|
Jean-Luc Godard (director, screenwriter); Georges Pierre (photographer); Eddie Constantine, Anna Karina, Akim Tamiroff (starring
Alphaville Original photograph from the 1965 French film
France: Athos Films / Chaumiane / Filmstudio 1965. Vintage borderless reference photograph from the 1965 French film. With the stamp of still photographer Georges Pierre on the verso.<br /> <br /> Jean-Luc Godard's neo-noir foray into science fiction following a secret agent in a dystopian future who is assigned to kill the machine intelligence that rules over a fascist state.<br /> <br /> Shot on location in Paris. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Criterion Collection 25. Rosenbaum 1000. Grant US. Godard Histoires du cinema. Athos Films / Chaumiane / Filmstudio unknown
Riferimento per il libraio : 149515
|
|
|
J Lee Thompson (director); Alistair MacLean (novel); Carl Foreman (screenwriter); Gregory Peck, David Niven, Anthony Quinn, Stan
The Guns of Navarone Original photograph from the 1961 film
Culver City CA: Columbia Pictures 1961. Vintage reference photograph from the 1961 film showing director J. Lee Thompson and various crew members on the set of the German gun fortress. With a printed mimeo snipe affixed to the verso along with the stamp of Columbia Pictures.<br /> <br /> Based on Alistair MacLean's 1957 novel wherein a group of Allied soldiers plan to destroy an airtight German fortress in order to save British naval ships stranded in the Aegean Sea.<br /> <br /> Set and shot on location on the Greek islands.<br /> <br /> 10 x 8 inches. Near Fine. Columbia Pictures unknown
Riferimento per il libraio : 149523
|
|
|
George Roy Hill (director); Michel del Castillo (novel); Irving Gaynor Neiman (screenwriter); Edgar Barrier, Beppie De Vries, Ge
Playhouse 90: Child of Our Time Original screenplay for the 1959 television episode
N.p.: N.p. 1959. Draft script for the 18th episode of season 3 of the 1956-1961 television playhouse series which originally aired on February 5 1959. Copy belonging to director George Roy Hill with a printed label noting his name on the verso of the front wrapper and his manuscript ink annotations throughout noting deletions and substantive changes. <br /> <br /> A kinescope of the program survived and is available for viewing only at the Paley Center for Media in Los Angeles.<br /> <br /> Based on Michel del Castillo's autobiographical 1957 novel "Tanguy." A young Spanish-French refugee is captured by the Nazis and interned in a concentration camp but finds happiness in Spain after the war. An early effort from the great George Roy Hill who was best known in the ensuing years for "Butch Cassidy and the Sundance Kid" 1969 and "The Sting" 1973. <br /> <br /> Set in France and Germany. <br /> <br /> Housed in an untitled black spring binder. Title page present dated 1-19-59 with credits for director George Roy Hill novelist Michel del Castillo and screenwriter Irving Gaynor Neiman. 134 leaves with last page of text numbered 111. Mimeograph duplication rectos only with rainbow revision pages throughout dated variously between 1/23/59 and 2-3-59. Pages Near Fine binder Very Good plus. N.p. unknown
Riferimento per il libraio : 151411
|
|
|
Jean Renoir (director, screenwriter); Charles Spaak (screenwriter); Jean Gabin, Dita Parlo, Pierre Fresnay, Erich von Stroheim (
La Grande Illusion The Grand Illusion Original program for the 1938 US premiere of the 1937 French film
New York: Filmarte 1938. Vintage program for the US premiere of the 1937 French film which opened at the Filmarte Theatre in New York on September 12 1938. <br /> <br /> A disparate group of French soldiers plan an escape from their German captors during World War I. Widely regarded as a masterpiece of French cinema a poignant look at nationalism class differences and prejudice. <br /> <br /> 5.5 x 8.75 inches. One leaf bi-fold. Near Fine. <br /> <br /> Criterion Collection 1. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Filmarte unknown
Riferimento per il libraio : 151432
|
|
|
Josef von Sternberg (director); Manuel Komroff (book); Eleanor McGeary (screenwriter); Marlene Dietrich, John Lodge, Same Jaffe
The Scarlet Empress Original photograph of Josef von Sternberg from the set of the 1934 film
Los Angeles: Paramount Pictures 1934. Vintage borderless reference photographs of Josef von Sternberg on the set of the 1934 film. Mimeo snipe printed in English and Spanish on verso. <br /> <br /> Loosely based on the diary of Catherine the Great as edited by Manuel Komroff following her from childhood through her rise to Empress. Sternberg's sixth and penultimate film starring Marlene Dietrich. <br /> <br /> 7.25 x 9.5 inches. Even fading else Near Fine. <br /> <br /> Criterion Collection 109. Ebert III. Rosenbaum 1000. Scorcese A Personal Journey Through American Movies. Paramount Pictures unknown
Riferimento per il libraio : 151492
|
|
|
Peter Yates (director); William Goldman (screenwriter); Penelope Ann Miller, Tim Daly, Luis Jourdan, Ian Richardson (starring)
Year of the Comet The Year of the Comet Original screenplay for the 1992 film
N.p.: N.p. 1991. Fourth Draft script for the 1992 film here under the working title "The Year of the Comet." <br /> <br /> An international chase ensues in pursuit of the most valuable bottle of wine in history bottled in the year of the Great Comet of 1811. <br /> <br /> Shot on location in France Scotland and England. <br /> <br /> Self front wrapper integral with title page dated February '91 noted as Fourth draft with credits for screenwriter William Goldman. 121 leaves with last page of text numbered 120. Xerographic duplication rectos only. Pages Near Fine back wrapper Very Good plus with light dampstains on bottom left bound with two gold brads. N.p. unknown
Riferimento per il libraio : 151433
|
|
|
Woody Allen (director, screenwriter, starring); David Reuben (book); John Carradine, Lou Jacobi, Louise Lasser, Anthony Quayle,
Everything You Always Wanted to Know About Sex But Were Afraid to Ask Collection of nine original photographs from the 1972 film
Beverly Hills CA: United Artists 1971. Collection of nine photographs including six black and white vintage studio still photographs two-color studio still photographs and one black and white reference photograph for the 1971 film. Included with the collection is a xerographically duplicated four-page set of captions intended to accompany the set with "for reference" written in manuscript ink annotation across the first leaf. <br /> <br /> Loosely based on David Reuben's 1969 book. Seven comic vignettes centering different weird and wacky sexual proclivities including exhibitionism bestiality and sadism. <br /> <br /> 8 x 10 inches. Near Fine. United Artists unknown
Riferimento per il libraio : 147580
|
|
|
Max Allan Collins (director, screenwriter); Patty McCormack, Sarah Jane Miller, Rachel Lemieux, Jason Miller, Brinke Stevens (st
Mommy Original screenplay for the 1995 film actor Mickey Spillane's copy
N.p.: N.p. 1995. Final Shooting script for the 1995 film. Copy belonging to noted crime writer Mickey Spillane who appeared in a cameo in the film as a personal favor to director Max Allan Collins. With Spillane's name in manuscript ink on the front wrapper and annotations highlighting lines to pages 56-59.<br /> <br /> A woman's increasingly psychotic obsession with her young daughter culminates in a string of gruesome murders. Collins' debut film following a lengthy career as a mystery novelist and comic writer. Followed by a sequel "Mommy 2: Mommy's Day" in 1997. <br /> <br /> Shot on location in Muscatine Iowa. <br /> <br /> White titled wrappers. Title page integral with front wrapper noted as FINAL SHOOTING SCRIPT on the front wrapper with credits for director Max Allan Collins. 79 leaves with last page of text numbered 79. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
Riferimento per il libraio : 151599
|
|
|
Akira Kurosawa (director, screenwriter); Keinosuke Uekusa (screenwriter); Toshiro Mifune, Takashi Shimura (starring)
Drunken Angel Original screenplay for the 1948 film noir
Tokyo: Toho Company 1948. Draft script for the 1948 Japanese film noir. Text and titles in Japanese.<br /> <br /> The first of sixteen film collaborations between director Akira Kurosawa and actor Toshiro Mifune. Kurosawa's seventh film saw him exploring the inter workings and motivations of the yakuza and machismo. Censorship was tight regarding the occupation forbidding criticism of Americans leading Kurosawa to slip in references to the US presence in Japan satirizing jazz "pan pan" girls unlicensed prostitutes catering to American soldiers and Western clothing and hairstyles.<br /> <br /> Set in the slums of postwar Japan.<br /> <br /> White titled wrappers. Approximately 40 leaves with last page of text numbered 79. Mimeograph duplication printed on rectos and versos. Pages Very Good plus wrapper Very Good plus covered in a protective plastic wrapping from when the script was used during filming side stapled. <br /> <br /> BFI 638. Criterion Collection 413. Grant Japan. Toho Company unknown
Riferimento per il libraio : 151633
|
|
|
Pier Paolo Pasolini (director, screenwriter); Divo Cavicchioli (photographer); Dante Ferretti (screenwriter); Toto, Ninetto Davo
The Hawks and the Sparrows Uccellacci e Uccellini Original photograph of Pier Paolo Pasolini from the set of the 1966 film
Rome: Arco Films 1966. Vintage borderless reference photograph of Pier Paolo Pasolini along with his script supervisor on the set of the 1966 film. Italian "Uccellacci e Uccellini" stamp photographer "Divo Cavicchioli" stamp and provenance stamp of film scholar and author "Jean-Pierre Berthome" on verso.<br /> <br /> An old man played by the famous Italian performer Toto and his son Ninetto Davoli are walking along the road and are joined by a talking philosopher crow whom we are told in an intertitle is a left-wing intellectual and may be a Marxist. Nominated for the Palm d'Or.<br /> <br /> Set in and shot on location in Assisi Fiumicino Rome Tuscania and Viterbo Italy. <br /> <br /> 7.25 x 9.5 inches. Near Fine. <br /> <br /> Godard Histoires du Cinema. Rosenbaum 1000. Arco Films unknown
Riferimento per il libraio : 151544
|
|
|
Satyajit Ray (director, screenwriter); Henrik Ibsen (play); Nemai Ghosh (photographer); Soumitra Chatterjee, Dhritiman Chatterje
An Enemy of the People Ganashatru Original photograph of Satyajit Ray from the set of the 1990 film
Mumbai: National Film Development Corporation of India NFDC 1990. Vintage reference photograph of Satyajit Ray on the set of the 1990 film. Provenance stamp of film scholar and author "Jean-Pierre Berthome" and label of photographer Nemai Ghosh on verso. Ghosh worked closely with Ray as his official still photographer for nearly twenty-five years.<br /> <br /> Based on the 1882 play by Henrik Ibsen. When a good doctor discovers the cause of an outbreak of illness among the townsfolk is the holy water at the local temple and tourist attraction he is met with unexpected resistance and hostility. <br /> <br /> Set in the town of Chandipur India. <br /> <br /> 4.25 x 6.25 inches narrow margins. Very Good plus. <br /> <br /> Criterion Collection Eclipise 40. National Film Development Corporation of India (NFDC) unknown
Riferimento per il libraio : 151534
|
|
|
Francois Truffaut (director, screenwriter); Cornell Woolrich (novel); Jean-Paul Belmondo, Catherine Deneuve, Nelly Borgeaud (sta
Mississippi Mermaid La sirene du Mississipi Original photograph of François Truffaut from the set of the 1969 film
Paris: les Films du Carrosse 1969. Vintage borderless double weight reference photograph of director François Truffaut on the set of the 1969 French neo-noir film.<br /> <br /> Based on Cornell Woolrich's 1947 novel "Waltz into Darkness." A wealthy plantation owner on an island in the Indian Ocean anticipates the arrival of his bride-to-be but is surprised to discover the woman who arrives from France bears no resemblance to the woman in the photograph.<br /> <br /> Set in and shot on Reunion Island and Nice France.<br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Grant US. les Films du Carrosse unknown
Riferimento per il libraio : 151531
|
|
|
Federico Fellini (director, screenwriter); Petronius (book); Mary Ellen Mark (photographer); Bernardino Zapponi, Brunello Rondi
Fellini Satyricon Original photograph of Federico Fellini from the set of the 1969 film
N.p.: Produzione Europee Associate PEA 1969. Vintage borderless double weight reference photograph with left margin of Federico Fellini on the set of the 1969 film. Three "Christophe L." provenance stamps on verso. <br /> <br /> Loosely based on the late first century satire by Gaius Petronius. Fellini's dream-like depiction of first century imperial Rome in a series of gloriously decadent extravagant and grotesque episodes following the pan-sexual scholar Encolpius Potter and his insatiable friend Ascyltus Hiram Keller. Nominated for an Academy Award for Best Director.<br /> <br /> Shot on location in Rome Italy. <br /> <br /> 8 x 10 inches. Very Good plus with light rippling at top and 1.5 inch crease at bottom. <br /> <br /> Criterion Collection 747. Eureka! Masters of Cinema 112. Produzione Europee Associate (PEA) unknown
Riferimento per il libraio : 151549
|
|
|
Francois Truffaut (director, screenwriter); Christian Simonpietri (photographer); Suzanne Schiffman (screenwriter); Jean-Francoi
Pocket Money Small Change Original photograph from the set of the 1976 film
Paris: Les Films du Carrosse 1975. Vintage borderless reference photograph of François Truffaut cinematographer Pierre-William Glenn and cast and crew members on the set of the 1976 film. French and English printed snipe and "Sygma" and photographer "Simonpietri" stamps on verso.<br /> <br /> An interrelated series of vignettes about the lives of children in a small French town primarily using non-professional actors ranging in age from infancy to 14 years old. One of Truffaut's best loved and most financially successful films. <br /> <br /> Set in and shot on location in and around Thiers France. <br /> <br /> 11.75 x 8 inches. Near Fine. Les Films du Carrosse unknown
Riferimento per il libraio : 151533
|
|
|
Roger Vadim (director, screenwriter); Walter Carone (photographer); Jean Aurel, Claude Brule (screenwriters); Brigitte Bardot, M
Please Not Now! La Bride sur le cou Original photograph of Roger Vadim and Brigitte Bardot from the set of the 1961 film
N.p.: International Classics 1961. Vintage borderless reference photograph of Brigitte Bardot and director Roger Vadim on the set of the 1961 film. "Photo Walter Carone" stamp two "La Bride sur le cou" stamps and faint recurring "Paris Match Marie Claire" stamps on verso. <br /> <br /> Sophie learns her boyfriend is thinking of leaving her for another woman and her first thought is to win him back or kill the woman but with the help of her friend Alain she resolves on the former.<br /> <br /> Shot on location in Alps Haute-Savoie France. <br /> <br /> 7.75 x 10.25 inches. Very Good plus. International Classics unknown
Riferimento per il libraio : 151518
|
|
|
Francois Truffaut (director, screenwriter); Andre Dino (photographer); Marcel Moussy (screenwriter); Jean-Pierre Leaud, Albert R
The 400 Blows Les Quatre Cents Coups Original photograph of François Truffaut and Guy Decomble from the set of the 1959 film
Paris: les Films du Carrosse 1959. Vintage borderless reference photograph with bottom margin of François Truffaut and Guy Decomble on the set of the 1959 film. "Les Quatre Cents Coups" and "Telerama" stamps on verso. <br /> <br /> Truffaut's auspicious debut winner of Best Director at Cannes nominated for the Palme d'Or and also nominated for a Best Original Screenplay Oscar the following year. <br /> <br /> Set in and shot on location in Paris France. <br /> <br /> 6.75 x 5 inches. Near Fine. <br /> <br /> Criterion Collection 5. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. les Films du Carrosse unknown
Riferimento per il libraio : 151523
|
|
|
Pierre Etaix (director, screenwriter, starring); Roger Forster (photographer); Jean-Claude Carriere (screenwriter); Claudine Aug
Yoyo Yo-Yo Original photograph of Pierre Etaix behind the camera on the set of the 1965 film
Lausanne: Majestic Films 1965. Vintage borderless reference photograph of Pierre Etaix on the set of the 1965 film. "Majestic Films S.A." and "Yoyo" stamps on verso.<br /> <br /> After losing everything in the stock market crash of 1929 a millionaire Etaix finds happiness his lost love Auger and the son he never knew he had by joining the circus. Nominated for the Palme d'Or.<br /> <br /> Shot on location in Morbihan Bas-Rhin and Yvelines France. <br /> <br /> 7 x 5 inches. Near Fine. <br /> <br /> Criterion Collection 655. Majestic Films unknown
Riferimento per il libraio : 151530
|
|
|
Jacques Demy (director, screenwriter); Sylvain Legrand (photographer); Francis Huster, Laurent Malet, Jean Marais (starring)
Parking Original photograph from the 1985 film
Paris: France 3 Cinema 1985. Vintage matte reference photograph of Marie-France Pisier Francis Huster and Jean Marais from the 1985 film. Provenance stamp of film scholar and author "Jean-Pierre Berthome" on verso.<br /> <br /> Jacques Demy's homage to and an update on Jean Cocteau's 1950 masterwork "Orpheus." A quintessentially 1980s Rock Opera musical with Orpheus as a French pop star and Cocteau's Orpheus Marais returning as Hades operating out of an underground parking garage. Music by Demy's long-time collaborator Michel Legrand.<br /> <br /> Set in and shot on location in Paris France. <br /> <br /> 9.5 x 7 inches. Near Fine. France 3 Cinema unknown
Riferimento per il libraio : 151510
|
|
|
Jacques Demy (director, screenwriter); Yves Montand, Mathilda May, Francoise Fabian (starring)
Three Seats for the 26th Trois Places pour le 26 Two original photograph of Jacques Demy from the set of the 1988 film
N.p.: AMLF 1988. Two vintage reference photographs of Jacques Demy on the set of the 1988 film. <br /> <br /> Demy's fanciful portrait of the life of singer and actor Yves Montand playing himself who returns to Marseille the city of his childhood to rehearse a stage musical based on his life and falls in love the female lead Marian only to discover she is his daughter. Music by Demy's long-time collaborator Michel Legrand. Demy's final film before his unexpected death in 1990.<br /> <br /> Set in and shot on location in Marseille France. <br /> <br /> 5 x 7 inches. Near Fine. <br /> <br /> Rosenbaum 1000. AMLF unknown
Riferimento per il libraio : 151514
|
|
|
Luchino Visconti (director, screenwriter); Thomas Mann (novel); Eva Sereny (photographer); Nicola Badalucco (screenwriter); Dirk
Death in Venice Original photograph of Luchino Visconti and Silvana Mangano from the set of the 1971 film
N.p.: Alfa Cinematografica 1971. Vintage oversize borderless reference photograph of Luchino Visconti and Silvana Mangano on the set of the 1971 film. Mimeo snipe "Parimage" stamp and "Camera Press" stamp on verso. <br /> <br /> Based on Thomas Mann's 1912 novella. Mann's lonely and obsessed novelist was transformed by Visconti into a composer based on Mahler who travels to Venice for his health and becomes increasingly obsessed with an adolescent Polish boy. The middle film of Visconit's "German Trilogy" an impressionistic conceptual cycle that begins with "The Damned" 1969 and ends with "Ludwig" 1972. Nominated for an Academy Award and for the Palm d'Or.<br /> <br /> Shot on location in Venice Italy. <br /> <br /> 12 x 9 inches. Very Good plus with some creasing and two small closed tears to left edge. <br /> <br /> Criterion Collection 962. Vogel Film as a Subversive Art. Alfa Cinematografica unknown
Riferimento per il libraio : 151550
|
|
|
Jacques Demy (director, screenwriter); Yves Montand, Mathilda May, Francoise Fabian (starring)
Three Seats for the 26th Trois Places pour le 26 Original photograph of Jacques Demy and Yves Montand from the set of the 1988 film
N.p.: AMLF 1988. Vintage reference photograph of Jacques Demy and Yves Montand on the set of the 1988 film. <br /> <br /> Demy's fanciful portrait of the life of singer and actor Yves Montand playing himself who returns to Marseille the city of his childhood to rehearse a stage musical based on his life and falls in love the female lead Marian only to discover she is his daughter. Music by Demy's long-time collaborator Michel Legrand. Demy's final film before his unexpected death in 1990.<br /> <br /> Set in and shot on location in Marseille France. <br /> <br /> 9.5 x 7 inches. Near Fine. <br /> <br /> Rosenbaum 1000. AMLF unknown
Riferimento per il libraio : 151512
|
|
|
George Fitzmaurice (director); Benjamiin Glazer, Leo Birinski (screenwriter); Greta Garbo, Ramon Novarro, Lionel Barrymore, Lewi
Mata Hari Original screenplay for the 1931 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1931. Draft script for the 1931 film with annotations in manuscript pencil primarily in later half of script largely regarding dialogue but also setting and shots. <br /> <br /> A largely fictionalized account of the life of Mata Hari exotic dancer and courtesan who was executed by France for espionage during World War I. A sensation in the US and Europe it was Greta Garbo's most commercially successful film. The pre-Code film was censored upon its reissue in 1936 which was the only version believed to exist until 2005 when an uncut French and Dutch subtitled version was screened at the Cinematheque Royale de Belgique in Brussels.<br /> <br /> Set in 1917 Paris shot on location in Agoura California. <br /> <br /> Tan titled wrappers with credits for screenwriters Benjamin Glazer and Leo Birinski and M-G-M label dated "Copied May 4 1931." Title page present with credits for screenwriters Benjamin Glazer and Leo Birinski. 172 leaves with last page of text numbered 169. Mimeograph duplication rectos only with six white revision pages dated June 5 1931. Pages Very Good plus with foxing and edgewear and stain to upper right of title page Wrapper Very Good with light soiling and chipping and closed tears to extremities and spine and upper right section cut from rear wrapper bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown
Riferimento per il libraio : 151422
|
|
|
Henry Koster (director); John Furia Jr, Sally Benson (screenwriter); Debbie Reynolds, Ricardo Montalban, Greer Garson, Juanita M
The Singing Nun Original screenplay for the 1966 film actor Juanita Moore's presentation copy with two inscriptions from Debbie Reynolds
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1965. Draft script for the 1966 film. Specially bound copy belonging to actress Juanita Moore bound in full red leather with twelve reference photographs from the film tipped in and containing two inscriptions from actress Debbie Reynolds. The first inscription by Reynolds on the verso of the first leaf in manuscript ink is "Juanita I Love you! You are the greatest! My deepest Thanks Love Debbie" the second on a the recto of a photograph of Reynolds and Moore from the film in manuscript marker and making reference to Reynold's character is "What feeling! What a face! What an actress! What a great Lady! Your Fan Sister Ann."<br /> <br /> A fanciful biography on the life of Belgian nun Jeanine Deckers who recorded the number one hit pop song "Dominique" in 1963. Nominated for an Academy Award.<br /> <br /> Set in and shot on location in Gent Belgium. <br /> <br /> Red full leather binding with gilt titles and with actor Juanita Moore's name in gilt at the bottom right corner of the front board. Title page integral with first page dated 9-2-65. 150 leaves with last page of text numbered "130-135." Mimeograph duplication rectos only with pink blue green and gray revision pages throughout dated variously between 11-4-65 and 11-24-65. Pages Near Fine wrapper Very Good with front wrapper detached. Metro-Goldwyn-Mayer [MGM] unknown
Riferimento per il libraio : 151469
|
|
|
Jack Lewis (screenwriter)
Matinee Theatre: Son of Thirty-Seven Fathers Original screenplay for the 1957 television episode
N.p.: N.p. 1956. Draft script for the ninth episode of the third season of the anthology series "Matinee Theatre" which originally aired on September 12 1957 on NBC. With two manuscript pencil annotations to the title page.<br /> <br /> During the Korean War a young Korean boy whose family has been killed in a recent bombing is informally adopted by a US military outfit. When an important map goes missing the commanding officers jump at the chance to blame the boy forcing the soldiers to debate whether his ethnicity alone is enough to condemn him. Screenwriter Jack Lewis was best known for "The Amazing Transparent Man" 1960 and for his prolific work in Western films such as "Outlaw Gold" 1950 "Whistling Hills" 1951 and "Black Eagle of Santa Fe" 1965.<br /> <br /> Set in Korea. <br /> <br /> Orange titled wrappers with credits for screenwriter Jack Lewis. Title page present with credits for screenwriter Jack Lewis. 67 leaves with last page of text numbered 66. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with three gold brads. N.p. unknown
Riferimento per il libraio : 147226
|
|
|
Robin Spry (director, screenwriter); Arthur Fuller, Douglas Bowie (screenwriter); Tom Alderman (book); Kerrie Keane, Daniel Pilo
Hitting Home Hit and Run Original screenplay for the 1988 television film
Montreal: A.S.A. Productions 1980. Second Draft script for the 1988 television film which originally aired on New Star Entertainment on September 21 here under the working title "Hit and Run." <br /> <br /> Based on Tom Alderman's 1976 novel "Hit and Run" wherein a devastated Canadian woman hires a private detective to track down the driver who killed her teenage son in a hit and run accident. <br /> <br /> Set and shot on location in New York City and Montreal.<br /> <br /> Blue untitled wrappers white comb binding. Title page present dated 1980 noted as SECOND DRAFT with credits for director ROBIN SPRY screenwriter ARTHUR FULLER and novelist TOM ALDERMAN. 128 leaves with last page of text numbered 127. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus. A.S.A. Productions unknown
Riferimento per il libraio : 147222
|
|
|
Tom Hartland (screenwriter)
Jump Way Original screenplay for an unproduced film
N.p.: N.p. Unknown. Draft script for an unproduced film. <br /> <br /> A middle-aged state legislator newly out of a job decides to run for president. <br /> <br /> Set in Washington DC.<br /> <br /> Non-standard untitled Tommy's Productions wrappers. Title page present with credits for screenwriter TOM HARTLAND. 56 leaves with last page of text numbered 105. Xerographic duplication rectos and versos. Pages Very Good plus wrapper Very Good with front wrapper partially detached from the binding side stapled with three staples. N.p. unknown
Riferimento per il libraio : 147142
|
|
|
Joseph Pevney (director); Hank Searls (novel); Charles Schnee (screenwriter); Dana Andrews, Rhonda Fleming, Efrem Zimbalist Jr (
The Crowded Sky Original screenplay for the 1960 film
Burbank CA: Warner Brothers 1959. Estimating script for the 1960 film on yellow stock except title/distribution page white and second "This Script Is Not Final ." page pink copy belonging to uncredited crew member Nick Bova with name in manuscript ink on front wrapper and annotations in manuscript red pencil graphite pencil and ink throughout. <br /> <br /> Based on the 1960 novel by Hank Searls. The troubled and complicated lives of passengers and crew of a commercial airliner and a US Navy jet are examined as severe weather and a malfunctioning radio bring the two planes on an inextricable course toward collision.<br /> <br /> Shot on location in Washington DC and Naval Air Station North Island Coronado California. <br /> <br /> Beige titled wrappers noted as ESTIMATING SCRIPT on the front wrapper rubber-stamped copy No. 60 dated June 5 1959. Title page integral with Distribution page receipt intact dated 6/5/59 noted as ESTIMATING. 128 leaves with last page of text numbered 122. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with two gold brads. Warner Brothers unknown
Riferimento per il libraio : 151413
|
|
|
Frederic Mauzens (play); Robert Wyler (screenwriter)
He Had It In Him Original treatment script for an unproduced film
N.p.: N.p. 1954. Treatment script for an unproduced film. With a copied manuscript annotation on the front wrapper and title page noting: "BASED ON the play and NOVEL / "THE HUMAN STRONGBOX" / by / Frederic MAUZENS." <br /> <br /> Based on Frederic Mauzens' 1941 play "The Human Strong Box" about a daffy young man who accidentally swallows a priceless ruby and subsequently must defend his intestines from thugs and jewel thieves. <br /> <br /> Set in Manhattan NY.<br /> <br /> Orange titled wrappers dated November 1954 with credits for screenwriter ROBERT WYLER and play and novel credits to Frederic Mauzens. Title page present dated November 1954 with credits for screenwriter ROBERT WYLER and play and novel credits to Frederic Mauzens. 28 leaves with last page of text numbered 27. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown
Riferimento per il libraio : 147138
|
|
|
Michael Scheff (screenwriter); David Spector (screenwriter)
Buzzard's Luck Tennessee Overdrive Original screenplay for an unproduced film
N.p.: N.p. 1970. Draft script for an unproduced film also noted under the working title "Tennessee Overdrive" though it should be noted that by the writing of this draft the locale for the intended film was changed from Tennessee to Texas.<br /> <br /> A ex-convict looking to pay his debts teams up with a hardened trucker determined to keep his small trucking operation in spite of violent intimidation tactics by a rival company. The two men make their way along a Texas trucking route culminating in a shootout just outside Austin. Screenwriters Michael Scheff and David Spector were best known for the disaster thriller "Airport '77" 1977. <br /> <br /> Yellow generic studio wrappers. Title page present with credits for screenwriters Michael Scheff and David Spector. 130 leaves with last page of text numbered 127. Xerographic duplication rectos only. Pages Very Good wrapper Very Good with light tide marks to the top edges of the wrapper and leaves bound internally with three gold brads. N.p. unknown
Riferimento per il libraio : 147208
|
|
|
James Goldstone (director); Harold Livingston (screenwriter); Robert Goulet, Peter Mark Richman, Richard Carlyle, Robert Doyle (
Blue Light: The Friendly Enemy Original screenplay for the 1966 television episode
Los Angeles: Twentieth Century-Fox Television 1965. First Draft script for the 14th and final episode of the first and only season of "Blue Light" originally aired on ABC on May 18 1966. With manuscript ink annotations to the cast list noting the names of prospective actors for each role.<br /> <br /> An American spy living in Germany during World War II receives orders to kill a scientist who appears to be completing an atomic bomb for the SS but soon realizes the man may be working against the Nazis after all.<br /> <br /> Set in Germany. <br /> <br /> Red titled wrappers noted as FIRST DRAFT on the front wrapper dated DECEMBER 22 1965. Title page present dated December 22 1965 noted as FIRST DRAFT with credits for screenwriter Harold Livingstone. 36 leaves with last page of text numbered 33. Mimeograph duplication on eye-rest green stock rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Twentieth Century-Fox Television unknown
Riferimento per il libraio : 147218
|
|
|
Scott Fitz-Randolph (screenwriter); James L Stewart (screenwriter)
Troubadour Original treatment script for an unproduced television series
N.p.: N.p. 1980. Treatment script for an unproduced television series. <br /> <br /> Two Americans busk their way across Europe traveling only with their guitars and the clothing on their backs.<br /> <br /> Green titled wrappers. Title page present with credits for screenwriters Scott Fitz-Randolph and James L. Stewart. 13 leaves with last page of text numbered 11. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with a small dampstain on the front wrapper bound with three gold brads. N.p. unknown
Riferimento per il libraio : 147217
|
|
|
Beth Keele (screenwriter)
A Stitch in Time Original screenplay for an unproduced film
N.p.: N.p. 1970. Draft script for an unproduced film. <br /> <br /> Set in the US in the early 1910s the film follows the disparate lives of two women starting on the day of their college graduation. <br /> <br /> Blue titled wrappers. Title page present with credits for screenwriter Beth Keele. 102 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with three gold brads. N.p. unknown
Riferimento per il libraio : 147135
|
|
|
Jean Renoir (director, screenwriter); Emile Zola (novel); Sam Levin (photographer); Jean Gabin, Simone Simon, Fernand Ledoux (st
La Bete Humaine Original double weight oversize photograph from the 1938 film
Paris: Paris Film 1938. Vintage oversize double weight reference photograph from the 1938 film showing actors Jean Gabin and Julien Carette.<br /> <br /> Based on the 1890 social realist novel by Emile Zola. Director Jean Renoir's film remains true to the proletarian source material while grafting on elements of film noir and his own humanist philosophy. One of the director's biggest commercial successes with a powerful lead performance by Jean Gabin. Remade in the US by Fritz Lang in 1954 as "Human Desire."<br /> <br /> 15.75 x 12 inches. Very Good plus with creasing to far bottom corners with a small bruise on right side small crease to top right and a very small closed tear in top margin.<br /> <br /> Criterion Collection 324. Godard Histoires du cinema. Grant France. Rosenbaum 1000. Paris Film unknown
Riferimento per il libraio : 151968
|
|
|
Jean-Luc Godard (director, screenwriter); Georges Pierre (photographer); Eddie Constantine, Anna Karina, Akim Tamiroff (starring
Alphaville Original photograph of Eddie Constantine from the 1965 film
N.p.: Andre Michelin Productions 1965. Vintage borderless reference photograph of Eddie Constantine as Lemmy Caution in bed armed and reading a French translation of Raymond Chandler's "The Big Sleep" from the 1965 film. Printed snipe and provenance stamp of "G. Toussier" on verso. <br /> <br /> Jean-Luc Godard's neo-noir foray into science fiction transplanting the fictional detective Lemmy Caution Constantine into a dystopian future assigned to kill the machine intelligence that rules over a fascist state where emotion is outlawed.<br /> <br /> 9.5 x 7.25 inches. Very light edgewear to the corners else Near Fine. <br /> <br /> Criterion Collection 25. Godard Histoires du Cinema. Grant France. Rosenbaum 1000. Andre Michelin Productions unknown
Riferimento per il libraio : 151996
|
|
|
Bernardo Bertolucci (director, screenwriter); Alberto Moravia (novel); Angelo Novi (photographer); Jean-Louis Trintignant, Stefa
The Conformist Original photograph from the 1970 film
Rome: Mars Film 1970. Vintage borderless reference photograph of Jean-Louis Trintignant and Stefania Sandrelli from the 1970 film. Stamp of photographer Angelo Novi on verso. <br /> <br /> An intricate and incisive examination of the psychological tribulations of a man who will do anything to be "normal." Marcello Clerici Trintignant a young and upper-middle class Italian joins Mussolini's Organization for Vigilance and Repression of Anti-Fascism and his first assignment is to assassinate his former teacher a political dissident now residing in France with his attractive young wife. Under the guise of taking his new bride Gulia on a honeymoon Marcello travels to France to complete his mission. <br /> <br /> Lauded for its fantastic cinematography and expressionistic style often compared stylistically to early German Expressionist works such as Leni Riefenstahl's "Triumph of the Will" or Fritz Lang's "Metropolis."<br /> <br /> 9.5 x 7.25 inches. Near Fine. <br /> <br /> Arrow Academy 709. Schrader's Canon Fodder 14. Grant Italy. Mars Film unknown
Riferimento per il libraio : 151976
|
|
|
Francois Truffaut (director, screenwriter); Henri-Pierre Roche (novel); Jean Gruault (screenwriter); Jeanne Moreau, Oskar Werner
Jules and Jim Jules et Jim Original photograph of Jeanne Moreau and Henri Serre from the 1962 film
Paris: les Films du Carrosse 1962. Vintage borderless reference photograph of Henri Serre painting a moustache on Jeanne Moreau from the 1962 film. <br /> <br /> Based on the 1953 novel by Henri-Pierre Roche. One of the founding films of the French New Wave examining a long relationship between two men and an impulsive young woman before during and after the First World War. <br /> <br /> Shot on location throughout France. <br /> <br /> 7 x 9.25 inches. Small crease on far bottom left corner else Near Fine. <br /> <br /> Criterion Collection 281. Ebert II. Schrader Canon Fodder 27. les Films du Carrosse unknown
Riferimento per il libraio : 151990
|
|
|
Claude Sautet (director, screenwriter); Georges Pierre (photographer); Jean-Loup Dabadie, Claude Neron (screenwriters); Yves Mon
Cesar and Rosalie Cesar et Rosalie Original photograph of Romy Schneider Yves Montand and Sami Frey on the set of the 1972 film
N.p.: Fildebroc 1972. Vintage borderless reference photograph of Sami Frey Romy Schneider and Yves Montand on the set of the 1972 film. Two "Le Spectacle du Monde" stamps and a "NOV 1972" stamp on verso. <br /> <br /> Cesar Montand is desperate to win the affections of Rosalie Schneider only to be complicated by the arrival of her old flame David Frey. <br /> <br /> Set in and shot on location in Paris and Ile de Noirmoutier France. <br /> <br /> 9.25 x 6.5 inches. Near Fine. Fildebroc unknown
Riferimento per il libraio : 151979
|
|
|
Erich von Stroheim (director, screenwriter); Frank Norris (novel); Warren Lynch (photographer); June Mathis (screenwriter); Zasu
Greed Original photograph of the cast and crew from the set of the 1925 film
N.p.: Metro-Goldwyn-Mayer MGM 1923. Vintage reference photograph of the cast crew and onlookers from the set of the 1925 film. Mimeo snipe and annotations in manuscript ink on verso.<br /> <br /> Based on the 1899 novel "McTeague" by Frank Norris. An impoverished miner-turned-dentist wins the lottery but the ensuing fortune threatens to ruin the lives of everyone it touches. Director Erich von Stroheim's masterpiece one of the first films to be shot entirely on location in San Francisco and Death Valley using what were then considered sophisticated and relatively new filming techniques such as montage editing and deep focus. <br /> <br /> Stroheim's first cut of the film was a mammoth 9.5 hour presentation edited down to two and a half hours against his wishes. All that survives today is a restored slightly choppy but coherent 240-minute version supplanted with still photographs that conveys to the viewer the unimaginable grandeur of the original. <br /> <br /> 8 x 10 inches. Very Good plus with a small closed tear in bottom margin and faint creasing. <br /> <br /> National Film Registry. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Metro-Goldwyn-Mayer [MGM] unknown
Riferimento per il libraio : 151959
|
|
|
Serge Gainsbourg (director, screenwriter, composer); Jane Birkin, Joe Dallesandro, Huges Quester (starring)
Je t'aime moi non plus I Love You I Don't Original photograph of Jane Birkin from the 1976 film
Paris: President Films 1976. Vintage borderless reference photograph of Jane Birkin from the 1976 film. "Societe Nationale" stamp on verso. <br /> <br /> Waitress Johnny works and lives in a truck stop lonely and longing for love. She develops a crush on the garbage truck driver Krassky although her sleazy boss Boris warns her that Krassky is gay. Krassky likes Johnny too perhaps because of her boyish physique. But both of them fail to notice the growing jealousy of Krassky's boyfriend Padovan and trouble sets in. <br /> <br /> Billy Stevenson of notes in the "A Film Canon" blog: "Serge Gainsbourg directed this film based on his iconic song and it plays as an extended gloss on that song an attempt to visualize what was happening during those infamous sighs and pants . It is a testament to Gainsbourg's commitment to the song and his own status as sexual outlaw that he presents us with a film that's just as confronting and titillating some 30 years later. <br /> <br /> "Set against a drifting rambling desert backdrop part New Wave part New Hollywood. Johnny and Krassky's attraction is sexually charged and yet it doesn't seem to conform to their sexual proclivities.with an audioverite that makes you wonder whether these scenes might actually involve real sex. In its yearning to experience sex in every conceivable way-as a gay man as a lesbian as a man as a woman as pleasure as pain-the film ends up virtualizing it or at least generalizing it into an undifferentiated sexual access that feels quite incorporeal a clear forerunner to both the Cinema du Look and art porn movements."<br /> <br /> 6.5 x 9 inches. Near Fine. President Films unknown
Riferimento per il libraio : 151965
|
|
|
Michelangelo Antonioni (director, screenwriter); Tonino Guerra (screenwriter); Monica Vitti, Richard Harris (starring)
Red Desert Il deserto rosso Original photograph of Monica Vitti and Richard Harris from the 1964 film
Rome: Film Duemila 1964. Vintage borderless reference photograph of Monica Vitti and Richard Harris from the 1964 film. "Deserto Ross" stamp on verso. <br /> <br /> Antonioni's first color film and the last in a quartet of films made between 1959 and 1964 about women in modern culture preceded by "L'avventura" "La Notte" and L'Eclisse" and the lie of happiness and better living. This entry very much an antecedent to Todd Haynes' "Safe" 1995 focuses on Vitti a woman trying to survive in the modern world of cultural neurosis and existential doubt. Carlo Di Palma's cinematography remains legendary today for its stunningly colored industrial landscapes beautifully and yet indirectly evoking Vitti's unease alienation and vivid perceptions. <br /> <br /> Shot on location in Ravenna Sardinia and Rome Italy. <br /> <br /> 9.5 x 12 inches. Near Fine. <br /> <br /> BFI 1134. Criterion Collection 522. Godard Histoires du cinema. Rosenbaum 1000. Film Duemila unknown
Riferimento per il libraio : 152012
|
|
|
Michel Audiard (director); Jean-Marie Poire (screenwriter); Jean Carmet, Stephane Audran, Jane Birkin (starring)
How to Make Good When One is a Jerk and a Crybaby Comment reussir quand on est con et pleurnichard Two Original oversize color photographs of Jane Birkin from the 1974 film
France: Les Films du Jeudi 1974. Two vintage oversize borderless double weight color reference photographs of Jane Birkin from the 1974 film. <br /> <br /> A liquor salesman Jean Carmet makes up stories to obscure his pathetic life in order to succeed at both business and with women until he meets Jane Birkin. <br /> <br /> 12 x 9.5 inches. Light wear at the extremities else Near Fine. Les Films du Jeudi unknown
Riferimento per il libraio : 152021
|
|
|
Howard Hawks (director); Pat Frank (short story); John Fenton Murray, Steve McNeil (screenwriter); Rock Hudson, Paula Prentiss,
Man's Favorite Sport Original photograph from the set of the 1964 film
Universal City: Universal Pictures 1963. Vintage reference photograph of Paula Prentiss Howard Hawks and Maria Perschy on the set of the 1964 film. Mimeo snipe on verso.<br /> <br /> Based on the short story "The Girl Who Almost Got Away" by Pat Frank published in the July 1950 issue of Cosmopolitan magazine. Roger Willoughby Rock Hudson esteemed author and expert on fishing has never fished and when outspoken and unshakable PR agent Abigail Page Prentiss enters him into a fishing tournament mayhem and possibly romance ensues. <br /> <br /> Howard Hawks' homage to the screwball comedies of the 1930s and 40s particularly his' own 1938 classic "Bringing Up Baby" starring Katherine Hepburn and Cary Grant who he tried unsuccessfully to get to reprise their roles.<br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Godard Histoires du Cinema. Universal Pictures unknown
Riferimento per il libraio : 151796
|
|
|
Jeanne Moreau Brigitte Bardot (starring); Louis Malle (director, screenwriter); Jean-Claude Carriere (screenwriter); George Hami
Viva Maria! Three original photographs taken on the set of the 1965 film
N.p.: N.p. 1965. Three vintage borderless photographs including one double weight and two single-weight from the set of the 1965 French film. One photograph showing director Louis Malle relaxing with a camera crew to his right one photograph showing Malle with actresses Brigitte Bardot and Jeanne Moreau in conversation with Malle looking on and the final photograph showing Malle and Bardot during filming on location. All photographs with manuscript ink annotations to the verso. <br /> <br /> Director Louis Malle's sixth film a humorous and subversive gender-swapped twist on the buddy movie about two women named Maria who enjoy a variety of unusual experiences together including inventing striptease for a traveling circus and leading a socialist revolutionary uprising.<br /> <br /> Set in 1900s Central America shot on location in Mexico. <br /> <br /> Two photographs approximately 9.5 x 7.25 inches one photograph 9.75 x 8 inches. Near Fine. N.p. unknown
Riferimento per il libraio : 152112
|
|
|
Peter Bogdanovich (director, screenwriter); John Ford, Orson Welles, Clint Eastwood, Katharine Hepburn, John Wayne, Martin Scors
Directed by John Ford Two original photographs from the 1971 film
Los Angeles: American Film Institute AFI 1972. Two vintage studio still photographs one borderless with a bottom margin and one with a wide bottom margin of Peter Bogdanovich and John Ford from the 1971 film. One with a mimeo snipe on verso for the 9th New York Film Festival the film's US premiere. <br /> <br /> Bogdanovich's documentary on the life and films of he seminal director interviewing the notoriously obstinate man himself as well as some of his most famous actors notably Henry Fonda James Stewart and John Wayne. Affording the rights to the clips however exhausted the film's AFI funding resulting in the film being rarely shown and then only in non-profit venues. In 2006 Bogdanovich having been dissatisfied with the initial version re-edited and included additional interviews with actors and directors including Clint Eastwood Martin Scorsese Steven Spielberg and Walter Hill.<br /> <br /> 8 x 10 inches. Some light creasing else Near Fine. <br /> <br /> Scorsese A Personal Journey Through American Movies. American Film Institute [AFI] unknown
Riferimento per il libraio : 151872
|
|
|
William Dieterle (director, starring); Charlotte Hagenbruch (screenwriter); Lien Deyers, Julius Brandt, Elsa Wagner (starring)
Rustle of Spring Fruhlingsrauschen Seven original oversize photographs from the 1929 German silent film
N.p.: N.p. 1929. Seven vintage oversize double weight reference photographs four of William Dieterle and Lien Deyers two of Dieterle and one of Dieterle and Nikolai Malikoff from the 1929 German silent film-made prior to Dieterle fleeing Germany.<br /> <br /> Viola von Birkenfeld Deyers falls madly in love with the young Friedrich von Bornim Dieterle while he cares for her grandfather after an accident. Upon finding out Friedrich is married her grandfather seeks retribution for breaking his granddaughter's heart. <br /> <br /> 15.5 x 12 inches. Near Fine. N.p. unknown
Riferimento per il libraio : 151068
|
|
|
Lucas Demare (director, screenwriter); Ariel Cortazzo (screenwriter); Luis Sandrini, Maria Jose Demare, Victor Laplace (starring
Pajaro loco Original poster for the 1971 film
Argentina: Sono Film 1971. Vintage poster for the 1971 comedy film starring legendary Argentinian comedian Luis Sandrini. <br /> <br /> 29 x 43 inches. Very Good. Light creasing and a few small closed tears and chips to the edges with starting to the folds and light soil. Folded as issued. Sono Film unknown
Riferimento per il libraio : 149587
|
|
|
Rene Cardona (director); Rafael Garcis Travesi (screenwriter); Antonio Aguilar, Jaime Fernandez, Eleazar Garcia, Irma Serrano
La venganza de Gabino Barrera Six original lobby cards for the 1971 film
Mexico: Cinematografica Filmex 1971. Six vintage lobby cards for the 1971 film. With a film still photograph tipped onto the illustrated cards. In the original brown paper envelope with the label of distributor Azteca Films. <br /> <br /> A man hunts the escaped convict who killed his wife in an increasingly deadly quest for revenge. <br /> <br /> 14 x 11 inches. About Near Fine with pinholes to the corners and light soil. Cinematografica Filmex unknown
Riferimento per il libraio : 149610
|
|
|
Julien Duvivier (director, screenwriter); Leo Tolstoy (novel); Jean Anouilh, Guy Morgan (screenwriters); Vivien Leigh, Ralph Ric
Anna Karenina Original screenplay for the 1948 film
N.p.: N.p. 1948. Draft script for the 1948 British film. Copy belonging to production manager Mickey Delamar with his name in manuscript pencil to the title page and his manuscript annotations throughout. With revision pages laid in throughout the script along with a distribution receipt signed by Delamar and with a reference photograph from the film showing actors Vivien Leigh and Ralph Richardson. <br /> <br /> Delamar worked as a producer production manager and assistant director on over 30 films and was active in the film industry for four decades. His credits include Charlie Chaplin's "A King in New York" 1957 Francois Truffaut's "Fahrenheit 451" 1966 and Terence Young's "Mayerling" 1968.<br /> <br /> Based on the classic 1877 novel by Leo Tolstoy about how all happy families are alike but each unhappy family is unhappy in its own way. <br /> <br /> Set in St. Petersburg. <br /> <br /> Black titled wrappers. Title page present with credits for novelist Tolstoy and screenwriters Jean Anouilh Julien Duvivier and Guy Morgan. 190 leaves with last page of text numbered 165. Mimeograph duplication rectos only with pink and white undated revision pages throughout. Housed in a navy spring binder as originally used. <br /> <br /> Pages supple but Very Good only overall with curling at the edges. Photograph about Very Good with moderate soil and toning. Binder Good with soil overall. N.p. unknown
Riferimento per il libraio : 152186
|
|
|
Terence Young (director, screenwriter); Jean Schopfer writing as Claude Anet (novel); Michael Arnold (book); Denis Cannan, Josep
Mayerling Original screenplay for the 1968 film
N.p.: N.p. 1968. Revised Draft script for the 1968 film. Copy belonging to production manager Mickey Delamar with his name in manuscript ink on the front wrapper and his manuscript annotations throughout. Laid in with the screenplay are several promotional materials for the film including two programs an edition of The Daily Cinema magazine featuring a cover story on "Mayerling" and a small flyer advertising a press showing of the film at Leicester Square. <br /> <br /> Delamar worked as a producer production manager and assistant director on over 30 films and was active in the film industry for four decades. His credits include Julien Duvivier's "Anna Karenina" 1948 Charlie Chaplin's "A King in New York" 1957 and Francois Truffaut's "Fahrenheit 451" 1966.<br /> <br /> Based on the 1930 novel by Claude Anet and the 1967 book by Michael Arnold. A dramatization of the events that led to the murder-suicide of Prince Rudolf of Austria and his lover Baroness Mary Vetsera at the Mayerling hunting lodge in 1889. <br /> <br /> Blue titled wrappers. 172 leaves with last page of text numbered 158. Mimeograph duplication rectos only with blue and pink revision pages throughout dated variously between 17.12.67 and 1.3.68. Pages Very Good plus wrapper Very Good plus lightly rusted to the binding bound internally with a silver prong. N.p. unknown
Riferimento per il libraio : 152185
|
|
|
Rene Clement (director); Sebastien Japrisot (screenwriter); Charles Bronson, Marlene Jobert, Gabriele Tinti (starring)
Rider on the Rain Collection of 13 original photographs from the 1970 film
N.p.: Avco Embassy Pictures 1970. Collection of 13 vintage studio still photographs from the 1970 film. <br /> <br /> Melancolie "Mellie" Mau Marlene Jobert is attacked and raped by a masked assailant in her home who she then shoots dead dumping his body in the sea. The next day a US Army colonel named Dobbs Charles Bronson questions her at a wedding seeming to know what had happened.<br /> <br /> Set in and shot on location in France. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Grant Worldwide. Avco Embassy Pictures unknown
Riferimento per il libraio : 147803
|
|
Ricevere i risultati per e-mail
Scaricare i risultati in PDF
RSS feed
Link
