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Michael Gordon (director); Abraham Polonsky (screenwriter); Vera Caspary (adaptation); Jerome Weidman (novel)
I Can Get It for You Wholesale Original screenplay for the 1951 film with script breakdown lists
Los Angeles: Twentieth Century-Fox 1950. Revised First Draft Continuity script for the 1951 film. Included is an index to the script breakdown detailing various scenes and script page numbers with revisions. Copy belonging to Dane Anderson an uncredited member of the crew with his name on the front wrapper of the script breakdown and annotations throughout in manuscript pencil. File copy rubber-stamped on the front wrapper. <br /> <br /> Based on Weidman's 1937 novel and Vera Caspary's loose adaptation. Harriet Boyd Hayward is a fashion designer who partners with Teddy Dailey whom she loves and Sam Jaffe and starts a new business dedicated to selling affordable women's dresses. A rival fashion company lead by Noble Sanders momentarily distracts Harriet but at the last minute she realizes her true devotion to Teddy and Sam. <br /> <br /> Screenwriter Polonsky was blacklisted shortly after the film's release refusing to answer questions before the House Un-American Activities Committee. <br /> <br /> White titled wrappers rubber-stamped as REVISED FIRST DRAFT CONTINUITY on the front wrapper copy No. 3 and production No. 2446.8 dated August 4 1950. Distribution page present with receipt removed. Title page present dated August 4 1950 noted as Revised 1st Draft Continuity with a credit for screenwriter Polonsky. 170 leaves with last page of text numbered 168. Mimeograph on eye-rest green stock. Pages and wrapper Near Fine internally bound with three gold brads. <br /> <br /> Script Breakdown: self wrappers as issued. 88 leaves dated 10/2/50 mimeograph on eye-rest green stock. Near Fine bound with three gold brads. Twentieth Century-Fox unknown
Référence libraire : 131050
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Andrew L. Stone (director); Jacques Deval (play); Frederick J. Jackson (screenwriter); Ray Milland, Olympe Bradna, Irene Hervey,
Say It in French Original photograph of Ray Milland from the 1938 film
Hollywood: Paramount Pictures 1938. Vintage black-and-white studio still photograph of Ray Milland from the 1938 film. Milland is shown pointing at an unseen woman in a chair. <br /> <br /> Based on a play by Deval. A financially strapped couple attempt to wed their son a golf pro to a wealthy heiress. What they do not know is that their son is already married. <br /> <br /> 8 x 10 inches. About Near Fine. Paramount Pictures unknown
Référence libraire : 139219
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Joseph Henabery (director, screenwriter); Douglas Fairbanks (screenwriter, starring); Marjorie Daw, Frank Campeau, Sam Sothern (
His Majesty the American Original Glass Slide
Beverly Hills CA: United Artists 1919. Vintage color glass slide advertisement for the 1919 film the first film released by the newly minted United Artists co-founded by star Fairbanks with Charlie Chaplin Mary Pickford and D.W. Griffith. <br /> <br /> A wealthy American gets embroiled in the politic turmoil of a fictional European monarchy only to find he is secretly the heir to the throne. <br /> <br /> 4 x 3.25 inches. An unused example without theatrical show times listed on the blank at the bottom. Very Good plus or better. United Artists unknown
Référence libraire : 138929
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Russ Meyer (director); Tom McGowan (screenwriter); Larissa Ely, Linda Ashton, Charles Napier, Uschi Digard (starring)
Cherry Harry and Raquel Original French poster for the 1970 film
France: Eve Productions 1989. Original French grande poster for the 1989 release of the 1970 US film. Scarce. <br /> <br /> A small-town border sheriff and marijuana smuggler sets out to kill a rival drug dealer while his girlfriend has a dalliance with another woman. The first Meyer film to feature full frontal male nudity a rarity even in sexploitation films at the time and quite the introduction to soon-to-be Meyer’s regular Charles Napier. <br /> <br /> Meyer shot several new sequences late in production about a quarter of the film’s runtime either to replace footage lost by a photo lab or because an actress left the shoot early the reason is disputed. The new sequences unrelated to the original ones give the film an almost surreal quality leading Roger Ebert to call it “possibly the only narrative film ever made without a narrative.â€<br /> <br /> The film was one of the most successful of Meyer’s career leading him to return to and refine this style in subsequent films peaking with Beneath the Valley of the Ultra-Vixens in 1979.<br /> <br /> 47 x 63 inches folded as issued. Near Fine. Eve Productions unknown
Référence libraire : 139236
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Russ Meyer (director, producer); Robert Rudelson (screenwriter); Erica Gavin, Garth Pillsbury, Harrison Page, Jon Evans (starrin
Vixen Two original photographs from the 1968 film
California: Eve Productions 1968. Two vintage black-and-white still photographs from the 1968 film. Seen in the stills is Erica Gavin Vixen and Jon Evans Judd and a split image with Erica Gavin and Harrison Page Niles the duo responsible for the film's thick racial tensions. <br /> <br /> "Vixen!" was one of Meyer's best sleaziest and most commercially successful films made at the peak of his independent productions after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970. What is less well known is that this film by way of Ms. Gavin marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. <br /> <br /> Gavin's titular character is a married woman whose sexual boundaries are none but instead of being a typical sex romp the film heads off into areas that can be reasonably described as unexplored by sexploitation films including communism race relations political debate and terrorist activity. But also present in the film are many of the genre's more familiar themes breast size incest nonstop sexual activity and a generous dose of humor. <br /> <br /> 8 x 10 inches. One still with a faint tape ghost and two short tears else Near Fine overall. Eve Productions unknown
Référence libraire : 139327
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Albert S. Rogell (director); Jonathan Latimer (novel); Edmund L. Hartmann (screenwriter); Preston Foster, Frank Jenks, Joyce Com
The Last Warning Two original keybook photographs from the 1938 film
Universal City CA: Universal Pictures 1938. Two vintage black-and-white keybook photographs from the 1938. Mimeo snipes affixed to the versos. <br /> <br /> Based on Latimer's Bill Crane and Doc Williams characters from his books "Headed for a Hearse" "The Lady in the Morgue" "Murder in the Madhouse" "The Dead Don't Care" and "Red Gardenias." The last of three Bill Crane films the first two being "The Westland Case" 1937 and "The Lady in the Morgue" 1938. Here Bill Crane Foster visits a country estate where the occupants have been receiving threatening letters from someone called "The Eye."<br /> <br /> 8 x 10 inches. Very Good plus waviness and faint tape residue on the rectos. Universal Pictures unknown
Référence libraire : 139377
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Russ Meyer (director, producer); Robert Rudelson (screenwriter); Erica Gavin, Garth Pillsbury, Harrison Page, Jon Evans (starrin
Vixen Original British photograph from the 1968 film
Middlesex England: Eve Productions Cinecenta 1969. Vintage black-and-white double weight British still photograph from the 1968 US film. Rubber stamp on the verso of COLTMAN DISPLAYS LTD a distributor in Middlesex England. <br /> <br /> "Vixen!" was one of Meyer's best sleaziest and most commercially successful films made at the peak of his independent productions after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970. What is less well known is that this film by way of Ms. Gavin marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. <br /> <br /> Gavin's titular character is a married woman whose sexual boundaries are none but instead of being a typical sex romp the film heads off into areas that can be reasonably described as unexplored by sexploitation films including communism race relations political debate and terrorist activity. But also present in the film are many of the genre's more familiar themes breast size incest nonstop sexual activity and a generous dose of humor. <br /> <br /> 8 x 10 inches. Very Good plus with edge creasing and a single short tear. Eve Productions Cinecenta unknown
Référence libraire : 139328
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William Friedkin (director); Ernest Tidyman (screenwriter); Robin Moore (novel); Philip D'Antoni (producer); Gene Hackman, Roy S
The French Connection Original screenplay for the 1971 film
Los Angeles: Twentieth Century-Fox 1971. Revised Draft script for the 1971 film. Produced for use on location in New York City in March and April 1971 when shooting for the film commenced there. <br /> <br /> William Friedkin made his name with this gritty adaptation of Robin Moore's 1969 nonfiction account of east coast drug trafficking and its impact on New York City undercover police officers. Perhaps the greatest of the many 1970s crime films that were shot on location in New York City with glorious period detail in nearly every frame. <br /> <br /> The screenplay was written by author Ernest Tidyman one year after the publication of his seminal Harlem-based crime novel "Shaft." Winner of five Academy Awards including Best Picture Best Director Best Screenplay and Best Actor Hackman along with three additional nominations. <br /> <br /> Tan titled wrappers noted as FRIEDKIN DRAFT and REVISED on the front wrapper in manuscript pencil dated 3/23/71 and 4/26/71 in manuscript pencil. Title page not present. Last leaf of text unnumbered. Xerographic duplication with photocopied punch holes and a few revision pages throughout dated variously between 4/26/71 and 3/23/71. Pages and wrapper about Near Fine bound with three gold brads. <br /> <br /> National Film Registry. Grant US. Penzler 101. Spicer US Neo-Noir. Twentieth Century-Fox unknown
Référence libraire : 137936
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Robert [Bob] Willoughby (photographer); Henry Koster (director); Joseph Fields (screenwriter, play); Oscar Hammerstein II (play)
Flower Drum Song Original double weight photograph from the 1961 film
Universal City CA: Universal Pictures 1961. Vintage oversize double weight borderless still photograph from the 1961 musical film based on both the 1958 Rodgers and Hammerstein musical and the 1957 novel by C.Y. Lee. Nominated for five Academy Awards. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp on the verso. Full provenance available. <br /> <br /> After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br /> <br /> 13.5 x 9.5 inches. Near Fine with a shallow diagonal crease to one corner. <br /> <br /> Hirschhorn p. 373. Universal Pictures unknown
Référence libraire : 139506
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Robert [Bob] Willoughby (photographer); Jack Lemmon (director); John Paxton (screenwriter); Katharine Topkins (novel); Walter Ma
Kotch Original double weight photograph from the 1971 film
Burbank CA: American Broadcasting Company ABC 1971. Vintage oversize double weight borderless still photograph of Walter Matthau and a fetching Deborah Winters from the 1971 film based on the 1965 novel by Katharine Topkins. Nominated four Academy Awards including a Best Actor nod for Matthau starring in his friend Jack Lemmon's first and only directorial effort. Although not indicated shot struck and mounted by the film's still photographer Bob Willoughby. Full provenance available. <br /> <br /> After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br /> <br /> 9.25 x 13.5. Fine. American Broadcasting Company [ABC] unknown
Référence libraire : 139538
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Robert [Bob] Willoughby (photographer); Blake Edwards (director, screenwriter); Evelyn Anthony (novel); Julie Andrews, Omar Shar
The Tamarind Seed Original double weight photograph from the 1974 film
Los Angeles: Embassy Pictures 1974. Vintage oversize double weight borderless still photograph from the 1974 film based on the 1971 novel by Evelyn Anthony. Shot struck and mounted by the film's still photographer Bob Willoughby with manuscript notation on the verso in his hand. Full provenance available. <br /> <br /> After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br /> <br /> 11 x 14 inches. Near Fine. Embassy Pictures unknown
Référence libraire : 139505
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Robert [Bob] Willoughby (photographer); Bernard Girard (director, screenwriter); Andrew Lytle (novel); Robert Culp, Samantha Egg
A Name for Evil Original double weight photograph from the 1973 film
Boca Raton FL: Penthouse 1973. Vintage oversize double weight borderless still photograph from the 1973 film based on the 1947 novel by Andrew Lytle. Shot struck and mounted by the film's still photographer Bob Willoughby with a manuscript notation in his hand on the verso. Full provenance available. <br /> <br /> Culp and Eggar romp in a bed that is the middle of the woods for some reason while the haunted house that will exert a corrupting influence on the couple looms in the background. An image that does not appear in the so-bad-its-nearly-avant garde film but one that nevertheless captures its aura of surreal eroticism quite well. <br /> <br /> Set in the countryside of Southern California shot on location in British Columbia Indian Arm and Vancouver. <br /> <br /> After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br /> <br /> 13.25 x 9 inches. Fine. <br /> <br /> Thrower Nightmare USA. Penthouse unknown
Référence libraire : 139507
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Robert [Bob] Willoughby (photographer); Bruce Malmuth (director); David Shaber (screenwriter); Sylvester Stallone, Billy Dee Wil
Nighthawks Original double weight photograph from the 1981 film
Universal City CA: Universal Pictures 1981. Vintage oversize double weight borderless still photograph from the 1981 film. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp on the verso.<br /> <br /> After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br /> <br /> 13.25 x 9.25 inches. Near Fine. Universal Pictures unknown
Référence libraire : 139508
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Robert [Bob] Willoughby (photographer); Otto Preminger (director); Arthur Laurents (screenwriter); Francoise Sagan (novel), Debo
Bonjour Tristesse Original oversize double weight photograph from the set of the 1958 film
Culver City CA: Columbia Pictures 1958. Vintage oversize double weight borderless still photograph from the 1958 film of a stone faced David Niven and smiling Deborah Kerr water skiiing on a break from filming on the French Riviera. Based on the 1954 novel by Francoise Sagan. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp and a lengthily manuscript description of the scene on the verso. Full provenance available. <br /> <br /> After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br /> <br /> 14 x 9.5. Near Fine with light edgewear. Columbia Pictures unknown
Référence libraire : 139533
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Lamont Johnson (director); Eric Bercovici (screenwriter); Danny Thomas (host); Van Heflin (starring)
The Danny Thomas Hour: Fear is the Chain Original teleplay script for the 1968 television episode Van Heflin's working copy
Burbank CA: National Broadcasting Company NBC 1967. Final Draft script for episode 19 of the 1967-1968 television anthology show. Actor Van Heflin's copy with the name of his character in manuscript ink on the front wrapper and manuscript annotations on nearly every page. <br /> <br /> "The Danny Thomas Hour" ran for one season on NBC as an anthology show with Thomas presenting dramas comedies and musical variety shows. In "Fear the Chain" Van Heflin plays a deserter from the German army trying to reach Switzerland. <br /> <br /> Goldenrod titled wrappers with annotations in manuscript ink and pencil. Title page present dated April 20 1967 noted as Final Draft with credit for screenwriter Bercovici. 66 leaves mechanical duplication with blue and goldenrod revision pages throughout dated variously between 5-18-67 and 5-29-67. Pages Near Fine wrapper Near Fine bound with two gold brads. National Broadcasting Company [NBC] unknown
Référence libraire : 130772
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John Llewellyn Moxey (director); Peter S. Fischer (screenwriter), Michael Cole, Van Heflin, Ed Asner (starring)
The Last Child The Day They Took the Babies Away Original screenplay for the 1971 television movie actor Van Heflin's working copy
Burbank CA: American Broadcasting Company ABC 1971. Draft script for the 1971 television movie here under the working title "The Day They Took the Babies Away." Actor Van Heflin's working copy with his manuscript annotations throughout. <br /> <br /> A film produced for ABC's now-legendary "Movie of the Week" series. A pregnant woman goes on the run in a dystopian future where having children is outlawed due to overpopulation. <br /> <br /> Goldenrod titled wrappers noted as Revised on the front wrapper dated 2-1-71. Title page present dated January 26 1971 with credit for screenwriter Fischer. 122 leaves on green stock mimeograph duplication with goldenrod light orange yellow and blue revision pages throughout dated variously between 1-29-71 and 2-12-71. Pages Near Fine wrapper Near Fine bound with two gold brads. American Broadcasting Company [ABC] unknown
Référence libraire : 130851
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Franklin Schaffner (director); Reginald Rose (screenwriter); Van Heflin, Charles Bronson (starring)
Playhouse 90: The Cruel Day Original teleplay script for the 1960 television episode Van Heflin's working copy
Los Angeles: Columbia Broadcasting System CBS 1960. Draft script for Season Four episode Eleven of the anthology drama show "Playhouse 90" which aired on February 24 1960. Actor Van Heflin's working copy with his manuscript name on the first page and manuscript annotations throughout. Also included are two rehearsal schedules for the production. <br /> <br /> "Playhouse 90" ran from 1956 to 1960 on CBS presenting 90 television movies rather than the standard 60-minute format of most dramas. The program won nine Emmy Awards during it's run including one for Best Drama in its final 1960 season. <br /> <br /> Script is as issued with pages un-punched and without wrappers. Title page present dated 2-6-60 with credits for screenwriter Rose and director Schaffner. 122 leaves mimeograph duplication with pink and white revision pages throughout dated variously between 2-9-60 and 2-10-60. Pages Fine unbound. <br /> <br /> Rehearsal Schedules: 2 leaves each one on pink stock and a Call Sheet with annotations. Fine. Columbia Broadcasting System [CBS] unknown
Référence libraire : 130773
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Jack Nicholson (director, screenwriter); Jeremy Larner (novel, screenwriter); Terence Malick (uncredited screenwriter); William
Drive He Said Original Australian poster for the 1971 film
Culver City CA: Columbia Pictures 1971. Vintage Australian insert poster for the 1971 US film. Printed by Robert Burton Pty. in Sydney. <br /> <br /> Based on screenwriter Larner's 1964 novel. Nominated for the Palme d'Or and a key film in the BBS Productions cycle of the early 1970s as well as a New Hollywood film albeit lesser-known. Hector Tepper plays college basketball superbly but his lover Olive Black has reservations about their relationship. All the while Hector's friend Gabriel Margotta contemplates and protests the Vietnam War. <br /> <br /> Nicholson's directorial debut after astonishing performances in "Easy Rider" 1969 and "Five Easy Pieces" 1970. <br /> <br /> Shot on location at the University of Oregon and throughout the state. <br /> <br /> 12.75 x 30 inches folded twice as issued. Very Good plus with light toning brief edge creasing and a few central tears. Scarce. <br /> <br /> Criterion Collection 547. Columbia Pictures unknown
Référence libraire : 139058
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Jim Davis, Lyn Thomas, Ted de Corsia, Barton MacLane (starring); Edward L. Cahn (director); Robert E. Kent (screenwriter)
Noose for a Gunman Original photograph of Jim Davis from the 1960 film
Beverly Hills CA: United Artists 1960. Vintage black-and-white studio still photograph from the 1960 film. <br /> <br /> Case Britton Davis is a gunslinger and wanted man on his way to get married stop a robbery and to avenge the death of his brother. <br /> <br /> Shot on location at the famed Iverson Ranch in Los Angeles. <br /> <br /> 8 x 10 inches. A few brief creases else Near Fine. United Artists unknown
Référence libraire : 138963
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Waris Hussein (director); Ian Thorne (screenwriter); Keith Mitchell, Donald Pleasence, Charlotte Rampling, Jane Asher (starring)
Henry VIII and His Six Wives Original British poster for the 1972 film
London: Anglo-EMI 1972. Original British quad poster for the 1972 UK film. Printed in England by Lonsdale & Bartholomew. <br /> <br /> Film adaptation of the 1970 six-part television miniseries "The Six Wives of Henry VIII." <br /> King Henry VIII Mitchell reminisces about his past marriages and their demise. Henry's wives were Catherine Parr Barbara Leigh-Hunt Catherine Howard Lynne Frederick Anne of Cleves Jenny Bos Jane Seymour Asher Anne Boleyn Rampling and Catherine of Aragon Frances Cuka. <br /> <br /> Shot on location in Spain and Turkey. <br /> <br /> 30 x 40 inches folded as issued. Light fold stress else Near Fine. Scarce. Anglo-EMI unknown
Référence libraire : 139070
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Norbert Carbonnaux (director, screenwriter); Albert Simonin (screenwriter); Voltaire (novel); Jean-Pierre Cassel, Pierre Brasseu
Candide Candide ou l'optimisme au XXe siecle Original French poster for the 1960 film
Paris: Societe Nouvelle Pathe Cinema 1960. Original French petite small poster for the 1960 film. <br /> <br /> Set during WWII Candide Cassell is an orphaned Westphalian who falls in love with the baron's daughter Cunegonde Lavi and is thrown out of the house when the baron discovers them kissing. Candide is drafted and captured by the Nazis but escapes and joins the International Red Cross. His improbable adventures take himto the revolutions of South America the tribes of Borneo Moscow and to racially charged New York. <br /> <br /> 16 x 27 inches folded once as issued. Good with edge tears creases and chips light foxing. Scarce. Societe Nouvelle Pathe Cinema unknown
Référence libraire : 139082
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Jeff Bleckner (director); James Sadwith (screenwriter); Ken Olin, Mariska Hargitay, and Holt McCallany (starring)
The Advocate's Devil Original screenplay for the 1997 television movie
Burbank CA: American Broadcasting Company ABC 1997. Revised Draft script for the 1997 television movie. Based on the 1994 novel "The Advocate's Devil" by Alan Dershowitz. <br /> <br /> A film whose message regarding the nature of sexual assault remains potent and relevant "The Advocate's Devil" follows an attorney who successfully helps a young athlete shake rape charges that have been brought against him. Unfortunately he later uncovers troubling evidence about his ex-client that has both personal and professional ramifications. <br /> <br /> Set in San Francisco shot on location in Vancouver Canada. <br /> <br /> Green untitled wrappers. Title page present with credits for director Jeff Bleckner executive producer Elon Dershowits and producer Karen Moore. 123 leaves with last page of text numbered 119. Xerographically duplicated first generation copy with no copied punch holes with goldenrod and green revision pages throughout dated variously between 05/22/97 and 05/28/97. Pages Fine wrapper Fine bound with two gold brads. American Broadcasting Company [ABC] unknown
Référence libraire : 139060
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Ingmar Bergman (director); Ulla Isaksson (screenwriter); Max von Sydow, Birgitta Valberg, Gunnel Lindblom (starring)
The Virgin Spring Original program for the 1960 film
Stockholm: Svensk Filmindustri 1960. Vintage international program for the English language release of the 1960 Swedish film by Ingmar Bergman printed by Svensk Filmindustri in Sweden. Adapted from the thirteenth century Swedish ballad "Tores dottrar i Wange." Photo illustrated throughout. <br /> <br /> Winner of the Academy Award for Best Foreign Language Film and nominated for the Palme d'Or with director Bergman receiving a Special Mention at Cannes. <br /> <br /> 6.5 x 9.5 inches. 18 pages. Near Fine in lightly rubbed saddle stapled wrappers. Svensk Filmindustri unknown
Référence libraire : 138553
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Curtis Hanson (director); Michael Chabon (novel); Steve Kloves (screenwriter); Michael Douglas, Tobey Maguire, Frances McDormand
Wonder Boys Original screenplay for the 2000 film
Hollywood: Paramount Pictures 1997. Master Draft script for the 2000 film preceding the film's release by three years. Notations on the front wrapper in manuscript pencil. <br /> <br /> Based on Chabon's 1995 novel. Professor Grady Tripp Douglas teaches creative writing in Pittsburgh struggles writing his second novel and smokes marijuana in his free time. His wife has left him and he is having an affair with the Chancellor of the university McDormand. Grady's editor Downey Jr. inquires about the novel but becomes interested in a book by one of Grady's students Maguire as well as having other more intimate intentions. <br /> <br /> Shot on location throughout Pennsylvania. Bob Dylan won an Academy Award for his original song "Things Have Changed" and the film was nominated for two more. <br /> <br /> Blue wrappers noted as MASTER W/ SCENE NUMBERS on the front wrapper. Title page present dated December 1997 with credits for novelist Chabon and screenwriter Kloves. 129 leaves with last page of text numbered 128. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with two gold brads. Paramount Pictures unknown
Référence libraire : 138625
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Harry Keller (director); Lawrence Roman (screenwriter); Fred MacMurray, Joan Weldon, John Ericson, Robert Middleton (starring)
Day of the Badman Day of the Bad Man Original photograph from the 1958 film
Universal City CA: Unviersal International Pictures 1957. Vintage black-and-white studio still photograph from the 1957 film featuring Lee Van Cleef Ann Doran and Skip Homeier. Mimeo snipe affixed to the verso. <br /> <br /> Judge Jim Scott MacMurray contends with the relatives of a sentenced murder and with his unfaithful wife.<br /> <br /> 8 x 10 inches. About Near Fine. <br /> <br /> Pitts 979. Unviersal International Pictures unknown
Référence libraire : 138536
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Julien Duvivier (director, screenwriter); James Hadley Chase (novel); Rene Barjavel (screenwriter); Fernandel, Jacques Duby, Jea
The Man in the Raincoat l'homme a l'impermeable Original poster for the 1957 film
Paris: Cocinor 1957. Vintage French Moyenne or Affiche Moyenne poster for the 1957 French-Italian film "The Man in the Raincoat" here under the French title "l'homme a l'impermeable." Printed in brilliant color by the French illustration company Bobigny with artwork by the prolific Jean Mascii. Notation in manuscript ink on the verso. <br /> <br /> Based on James Hadley Chase's 1954 novel "Tiger by the Tail." In a case of mistaken identity a lonely clarinet player named Albert Fernandel is appointed to see a call girl Magre. While he waits in her living room the girl is murdered and someone is seen leaving the scene of the crime in a raincoat. Albert is then followed by blackmail and professional killers. <br /> <br /> 23.5 x 31 folded. Very Good with tears and chips. Cocinor unknown
Référence libraire : 138492
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EG. Valens (novel); Larry Peerce (director); Douglas Day Stewart (screenwriter); Marilyn Hassett, Timothy Bottoms, Belinda Montg
The Other Side of the Mountain Part 2 Original screenplay for the 1978 film
Universal City CA: Universal Pictures 1977. Final Draft script for the 1978 film. <br /> <br /> A sequel to The Other Side of the Mountain. Jill returns to her home in California with her mother where she sparks a romance with one of the locals. <br /> <br /> Set in Bishop California shot on location in Bishop California and Victoria British Columbia. <br /> <br /> Red titled wrappers noted as Final Draft on the front wrapper production No. 00460 and sticker indicating copy No. II dated May 3 1977. Title page present noted as Final Draft with credits for screenwriter Douglas Day Stewart and skier Jill Kinmont. 126 leaves with last page of text numbered 130. Xerographic duplication rectos only with blue and yellow revision pages throughout dated variously between 5/17/77 and 5/18/77. Pages Near Fine wrapper Near Fine bound with two gold brads. Universal Pictures unknown
Référence libraire : 138667
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Anatole Litvak (director, producer); Francoise Sagan (novel); Raymond Voinquel (photographer); Samuel A. Taylor (screenwriter);
Goodbye Again Aimez-Vous Brahms Original photograph from the 1961 film
Beverly Hills CA: United Artists 1961. Vintage borderless black-and-white still photograph from the French release of the 1961 film. Featuring Ingrid Bergman holding up Anthony Perkins as he seems to be falling backwards outside of a large doorway. From the Tele Cine Documentation archive originally known as the Collection Daniel Bouteiller with their sticker to the verso. Also on the verso is the rubber stamp of Maurice Bessy from whose archives the photo originally came alongside another small rubber stamp and light manuscript annotations in ink. <br /> <br /> Based on the 1959 novel "Aimez-vous Brahms" by Francoise Sagan. Ingrid Bergman is the mistress of a philandering business executive who refuses to change his ways until Bergman begins seeing the son of one of his wealthy clients played by Anthony Perkins. Fresh from his role as Norman Bates in Hitchcock's "Psycho" Perkins shines as a charming aimless bachelor in what would be one of the few non-typecast characters of his career. Nominated for the Palme d'Or at Cannes where Anthony Perkins also won Best Actor. <br /> <br /> 6.75 x 9 inches. United Artists unknown
Référence libraire : 138761
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Claude Autant-Lara (director); Alfred Adam (play); Jean Aurenche (screenwriter); Odette Joyeux, Pierre Larquey (starring)
Sylvie et le fantome Sylvia and the Phantom Sylvia and the Ghost Original Program for the 1946 French film
Paris: Ecran Francais 1946. Original program for the 1946 French film based on the play by Alfred Adam. <br /> <br /> On the eve of his daughter's 16th birthday a father hires a man to dress as the ghost of the figure in her favorite painting which he just sold. Two suitors also dress as ghosts to vie for her attention. All this commotion causes the real ghost to appear in order to help Sylvie sort everything out. <br /> <br /> 12.25 x 9.5 inches. Saddle stapled. Near Fine with cello tape reinforcements to the staples. Ecran Francais unknown
Référence libraire : 138606
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Ken Hughes (director); Ruth Avergon (screenwriter); Leonard Mann, Rachel Ward, Drew Snyder, Joseph R. Sicari (starring)
Night School Terror Eyes Original British poster for the 1981 film
Nottingham UK: Lorimar / Rank Film Distributors 1981. Original British quad poster for the 1981 US film "Night School" here under the British title "Terror Eyes." Printed in England by Lonsdale and Bartholomew. <br /> <br /> Slasher film set at an all-girl night school complete with decapitations set in Boston. Director Hughes' final film one of the 33 non-prosecuted "Video Nasty" titles a selection of censored and banned films during the 1980s in the United Kingdom. <br /> <br /> 30 x 40 inches folded as issued. A few central pinholes and faint toning else Near Fine. Lorimar / Rank Film Distributors unknown
Référence libraire : 139005
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Jacques Poitrenaud (director, screenwriter); Albert Cossery, Maria Suire (screenwriters); Michel Simon, Marie Dubois, Yves Lefeb
The Marriage Came Tumbling Down Ce sacre grand-pere Original French poster for the 1968 film
Paris: Champs-Elysees Productions 1968. Original French grande poster for the 1968 film. <br /> <br /> Based on Catherine Paysan's 1964 novel "Je M'appelle Jericho." Jericho Simon is an old man in the midst of a split with his partner and whose kids are along for the ride as he rekindles his love with a past girlfriend. <br /> <br /> 47 x 63 inches folded as issued. A few central tears faint toning else about Near Fine. Champs-Elysees Productions unknown
Référence libraire : 139010
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Harald Reinl (director); Manfred Barthel (screenwriter); William Shatner, Robert Charroux, Jean Dizon, Max H. Flindt (starring)
Mysteries of the Gods Les extra-terrestres Original French poster for the 1976 film
Germany: R.v. Hirschberg / Rudolf Kalmowicz Filmproduktion 1977. Original French grande poster for the 1976 West German film. Cool spaceship artwork by Landi. <br /> <br /> Based on Erich von Daniken's 1968 book "Chariots of the Gods" a look at early human history and the possibility of extraterrestrial influences. Sequel to Reinl's previous alien documentary "Chariots of the Gods" 1970 a film that was edited and dubbed in English and narrated by Rod Serling. This time Shatner narrates. The film was edited and dubbed in English directed and written then by Charles Romine. NASA representatives make their opinions known and various other "enthusiasts" perk Shatner's genuine intrigue. <br /> <br /> 47 x 63 inches folded as issued. Very Good with several tears some with cello tape repairs on the verso and creases. Scarce. R.v. Hirschberg / Rudolf Kalmowicz Filmproduktion unknown
Référence libraire : 139038
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Nathanael [Nathaniel] West (novel); Waldo Salt (screenwriter); John Schlesinger (director); Donald Sutherland, Karen Black, Burg
The Day of the Locust Original British poster for the 1975 film
Hollywood: Paramount Pictures 1975. Original British quad poster for the 1975 US film. Printed in England by Leonard Ripley. <br /> <br /> One of the most haunting and truly underrated films of the 1970s Schlesinger's "The Day of the Locust" translates Nathanael West's masterpiece into a dark funny and ultimately devastating commentary on the Hollywood system and its effect on the lives and dreams of an array of characters lost in it. Since its release the film has come to be considered by many Donald Sutherland's finest performance as well as a grand achievement in terms of script cinematography acting and design. Nominated for two Academy Awards. <br /> <br /> 30 x 40 inches folded as issued. Very Good plus with staple holes to the top edge and a notation in manuscript ink on the verso. Paramount Pictures unknown
Référence libraire : 139041
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Mel Brooks (director, screenwriter, producer, starring); Madeline Kahn, Dom DeLuise, Harvey Korman, Cloris Leachman (starring)
History of the World: Part I Original British poster for the 1981 film
London: Twentieth Century-Fox 1981. Original British "bus stop" poster for the 1981 US film. Printed in England by Lonsdale & Bartholomew. <br /> <br /> An ambitious sprawling historical farce made by Mel Brooks in the heat of his success as a film director. Brooks plays Moses Tomas de Torquemada King Louis XVI and Jacques "Jacques le garcon de pisse." Part I begins of course with the Dawn of Man and covers The Old Testament The Roman Empire The Spanish Inquisition and The French Revolution ending with a "preview" of Part II never made in keeping with Sir Walter Raleigh who was beheaded before he could write his Part II. The preview includes Hitler on Ice a Viking funeral and "Jews in Space."<br /> <br /> 40 x 60 inchesfolded folded as issued. Faint foxing and brief annotations in ink and pencil to the verso light creasing else Near Fine. Twentieth Century-Fox unknown
Référence libraire : 139023
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Jean-Marc Thibault (director, screenwriter, starring); Roger Pierre (screenwriter, starring); Michele Girardon, Claude Bessy (st
Vive les vacances Original French poster for the 1958 film
Paris: Societe Nouvelle Pathe Cinema 1958. Original French petite small poster for the 1958 film. Nice pinup artwork by the prolific Pierre-Laurent Brenot. <br /> <br /> Romantic romp about two car mechanics on vacation but their vacation takes a turn for the worse when they are stranded on a yacht. <br /> <br /> 16 x 27 inches folded once as issued. Very Good with edge tears and creases and one central tear. Uncommon. Societe Nouvelle Pathe Cinema unknown
Référence libraire : 139035
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Philippe de Broca (director, screenwriter); Daniel Boulanger, Charles Spaak (screenwriters); Jean-Paul Belmondo, Claudia Cardina
Cartouche Original photograph of Pierre Repp from the 1962 film
Paris: Filmsonor 1962. Vintage black-and-white still photograph from the 1962 French-Italian film. Featuring French actor and comedian Pierre Repp on the set mounted on a Boxer. Printed on Agfa-Brovira paper. <br /> <br /> Repp 1909-1986 was a French film actor and comedian noted for his stuttering speech and particularly popular in Parisian music halls and cabaret. Notable film credits include "Hello Smile!" 1956 Truffaut's "The 400 Blows" 1959 Giono's "Croesus" 1960 and Demy's "Donkey Skin" 1970. <br /> <br /> 7 x 9.25 inches. Small bruise to one edge else Near Fine. Filmsonor unknown
Référence libraire : 139027
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Stanley Kramer (director); Milan Stitt (screenwriter); Dick Van Dyke, Kathleen Quinlan, Maureen Stapleton, Ray Bolger (starring)
The Runner Stumbles Original screenplay for the 1979 film
Beverly Hills CA: Mel Simon Productions 1978. First Draft script for the 1979 film. <br /> <br /> Father Brian Dyke is a priest in a depressing mining town until one day a new Sister Rita Quinlan joins his parish and changes his perception of life. She is trusting and kind and listens to Father Brian but their relationship takes a turn for the worse landing Father Brian in the role of suspect. <br /> <br /> Blue production company Mel Simon Productions wrappers. Title page present dated May 10 1978 noted as FIRST DRAFT with credits for screenwriter Stitt and director Kramer. Last leaf of text numbered 129. Xerographic duplication with photocopied punch holes. Pages and wrapper Near Fine bound internally with two gold brads. Mel Simon Productions unknown
Référence libraire : 138126
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Arthur Penn (director); Steve Tesich (screenwriter); Craig Wasson, Jodi Thelen, Michael Huddleston, Jim Metzler (starring)
Four Friends Original screenplay for the 1981 film
New York: Filmways Pictures 1980. Revised Draft script for the 1981 film. Included is a second script a revised draft in wrappers containing the latest revisions and two shooting schedules one detailing shooting dates beginning Week Three and one detailing dates beginning about Week Nine. Notations throughout both scripts in manuscript ink and pencil. <br /> <br /> Based on screenwriter Tesich's own coming-of-age in Indiana in the 1960s. Danilo Wason Georgia Thelen David Huddleston and Tom Metzler are four friends growing up in a 1960s industrial town. Told through a series of vignettes in the eyes of Danilo the film chronicles each friend as they come to accept that their lives may have become something they never thought possible. <br /> <br /> Shot on location in Indiana Illinois and Pennsylvania. One of director Penn's final and lesser known films after "The Missouri Breaks" 1976 and before "Target" 1985. <br /> <br /> First script without wrappers or title page a rainbow copy with several sets of revision pages pink yellow goldenrod blue gray green dated variously between 7/7/80 and 8/29/80. Second script in blue Studio Duplicating Service wrappers with no title page a revised draft dated 8/29/80 throughout. Shooting schedules corner-stapled. All items Very Good plus overall. Filmways Pictures unknown
Référence libraire : 138127
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Martha Chapin (screenwriter)
The Sailor and the Girl Original treatment script for an unproduced film
N.p.: N.p. 1943. Typescript treatment script for an unproduced film called "The Sailor and the Girl" written by Martha Chapin whose notable film credits include "Gambling with Souls" 1936 "Slaves in Bondage" 1937 and "Lightning Strikes West" 1940. Typeovers on a few pages. <br /> <br /> Set in New York during World War II with a touch of hard-boiled attitude the story follows Bill Jones an American sailor with shore leave in New York where he meets Carol a footloose woman with dark secrets involving theft and petty crime. <br /> <br /> Blue titled wrappers noted as Treatment on the front wrapper dated January 6 1943 and 6/9/43 with credit for screenwriter Chapin. 44 leaves with last leaf of text numbered 44. Carbon typescript on onionskin stock. Pages and wrapper Near Fine bound with two small gold brads. N.p. unknown
Référence libraire : 129155
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Milos Forman (director, screenwriter); Jaroslav Papousek, Ivan Passer, Vaclav Sasek (screenwriters); Hana Brejchova, Vladimir Pu
The Loves of a Blonde Lasky jedne plavovlasky Original program for the 1965 film
Prague: Filmove studio Barrandov 1965. Original program for the 1965 film with text in both French and English made for the international release of the film. Illustrated throughout with images from the film and line drawings. <br /> <br /> One of the best known films from the Czechoslovak New Wave nominated for a Best Foreign Language Film Oscar and bringing Forman to international attention. <br /> <br /> 11.25 x 8.25 inches 6 pages saddle stapled in self wrappers. Near Fine. <br /> <br /> Criterion Collection 144. Second Run 54. Filmove studio Barrandov unknown
Référence libraire : 138325
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Hugo Fregonese (director); Lawrence Kimble (screenwriter); James Mason, Marta Toren, Dan Duryea, Basil Ruysdael (starring)
One Way Street Two original post-production scripts for the 1950 film
Universal City CA: Universal Pictures 1950. Two post-production Continuity and Dialogue scripts for the 1950 film. Included are a script for the feature dated March 15 1950 and a script for the film's trailer dated March 20 1950. <br /> <br /> In this key film noir James Mason reprises in spirit his role from the British film noir "Odd Man Out" made three years before as a criminal who steals from the mob and is forced to go on the lam with mob boss Dan Duryea in no mood for forgiveness. <br /> <br /> The first American film to be directed by Argentinian import Hugo Fregonese. The AFI Catalog notes that Mexican Vice Consul Ernesto Romero acted as technical advisor and according to studio production notes an entire Mexican village was built on the Universal-International lot. Rodolfo Acosta Emma Roldan and Margarito Luna were all Mexican actors. Finally popular character actor James Best made his debut in "One-Way Street" appearing briefly in an uncredited role as a "Driver."<br /> <br /> Titled wrappers dated March 15 1950 and March 20 1950 both rubber-stamped 7684 with credits for actors Mason Toren Duryea Ruysdael Conrad Acosta Donovan and Espinoza as well as director Fregonese. Feature script noting nine reels 116 leaves; trailer script comprised of 7 leaves. Mimeograph on white stock. Feature script bound at the top with two silver brads; trailer script with punch holes top-stapled. Near Fine overall. <br /> <br /> Grant US. Selby Canon US. Silver Classic Noir. Spicer US. Universal Pictures unknown
Référence libraire : 138397
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Louis Malle (director); Jeffrey Alan Fiskin (screenwriter); Sean Penn, Donald Sutherland (starring)
Crackers Original screenplay for the 1984 film
Universal City CA: Universal Pictures 1982. First Draft script for the 1984 film dated two years prior to the film's release. <br /> <br /> A remake of Mario Monicelli's "Pigeon" set on location in San Francisco a comedy about the completely disorganized heist of a pawn shop. With a stellar cast including Jack Warden Donald Sutherland and a young Sean Penn. <br /> <br /> Gray titled wrappers noted as SECOND DRAFT SCREENPLAY on the front wrapper rubber-stamped copy number dated September 30 1982. Title page present dated September 30 1982 with credits for producer Edward Lewis co-producer Robert F. Cortes director Louis Malle and screenwriter Jeffrey Alan Fiskin. 133 leaves with last page of text numbered 132. Mimeograph on eye-rest green stock. Pages Near Fine wrapper Near Fine bound with three gold brads. <br /> <br /> Lee The Heist Film. Universal Pictures unknown
Référence libraire : 138390
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Lincoln Demyan (screenwriter)
Stosh Original screenplay for an unproduced film
Simi Valley CA: Self published 1970. Draft script for an unproduced film circa 1970s. Written by Lincoln Demyan whose film credits as actor include episodes of "Bonanza" and "The Big Valley" "The Great Impostor" 1961 "Man's Favorite Sport" 1964 "The Brass Bottle" 1964 and "White Lightning" 1973. <br /> <br /> Set in post WWII West Virginia where Stosh and his buddies gamble on billiards games. Stosh's father is interred at a sanitarium with a black man named Catfish a friend to Stosh. The young pool hustler gets involved with the law smuggling moonshine and fist-fights with his friends. <br /> <br /> Untitled tan wrappers with a label for the Paul Kohner Agency on the front wrapper and the title page. Title page present undated noted as Registered: WGAw with a credit for Demyan. Last leaf of text numbered 123. Xerographic duplication with photocopied punch holes. Pages and wrapper Near Fine green velo binding. Self published unknown
Référence libraire : 138153
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Peter Yeldham (screenwriter)
Kiss Me Original screenplay for an unproduced film
London: Excelsior Film Productions 1970. First Draft script for an unproduced film with the tentative titles "Kiss Me" and "In Confidence Limited" written by Peter Yeldham whose notable film credits include "The Long Duel" 1967 "Age of Consent" 1969 and "The Call of the Wild" 1972. Brief notation in manuscript ink on two pages. <br /> <br /> Set in London where romance and slapstick abound featuring private detectives who are after a missing widow. <br /> <br /> Blue titled wrappers with die-cut window. Title page present undated noted as First Draft in manuscript ink with a credit for screenwriter Yeldham. 151 leaves with last page of text numbered 150. Roneograph. Pages Very Good plus wrapper detached but present bound internally with two silver brads. Excelsior Film Productions unknown
Référence libraire : 138425
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Joseph Pevney (director); Ernest K. Gann (novel, screenwriter); Rock Hudson, Cyd Charisse, Arthur Kennedy, Leif Erickson (starri
Twilight for the Gods Original screenplay for the 1958 film
Universal City CA: Universal Pictures 1957. Revised First Draft script for the 1958 film. Brief notation in manuscript pencil on the front wrapper verso. <br /> <br /> Based on the novel and written for the screen by Ernest K. Gann about a disgraced former Navy captain Hudson piloting a disparate group of passengers through a storm on a rundown schooner. <br /> <br /> Green titled wrappers dated June 13 1957 noted as REVISED FIRST DRAFT SCREENPLAY. Title page present undated noted as Revised First Draft Screenplay with a credit for screenwriter-novelist Gann. 156 leaves with last page of text numbered 151. Multilith duplication with blue revision pages throughout dated 7/11/57. Pages and wrapper Near Fine bound with three gold brads. Universal Pictures unknown
Référence libraire : 138455
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Sidney Lumet (director); Peter Shaffer (playwright, screenwriter); Richard Burton, Peter Firth, Jenny Agutter (starring)
Equus Five original photographs from the 1977 film
Beverly Hills CA: United Artists 1977. Five vintage studio still photographs from the 1977 film. Based on the Tony Award-winning 1973 play by Peter Shaffer and adapted by Shaffer for the film. Photographs have been hand-retouched adhered to a backing board and prepared for use in advertising. <br /> <br /> A haunting film in which a psychiatrist slowly loses faith in himself while doggedly attempting to aid a teen obsessed with mutilating horses. Nominated for three Academy Awards and winner of two Golden Globes for Best Actor and Best Supporting Actor. Shot on location in Toronto. <br /> <br /> Photos 8 x 10 inches on 10 x 15 inch mat board. Very Good to Near Fine. United Artists unknown
Référence libraire : 138423
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Joan Micklin Silver (director, screenwriter); Ann Beattie (novel); John Heard, Peter Riegert, Mark Metcalf (starring)
Chilly Scenes of Winter Head Over Heels Collection of 17 original photographs from the 1979 film
Beverly Hills CA: United Artists 1979. Seven vintage studio still photographs from the 1979 film. Based on the 1976 novel by Ann Beattie. Photographs have been hand-retouched adhered to a backing board and prepared for use in advertising. <br /> <br /> A stark portrait depicting the difficulty of life in the aftermath of the turbulent 1960s. The protagonist Charlie played by John Heard falls in love with the newly-separated Laura played by Mary Beth Hurt who then returns to her husband while Charlie simultaneously attempts to deal with the various members of his family. Charlie cannot seem to let go of his obsession and begins to stalk Laura in an attempt to win her back. Shot on location in Salt Lake City Utah. <br /> <br /> Released in 1979 as "Head Over Heels" as seen here it was re-released in 1982 and given a markedly more downbeat ending to a better audience reception. <br /> <br /> Photos 8 x 10 inches on 10 x 15 inch mat board with now-toned tissue overlay save one mat board with two 7 x 5 inch images. Very Good plus to Near Fine. United Artists unknown
Référence libraire : 138427
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Glenda Jackson (starring); Ken Russell (director); Barbara von Meck, Catherine Drinker Bowen (book); Melvyn Bragg (screenwriter)
The Music Lovers Original photograph of Glenda Jackson from the 1970 film
Beverly Hills CA: United Artists 1970. Vintage studio still photograph from the US release of the 1970 UK film. Featuring an image of Glenda Jackson seated looking pensive in a nightdress. Hand-retouched adhered to a backing board and prepared for use in advertising. <br /> <br /> Based on the 1937 collection of personal correspondence between Pytor Ilyich Tchaikovsky and his patron Nadezha von Meck edited by her granddaughter Barbara von Meck and Catherine Drinker Bowen. <br /> <br /> Director Ken Russell's dramatic and visually stunning depiction of composer Tchaikovsky's turbulent life where his passion for his music spills over into his personal life as well. Presented largely in flashbacks nightmares and fantasy sequences the film illustrates the true stories of his nymphomaniac wife his homosexual feelings for Count Anton Chiluvsky and his unusual relationship with his widowed patron to whom he never spoke. Shot on location in Somerset England. <br /> <br /> Photo 8 x 10 inches on 10 x 15 inch mat board. Very Good plus. United Artists unknown
Référence libraire : 138454
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Roger Corman (director); Joseph Hilton Smyth (novel); Steve Fisher (screenwriter); Robert Strauss, Steve Cochran, Celia Lovsky,
I Mobster I Mobster Original three sheet poster for the 1958 film
Los Angeles: Twentieth Century-Fox 1958. Original three-sheet poster for the 1958 US film. Based on the 1951 novel by Joseph Hilton Smyth. <br /> <br /> Mobster Joe Sante played by Steve Cochran finds himself in front of a US Senate subcommittee on racketeering and recalls his rise to power via a series of flashbacks. One of Cochran's better roles in which he navigates the nuanced character's strict moral compass as well as his ruthless gangster tendencies. A notable film also for its inclusion of Lili St. Cyr's famed "bubble bath" burlesque act. <br /> <br /> 41 x 80 inches folded in two sections as issued. Very Good plus with a handful of closed tears at the folds. A bright attractive copy. <br /> <br /> Royal Books can arrange for archival linen backing of posters. Please inquire. Twentieth Century-Fox unknown
Référence libraire : 138250
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Margaret O'Brien (starring); David Butler (director); Peter Milne (screenwriter); Walter Brennan, Charlotte Greenwood (starring)
Glory Original British front-of-house card from the 1956 film
Culver City CA: RKO Radio Pictures 1956. Vintage full-color British front-of-house card from the UK release of the 1956 US film. <br /> <br /> Margaret O'Brien plays the owner of a dud racing filly. <br /> <br /> 8 x 10 inches. Horizontal crease else Near Fine. RKO Radio Pictures unknown
Référence libraire : 135183
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