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Nicholas Ray (director); Cyril Hume, Richard Maibaum (screenwriter); James Mason, Barbara Rush, Walter Matthau (starring)
Bigger Than Life Two original British front-of-house cards from the 1956 film
London: Twentieth Century-Fox 1956. Two vintage British front-of-house cards from the UK release of the 1956 US film. <br /> <br /> Based on an article by Burton Roueche about a schoolteacher who becomes dependent on a "miracle" drug with unexpected side effects to his sanity. <br /> <br /> Credited as screenwriters were Cyril Hume and Richard Maibaum however the shooting script was entirely reworked by director Nicholas Ray and actor/producer James Mason who added the first 20 minutes of the film depicting Ed Avery's daily life before being hospitalized. <br /> <br /> 8 x 10 inches. Very Good plus several stills with scratches and a few closed tears. Twentieth Century-Fox unknown
Référence libraire : 134020
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Stacy Keach, Marianna Hill, Bud Cort, Graham Jarvis (starring); Jack Smight (director); Garrie Bateson (screenwriter)
The Travelling Traveling Executioner Original photograph from the 1970 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM / EMI 1970. Vintage black-and-white still photograph from the UK release of the 1970 US film. Features Stacey Keach. <br /> <br /> Keach is a traveling executioner with a portable electric chair and receives one-hundred dollars for each execution. Arguably one of the actor's best performances. <br /> <br /> 8 x 10 inches. Light creasing to the corners else Near Fine. Metro-Goldwyn-Mayer [MGM] / EMI unknown
Référence libraire : 132049
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Mark Rydell (director); Ernest Thompson (play, screenwriter); Adger W. Cowan (photographer); Henry Fonda, Katharine Hepburn, Jan
On Golden Pond Eight photographs from the 1981 film
Universal City CA: Universal Pictures 1981. Eight vintage black-and-white still photographs from the 1981 UK film. <br /> <br /> Based on Ernest Thompson's play about a father-daughter relationship that has its share of miscommunication. Jane Fonda stars with her father Henry and the inimitable Katharine Hepburn. Henry Fonda won his only Academy Award for this his final performance. <br /> <br /> 8 x 10 inches six with borders and two with no borders as issued. Brief ink annotations on the versos of those with no borders else Near Fine. Universal Pictures unknown
Référence libraire : 132161
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Edmund Goulding (director); Rose Franken (playwright); Morrie Ryskind (screenwriter)
Another Claudia Claudia Original screenplay synopsis for the 1943 film
Los Angeles: Twentieth Century-Fox 1942. Story synopsis basis for the 1943 film "Claudia" based on a story by Franken that appeared in Redbook magazine between July 1941 and October 1942. <br /> <br /> McGuire and Young are memorable in their portrayal of a young innocent couple struggling to break from the ties of their respective families as well as the pressure of distant relocation. Followed by a sequel "Claudia and David" in 1946 and basis for a radio play. <br /> <br /> Sky blue titled wrappers with credit for writer Franken. Distribution page present with receipt intact. 18 leaves mimeograph duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown
Référence libraire : 129351
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Robert Altman (director, screenwriter, producer); Allan F. Nicholls (screenwriter); Paul Dooley, Belita Moreno (starring)
A Perfect Couple Collection of nine original photographs from the 1979 film
Los Angeles: Twentieth Century-Fox 1979. Nine vintage black-and-white studio still photographs from the 1979 film. <br /> <br /> A 1979 romantic comedy about a an older man and his young earth-mama musical girlfriend. The role of Marta Heflin was originally written for Sandy Dennis but due to a costar's cat allergies coupled with Dennis' pension for bring cats to script readings the role was recast with Sheila Shea. <br /> <br /> 8 x 10 inches. Near Fine condition. Twentieth Century-Fox unknown
Référence libraire : 135438
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Roger Vadim (director); Gene Roddenberry (screenwriter, producer), Francis Pollini (novel); Rock Hudson, Angie Dickinson (starri
Pretty Maids All in a Row Three original photographs from the 1971 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1971. Three vintage black-and-white studio still photographs from the 1971 film. <br /> <br /> Roger Vadim's followup to "Barbarella" 1956 may be the only sexploitation crime film ever released by a major studio and managed to break just about every cultural taboo in the book even during the uncertain days of the early 1970s. The story and especially the filmmaking style is a strange response to the sexual revolution in 1970 in which a high school full of randy teachers and students in an unnamed Midwestern town become involved in a series of murders. Vadim's attempt to update .".And God Created Woman" from the male perspective has become a cult film that would be sued out of existence today and a fascinating look at the "revolution" from a middle America perspective. <br /> <br /> Based on Francis Pollini's 1968 novel. Ocean View High School's resident faculty hero football coach/guidance counselor "Tiger" McDrew Hudson at his greasiest is married and has a child but this doesn't keep him from seducing many of his female students and persuading the new substitute teacher Miss Smith Dickinson to deflower a troubled virgin. Girls start turning up at the school dead in various states of undress with cryptic notes pinned to intimate parts of their anatomy. The county sheriff Keenan Wynn is forced to defer to a state police investigator Savalas who starts nosing around the school. <br /> <br /> 8 x 10 inches. About Fine condition. Metro-Goldwyn-Mayer [MGM] unknown
Référence libraire : 135437
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Benjamin Stoloff (director); W. Scott Darling (screenwriter); Preston Foster, Ann Rutherford, Charles Butterworth, Helene Reynol
Bermuda Mystery Murder in Bermuda Original screenplay for the 1944 film
Los Angeles: Twentieth Century-Fox 1943. Revised Final Draft script for the 1944 film "Bermuda Mystery" here under the working title "Murder in Bermuda." <br /> <br /> A comedic mystery based on a story by John Larkin. Constance Martin Rutherford is convinced that her uncle's death in Bermuda was a murder. The authorities in Bermuda declare he died of natural causes so Connie travels to New York to inform her uncles WWI buddies who have all cashed in their collective "death pool." In New York Connie hires Steve Carramond Foster to help her investigate the death despite the fact he's set to get married the next day. <br /> <br /> Set briefly in Bermuda mostly in New York. <br /> <br /> Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 8 and production No. 997 dated Dec. 16 1943. Distribution page present with receipt intact. Title page present dated December 16 1943 noted as Final Script with a credit for screenwriter Darling. 123 leaves with last page of text numbered 118. Mimeograph duplication with blue revision pages throughout dated 12/17/43. Pages and wrapper Near Fine bound internally with two gold brads. Twentieth Century-Fox unknown
Référence libraire : 136398
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Luis Bunuel (director); Jean-Claude Carriere (screenwriter)
The Phantom of Liberty Le fantome de la liberte Collection of 6 original photographs from the 1974 film
Los Angeles: Twentieth Century-Fox 1974. Collection of 6 vintage black-and-white studio still photographs from the 1974 film. <br /> <br /> A masterpiece like most all of the director's films a nonlinear surrealist comedy that challenges bourgeois notions of morality. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Criterion Collection 290. Rosenbaum 1000. Twentieth Century-Fox unknown
Référence libraire : 136476
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Ernest Hemingway (novel); Charles Vidor, John Huston (director); Ben Hecht (screenwriter); Rock Hudson, Jennifer Jones, Vittorio
A Farewell to Arms Original screenplay for the 1957 film
Los Angeles: Twentieth Century-Fox 1957. Draft script for the 1957 film. In Selznick Studio wrappers with the insignia on the front wrapper. An original production script with a perforated distribution leaf preceding the title page. <br /> <br /> The second film version of Ernest Hemingway's 1929 novel and also the last film produced by David O. Selznick. Frederick Henry Hudson is an American serving in the Italian Army during WWI where he meets Catherine Barkley Jones a Red cross nurse. They have a torrid affair which results in pregnancy. The two gradually lose contact with one another. But Henry makes it to Switzerland where Barkley is hospitalized. The baby is stillborn and Barkley dies shortly afterward. <br /> <br /> Set in Europe shot on location in Italy. <br /> <br /> White titled wrappers with credits for screenwriter Hecht original director Vidor and producer Selznick. Title page present dated 1957 with a credit for screenwriter Hecht. 177 leaves with last page of text numbered 173. Mimeograph on eye-rest green stock. Pages and wrapper Near Fine bound with two gold brads. <br /> <br /> Davenport p. 122. Twentieth Century-Fox unknown
Référence libraire : 136403
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Patricia Joudry (screenwriter)
The Psychiatrists' Dilemma or Goddess on the Couch Original script for an unproduced play
New York: International Plays 1964. Draft script for an unproduced play. <br /> <br /> A marriage psychoanalyst and confirmed bachelor suddenly marries a parapsychological expert and yogi and various high jinx ensue. Set in a large American city. <br /> <br /> Pale blue titled wrappers with credits for screenwriter Joudry. Title page present dated Sept. 8 1964 noted as copy No. 18 with credits for screenwriter Joudry. 96 leaves with last page of text numbered 3-21. Mimeograph duplication. Pages Near Fine wrapper Near Fine perfect-bound. International Plays unknown
Référence libraire : 136244
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Daniel Haller (director); Joel Rogosin, Arthur A. Ross (screenwriter); Joanna Pettet, Jeanette Nolan (starring)
The Desperate Miles No Help Required Original screenplay for the 1975 television movie
Burbank CA: American Broadcasting Company ABC 1975. Second Revised Draft script for the 1976 film "The Desperate Miles" seen here under the title "No Help Required."<br /> <br /> A disabled Vietnam war veteran takes a road trip from LA to San Diego in his wheelchair to prove himself. <br /> <br /> Green titled wrappers noted as 2nd Rev. on the front wrapper production No. 42128 dated 1/22/75 with credits for screenwriters Arthur Ross and Joel Rogosin. Title page present integral with the front wrapper. 92 leaves with last page of text numbered 82 and with 9 additional revision pages at the rear. Mimeograph duplication with blue green yellow and pink revision pages throughout dated variously between 1/8/75 and 1/22/75. Pages Near Fine wrappers Very Good bound with two gold brads. American Broadcasting Company [ABC] unknown
Référence libraire : 136240
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Billy Wilder (director, screenwriter, producer); Anna Bonacci (play); I. A. L. Diamond (screenwriter); Kim Novak, Dean Martin, R
Kiss Me Stupid Original photograph from the set of the 1946 film
N.p.: Lopert Pictures Corporation 1964. Vintage black-and-white reference photograph from the set of the 1964 film. Director Billy Wilder shown with Kim Novak. Based on the 1945 Italian play "L'ora della fantasia" by Anna Bonacci. <br /> <br /> A jealous piano teacher playing host to an infamous nightclub singer sends his beautiful wife away in the hopes of keeping the lecherous singer from seducing her. <br /> <br /> 8 x 10 inches. Near Fine condition. Lopert Pictures Corporation unknown
Référence libraire : 136035
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Michael Gordon (director); James Webb (novel); Roy Huggins (screenwriter); Ida Lupino, Howard Duff (starring)
Woman in Hiding Original double weight photograph from the 1950 film noir
Universal City CA: Universal Pictures 1950. Vintage double weight studio still photograph from the 1950 film noir showing the crew retrieving the waterlogged car used in the climactic scene. <br /> <br /> An heiress inherits her father's steel mill and then must extricate herself from a marriage to the mill's general manager who means to kill her in order to own the mill. <br /> <br /> 8 x 10 inches. Very Good plus with light rippling near one extremity. <br /> <br /> Grant US. Selby US. Silver & Ward US. Spicer US. Universal Pictures unknown
Référence libraire : 136048
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Frank Ryan (director); Hiram Percy Maxim (book); Bruce Manning, Clifton James (screenwriter); Myrna Loy, Don Ameche, Bobby Drisc
So Goes My Love Original photograph from the set of the 1946 film
Universal City CA: Universal Pictures 1946. Vintage black-and-white reference photograph of actress Myrna Loy from the set of the 1946 film. Based on the 1936 memoir of Hiram Percy Maxim "A Genius in the Family." Loy is shown here in period dress in the doorway of her personal trailer. <br /> <br /> 8 x 10 inches. Near Fine. Universal Pictures unknown
Référence libraire : 136046
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Gene Kelly (director, producer); Davis Grubb (novel); James Lee Barrett (screenwriter); James Stewart, Henry Fonda, Shirley Jone
The Cheyenne Social Club Original photograph from the 1970 film
New York: National General Pictures 1970. Vintage black-and-white studio still photograph from the set of the 1970 film. Shown are director Gene Kelly with James Stewart and Henry Fonda. <br /> <br /> A revisionist Western in which James Stewart an aging cowboy inherits his brother's house of prostitution. <br /> <br /> 8 x 10 inches. Near Fine. National General Pictures unknown
Référence libraire : 136064
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Norman Tokar (director); Arthur Julian (screenwriter); Robert Morse, Stefanie Powers, Phil Silvers, Norman Fell (starring)
The Boatniks Original screenplay for the 1970 film
Burbank CA: Walt Disney Productions 1969. Revised Final Draft script for the 1970 Disney film. <br /> <br /> Based on a story by Marty Roth executive story editor for the television series "The Dukes of Hazzard" 1979-1985. Coast Guard Ensign Garland Morse falls in love with sailing instructor Kate Powers but his bumbling leaves her disenchanted until they team up to recover stolen jewels before a team of thieves led by Simmons Silvers can find them. <br /> <br /> Set in California shot there on location. <br /> <br /> Gray titled wrappers noted as Final Screenplay on the front wrapper production No. 0107 dated July 23 1969 with credits for story writer Roth and screenwriter Julian. 152 leaves with last page of text numbered 166. Mechanical duplication with green blue white and pink revision pages throughout dated variously between 7/18/69 and 9/28/69. Near Fine overall bound with three gold brads. Walt Disney Productions unknown
Référence libraire : 136136
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Raoul Walsh (director, subject); James J. Braddock (subject); Mae West (screenwriter, playwright, starring); Frank Mitchell Daze
Klondike Annie Klondike Lou Two original photographs from the 1935 film
Hollywood: Paramount Pictures 1935. Two vintage black-and-white reference studio still photographs from the set of the 1935 film. Based on the 1921 play "Frisco Kate" by West. Here seen under the title "Klondike Lou." Shown in one photo are Mae West and director Raoul Walsh looking over a script. In the other they are joined by 1935 heavyweight boxing champion who was visiting the set. With mimeograph snipes variously affixed and printed to the verso of each photo. One photo has Spanish translation tipped on and "Sintonia" Spanish agency stamp to the verso as well. <br /> <br /> A woman accidentally kills her landlord in self defense while he attempts to murder her then escapes on a steamer to Nome Alaska. She takes on the identity of a nun who dies en route giving the censors quite a lot to work with. <br /> <br /> 8 x 10 inches. Near Fine. Paramount Pictures unknown
Référence libraire : 136148
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Vittorio De Sica (director); Truman Capote (screenwriter); Jennifer Jones, Montgomery Clift (starring)
Indiscretion of an American Wife Indiscrecion de una Esposa Original Spanish pressbook for the 1953 film
Culver City CA: Columbia Pictures 1953. Original Spanish pressbook for the 1953 film<br /> <br /> 12 pages saddle-stapled 11 x 14 inches. <br /> <br /> Criterion Collection 202. Columbia Pictures unknown
Référence libraire : 135958
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Sam Raimi (director); Scott Smith (novel, screenwriter); Bill Paxton, Bridget Fonda, Billy Bob Thornton (starring)
A Simple Plan Original For Your Consideration screenplay
Hollywood: Paramount Pictures 1998. For Your Consideration for the 1998 film. <br /> <br /> Based on the 1993 novel by Scott Smith. Two brothers and their friend discover a crashed plane in the woods with a dead pilot and millions of dollars inside. In trying to keep the money for themselves without suspicion the men start to lose themselves in greed and paranoia about being caught. <br /> <br /> Set in Wright County Minnesota shot on location in Ashland Wisconsin and Delano Golden Valley and St. Paul Minnesota. <br /> <br /> Brown titled wrappers noted as For Your Consideration on the front wrapper with credits for screenwriter and novelist Scott B. Smith. Title page present with credits for screenwriter and novelist Scott B. Smith. 135 leaves with last page of text numbered 119. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Paramount Pictures unknown
Référence libraire : 135957
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William Vaughan Wilkins (novel); Jenia Reissar (screenwriter)
.And So Victoria" Original treatment script for an unproduced film
Los Angeles: David O. Selznick 1937. Treatment script for an unproduced film. Based on the novel by William Vaughan Wilkins initially published on May 3 1937 by Jonathan Cape.<br /> <br /> A romantic adventure story set in the 19th century involving a poor girl who falls in love with a boy descended from royalty resulting in the usual problems. <br /> <br /> Blue titled wrappers with credits for novelist William Vaughan Wilkins. Title page present dated April 20 1937 for the treatment submission and May 3 1937 for the novel's publishing date with credits for novelist William Vaughan Wilkins. 46 leaves with last page of text numbered 41. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. David O. Selznick unknown
Référence libraire : 135949
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Carol Reed (director); Graham Greene (screenwriter); Ralph Richardson, Michele Morgan (starring)
The Fallen Idol Original post-production script for the US release of the 1948 film
London and Los Angeles: London Film Productions / Selznick Releasing Organization 1949. Post-production Dialogue Cutting Continuity script for the 1948 film. Dated June 29 1949 and printed for use in the November 15 1949 US release of the UK film. <br /> <br /> Orange studio wrappers dated June 29 1949 noting 6 reels and footage of 768 feet. Mimeograph duplication. Pages and wrapper Near Fine. <br /> <br /> Criterion Collection 357. London Film Productions / Selznick Releasing Organization unknown
Référence libraire : 135959
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Carol Reed (director); Graham Greene (screenwriter); Ralph Richardson, Michele Morgan (starring)
The Fallen Idol Ad Mat for the US release of the 1948 film
London and Los Angeles: London Film Productions / Selznick Releasing Organization 1949. Advertising supplement ad mat for the US release of the 1948 UK film. <br /> <br /> 20 x 14 inches. Folded vertically at the center as issued else Fine. <br /> <br /> Criterion Collection 357. London Film Productions / Selznick Releasing Organization unknown
Référence libraire : 135960
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Edward L. Cahn (director); Lou Rusoff (screenwriter); Mike Connors, John Ashley, Jewell Lain, Russ Bender (starring)
Suicide Battalion Hell Raiders Original screenplay for the 1958 film
Los Angeles: American International Pictures AIP 1958. Draft script for the 1958 film "Suicide Batallion" here under its working title "Hell Raiders." <br /> <br /> The screenwriter-director team of Rusoff and Kahn worked together on several AIP films including "Girls in Prison" 1956 "The She-Creature" 1956 "Shake Rattle & Rock" 1956 "Runaway Daughters" 1956 "Dragstrip Girl" 1957 and "Motorcycle Gang" 1957. Rusoff also scripted a few Roger Corman films including "Apache Woman " 1955 "Day the World Ended" 1955 "The Oklahoma Woman" 1956 and "It Conquered the World" 1956. <br /> <br /> A group of men are recruited for a dangerous mission to destroy an American base in order to keep strategic papers out of enemy hands when Japanese forces invade. <br /> <br /> Set in the Philippines shot on location in Dallas Texas. <br /> <br /> AIP moved from big screen productions to television at the turn on the 1960s remaking several film scripts as television movies including this one which was eventually released as Larry Buchanan's 1968 film "Hell Raiders" the original title. <br /> <br /> Blue titled wrappers rubber-stamped copy No. 36. Distribution page present with receipt intact. Title page integral with distribution page with credits for screenwriter/producer Rusoff and slated director Edward L. Kahn. 121 leaves with last page of text numbered 118. Mimeograph duplication. Pages Near Fine wrapper Very Good plus bound three two gold brads. <br /> <br /> Davenport US. Ray US. American International Pictures [AIP] unknown
Référence libraire : 135931
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Oliver HP. Garrett (screenwriter) H. P.
Incident at Dunquerque Original screenplay for an unproduced film
Los Angeles: David O. Selznick 1941. First Draft script for an unproduced film. <br /> <br /> Set during the 1940 battle and evacuation of Dunkirk. <br /> <br /> Blue titled wrappers noted as First Draft on the front wrapper dated April 15 1941 with credits for screenwriter Oliver H. P. Garrett. Distribution page present with receipt intact. 43 leaves with last page of text numbered 42. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. David O. Selznick unknown
Référence libraire : 135962
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Irwin Shaw (screenwriter); David O. Selznick (producer)
Girls in their Summer Dresses Original screenplay for the 1954 short from the film Light's Diamond Jubilee
Los Angeles: American Broadcasting Company ABC / Columbia Broadcasting System CBS / National Broadcasting Company NBC 1954. Final Script for the short from the 1954 film "Light's Diamond Jubilee." <br /> <br /> "Light's Diamond Jubilee" was a David O. Selznick television production aired simultaneously on all three of the major networks. The special was mounted to celebrate the 75th anniversary of Thomas Edison's invention of the light bulb that featured original stories and adaptations of stories by famous American writers. <br /> <br /> Plain salmon colored wrappers. Title page is integral with the first page of text. 12 leaves mimeograph on green stock. Pages Very Good plus wrapper Very Good plus bound internally with two silver brads. American Broadcasting Company [ABC] / Columbia Broadcasting System [CBS] / National Broadcasting Company [NBC] unknown
Référence libraire : 135965
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Daniel Mann (director); Paul Gallico (novel); Timothy Galfas (screenwriter); Elliot Gould, Clive Revill, Harry Guardino, Roy Cla
Matilda Mathilda Original screenplay for the 1978 film
Los Angeles: Albert S. Ruddy Productions / American International Pictures AIP 1976. Draft script for the 1978 film. <br /> <br /> Based on Paul Gallico's 1970 novel. Bernie Bonnelli Gould is a small-time talent agent down on his luck who discovers a boxing kangaroo named Matilda. Hoping to gain recognition and income he schedules a fight between the kangaroo and the boxing heavyweight champion of the world. The fight attracts the attention of the local mob boss who wants total control of the marsupial and the attention of animal activists looking to stop cruelty to animals. <br /> <br /> Set in New York shot on location in California New York and Nevada. <br /> <br /> Illustrated titled wrappers with glassine cover on the front wrapper. Title page present dated March 15 1976 with credits for novelist Gallico and screenwriter Galfas. 133 leaves with last page of text numbered 129. Mechanical duplication. Pages and wrapper Near Fine bound internally with three silver brads. Albert S. Ruddy Productions / American International Pictures [AIP] unknown
Référence libraire : 135943
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Edgar Wallace (novel); Jack Raymond (director); Marjorie Gaffney, Michael Hogan, Bryan Edgar Wallace (screenwriter); Will Fyffe,
The Mysterious Mr. Reeder The Mind of Mr. Reeder Original screenplay for the 1939 film Bryan Edgar Wallace's copy
N.p.: Grand National Pictures 1935. Early Draft script for the 1939 film "The Mysterious Mr. Reeder" here under the working title and the title Monogram Pictures used for its 1940 re-release "The Mind of Mr. Reeder." Copy belonging to screenwriter Bryan Edgar Wallace Edgar Wallace's son with his name and manuscript annotations in pencil on the front wrapper. <br /> <br /> Based on the 1925 collection of short stories "The Mind of Mr. J.G. Reeder" by Edgar Wallace. The second Mr. Reeder film this time seeing the absentminded detective investigate a gang of counterfeiters. <br /> <br /> Tan titled wrappers. Title page present dated October 1 1935 with credit for writer Wallace. 78 leaves mimeograph duplication. Pages Near Fine wrapper Near Fine bound with a teal cord. <br /> <br /> Okuda 71. Grand National Pictures unknown
Référence libraire : 129885
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Sam and Ron Ormond Newfield (directors); Orville H. Hampton (screenwriter); Marie Windsor, Richard Rober, Carla Balenda, Jackie
Outlaw Women Original screenplay for the 1952 film
Los Angeles: Lippert Pictures 1952. Draft script for the 1952 film. Copy belonging to an uncredited crew member with brief annotations in manuscript pencil on the verso of the last page of text and on a few pages. <br /> <br /> An unusual story for a low-budget Western: a tough woman gambler named Iron Mae McLeod Windsor runs a town where law states that men are illegal. The tough McLeod is soon caught in the lusty lasso of Woody Callaway Rober a handsome and persistent cowboy. <br /> <br /> The Poverty Row studio Lippert Pictures lasted nearly two decades 1948-1969 and would resurface as the production company for "Don't Do It" 1994. Notable films produced or distributed by Lippert include "Jungle Goddess" 1948 "I Shot Jesse James" 1949 forgotten films noir like "Radar Secret Service" and "Motor Patrol" both 1950 Samuel Fuller's "The Steel Helmet" 1951 Sam Newfield's "Lost Continent" 1951 and Terence Fisher's classic Hammer noir "Man Bait" 1952. <br /> <br /> Blue untitled wrappers. Title page integral with first page of text undated with a credit for screenwriter Hampton. 115 leaves with last page of text numbered 115. Mimeograph duplication. Pages and wrapper Near Fine bound with three gold brads. <br /> <br /> Hardy The Western p. 218. Okuda 486. Lippert Pictures unknown
Référence libraire : 135865
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Earl McEvoy (director); Milton Lehman (article); Van Pelt (phtographer); Harry Essex (screenwriter); Dorothy Malone, Evelyn Keye
The Killer that Stalked New York Original keybook photograph from the 1950 film noir
Culver City CA: Columbia Pictures 1950. Vintage black-and-white keybook photograph from the 1950 film noir. Shown are Ellen Keyes pursued onto a window ledge by a policeman. Advertising Council approval stamp and Columbia Studios stamp on the verso. <br /> <br /> 8 x 11 inches. Near Fine with two keybook hole punches to the left margin as called for. <br /> <br /> Grant p. 349. Spicer p. 412. Columbia Pictures unknown
Référence libraire : 136078
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Josef von Sternberg (director, screenwriter); Joseph L. Mankiewicz, Charles Furthman, Jules Furthman, Herman J. Mankiewicz (scre
Thunderbolt Original photograph from the 1929 film
Hollywood: Paramount Pictures 1929. Vintage black-and-white studio still photograph from the 1929 film. Shown is George Bancroft being pulled away from a prison cell where Richard Arlen is being held. <br /> <br /> Nominated for an Academy Award. <br /> <br /> 8 x 10 inches. Very Good plus condition with a handful of pinhole tears and a short closed tear at the extremities. Paramount Pictures unknown
Référence libraire : 136071
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Orson Welles (director, screenwriter); Herman J. Mankiewicz (screenwriter), Joseph Cotten, Agnes Moorehead, Joseph Cotten, Evere
Citizen Kane Two original keybook photographs from the 1941 film
Culver City CA: RKO Radio Pictures 1941. Two vintage borderless black-and-white double weight keybook photographs from the 1941 film. Both stills linen backed as issued one still with a mimeo snipe on the verso the other with the RKO Radio Pictures rubber stamp on the verso. <br /> <br /> The first still shows a young Kane Orson Welles smoking a pipe and smiing signing his "declaration" with advisors Jedediah Leland Joseph Cotten and Mr. Bernstein Everett Sloane. The second still shows Kane as an old man looking on as his young bride Dorothy Comingore completes a giant jigsaw puzzle at a table. <br /> <br /> Both stills 9.5 x 7.5 inches. Near Fine. <br /> <br /> National Film Registry. Ebert I. Godard Histoires du cinema. Grant US. Spicer US. Rosenbaum 1000. Schrader 6. Scorsese A Personal Journey Through American Movies. RKO Radio Pictures unknown
Référence libraire : 134897
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Thomas McGuane (novel); Larry Peerce (director); Lorenzo Semple, Jr. (screenwriter); Robert Fields, Nicolas Coster, Margaret Bly
The Sporting Club Original screenplay for the 1971 film set director's copy
Beverly Hills CA: Lorimar Productions / AVCO Embassy Pictures 1969. Revised Final Draft script for the 1971 film. Copy belonging to Phil Abramson set director for the film with his name in manuscript ink on a couple of pages and manuscript annotations throughout. Laid in is a folded photocopied shooting schedule sheet with photocopied annotations and "Phil 140" in manuscript pencil at the top. <br /> <br /> Based on Thomas McGuane's 1968 debut novel. Vernor Stanton Fields an unstable patrician iconoclast and his lifelong friend James Quinn Coster engage in various drug-fueled adventures often violent in nature. The two aim to destabilize the Centennial Club the summer sporting resort for upper-class Michigan families where they are members. Featuring a brief appearance by a pre-"Exorcist" Linda Blair. <br /> <br /> Set in Michigan shot on location in Hot Springs Arkansas. <br /> <br /> Salmon titled wrappers noted as REV. FINAL DRAFT on the front wrapper dated October 4 1969. Title page present identical on the front wrapper with credits for screenwriter Semple Jr. and novelist McGuane. 117 leaves with last page of text numbered 116 plus a laid-in shooting sheet dated Jan. 17 1970. Mechanical duplication with pink blue white and yellow revision pages throughout dated variously between 10/24/69 and 12/3/69. Pages Near Fine wrapper Very Good plus bound with two gold brads. Lorimar Productions / AVCO Embassy Pictures unknown
Référence libraire : 135248
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Christy Cabanne (director); Ben Piver (writer, producer); Maurice Tombragel (screenwriter)
Legion of Lost Flyers Original post-production script for the 1939 film
Universal City CA: Universal Pictures 1940. Continuity and Dialogue Script for the 1939 film. <br /> <br /> A skilled pilot falsely accused of having crashed a civilian transport airplane tries to maintain his honor at an Alaskan air hangar while attempting to clear his name. <br /> <br /> White wrappers noted as production No. 1098 dated December 9 1940 with credits for Anne Nagel William Lundigan Guinn "Big Boy" Williams Ona Munson and Theodor von Eltz. Title page integral with the front wrapper as issued. 138 leaves mimeograph duplication. Pages Fine wrapper Fine bound with two gold brads. Universal Pictures unknown
Référence libraire : 128294
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Josef [Joseph] Von Sternberg (director); Fyodor Dostoevsky (novel); Joseph Anthony (screenwriter); Irving Lippman (photographer)
Crime and Punishment Original candid photograph of Peter Lorre from the 1935 film
Los Angeles: B.P. Schulberg Productions 1935. Vintage black-and-white photograph of Peter Lorre on the set seated with his script from the 1935 film. Photographed by A.L. Schaefer with his credit stamp on the verso as well as a stamp reading "PETER LORRE / COLUMBIA CONTRACT PLAYER."<br /> <br /> 8 x 10 inches. Fine. B.P. Schulberg Productions unknown
Référence libraire : 135077
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James M. Cain (novel); David Mamet (screenwriter); Bob Rafelson (director); Jack Nicholson, Jessica Lange, and Anjelica Huston (
The Postman Always Rings Twice Two photographs from the 1981 film
London: Granada Television 1980. Two borderless photographs from the 1981 film. One photo with a snipe attached to the verso. <br /> <br /> Directed by Bob Rafelson and based on the 1939 novel by James M. Cain "Postman" was one of the gems of late 1970s cinema along with "The Verdict" and brought David Mamet to the attention of the filmmaking world leading to his working not only as a screenwriter but an important director. Mamet's grim update of Cain's classic hard-boiled novel was somewhat panned on release but is today held in high regard and is considered a major influence on the genre. <br /> <br /> Photographs 8 x 10 inches. Near Fine. <br /> <br /> Silver Classic Noir. Spicer US. Granada Television unknown
Référence libraire : 134735
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William Friedkin (director); William Peter Blatty (novel, screenwriter); Josh Weiner (photographer)l;
The Exorcist Original oversize double weight still photograph from the 1972 film
Burbank CA: Warner Brothers 1972. Vintage oversize borderless double weight black and white photograph from the 1972 film. An amazing image showing Max von Sydow looming above—and seemingly beyond—a very possessed young Linda Blair. <br /> <br /> One of the great genre films of the 1970s that accomplished the uncommon feat of being an over-the-top sensation upon its release and gaining subsequent status as a classic with a strangeness and depth supplied by Burstyn and Sydow that only increases with repeated viewings. Another distinction of "The Exorcist" was that it walked away with 2 Oscars including Best Screenplay for Blatty along with 8 nominations including Best Picture a feat nearly unheard for a horror film. <br /> <br /> 11 x 14 inches. Near Fine. Warner Brothers unknown
Référence libraire : 135017
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Terry Southern (novel, screenwriter); John Cleese, Graham Chapman, Joseph McGrath (screenwriters); Peter Sellers (screenwriter,
The Magic Christian Complete set of eight original color photographs from the 1968 film
London: Grand Films 1968. Complete set of vintage double weight color reference photographs from the 1968 film. <br /> <br /> 8 x 10 inches. Near Fine. Grand Films unknown
Référence libraire : 135672
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Preston Sturges (director, screenwriter); Linda Darnell, Rex Harrison (starring)
Unfaithfully Yours Original photograph from the set of the 1948 film
Berlin: Nero AG 1948. Vintage black-and-white photograph of director Preston Sturges and actors Linda Darnell and Rex Harrison on the set of the 1948 film. <br /> <br /> 8 x 10 inches 20.5 x 25.5 inches. Near Fine. <br /> <br /> Criterion Collection 292. Nero AG unknown
Référence libraire : 135654
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Orson Welles (director, screenwriter); Herman J. Mankiewicz (screenwriter), Joseph Cotten, Agnes Moorehead, Joseph Cotten, Evere
Citizen Kane Two original reference photographs from the 1941 film
Culver City CA: RKO Radio Pictures 1941. Two vintage borderless black-and-white reference still photographs from the 1941 film. Both stills with annotations on the verso one with an RKO Radio Pictures rubber stamp. <br /> <br /> The first still shows a young Kane Orson Welles at a celebration for the inauguration of his newspaper "The Inquirer." The second still shows Kane as an older man reviewing finances with his advisors. <br /> <br /> Stills are 9.5 x 7 inches. Near Fine. <br /> <br /> National Film Registry. Ebert I. Godard Histoires du cinema. Grant US. Spicer US. Rosenbaum 1000. Schrader 6. Scorsese A Personal Journey Through American Movies. RKO Radio Pictures unknown
Référence libraire : 134898
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Tennessee Williams (playwright, screenwriter)
Collection of still photographs from film adaptations of the plays of Tennessee Williams 1951-1964
Various cities: Various studios 1964. Collection of 49 vintage still photographs from various film adaptations of Tennessee Williams plays. <br /> <br /> All stills are black and white and US issue unless otherwise noted. Included are:<br /> <br /> A STREETCAR NAMED DESIRE 1951 Elia Kazan<br /> <br /> 1 press photograph of Marlon Brando and Kim Hunter with TCF stamp and press annotations on the verso. <br /> <br /> THE ROSE TATTOO 1955 Daniel Mann. <br /> <br /> 14 US studio photographs<br /> <br /> THE LONG HOT SUMMER 1958 Martin Ritt<br /> <br /> Eight British front of house cards. Front-of-house cards are the equivalent of US lobby cards but the same size as US color stills and typically have images that do not appear on US lobby cards and stills. <br /> <br /> 8 x 10 inches. Very minor wear at the extremities about Near Fine overall. <br /> <br /> A film based on several literary sources including William Faulkner's "The Hamlet" Faulkner short stories "Barn Burning" and "Spotted Horses" as well as Tennessee Williams' "Cat on a Hot Tin Roof."<br /> <br /> SUDDENLY LAST SUMMER 1959 Joseph L. Mankiewicz<br /> <br /> 1 press photograph of Elizabeth Taylor and Montgomery Clift with press annotations on the verso. <br /> <br /> 6 British front of house cards with the rating of "X" then in use in Great Britain. <br /> <br /> SUMMER AND SMOKE 1961 Peter Glenville<br /> <br /> 12 studio still photographs 2 with press annotations on the verso and 1 on the recto at the margin. <br /> <br /> SWEET BIRD OF YOUTH 1962 Richard Brooks. <br /> <br /> 1 still photograph of Paul Newman and Geraldine Page with a mimeo ditto-style snipe describing the scene printed on the verso. <br /> <br /> NIGHT OF THE IGUANA 1964 John Huston<br /> <br /> 1 still photograph of Richard Burton grabbing a long blade. Various studios unknown
Référence libraire : 134845
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Brian De Palma (director); Tom Wolfe (novel; Michael Cristofer (screenwriter); Tom Hanks, Bruce Willis, Melanie Griffith, Kim Ca
Bonfire of the Vanities Original screenplay for the 1990 film two drafts
Burbank CA: Warner Brothers 1989. Two original screenplays for the 1990 film one being a First Draft 1988 and the other a Second Revised Draft 1989. Brief annotations in manuscript ink on the title page of the second script. <br /> <br /> Director De Palma's unfortunate box-office flop based on Tom Wolfe's first novel. Sherman McCoy Hanks the "master of the universe" is a shallow Wall Street investor who makes millions while enjoying the good life and the sexual favors of Maria Ruskin Griffith. One day the two find themselves in the South Bronx where Maria sees a black youth approaching so frightened she guns the engine and runs him over killing him. The two drive away and decide not to report the accident to the police. Alcoholic journalist Peter Fallow Willis anxious for a story hears about the incident through a local black community activist. Once the story is out the end is inevitable for Sherman. <br /> <br /> Set in New York shot on location there and in California. <br /> <br /> De Palma would return to independent filmmaking with his next effort the creepy horror film "Raising Cain" 1992 starring John Lithgow. <br /> <br /> First Draft script:<br /> <br /> White wrappers. Title page present dated October 1 1988 noted as FIRST DRAFT with credits for screenwriter Cristofer and novelist Wolfe.163 leaves with last page of text numbered 161. Xerographically reproduced. Pages and wrapper Near Fine bound with two gold brads. <br /> <br /> Second Revised Draft script;<br /> <br /> Yellow wrappers. Title page present dated October 12 1989 December 15 1989 in manuscript ink just above the printed date noted as SECOND REVISED FIRST DRAFT with credits for screenwriter Cristofer and novelist Wolfe. 154 leaves with last page of text numbered 152. Xerographic duplication with pink blue green and yellow revision pages throughout dated variously between 10/17/89 and 10/27/89. Pages and wrapper Near Fine bound with two gold brads. Warner Brothers unknown
Référence libraire : 135643
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Gavin Millar (director); William Boyd (screenwriter); Evelyn Waugh (novel); Denholm Elliott, Donald Pleasence, Michael Hordern (
Scoop Original screenplay for the 1987 film
London: Independent Television 1986. 3rd Draft script for the television movie. Based on the 1938 novel by Evelyn Waugh which in turn was based on Waugh's own experiences working at the Daily Mail. Working copy with manuscript annotations in blue red and black ink and pink highlighter throughout as well as handmade tape tabs marking the scenes. Laid in are a number of original and photocopied newspaper articles dealing with the production six pages of background information on their Moroccan shooting location and four pages of call sheets from Morocco. <br /> <br /> A tale of sensationalist foreign correspondents covering a war in Ishmaelia desperately looking for news of a story to send home and the unlikely man who finds the real scoop. Shot on location in Morocco and the United Kingdom. <br /> <br /> White self titled wrappers noted as 3rd Draft on the front wrapper production No. 10556 dated June 1986 with credits for screenwriter Boyd novelist Waugh director Millar and eight other crew members including producer Sue Birtwistle. Title page integral with the front wrapper. 127 leaves with last page of text numbered 126. Mechanical duplication with undated blue revision pages throughout. Pages Near Fine wrapper Near Fine bound with two silver brads. Independent Television unknown
Référence libraire : 135813
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Roger Gartland (director); Lee Pressman (screenwriter); Dudley Sutton, Ania Sowinski, Una Stubbs, Victoria Wicks (starring)
Four scripts from the television show Delta Wave Four original screenplay for the 1995 television show
London: Independent Television 1995. Draft scripts for four episodes of the 1996 television show "Delta Wave:" "A Twist of Lemming: Part 1" "A Twist of Lemming: Part 2" "A Glitch in Time: Part 1" and "A Glitch in Time: Part 2."<br /> <br /> A television show about two children with psycho-kinetic powers and their scientist caretaker. The show ran for only ten episodes containing five storylines featuring the title characters separated into two episodes each. This listing is for two complete storylines: "A Twist of Lemming" and "A Glitch in Time." Set in Cambridge England. <br /> <br /> "A Twist of Lemming: Part One:"<br /> <br /> Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 65 leaves with last page of text numbered 65. Mechanical duplication. Pages Near Fine wrapper Near Fine prong binding. <br /> <br /> "A Twist of Lemming: Part Two:"<br /> <br /> Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 70 leaves with last page of text numbered 70. Mechanical duplication. Pages Near Fine wrapper Near Fine prong binding. <br /> <br /> "A Glitch in Time: Part One:"<br /> <br /> Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 62 leaves with last page of text numbered 62. Mechanical duplication. Pages Near Fine wrapper Near Fine bound prong binding. <br /> <br /> "A Glitch in Time: Part Two:"<br /> <br /> Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 73 leaves with last page of text numbered 73. Mechanical duplication. Pages Near Fine wrapper Near Fine prong binding. Independent Television unknown
Référence libraire : 135826
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Bille Eltringham (director); Tony Marchant (screenwriter); Julian Morris, Douglas Henshall, Clare Holman (starring)
Kid in the Corner Original screenplays for two episodes of the three-part television miniseries
London: Target Television 1999. Three Draft scripts for episodes two and three of the 1999 three-part television miniseries. This listing includes two separate drafts for episode 3. Also includes 13 pages of photocopied storyboards and six pages of call sheets and shooting location information. Copies belonging to make-up artist Teresa Kelly with her manuscript name and annotations to the later script for episode 3 the call sheet and the storyboards and filming information. <br /> <br /> The story of a family's struggle with a severely ADHD son and his improvement through the use of prescription drugs behavioral changes and a special school. Nominated for a British Academy Television Award and a Royal Television Society Award. <br /> <br /> Set in the United Kingdom shot on location in Hertfordshire England. <br /> <br /> Episode 2 of 3:<br /> <br /> Tall white self wrappers as issued dated 28th June 1999 with credits for screenwriter Marchant. Title page present integral with the front wrapper. 61 leaves with last page of text numbered 60. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with a single silver brad. <br /> <br /> Episode 3 of 3 28th June 1999:<br /> <br /> Tall white self wrappers as issued dated 28th June 1999 with credits for screenwriter Marchant. Title page present integral with the front wrapper. 70 leaves with last page of text numbered 69. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with a single silver brad. <br /> <br /> Episode 3 of 3 22nd July 1999:<br /> <br /> Tall white self wrappers as issued dated 22nd July 1999 with credits for screenwriter Marchant. Title page present integral with the front wrapper. 58 leaves with last page of text numbered 57. Mechanical duplication with pink and green revision pages throughout dated 31st July 1999 and 9th August 1999 respectively. Pages Near Fine wrapper Very Good plus bound with a single silver brad. Target Television unknown
Référence libraire : 135833
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Pierre Etaix (director, starring); Jean-Claude Carriere (screenwriter); Sabine Sun (starring)
The Suitor Le soupirant Original photograph from the 1962 film
Paris: C.A.P.A.C. 1962. Vintage borderless black-and-white reference photograph from the French release of the 1962 film. With stamp on the verso noting reference number 582. <br /> <br /> 5 x 7 inches. Near Fine. <br /> <br /> Criterion Collection 655. C.A.P.A.C. unknown
Référence libraire : 135645
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Pierre Etaix (director, starring); Jean-Claude Carriere (screenwriter); Sabine Sun (starring)
The Suitor Le soupirant Collection of 6 original photographs from the 1962 film
Paris: C.A.P.A.C. / Cocinor 1962. Collection of 6 vintage borderless black-and-white studio still photographs from the French release of the 1962 film. Each photo with the stamp of French distributor Cocinor on the verso. <br /> <br /> 5 x 7 inches. Very Good plus with pinholes at the corners of each photograph. <br /> <br /> Criterion Collection 655. C.A.P.A.C. / Cocinor unknown
Référence libraire : 135647
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Pierre Etaix (director, starring); Jean-Claude Carriere (screenwriter); Sabine Sun (starring)
As Long As You've Got Your Health Tant qu'on a la sante Original photograph from the 1966 film
Paris: C.A.P.A.C. 1966. Vintage black-and-white reference photograph from the Spanish release of the 1966 film. With a few contemporary annotations in manuscript ink on the verso. Pictured are Etaix and actress Sabine Sun the former courting the latter. <br /> <br /> 8 x 10 inches. About Near Fine. <br /> <br /> Criterion Collection 655. C.A.P.A.C. unknown
Référence libraire : 135640
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Pierre Etaix (director, starring); Jean-Claude Carriere (screenwriter); Sabine Sun (starring)
Yoyo Yo-Yo Original photograph of Pierre Etaix from the 1965 film
Paris: C.A.P.A.C. 1965. Vintage borderless black-and-white reference photograph from the French release of the 1965 film. With stamp on the verso referencing both the film and the director. <br /> <br /> 5 x 7 inches. Near Fine. <br /> <br /> Criterion Collection 655. C.A.P.A.C. unknown
Référence libraire : 135644
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Pierre Etaix (director, starring); Jean-Claude Carriere (screenwriter); Sabine Sun (starring)
As Long As You've Got Your Health Tant qu'on a la sante Three original photographs from the 1966 film
Paris: C.A.P.A.C. 1966. Collection of 3 vintage borderless black-and-white reference photographs from the French release of the 1966 film. With reference information in manual type on the verso of each photograph. <br /> <br /> <br /> 5 x 7 inches. Near Fine. <br /> <br /> Criterion Collection 655. C.A.P.A.C. unknown
Référence libraire : 135639
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Terry Southern (novel); Christian Marquand (director); Buck Henry (screenwriter); Ewa Aulin, Charles Aznavour, Marlon Brando, Ri
Candy Original double weight photograph from the set of the 1968 film
Paris: Le Spectacle du Monde 1968. Vintage borderless black-and-white double weight press photograph from the set of the film in Rome. Pictured are director Christian Marquand whose faux-grim countenance is in nice contrast to the attractive innocence of the film's lead actress Ewa Aulin. With the stamp of French magazine Le Spectacle du Monde twice on the verso. <br /> <br /> 8 x 10.5 inches. Fine. Le Spectacle du Monde unknown
Référence libraire : 135902
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