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Marlon Brando (director, screenwriter); Charles Neider (novel); Guy Trosper, Calder Willingham (screenwriters); Karl Malden, Kat
One-Eyed Jacks Four original oversize photographs from the 1961 film
Hollywood: Paramount Pictures / Pennebaker Productions 1961. Four vintage oversize double weight matte finish photographs from the 1961 film. <br /> <br /> Based on the 1956 novel "The Authentic Death of Hendry Jones" by Charles Neider. Marlon Brando's only directorial effort after his production company fired original screenwriter Sam Peckinpah and director Stanley Kubrick and he rewrote the script first with Calder Willingham then with Guy Tropser. Nominated for an Academy Award. <br /> <br /> Photographs roughly 13.5 x 9 inches one with a wide bottom margin to 13.5 x 10.5 inches. Near Fine. <br /> <br /> Criterion Collection 884. Paramount Pictures / Pennebaker Productions unknown
Référence libraire : 143258
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Rene Clair (director, screenwriter); Eric Keown (short story); Robert E. Sherwood (screenwriter); Robert Donat, Jean Parker, Eug
The Ghost Goes West Original photograph from the set of the 1935 film
Beverly Hills CA: United Artists 1935. Vintage photograph of director René Clair on the set of the 1935 film. With the stamp of Pathe-RKO on the verso. <br /> <br /> Based on the 1935 short story "Sir Tristram Goes West" by Eric Keown first published in "Punch" magazine about an American who buys a Scottish castle and has it moved to Florida unaware that the castle's ghost comes with it. <br /> <br /> 9.25 x 7 inches. Near Fine. United Artists unknown
Référence libraire : 143369
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Wim Wenders (director, screenwriter); Robert Kramer, Joshua Wallace (screenwriters); Patrick Bauchau, Allen Garfield, Isabelle W
The State of Things Original double weight photograph from the 1983 film
US: Gray City 1983. Vintage borderless double weight reference photograph from the 1983 film. With a manuscript notation on the verso identifying the film by its French language title. <br /> <br /> A film crew holes up in an abandoned hotel having run out of money while shooting a science fiction film waiting for the director to track down their missing producer who is hiding from the mob. Filmed by Wim Wenders during a delay in the production of his 1981 film "Hammett" using much of the same cast and crew as Raul Ruiz's "The Territory" whom Wenders was assisting at the time. <br /> <br /> 6.25 x 9 inches. Near Fine. <br /> <br /> Rosenbaum 1000. Gray City unknown
Référence libraire : 143322
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Jacques Duvivier (director, screenwriter); Jakob Wassermann (novel); Daniel Gelin, Madeleine Robinson, Eleonora Rossi Drago, Cha
On Trial L'affaire Maurizius Original photograph from the set of the 1954 film
Paris: Franco London Films 1954. Vintage photograph on the set of the 1954 film showing star Daniel Gelin and director Jacques Duvivier along with crew setting up a shot on a scaffolding. With a studio stamp and mimeo snipe on the verso. <br /> <br /> Based on the 1928 novel "Der Fall Maurizius" "The Maurizius Case" by Jakob Wasserman about a young man who discovers his father may have convicted an innocent man and sets to uncover the truth. <br /> <br /> 7 x 5 inches. Near Fine. <br /> <br /> Grant France. Selby France. Franco London Films unknown
Référence libraire : 143324
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Robert Altman (director); Ring Lardner Jr. (screenwriter); Richard Hooker (novel); Robert Duvall, Donald Sutherland, Elliot Goul
MASH Five original oversize photographs from the 1970 film
Los Angeles: Twentieth Century-Fox 1970. Collection of five vintage borderless oversize photographs from the 1970 film. With a small French distribution label from Twentieth Century-Fox on the recto of each photograph. <br /> <br /> Based on the 1968 novel by Richard Hooker and in turn the basis of acclaimed television show which ran for 11 seasons on CBS. Winner of the Palme d'Or at Cannes and nominated for five Academy Awards including Best Picture Best Director and Best Supporting Actress winning for Best Adapted Screenplay. <br /> <br /> 12 x 9.5 inches. Pinholes to the corners of a single photograph Near Fine overall. <br /> <br /> National Film Registry. Twentieth Century-Fox unknown
Référence libraire : 143169
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Woody Allen (director, screenwriter, starring); Marshall Brickman (screenwriter); Diane Keaton (starring)
Sleeper Original photograph from the 1973 film
Beverly Hills CA: United Artists 1973. Vintage photograph from the 1973 film. <br /> <br /> A health food store owner is cryogenically frozen in 1973 only to be revived 200 years later to help lead a rebellion against inept totalitarian government. <br /> <br /> 10 x 8 inches. Very Good plus with pinholes to the corners light soil and some shallow creasing. United Artists unknown
Référence libraire : 143334
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Henry James (novel); Hugh Brooke (screenwriter)
The Wings of the Dove Reader's Notes script for an unproduced film
Culver City CA: Vanguard Films 1939. Reader's Notes script for an unproduced film intended for development at Selznick International in 1939. A document designed to summarize James' story down to two readable pages created for producers and other filmmakers to consider. <br /> <br /> White wrappers title page integral with the first page of text with credit for reader Frances Millington and novelist Henry James dated July 19 1939. 45 leaves carbon typescript on onionskin stock. Very Good plus with three hole punches at the left margin but bound with just one brad in the topmost hole. Vanguard Films unknown
Référence libraire : 143473
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WS. Van Dyke (director); William Anthony McGuire (screenwriter, play); Guy Bolton (play); Cole Porter (composer); Nelson Eddy, E
Rosalie Original photograph of W.S. Van Dyke on the set of 1937 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1937. Vintage photographs of director W.S. Van Dyke instructing a bleacher full of young women including stars Eleanor Powell and Ilona Massey on the set of the 1937 musical film. With a mimeo snipe on the verso. <br /> <br /> Based on the 1928 Broadway musical about a West Point cadet who falls for a Vasser student who just happens to be a princess in disguise with most of the original songs by George and Ira Gershwin replaced with new material by Cole Porter including the classic "In the Still of the Night." <br /> <br /> 10 x 8 inches. About Near Fine. <br /> <br /> Hirschhorn The Hollywood Musical. Metro-Goldwyn-Mayer [MGM] unknown
Référence libraire : 143347
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King Vidor (director); Dmitri Tomkin (composer); David O. Selznick (screenwriter); Niven Busch (novel); Jennifer Jones, Joseph C
Duel in the Sun Original Post-production Music Timing script for the 1946 film
Los Angeles: Selznick International 1947. Music Timing Schedule for the 1946 film. <br /> <br /> Based on the 1944 novel by Niven Busch. A recently orphaned girl is sent to live with her father's cousin. When both of sons take a liking to her she must make a decision amid their growing conflict. <br /> <br /> Set in Texas shot on location in California and Arizona. <br /> <br /> Tall white self-wrappers production No. 103 dated June 10 1947 with credits for musical director Dimitri Tiomkin. 11 leaves with last page of text numbered 11. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with one staple at the top left corner. Selznick International unknown
Référence libraire : 143493
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Marian Cockrell (screenwriter)
What Every Young Bride Should Know Original screenplay for an unproduced film
Los Angeles: Vanguard Films 1947. Second Draft script for an unproduced film. <br /> <br /> Screenwriter Cockrell is best known for the seminal film noir "Dark Waters" 1944 directed by Andre De Toth and went on to write for television between 1956-1966 including original stories for "Perry Mason" "Johnny Staccato" "Alfred Hitchcock Presents" and "Batman."<br /> <br /> Peach titled wrappers noted as Second Draft script on the front wrapper rubber-stamped copy number present dated March 13 1947 with credit for screenwriter Cockrell. Distribution page present integral with title page with receipt intact number stamp date and screenwriter credit again present. 152 leaves mimeograph duplication and last page number is 150. Pages Near Fine wrapper Near Fine internally bound with three rusted gold brads. Vanguard Films unknown
Référence libraire : 143476
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King Vidor (director); Silvia Richards (screenwriter), Jennifer Jones, Charlton Heston (starring)
Ruby Gentry Original post-production script for the 1962 re-release of the 1952 film
Los Angeles: Twentieth Century-Fox 1962. Continuity and Dialogue script for the 1962 re-release of the 1952 film. <br /> <br /> A poor southern girl marries a rich man despite her being in love with a man she want to school with. When her husband suddenly dies in a boating accident with no witness the town suspects she killed him for his money and shuns her. She attempts to get together with the man she liked during school. <br /> <br /> Set in Braddock North Carolina shot on location across California. <br /> <br /> Tall white self-wrappers missing the back self-wrapper noted as Continuity and Dialogue on the front self-wrapper dated November 28th 1952 re-run 29-3-1962 with credits for director King Vidor. Approximately 150 leaves with last page of text numbered 8. Multilith duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two flat silver brads along the top edge. Twentieth Century-Fox unknown
Référence libraire : 143471
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Marian Cockrell (screenwriter)
What Every Young Bride Should Know Original screenplay for an unproduced film Final Shooting script
Los Angeles: Vanguard Films 1947. Final Shooting script for an unproduced film.<br /> <br /> Screenwriter Cockrell is best known for the seminal film noir "Dark Waters" 1944 directed by Andre De Toth and went on to write for television between 1956-1966 including original stories for "Perry Mason" "Johnny Staccato" "Alfred Hitchcock Presents" and "Batman."<br /> <br /> Goldenrod titled wrappers noted as Final Shooting script on the front wrapper rubber-stamped copy number dated April 17 1947 with credits for screenwriter Marian Cockrell. Distribution page present with receipt intact. 133 leaves with last page of text numbered 131. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine internally bound with three metal brads. Vanguard Films unknown
Référence libraire : 143498
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Billy Wilder (director, screenwriter); Samuel A. Taylor (play, screenwriter); Ernest Lehman (screenwriter); Audrey Hepburn, Hump
Sabrina Two original photographs from the 1954 film
Hollywood: Paramount Pictures 1954. Two vintage studio still photographs from the 1954 film. One of the photographs with a sticker noting the photograph is from the collection of film historian collector and founder of the Tele Cine Documentation TCD cinema photo library Daniel Bouteiller on the verso. The second photograph is from a later Paramount re-release of the film. <br /> <br /> Based on the 1953 Broadway play by screenwriter Samuel Taylor. Winner of an Academy Award and nominated for five more including Best Director Best Actress and Best Adapted Screenplay. Remade by director Sydney Pollack in 1995 starring Julia Ormond Harrison Ford and Greg Kinnear. <br /> <br /> 8 x 10 inches. Near Fine<br /> <br /> National Film Registry. Paramount Pictures unknown
Référence libraire : 143155
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John Frankenheimer (director); Richard Condon (novel); George Axelrod (screenwriter); Frank Sinatra, Laurence Harvey, Janet Leig
The Manchurian Candidate Two original photographs from the 1962 film
Beverly Hills CA: M.C. Productions / United Artists 1962. Two vintage studio still photographs from the 1962 film. <br /> <br /> Based on Richard Condon's 1959 novel. A film that managed the unlikely feat of being both timely and well ahead of its time combining several ambitious themes including thought control political assassination multinational conspiracy Oedipal issues and Cold War paranoia. Still riveting today and along with "Seconds" 1966 helped cast Frankenheimer as the master of the paranoid unsettling thriller. Contrary to popular belief the film was not pulled from circulation following the 1963 assassination of President John F. Kennedy but did disappear in 1972 when rights reverted to Frank Sinatra who subsequently neglected to pursue continued distribution. This lapse continued until the 1988 when Sinatra re-released the film to theaters in conjunction with MGM and United Arists. <br /> <br /> Set in Korea and Washington DC shot on location in New York California. Nominated for two Academy Awards. <br /> <br /> 8 x 10 inches. Very Good plus. M.C. Productions / United Artists unknown
Référence libraire : 143142
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Yoshishige Yoshida (director, screenwriter); Masahiro Yamada (screenwriter); Mariko Okada (starring)
Eros Massacre Eros Plus Massacre Original screenplay for the 1969 film
Tokyo: Gendai Eigasha 1969. Draft script for the 1969 film. Front wrapper notes a date of 1969 and credit as a Gendai Eigasha production. <br /> <br /> The second page is a elegaic introduction to the film story: "On the erotology and insurrection of sugi Sakae who wrote of dancing as flowers strangled and left in spring and It Noe who lived her entire life in confused beauty—we the youth and you and I in our degenerate joy which reaches an unbalanced complicity are talking."<br /> <br /> Based on the life of anarchist Sakae sugi and his relationship with three women.It is the first film in Yoshida's trilogy of Japanese radicalism followed by "Heroic Purgatory" 1970 and "Coup d'Etat" 1973. Considered to be one of the most representative films from the Japanese New Wave movement. <br /> <br /> Set in and shot on location in Japan. <br /> <br /> White titled wrappers dated 1969. Title page present. 86 leaves with last page of text numbered d-44. Mechanical duplication. Pages Near Fine wrapper Very Good plus with mild foxing on rear wrapper title on spine. Gendai Eigasha unknown
Référence libraire : 143218
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Francois Truffaut (director, screenwriter); Cornell Woolrich (novel); Catherine Deneuve, Jean-Paul Belmondo (starring)
Mississippi Mermaid La sirene du Mississipi Eight lobby cards for the 1969 film
Paris: Les Films du Carrosse 1969. Collection of eight vintage lobby cards for the 1969 French neo-noir film. <br /> <br /> A late and important color noir made at what was arguably the peak of François Truffaut's success as a filmmaker dedicated to one of his elders Jean Renoir and shot during the time he was deeply involved with lead actress Catherine Deneuve. Based on the 1947 novel by Cornell Woolrich writing as William Irish. <br /> <br /> 10.5 x 8.25 inches. Fine. <br /> <br /> Grant France. Twilight Time. Les Films du Carrosse unknown
Référence libraire : 143149
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Jules Dassin (director); Eric Ambler (novel); Monja Danischewsky (screenwriter); Melina Mercouri, Peter Ustinov, Maximilian Sche
Topkapi Collection of 16 lobby cards from the 1964 film
Beverly Hills CA: Filmways Pictures / United Artists 1964. Collection of 16 vintage lobby cards from the French release of the 1964 US film. <br /> <br /> Based on the 1962 novel by Eric Ambler about a con man forced to help a group of thieves steal a jeweled dagger from an Istanbul museum. Peter Ustinov won a Best Supporting Actor Oscar for his role in the film. <br /> <br /> 9 x 11.75 inches. Near Fine. Filmways Pictures / United Artists unknown
Référence libraire : 143143
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Sam Peckinpah (director, screenwriter); Harry Julian Fink, Oscar Saul (screenwriters); Charlton Heston, Richard Harris, James Co
Major Dundee Seven original lobby cards from the 1965 film
Culver City CA: Columbia / Jerry Bresler Productions 1965. Seven vintage lobby cards for the French release of the 1965 US film. <br /> <br /> During the Civil War an obsessed glory seeking Union cavalry officer leads a disparate crew of soldiers Confederate POWs and American Indian scouts into Mexico to attack a group of Apaches that have been raiding towns in the US. <br /> <br /> 11.75 x 9.25. Very Good plus with pinholes to the corners. Columbia / Jerry Bresler Productions unknown
Référence libraire : 143145
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GE. Moore (screenwriter) G. E.
Trial and Error The Dunnegan Dilemma The Wide Boys "The Story of Sue Marchant" and Portrait of an Englishman Original screenplays for five unproduced films
N.p.: N.p. 1950. Archive of four Draft scripts for four different films all unproduced. <br /> <br /> Set in London. <br /> <br /> Title page present with credits for screenwriter G.E. Moore. 255 leaves with last page of text numbered 12. Mixed ribbon copy typescript and carbon typescript variously on white green and yellow stock. Pages Very Good plus with some foxing at the edges housed in a green spring binder that is dampstained and Good only. N.p. unknown
Référence libraire : 142337
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GE. Moore (screenwriter) G. E.
Wittering Alp Portrait of Catherine The Trojan Story The Nine Days' Wonder The Choice Spirit Archive of original screenplays for unproduced films
N.p.: N.p. 1950. Archive of screenplays for an unproduced films all by the same screenwriter from the screenwriter's estate. <br /> <br /> Collection of unproduced screenplays by screenwriter G.E. Moore including "The Wittering Alp" "Portrait of Catherine" "The Trojan Story" "The Nine Days' Wonder" and "The Choice Spirit." <br /> <br /> Title page present with credits for screenwriter Moore. 150 leaves with last page of text numbered 43. Mixed ribbon copy typescript carbon typescript and mimeograph duplication. Pages Very Good wrapper Very Good plus housed in a black spring binder. Binder is Good only significantly dampstained but has done its job and the internal leaves are unaffected. N.p. unknown
Référence libraire : 142371
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GE. Moore (screenwriter) G. E.
The Dunnegan Dilemma Original treatment script for an unproduced film
N.p.: N.p. 1950. Treatment script for an unproduced film. Ribbon copy typescript. <br /> <br /> An Irish comedy involving a small village which finds itself on the border between the Republic of Ireland and Northern Ireland i.e. the British Empire. A man and a woman on opposite sides of the border fall in love. <br /> <br /> Set in Ireland. <br /> <br /> Green titled wrappers with typescript title label affixed on the front wrapper. Title page present with credits for screenwriter G.E. Moore. 33 leaves with last leaf of text numbered 27. Ribbon copy typescript with type in black and red. Pages Near Fine wrapper Near fine bound with string binding. N.p. unknown
Référence libraire : 142338
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GE. Moore (screenwriter) G. E.
The Wide Boys Original treatment script for an unproduced film
N.p.: N.p. 1950. Treatment script for an unproduced film. Ribbon copy typescript. <br /> <br /> A violent gang of men chaos all over the outskirts of London by beating up the daughter of an older woman they are sheltering and abducting people throughout the London countryside. <br /> <br /> Set in London. <br /> <br /> Brown titled wrappers with typescript title label affixed on the front wrapper. Title page present with credits for screenwriter G.E. Moore. 34 leaves with last leaf of text numbered 31. Ribbon copy typescript. Pages Near Fine wrapper Near Fine with string binding. N.p. unknown
Référence libraire : 142332
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GE. Moore (screenwriter) G. E.
Portrait of Catherine Archive of three original screenplays for an unproduced film
N.p.: N.p. 1950. Archive of Draft scripts for an unproduced film the first draft being a ribbon copy typescript. <br /> <br /> A man experiences constant ennui in high society life and soon falls for a married woman whom he meets at a salon in her husband's house. They begin an affair amongst affluent society and start traveling secretly around Europe. <br /> <br /> Set in Paris. <br /> <br /> Screenplay #1:<br /> <br /> Brown titled wrappers with typescript title label affixed on the front wrapper. Title page present with credits for screenwriter Moore. 25 leaves with last page of text numbered 21. Ribbon copy typescript. Pages Near Fine wrapper Near Fine bound with a string binding. <br /> <br /> Screenplay #2:<br /> <br /> Blue titled wrappers with typescript title label affixed on the front wrapper. Title page present with credits for screenwriter Moore. 62 leaves with last page of text numbered 55. Mimeograph duplication. Pages Very Good plus wrapper Very Good plus with dampstaining bound with three staples. <br /> <br /> Screenplay #3:<br /> <br /> Title page present with credits for screenwriter Moore. 237 leaves with last page of text numbered 32. Mixed ribbon copy typescript and carbon typescript. Pages Very Good plus wrapper Very Good plus housed in a green spring binding. N.p. unknown
Référence libraire : 142370
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Neil Paterson (screenwriter); Henry Blanke (producer)
The Stepmother Original screenplay for an unproduced film
N.p.: N.p. 1961. Fifth Draft script for an unproduced film. <br /> <br /> Neil Paterson is an Academy Award-winning screenwriter from Scotland who won the award for Best Adapted Screenplay for "Room at the Top" 1959. Additional films he wrote for include "High Tide at Noon" 1957 and "The Spiral Road" 1962. He also had a successful career as a soccer player in his native Scotland. <br /> <br /> Pink titled self wrappers noted as 5TH DRAFT on the front wrapper rubber-stamped copy No. 14 and production No. 3649 dated February 27 1961 with credits for producer Henry Blanke and screenwriter Neil Paterson. Title page integral with front wrapper. 141 leaves with last page of text numbered 130. Mechanical duplication with green and pink revision pages throughout dated variously between February 20 1961 and February 27 1961. Pages Very Good plus front wrapper Good only now preserved in archival mylar rear wrapper Very Good plus bound with two gold brads. N.p. unknown
Référence libraire : 141895
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Don Sharp (director); Leigh Vance (screenwriter); Tommy Steele, Michael Medwin, Angela Douglas, Jean Harvey (starring)
The Dream Maker It's All Happening Original screenplay for the 1963 film
Universal City London: K.N.P. Productions / Universal 1962. Draft script for the 1963 film. Laid in is a two page stapled cast list dated December 21 1962 as well as a three page stapled cast and unit list dated December 21 1962. Here under the working title "It's All Happening." <br /> <br /> A local talent-spotter organizes a benefit concert to save the orphanage he grew up in. Later categorized as a "children's musical" this film featured a great number of actual popular singer and bands active in the 1960s in England. <br /> <br /> Green untitled wrappers with a die-cut title window in the British style. Title page present dated November 29 1962. 72 leaves with last page of text numbered 71. Multilith duplication. Pages Near Fine wrapper Near Fine bound internally with three silver brads. K.N.P. Productions / Universal unknown
Référence libraire : 142324
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GE. Moore (screenwriter) G. E.
The League of Free Men Original screenplay for an unproduced film
N.p.: N.p. 1950. Draft script for an unproduced film. Ribbon copy typescript. <br /> <br /> A gentleman pays the bail of a recently-jailed political activist who is then invited to a meeting of the League of Free Men. When the activist turns up murdered a few days later with a mysterious note found on his body the police begin investigating exactly what this organization is all about. <br /> <br /> Set in London. <br /> <br /> Brown titled wrappers with typescript title label affixed on the front wrapper. Title page present noted as First Version with credits for G.E. Moore. 98 leaves with last page of text numbered 94. Ribbon copy typescript with type in black and red. Pages Very Good plus wrapper Very Good plus bound with a string binding. N.p. unknown
Référence libraire : 142329
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GE. Moore (screenwriter) G. E.
The Strange Case of Miss Chant Original treatment script for an unproduced film
N.p.: N.p. 1950. Original treatment script for an unproduced film. Ribbon copy typescript. <br /> <br /> In a nonspecific Communist-occupied country in Central Europe during the Cold War a group of military police arrest a woman they believe to be a spy. She maintains her innocence yet still she has an interesting alibi married an artist three days before and finding him dead and speaks English with a Magyar accent despite an "English" upbringing. <br /> <br /> Set in Central Europe. <br /> <br /> Brown wrappers with typescript title label affixed on the front wrapper. Title page present with credits for screenwriter Moore. 48 leaves with last leaf of text numbered 45. Ribbon copy typescript. Pages Near Fine wrapper Near Fine bound with a string binding. N.p. unknown
Référence libraire : 142348
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Terry Bishop (director); John O'Gorman, Tony Hawes (screenwriter); Reginald Beckwith, Dorinda Stevens, John Le Mesurier, Brian O
Hair of the Dog Original screenplay for the 1962 film
London: Jack Parsons 1953. Draft script for the 1962 film. With a few annotations in manuscript pencil. <br /> <br /> A manager at a razor factory grows a beard after developing a rash due to shaving. His superiors are displeased. The manager then decides to organize a strike in order to get his point across. <br /> <br /> Green titled wrappers dated May 1953 with credits for screenwriters John O'Gorman and George Moore. Title page present dated May 1953 with credits for screenwriters John O'Gorman and George Moore. 101 leaves with last page of text numbered 100. Mimeograph duplication. Pages Very Good plus wrapper Very Good plus bound with two gold brads. Jack Parsons unknown
Référence libraire : 142336
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GE. Moore (screenwriter) G. E.
Goodbye to Mrs. Bligh Original screenplay for an unproduced film
N.p.: N.p. 1950. Draft script for an unproduced film. Ribbon copy typescript with type in black and red. <br /> <br /> A sixteen year old living in her sick aunt's boarding house receives a proposition from a local wealthy individual for marriage which she would only do to pull herself out of her situation but she cannot abandon her sick aunt who needs her help. <br /> <br /> Set in Australia. <br /> <br /> Unbound leaves Title page integral with first page of text. 21 leaves with last page of text numbered 20. Ribbon copy typescript. Very Good plus overall. N.p. unknown
Référence libraire : 142374
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GE. Moore (screenwriter) G. E.
Mr. Pybus Archive of original screenplays for an unproduced film
N.p.: N.p. 1950. Archive of various ribbon copy typescript draft script revisions in both red and black ribbon type for an unproduced film. With annotations throughout in manuscript ink. <br /> <br /> A mystery begins to unfold as Tom Fielding finds an acquaintance of his in a highly distressed position. When he returns to his home he finds his wife has been brutally murdered and that he is the prime suspect. <br /> <br /> Set in London and Liverpool. <br /> <br /> Script #1:<br /> <br /> Blue titled wrappers with typescript title label affixed on the front wrapper. Title page present with credits for screenwriter Moore. 37 leaves with last page of text numbered 6. Mimeograph duplication. Pages Near Fine wrapper Near Fine bound with a string binding. <br /> <br /> Script #2:<br /> <br /> Blue untitled wrappers. Title page present noted as First Copy with credits for screenwriter Moore. 266 leaves with last page of text numbered 11. Ribbon copy typescript in black and red. Pages Very Good plus wrapper Very Good plus unbound. N.p. unknown
Référence libraire : 142350
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Alvin Rakoff (director); Douglas Hayes (author); Peter Yeldham (screenwriter); Kenneth More, Cecil Parker, Dennis Price, Billie
The Comedy Man Original screenplay for the 1964 film
Buckinghamshire: British Lion Film Corporation 1964. Draft script for the 1964 film. <br /> <br /> Based on the 1960 novel of the same title by Douglas Hayes. A middle-aged stage actor moves from a conservative life in the provinces to the very center of Swinging London and tries to revitalize his career by performing in commercials. <br /> <br /> Set in London shot on location there. <br /> <br /> Black untitled wrappers with a die-cut title window in the British style. Title page present with credits for screenwriter Peter Yeldham and author Douglas Hayes. 129 leaves with last page of text numbered 128. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with three silver brads. British Lion Film Corporation unknown
Référence libraire : 142333
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GE. Moore (screenwriter) G. E.
Third From the Left Original treatment script for an unproduced film
N.p.: N.p. 1950. Synopsis script for an unproduced film. Ribbon copy typescript. <br /> <br /> The supposed memoir of a showgirl who begins who career simply as a beautiful woman who think she is untalented in all other areas and ends up embarrassing herself rather often at the start of her career. She eventually develops a camaraderie with her fellow performers and begins to accept her life with people who care about her. <br /> <br /> Set in England. <br /> <br /> Pink titled wrappers with typescript title label affixed on the front wrapper. Title page present with credits for screenwriter G.E. Moore. 32 leaves with last leaf of text numbered 28. Ribbon copy typescript. Pages Near Fine wrapper Very Good plus bound with string binding. N.p. unknown
Référence libraire : 142326
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Maurice Cazeneuve (director, screenwriter); Paul Guimard, Henri-Francois Rey (screenwriters); Mylene Demongeot, Maurice Ronet, J
Night Heat Cette nuit la Original photograph of Mylene Demongeot from the 1958 film
Paris: Francoise Pages 1958. Vintage black-and-white photograph from the set of the 1958 film "Night Heat" here under the original French title "Cette nuit la." Featured is actress Mylene Demongeot with costar Maurice Ronet. <br /> <br /> With over 70 films to her credit Demongeot 1935- began acting in the early 1950s her first film being Leonide Moguy's "Children of Love" 1953. Notable films would follow including Raymond Rouleau's "The Crucible" 1957 Otto Preminger's "Bonjour Tristesse" 1958 Marc Allegret's "Be Beautiful But Shut Up" 1958 Andre Hunebelle's "Fantomas" 1964 and several Marc Simenon films in the 1970s and 1980s a director she was married to for over thirty years. <br /> <br /> 3.25 x 4.25 inches small white borders "298H" rubberstamp on versos: 182. Very Good plus with curling and slight discoloration overall. Francoise Pages unknown
Référence libraire : 143147
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King Vidor (director); David O. Selznick (screenwriter); Niven Busch (novel); Jennifer Jones, Joseph Cotten, Gregory Peck, Lione
Duel in the Sun Post-production Footage Schedule script for the 1946 film
Los Angeles: Selznick International 1947. Post-production Footage Schedule script for the 1946 film complete as issued by Selznick Studios.<br /> <br /> Based on Niven Busch's 1944 novel of the same name. Lavish "epic" Western from Selznick who saw the film as a definite successor to his monumental "Gone With the Wind" 1939 and held in high regard by some of today's finest filmmakers. Nominated for two Academy Awards. <br /> <br /> Set in Texas shot on location in Arizona and California. <br /> <br /> Footage schedule script prints 308-437 dated May 10 1947. Blue titled wrappers three staples 3 leaves. Near Fine. Selznick International unknown
Référence libraire : 143180
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Douglas Sirk (director); Charles Grayson, Vincent B. Evans (screenwriter); Rock Hudson (starring)
Battle Hymn Original screenplay for the 1957 film
Universal City: Universal Pictures 1956. Second Revised Final Draft script for the 1957 film. Specially bound copy belonging to producer Ross Hunter bound in navy full calf with gilt titles on cover and spine with Hunter's name on the front board. <br /> <br /> Based on the 1956 autobiography of the same name by Colonel Dean E. Hess a real-life United States Air Force fighter pilot in the Korean War. Hess was a technical advisor for the film and the gold flying helmet Rock Hudson wears was his personal possession. A poster for "Battle Hymn" appears outside the movie theater in the 1959 pilot episode of The Twilight Zone "Where Is Everybody"<br /> <br /> Set in 1950s Westhampton Ohio and Seoul shot on location in Seoul South Korea and Nogales AZ. <br /> <br /> Navy full calf binding without paper wrappers as issued. Title page present noted as Second Revised Final with credits for screenwriter Charles Grayson. 137 leaves with last page of text numbered 123-A. Multilith duplication with pink blue white revision pages throughout dated variously between 2/29/56 and 4/23/56. Pages Near Fine presentation binding Near Fine. Universal Pictures unknown
Référence libraire : 142863
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Charles; Bronson Tony Curtis, Michele Mercier, Patrick Magee (starring); Peter Collinson (director); Leo Gordon (screenwriter)
You Can't Win 'Em All Dubious Patriots Original screenplay for the 1970 film
Culver City CA: Columbia Pictures 1970. Draft script for the 1970 film. <br /> <br /> One of the more notable scripts from character actor and writer Leo Gordon whose Hollywood career began after his dishonorable discharge during WWll for robbing patrons at a bar. Throughout his 40 years as an actor art imitated life as the burly Gordon typically played an outlaw typecast predominately in Westerns. <br /> <br /> Peter Collinson fresh off “The Italian Job†was reportedly a brute force in addition to excruciating temperatures on a set that was 200 miles outside of Istanbul. The pairing of the leads was lauded as Charles Bronson was at the height of European fame alongside a well-established Tony Curtis. <br /> <br /> <br /> Set in 1922 Greco-Turkish War shot on location in Turkey. <br /> <br /> Blue titled wrappers. Title page present with credits for Leo V. Gordon. 129 leaves with last page of text numbered 129. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Columbia Pictures unknown
Référence libraire : 142976
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Marcel Ophuls (director, screenwriter); Andre Harris (screenwriter)
The Sorrow and the Pity Original program for the 1969 film
New York: Cinema 5 1972. Original American program for the 1969 French documentary film. <br /> <br /> A two-part film exploring collaboration and resistance to the Vichy government and Nazi Germany in the French town of Clermont-Ferrand. Nominated for an Academy Awards for Best Documentary. <br /> <br /> 7.5 x 11 inches in self wrappers. Printed on newsprint. Near Fine with a shallow horizontal fold crease and light soil. Cinema 5 unknown
Référence libraire : 142998
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Raoul Walsh (director); Lesser Samuels, Ralph Gilbert Bettison, Austin Melford, Bryan Edgar Wallace (screenwriter); Wallace Ford
You're in the Army Now "O.H.M.S" Original screenplay for the 1937 film
New York: Gaumont British Picture Corporation 1936. Draft script for the 1937 film. Specially bound copy bound in green cloth with title in gilt. <br /> <br /> An American gangster joins the British Army in order to evade the police. Released in Great Britain under the title O.H.M.S. which signifies "On His Majesty's Service." Military propaganda from Britain's War Office made with full Army Council cooperation. American director Raoul Walsh was chosen after his success with "What Price Glory" in 1926 which helped boost recruiting for the US Marine Corps. <br /> <br /> Set in New York and London shot on location in London. <br /> <br /> Green cloth covered boards with gilt titles with stamped production No. 69 in gilt. Title page present dated 31st July 1936 noted as screenplay. 116 leaves. Mimeograph duplication. Pages Near Fine with dampstaining on open edge binding Very Good plus. Gaumont British Picture Corporation unknown
Référence libraire : 143033
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Monta Bell (director, screenwriter); Genevieve Tobin, Lew Ayres, Purnell Pratt, Frank McHugh (starring)
Up for Murder Original post-production script for the 1931 film
Universal City CA: Universal Pictures 1931. Continuity and Dialogue script for the 1931 pre-code film. <br /> <br /> A man gets promoted from the printing room to working with the society editor at a newspaper. When he begins to develop feelings for the woman writing the society section he brawls with her lover who is also their boss. <br /> <br /> White titled self-wrappers noted as Continuity and Dialogue on the front wrapper production No. 117-1. 85 leaves with last page of text numbered 12. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good with a long tear to the front self-wrapper bound with two gold brads along the top edge. Universal Pictures unknown
Référence libraire : 130935
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Lloyd Corrigan (director); Sidney Buchman (screenwriter); Percy Heath (adaptation); Rupert Hughes (novel); Alice Brand Leahy (sc
No One Man Original screenplay for the 1932 film
Hollywood: Paramount Pictures 1931. Revised Final Script for the 1932 pre-Code film an early starring role for Carole Lombard. Rubber stamped as a Paramount File Copy at the top right corner of the front wrapper. <br /> <br /> Penelope Newbold is a wealthy divorcee looking to remarry. She falls for her physician Dr. Karl Bemis but ends up marrying Bill Hanaway. Bill then has an affair with another woman. <br /> <br /> Tall peach side stapled self wrappers noted as Third Buff Script on the front wrapper dated October 6 1931 with credits for writers Hughes Heath Buchman and Leahy. 205 leaves on peach stock mimeograph duplication with annotations throughout. Paramount Pictures unknown
Référence libraire : 130961
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Robert Siodmak (director); James Ronald (novel); Bertram Millhauser, Arthur T. Horman (screenwriter); Charles Laughton, Ella Rai
The Suspect Original post-production script for the 1944 film
Universal City CA: Universal Pictures 1944. Post-Production script for the 1944 film. Script incomplete lacking the first page. <br /> <br /> Based on the 1939 novel by James Ronald. A man begins having an affair with a woman he met through work. His wife discovers the affair and forces him to break off all ties to the woman. Unfortunately his wife dies falling down the stairs in what may or may not have been an accident. One detective is determined to prove foul play.<br /> <br /> Set in London.<br /> <br /> White self-wrappers. 137 leaves with last page of text numbered 17. Mimeograph duplication rectos only. Pages Very Good wrapper Very Good bound with two rusted gold brads along the top edge.<br /> <br /> Grant US. Selby US. Silver Classic Noir. Spicer US. Universal Pictures unknown
Référence libraire : 130926
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Robert Parrish (director); Max Catto (novel); Irvin Shaw (screenwriter); Rita Hayworth, Robert Mitchum, Jack Lemmon (starring)
Fire Down Below Two original photographs from the set of the 1957 film
Culver City CA: Columbia Pictures 1957. Two vintage photographs from the set of the 1957 film one showing actors Rita Hayworth and Jack Lemmon relaxing between takes the other showing Hayworth and actor Robert Mitchum waiting while the camera crew sets up on a boat. Mimeo snipe to the verso of the second photograph. <br /> <br /> Based on the 1954 novel by Max Catto about two smugglers whose partnership is tested when they agree to transport an undocumented woman to a Caribbean island. <br /> <br /> Photographs 5 x 7 and 8 x 10 inches. Light curling and faint diagonal creasing to the corners. Very Good plus. Columbia Pictures unknown
Référence libraire : 143086
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Marco Ferreri (director, screenwriter); Gianfranco Salis (photographer); Liliane Betti, Massimo Bucchi, Paolo Costella (screenwr
The Flesh La Carne Original double weight photographs from the 1991 film
Italy: MMD 1991. Vintage borderless double weight photograph from the 1991 film. With a stamp on the verso identifying the film and photographer. <br /> <br /> A black comedy in which a divorced man falls for a beautiful woman who uses magic to turn him into a sex slave. He doesn't seem to mind until she gets bored and wants to leave him and the things take a darker turn. Nominated for the Palme d'Or at Cannes. <br /> <br /> 11.75 x 7.5 inches. Light creasing to the corners else Near Fine. MMD unknown
Référence libraire : 143062
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Roger Vadim (director, screenwriter); Albert Vidalie (novel); Jacques Remy (screenwriter); Brigitte Bardot, Alida Valli, Stephen
The Night Heaven Fell Les bijoutiers du clair de lune Original photograph from the set of the 1958 film
France: Iena Productions 1958. Vintage borderless photograph from the 1958 film showing director Roger Vadim positioning actor Brigitte Bardot's hands as she holds a cape. With manuscript annotations on the verso identifying the film. <br /> <br /> Based on the 1954 novel by Albert Vidalie about a young woman who runs away from a convent only to get entangled with the young man her aunt is having an affair with to deadly consequences. Vadim's second film and the second of five films he would make with Bardot. <br /> <br /> Set and shot in Torremolinos Spain. <br /> <br /> 9.5 x 7 inches. Near Fine. Iena Productions unknown
Référence libraire : 143080
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Bernardo Bertolucci (director, screenwriter); Franco Arcalli, Giuseppe Bertolucci, Clare Peploe (screenwriters); Jill Clayburgh,
La Luna Original photograph from the set of the 1979 film
Italy / US: Twentieth Century-Fox 1979. Vintage borderless photograph showing actor Jill Clayburgh and director Bernardo Bertolucci in a pensive moment during on outdoor shoot from the set of the 1979 film. With the stamp of US co-producer Twentieth Century-Fox and identifying manuscript notation on the verso. <br /> <br /> The son of a famous opera singer falls into heroin addiction and his mother begins an incestuous relationship with him to help him kick the habit. <br /> <br /> 9.5 x 7 inches. Near Fine. Twentieth Century-Fox unknown
Référence libraire : 143077
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Thomas De Quincey (novel); Albert Zugsmith (director); Robert Hill (screenwriter); Vincent Price (starring)
Confessions of an Opium Eater Original photograph from the 1962 film
Glendale CA: Allied Artists 1962. Vintage borderless photograph from the 1962 film. With manuscript annotations and a sticker noting the photograph is from the collection of film historian collector and founder of the Tele Cine Documentation TCD cinema photo library Daniel Bouteiller on the verso. <br /> <br /> Loosely based on the 1822 novel by Thomas De Quincey the film transposes the setting to San Francisco's Chinatown and involves Price in mystery set in the criminal underworld. <br /> <br /> 7 x 5 inches. Near Fine. <br /> <br /> Rosenbaum 1000. Allied Artists unknown
Référence libraire : 143073
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[Cyd Charisse] Joseph Pevney (director); Ernest K. Gann (novel, screenwriter); Rock Hudson, Cyd Charisse (starring)
Twilight for the Gods Original double weight photograph from the set of the 1958 film
Universal City CA: Universal Pictures 1958. Vintage double weight photograph on the set of the 1958 film showing Cyd Charisse getting her hair styled after a swim while Rock Hudson films with moment in the background. With a mimeo snipe on the verso. <br /> <br /> With a screenplay by Ernest K. Gann based on his 1958 novel about the captain and passengers of a rundown boat caught in a storm and struggling to survive. <br /> <br /> Filmed on location in Hawaii. <br /> <br /> 8 x 10 inches. Near Fine. Universal Pictures unknown
Référence libraire : 143074
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Michael Carreras (director, screenwriter); Michael Latimer, Martine Beswick, Edina Ronay (starring)
Prehistoric Women Slave Girls Five original photographs from the 1967 film
London: Hammer Films / Seven Arts 1967. Five photographs from the 1967 British American film including one US studio still. One photograph with the stamp on a Spanish photo agency on the verso a few with brief manuscript annotations. <br /> <br /> Released as "Slave Girls" in the UK and "Prehistoric Women" in the US. An explorer touches a mystical statute and finds himself in the distant past where a tribe of brunette women enslave blonde women whom he must help fight for freedom. Hammer reused the sets and costumes from the previous year's "One Million Years B.C." and would return to the same ouevre of scantily clad cave women with "When Dinosaurs Ruled the Earth" 1970 and "Creatures the World Forgot" 1971. <br /> <br /> 10 x 8 inches. Near Fine. Hammer Films / Seven Arts unknown
Référence libraire : 143076
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Roberto Rossellini (director, screenwriter); Arthur Honegger, Paul Claudel (oratorio); Ingrid Bergman (starring)
Giovanna d'Arco al rogo Original photograph from the set of the 1954 film
Italy / France: Produzioni Cinematografiche Associate / Franco London Films 1954. Vintage borderless photograph from the set of the 1954 film showing Ingrid Bergman tied to the titular stake with actor Tullio Carminati beside her and director Roberto Rossellini in the foreground. With stamps identifying the film under the English language title "Joan at the Stake" and the New York address of Italian Films Export as well as some manuscript annotations on the verso. <br /> <br /> Based on the 1938 oratorio "Jeanne d'Arc au bucher" by Arthur Honegger with a libretto by Paul Claudel about visions of her life and purpose Joan of Arc receives as she is burned at the stake. <br /> <br /> 6.75 x 9.25 inches. Near Fine. <br /> <br /> Godard Histoires du cinema. Produzioni Cinematografiche Associate / Franco London Films unknown
Référence libraire : 143075
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Leo Tolstoy (novel); Sergey Bondarchuk (director, screenwriter, starring); Vasiliy Solovyov (screenwriter); Lyudmila Saveleva, V
War and Peace Voyna i mir Two original photographs from the set of the 1966-1967 film series
Moscow: Mosfilm 1964. Two vintage photographs from the four-fim series released between 1966 and 1967 showing director Sergey Bondarchuk on a large outdoor battle set. With Italian mimeo snipes and stamps of a magazine archive dated August 19 1964 on the verso. <br /> <br /> An epic production based on Leo Tolstoy's 1869 novel at the time the most expensive film ever made in the Soviet Union. Filmed over six years with the photographs offered here from the midpoint of the production and released in four parts in 1966 and 1967 running a totla of just over seven hours. Winner of an Academy Award for Best Foreign Language Film. <br /> <br /> Photographs 9 x 5.25 and 9.25 x 6.5 inches. Near Fine. Mosfilm unknown
Référence libraire : 143046
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