‎Scénariste‎

‎Daniel Taradash (director); Saul Bass (designer); Elick Moll (screenwriter); Bette Davis, Brian Keith, Kim Hunter (starring)‎

‎Storm Center Original Film Pressbook‎

‎Culver City CA: Columbia Pictures 1956. Original pressbook for the 1956 film starring Davis as a small town librarian branded as a communist and a subversive for refusing to remove a controversial book from the shelves. With striking poster and ad designs by the legendary Saul Bass. <br /> <br /> 16 pages 12 x 16 inches. Very Good plus with some light rubbing else a bright front wrapper. Columbia Pictures unknown‎

Référence libraire : 131647

‎Paulette Goddard, Sonny Tufts, Beulah Bondi (starring); Mark Sandrich (director); Allan Scott (screenwriter)‎

‎I Love a Soldier Original post-production script for the 1944 film‎

‎N.p.: N.p. 1944. Post-production script for the 1944 film. Copy belonging to an unknown crew member with their name in manuscript ink on the front wrapper. <br /> <br /> A woman in San Francisco during WWII does not want to get into a serious relationship with any soldier before he goes off to war until she meets one soldier who wants to change her mind.<br /> <br /> Tall white titled self wrappers noted as Release Dialogue Script on the front wrapper dated May 16 1944. 113 leaves with last page of text numbered Reel 6A-12. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two staples. N.p. unknown‎

Référence libraire : 128478

‎Vittorio De Sica (director, screenwriter); Cesare Zavattini (novel)‎

‎Miracolo a Milano Miracle in Milan Original Italian Program signed by De Sica‎

‎Rome: Albert and Charles Boni 1951. Original Italian program for the 1951 film based on the novel "Toto il buono" by Cesare Zavattini. SIGNED by Vittorio De Sica at the bottom of the title page. One of the director's classics pure visual storytelling made just after "Bicycle Thieves" 1948 and just before "Umberto D." 1952. A gorgeous oversize program with a central illustration on the front wrapper within a debossed frame. The wrapper houses 6 loose deluxe card plates as issued the first two devoted to text and the last four being full-color lithograph illustrations reflecting the film story. One of the most beautiful programs we've ever seen. Plates Near Fine outer wrapper Very Good plus with a few tears at the edges but no loss 12.75 x 17.25 inches. Albert and Charles Boni unknown‎

Référence libraire : 122115

‎John Cleese, Penelope Wilton (starring); Michael Frayn (director, screenwriter)‎

‎Clockwise Original screenplay for the 1986 film‎

‎N.p.: N.p. 1985. Draft script for the 1986 comedy film. <br /> <br /> The headmaster of a British school is trying to get to a conference for school headmasters where he is meant to give a speech. He runs into a number of obstacles that delay him resulting in one of the most hilarious stressful movies ever made.<br /> <br /> Set in England shot on location in West Midlands Shropshire Worcestershire and Yorkshire England. <br /> <br /> Blue untitled wrappers with a die-cut title window in the British style. Title page present with manuscript ink annotation noting copy No. 160 dated March 1985 with credits for screenwriter Michael Frayn. 164 leaves with last page of text numbered 161. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus wit some curling at the corners internally bound with two silver brads. N.p. unknown‎

Référence libraire : 119986

‎Irving Cummings (director); Walter Bullock, Ken Englund, Jacques Thery, Philip Wylie (screenwriter); Betty Grable, Carmen Mirand‎

‎Springtime in the Rockies Original screenplay for the 1942 film‎

‎N.p.: N.p. 1942. Revised Final Script for the 1942 film. Two blue revision pages dated 8/8/42 paper clipped to the rear wrapper of the script. <br /> <br /> One the greatest Technicolor musicals produced by Fox in the 1940s employing Harry James and his orchestra at their peak and pulling out all the stops on the musical numbers. Featuring Carmen Miranda's version of "Chattanooga Choo-Choo" and the debut of the classic song "I Had the Craziest Dream."<br /> <br /> Red titled wrappers noted as Revised Final on the front wrapper rubber-stamped copy No. 47 and production No. 763 dated June 11 1942. Distribution page present with receipt intact. Title page present dated June 11 1942 noted as Revised Final. 131 leaves with last page of text numbered 129. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 6/13/42 and 7/20/42. Pages Near Fine wrapper Very Good bound internally with two gold brads. N.p. unknown‎

Référence libraire : 116171

‎Julie Christie (starring); John Schlesinger (director, screenwriter); Frederic Raphael (screenwriter)‎

‎Darling Original film poster for the 1965 film‎

‎London: Joseph Janni Productions / Embassy Pictures 1965. Vintage US one sheet poster for the 1965 film. <br /> <br /> When pondering the ultimate Julie Christie film during her "It girl" phase of the mid-1960s it's a photo finish between this film and director Schlesinger's "Billy Liar" 1963. From another perspective the third in a trilogy of films about youth in London during the 1960s that began with "A Kind of Loving" in 1962. A seminal British film on every level. <br /> <br /> 27 x 41 inches folded. Near Fine. Joseph Janni Productions / Embassy Pictures unknown‎

Référence libraire : 119194

‎Evelyn Waugh (novel); John Wells (screenwriter)‎

‎Vile Bodies Original screenplay for an unproduced film circa 1975‎

‎N.p.: N.p. 1975. Draft script for an unproduced film. Vintage as assembled mostly from xerographically duplicated leaves with two leaves pp. 138 and 139 being ribbon copy. <br /> <br /> Written as a screenplay with dialogue and location information but lacking camera direction typical of a draft that is past the treatment stage but prior to the advanced draft screenplay stage. This would appear to have no relation to the later produced adaptation of the same novel director Stephen Fry's "Bright Young Things" 2003. <br /> <br /> Based on the 1930 novel by Evelyn Waugh about the dissolute lives of aristocrats and socialites living in postwar London. <br /> <br /> Pink wrappers with a die-cut title window in the British style. Title page present dated September 1975 noted as Amended first draft with credits for screenwriter John Wells and author Evelyn Waugh. 167 leaves with last page of text numbered 167. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good bound internally with two silver brads. N.p. unknown‎

Référence libraire : 117917

‎John Frankenheimer (director); David Ely (novel); Lewis John Carlino (screenwriter); Rock Hudson, John Randolph (starring)‎

‎Seconds Two photographs from the 1966 film both candid shots with director Frankenheimer on the set‎

‎Hollywood: Paramount Pictures 1966. Two vintage black-and-white still photographs from the 1966 film. Both are reference photographs featuring director Frankenheimer on the set: one from a scene at the beach with his shooting crew the other in a social setting with the film's star Rock Hudson. <br /> <br /> Middle-aged banker Arthur Hamilton is given the opportunity to start a completely new life when he receives calls from his old friend Charlie. The only problem is that Charlie is supposed to be dead. Hamilton is eventually introduced to a firm that will fake his death and create an entirely new look and life for him. After undergoing physical reconstruction surgery and months of training and psychotherapy Hamilton returns to the world in the form of artist Tony Wilson. He has a nice house in Malibu and a manservant a company employee who is there to assist him with his adjustment. He finds that the life he had hoped for isn't quite what he expected and asks the company to go through the process with surprising results. <br /> <br /> 8 x 10 inches. Near Fine. Paramount Pictures unknown‎

Référence libraire : 131621

‎Luis Bunuel (director, screenwriter); Hugo Butler writing as Philip Ansell Roll (screenwriter); Daniel Defoe (novel)‎

‎Robinson Crusoe Original screenplay for the 1954 film with seven still photographs from the film‎

‎Mexico City: Ultramar Films 1952. Draft script for the 1954 Mexican film. Also included are seven film still photographs from the film.<br /> <br /> A rare pre-production script from Luis Buñuel's first color film one of the key productions from his Mexican period written with Hugo Butler who was at the time living in self-imposed exile in Mexico with Dalton Trumbo both blacklisted by the HUAC and writing under various pseudonyms. Single substantive manuscript pencil correction toward the end of the text. <br /> <br /> One of Buñuel's more straightforward narratives quite faithful to the source material but with a whopping dream sequence as bizarre as anything one might find in the director's later work. <br /> <br /> Tall side-stapled self-wrappers dated "Mexico / 1952" with credits for director-screenwriter Buñuel screenwriter Butler under the Roll pseudonym and producers Oscar Dancigers and Henry F. Ehrlich. 95 leaves mimeograph duplication. Very Good condition toned at the edges some offsetting on the front wrapper and a 1-inch tear at the left margin. Ultramar Films unknown‎

Référence libraire : 121979

‎Graham Greene (novel); Ken Annakin (director); Albert Clarke (photographer); Guy Elmes, Denis Freeman (screenwriter); Rod Steige‎

‎Across The Bridge Original UK poster for the 1957 British film noir‎

‎London: The Rank Organization 1957. Original British quad poster for the 1957 British film noir<br /> <br /> A low budget British film noir that brought Rod Steiger across the ocean in order to put his formidable character acting skills into what became a critically praised film. Shot in Spain but represented as Mexico "Across the Bridge" expands on Graham Greene's short story bringing more specifics to the author's intentionally empirical outline. Steiger plays a crooked businessman on the run who steals a man's passport in order to hide out in Mexico only to discover that the passport belongs to a wanted political assassin. <br /> <br /> 30 x 40 inches. Near Fine. <br /> <br /> Phillips US. Spicer US. The Rank Organization unknown‎

Référence libraire : 130511

‎Ben Hecht (screenwriter); King Vidor (director); David O Selznick (producer); GK Chesterton, Arthur Gordon, Irwin Shaw, Max Shul‎

‎Light's Diamond Jubilee Original screenplay for the 1954 television movie‎

‎Burbank CA: National Broadcasting Company NBC / Selznick Interntional Pictures 1954. Final script for the 1954 television special an anthology of stories commemorating the 75th anniversary of the invention of the light bulb by Thomas Edison. An ambitious undertaking with adaptations and original stories by G.K. Chesterton Arthur Gordon Irwin Shaw Max Shulman John Steinbeck and Mark Twain. Much of the script doctoring and story continuity was handled by Ben Hecht. <br /> <br /> Blue titled wrappers noted as Final on the front wrapper copy No. 64 dated October 24 1954 with credit for screenwriter Selznick. 110 leaves mimeograph duplication with white green yellow and pink revision pages throughout dated between 10-15-54 and 10-22-54. Pages Near Fine wrapper Good to Very Good with offsetting and some closed tears at the extremities bound with three gold brads. National Broadcasting Company [NBC] / Selznick Interntional Pictures unknown‎

Référence libraire : 128635

‎Herbert I Leeds (director); Raymond Chandler (novel); Clarence Upson Young (screenwriter); Lloyd Nolan, Heather Angel (starring)‎

‎Time to Kill Lobby card from the 1942 film‎

‎Los Angeles: Twentieth Century-Fox 1942. Single lobby card for the 1942 film. Based on Raymond Chandler's 1942 novel "The High Window" here re-imagined as the seventh and final entry in Twentieth Century-Fox's series of films featuring detective Michael Shayne created by Brett Halliday. <br /> <br /> 14 x 11 inches. Very Good plus with two pinholes to the center of the card a tiny closed tear to the top edge and a small chip to the lower left corner. <br /> <br /> Grant p. 651. Spicer p 420. Twentieth Century-Fox unknown‎

Référence libraire : 131997

‎Herbert I Leeds (director); Irving Cummings Jr, William Conselman Jr (screenwriter); Robert Sterling, Russell Gleason (starring)‎

‎Yesterday's Heroes Original screenplay for the 1940 film‎

‎Los Angeles: Twentieth Century-Fox 1940. Final script for the 1940 film. <br /> <br /> The AFI Catalog notes: "According to a Twentieth Century- Fox press release this was the first writing effort for Fox sound man William Brent. After his story was bought Brent was made a writer at the studio. Also the first screenwriter assignment for Irving Cummings Jr. and William Conselman Jr. Both men were "second generation Hollywood" as Cummings' father was a director and Conselman's a screenwriter. <br /> <br /> "According to Twentieth Century-Fox press releases the football sequences were shot at the Los Angeles Olympic Stadium and at the Pasadena Rose Bowl. Despite a summer heat wave the extras were required to wear heavy winter coats. As such large wind machines behind huge cakes of ice were used to cool off the fields. Thirty-four college football players from local universities were used as extras in this film. They included USC's Ambrose Schindler Bill Howard Red Morgan Tony Tonelli Ollie Day and Owen Hansen and UCLA's Billy Bob Williams Bill Overlin and Bill Radovich. Location filming was done at the Inglewood Railway Station as the station received little use. Because only two freight trains used the station each day movie extras were the only passengers ever to use the station. The press release also reported that the rental cost of a four-car train at the station was $150 per day. HR reported that Fox borrowed Lewis Howard from Universal Pictures for this film."<br /> <br /> A Fox programmer about a doctor reflecting on his college days how he was lured onto the football team and away from his studies a flirtation with a widow and meeting his true love. A strong early vehicle for actor Robert Sterling and featuring two notable women from the serial film era Jean Rogers <br /> <br /> Pale blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 149 and production No. 518 dated June 24 1940. Distribution page present with receipt intact. Title page present dated June 24 1940 noted as Final Script with credits for screenwriters Conselman Jr. and Cummings Jr. 135 leaves mimeograph duplication with blue revision pages throughout dated variously between 6/25/40 and 7/1/40. Pages Near Fine wrapper Good plus bound internally with three gold brads. Twentieth Century-Fox unknown‎

Référence libraire : 130425

‎Michael Pressman (director); James Kirkwood (novel, screenwriter); Richard Pryor, Margot Kidder (starring)‎

‎Some Kind of Hero Original screenplay for the 1982 film‎

‎Hollywood: Paramount Pictures 1982. First Draft script for the 1982 film written for the screen by James Kirkwood based on his 1975 novel. Credited solely to Kirkwood and with a paper spine label indicating the script dates to December 1976 over five years prior to the film's production. With brief but substantive corrections in manuscript pencil on four pages. <br /> <br /> A key Vietnam film and an underrated performance by Richard Pryor serving in both dramatic and comedic capacities. A Vietnam vet returns home from a prisoner of war camp and is greeted as a hero but is quickly forgotten and soon discovers how tough survival is in his own country. <br /> <br /> Dark blue titled wrappers. Title page present noted as First Draft with credits for screenwriter novelist Kirkwood. 166 leaves mimeograph duplication. Pages about Fine wrapper Near Fine bound internally with three gold brads. <br /> <br /> Parish and Hill 188. Paramount Pictures unknown‎

Référence libraire : 130416

‎David Bradley (director); DeWitt Bodeen (screenwriter); Tom Conway, Ken Clark (starring)‎

‎12 Twelve to the Moon Original screenplay for the 1960 film‎

‎Los Angeles: Luna Productions 1959. Shooting Final script for the 1960 film. <br /> <br /> A low-budget space exploration film about a spaceship carrying a multinational group of scientists engineers and researchers to the moon where they discover an entire civilization of peace-loving extraterrestrials.<br /> <br /> Though working with a pitiable budget the producers at Luna Productions managed to hire noted cameraman John Alton then nearing the end of his career. Alton worked on every manner of film but is best remembered for his work in film noir salient examples being "Hollow Triumph" 1948 "The Amazing Mr. X" 1948 "The Big Combo" 1955 and a number of important noir entries by director Anthony Mann. <br /> <br /> Red titled wrappers noted as SHOOTING FINAL on the front wrapper dated March 31 1959. Title page present dated March 31 1959 with credits for screenwriter Bodeen story writer/producer F. O. Gebhardt director Bradley and associate producer Fox. 104 leaves mimeograph duplication. Pages about Fine wrapper about Fine bound internally with three gold brads. <br /> <br /> Lentz US. Mystery Science Theater 524. Luna Productions unknown‎

Référence libraire : 130326

‎Burt Reynolds (director, starring); Elmore Leonard (novel, screenwriter); Candice Bergen, George Segal, Charles Durning (starrin‎

‎Stick Original screenplay for the 1985 film signed by Elmore Leonard‎

‎Universal City CA: Universal City Studios 1983. Revised First Draft for the 1985 film. Costume designer Norman Salling's copy with his name in manuscript ink at the top of the front wrapper. SIGNED by novelist-screenwriter Elmore Leonard on the title page. <br /> <br /> An ex-car thief trying to turn his life around ends up witness to his friend's murder. While he wants to find love and spend more time with his daughter the men who killed his friend kidnap his daughter sending him on a mission to save his daughter and avenge his friend. One of only a few screenplays adapted by Leonard from one of his own novels made memorable in that it layers a surprisingly complex plot onto what by 1985 had become a pretty standard sub-genre: the Burt Reynolds revenge thriller. <br /> <br /> Shot on location in California and Florida. <br /> <br /> Green titled wrappers noted as Revised First Draft on the front wrapper production No. 02162 dated August 5 1983. Title page present dated August 5 1983 noted as Revised First Draft with credits for author and screenwriter Elmore Leonard. 109 leaves with last page of text numbered 106. Xerographic duplication on blue stock rectos only with blue revision pages throughout dated 9/15/1983. Pages Near Fine wrapper Very Good plus with some wear to the corners bound with three gold brads. Universal City Studios unknown‎

Référence libraire : 118803

‎Robin Maugham (screenwriter)‎

‎The Speaker's Corner: The Man Who Could Hypnotize Racehorses Original treatment script for an unproduced film‎

‎N.p.: N.p. 1955. Treatment script for an unproduced film. <br /> <br /> From the collection of British film director and editor Peter Hunt presumably one of only a handful of copies made.<br /> <br /> The only other copy located is in the Harry Ransom Center film library at the University of Texas and the notes from that collection read: "'The Speaker's Corner' is a screenplay based on three stories by Robin Maugham including 'Broken Cellophane' 'The Prodigal Son' and 'The Man Who Could Hypnotize Racehorses.' Maugham worked with Rodney Ackland on the adaptation." <br /> <br /> Mauve titled wrapper noted as a short story on the front wrapper copy No. 20 with credits for screenwriter Robin Maugham. Title page present with credits for Maugham. 13 leaves with last page of text numbered 12. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good with a string binding. N.p. unknown‎

Référence libraire : 107862

‎Luis Bunuel (director, screenwriter); Salvador Dali (screenwriter); Gaston Modot, Lya Lys, Max Ernst (starring)‎

‎L'Age d'or Original review-program revue-programme for the 1930 film‎

‎Paris: Studio 28 1930. Vintage review-program for Luis Buñuel's 1930 surrealist masterpiece created for the film's public premiere at Studio 28 cinema in Montmartre. Program in two parts bound dos-a-dos. Text in French.<br /> <br /> The first section of the review-program is dedicated to "L'Age d'or" presenting the film's scenario alongside subtitles and dialogue accompanied by a manifesto on surrealism and a catalog of 20 works by Max Ernst Salvador Dalí Man Ray and others which were exhibited alongside the film's screenings at Studio 28. <br /> <br /> The second part of the program is an overview of film programs at Studio 28 with stills from films by Epstein Ivens Melies and others. <br /> <br /> The violence of the uproar "L'Age d'Or" created remains almost as shocking as the film itself: days into the first screenings at Studio 28 on December 3 1930 the theatre was stormed by fascist youths enraged at the film's perceived anti-patriotic and anti-Christian message. Demonstrators threw ink at the screen shouted antisemitic death threats smashed the theatre windows and completely destroyed the exhibition of surrealist books and artwork in the foyer. In response the Board of Censors re-reviewed the film and on December 10 the film was banned from further public showings in France. The film's producers subsequently withdrew "L'Age d'or" from commercial distribution and public exhibition for more than 40 years although three years later in 1933 the film was privately exhibited at the Museum of Modern Art in New York.<br /> <br /> Page edges faintly foxed else about Near Fine in perfect-bound gold wrappers with a single annotation in manuscript ink censoring a line relating to one of the film's characters and Jesus Christ. Lacking the errata slip. Studio 28 unknown‎

Référence libraire : 166622

‎John Guillermin (director); Ernest Tidyman (characters); Stirling Silliphant (screenwriter); Richard Roundtree, Frank Finlay, Vo‎

‎Shaft in Africa Original one sheet poster for the 1973 film‎

‎Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1973. Vintage one sheet poster for the 1973 film.<br /> <br /> The last of the three feature films in the original "Shaft" trilogy preceded by "Shaft" 1971 and "Shaft's Big Score!" 1972 both directed by Gordon Parks and starring Richard Roundtree and Moses Gun.<br /> <br /> Shaft travels to Africa to help break up a slavery ring smuggling immigrants into France. <br /> <br /> Shot on location in Africa Spain Paris and New York.<br /> <br /> 27 x 41 inches. Folded as issued. Very Good plus with pinholes to the corners and a small closed tear to the upper right margin. Metro-Goldwyn-Mayer [MGM] unknown‎

Référence libraire : 127086

‎Ron Scott (director); William E Hamelman (screenwriter); Beverly Brent, Byron Lord (starring)‎

‎The Sex Shuffle / Teenage She-Wolves Original one sheet poster for a double-bill of the 1968 and circa 1976 films‎

‎N.p.: Danton Films 1976. Vintage one sheet poster for a double-bill of the 1968 and circa 1976 films circa 1976.<br /> <br /> An amusing pairing of two obscure exploitation films released as a double-bill by Danton Films one of the more memorable sexploitation and Gridnouse production companies of the 1970s circa 1976. "The Sex Shuffle" from 1968 is an exploitation film shot in Texas of hippie orgies drug use and body painting. The second film "Teenage She-Wolves" circa 1976 is largely undocumented except for a few newspaper ads from 1976-1979 and a favorable review in the April 26 1979 "Toronto Star" which describes the film as a Faustian fable set in Mexico in which a Vietnam veteran trades his soul to save the life of the woman he loves.<br /> <br /> 28 x 39.5 inches. Very Good with two R-rating labels over the recto a 1.5 inch chip to the lower left side a small open tear to the top left corner and repairs to pinholes and starting at the creases on the verso with linen tape and cello tape. Danton Films unknown‎

Référence libraire : 164365

‎Brian De Palma (director, screenwriter); John Travolta, Nancy Allen, John Lithgow, Dennis Franz (starring)‎

‎Blow Out Original one sheet poster for the 1981 film‎

‎N.p.: Filmways 1981. Vintage one sheet poster for the 1981 film.<br /> <br /> Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 1980s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. <br /> <br /> Shot on location in Philadelphia. <br /> <br /> 27 x 41 inches. Very Good plus with light splashing to the top third.<br /> <br /> Clover Men Women and Chainsaws. Criterion Collection 562. Grant US. Spicer Neo-Noir. Filmways unknown‎

Référence libraire : 127394

‎John Schlesinger (director); William Goldman (novel, screenwriter); Holly Bower, Mary Ellen Mark, Peter Sorel (still photographe‎

‎Marathon Man Original one sheet poster for the 1976 film‎

‎Los Angeles: Paramount Pictures 1976. Vintage one sheet poster for the 1976 film<br /> <br /> One of the best thrillers of the 1970s built on a great story great characters and exceptional performances by Hoffman and Olivier. Hoffman plays a marathon runner in New York City who is unwittingly caught in the middle of an international diamond ring conspiracy run by former Nazi dentist Olivier. <br /> <br /> Nominated for an Academy Award for Best Supporting Actor for Olivier.<br /> <br /> Set in and shot on location in New York City. <br /> <br /> 27 x 41 inches. Folded as issued. Near Fine. Paramount Pictures unknown‎

Référence libraire : 127320

‎Richard Lester (director); Eduardo Munoz Bachs (designer); John Haase (novel); Lawrence B Marcus (screenwriter); Julie Christie,‎

‎Petulia Original Cuban poster for the 1968 film designed by Eduardo Muñoz Bachs‎

‎N.p.: N.p. 1973. Vintage Cuban poster for the Cuban release of the 1968 film designed by Eduardo Muñoz Bachs. <br /> <br /> Based on the 1966 novel "Me and the Arch Kook Petulia" by John Haase about a newlywed socialite who relentlessly pursues a physician for an affair. Shot on location during the Summer of Love in San Francisco with appearances by Janis Joplin and The Grateful Dead that are not so much cameos as they are part of movie's atmosphere. Entered into competition at Cannes in 1968 before that year's festival was canceled. <br /> <br /> Eduardo Muñoz Bachs was a revered Cuban artist best known for his over 2000 movie poster designs. His work also encompassed comics children's book illustration and animation. Bachs is also noted for having designed the first poster for the Instituto Cubano de Arte e Industria Cinematograficos ICAIC founded shortly after the Cuban Revolution to produce and promote Cuban films.<br /> <br /> 20 x 30 inches. Very Good plus with faint rubbing and a spot of scratching to the upper mid center.<br /> <br /> Rosenbaum 1000. N.p. unknown‎

Référence libraire : 127868

‎Daniel Defore (novel); Jack Gold (director); Adrian Mitchell (play, screenwriter); Peter O'Toole, Richard Roundtree, Peter Celli‎

‎Pietaszek i Robinson Man Friday Original Polish poster for the 1975 film‎

‎N.p.: N.p. 1977. Original Polish one sheet poster for the Polish release of the 1975 British/American film designed by Anna Mikke.<br /> <br /> Based on the 1973 play by Adrian Mitchell which was based on the classic 1719 novel "Robinson Crusoe" by Daniel Defoe. A post-civil rights movement take on the Defoe classic wherein Crusoe finds himself stranded on an island with a black islander whom he names Friday and finds himself incapable of seeing the islander beyond his narrow and racist colonialist worldview. Nominated for the Palm d'Or.<br /> <br /> 23 x 32.5 inches. Very Good with light dampstaining to the right side. N.p. unknown‎

Référence libraire : 132299

‎Rin Tin Tin, Helene Costello, Walter Merrill (starring); Howard Bretherton (director); Walter Morosco (screenwriter)‎

‎While London Sleeps Original photograph of Rin Tin Tin from the 1926 film‎

‎Burbank CA: Warner Brothers 1926. Vintage studio still photograph from the 1926 silent film a portrait of canine actor Rin Tin Tin. "Made in USA" stamp on the verso. <br /> <br /> The thirteenth screen appearance by Rin Tin Tin who appeared in 27 Hollywood films between 1922 and 1932. Currently considered lost. <br /> <br /> 8 x 10 inches. Very Good toned with a tide mark to the bottom right corner. Warner Brothers unknown‎

Référence libraire : 171419