La sirene du Mississipi Original photograph of François Truffaut Jean-Paul Belmondo and Catherine Deneuve on the set of the 1969 film
Paris: Les Films du Carrosse 1969. Vintage oversize borderless reference photograph of director François Truffaut and actors Catherine Deneuve then Truffaut's wife and Jean-Paul Belmondo on the set of the 1969 French neo-noir film. With manuscript pencil annotations regarding layout on the verso along with the stamp of France-Soir dated 9 JUIL. JULY 1969 and a newspaper clipping affixed to the lower right corner.<br /> <br /> Based on Cornell Woolrich's 1947 novel "Waltz into Darkness." A wealthy plantation owner on an island in the Indian Ocean anticipates the arrival of his bride-to-be but is surprised to discover the woman who arrives from France bears no resemblance to the woman in the photograph.<br /> <br /> Set on Reunion Island and Nice France.<br /> <br /> 8 x 12 inches. Very Good slightly wavy with two small manuscript ink annotations regarding cropping to the recto. <br /> <br /> Grant US. Les Films du Carrosse unknown
Riferimento per il libraio : 149334
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Joel Schumacher (director, screenwriter); Topper Carew (screenwriter); Max Gail, Adam Baldwin, Gary Busey, Marsha Warfield, Mr T
D.C. Cab DC Cab Capitol Cab Archive of three original screenplays for the 1983 film producer's copies with a photograph and promotional button
Universal City: Universal 1983. Archive of three scripts for the 1983 film including a Second Draft Third Draft and Revised Final Draft with the Second and Third Draft scripts appearing under the working title "Capitol Cab." Scripts belonging to producer Cassius Weathersby with his name on the cover sheet for revision pages dated 5/16/83 laid into the Revised Final script. Also included is a borderless double weight photograph of Weathersby conferring with star Mr. T on the set and a promotional button for the film. <br /> <br /> The dead-end drivers of a rundown cab company must band together with the help of their naive newest member to save themselves from a rival company and to help Mr. T teach kids to say no to drugs. <br /> <br /> Set and shot on location in Washington DC. <br /> <br /> Second Draft: Yellow titled wrappers noted as Second Draft on the front wrapper. Title page present dated January 4 1983 noted as Second Draft with credits for screenwriter Joel Schumacher. 94 leaves with last page of text numbered 93. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two gold brads. <br /> <br /> Third Draft: Orange titled wrappers noted as Third Draft on the front wrapper noted as production No. 00864 dated February 10 1983. Title page present dated February 10 1983 noted as Third Draft with credits for screenwriter Joel Schumacher and producers Jon Peters Peter Gruber Topper Carew and Cassius Weathersby. 90 leaves with last leaf of text numbered 89. Xerographically reproduced on eye-rest green stock with pink and blue revision pages dated 2/14/83 and undated. Pages Fine wrapper Near Fine lacking the rear wrapper bound with three gold brads.<br /> <br /> Revised Final Draft: Yellow titled wrappers noted as Revised Final Draft on the front wrapper and production No. 02156 dated April 5 1983. Title page present dated April 5 1983 noted as Revised Final Draft with credits for screenwriter Joel Schumacher and producers Jon Peters Peter Gruber Topper Carew and Cassius Weathersby. 94 leaves with last leaf of text numbered 88. Xerographic duplication with pink and yellow revision pages throughout dated variously between 4/11/83 and 5/30/83. Pages Near Fine front wrapper lightly soiled else wrappers Near Fine bound with three gold brads. <br /> <br /> Parish and Hill Black Action Film. Universal unknown
Riferimento per il libraio : 145600
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Betty Price Powell (screenwriter)
The Amistad Original screenplay for an unproduced film
Inglewood CA: B.P. Powell 1979. Draft script for an unproduced film 1979. One copied annotation on title page corrected and adding contact phone number and one annotation in script in manuscript ink adding character name before dialogue.<br /> <br /> Based on the 1839 trial of Joseph Cinque and 44 African Mende men on charges of murder and piracy after staging a revolt on the slave ship La Amistad represented by former President John Quincy Adams and bolstering the abolitionist movement.<br /> <br /> Set in New Haven Connecticut.<br /> <br /> Green untitled wrappers. Title page present dated 1979 with credits for screenwriter Betty Price Powell. 121 leaves with last page of text numbered 125. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. B.P. Powell unknown
Riferimento per il libraio : 149212
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Edward L Cahn (director); Lou Rusoff (screenwriter); Richard Denning, Joan Taylor, Adele Jergens (starring)
Girls in Prison Original screenplay for the 1956 film copy belonging to actor Adele Jergens
N.p.: Golden State Productions 1956. Draft script for the 1956 film belonging to actress Adele Jergens with her signature prominently written on center of front wrapper and printed title inked over both in manuscript ink. Annotations throughout striking and adjusting dialogue and circling the character of Jenny played by Jergens in manuscript ink and pencil. Jergens; paper clips all along the top page edges still in place with many pages dog-eared.<br /> <br /> Jergens' career began after being named "Miss World's Fairest" at the 1939 New York World's Fair after which she briefly worked as a Rockette being named the Number One Showgirl in New York City and was understudy to Gypsy Rose Lee in the 1942 Broadway show "Star and Garter." In 1944 she landed a contract with Columbia Pictures and went on to act in over 50 films over the next twelve years. Jergins did two films following "Girls in Prison" George Blair's "Fighting Trouble" 1956 and Edward L. Cahn's "Runaway Daughters" 1956 before retiring from acting in late 1956.<br /> <br /> Anne Carson Joan Taylor convicted of being an accomplice to a bank robbery she claims she's innocent of finds herself in prison with three cellmates the hardened Jenny Jergens boss of the other inmates the mentally delusional Dorothy Phyllis Coates and sweet-talking Melanee Helen Gilbert.<br /> <br /> Green titled wrappers. Title page present with credits for screenwriter Lou Rusoff producer Alex Gordon and director Edward L. Cahn. 125 leaves with last page of text numbered 117. Mimeograph duplication rectos only with pink revision pages throughout dated 2/21/56. Pages Near Fine wrapper Very Good plus with slight toning at the edges and small dampstain on right center bound internally with three gold brads. Golden State Productions unknown
Riferimento per il libraio : 148402
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Bert I Gordon (director, screenwriter); HG Wells (short story); Jack Turley (screenwriter); Joan Collins, Robert Lansing, John D
Empire of the Ants Empire of Ants Original screenplay for the 1977 film
N.p.: N.p. 1976. Revised Draft script for the 1977 film here with the slightly different working title "Empire of Ants." Loosely based on the 1905 short story by H.G. Wells. <br /> <br /> American International Pictures AIP third and final film in their H.G. Wells trilogy beginning with "The Food of the Gods" 1976 directed and written by Bert I. Gordon and starring Marjoe Gortner and Pamela Franklin and followed by "The Island of Dr. Moreau" 1977 directed by Don Taylor and starring Burt Lancaster and Michael York.<br /> <br /> Another classic "giant" movie from Bert I. Gordon following "King Dinosaur" 1955 "The Amazing Colossal Man" 1957 "Earth vs. the Spider" 1958 "Village of the Giants" 1956 and "Food of the Gods" 1976 this time featuring giant ants mutated by radioactive waste which attack a shady land developer and her prospective clients and threaten to take over a whole island town.<br /> <br /> Set in the Florida everglades and shot on location in Fort Pierce Belle Glade and Jensen Beach Florida. <br /> <br /> Brown titled wrappers. Title page present dated October 8 1976 noted as REVISED DRAFT with credits for screenwriter Jack Turley and story by Bert I. Gordon. 105 leaves with last page of text numbered 104. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
Riferimento per il libraio : 148808
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Alan Pappe (photographer); Donald Sutherland, Ellen Burstyn (starring); Paul Mazursky (director, screenwriter); Larry Tucker (sc
Alex in Wonderland Archive of five original photographs from the 1970 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Archive of five vintage oversize double weight photographs from the 1970 film four of which are borderless. One photograph SIGNED and dated 1969 by photographer Alan Pappe on the verso all photographs with his stamp. <br /> <br /> All five photographs feature legendary Italian director Federico Fellini in his cameo role as himself with one showing the director on the set with a clapboard and crew members in front of him while a second features a manuscript pencil annotation describing Fellini and actor Donald Sutherland discussing a scene with an out-of-frame director Paul Mazursky. <br /> <br /> Pappe worked as a film still and press photographer for 30 years photographing a who's who of film and music stars including iconic images of Sharon Tate Jimi Hendrix and Liza Minnelli as well as album cover for the "Grease" soundtrack album and the interior images of Jefferson Airplane's "After Bathing at Baxter's." His 1972 "Time" magazine cover photograph of Minnelli in "Cabaret" is part of the permanent collection of the Smithsonian's National Portrait Gallery. <br /> <br /> A young filmmaker struggles to come up with ideas for new film after his previous commercial and critical success while ruminating on his past present and possible futures. <br /> <br /> One photograph 11 x 11 inches four photographs roughly 14 x 11 or 11 x 14 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
Riferimento per il libraio : 149801
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Frank Capra (director); Lewis R Foster (story); A L Schafer (photographer); Sidney Buchman (screenwriter); James Stewart, Jean A
Mr. Smith Goes to Washington Original photograph from the 1939 film
Culver City CA: Columbia Pictures 1939. Vintage double weight photograph of James Stewart and Jean Arthur from the 1939 film. Mimeo snipe stamp crediting photographer Al Schafer and very faint "Approved" stamp on the verso. <br /> <br /> Controversial among the political American establishment at the time for its accurate then and now depiction of the Senate as a group of dysfunctional shallow egotists the film was also banned in fascist countries Germany Italy Spain and the USSR and later Nazi occupied France. <br /> <br /> Set in and shot on location in Washington DC. <br /> <br /> 8 x 10 inches. Near Fine with faint diagonal crease to lower right. Columbia Pictures unknown
Riferimento per il libraio : 148444
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Robert Wise (director); Jerome Robbins (directors); Ernest Lehman (screenwriter); Leonard Bernstein (music); Stephen Sondheim (l
West Side Story Original oversize photograph from the 1961 film musical
Beverly Hills CA: United Artists / Mirisch Corporation 1961. Vintage oversize borderless black-and-white reference photograph of actors Tony Mordente Harvey Evans Susan Oakes Bert Michaels Tommy Abbott and Tucker Smith standing with director Jerome Robbins on the set of the 1961 film. With a printed mimeo snipe affixed to the verso.<br /> <br /> Based on the 1957 Broadway musical with book by Arthur Laurents music by Leonard Bernstein and lyrics by Stephen Sondheim. Robbins who would go on to direct the film with Robert Wise served as choreographer and came up with the original concept of a modern musical update of William Shakespeare's "Romeo and Juliet."<br /> <br /> Winner of ten Academy Awards including Best Picture Best Director Best Supporting Actor for George Chakiris and Best Supporting Actress for Rita Moreno.<br /> <br /> Set in New York's West Side shot on location in New York and California. <br /> <br /> 14 x 11 inches. Very Good plus with light wear and creasing to the corners. United Artists / Mirisch Corporation unknown
Riferimento per il libraio : 149449
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Michael Curtiz (director); James M Cain (novel); Ranald MacDougall (screenwriter); Joan Crawford, Jack Carson, Zachary Scott, Ev
Mildred Pierce Original photograph of Michael Curtiz on the set of the 1945 film
Burbank CA: Warner Brothers 1945. Vintage reference photograph of director Michael Curtiz wielding a megaphone on location for an suburban exterior shot for the 1945 film. With a printed mimeo snipe on the verso providing detail regarding same. <br /> <br /> Based on James M. Cain's 1941 novel which follows a newly divorced woman as she begins a career as a baker to provide for her family to the shame of her spoiled ungrateful firstborn daughter. A career-reviving role for Joan Crawford who won an Academy Award for her performance following her 1943 departure from Metro-Goldwyn-Mayer.<br /> <br /> Shot on location in Glendale Los Angeles and Malibu California.<br /> <br /> 7.25 x 9.25 inches. Very Good with light dryness and cracking to the finish and light wear to the bottom corners.<br /> <br /> National Film Registry. Criterion Collection 860. Selby US Canon. Grant US. Spicer US. Silver and Ward Classic Noir. Warner Brothers unknown
Riferimento per il libraio : 149678
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Pier Paolo Pasolini (director, screenwriter); Angelo Frontoni (photographer); Silvana Mangano, Terence Stamp, Massimo Girotti, A
Teorema Theorem Four original photographs from the 1969 Italian film
N.p.: Aetos 1969. Four vintage borderless reference photographs taken on the set of the 1969 Italian film. With the stamps of photographer Angelo Frontoni and Cinemondial on the verso along with manuscript ink and pencil annotations regarding layout.<br /> <br /> Over the course of several days a mysterious visitor seduces each member of a bourgeois Milanese family. The second film in director Pier Paolo Pasolini's Mythical Cycle preceded by "Oedipus Rex" 1967 and followed by "Porcile" and "Medea" both 1969.<br /> <br /> Set and shot on location in Rome and Milan. <br /> <br /> 9 x 7 inches. Very Good plus with light dampstaining to the versos. <br /> <br /> Rosenbaum 1000. Godard Histoires du cinema. BFI 1166. Aetos unknown
Riferimento per il libraio : 149363
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Howard Hughes (director); Marshall Neilan (novel); Joseph Moncure March (screenwriter); Ben Lyon, James Hall, Jean Harlow, John
Hell's Angels Original program for the 1930 film
Beverly Hills CA: United Artists 1930. 16 page vintage program for the 1930 film announcing its showing at Broadway theaters in New York with abundant black and white photographs of actors aerial stunts and Howard Hughes throughout.<br /> <br /> Hughes' most expensive and ambitious production a story about World War I combat pilots today still a dazzling work of blockbuster action and actual aerial biplane footage. Originally conceived as a silent film and then retooled as a talkie in the wake of "The Jazz Singer." Most of the film is shot in black and white but one sequence is in color-the only color footage ever released of actress Jean Harlow before her untimely death. <br /> <br /> James Whale was hired by Hughes to direct the talking sequences Whale's first major effort in Hollywood but the overall production took so long that Whale's subsequent directorial effort "Journey's End" was released first.<br /> <br /> Nominated for an Academy Award for Best Cinematography.<br /> <br /> Card wrappers saddle stapled 5 x 6.5 inches. 16 pages. Near Fine. United Artists unknown
Riferimento per il libraio : 148911
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Frank Capra (director); George S Kaufman, Moss Hart (play); Irving Lippman (photographer); Robert Riskin (screenwriter); Jean Ar
You Can't Take It with You Original photograph of James Stewart and Jean Arthur from the 1938 film
N.p.: N.p. 1938. Vintage borderless double weight sepia photograph of James Stewart and Jean Arthur from the 1938 film. <br /> <br /> Based on the Pulitzer Prize-winning 1936 play by George S. Kaufman and Moss Hart about an eccentric family living in a large house in New York City including their daughter who falls in love with a banker a decent and goodhearted man despite his snobbish elitist family. Winner of two Academy Awards for Best Picture and Best Director and nominated for five more. Frank Capra's third Academy Award for Best Director in just five years.<br /> <br /> Set in New York City. <br /> <br /> 8 x 10.25 inches. Near Fine. <br /> <br /> Byrge & Miller The Screwball Comedy Films: A History and Filmography 1934-1942. N.p. unknown
Riferimento per il libraio : 148755
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Richard Thorpe (director); Walter Scott (novel); Robert Ardreey, George Froeschel (screenwriter); Robert Taylor, Kay Kendall, Ro
Quentin Durward Original photograph of Robert Taylor and Kay Kendall from the set of the 1955 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1955. Vintage double weight photograph of Robert Taylor and Kay Kendall on the set of the 1955 film. Mimeo snipe and Advertising Code "Approved" stamp dated "May 4 1955" on verso.<br /> <br /> Based on the 1923 novel by Sir Walter Scott about the penniless son of a Scottish nobleman dispatched to propose to a French countess on behalf of his aging uncle but who then falls madly in love with her. The third film in an unofficial trilogy made by director Richard Thorpe and producer Pandro S. Berman and starring Robert Taylor the two preceding films being "Ivanhoe" 1952 and "Knights of the Round Table" 1953.<br /> <br /> Set in 15th century France shot on location in France and England. <br /> <br /> 8 x 10 inches. About Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
Riferimento per il libraio : 149093
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Jean Renoir (director, screenwriter); Roger Corbeau (photographer); Charles Blavette, Celia Montalvan, Edouard Delmont, Max Dalb
Toni Original photograph of Celia Montalvan Charles Blavette and Jean Renoir on the set of the 1935 film
Marseille: Les Films Marcel Pagnol 1935. Vintage double weight reference photograph from the 1935 film showing director Jean Renoir and actors Charles Blavette and Celia Montalvan on location during filming of the 1935 film. With the stamps of photographer Roger Corbeau and Cinemonde to the verso.<br /> <br /> Renoir's seventh sound film and an early example of the director's influence on both the French Left Bank and Italian neorealist movements. Renoir cast primarily non-professional actors and shot on location to craft the story of a group of immigrants working in a small town in Provence. <br /> <br /> Set and shot on location in the south of France.<br /> <br /> 9 x 7 inches. Near Fine lightly and evenly toned. Les Films Marcel Pagnol unknown
Riferimento per il libraio : 149372
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Martin Scorsese (director, screenwriter); Nicholas Pileggi (book, screenwriter); Phil Caruso (photographer); Robert De Niro, Sha
Casino Two original photographs from the set of the 1995 film
Universal City: Universal Pictures 1995. Two truly striking vintage reference photographs taken on the set of the 1995 film each demonstrating the film's true aspect ratio. With manuscript pencil and ink annotations regarding layout and the printed label of the film's still photographer Phillip V. Caruso to the verso. Shown in the two photographs are Scorsese working with actors and crew on the expansive casino floor set. Also shown are Robert De Niro Don Rickles Billy Crystal and others. <br /> <br /> Based on screenwriter Nicholas Pileggi's 1995 nonfiction book "Casino: Love and Honor in Las Vegas." Martin Scorsese's fifteenth film one of his finest a fast-paced bloody tale following a low-level mobster and gambling expert who climbs to power at the Mafia-run Tangiers Casino in the 1970s.<br /> <br /> Set and shot on location in Las Vegas with casino scenes shot at the Riviera.<br /> <br /> 10 x 8 inches. Fine. <br /> <br /> Spicer US Neo-Noir. Universal Pictures unknown
Riferimento per il libraio : 149323
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Everett Freeman (screenwriter); William Price Fox (novel)
Moonshine Light Original screenplay for an unproduced film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1968. Draft script for an unproduced film. Laid in with the script is a note typed on casting agent Paul Kohner's office letterhead introducing the screenplay addressed to actor Charles Bronson. The note is paper-clipped to a four page typed synopsis of the unproduced film "The Last Jump" which is also mentioned in the note.<br /> <br /> Based on noted South Carolinian humorist William Price Fox's 1967 novel following a pair of mischievous teenage boys trying to scrape together enough money to buy a car-encountering bootleggers revivalist preachers loan sharks and other figureheads of southern life in the 20th century along the way.<br /> <br /> Set in Columbia South Carolina. <br /> <br /> Blue titled wrappers rubber-stamped copy No. 109 dated April 22 1968 with credits for screenwriter Everett Freeman and novelist William Price Fox. Title page integral with the front wrapper as issued. 134 leaves with last page of text numbered 134. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown
Riferimento per il libraio : 146438
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Walerian Borowczyk (director, screenwriter); Ovid (poem); Wilhelm Buchheim, Enzo Ungari (screenwriters); Marina Pierro, Michele
Art of Love L'art d'aimer Original French poster for the 1983 film
Rome: 2T Produzione Film 1983. Vintage grande French poster for the 1983 erotic film. <br /> <br /> Inspired by Ovid's 2 AD collection of poems "Ars Amatoria" "The Art of Love".<br /> <br /> Set in ancient Rome the poet Ovid teaches courses in the art of love. One of his students sets out to test his newfound skill on a woman whose husband has gone to war. <br /> <br /> 47 x 63 inches. One panel. Folded as issued. Near Fine. <br /> <br /> Bier 96. 2T Produzione Film unknown
Riferimento per il libraio : 149305
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Andrzej Wajda (director); Rolf Hochhuth (screenwriter, novel); Werner Jorg Luddecke (screenwriter); Hanna Schygulla, Piotr Lysak
Eine Liebe in Deutschland A Love in Germany Original screenplay for the 1983 film
Berlin: CCC-Film CCC-Filmkunst 1980. Draft script for the 1983 German film directed by Andrzej Wajda. With a few small manuscript pencil annotations mostly regarding a character's name change and changes to pagination. Laid in with the script is a handwritten letter discussing films with KO-Productions. Text in German. Missing page 59 likely as used or issued.<br /> <br /> Based on the 1980 novel. In 1983 a middle-aged man returns to his hometown village with his teenage son in an attempt to discover the details of his mother's affair with a Polish prisoner of war during World War II. <br /> <br /> Set in Brombach shot on location in Baden-Wurttemberg and Berlin. <br /> <br /> Yellow titled perfect-bound wrappers. Title page present dated Januar 1980 with credits for screenwriters Rolf Hochhuth and Werner Jorg Luddecke. 216 leaves with last page of text numbered 210. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus. CCC-Film [CCC-Filmkunst] unknown
Riferimento per il libraio : 146511
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Gabriele D'Annunzio (novel); Pasquale Prunas (screenwriter)
Le Novelle Della Pescara The Pescara Stories Original screenplay for an unproduced television miniseries
Rome: Aquila Cinematografica 1974. Draft script for the first episode Episode 1 of an unproduced television miniseries. <br /> <br /> Based on the short story "The Virgin Orsola" from Italian writer Gabriele D'Annunzio's 1902 collection "De Novelle Della Pescara." A chaste schoolteacher in a convent survives a life-threatening illness but soon after is violently sexually assaulted beaten and left for dead.<br /> <br /> Set in Italy. <br /> <br /> Orange untitled wrappers. Title page present dated 1974 with credits for novelist GABRIELE D'ANNUNZIO and screenwriter PASQUALE PRUNAS. 106 leaves with last page of text numbered 103. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good with light dampstaining on the front wrapper bound internally with two gold brads. Aquila Cinematografica unknown
Riferimento per il libraio : 146512
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Allan Dwan (director); Anna Hunger (story); Jesse Lasky Jr (screenwriter); Virginia Mayo, Dennis Morgan, David Farrar (starring)
Pearl of the South Pacific Original photograph of Virginia Mayo and Allan Dwan from the set of the 1955 film
Santa Monica: RKO Radio Pictures 1955. Vintage reference photograph of Virginia Mayo and Allan Dwan on the set of the 1955 film. <br /> <br /> Rita Mayo and Bully David Farrar convince her ex Dan Dennis Morgan to join them in an expedition to steal rare black pearls from the natives of a South Pacific island. <br /> <br /> Shot on location in Hawaii. <br /> <br /> 8 x 10 inches. Light edgewear and small crease on upper right edge else Near Fine. RKO Radio Pictures unknown
Riferimento per il libraio : 149955
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Volker Schlondorff (director); Marguerite Yourcenar (novel); Margarethe von Trotta (screenwriter, starring); Genevieve Dormann,
Coup de Grace Der Fangschuss Original photograph of Volker Schlondorff and others on the set of the 1976 film
N.p.: N.p. 1976. Vintage oversize borderless photograph of Margarethe von Trotta Volker Schlondorff cinematographer Igor Luther and other crew members on the set of the 1976 film. <br /> <br /> Based on the 1939 novel by Marguerite Yourcenar. Young left-wing aristocrat Sophie von Reval von Trotta sides with the Bolsheviks after being rejected by a young German soldier Matthias Habich preparing to fight the Red Army.<br /> <br /> The third and final collaboration between husband and wife team Schlondorff and von Trotta von Trotta here co-writing and starring before von Trotta would branch off into her own esteemed career as a director. Previously they worked together on "The Sudden Wealth of the Poor People of Kombach" 1971 which von Tratt starred in and co-wrote with director Schlondorff and the New German Cinema masterwork "The Lost Honor of Katharina Blum" 1975 which they co-wrote and co-directed together. <br /> <br /> Set in 1919 Latvia during the Russian Civil War.<br /> <br /> 12 x 9.25 inches. Very Good plus with some creasing at far corners. <br /> <br /> Criterion Collection 192. N.p. unknown
Riferimento per il libraio : 149849
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Carlo Lizzani (director, screenwriter); Cosetta Greco (starring); Vasco Pratolini (novel); Osvaldo Civirani (photographer); Serg
Chronicle of Poor Lovers Cronache di poveri amanti Original photograph of Cosetta Greco from the 1954 film
N.p.: N.p. 1954. Vintage borderless reference photograph of Cosetta Greco from the 1954 film. Annotation in manuscript ink on bottom left margin "Georges Sadoul" and "Foto Civirani" stamps on verso. <br /> <br /> Based on the acclaimed 1947 Italian novel by Vasco Pratolini.Carlo Lizzani's Neo-Realist portrait of Fascist Italy wherein young typographer Mario Gabriele Tinti after moving to via del Corno to be near his girlfriend and befriending his anti-fascist landlord Maciste Marcello Mastroianni is beaten by the fascists.<br /> <br /> Set in Via del Corno Florence Italy shot on location in Tuscany Italy. <br /> <br /> 9.5 x 7 inches. Very Good plus with light edgewear and small closed tear on right. N.p. unknown
Riferimento per il libraio : 149976
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Michel Audiard (director); Jean-Marie Poire (screenwriter); Jean Carmet, Stephane Audran, Jane Birkin (starring)
How to Make Good When One is a Jerk and a Crybaby Comment reussir quand on est con et pleurnichard Two Original photographs of Jane Birkin from the 1974 film
France: Les Films du Jeudi / Gaumont 1974. Two vintage oversize borderless reference photographs one double weight of Jane Birkin from the 1974 film. <br /> <br /> A liquor salesman Jean Carmet makes up stories to obscure his pathetic life in order to succeed at both business and with women until he meets Jane Birkin. <br /> <br /> 12 x 9.5 inches. Very Good plus with creasing and wear at the extremities. Les Films du Jeudi / Gaumont unknown
Riferimento per il libraio : 149870
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Pierre Etaix (director, screenwriter, starring); Roger Forster (photographer); Jean-Claude Carriere (screenwriter); Claudine Aug
Yoyo Yo-Yo Original photograph of Pierre Etaix from the 1965 film
N.p.: N.p. 1965. Vintage borderless reference photograph of Pierre Etaix and Claudine Auger from the 1965 film.<br /> <br /> After losing everything in the stock market crash of 1929 a millionaire Etaix finds happiness his lost love Auger and the son he never knew he had by joining the circus. <br /> <br /> Nominated for the Palme d'Or.<br /> <br /> Shot on location in Morbihan Bas-Rhin and Yvelines France. <br /> <br /> 9 x 6.75 inches. Near Fine. <br /> <br /> Criterion Collection 655. N.p. unknown
Riferimento per il libraio : 149858
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Haskell Wexler (director, screenwriter); Robert Forster, Marianna Hill, Harold Blankenship, Peter Bonerz, Janet Langhart (starri
Medium Cool Three original photographs from the 1969 film
Los Angeles: Paramount Pictures 1969. Three vintage borderless reference photographs from the 1969 film a highlight of early New Hollywood cinema. One shows actor Harold Blankenship the other with actors Robert Forster Peter Bonerz and Janet Langhart. One with a printed mimeo snipe affixed to the verso along with the stamp of Paramount Pictures the other with the stamp of Israel Film Archive on the verso.<br /> <br /> A hardened and dubiously ethical television cameraman finds out he is being watched by the FBI amidst the tumultuous protests taking place around the 1968 Democratic National Convention. Highly influential for its groundbreaking use of factual historical events interspersed with fictional narrative.<br /> <br /> Featuring early music by Frank Zappa's band Mothers of Invention and addressing underlying social issues of race gender and poverty the film frankly depicted much of the growing countercultural movement of the late 1960s even going so far as to use real-life footage of civil disobedience occurring in 1968 Chicago. Due to its startlingly political narrative as well as nudity and language the film was originally given an X rating by the MPAA though by 1970 this would be downgraded to an R. <br /> <br /> One photograph 10 x 8 inches one photograph 9.5 x 7.25 inches. Near Fine.<br /> <br /> <br /> Criterion Collection 658. Spicer US Neo-Noir. Paramount Pictures unknown
Riferimento per il libraio : 149604
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Sydney J Furie (director); Frank De Felitta (novel, screenwriter); John R Hamilton, Dave Friedman (still photographers); Barbara
The Entity Original photograph from the 1982 film
Los Angeles: Twentieth Century-Fox 1982. Vintage borderless reference studio still photograph from the 1982 film. "1982 20th Century-Fox" stamp on verso. <br /> <br /> Based on the 1978 Frank De Felitta novel about a real case of an alleged haunting. In 1974 Culver City Doris Bither claimed the ghosts of three men were raping her. De Felitta was present during the investigation with lead researcher and parapsychologist Dr. Barry Taff who served as technical advisor on "The Entity" as well as being represented in the film by the character Gene Kraft. "The Entity" is one of the few possession films that ends with White Science and Black Magic in a draw. Critics of the time dismissed the film but it still became something of a cult classic that evoked "Rosemary's Baby" and "The Exorcist."<br /> <br /> Martin Scorsese considers "The Entity" as one of the greatest horror films of all time. In a Halloween themed contribution to the website "The Daily Beast" 2013 "The Entity" scored fourth place in Scorsese's list. <br /> <br /> Shot on location in El Segundo and Santa Monica California. <br /> <br /> 9.25 x 7 inches. Near Fine. <br /> <br /> Scorcese The Dark Eleven. Clover Men Women and Chainsaws. Twentieth Century-Fox unknown
Riferimento per il libraio : 149977
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Michael Dinner (director); Mark Medoff (screenwriter); Judge Reinhold, Meg Tilly, Cleavant Derricks, Joe Mantegna (starring)
Off Beat Original screenplay for the 1986 film
N.p.: N.p. 1985. Draft script for the 1986 film. With a manuscript ink annotation on the front wrapper noting copy No. 356. Missing five pages likely as used or issued.<br /> <br /> A young librarian poses as a police officer for a one-time charity dance event but attempts to maintain the ruse when he catches the attentions of a young attractive policewoman.<br /> <br /> Light blue illustrated titled wrappers. Title page present dated May 12 1985 with credits for director Michael Dinner and screenwriter Mark Medoff. 141 leaves with last page of text numbered 132. Xerographic duplication rectos only with white revision pages throughout dated variously between 5/20/85 and 7/16/85. Pages Near Fine wrapper Very Good plus bound with two gold brads.<br /> <br /> Full provenance available. N.p. unknown
Riferimento per il libraio : 149992
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Giampaolo Lomi (screenwriter)
The Holy Sorcerer Original treatment script for an unproduced film
N.p.: N.p. 1976. Treatment script for an unproduced film. <br /> <br /> Based on the true story of Padre Pio an Italian friar and mystic who was later venerated as a saint in the Catholic Church. Screenwriter Giampaolo Lomi was best known for "Tropic of Cancer" 1972 and "The Barons" 1975.<br /> <br /> Set in Italy.<br /> <br /> Mustard cloth covered titled boards. Title page present dated 1976 with credits for screenwriter GIANMPAOLO LOMI sic. 67 leaves with last page of text numbered 61. Xerographic duplication rectos only. Pages and boards Very Good plus. N.p. unknown
Riferimento per il libraio : 147259
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Jean Renoir (director, screenwriter); Rumer Godden (novel, screenwriter); Nora Swinburne, Esmond Knight, Arthur Shields, Patrici
The River Original photograph of Jean Renoir and Rumer Godden on the set of the 1951 film
Beverly Hills CA: United Artists 1951. Vintage studio still photograph of director Jean Renoir and screenwriter Rumer Godden on the set of the 1951 film. <br /> <br /> Based on Godden's 1946 novel. Renoir's first feature length film in color following an adolescent girl coming of age in British colonial India. <br /> <br /> Shot on location in West Bengal India. <br /> <br /> 8 x 10 inches. Very Good plus.<br /> <br /> Ebert III. BFI 619. Criterion Collection 276. United Artists unknown
Riferimento per il libraio : 149591
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Elia Kazan (director); Sam Shaw (photographer); William Inge (screenwriter); Natalie Wood, Pat Hingle, Warren Beatty (starring)
Splendor in the Grass Original photograph of Elia Kazan and Warren Beatty from the set of the 1961 film
N.p.: N.p. 1960. Vintage reference photograph of Elia Kazan Warren Beatty and four other female cast members on the set of the 1961 film.<br /> <br /> Warren Beatty's film debut. Natalie Wood was nominated for Best Actress Academy Award and William Inge won for Best Screenplay his first original screenplay after a career as a playwright. <br /> <br /> Family and societal pressures on Deanie Wood and Bud's Beatty heated teen romance threaten their romance and their sanity.<br /> <br /> 10.25 x 8 inches. Near Fine. <br /> <br /> Godard Histoires du cinema. N.p. unknown
Riferimento per il libraio : 150525
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Robert Frank (director); Rudolph Wurlitzer (director, screenwriter); Kevin J O'Connor, Harris Yulin, Bulle Ogier, Dr John, Joe S
Candy Mountain Six original photographs from the 1987 film
N.p.: Xanadu 1987. Six vintage borderless reference photographs from the 1987 film. With the label of Xanadu Film on the verso. <br /> <br /> Co-directed by acclaimed photographer and filmmaker Robert Frank his only feature-length fiction film and experimental novelist Rudolph Wurlitzer who wrote the screenplay. A musician's road movie heavily influenced by the lives of Frank and Wurlitzer and featuring a cast full of notable musicians such as Tom Waits Leon Redbone Dr. John Joe Strummer Arto Lindsay and David Johansen.<br /> <br /> Set in and shot on location in New York and Cape Breton Island Nova Scotia. <br /> <br /> Shot on location in New York and Nova Scotia Canada.<br /> <br /> 7 x 5 inches. Fine.<br /> <br /> <br /> Rosenbaum 1000. Xanadu unknown
Riferimento per il libraio : 149579
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Jim Belushi (screenwriter, starring); Claude Conrad (director); Fred Kaz, Marjorie Bransfield (screenwriters); Michelle Ricca (s
The Birthday Boy Is Anybody Listening Original screenplay for the 1986 television short
N.p.: Whitehorse 1986. Second Draft script for the 1986 comedy short here under the working title "Is Anybody Listening" which originally aired on August 2 on Cinemax. With a manuscript pencil annotation to the title page reading "Second Draft" and copied manuscript annotations throughout the script. <br /> <br /> A cynical beleaguered salesman for a sporting-goods store decides to take a road trip on his birthday to reconnect with his college gym coach. <br /> <br /> Self wrappers. Title page integral with front wrapper dated Monday February 10 1986 noted as Second Draft with credits for screenwriters James Belushi Fred Kaz and Marjorie Bransfield. 34 leaves with last page of text numbered 33. Xerographic duplication rectos only. Pages Very Good plus bound with two gold brads.<br /> <br /> Full provenance available. Whitehorse unknown
Riferimento per il libraio : 150006
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Jean Rollin directing as Michel Gentil (director, screenwriter); Natalie Perrey (screenwriter); Joelle Coeur, Brigitte Borghese,
Fly Me the French Way Bacchanales sexuelles Tout le monde il en a deux Five original photographs from the 1974 French film
N.p.: Nordia Films 1974. Five vintage borderless reference photographs from the 1974 erotic horror film. <br /> <br /> A young woman watching over her cousin's house is mistakenly kidnapped by a crazed sex cult.<br /> <br /> Jean Michel Rollin Roth Le Gentil more commonly known as Jean Rollin had gained notoriety and some scandal with his early French vampire films "Le Viol du Vampire" 1968 "La Vampier Nue" 1970 "Le Frisson des Vampires" 1970 and "Requiem pour un Vampire" 1971. When beginning production on his first non-vampire film "La Rose de Fer" 1973 he found himself in need of funding and began making adult sex films which he continued to direct under a variety of pseudonyms through the mid-1980s.<br /> <br /> 5 x 7 inches. Very Good plus.<br /> <br /> Bier 1669. Hinds 196. Nordia Films unknown
Riferimento per il libraio : 149588
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Juan Lopez Moctezuma (director); Emmerich Oross (screenwriter); Angelica Maria, Dean Stockwell, Donald Pleasence, Aldo Ray (star
To Kill a Stranger Rainy Days Rainy Nights Original screenplay for the 1984 film
Paris: Sofracima 1984. Early draft script for the 1984 Mexican crime film here under the working title "Rainy Days Rainy Nights." Text in English.<br /> <br /> After her car breaks down in the middle of the night in rural France a young woman is lured to the home of a local pharmacist who promises to allow her to use his telephone to call a towing company. A violent struggle soon ensues forcing the woman to kill him in self-defense after he attempts to sexually assault and strangle her. A very early draft predating substantial revisions by director Juan Lopez Moctezuma.<br /> <br /> Set in France. <br /> <br /> White non-standard Sofracima studio wrappers. Title page present with credits for screenwriter Emmerich Oross. 99 leaves with last page of text numbered 86. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with a black Velo binding. Sofracima unknown
Riferimento per il libraio : 147308
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Jean-Luc Godard (director); Anne-Marie Mieville (screenwriter, still photographer); Jean-Claude Carriere (screenwriter); Jacques
Every Man for Himself Sauve qui peut la vie Original photograph of Jean-Luc Goddard from the set of the 1980 film
N.p.: N.p. 1980. Vintage borderless reference photograph of Jean-Luc Goddard and crew on the set of the 1980 film. "Sauve qui peut / la Vie" stamp on verso with last three lines of stamp which include copyright date and photograph credit for Anne-Marie Mieville struck through with manuscript marker.<br /> <br /> A most Godardian examination of sexual relationships in which three protagonists interact in different combinations. <br /> <br /> Nominated for the Palme d'Or.<br /> <br /> Shot on location in Switzerland. <br /> <br /> 9.5 x 7 inches. Near Fine. <br /> <br /> Criterion Collection 744. Godard Histoires du cinema. N.p. unknown
Riferimento per il libraio : 149979
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Alain Robbe-Grillet (director, screenwriter); Francoise Brion, Jacques Doniol-Valcroze, Guido Celano (starring)
L'Immortelle The Immortal One Original photograph of Alain Robbe-Grillet from the set of the 1963 film
N.p.: N.p. 1963. Vintage borderless reference photograph of director Alain Robbe-Grillet on the set of the 1963 film. French "L'Immortelle" and "57- -3" stamp on verso. <br /> <br /> Directorial debut of novelist and filmmaker Alain Robbe-Grillet his first film project after writing the screenplay for Alain Resnais' "Last Year at Marienbad" 1961.<br /> <br /> Robbe-Grillet's eliptical narrative-defying tale of a withdrawn French man Jacques Doniol-Valcroze in a strange city Istanbul unable to speak the language falling in love with a mysterious woman Francoise Brion who shortly thereafter disappears.<br /> <br /> Set in and shot on location in Istanbul Turkey. <br /> <br /> 6.75 x 5 inches. Near Fine. <br /> <br /> BFI 1188. N.p. unknown
Riferimento per il libraio : 150389
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Francois Truffaut (director, screenwriter, starring); Henry James (short stories); Guy Gallice, Dominique Le Rigoleur (still pho
The Green Room Le Chambre Verte Original photograph of François Truffaut and Lauence Ragon from the 1978 film
N.p.: N.p. 1978. Vintage borderless reference photograph of François Truffaut and Laurence Ragon from the 1978 film. Layout annotations in manuscript ink "La Chambre Verte" stamp and "June 78" stamp all on verso. <br /> <br /> Based on the 1895 short story "The Altar of the Dead" by Henry James with elements of James' 1903 novella "The Beast in the Jungle" and his 1896 short story "The Way it Came."<br /> <br /> One of Truffaut's least successful films but also one of his most personal and critically acclaimed a meditation on death and on an individual's inability to live in the face of it. Truffaut stars as Julien Davenne a journalist who writes obituaries in an unfashionable journal obsesses about the loss of his wife Julie and those members of his WWI squad lost in the war which lead him to build a shrine as a memorial so that they may never be forgotten. The third and final film which Truffaut would both direct and star.<br /> <br /> Shot on location in Calvados and Eure France. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Rosenbaum 1000. N.p. unknown
Riferimento per il libraio : 150552
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David Lean (director, screenwriter); TE Lawrence (writings); Robert Bolt, Michael Wilson (screenwriters); Peter O'Toole, Alec Gu
Lawrence of Arabia Original photograph of Peter O'Toole Gamil Ratib and David Lean on the set of the 1962 film
N.p.: N.p. 1962. Vintage reference photograph of Peter O'Toole Gamil Ratib and David Lean on the set of the 1962 film. <br /> <br /> Based on the 1926 autobiography "Seven Pillars of Wisdom" by T.E. Lawrence.<br /> <br /> An incomparable film. Opening in 1935 with the death of Lawrence Peter O'Toole in a motorcycle accident at the age of 46 we then follow in flashback Lawrence as a young intelligence officer in 1916 Cairo assigned to investigate the progress of the Arab revolt against the Turks. <br /> <br /> Winner of seven Academy Awards including Best Picture.<br /> <br /> Shot on location in England Saudi Arabia Spain and Morocco. <br /> <br /> 10.25 x 8 inches. Some edge and corner wear else Near Fine.<br /> <br /> National Film Registry. Ebert I. N.p. unknown
Riferimento per il libraio : 150547
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William Dieterle (director); Irving Lippman (photographer); Harry Kleiner (screenwriter); Rita Hayworth, Stewart Granger, Charle
Salome Original photograph from the set of the 1953 film
N.p.: N.p. 1953. Vintage reference photograph of Rita Hayworth and Stewart Granger with director William Dieterle and crew from the set of the 1953 film. Mimeo snipe on verso. <br /> <br /> Columbia Pictures highly fictionalized and flamboyant Technicolor Biblical epic now considered a camp classic wherein Princess Salome Hayworth daughter of King Herod a deliciously lecherous Charles Laughton returns home from banishment and falls in love with Roman Commander Claudius Granger but is maliciously used by her evil mother Queen Herodias Judith Anderson to insure the execution of her critic John the Baptist Alan Badel.<br /> <br /> Shot on location in Israel. <br /> <br /> 10.25 x 8 inches. Very Good plus with creasing and two small closed tears to right margin. N.p. unknown
Riferimento per il libraio : 150545
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Wesley Ruggles (director); W Somerset Maugham (play); Irving Lippman (photographer); Claude Binyon (screenwriter); Jean Arthur,
Too Many Husbands Original photograph of Wesley Ruggles from the set of the 1940 film
N.p.: N.p. 1940. Vintage reference photographs of director Wesley Ruggles on the set of the 1940 film by photographer Irving Lippman. Mimeo snipe and photographer "Irving Lippman" stamp on verso. <br /> <br /> Based on the 1919 play by W. Somerset Maugham which was based on the 1864 poem "Enoch Arden" by Alfred Tennyson.<br /> <br /> Soon after presumed window Vicky Jean Arthur marries her late husband's friend and business partner Henry Melvyn Douglas her first presumed dead husband Bill Fred MacMurray shows back up and now she's got one too many.<br /> <br /> Nominated for an Academy Award.<br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Byrge and Miller The Screwball Comedy Films A History and Filmography 1934-1942. N.p. unknown
Riferimento per il libraio : 150548
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Joseph L Mankiewicz (director, screenwriter); Ben Hecht (screenwriter); Abe Burrows, Jo Swerling (book); Frank Loesser (music);
Guys and Dolls Four original candid photographs of Marlon Brando Frank Sinatra director Joseph L. Mankiewicz and composer Frank Loesser from the 1955 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1955. Four vintage candid reference photographs from the 1955 film showing variously actors Marlon Brando Frank Sinatra composer Frank Loesser and director Joseph L. Mankiewicz on the set. <br /> <br /> The first photo double weight shows Marlon Brando as Skye Masterson surreally <br /> socking one of his gangster companions in the nose. <br /> <br /> The second photo shows Brando rehearsing "Luck Be a Lady" with sheet music in hand and with the song's composer Frank Loesser at the piano.<br /> <br /> The third photo shows Sinatra and Brando in a candid moment.<br /> <br /> The fourth photo single weight shows director Joseph L. Mankiewicz and dancer Carey Leverette relaxing contemplatively Mankiewicz sitting and smoking his pipe Leverette inside a large industrial exhaust pipe.<br /> <br /> Based on the 1950 Broadway musical which was in turn based on Damon Runyon's short stories "The Idyll of Miss Sarah Brown" and "Blood Pressure." A serial gambler wins a bet that he can get a Christian missionary to travel with him to Havana where the pair begin to fall for each other. Nominated for four Academy Awards.<br /> <br /> Set in New York and Havana.<br /> <br /> All photos: 8 x 10 inches. Very Good to Near Fine overall variously with a few pinholes and very shallow creasing. Metro-Goldwyn-Mayer [MGM] unknown
Riferimento per il libraio : 149900
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Jean-Pierre Melville (director, screenwriter); Alain Delon, Richard Crenna, Catherine Deneuve (starring)
Un Flic A Cop Four original photographs of Jean-Pierre Melville Catherine Deneuve Alain Delon and Richard Crenna from the set of the 1972 film
N.p.: N.p. 1972. Four borderless reference photographs one oversize of Jean-Pierre Melville Catherine Deneuve Alain Delon and Richard Crenna on the set of and on location for the 1972 film.<br /> <br /> A police detective played by Delon in a switch from his usual criminal roles in Melville pictures is on the trail of a gang of thieves unaware that they are led by a friend. Melville's final film. <br /> <br /> Shot on location in Paris and Bordeaux France.<br /> <br /> Oversize photo 11.5 x 8.25 inches. Other photos variously from 9 x 7 inches to 10.5 x 7.25 inches. Near Fine. <br /> <br /> Grant France. Selby France. Spicer France. N.p. unknown
Riferimento per il libraio : 149967
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Terence Young (director); Bert Cann (photographer); AJ Bevans (biography); Richard Maibaum (screenwriter); Victor Mature, Michae
Zarak Collection of 13 original photographs from the 1956 film
Culver City CA: Columbia Pictures 1957. Collection of 13 vintage photographs from the 1957 US-UK co-production. Seven photographs with mimeo snipes on the verso crediting photographer Bert Cann. <br /> <br /> Very loosely based on the 1950 nonfiction book "The Story of Zarak Khan" by A.J. Bevans about an outlaw fighting against British occupation in 19th century Afghanistan pursued by a British officer with whom he develops a mutual respect. <br /> <br /> Set on the border between Afghanistan and India shot on location in England Morocco India and Burma. <br /> <br /> 8 x 10 inches. About Near Fine. Columbia Pictures unknown
Riferimento per il libraio : 150605
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Jerzy Skolimowski (director, screenwriter); Jerzy Gruza, Boleslaw Sulik (screenwriter); Jane Asher, John Moulder-Brown, Karl Mic
Deep End Original photograph of Jerzy Skolimowski and Jane Asher from the set of the 1970 film
N.p.: N.p. 1970. Vntage borderless reference photograph of Jerzy Skolimowski and Jane Asher on the set of the 1970 film. <br /> <br /> A teenage boy takes a job at a local swim club becomes obsessed with his older coworker and tries to sabotage her engagement to another man. <br /> <br /> Shot on location in Munich Germany and London. <br /> <br /> 7.25 x 9.25 inches. Light creasing and edgewear else Near Fine. <br /> <br /> BFI 1063. Grant UK. N.p. unknown
Riferimento per il libraio : 150635
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Jacques Becker (director, screenwriter); Jose Giovanni (novel); Henry Thibault (photographer); Jean Aurel (screenwriter); Michel
Le Trou The Hole Original photograph of Jacques Becker and Marc Michel from the set of the 1960 film
Paris: Lorcaster 1960. Vintage borderless reference photograph of Jacques Becker and Marc Michel on the set of the 1960 film. "Lorcaster" and "636" stamps on verso. <br /> <br /> Based on the 1957 novel by Jose Giovanni. <br /> <br /> True story of the 1947 Le Sante Prison break with one of the real escapees Keraudy playing his own character in the film. <br /> <br /> Jacques Becker's final film having died two weeks after completing the film. Nominated for the Palm d'Or.<br /> <br /> 7 x 9 inches. Some light creasing else Near Fine. <br /> <br /> Buss French Film Noir. Criterion Collection 129. Godard Histoires du Cinema. Grant France. Hayden and Schneider 1001. Selby France. Spicer France. Lorcaster unknown
Riferimento per il libraio : 149957
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Luis Bunuel (director, screenwriter); Pierre Louys (novel); Jean Distinghin (photographer); Jean-Claude Carriere (screenwriter);
That Obscure Object of Desire Cet Obscur Objet du Desir Original photograph of Luis Buñuel Fernando Rey and Angela Molina from the set of the 1977 film
N.p.: N.p. 1977. Vintage borderless reference photograph of Luis Buñuel discussing a scene with Fernando Rey and Angela Molina on the set of the 1977 film. <br /> <br /> Based on the 1898 novel "Le femme et le patin" "The Woman and the Puppet" by Pierre Louys.<br /> <br /> The tempestuous relationship between a wealthy middle aged Frenchman and a poor young Spanish dancer. The woman is played by both Carole Bouquet and Angela Molina interchangeably demonstrating the character's mercurial nature a decision Buñuel came to in desperation after original actress Maria Schneider proved a poor fit but that ultimately helped define the film as one of his late masterpieces. <br /> <br /> Nominated for two Academy Awards for Best Foreign Film and Best Screenplay.<br /> <br /> Shot on location in Switzerland Andalucia and Madrid Spain and Hauts-de-Seine and Paris France. <br /> <br /> 9.25 x 6.5 inches. Near Fine. <br /> <br /> Criterion Collection 143. Rosenbaum 1000. Schrader Canon Fodder 33. N.p. unknown
Riferimento per il libraio : 150472
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