‎Scénariste‎

‎Orson Welles (director, screenwriter); Booth Tarkington (novel); Alexander Kahle, Phil Stern (still photographers); Joseph Cotto‎

‎The Magnificent Ambersons Original photograph from the set of the 1942 film‎

‎Hollywood: Mercury 1942. Vintage borderless reference photograph from the 1942 film showing director Orson Welles cinematographer Stanley Cortez and members of the cast including Joseph Cotton Anges Moorehead and Anne Baxter conferring during a lunch break. Mimeo snipe promoting Welles' Mercury Players and "APR 13 1942" stamp on verso. <br /> <br /> Based on the Pulitzer Prize winning 1918 novel by Booth Tarkington.<br /> <br /> Welles' followup to "Citizen Kane" 1941 was utterly different from Kane in style and texture but just as brilliant in its own way. Writer-director Welles does not appear on camera but his voiceover narration superbly sets the stage for the movie's action which fades in valentine fashion on Amberson Mansion the most ostentatious dwelling in all of turn-of-century Indianapolis. Despite the legendarily unsolvable problem of film editor Robert Wise being instructed by the studio—outside Welles' knowledge—to edit away nearly an hour of the film's length it remains a masterpiece of storytelling bringing Tarkington's Pulitzer winning novel to life in high style. <br /> <br /> Nominated for four Academy Awards including Best Picture Best Cinematography and Best Supporting Actress for Moorehead. <br /> <br /> 8 x 10 inches. Faint glue shadow from snipe else Near Fine. <br /> <br /> Rosenbaum 1000. Godard Histoires du cinema. Scorsese A Personal Journey Through American Movies. Mercury unknown‎

Referenz des Buchhändlers : 149126

‎Frank Capra (director); Lewis R. Foster (story); A. L. Schafer (photographer); Sidney Buchman (screenwriter); James Stewart, Jea‎

‎Mr. Smith Goes to Washington Original photograph from the 1939 film‎

‎Culver City CA: Columbia Pictures 1939. Vintage double weight photograph of James Stewart and Jean Arthur from the 1939 film. Mimeo snipe stamp crediting photographer Al Schafer and very faint "Approved" stamp on the verso. <br /> <br /> Controversial among the political American establishment at the time for its accurate then and now depiction of the Senate as a group of dysfunctional shallow egotists the film was also banned in fascist countries Germany Italy Spain and the USSR and later Nazi occupied France. <br /> <br /> Set in and shot on location in Washington DC. <br /> <br /> 8 x 10 inches. Near Fine with faint diagonal crease to lower right. Columbia Pictures unknown‎

Referenz des Buchhändlers : 148444

‎Edward L. Cahn (director); Lou Rusoff (screenwriter); Richard Denning, Joan Taylor, Adele Jergens (starring)‎

‎Girls in Prison Original screenplay for the 1956 film copy belonging to actor Adele Jergens‎

‎N.p.: Golden State Productions 1956. Draft script for the 1956 film belonging to actress Adele Jergens with her signature prominently written on center of front wrapper and printed title inked over both in manuscript ink. Annotations throughout striking and adjusting dialogue and circling the character of Jenny played by Jergens in manuscript ink and pencil. Jergens; paper clips all along the top page edges still in place with many pages dog-eared.<br /> <br /> Jergens' career began after being named "Miss World's Fairest" at the 1939 New York World's Fair after which she briefly worked as a Rockette being named the Number One Showgirl in New York City and was understudy to Gypsy Rose Lee in the 1942 Broadway show "Star and Garter." In 1944 she landed a contract with Columbia Pictures and went on to act in over 50 films over the next twelve years. Jergins did two films following "Girls in Prison" George Blair's "Fighting Trouble" 1956 and Edward L. Cahn's "Runaway Daughters" 1956 before retiring from acting in late 1956.<br /> <br /> Anne Carson Joan Taylor convicted of being an accomplice to a bank robbery she claims she's innocent of finds herself in prison with three cellmates the hardened Jenny Jergens boss of the other inmates the mentally delusional Dorothy Phyllis Coates and sweet-talking Melanee Helen Gilbert.<br /> <br /> Green titled wrappers. Title page present with credits for screenwriter Lou Rusoff producer Alex Gordon and director Edward L. Cahn. 125 leaves with last page of text numbered 117. Mimeograph duplication rectos only with pink revision pages throughout dated 2/21/56. Pages Near Fine wrapper Very Good plus with slight toning at the edges and small dampstain on right center bound internally with three gold brads. Golden State Productions unknown‎

Referenz des Buchhändlers : 148402

‎Everett Freeman (screenwriter); William Price Fox (novel)‎

‎Moonshine Light Original screenplay for an unproduced film‎

‎Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1968. Draft script for an unproduced film. Laid in with the script is a note typed on casting agent Paul Kohner's office letterhead introducing the screenplay addressed to actor Charles Bronson. The note is paper-clipped to a four page typed synopsis of the unproduced film "The Last Jump" which is also mentioned in the note.<br /> <br /> Based on noted South Carolinian humorist William Price Fox's 1967 novel following a pair of mischievous teenage boys trying to scrape together enough money to buy a car—encountering bootleggers revivalist preachers loan sharks and other figureheads of southern life in the 20th century along the way.<br /> <br /> Set in Columbia South Carolina. <br /> <br /> Blue titled wrappers rubber-stamped copy No. 109 dated April 22 1968 with credits for screenwriter Everett Freeman and novelist William Price Fox. Title page integral with the front wrapper as issued. 134 leaves with last page of text numbered 134. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown‎

Referenz des Buchhändlers : 146438

‎Jean Renoir (director, screenwriter); Roger Corbeau (photographer); Charles Blavette, Celia Montalvan, Edouard Delmont, Max Dalb‎

‎Toni Original photograph of Celia Montalvan Charles Blavette and Jean Renoir on the set of the 1935 film‎

‎Marseille: Les Films Marcel Pagnol 1935. Vintage double weight reference photograph from the 1935 film showing director Jean Renoir and actors Charles Blavette and Celia Montalvan on location during filming of the 1935 film. With the stamps of photographer Roger Corbeau and Cinemonde to the verso.<br /> <br /> Renoir's seventh sound film and an early example of the director's influence on both the French Left Bank and Italian neorealist movements. Renoir cast primarily non-professional actors and shot on location to craft the story of a group of immigrants working in a small town in Provence. <br /> <br /> Set and shot on location in the south of France.<br /> <br /> 9 x 7 inches. Near Fine lightly and evenly toned. Les Films Marcel Pagnol unknown‎

Referenz des Buchhändlers : 149372

‎Robert Wise (director); Jerome Robbins (directors); Ernest Lehman (screenwriter); Leonard Bernstein (music); Stephen Sondheim (l‎

‎West Side Story Original oversize photograph from the 1961 film musical‎

‎Beverly Hills CA: United Artists / Mirisch Corporation 1961. Vintage oversize borderless black-and-white reference photograph of actors Tony Mordente Harvey Evans Susan Oakes Bert Michaels Tommy Abbott and Tucker Smith standing with director Jerome Robbins on the set of the 1961 film. With a printed mimeo snipe affixed to the verso.<br /> <br /> Based on the 1957 Broadway musical with book by Arthur Laurents music by Leonard Bernstein and lyrics by Stephen Sondheim. Robbins who would go on to direct the film with Robert Wise served as choreographer and came up with the original concept of a modern musical update of William Shakespeare's "Romeo and Juliet."<br /> <br /> Winner of ten Academy Awards including Best Picture Best Director Best Supporting Actor for George Chakiris and Best Supporting Actress for Rita Moreno.<br /> <br /> Set in New York's West Side shot on location in New York and California. <br /> <br /> 14 x 11 inches. Very Good plus with light wear and creasing to the corners. United Artists / Mirisch Corporation unknown‎

Referenz des Buchhändlers : 149449

‎Alan Pappe (photographer); Donald Sutherland, Ellen Burstyn (starring); Paul Mazursky (director, screenwriter); Larry Tucker (sc‎

‎Alex in Wonderland Archive of five original photographs from the 1970 film‎

‎Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Archive of five vintage oversize double weight photographs from the 1970 film four of which are borderless. One photograph SIGNED and dated 1969 by photographer Alan Pappe on the verso all photographs with his stamp. <br /> <br /> All five photographs feature legendary Italian director Federico Fellini in his cameo role as himself with one showing the director on the set with a clapboard and crew members in front of him while a second features a manuscript pencil annotation describing Fellini and actor Donald Sutherland discussing a scene with an out-of-frame director Paul Mazursky. <br /> <br /> Pappe worked as a film still and press photographer for 30 years photographing a who's who of film and music stars including iconic images of Sharon Tate Jimi Hendrix and Liza Minnelli as well as album cover for the "Grease" soundtrack album and the interior images of Jefferson Airplane's "After Bathing at Baxter's." His 1972 "Time" magazine cover photograph of Minnelli in "Cabaret" is part of the permanent collection of the Smithsonian's National Portrait Gallery. <br /> <br /> A young filmmaker struggles to come up with ideas for new film after his previous commercial and critical success while ruminating on his past present and possible futures. <br /> <br /> One photograph 11 x 11 inches four photographs roughly 14 x 11 or 11 x 14 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown‎

Referenz des Buchhändlers : 149801

‎Joel Schumacher (director, screenwriter); Topper Carew (screenwriter); Max Gail, Adam Baldwin, Gary Busey, Marsha Warfield, Mr.‎

‎D.C. Cab DC Cab Capitol Cab Archive of three original screenplays for the 1983 film producer's copies with a photograph and promotional button‎

‎Universal City: Universal 1983. Archive of three scripts for the 1983 film including a Second Draft Third Draft and Revised Final Draft with the Second and Third Draft scripts appearing under the working title "Capitol Cab." Scripts belonging to producer Cassius Weathersby with his name on the cover sheet for revision pages dated 5/16/83 laid into the Revised Final script. Also included is a borderless double weight photograph of Weathersby conferring with star Mr. T on the set and a promotional button for the film. <br /> <br /> The dead-end drivers of a rundown cab company must band together with the help of their naive newest member to save themselves from a rival company and to help Mr. T teach kids to say no to drugs. <br /> <br /> Set and shot on location in Washington DC. <br /> <br /> Second Draft: Yellow titled wrappers noted as Second Draft on the front wrapper. Title page present dated January 4 1983 noted as Second Draft with credits for screenwriter Joel Schumacher. 94 leaves with last page of text numbered 93. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two gold brads. <br /> <br /> Third Draft: Orange titled wrappers noted as Third Draft on the front wrapper noted as production No. 00864 dated February 10 1983. Title page present dated February 10 1983 noted as Third Draft with credits for screenwriter Joel Schumacher and producers Jon Peters Peter Gruber Topper Carew and Cassius Weathersby. 90 leaves with last leaf of text numbered 89. Xerographically reproduced on eye-rest green stock with pink and blue revision pages dated 2/14/83 and undated. Pages Fine wrapper Near Fine lacking the rear wrapper bound with three gold brads.<br /> <br /> Revised Final Draft: Yellow titled wrappers noted as Revised Final Draft on the front wrapper and production No. 02156 dated April 5 1983. Title page present dated April 5 1983 noted as Revised Final Draft with credits for screenwriter Joel Schumacher and producers Jon Peters Peter Gruber Topper Carew and Cassius Weathersby. 94 leaves with last leaf of text numbered 88. Xerographic duplication with pink and yellow revision pages throughout dated variously between 4/11/83 and 5/30/83. Pages Near Fine front wrapper lightly soiled else wrappers Near Fine bound with three gold brads. <br /> <br /> Parish and Hill Black Action Film. Universal unknown‎

Referenz des Buchhändlers : 145600

‎Michel Audiard (director); Jean-Marie Poire (screenwriter); Jean Carmet, Stephane Audran, Jane Birkin (starring)‎

‎How to Make Good When One is a Jerk and a Crybaby Comment reussir quand on est con et pleurnichard Two Original photographs of Jane Birkin from the 1974 film‎

‎France: Les Films du Jeudi / Gaumont 1974. Two vintage oversize borderless reference photographs one double weight of Jane Birkin from the 1974 film. <br /> <br /> A liquor salesman Jean Carmet makes up stories to obscure his pathetic life in order to succeed at both business and with women until he meets Jane Birkin. <br /> <br /> 12 x 9.5 inches. Very Good plus with creasing and wear at the extremities. Les Films du Jeudi / Gaumont unknown‎

Referenz des Buchhändlers : 149870

‎Allan Dwan (director); Anna Hunger (story); Jesse Lasky Jr (screenwriter); Virginia Mayo, Dennis Morgan, David Farrar (starring)‎

‎Pearl of the South Pacific Original photograph of Virginia Mayo and Allan Dwan from the set of the 1955 film‎

‎Santa Monica: RKO Radio Pictures 1955. Vintage reference photograph of Virginia Mayo and Allan Dwan on the set of the 1955 film. <br /> <br /> Rita Mayo and Bully David Farrar convince her ex Dan Dennis Morgan to join them in an expedition to steal rare black pearls from the natives of a South Pacific island. <br /> <br /> Shot on location in Hawaii. <br /> <br /> 8 x 10 inches. Light edgewear and small crease on upper right edge else Near Fine. RKO Radio Pictures unknown‎

Referenz des Buchhändlers : 149955

‎Carlo Lizzani (director, screenwriter); Cosetta Greco (starring); Vasco Pratolini (novel); Osvaldo Civirani (photographer); Serg‎

‎Chronicle of Poor Lovers Cronache di poveri amanti Original photograph of Cosetta Greco from the 1954 film‎

‎N.p.: N.p. 1954. Vintage borderless reference photograph of Cosetta Greco from the 1954 film. Annotation in manuscript ink on bottom left margin "Georges Sadoul" and "Foto Civirani" stamps on verso. <br /> <br /> Based on the acclaimed 1947 Italian novel by Vasco Pratolini.Carlo Lizzani's Neo-Realist portrait of Fascist Italy wherein young typographer Mario Gabriele Tinti after moving to via del Corno to be near his girlfriend and befriending his anti-fascist landlord Maciste Marcello Mastroianni is beaten by the fascists.<br /> <br /> Set in Via del Corno Florence Italy shot on location in Tuscany Italy. <br /> <br /> 9.5 x 7 inches. Very Good plus with light edgewear and small closed tear on right. N.p. unknown‎

Referenz des Buchhändlers : 149976

‎Jean Renoir (director, screenwriter); Rumer Godden (novel, screenwriter); Nora Swinburne, Esmond Knight, Arthur Shields, Patrici‎

‎The River Original photograph of Jean Renoir and Rumer Godden on the set of the 1951 film‎

‎Beverly Hills CA: United Artists 1951. Vintage studio still photograph of director Jean Renoir and screenwriter Rumer Godden on the set of the 1951 film. <br /> <br /> Based on Godden's 1946 novel. Renoir's first feature length film in color following an adolescent girl coming of age in British colonial India. <br /> <br /> Shot on location in West Bengal India. <br /> <br /> 8 x 10 inches. Very Good plus.<br /> <br /> Ebert III. BFI 619. Criterion Collection 276. United Artists unknown‎

Referenz des Buchhändlers : 149591

‎Jim Belushi (screenwriter, starring); Claude Conrad (director); Fred Kaz, Marjorie Bransfield (screenwriters); Michelle Ricca (s‎

‎The Birthday Boy Is Anybody Listening Original screenplay for the 1986 television short‎

‎N.p.: Whitehorse 1986. Second Draft script for the 1986 comedy short here under the working title "Is Anybody Listening" which originally aired on August 2 on Cinemax. With a manuscript pencil annotation to the title page reading "Second Draft" and copied manuscript annotations throughout the script. <br /> <br /> A cynical beleaguered salesman for a sporting-goods store decides to take a road trip on his birthday to reconnect with his college gym coach. <br /> <br /> Self wrappers. Title page integral with front wrapper dated Monday February 10 1986 noted as Second Draft with credits for screenwriters James Belushi Fred Kaz and Marjorie Bransfield. 34 leaves with last page of text numbered 33. Xerographic duplication rectos only. Pages Very Good plus bound with two gold brads.<br /> <br /> Full provenance available. Whitehorse unknown‎

Referenz des Buchhändlers : 150006

‎Haskell Wexler (director, screenwriter); Robert Forster, Marianna Hill, Harold Blankenship, Peter Bonerz, Janet Langhart (starri‎

‎Medium Cool Three original photographs from the 1969 film‎

‎Los Angeles: Paramount Pictures 1969. Three vintage borderless reference photographs from the 1969 film a highlight of early New Hollywood cinema. One shows actor Harold Blankenship the other with actors Robert Forster Peter Bonerz and Janet Langhart. One with a printed mimeo snipe affixed to the verso along with the stamp of Paramount Pictures the other with the stamp of Israel Film Archive on the verso.<br /> <br /> A hardened and dubiously ethical television cameraman finds out he is being watched by the FBI amidst the tumultuous protests taking place around the 1968 Democratic National Convention. Highly influential for its groundbreaking use of factual historical events interspersed with fictional narrative.<br /> <br /> Featuring early music by Frank Zappa's band Mothers of Invention and addressing underlying social issues of race gender and poverty the film frankly depicted much of the growing countercultural movement of the late 1960s even going so far as to use real-life footage of civil disobedience occurring in 1968 Chicago. Due to its startlingly political narrative as well as nudity and language the film was originally given an X rating by the MPAA though by 1970 this would be downgraded to an R. <br /> <br /> One photograph 10 x 8 inches one photograph 9.5 x 7.25 inches. Near Fine.<br /> <br /> <br /> Criterion Collection 658. Spicer US Neo-Noir. Paramount Pictures unknown‎

Referenz des Buchhändlers : 149604

‎Elia Kazan (director); Sam Shaw (photographer); William Inge (screenwriter); Natalie Wood, Pat Hingle, Warren Beatty (starring)‎

‎Splendor in the Grass Original photograph of Elia Kazan and Warren Beatty from the set of the 1961 film‎

‎N.p.: N.p. 1960. Vintage reference photograph of Elia Kazan Warren Beatty and four other female cast members on the set of the 1961 film.<br /> <br /> Warren Beatty's film debut. Natalie Wood was nominated for Best Actress Academy Award and William Inge won for Best Screenplay his first original screenplay after a career as a playwright. <br /> <br /> Family and societal pressures on Deanie Wood and Bud's Beatty heated teen romance threaten their romance and their sanity.<br /> <br /> 10.25 x 8 inches. Near Fine. <br /> <br /> Godard Histoires du cinema. N.p. unknown‎

Referenz des Buchhändlers : 150525

‎William Dieterle (director); Irving Lippman (photographer); Harry Kleiner (screenwriter); Rita Hayworth, Stewart Granger, Charle‎

‎Salome Original photograph from the set of the 1953 film‎

‎N.p.: N.p. 1953. Vintage reference photograph of Rita Hayworth and Stewart Granger with director William Dieterle and crew from the set of the 1953 film. Mimeo snipe on verso. <br /> <br /> Columbia Pictures highly fictionalized and flamboyant Technicolor Biblical epic now considered a camp classic wherein Princess Salome Hayworth daughter of King Herod a deliciously lecherous Charles Laughton returns home from banishment and falls in love with Roman Commander Claudius Granger but is maliciously used by her evil mother Queen Herodias Judith Anderson to insure the execution of her critic John the Baptist Alan Badel.<br /> <br /> Shot on location in Israel. <br /> <br /> 10.25 x 8 inches. Very Good plus with creasing and two small closed tears to right margin. N.p. unknown‎

Referenz des Buchhändlers : 150545

‎Wesley Ruggles (director); W. Somerset Maugham (play); Irving Lippman (photographer); Claude Binyon (screenwriter); Jean Arthur,‎

‎Too Many Husbands Original photograph of Wesley Ruggles from the set of the 1940 film‎

‎N.p.: N.p. 1940. Vintage reference photographs of director Wesley Ruggles on the set of the 1940 film by photographer Irving Lippman. Mimeo snipe and photographer "Irving Lippman" stamp on verso. <br /> <br /> Based on the 1919 play by W. Somerset Maugham which was based on the 1864 poem "Enoch Arden" by Alfred Tennyson.<br /> <br /> Soon after presumed window Vicky Jean Arthur marries her late husband's friend and business partner Henry Melvyn Douglas her first presumed dead husband Bill Fred MacMurray shows back up and now she's got one too many.<br /> <br /> Nominated for an Academy Award.<br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Byrge and Miller The Screwball Comedy Films A History and Filmography 1934-1942. N.p. unknown‎

Referenz des Buchhändlers : 150548

‎Jean-Pierre Melville (director, screenwriter); Alain Delon, Richard Crenna, Catherine Deneuve (starring)‎

‎Un Flic A Cop Four original photographs of Jean-Pierre Melville Catherine Deneuve Alain Delon and Richard Crenna from the set of the 1972 film‎

‎N.p.: N.p. 1972. Four borderless reference photographs one oversize of Jean-Pierre Melville Catherine Deneuve Alain Delon and Richard Crenna on the set of and on location for the 1972 film.<br /> <br /> A police detective played by Delon in a switch from his usual criminal roles in Melville pictures is on the trail of a gang of thieves unaware that they are led by a friend. Melville's final film. <br /> <br /> Shot on location in Paris and Bordeaux France.<br /> <br /> Oversize photo 11.5 x 8.25 inches. Other photos variously from 9 x 7 inches to 10.5 x 7.25 inches. Near Fine. <br /> <br /> Grant France. Selby France. Spicer France. N.p. unknown‎

Referenz des Buchhändlers : 149967

‎Jerzy Skolimowski (director, screenwriter); Jerzy Gruza, Boleslaw Sulik (screenwriter); Jane Asher, John Moulder-Brown, Karl Mic‎

‎Deep End Original photograph of Jerzy Skolimowski and Jane Asher from the set of the 1970 film‎

‎N.p.: N.p. 1970. Vntage borderless reference photograph of Jerzy Skolimowski and Jane Asher on the set of the 1970 film. <br /> <br /> A teenage boy takes a job at a local swim club becomes obsessed with his older coworker and tries to sabotage her engagement to another man. <br /> <br /> Shot on location in Munich Germany and London England. <br /> <br /> 7.25 x 9.25 inches. Light creasing and edgewear else Near Fine. <br /> <br /> BFI 1063. Grant UK. N.p. unknown‎

Referenz des Buchhändlers : 150635

‎Luis Bunuel (director, screenwriter); Pierre Louys (novel); Jean Distinghin (photographer); Jean-Claude Carriere (screenwriter);‎

‎That Obscure Object of Desire Cet Obscur Objet du Desir Original photograph of Luis Buñuel Fernando Rey and Angela Molina from the set of the 1977 film‎

‎N.p.: N.p. 1977. Vintage borderless reference photograph of Luis Buñuel discussing a scene with Fernando Rey and Angela Molina on the set of the 1977 film. <br /> <br /> Based on the 1898 novel "Le femme et le patin" "The Woman and the Puppet" by Pierre Louys.<br /> <br /> The tempestuous relationship between a wealthy middle aged Frenchman and a poor young Spanish dancer. The woman is played by both Carole Bouquet and Angela Molina interchangeably demonstrating the character's mercurial nature a decision Buñuel came to in desperation after original actress Maria Schneider proved a poor fit but that ultimately helped define the film as one of his late masterpieces. <br /> <br /> Nominated for two Academy Awards for Best Foreign Film and Best Screenplay.<br /> <br /> Shot on location in Switzerland Andalucia and Madrid Spain and Hauts-de-Seine and Paris France. <br /> <br /> 9.25 x 6.5 inches. Near Fine. <br /> <br /> Criterion Collection 143. Rosenbaum 1000. Schrader Canon Fodder 33. N.p. unknown‎

Referenz des Buchhändlers : 150472

‎King Vidor (director); Ruth Harriet Louise (photographer); Wanda Tuchock (screenwriter); Daniel L. Haynes, Nina Mae McKinney, Wi‎

‎Hallelujah Two original photographs from the set of the 1929 film‎

‎Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1929. Two vintage reference photographs on the set of the 1929 film. Mimeo snipes on verso of both one with annotations in manuscript pencil and Culver Picture stamp on verso and one with "Menningen" and graphic stamps on verso. <br /> <br /> The first Black musical and one of the first all-Black films by a major Hollywood studio with arguably more depth than its predecessor Paul Sloane's "Hearts in Dixie" the first all-black Hollywood film released earlier the same year. <br /> <br /> King Vidor's first talkie written by screenwriter Wanda Tuchock who started in the silent era and went on to become one of the first women to be credited as a director on a Hollywood film. <br /> <br /> Although King Vidor had expressed his intent of an honest depiction of rural southern African American life the film still clearly advanced racial stereotypes of the era. "Hallelujah" had however authentically represented African American spiritual music from the period which no other film achieved.<br /> <br /> Shot on location in Memphis Tennessee and Arkansas.<br /> <br /> 8 x 10 inches. Very Good plus with some creasing and waviness one with a chip in the bottom left margin one with faint tape shadows on recto and paper tape on verso. <br /> <br /> National Film Registry. Rosenbaum 1000. Metro-Goldwyn-Mayer [MGM] unknown‎

Referenz des Buchhändlers : 150433

‎Elia Kazan (director); Sam Shaw (photographer); William Inge (screenwriter); Natalie Wood, Pat Hingle, Warren Beatty (starring)‎

‎Splendor in the Grass Original photograph of Elia Kazan from the set of the 1961 film‎

‎N.p.: N.p. 1960. Vintage borderless reference photograph of Elia Kazan by photographer Sam Shaw on the set of the 1961 film. "Sam Shaw" and "Graphic Arts Photo Service" stamps on verso. <br /> <br /> Warren Beatty's film debut. Natalie Wood was nominated for Best Actress Academy Award and William Inge won for Best Screenplay his first original screenplay after a career as a playwright. <br /> <br /> Family and societal pressures on Deanie Wood and Bud's Beatty heated teen romance threaten their romance and their sanity.<br /> <br /> 10 x 8 inches. Very light edgewear else Near Fine. <br /> <br /> Godard Histoires du cinema. N.p. unknown‎

Referenz des Buchhändlers : 150523

‎Sacha Guitry (director, screenwriter, starring); Edward Quinn (photographer); Daniel Gelin, Raymond Pellegrin, Michele Morgan (s‎

‎Napoleon Two original photographs from the set of the 1955 film‎

‎N.p.: N.p. 1955. Two vintage reference photographs of director Sacha Guitry on the set of the 1955 film taken by photographer Edward Quinn. "Ed. Quinn" stamps on verso of both one with additional "Cinema Napoleon" stamp.<br /> <br /> Guitry's historical epic depicting the life of Napoleon from his early life in Corsica to his death at Saint Helena with Napoleon depicted by two actors Daniel Gelin as the young and Raymond Pellegrin as the old. Featuring notable cameos by Erich von Stroheim as Ludwig van Beethoven and Orson Welles as Napoleon's British jailor Sir Hudson Lowe.<br /> <br /> Shot on location throughout France. <br /> <br /> 7 x 9.75 inches. Light edgewear and light creasing at extremities else Near Fine. N.p. unknown‎

Referenz des Buchhändlers : 150449

‎Ernst Lubitsch (director); Edwin Justus Mayer (screenwriter); Carole Lombard, Jack Benny, Robert Stack (starring)‎

‎To Be or Not to Be Original photograph from the set of the 1942 film‎

‎Beverly Hills CA: United Artists 1941. Vintage wide reference photograph of Ernst Lubitsch playing piano on the set of the 1942 film. <br /> <br /> Remade in 1983 directed by Alan Johnson starring Mel Brooks and Anne Bancroft. Carol Lombard's final film having died in an airplane accident during post-production.<br /> <br /> Jack Benny and Carole Lombard star as Joseph and Maria Tura husband and wife thespians in Nazi occupied Warsaw who inadvertently become part of the Resistance and must utilize every acting trick in the book to retrieve a list of Polish Resistance fighters from a German spy. <br /> <br /> Set in Warsaw immediately before and during the 1939 German invasion. <br /> <br /> 10 x 8 inches image 4.5 x 3.75 inches. Near Fine. <br /> <br /> National Film Registry. Byrge and Miller The Screwball Comedy Films: A History and Filmography 1934-1942. Criterion Collection 670. United Artists unknown‎

Referenz des Buchhändlers : 150534

‎Henry Cass (director); Jimmy Sangster (screenwriter); Donald Wolfit, Barbara Shelley, Victor Maddern, Andrew Faulds (starring)‎

‎Blood of the Vampire Four original photographs from the 1958 film‎

‎N.p.: N.p. 1958. Four vintage borderless reference photographs from the 1958 film. <br /> <br /> The anemic undead governor of a nineteenth century prison for the criminally insane conducts cruel illegal experiments on his inmates mostly involving blood transfusions. <br /> <br /> Set in Transylvania. <br /> <br /> 7 x 5 inches. Near Fine. N.p. unknown‎

Referenz des Buchhändlers : 150599