‎Scénariste‎

‎Rene Clair (director, screenwriter); Jean Marsan, Jacques Remy (screenwriters); Bourvil, Alfred Adam, Philippe Noiret, Claude Ri‎

‎Tout l'or du monde Press archive for the 1961 film‎

‎France Italy: Cineriz 1962. Archive of press material related to the 1961 French-Italian film. Includes film production-related material like shooting schedules and synopses a cinema magazine reviewing the film and several leaves of correspondence addressed from various members of film production to Maryse Martin Martres a prolific French actress who was also involved in press relations in France. Brief annotations in manuscript ink throughout. More than 150 leaves of correspondence and notes. <br /> <br /> A glimpse inside the behind-the-scenes process of French press and the attention paid to prolific French figures of cinema notably René Clair. Maryse Martin whose film credits include "The Happy Road" 1957 "Bonjour Tristesse 1958 and several films each for directors Jacqueline Audry Maurice Labro and Jean Gourguet was a popular "B" actress who played supporting roles in over 40 films. She presumably worked for a press agency involved in publication of film reviews press kits photographs and more. Several letters are represented addressed to and from Maryse from persons like Gay-Lussac Gordon Reid A. Sergio Berrocal George L. George Monsieur Bergougnous Monsieur Lourau J.D. van Leeuwen Edmundo Duran members of UniFrance Film Alessandro Ferrau R. Betmalle Clare Simpson Pierre Lazareff Francois Timmory I. Dally and even René Clair's secretary. <br /> <br /> A businessman Noiret wants to buy land around the village of Cabosse claiming his desire for seclusion but with intentions to sell the water from the village fountain purportedly a fountain of youth. Shot on location throughout France. <br /> <br /> All material Very Good overall housed in Martin's file folder with the film title in manuscript ink. Cineriz unknown‎

书商的参考编号 : 139131

‎Kadar, Jan, Elmar Klos (directors, screenwriters); Ladislav Grosman (story, screenwriter); Ida Kraminska, Jozef Kroner (starring‎

‎The Shop on Main Street Obchod na korze Original herald for the 1965 film‎

‎Prague: Filmove studio Barrandov 1965. Re-release herald for the 1965 Czechoslovakia film "The Shop on Main Street" with four image from the film and text in both Czech and English. <br /> <br /> Based on the 1962 short story "The Trap" by screenwriter Ladislav Grosman and one of the comparatively few films from the Czechoslovak New Wave filmed in the Slovak as opposed to the Czech language. Winner of the Academy Award for Best Foreign Language film with an additional nomination for Ida Kraminska for Best Actress. <br /> <br /> A Slovak man is given a sewing notions shop owned by an elderly Jewish woman as part of the government's Aryanization program. He doesn't have the heart to tell her and pretends to be her new employee. The two form a bond which is tested when the authorities begin rounding up the town's Jewish population. <br /> <br /> 6.5 x 4.5 inches accordion folded opens to 37.5 x 4.5 inches. Fine. <br /> <br /> Criterion Collection 130. Filmove studio Barrandov unknown‎

书商的参考编号 : 138323

‎Michael Gordon (director); Abraham Polonsky (screenwriter); Vera Caspary (adaptation); Jerome Weidman (novel)‎

‎I Can Get It for You Wholesale Original screenplay for the 1951 film with script breakdown lists‎

‎Los Angeles: Twentieth Century-Fox 1950. Revised First Draft Continuity script for the 1951 film. Included is an index to the script breakdown detailing various scenes and script page numbers with revisions. Copy belonging to Dane Anderson an uncredited member of the crew with his name on the front wrapper of the script breakdown and annotations throughout in manuscript pencil. File copy rubber-stamped on the front wrapper. <br /> <br /> Based on Weidman's 1937 novel and Vera Caspary's loose adaptation. Harriet Boyd Hayward is a fashion designer who partners with Teddy Dailey whom she loves and Sam Jaffe and starts a new business dedicated to selling affordable women's dresses. A rival fashion company lead by Noble Sanders momentarily distracts Harriet but at the last minute she realizes her true devotion to Teddy and Sam. <br /> <br /> Screenwriter Polonsky was blacklisted shortly after the film's release refusing to answer questions before the House Un-American Activities Committee. <br /> <br /> White titled wrappers rubber-stamped as REVISED FIRST DRAFT CONTINUITY on the front wrapper copy No. 3 and production No. 2446.8 dated August 4 1950. Distribution page present with receipt removed. Title page present dated August 4 1950 noted as Revised 1st Draft Continuity with a credit for screenwriter Polonsky. 170 leaves with last page of text numbered 168. Mimeograph on eye-rest green stock. Pages and wrapper Near Fine internally bound with three gold brads. <br /> <br /> Script Breakdown: self wrappers as issued. 88 leaves dated 10/2/50 mimeograph on eye-rest green stock. Near Fine bound with three gold brads. Twentieth Century-Fox unknown‎

书商的参考编号 : 131050

‎Russ Meyer (director, producer); Robert Rudelson (screenwriter); Erica Gavin, Garth Pillsbury, Harrison Page, Jon Evans (starrin‎

‎Vixen Two original photographs from the 1968 film‎

‎California: Eve Productions 1968. Two vintage black-and-white still photographs from the 1968 film. Seen in the stills is Erica Gavin Vixen and Jon Evans Judd and a split image with Erica Gavin and Harrison Page Niles the duo responsible for the film's thick racial tensions. <br /> <br /> "Vixen!" was one of Meyer's best sleaziest and most commercially successful films made at the peak of his independent productions after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970. What is less well known is that this film by way of Ms. Gavin marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. <br /> <br /> Gavin's titular character is a married woman whose sexual boundaries are none but instead of being a typical sex romp the film heads off into areas that can be reasonably described as unexplored by sexploitation films including communism race relations political debate and terrorist activity. But also present in the film are many of the genre's more familiar themes breast size incest nonstop sexual activity and a generous dose of humor. <br /> <br /> 8 x 10 inches. One still with a faint tape ghost and two short tears else Near Fine overall. Eve Productions unknown‎

书商的参考编号 : 139327

‎Russ Meyer (director, producer); Robert Rudelson (screenwriter); Erica Gavin, Garth Pillsbury, Harrison Page, Jon Evans (starrin‎

‎Vixen Original British photograph from the 1968 film‎

‎Middlesex England: Eve Productions Cinecenta 1969. Vintage black-and-white double weight British still photograph from the 1968 US film. Rubber stamp on the verso of COLTMAN DISPLAYS LTD a distributor in Middlesex England. <br /> <br /> "Vixen!" was one of Meyer's best sleaziest and most commercially successful films made at the peak of his independent productions after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970. What is less well known is that this film by way of Ms. Gavin marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. <br /> <br /> Gavin's titular character is a married woman whose sexual boundaries are none but instead of being a typical sex romp the film heads off into areas that can be reasonably described as unexplored by sexploitation films including communism race relations political debate and terrorist activity. But also present in the film are many of the genre's more familiar themes breast size incest nonstop sexual activity and a generous dose of humor. <br /> <br /> 8 x 10 inches. Very Good plus with edge creasing and a single short tear. Eve Productions Cinecenta unknown‎

书商的参考编号 : 139328

‎William Friedkin (director); Ernest Tidyman (screenwriter); Robin Moore (novel); Philip D'Antoni (producer); Gene Hackman, Roy S‎

‎The French Connection Original screenplay for the 1971 film‎

‎Los Angeles: Twentieth Century-Fox 1971. Revised Draft script for the 1971 film. Produced for use on location in New York City in March and April 1971 when shooting for the film commenced there. <br /> <br /> William Friedkin made his name with this gritty adaptation of Robin Moore's 1969 nonfiction account of east coast drug trafficking and its impact on New York City undercover police officers. Perhaps the greatest of the many 1970s crime films that were shot on location in New York City with glorious period detail in nearly every frame. <br /> <br /> The screenplay was written by author Ernest Tidyman one year after the publication of his seminal Harlem-based crime novel "Shaft." Winner of five Academy Awards including Best Picture Best Director Best Screenplay and Best Actor Hackman along with three additional nominations. <br /> <br /> Tan titled wrappers noted as FRIEDKIN DRAFT and REVISED on the front wrapper in manuscript pencil dated 3/23/71 and 4/26/71 in manuscript pencil. Title page not present. Last leaf of text unnumbered. Xerographic duplication with photocopied punch holes and a few revision pages throughout dated variously between 4/26/71 and 3/23/71. Pages and wrapper about Near Fine bound with three gold brads. <br /> <br /> National Film Registry. Grant US. Penzler 101. Spicer US Neo-Noir. Twentieth Century-Fox unknown‎

书商的参考编号 : 137936

‎Robert [Bob] Willoughby (photographer); Jack Lemmon (director); John Paxton (screenwriter); Katharine Topkins (novel); Walter Ma‎

‎Kotch Original double weight photograph from the 1971 film‎

‎Burbank CA: American Broadcasting Company ABC 1971. Vintage oversize double weight borderless still photograph of Walter Matthau and a fetching Deborah Winters from the 1971 film based on the 1965 novel by Katharine Topkins. Nominated four Academy Awards including a Best Actor nod for Matthau starring in his friend Jack Lemmon's first and only directorial effort. Although not indicated shot struck and mounted by the film's still photographer Bob Willoughby. Full provenance available. <br /> <br /> After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br /> <br /> 9.25 x 13.5. Fine. American Broadcasting Company [ABC] unknown‎

书商的参考编号 : 139538

‎Robert [Bob] Willoughby (photographer); Blake Edwards (director, screenwriter); Evelyn Anthony (novel); Julie Andrews, Omar Shar‎

‎The Tamarind Seed Original double weight photograph from the 1974 film‎

‎Los Angeles: Embassy Pictures 1974. Vintage oversize double weight borderless still photograph from the 1974 film based on the 1971 novel by Evelyn Anthony. Shot struck and mounted by the film's still photographer Bob Willoughby with manuscript notation on the verso in his hand. Full provenance available. <br /> <br /> After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br /> <br /> 11 x 14 inches. Near Fine. Embassy Pictures unknown‎

书商的参考编号 : 139505

‎Robert [Bob] Willoughby (photographer); Henry Koster (director); Joseph Fields (screenwriter, play); Oscar Hammerstein II (play)‎

‎Flower Drum Song Original double weight photograph from the 1961 film‎

‎Universal City CA: Universal Pictures 1961. Vintage oversize double weight borderless still photograph from the 1961 musical film based on both the 1958 Rodgers and Hammerstein musical and the 1957 novel by C.Y. Lee. Nominated for five Academy Awards. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp on the verso. Full provenance available. <br /> <br /> After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br /> <br /> 13.5 x 9.5 inches. Near Fine with a shallow diagonal crease to one corner. <br /> <br /> Hirschhorn p. 373. Universal Pictures unknown‎

书商的参考编号 : 139506

‎Lamont Johnson (director); Eric Bercovici (screenwriter); Danny Thomas (host); Van Heflin (starring)‎

‎The Danny Thomas Hour: Fear is the Chain Original teleplay script for the 1968 television episode Van Heflin's working copy‎

‎Burbank CA: National Broadcasting Company NBC 1967. Final Draft script for episode 19 of the 1967-1968 television anthology show. Actor Van Heflin's copy with the name of his character in manuscript ink on the front wrapper and manuscript annotations on nearly every page. <br /> <br /> "The Danny Thomas Hour" ran for one season on NBC as an anthology show with Thomas presenting dramas comedies and musical variety shows. In "Fear the Chain" Van Heflin plays a deserter from the German army trying to reach Switzerland. <br /> <br /> Goldenrod titled wrappers with annotations in manuscript ink and pencil. Title page present dated April 20 1967 noted as Final Draft with credit for screenwriter Bercovici. 66 leaves mechanical duplication with blue and goldenrod revision pages throughout dated variously between 5-18-67 and 5-29-67. Pages Near Fine wrapper Near Fine bound with two gold brads. National Broadcasting Company [NBC] unknown‎

书商的参考编号 : 130772

‎John Llewellyn Moxey (director); Peter S Fischer (screenwriter), Michael Cole, Van Heflin, Ed Asner (starring)‎

‎The Last Child The Day They Took the Babies Away Original screenplay for the 1971 television movie actor Van Heflin's working copy‎

‎Burbank CA: American Broadcasting Company ABC 1971. Draft script for the 1971 television movie here under the working title "The Day They Took the Babies Away." Actor Van Heflin's working copy with his manuscript annotations throughout. <br /> <br /> A film produced for ABC's now-legendary "Movie of the Week" series. A pregnant woman goes on the run in a dystopian future where having children is outlawed due to overpopulation. <br /> <br /> Goldenrod titled wrappers noted as Revised on the front wrapper dated 2-1-71. Title page present dated January 26 1971 with credit for screenwriter Fischer. 122 leaves on green stock mimeograph duplication with goldenrod light orange yellow and blue revision pages throughout dated variously between 1-29-71 and 2-12-71. Pages Near Fine wrapper Near Fine bound with two gold brads. American Broadcasting Company [ABC] unknown‎

书商的参考编号 : 130851

‎Maria Perschy (starring); Erich Engels (director); Brigitte Dittner (photographer); Gustav Kampendonk (screenwriter); Heinz Erha‎

‎Natulich die Autofahrer Original photograph of Maria Perschy on the set of the 1959 film‎

‎Berlin: Deutsche Film Hansa 1959. Vintage borderless black-and-white press photograph of demure Maria Perschy on the set of the 1959 West German film. Copyright rubber stamp and annotations in manuscript pencil on the verso. <br /> <br /> The daughter Perschy of a traffic cop Erhardt falls in love with a race-car driver Schumann. <br /> <br /> Perschy made her first Hollywood film in 1962 in John Huston's "Freud." <br /> <br /> Shot on location in Germany. <br /> <br /> 6.25 x 8.25 inches. About Near Fine. Deutsche Film Hansa unknown‎

书商的参考编号 : 139447

‎Arthur Lubin (director); Laurence Marks, Milton Pascal (screenwriter); Ed Wynn, William Smith, Herb Vigran (starring)‎

‎The Ed Wynn Show: Laurie's Career Original screenplay for the 1958 television episode‎

‎Burbank CA: National Broadcasting Company NBC 1958. Revised Final Draft script for the 1958 television episode of "The Ed Wynn Show." Copy belonging to actor Tom Irish with his name in green manuscript ink on the front wrapper and notation in green ink to a single page. Irish played an uncredited bit part named "Biff." <br /> <br /> In 1958 veteran vaudeville comedian Ed Wynn creator of the innovative live skit-based 1949 television show of the same name tried his hand at a third television series: a short-lived sitcom that would last only one season. <br /> <br /> Though Wynn was one of few beloved vaudevillians to make a successful transition to the small screen with his first show featuring high profile Hollywood guests and winning a Primetime Emmy Award for Best Live Show in 1950 his success would not last indefinitely. As television grew he would shift towards more serious dramatic roles. The 1958 iteration of "The Ed Wynn Show" would be the last series he put his name on before taking a spate of guest appearances and dramatic roles in various television shows and films. <br /> <br /> Yellow titled wrappers noted as production No. 4477 dated October 29 1958 with credits for screenwriters Laurence Marks and Milton Pascal. Title page present dated October 29 1958 noted as REVISED FINAL DRAFT with credits for screenwriters Marks and Pascal. 43 leaves with last page of text numbered 38. Mimeograph on eye-rest green stock with yellow revision pages throughout dated October 31 1958. Pages Very Good plus wrapper Very Good bound with two gold brads. National Broadcasting Company [NBC] unknown‎

书商的参考编号 : 139786

‎Martin Amis (screenwriter); Stanley Donen (director); Farrah Fawcett, Kirk Douglas, Harvey Keitel, Ed Bishop (starring)‎

‎Saturn 3 Original British poster for the 1980 film‎

‎London: ITC Films 1980. Original British one sheet poster for the 1980 UK film. Printed in England. <br /> <br /> Based on a story by John Barry and Amis' only foray into screenwriting. Alex and Adam Fawcett and Douglas are two scientists working at a space station on one of Saturn's moons. Their romance is interrupted by a murderous official from Earth Keitel who intends to build a demigod robot to replace the scientists. As is often the case the robot starts to think for itself with the usual results. <br /> <br /> 27 x 39.75 inches folded as issued. Stress at the folds and a few central pinholes else Near Fine. ITC Films unknown‎

书商的参考编号 : 139864

‎Sacha Guitry (director); Sacha Guitry (novel); Sacha Guitry (screenwriter); Sacha Guitry, Marguerite Moreno, and Jacqueline Delu‎

‎The Story of a Cheat Le Roman D'un Tricheur Collection of 13 original photographs from the 1936 film‎

‎N.p.: Cineas 1936. Thirteen vintage black-and-white studio still photographs from the French release of the 1936 film. Based on director Sacha Guitry's 1935 only novel "Les Memoires d'un Tricheur." <br /> <br /> A delightfully clever film in which Guitry plays an aging con artist reflecting back on his many exploits. After cheating death at a young age the Cheat played by Guirty embarks on a life laden with mischief and deceit. <br /> <br /> Set in France and Monaco shot on location in Monaco. <br /> <br /> 10 x 8 inches. Very Good plus. Occasional notation to the verso and shallow chip in the top margin of image 22. <br /> <br /> Criterion Eclipse 22. Cineas unknown‎

书商的参考编号 : 139602

‎Michael Miller (director); Roger Corman (producer); Donald E Stewart (screenwriter); Tommy Lee Jones, Yvette Mimieux, Lisa Copel‎

‎Jackson County Jail Collection of 6 original lobby cards from the 1976 film‎

‎London: ITC Entertainment 1976. Collection of 6 vintage full-color lobby cards from the 1976 film. <br /> <br /> Exploiting corruption within the law enforcement system of the Midwest the Roger Corman-produced film has long been a cult cornerstone and favorite of modern directors like Quentin Tarantino. <br /> <br /> Dinah Mimieux is an associate for a Los Angeles advertising agency but quits her job after catching her boyfriend being unfaithful and she leaves in a car for New York. Along the way she picks up two hitchhikers who rob and assault her stealing her purse and car. After she is arrested and thrown in jail where she is raped by the guard who receives a fatal vengeful blow from Dinah and meets a thief named Coley Jones. Together they escape and meet their destiny in a "Bonnie and Clyde" fashion. <br /> <br /> 11 x 14 inches. Light corner bumps else Near Fine. Scarce. ITC Entertainment unknown‎

书商的参考编号 : 140020

‎Donald E Westlake (novel); Peter Yates (director); William Goldman (screenwriter); Robert Redford, George Segal, Ron Leibman, Pa‎

‎The Hot Rock How to Steal a Diamond Original British poster for the 1972 film‎

‎England: Twentieth Century-Fox 1972. Original British quad poster for the 1972 American film "The Hot Rock" here under the British release title "How to Steal a Diamond." Printed in England by Lonsdale & Bartholomew. Distributor notation in manuscript ink on the verso. <br /> <br /> New Hollywood director Yates' adaptation of Westlake's 1970 novel "The Hot Rock." Dortmunder Redford and Kelp Segal are jewel thieves who plan to steal a diamond from a museum.over and over again. <br /> <br /> Shot on location in New York. Nominated for an Academy Award. <br /> <br /> 30 x 40 inches folded as issued. Very Good plus with a few pinholes faint stains to verso. Scarce. <br /> <br /> Lee p. 118. Twentieth Century-Fox unknown‎

书商的参考编号 : 139958

‎Irwin Allen (director); Paul Gallico (novel); John Monte (photographer); Nelson Gidding (screenwriter); Michael Caine, Sally Fie‎

‎Beyond the Poseidon Adventure Eight original lobby cards from the 1979 film‎

‎Burbank CA: Warner Brothers 1979. Eight vintage full-color lobby cards from the 1979 film. <br /> <br /> Interesting sequel that picks up where "The Poseidon Adventure" 1972 leaves off with the ship floating capsized and a band of pirates reaping havoc. <br /> <br /> 11 x 14 inches. Corner bumps and short creases else Near Fine. Warner Brothers unknown‎

书商的参考编号 : 140031

‎Ernest Lehman (director, screenwriter); Phillip Roth (novel); Richard Benjamin, Karen Black, Lee Grant, Jack Somack (starring)‎

‎Portnoy's Complaint Original post-production script for the 1972 film‎

‎Burbank CA: Warner Brothers 1972. Post-production script for the 1972 film. <br /> <br /> Based on the 1969 novel by Philip Roth. A young man sits in a session with his psychoanalyst as he recounts his childhood his family and his problems with women. <br /> <br /> Set in New York City shot on location in Dorset Vermont Lazio Italy Athens Greece Tel Aviv Isreal and Manhattan New York. <br /> <br /> Tall white self-wrappers dated July 12 1972. 168 leaves with last page of text numbered 168. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound a silver prong along the top edge. Warner Brothers unknown‎

书商的参考编号 : 130717

‎Lloyd Bacon (director); Samuel Hoffenstein, John Klempner, Elizabeth Reinhardt (screenwriter); Dan Dailey, Charles Winninger, Na‎

‎Give My Regards to Broadway Off to Buffalo Original screenplay for the 1948 film‎

‎Los Angeles: Twentieth Century-Fox 1947. Final script for the 1948 film. With a single note on the verso of the last page in manuscript blue ink. Shot under the name "Off to Buffalo" as is presented here. <br /> <br /> Vaudeville is a fading form of entertainment and prospects are grim for the Norwick family a juggling act struggling to find work. They are forced to find normal jobs and one daughter elopes with her boyfriend leaving Albert's son forced to make a decision as to whether play professional baseball or join his father on a 16 week tour out west. <br /> <br /> Set in New York City. <br /> <br /> Blue titled wrappers noted as Final on the front wrapper rubber-stamped copy No. 152 and production No. 154 dated March 21 1947. Distribution page present with receipt removed. Title page present dated March 21 1947 noted as Final Script with credits for screenwriters Samuel Hoffenstein and Elizabeth Reinhardt. 131 leaves with last page of text numbered 129. Mimeograph duplication. Pages Very Good with dampstaining wrapper Very Good with dampstaining bound internally with two gold brads. <br /> <br /> Hirschhorn p. 293. Twentieth Century-Fox unknown‎

书商的参考编号 : 140099

‎Mark Stevens (director, producer, starring); William L Stuart (screenwriter); Mason Curry, Esther Dale, Robert Gist (starring)‎

‎Big Town: Country Editor Original teleplay script for the 1956 television episode‎

‎Burbank CA: MS Productions 1956. Final Draft script for season six episode 30 of the 1956 television show originally broadcast May 1 1956 on NBC. Copy belonging to Mason Curry who played Grady with his name on the front wrapper in manuscript pencil and manuscript pencil annotations additions and changes to his scenes throughout. <br /> <br /> Episode 30 of season six of the television show "Big Town" a series focused on the adventures of Steve Wilson and his staff at "The Illustrated Press" newspaper as they cover the hard hitting stories and social issues of the day. <br /> <br /> Brown titled wrappers production no. 537. Title page present dated February 3 1956 noted as Final with credits for screenwriter William L. Stuart. 32 leaves with last page of text numbered 30B. Mechanical duplication with revision pages throughout dated February 10 1956. Pages Very Good wrapper Very Good bound with two gold brads. MS Productions unknown‎

书商的参考编号 : 140109

‎Edmond T Greville (director); Henry Champly (novel); Pierre Gaspard-Huit (screenwriter); Dany Robin, Georges Marchal, Jean-Roger‎

‎Quand Sonnera Midi Archive of original photographs and transparencies from the 1958 film‎

‎France / Italy: Productions Sigma 1957. Archive of 42 vintage borderless single weight still photographs and 2 color transparencies from the 1958 French-Italian film. Seen in the images is starring actress Dany Robin both on the set and at a birthday party and other stars of the film in action. Notations on the verso of several photos in manuscript pencil and five photos rubber-stamped on the verso crediting photographer Boutinot. Housed in a vintage Crumiere brand paper box with the film title in manuscript ink on the lid and accompanied by a receipt dated 1957 on parchment from the Waroline photography store in Paris. <br /> <br /> Based on Champly's 1932 novel "L'Homme Qui Mourra Domain." A jeweler is suspected of conspiracy in South America so he is imprisoned and his strong-willed wife will do anything to declare his innocence. <br /> <br /> Photos range in size with the largest being 7 x 9.25 inches with two-color transparencies 2.5 x 2.5 inches. Very Good plus overall. Productions Sigma unknown‎

书商的参考编号 : 140274

‎Andre Michel (director); Remo Forlani (screenwriter); Philippe Noiret, Rene Lefevre, Annette Poivre, Berthe Granval (starring)‎

‎Comme un poisson dans l'eau Archive of 64 original photographs from the 1962 film‎

‎France: Cinetel 1962. Archive of 64 vintage borderless single weight still photographs from the 1962 French film. Seen in the images are starring actor Phillippe Noiret actor Rene Lefevre and actresses Berthe Granval and Zouzoue as well as several shots of the film crew and director Michel in action. Numerical annotations and some with layout annotations on the verso of nearly all photos in manuscript pencil. Housed in a vintage French Kodak brand photo paper box. <br /> <br /> Little known drama about a man who aspires to be a sailor. One of director Michel's final films after notable others "Confession Under Four Eyes" 1954 and "The Blonde Witch" 1956. <br /> <br /> Most photos approximately 7 x 9.25 inches several 5 x 7 inches and one slightly smaller. Very Good plus overall photos with moderate curling and photo box Very Good plus. Cinetel unknown‎

书商的参考编号 : 140353

‎William Beaudine (director); Owen Davis, Julien Josephson, Harold Titus (screenwriter); Dorothy Devore, Matt Moore, Ward Crane (‎

‎How Baxter Butted In Original double weight photograph from the 1925 film‎

‎Burbank CA: Warner Brothers 1925. Vintage double weight studio still photograph from the 1925 silent film. <br /> <br /> Bumbling newspaper clerk Henry Baxter is helplessly in love with a coworker in this silent-era comedy. The subject of his longing barely acknowledges his existence. His unrequited love coupled with his manager's devious daily taunts makes work tortuous for the poor clerk. He begins to day dream about a better life and a less cowardly self. Footage from William Beaudine's 1925 film is believed to be lost. In the still we see a wide shot of the newspaper office in which Baxter works. <br /> <br /> 10 x 8 inches. Very Good plus with pin holes toning overall and two manuscript pencil annotations to the verso. Warner Brothers unknown‎

书商的参考编号 : 140352

‎Derwin Abrahams (director); Herbert Purdum (screenwriter); Charles McGraw (starring)‎

‎Adventures of the Falcon: The Case of the Deadly Welcome Original screenplay for the 1954 television episode‎

‎N.p.: Federal Telefilms 1954. Draft script for Season One Episode 14 of the 1954-1956 television show which originally aired on September 23 1954. Copy belonging to episode director Derwin Abrahams with his name as Derwin Abbe on the front wrapper in manuscript pencil and manuscript pencil annotations on nearly every page. <br /> <br /> Based on the character created by Michael Arlen which first appeared in 1940 short story published in "Town & Country" magazine. The character would go on to appear in 15 films throughout the 1940s as well as a radio serial before finally being adapted as this early syndicated television show which ran for 39 episodes between 1954 and 1956. <br /> <br /> Beige titled wrappers noted as production No. 216 dated May 18 1954. 54 leaves with last page of text numbered 47. Mimeograph duplication. Pages Very Good wrapper Very Good with some light dampstaining to both bound with three gold brads. Federal Telefilms unknown‎

书商的参考编号 : 140533