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John Mackenzie (director); Scott Spencer (screenwriter); Trevor Armbrister (novel); Charles Bronson, Ellen Burstyn, Wilford Brim
Act of Vengeance Original screenplay for the 1986 television film
Toronto: Telepix Canada 1985. Final Draft for the 1986 television film. <br /> <br /> Based on the book of the same name recounting the corruption of the 1969 United Mine Workers' presidential election and the murder of Joseph "Jock" Yablonski that followed. <br /> <br /> Set in Pittsburgh PA and environs shot on location in Pitsburgh and Nemacolin Pennsylvania and Ontario Canada. <br /> <br /> Self-wrappers with title page integral on the front wrapper dated August 8 1985 noted as Final Draft with credits for screenwriter Scott Spencer. 114 leaves with last page of text numbered 107. Xerographic duplication with white revision pages throughout dated variously between 8/19/85 and 8/22/85. Pages Fine wrapper Fine bound with three gold brads. Telepix Canada unknown
Référence libraire : 143995
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Robert Avard Miller (screenwriter)
Lazarus Original screenplay for an unproduced film
Burbank CA: Martin Ransohoff Productions 1980. Draft script for an unproduced film. <br /> <br /> Western featuring Lazarus a fugitive cowboy who cant keep out of trouble. <br /> <br /> Red titled wrappers. Title page present with credits for screenwriter Robert Avard Miller composer George Leonard and producer A. Ronald Lubin. 111 leaves with last page of text numbered 109. Xerographically reproduced. Pages Fine wrapper Near Fine bound internally with three gold brads. Martin Ransohoff Productions unknown
Référence libraire : 143986
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Lincoln Demyan (screenwriter)
Big Poker Game Friday Night Original screenplay for an unproduced film
Simi Valley: N.p. 1970. Draft script for an unproduced film. Written by Lincoln Demyan whose film credits as actor include episodes of "Bonanza" and "The Big Valley" "The Great Impostor" 1961 "Man's Favorite Sport" 1964 "The Brass Bottle" 1964 and "White Lightning" 1973. <br /> <br /> An underground pool hall and poker club is the site of a potential swindle. Local poker sharks con men and politicians clash as the stakes grow and all parties suspect the others are telling lies and cheating. <br /> <br /> Blue untitled wrappers. Title page present with credits for screenwriter Lincoln Demyan. 90 leaves with last page of text numbered 89. Mechanical duplication. Pages Fine wrapper Fine bound with velo binding. N.p. unknown
Référence libraire : 144003
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Jean Bastia (director); Roger Pierre (screenwriter); Roselle (photographer); Jean Richard, Roger Pierre, Alexandre Drean, Veroni
The Gendarme of Champignol Le gendarme de Champignol Archive of photographs and keybook contact prints for the 1959 film
Paris: Cinedis 1959. Collection of 269 vintage black-and-white photographs for the 1959 French film. <br /> <br /> The collection consists of two unique and complimentary pieces one being a film still keybook with 68 contact prints of small format negatives most with 12 images per print amounting to over 800 images captured. Nearly all images with series number bordering the image and credits at the top for photo laboratory Tele-Photo film studio Cinedis film title and photographer Rosselle housed in a 2-ring paper binder with original French titles. The other piece is nearly 170 smaller photographs elegantly presented mounted with cello tape on thick stock in a "Lavis aquarelle" brand spiral bound notebook with maroon faux leather front wrapper. Series numbers and small "x" annotations in manuscript ink on the pages several with small white borders and several with series number on the verso in manuscript pencil. Photos without borders also have series number at the edges etched in the original film negative before photo development as on the keybook prints. Nearly all photographs have numerical annotations in manuscript pencil on the versos a few smaller photographs have rubber-stamps on the versos crediting Richard Pierre film titles director Bastia and costars Alfred Adam and Noel Roquevart. Also included are 27 loose photographs a few with rubber-stamps on the verso crediting starring actors and French film titles and a small press packet from Cinedis detailing film credits synopsis and star biographies. <br /> <br /> Starring actors Richard and Pierre are amply represented in the collection and seen in nearly every image mostly in their official uniforms. Actress Zuber is equally present in striking high-contrast images cuddling bunnies fishing at a river and wielding a rifle. The notebook depicts images seen in the film while the keybook depicts on-the-set sequences test shots candid moments and images of the crew; the loose photos show both candid and action shots. <br /> <br /> An expansive perspective of a little seen comedy about a gendarme who travels to a small town looking for a disappeared woman a town known for its distrust of police officers. Director Bastia was an assistant director in the 1940s and 1950s when he worked almost exclusively with director Jean Boyer until his debut with "Nous autres à Champignol" 1957 the first in this series involving gendarmes and Champignol followed by this film and finally "The Boss of Champignol" 1966. <br /> <br /> Photographs in large quarto notebook 3.5 x 4.75 inches keybook contact prints 8.25 x 10.5 inches 2-hole punched several trimmed and loose photos range from 4.75 x 6.75 inches to 7 x 9.25 inches. Photographs about Near Fine with light curling a handful with short creases press packet Near Fine notebook Near Fine and binder Very Good. Cinedis unknown
Référence libraire : 144110
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Maurice Cazeneuve (director, screenwriter); Paul Guimard, Henri-Francois Rey (screenwriters); P Apoteker (photographer); Mylene
Night Heat Cette nuit la 71 original keybook contact sheets from the 1958 film
Paris: Cinedis 1958. 71 vintage single weight keybook contact sheets amounting to over 800 numbered images from the 1958 French film. Much of the film is represented in minute detail along with test shots set design shots and many candid moments from the set. Dramatic high-contrast images of starring actors Demongeot answering telephones and in heated embraces with several sheets capturing a formal dinner with the cast and crew presumably the film's premiere. Most with 12 images per sheet a few with 6-frame strips of 35mm film each image with a series number and all sheets credit at the top the photo laboratory Tele-Photo film studio Cinedis film title and photographer Apoteker. Housed in a red paper 2-ring binder with French titles printed on the front. Several with brief numerical annotations on the verso. <br /> <br /> Noirish crime thriller based on Michel Lebrun's novel "Un Silence de Mort" 1957 starring Demongeot as Sylvie married to Jean Ronet an executive at a fashion magazine. Jean's boss André Servais obsesses over Sylvie whose demure femininity can be fatal. An early film credit for still photographer Paul Apoteker whose "Too Late for Love" 1959 is regarded as his first credited film. His dramatic execution would later be seen in Clouzot's "The Truth" 1960 Sautet's romance noir "Classe Tous Risques" 1960 and Woody Allen's "Love and Death" 1975. Demongeot and Ronet are amply represented throughout the collection including a preliminary mockup of the poster art. <br /> <br /> Photos 8.25 x 10.25 inches a few slightly variant sizes hole-punched and two with square cuts. Very Good plus overall with curling and light foxing creases to the binder. Cinedis unknown
Référence libraire : 144082
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Michel Boisrond (director, screenwriter); Annette Wademant, Jean Aurel, Jacques Emmanuel (screenwriters); Serge Beauvarlet, Vinc
La Parisienne Une Parisienne Collection of 150 original keybook contact sheets and other photographs from the 1957 film
Paris: Cinedis 1957. Collection of 150 vintage black-and-white keybook contact sheet photographs and 8 loose photographs for the 1957 French-Italian film. The film is represented in test shots set design shots and many candid moments from the set including dramatic high-contrast images of starring actors Bardot amply represented in the collection and seen in nearly every image off-camera with the cast and crew spinning records on a portable player and traveling by plane and train. <br /> <br /> Most keybook photos with 12 images per sheet and a few have been trimmed to only a few images per sheet amounting to over 1700 images captured. Nearly all images with series number bordering the image but unlike similar examples from France all sheets lack credits for the photo laboratory film studio film title and often the photographer. A few with layout annotations in manuscript pencil on the image a few with brief annotations on the verso in manuscript ink and two loose photographs with ditto-style mimeo snipes on the verso crediting original title Boyer Vidal Bardot and Boisrond. Housed in a blue paper 2-ring binder with French title mounted on the front with cello tape. <br /> <br /> Boisrond's fourth directorial credit is a comedy starring Bardot as the flirtatious daughter of the prime minister of France who marries a member of the cabinet Vidal who happens to be a womanizer. Taking control of the situation she has an weekend affair with a prince Boyer and ultimately reunites with her husband after somewhat passive apologies. <br /> <br /> Most keybook contact sheets and 3 loose photos 7 x 9.25 inches binder slightly larger and 5 loose photos 5 x 7 inches. A few contact sheets are cropped slightly smaller and all are 2-hole punched. Very Good Plus overall keybook photos rubbed. Cinedis unknown
Référence libraire : 144104
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Rene Clair (director, screenwriter); Jean Marsan, Jacques Remy (screenwriters); Bourvil, Alfred Adam, Philippe Noiret, Claude Ri
Tout l'or du monde Original French program and invitations for the 1961 film
Nice: Gaumont-Palace 1961. Vintage French program and two invitations for the 1961 film here under the original French titles. The collection both predates and postdates November 1 1961 generally considered the original release. <br /> <br /> A small invitation "for two" doubles as a folding RSVP for the October 17 showing at the Cyrano theatre in Villeneuve-sur-Lot a Southwest France commune with the Lot River running through the middle. The invitee's RSVP is unsigned. The two remaining pieces are from a slightly later November 15 1961 showing at the Gaumont-Palace in Nice in the Southeast of France the Riviera. A folding invitation stamped in blind with the theatre's coat of arms credits the president of the Societe Nouvelle des Etablissements Gaumont Jean Le Duc suggests formal wear and the invitee has inscribed in manuscript blue ink in French "one chair." A large program accompanies printed by Havas for the Gaumont-Palace showing details film credits and synopsis greetings from the Gaumont and advertisements for businesses in Nice. Formal programs often omitted still images from the film like this example opting for candor instead of promotion. <br /> <br /> The film echoes director's Clair's early silent films interweaving separate themes of comedy and fantasy involving a well with supernatural powers that lengthens life expectancy. <br /> <br /> Cyrano invitation 4 x 5.25 inches Gaumont invitation 4 x 8.25 inches the program 8.25 x 10.75 inches. Light rubbing and foxing overall and a vertical crease to the Gaumont invitation else Near Fine. Gaumont-Palace unknown
Référence libraire : 144105
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Antonio Pietrangeli (director, screenwriter); Ruggero Maccari, Ettore Scola, Tullio Pinelli (screenwriters); Vittorugo Contino (
Adua and Her Friends Adua e le compagne Collection of 64 original film stills for the 1960 film
Rome: Zebra Films / Cineriz 1960. Collection of 64 vintage borderless single weight film still photographs for the 1960 Italian film. Starring actress Signoret is prominently featured looking pensive or embracing costar Mastroianni and in stunning group images with her female costars. Numerical annotations in manuscript pencil on the versos five with Contino's rubberstamp and two are dupes made by the original developer. <br /> <br /> Based on an original screenplay about the 1958 Merlin Law making brothels illegal in Italy. Adua Signoret and her three friends are prostitutes whose brothel in Rome is shut down. Adua convinces them to pool their savings to open a restaurant to generate a living instead of returning to prostitution. Their permit is rejected because of their lurid history but a former client agrees to buy the building and hire them to run a brothel fronting as a restaurant charging them rent. The restaurant is ironically successful and Adua even romances Piero Mastroianni but her landlord's excessive rent finally vanquishes her hopes for a brighter future. She holds her ground against the man but no moral deed is without consequences in the underworld and she is last seen as her destitute former self. <br /> <br /> Petrangeli also directed "She Wolf" 1953 Visconti's "Ossessione" 1943 assistant director and screenwriter and Rossellini's "Europe '51" 1952 second assistant director; he was a prolific filmmaker in the Commedia all'italiana and died while shooting his last film "How When and with Whom" 1969. <br /> <br /> 7 x 9.5 inches some slightly smaller. Very Good plus overall with curling and a few scattered creases. Zebra Films / Cineriz unknown
Référence libraire : 144084
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Antonio Pietrangeli (director, screenwriter); Ruggero Maccari, Ettore Scola, Tullio Pinelli (screenwriters); Vittorugo Contino (
Adua and Her Friends Adua e le compagne Original program for the 1960 film
Paris: Zebra Films / Cineriz 1960. Original oversize program for the 1960 Italian here under the original title. Illustrated in red with black-and-white stills from the film. Starring actress Signoret is prominently featured looking pensive or embracing costar Mastroianni and in stunning group images with her female costars. Also included is an original press packet detailing film credits a synopsis and brief star biographies. <br /> <br /> Based on an original screenplay about the 1958 Merlin Law making brothels illegal in Italy. Adua Signoret and her three friends are prostitutes whose brothel in Rome is shut down. Adua convinces them to pool their savings to open a restaurant to generate a living instead of returning to prostitution. Their permit is rejected because of their lurid history but a former client agrees to buy the building and hire them to run a brothel fronting as a restaurant charging them rent. The restaurant is ironically successful and Adua even romances Piero Mastroianni but her landlord's excessive rent finally vanquishes her hopes for a brighter future. She holds her ground against the man but no moral deed is without consequences in the underworld and she is last seen as her destitute former self. <br /> <br /> Petrangeli also directed "She Wolf" 1953 Visconti's "Ossessione" 1943 assistant director and screenwriter and Rossellini's "Europe '51" 1952 second assistant director; he was a prolific filmmaker in the Commedia all'italiana and died while shooting his last film "How When and with Whom" 1969. <br /> <br /> Program 12.5 x 13.5 inches saddle-stapled 4 card stock leaves. Very Good with a heavy vertical crease and foxing. Press packet mimeograph on white stock corner-stapled 7 leaves Very Good plus. Zebra Films / Cineriz unknown
Référence libraire : 144085
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Isao Takahata (director); Kazuo Fukazawa (screenwriter)
Horus: Prince of the Sun The Little Norse Prince Original post-production script for the 1968 film
Tokyo: Toei Animation 1968. Vintage post-production script for the animated 1968 Japanese film "Horus: Prince of the Sun" also known under the title "The Little Norse Prince." This listing also includes a pamphlet of character designs for the film. <br /> <br /> A milestone in the history of Japanese animation heralded as the first animated feature to successfully disrupt the Walt Disney paradigm and seen as one of the first to intentionally address an adult audience. Isao Takahata's directorial debut and the first major film of famed Studio Ghibli director Hayao Miyazaki who worked on scene design and key animation for the film. Ostensibly a film about young boy living in ancient Scandinavia who must help instill a community to fight against a great oppressor it carried a strong pro-union and pro-Socialist subtext as Takahata and Miyazaki were staunch union organizers. Studio Toei executives in part in retaliation released the film into theaters for only ten days and it would be some years before the feature would be appreciated fully. <br /> <br /> Off white wrappers perfect-bound with black titles. Title page present. 164 leaves with last page of text numbered 61. Xerographic duplication with pink orange green and yellow revision pages. Pages lightly toned else Fine wrapper Near Fine. Toei Animation unknown
Référence libraire : 143480
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Fritz Lang (director); Norman Krasna (story writer); C Kenneth Lobben (photographer); Virginia Van Upp (screenwriter); Sylvia Si
You and Me Three original photographs from the set of the 1938 film
Hollywood: Paramount Pictures 1938. Set of three vintage black-and-white studio still photographs from the set of the 1938 film noir antecedent. Shown respectively are Lang conferring with Silvia Sidney Lang on the floor setting up an unusual camera angle and Lang playing a clarinet for baby actor Donald Dodds who played Silvia Sidney's infant son in the film. <br /> <br /> Each photo with a printed snipe on the verso a number annotated and circled in blue pencil 1 2 3 respectively and a stamp crediting Paramount Studios photographer Malcolm Bulloch. <br /> <br /> 5 x 7 inches. Near Fine. One photo with a faint vertical crease. <br /> <br /> Spicer p. 403. Paramount Pictures unknown
Référence libraire : 144158
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Michael Joseph (screenwriter)
Catch the Lightning Original screenplay for an unproduced film
London: N.p. 1980. Draft script for an unproduced film. <br /> <br /> Set in the near future the Ayatollah Khomeini has recently died and the new leftist regime in Iran has begun to work together with the Soviet Union. The young and untraditional US president embarks on an diplomacy trip to address The Soviet Unions recent breach of an anti-nuclear treaty. His first stop is the UK where he narrowly avoids assassination. <br /> <br /> White titled wrappers Title page present dated 1980 with credits for screenwriter Michael Joseph. 28 leaves with last page of text numbered 27. Xerographically reproduced. Pages Near Fine wrapper Near Fine comb binding. N.p. unknown
Référence libraire : 144156
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S Lee Pogostin (screenwriter)
Kilometer 33 Original screenplay for an unproduced film
Burbank CA: Sequoia Pictures 1970. Draft script for an unproduced film. <br /> <br /> Thriller set in Spain. American gangsters find themselves in the cross fire between armed revolutionaries and the military. <br /> <br /> Light blue titled wrappers with credits for screenwriter S. Lee Pogostin. Title page present with credits for screenwriter S. Lee Pogostin. 117 leaves with last page of text numbered 116. Mechanical duplication. Pages Fine wrapper Near Fine bound with two gold brads. Sequoia Pictures unknown
Référence libraire : 144150
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Elaine Ryan (screenwriter)
Mother-lode Robby Original screenplay for an unproduced television series
N.p.: N.p. 1960. Typescript for an unproduced television series including an introduction short synopsis and full treatments of each episode. <br /> <br /> The series follows the childhood adventures of Robby Mcdonald a turn of the century mountain boy raised by his pioneer grandmother. <br /> <br /> Set in the Sierra Nevada Mountains. <br /> <br /> Yellow untitled Paul Kohner INC. wrappers. Title page present with credits for screenwriter Elaine Ryan. 82 leaves with last page of text numbered 11. Pages Fine wrapper Near Fine bound internally with two gold brads. N.p. unknown
Référence libraire : 144125
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Dursley Berkeley (screenwriter); Alan Morris (novelist)
Code Name "Lazy Dog" Original screenplay for an unproduced film
N.p.: N.p. 1970. Draft script for an unproduced film. With occasional manuscript annotations in blue ink throughout. <br /> <br /> Adapted for the screen from Alan Morris' 1970 novel "The Tale Of The Lazy Dog." A ragtag group consisting of an Irish journalist a French woman married to a man in the CIA a mercenary pilot and a shameless adventurer are amuck in the war torn region of Laos Cambodia and Vietnam attempting to extort one and a half billion dollars. <br /> <br /> Set in Laos Cambodia and Vietnam. <br /> <br /> Blue titled wrappers. Title page present noted as with credits for screenwriter Dursley Berkeley and novelist Alan Williams. 112 with last page of text numbered 114. Mechanical duplication. Pages Fine wrapper Fine bound with three gold brads. N.p. unknown
Référence libraire : 144148
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Gerald Thomas (director); Morris L West (screenwriter); Anthony Andrews, Helmut Griem, Mario Adorf, Renee Soutendijk (starring)
The Second Victory Original screenplay for the 1987 film
Sydney: Melaleuka 1987. Draft script for the 1987 film with occasional manuscript annotations. <br /> <br /> Adapted from Morris West's novel of the same name. Just after World War II ends a British major in Austria seeks revenge on the man who killed his sergeant. <br /> <br /> Shot on location in Salzburg Austria and at Pinewood studios in Buckinghamshire England. <br /> <br /> Red untitled wrappers. Title page present with credits for screenwriter Morris L. West. 115 leaves with last page of text numbered 114. Xerographically reproduced. Pages Fine wrapper Fine bound internally with two silver brads. Melaleuka unknown
Référence libraire : 144132
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Larry Davis (screenwriter)
Winter Woman Original screenplay for an unproduced film
N.p.: N.p. 1970. Draft script for an unproduced film. <br /> <br /> Marisa immigrates to Los Angeles from Guatemala to go to a university for the deaf. <br /> She struggles to find work without a green card and as she is forced into increasingly precarious situations she must defend herself from violent and predatory men. <br /> <br /> Set in Guatemala and Los Angeles California. <br /> <br /> Green titled wrappers with credits for screenwriter Larry Davis. 110 leaves with last page of text numbered 109. Xerographically reproduced. Pages Fine wrapper Fine bound with two gold brads. N.p. unknown
Référence libraire : 144149
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Pasquale Prunas (screenwriter);Gabriele D' Annunzio (story)
The Virgin The Virgin Orsola Original screenplay for an episode of an unproduced television series
Rome: N.p. 1974. Draft script for the first episode Episode 1 of an unproduced television series. <br /> <br /> Based on "De Novelle Della Pescara" or "The Stories of Pescara" by Gabriele D'Annunzio published in 1902. The whole collection was envisioned as a miniseries and here is the first episode based on the first story "The Virgin Orsola." <br /> <br /> A schoolteacher in a convent is threatened with an illness that brings her to the edge of death when she is suddenly brought back. A virgin she has a sudden sexual awakening and longs for the touch of a certain soldier but is instead seduced by a pimp leading her to the brink of madness and eventual death. <br /> <br /> Set in Italy. <br /> <br /> Orange untitled wrappers. Title page present dated 1974 with credits for screenwriter Pasquale Prunas and novelist Gabriele D'Annunzio . 104 leaves with last page of text numbered 103. Xerographically reproduced. Pages Near Fine wrapper Near Fine bound internally with two gold brads. N.p. unknown
Référence libraire : 144139
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Janos Rozsa (director); Miklos Vamos (screenwriter); Dorottya Udvaros, Robert Koltai, Sandor Gaspar, Kati Lajtai (starring)
Love Mother Csok Anyu! Original screenplay for the 1987 film
Budapest: MAFILM Objektiv Filmstudio 1986. Draft script for the 1987 film with the directors filmography and brief biography set in on the front wrapper. Text in English. <br /> <br /> A busy middle-class family at the end of Hungary's Kadar era use their kitchen chalk board as their primary mode of communication. The young son stays home from school and watches the family through periscopes. <br /> <br /> Shot on location in Budapest Hungary. <br /> <br /> Clear mylar front wrapper and black plastic rear wrapper. Title page present dated 1/20/86 with credits for screenwriter Miklos Vamos director Janos Rozsa dramaturge Istvan Kardos and translator Jack Jorgens. 109 leaves with last page of text numbered 108. Xerographically reproduced. Pages Fine wrapper Near Fine Comb binding. MAFILM Objektiv Filmstudio unknown
Référence libraire : 144120
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Ismael Rodriguez (screenwriter)
Aquel Nino Llamado Jesus That Boy Named Jesus Original screenplay for an unproduced film
N.p.: N.p. 1960. Typescript for an unproduced film. Synopses in English are laid into the front wrapper for "That Boy Named Jesus" "Young Jesus" and "Don Quixote Goes West." Text in English.<br /> <br /> An imagining of the infancy youth and adolescence of Jesus Christ.<br /> <br /> Tan titled wrappers. Title page present with credits for screenwriter Ismael Rodriguez. 98 leaves with last page of text numbered 96. Pages Fine wrapper Fine clip binding. N.p. unknown
Référence libraire : 144162
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Francois Truffaut (director, screenwriter); Henri-Pierre Roche (novel); Jean Gruault (screenwriter); Jeanne Moreau, Oskar Werner
Jules and Jim Original photograph from the 1962 film
Paris: Les Films du Carrosse 1962. Vintage borderless photograph from the 1962 film showing the film's principal characters Catherine Jim and Jules playing dominoes around a table as seen through the window of their cottage.<br /> <br /> Based on Henri-Pierre Roche's 1953 novel of the same name a story of a love triangle set in France throughout the First World War. <br /> <br /> Shot on location in France.<br /> <br /> 7 x 5 inches. Near Fine. <br /> <br /> Criterion Collection 281. Ebert II. Les Films du Carrosse unknown
Référence libraire : 144236
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Robert Rossen (director, screenwriter); JR Salamanca (novel); Warren Beatty, Jean Seberg, Peter Fonda, Kim Hunter, Gene Hackman
Lilith Original photograph from the 1964 film
Culver City CA: Columbia Pictures 1964. Vintage photograph of actors Peter Fonda Jean Seberg and Warren Beatty from the 1964 film. With manuscript annotations in pencil on the verso. <br /> <br /> Based on J. R. Salamanca's 1961 novel of the same name. Vincent Warren Beatty a recent Korean War veteran is in training at a mental institution as an occupational therapist where he becomes obsessed with Lilith Arthur Jean Seberg a schizophrenic patient whose seductive behavior stirs the order of the mental institution and destabilizes Vincent's own sense of reality. <br /> <br /> Set in Rockville Maryland. Shot on location in Virginia Long Island and Maryland. <br /> <br /> 9.75 x 7.5 inches. Near Fine.<br /> <br /> Grant US. Columbia Pictures unknown
Référence libraire : 144226
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Ishiro Honda (director); Hideo Unagami (story); Takeshi Kimura (screenwriter); Yumi Shirakawa, Kenji Sahara, Akihiko Hirata (sta
The H-Man Original photograph from the 1958 film
Tokyo: Toho Company 1958. Vintage photograph from the 1958 Japanese film. Manuscript annotations in pencil and black ink on the verso. <br /> <br /> A drug smuggler's death stumps the police until they are convinced by a young scientist of the presence of "H-Men" slimy radioactive creatures who dissolve anything they come into contact with. The scientist refers to a ghost ship that washed up in the harbor as evidence of the H-bomb tests role in creating these monsters. <br /> <br /> Shot on location in Tokyo Japan. <br /> <br /> 8 x 10 inches. Near Fine. Toho Company unknown
Référence libraire : 144208
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Joseph L Mankiewicz (director); Tennessee Williams (play); Gore Vidal (screenwriter); Elizabeth Taylor, Katharine Hepburn, Montg
Suddenly Last Summer Original photograph from the 1959 film
Culver City CA: Columbia Pictures 1959. Vintage borderless photograph of Elizabeth Taylor as Catherine Holly from the 1959 film. With manuscript annotations in graphite on the verso. <br /> <br /> Based on the 1958 play by Tennessee Williams. A disturbed young woman is coerced by her aunt into receiving a lobotomy after witnessing the death of her cousin while the three of them were on vacation in Europe the summer before. <br /> <br /> Set in New Orleans and various Locations in Spain. Shot on location in Spain and England. <br /> <br /> 8 x 10 inches. Near Fine. Columbia Pictures unknown
Référence libraire : 144209
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Robert Aldrich (director); Howard Rigsby writing as Vechel Howard (novel); Dalton Trumbo (screenwriter); Rock Hudson, Kirk Dougl
The Last Sunset Original photograph from the 1961 film
Universal City: Universal Pictures 1961. Vintage photograph of Robert Aldrich and Kirk Douglas on the set of the 1961 film. With manuscript annotations on the verso in green and brown ink and pencil. <br /> <br /> Based on the 1957 novel by Howard Rigsby under the pseudonym Vechel Howard about a cowboy who on the run from the law travels to visit an old lover in Mexico only to find her married to a drunk. Screenwriter Dalton Trumbo was also at work writing the script for Otto Preminger's "Exodus" while he wrote for this film. <br /> <br /> Set and shot on location in Mexico. <br /> <br /> 10 x 8 inches. Near Fine. Universal Pictures unknown
Référence libraire : 144217
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Michelangelo Antonioni (director, screenwriter); Gerard Brach, Tonino Guerra (screenwriters); Tomas Milian, Daniela Silverio, Ch
Identification of a Woman Identificazione Di Una Donna Original screenplay for the 1982 film
Rome: Iterfilm 1982. Agency draft script in English for the 1982 Italian film. <br /> <br /> Antonioni's rarely discussed final feature but generally considered one of his greatest achievements. Niccolo Tomas Milian a recently divorced movie director pursues a new relationship with a younger woman Mavi Daniela Silverio who he imagines could play the leading role in his next film. She quickly vanishes and he embarks on a search to find her sparking up a series of romances with other women. Winner of the 35th Anniversary Prize at the 1982 Cannes Film Festival.<br /> <br /> Shot on location in Venice and Rome. <br /> <br /> Blue untitled agency wrappers. Title page present with credits for director Michelangelo Antonioni. 91 leaves with last page of text numbered 82. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads.<br /> <br /> Criterion Collection 585. Iterfilm unknown
Référence libraire : 144397
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Kon Ichikawa (director, screenwriter); Junichiro Tanizaki (novel); Keiji Hasebe, Natto Wada (screenwriters); Machiko Kyo, Ganjji
Odd Obsession The Key Kagi Collection of 6 original photographs from the 1959 film
Kanagawa Japan: Daiei Studios 1959. Collection of 6 vintage US publicity photographs from the 1959 Japanese pink film. The first of several films based on the Junichiro Tanizaki. Released in Japan as "Kagi" and with the alternate English language title "The Key."<br /> <br /> An elderly antique dealer struggles with his aging body and looming impotence. To grapple with his anxiety he introduces his daughter's boyfriend a handsome doctor to his younger wife. The jealousy and voyeurism that follow invigorates his dying spirit but the chaos he has introduced eventually takes a horrific toll. Winner of the 1960 Jury Prize at the Cannes Film Festival. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Weisser and Weisser Japanese Cinema Encyclopedia: The Sex Films pp. 219-220. Sharp Behind the Pink Curtain p. 372. Daiei Studios unknown
Référence libraire : 144308
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Pietro Germie (director, screenwriter); Divo Cavicchioli (photographer); Ennio De Concini, Alfredo Giannetti (screenwriters); Ma
Divorce Italian Style Original program for the 1961 film
Rome: Lux Film 1961. Original Italian program for the 1961 film here under the original Italian title "Divorzio all'italiana." Illustrated throughout with black-and-white still photos from the film full-color front wrapper fold-out art and the program details a synopsis and cast and crew credits. Notations throughout in manuscript ink mostly amending certain words of the synopsis.<br /> <br /> Ferdinando Mastroianni is bored with life and his wife Rocca. He falls in love with his cousin Sandrelli and since divorce is illegal in Italy unless there is just cause like catching your spouse committing adultery he decides to find his wife another lover instead of killing her. Seems simple enough. <br /> <br /> The first of Mastoianni's four "Italian Style" films and winner of an Academy Award for Best Writing a BAFTA three Golden Globes and nominated for a host of others. <br /> <br /> 9.5 x 13.25 inches 9 leaves saddle-stapled. Very Good overall lacking staples with creases brief tears and foxing.<br /> <br /> Criterion Collection 286. Lux Film unknown
Référence libraire : 144353
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Jean Renoir (director, screenwriter); Emmanuel Lowenthal (photographer); Jean Serge (screenwriter); Ingrid Bergman, Jean Marais
Elena and Her Men Elena et hommes Original photograph from the 1956 film
Paris: Cinedis 1956. Original borderless single weight still photograph from the 1956 French-Italian film. Bergman and Marais enjoy a moment sharply dressed. Numerical notation in manuscript pencil and a rubber-stamp crediting starring actors director and French film title on the verso. <br /> <br /> One of director Renoir's final films a turn of the century romantic comedy about Polish princess Elena Bergman and various men of military rank in pre-WWI Paris. <br /> <br /> Shot on location throughout France. <br /> <br /> 7 x 9.25 inches. Very Good plus with pinholes and brief creases at the corners and a faint dampstain. <br /> <br /> Criterion Collection 244. <br /> <br /> Godard Histoire du cinema. Rosenbaum 1000. Cinedis unknown
Référence libraire : 144442
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Michel Boisrond (director); Annette Wademant (screenwriter); William Camus (photographer); Dany Saval, Jean Poiret, Jacqueline M
How to Succeed in Love Comment reussir en amour 75 original film stills for the 1962 film
Paris: France Cinema 1962. 75 original black-and-white film still photographs for the 1962 French-Italian film here under the original French title. Starring actress Saval is prominently featured as is costar Poiret with metal crutches in tow and actress Maillan. Several images show members of the crew during filming rainy scenes cars and large cameras. All with numerical annotations in manuscript pencil on the versos. Housed in an original French Gevaert photo paper box. <br /> <br /> Based on Annette Wademant's screenplay one of twelve written by Wademant for director Boisrond. Bernard Poiret is a new publisher who falls in love with Sophie Saval but their foolish love nearly destroys them and his job. <br /> <br /> 5 x 7 inches borderless. Very Good plus overall with slight curling and foxing to photos box lightly rubbed. France Cinema unknown
Référence libraire : 144275
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Rene Clair (director, screenwriter); Jean Marsan, Jacques Remy (screenwriters); Walter Limot (photographer); Bourvil, Alfred Ada
Tout l'or du monde Archive of 86 original photographs from the set of the 1961 film
France: Limot 1961. Archive of 86 original single weight photographs from the set of 1961 film. Members of the cast and crew are seen in action shots pinup images of actress Castel Bourvil mending fences and several images of the camera crew during filming. Sprawling landscapes gunfights in the town square and charming taproom images candidly showcase one of Clair's final films. Nearly all are rubber-stamped on the verso crediting photographer Limot and all with numerical annotations in manuscript pencil. Housed in an original French Kodak photo paper box. <br /> <br /> One photograph shown. Please inquire for others.<br /> <br /> A businessman Noiret wants to buy land around the village of Cabosse claiming his desire for seclusion but with intentions to sell the water from the village fountain purportedly a fountain of youth. <br /> <br /> Shot on location throughout France. <br /> <br /> Photos 5 x 7 inches with a few trimmed slightly smaller and box slightly larger. Photos Near Fine with light curling and faint foxing and box Very Good Plus two splits to the lid. Limot unknown
Référence libraire : 144266
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Julien Duvivier (director, screenwriter); Peter von Mendelssohn (novel); Marianne Hold, Horst Buchholz, Pierre Vaneck, Gil Vidal
Marianne of My Youth Marianne de ma jeunesse Collection of 17 original photographs from the 1955 film
Paris: Filmsonor 1955. Collection of 17 vintage reference photographs from the 1955 film. Mimeo snipe on the verso of one portrait photograph and several with annotations in manuscript pencil and ink noting numbers and title on the versos. <br /> <br /> Based on Peter von Mendelssohn's 1935 novel "Douloureuse Arcadie." Shot in both French and German versions each with a different cast with the exception of Marianne Hold in the lead role. Director Julien Duvivier's other films include "Pépé le Moko" 1937 "Maria Chapdelaine" 1934 and "Panique" 1946<br /> <br /> Set and shot on location in Bavaria. <br /> <br /> Photos range from 3.25 x 4.5 inches to 7 x 9.5 inches several with small white borders. Very Good plus with light curling and a few faint creases. Filmsonor unknown
Référence libraire : 144440
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Henri Verneuil (director, screenwriter); Francois Boyer, Annette Wademant (screenwriters); Yves Mirkine (photographer); James Ha
A Kiss for a Killer Une manche et la belle Seven original photographs from the 1957 film
Nice: Studios de la Victorine 1957. Seven original black-and-white photographs from the 1957 French film here under the original French title "Une manche et la belle." Henri Vidal and Isa Miranda are seen in most and in two with Demongeot in the background. All with numerical annotations in manuscript pencil three with blue rubber-stamps Victorine and one with French film titles in manuscript pencil on the versos. Housed in a French Kodak photo paper box. <br /> <br /> Noirish murder drama loosely based on Chase's novel "The Sucker Punch" 1954. Betty Farnwell Miranda is a rich widow living in Nice with a bewitching daughter Eva Demongeot. Betty marries Philippe Vidal a good-looking but self-interested man. Cue Eva. Philippe falls for the calculating femme fatale who has plans to marry someone else. Betty's life is in danger as Philippe struggles with his transgressions. <br /> <br /> Photographs 5 x 7 inches. Near Fine with slight curling and light foxing box Very Good overall. Studios de la Victorine unknown
Référence libraire : 144445
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Gordon Hessler (director); Edgar Allan Poe (novel); Christopher Wicking, Henry Slesar (screenwriter); Jason Robards, Herbert Lom
Murders In The Rue Morgue Original photograph from the 1971 film
Los Angeles: American International Pictures AIP 1971. Vintage photograph of Gordon Hessler shooting on the set of the 1971 film. Mimeo snipe with identifying manuscript annotations in pencil. <br /> <br /> Based loosely on the Edgar Allan Poe's 1841 story of the same name. Madeline is an actress in a theater troupe in Paris at the turn of the century that is performing Poe's "Murders In The Rue Morgue." Her mother was murdered bye an ax-man some years ago and all of a sudden Madeline begins to dream of the same horrible killer. Soon after these dreams a former lover of Madeline's mother long thought to be dead after an accident on stage comes back to murder members of the troupe. <br /> <br /> 8 x 10 inches. Near Fine. American International Pictures [AIP] unknown
Référence libraire : 144376
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Joseph Losey (director); Peter O'Donnel, Jim Holdaway (comic strip); Evan Jones (screenwriter); Monica Vitti, Terence Stamp, Dir
Modesty Blaise Original photograph from the 1966 film
Los Angeles: Twentieth Century-Fox 1966. Vintage photograph of a modest Monica Vitti from the 1966 film. With manuscript annotations in pencil on the verso. <br /> <br /> Based on an original comic strip by Peter O'Donnell and Jim Holdaway. O'Donnell wrote an original screenplay for the film although much of it was never used and he novelized the film the same year it was released. One of the key "mod London" films of the 1960s directed in blazing saturated color by Joseph Losey the closest he would come to popular entertainment starring Monica Vitti in the sexy title role her first English-speaking role joined by Dirk Bogarde and Terence Stamp. <br /> <br /> Shot on location in Italy Netherlands and England. <br /> <br /> 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown
Référence libraire : 144371
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Mai Zetterling (director, screenwriter); David Hughes (screenwriter); Ingrid Thulin, Keve Hjelm, Jorgen lindstrom, Lena Brundin
Night Games Longing Original photograph from the set of the 1966 film
Sweden: Sandrews 1966. Vintage borderless photograph of Ingrid Thulin and Mai Zetterling on the set of the 1966 film. Mimeo snipe and press agency stamps on the verso. <br /> <br /> Jan and his fiance return to his childhood home a 14th Century castle where he is haunted by vivid flashbacks of a difficult childhood the neglect of his parents and a sexual fixation on his mother. <br /> <br /> Shot on location in Penningby Castle Stockholm Sweden. <br /> <br /> 10 x 8 inches. Near Fine. Sandrews unknown
Référence libraire : 144364
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Dick Clement (director, screenwriter); Martin Waddell (novel); Ian La Frenais(screenwriter); Tom Courtenay, Romy Schneider, Alan
Otley Original photograph from the 1964 film
Culver City CA: Columbia Pictures 1969. Vintage borderless photograph from the 1969 film showing Romy Schneider departing Tom Courtenay's sweet ride. With manuscript annotations on the verso. <br /> <br /> Based on the 1966 novel of the same name by Martin Waddell. Gerry Otley Tom Courtenay is a petty thief who wakes up after a long night out drinking to find himself accused by the police of murder and suspected by a group of criminals to be a secret agent and eventually becomes romantic with Imogen Romy Schneider a British Intelligence officer. <br /> <br /> Shot on location in London. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Indicator 36. Columbia Pictures unknown
Référence libraire : 144495
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Georges Franju (director, screenwriter); Emile Zola (novel); Jean Ferry, Sandro Continenza (screenwriter); Francis Huster, Gilli
The Demise of Father Mouret La Faute de L'Abbe Mouret Two original photographs from the 1970 film
Paris: Les Films du Carrosse 1970. Two vintage borderless photographs from the set of the 1970 film. With Production company stamps on the versos. <br /> <br /> Based on the 1875 novel of the same name by Emile Zola. Father Mouret Francis Huster is a young priest working in a rural parish who falls in love with his nurse after suffering from a nervous breakdown and amnesia. As he regains his memory he is struck with immense guilt and ends their relationship. <br /> <br /> 7 x 5 inches. Near Fine. Les Films du Carrosse unknown
Référence libraire : 144470
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Luis Bunuel (director, screenwriter); Jean-Claude Carriere (screenwriter); Adriana Asti, Julien Bertheau, Jean-Claude Brialy, Ad
The Phantom Of Liberty Le fantome de la liberte Original photograph from the set of the 1974 film
Los Angeles: Twentieth Century-Fox 1974. Vintage borderless photograph of Luis Buñuel Pierre Lary Jean Rochefort and Julien Bertheau on the set of the 1974 film. With manuscript annotations on the verso. <br /> <br /> A masterpiece like most all of the director's films a nonlinear surrealist comedy that challenges bourgeois notions of morality. <br /> <br /> 9.5 x 17.75 inches. Near Fine. <br /> <br /> Criterion Collection 290. Rosenbaum 1000. Twentieth Century-Fox unknown
Référence libraire : 144555
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Francois Truffaut (director, screenwriter); Henri-Pierre Roche (novel); Jean Gruault (screenwriter); Jean-Pierre Leaud, Kika Mar
Two English Girls Original photograph from the set of the 1971 film
Paris: Les Films du Carrosse 1971. Vintage borderless photograph of director François Truffaut and actors Jean-Pierre Léaud and Stacey Tendeter on the set of the 1971 film. Agency rubber stamps and manuscript annotations on the verso. <br /> <br /> Based on the 1956 novel of the same name by Henri-Pierre Roche.<br /> <br /> 7 x 5 inches. Near Fine. Les Films du Carrosse unknown
Référence libraire : 144465
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Pierre Etaix (director, screenwriter, starring); Jean-Claude Carriere (screenwriter); France Arnel, Laurence Lignieres, Claude M
The Suitor Le Soupirant Four original photographs from the 1962 film
Paris: C.A.P.A.C. 1962. Four vintage photographs from the 1962 French comedy film. With manuscript annotations on the verso of each. <br /> <br /> Pierre Pierre Etaix follows his parents wishes to get married but rather than romancing Laurence Laurence Lignieres the upbeat woman next door who has taken a liking to him he yearns for Stella France Arnel a famous singer he knows only through television. <br /> <br /> Shot on location in Paris. <br /> <br /> 7 x 5 inches. Near fine. C.A.P.A.C. unknown
Référence libraire : 144544
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Otto Preminger (director); Henry Morton Robinson (novel); Sam Shaw (photographer); Robert Dozier (screenwriter); Tom Tryon, Romy
The Cardinal Original double weight photograph from the set of the 1963 film
Culver City CA: Columbia Pictures 1963. Vintage borderless double weight photograph of Romy Schneider and Tom Tryon on the set of the 1963 film. With production stamp and manuscript annotations on the verso. <br /> <br /> Based on the 1950 novel of the same name by Henry Morton Robinson detailing the life of Stephen Fermoyle Tom Tryon a young American priest who must face personal moral dilemmas the rise of Naziism and bigotry while he rises into power within the church. The story is based in part on the career of Francis Joseph Cardinal Spellman archbishop of New York 1939-1967.<br /> <br /> Shot on location in Boston. <br /> <br /> 8 x 10 inches. Near Fine with lightly scalloped edges. Columbia Pictures unknown
Référence libraire : 144462
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Martin Scorsese (director); Antonio Carozza (photographer); Paul D Zimmerman (screenwriter); Robert De Niro, Jerry Lewis, Diahnn
The King of Comedy Three original photographs from the shooting of 1982 film
New York: New Regency Films 1981. Three vintage photographs from the shooting of the 1982 film. Mimeo snipe on the verso of one photograph and manuscript annotations and agency stamps on the verso of each.<br /> <br /> Perhaps Scorsese's most underrated film "The King of Comedy" is a brilliant study of celebrity worship and American media culture by way of an exploratory journey into the mind of Rupert Pupkin a man totally lacking in self-awareness driven only by obsession. The titular character is played by Robert De Niro cast completely against type in furious pursuit of his idol Jerry Langford Jerry Lewis along with the genius addition of Sandra Bernhard as De Niro's crazed groupie assistant. <br /> <br /> Set and shot on location in New York. <br /> <br /> 8 x 10 inches. Near Fine. New Regency Films unknown
Référence libraire : 144553
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Alain Corneau (director, screenwriter); Jean-Pierre Fizet (photographer); Michel Grisolia (screenwriter); Yves Montand, Gerard D
Choice of Arms Le Choix Des Armes Two original contact sheets from the 1981 film
Paris: Sara Films 1981. Two vintage contact sheets from the 1981 French film. With two holes punched into the left margin of each. <br /> <br /> Noel Yves Montand a retired gangster living on a large estate outside Paris with his wife Nicole Catherine Deneuve is met by two fugitives one is Serge Pierre Forget an old accomplice who is dying from a recent gun wound the other is Mickey Gerard Depardieu an unstable maniac. Mickey's paranoia and violent outburst pulls Noel into the conflict as the police are on his tail. A high stress series of shoot-outs ensues.<br /> <br /> Shot on location in France. <br /> <br /> 9.5 x 12 inches. Near Fine. Sara Films unknown
Référence libraire : 144586
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Kurt Neumann (director, screenwriter); Earle Snell (screenwriter); Bennett Foster (author); Robert Arthur, Kathleen Nolan, Rhys
The Desperados are in Town The Outlaws are in Town Original screenplay for the 1956 film
Los Angeles: Twentieth Century-Fox 1956. Draft script for the 1956 film here under the working title "The Outlaws are in Town." Copy belonging to Robert Arthur who played Lonny Kesh with his name on the front wrapper in manuscript pencil and his manuscript pencil and ink annotations throughout. <br /> <br /> Lonny Kesh Arthur works his family's farm in Georgia but has big dreams of going west. His dreams are realized one day as he heads to Texas and ends up running with a gang of outlaws. He eventually returns to the family farm to find his parents have passed on. All goes smoothly until his former gang shows up. <br /> <br /> Set in Georgia and Texas. <br /> <br /> Green titled wrappers rubber-stamped copy No. 27 dated June 18 1956. Title page present dated June 18 1956 with credits for screenwriters Earle Snell and Kurt Neumann and author Bennett Foster. 106 leaves with last page of text numbered 106. Multilith duplication with blue revision pages throughout dated July 2 1956. Pages Very Good wrapper Very Good bound with two gold brads. Twentieth Century-Fox unknown
Référence libraire : 140205
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Claude Sautet (director, screenwriter); Paul Guimard (novel, screenwriter); Sandro Continenza, Jean-Loup Dabadie (screenwriters)
The Things of Life Les Choses de la Vie Original photograph from the 1970 film
Paris: Fida Cinematografica 1970. Vintage borderless photograph of director Claude Sautet on the set of the 1970 French-Italian film. With manuscript annotations on the verso. <br /> <br /> Based on the 1967 novel "Intersections" by Paul Guimard who also worked on the screenplay. Nominated for the Palme d'Or at Cannes and remade in 1994 as "Intersection" directed by Mark Rydell and starring Richard Gere Sharon Stone and Lolita Davidovich. <br /> <br /> Shot on location in Paris La Rochelle and Thoiry France. <br /> <br /> 6.5 x 9.5 inches. Near Fine. Fida Cinematografica unknown
Référence libraire : 144567
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Jacques Tati (director, screenwriter, starring); Pierre Aubert, Jacques Lagrange, Henri Marquet (screenwriter); Nathalie Pascaud
Monsieur Hulot's Holiday Les Vacances de Monsieur Hulot Original photograph from the 1953 film
France: DisCina 1954. Vintage borderless photograph of director Jacques Tati during on a promotional tour for his 1953 film. Mimeo snipe on the verso. <br /> <br /> The film that introduced Jacques Tati's bumbling and hilarious Monsieur Hulot to the world. Nominated for an Academy Award.<br /> <br /> Shot on location on the coast of France. <br /> <br /> 5 x 7 inches. Near Fine. <br /> <br /> Criterion Collection 110. Ebert I. Rosenbaum 1000. DisCina unknown
Référence libraire : 144577
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Fritz Peter Buch (director, screenwriter); Tibor Yost (novel); Zarah Leander, OW Fischer, Paul Hartmann, Hans Richter (starring)
Cuba Cabana Two original photographs from the 1952 film
West Germany: Rhombus Film 1952. Two vintage photographs of Zarah Leander on the set of the 1952 film. With manuscript annotations on the verso. <br /> <br /> Based on the 1952 novel by Tibor Yost. The second role in Zarah Leander's 1950s comeback after her career as a major star during the Nazi era<br /> <br /> 7 x 5 inches. Near Fine. Rhombus Film unknown
Référence libraire : 144568
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Max Ophuls (director, screenwriter); Louise de Vilmorin (novel), Marcel Achard, Annette Wademant (screenwriters); Charles Boyer,
Madame De. The Earrings of Madame De. Original film still of Charles Boyer from the 1953 film
Paris: Franco London Films 1953. Vintage test photograph of Charles Boyer as "General Andre de." in the 1953 French-Italian film. In the film he wears a mustache not so in this image and likely this session occurred just before or after filming was complete. <br /> <br /> Based on de Vilmorin's 1951 novel. Generally considered to be Max Ophuls' masterpiece the third of four acclaimed films he made after his return to France in 1950 and a 1950s masterpiece. Nominated for an Academy Award for Best Costume Black-and-White Rosine Delamare and Georges Annenkov. <br /> <br /> 11.5 x 14.75 inches small white border double weight full-color printed on Agfa photo paper. Very Good with moderate rubbing and curling a few short tears and creases.<br /> <br /> Criterion Collection. Ebert II. Godard Histoires du cinema. Rosenbaum 1000. Franco London Films unknown
Référence libraire : 144522
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Andrzej Wajda (director, screenwriter); Stanislawa Przybyszewska (playwright);Jean-Claude Carriere, Agnieszka Holland, Boleslaw
Danton Two original photographs from the 1983 film
Paris: Gaumont 1983. Two vintage borderless photographs of director Andrzej Wajda on the set of the 1983 Polish-French film. With manuscript annotations on the verso. <br /> <br /> Based on the 1929 play "The Danton Case" by Polish writer Stanislawa Przybyszewska. Set in 1793 Georges Danton has returned to Paris from his solitary residence in the countryside just as the Committee for Public Safety under the direction of Maximilien Robespierre his former ally begins a massive series of executions. Danton meets his fate before a revolutionary tribunal and is eventually sent to the guillotine. The film drew connections between the Reign of Terror during the French Revolution and the contemporary Polish "solidarity" movement against the Soviet-backed Polish government. <br /> <br /> Shot on location in France. <br /> <br /> 7 x 5 inches. Near Fine. <br /> <br /> Criterion Collection 464. Gaumont unknown
Référence libraire : 144573
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