‎Scénariste‎

‎Hugo Fregonese (director); Sydney Boehm (screenwriter); Francis Cockrell (story); Herbert Ravenal Sass (screenwriter, "Affair at‎

‎The Raid Original screenplay for the 1954 film Van Heflin's working copy‎

‎Los Angeles: Twentieth Century-Fox 1953. Revised Shooting Final script for the 1954 film. Actor Van Heflin's copy. Includes a 10-page shooting schedule. <br /> <br /> Loosely based on the St. Albans Raid the northernmost land action of the American Civil War. The film took great liberties changing both the time and motivation for the raid. In the film a group of Confederate POWs escape across the US-Canada border to plan an attack on St. Albans Vermont. They send ahead of them a spy who begins to question the ethics of their mission. <br /> <br /> Goldenrod titled wrappers noted as Revised Shooting Final on the front wrapper dated December 10 1953. Distribution page present with receipt removed. Title page present dated December 10 1953 noted as Revised Shooting Final with credit for screenwriter Boehm. 116 leaves Multilith duplication with blue revision pages throughout dated variously between 12-12-53 and 1-6-54. Pages Fine wrapper Fine bound with two gold brads. <br /> <br /> Shooting Schedule: 10 leaves with annotations. Near Fine. Twentieth Century-Fox unknown‎

Référence libraire : 130748

‎Richard Attenborough (director); Charles Chilton (radio play); Ted Allan (screenwriter); Wendy Allnutt, Colin Farrell, Malcolm M‎

‎Oh What a Lovely War Original British quad poster for the 1969 film‎

‎N.p.: Accord Productions 1969. Vintage British quad poster for the 1969 British film. Based on Charles Chilton's 1961 radio play "The Long Long Trail." <br /> <br /> Richard Attenborough's debut film gives a highly satirical musical retelling of the First World War. Highlighting the disconnect between those calling the shots and the soldiers carrying out the orders Attenborough chose to depict all the military and political leaders in a lavish pierhead pavilion while the soldiers are crammed into grizzly trenches. Highly stylized the film's most poignant and notorious scene depicts a field filled with innumerable white crosses symbolizing the immense death toll of WWI. <br /> <br /> Shot on location in England. <br /> <br /> 30 x 40 inches folded. Two light manuscript pencil annotations to the verso else Near Fine. Accord Productions unknown‎

Référence libraire : 140010

‎Clive Donner (director); Elliot Baker (screenwriter); Murray Schisgal (playwright); Martin Manulis (producer); Gerry Mulligan (s‎

‎Luv Original screenplay for the 1967 film‎

‎Culver City CA: Columbia Pictures 1967. Final Draft script for the 1967 film. <br /> <br /> Based on the 1964 play by Murray Schisgal about a man who strikes up a deal with his old friend to seduce his wife so that he may spend time with his girlfriend. <br /> <br /> Shot on location in New York and Long Beach. <br /> <br /> Red titled wrappers noted as final draft on the front wrapper noted as production No. 8801 dated August 4 1966. Title page present dated August 2 1966 noted as final draft with credits for screenwriter Elliott Baker and playwright Murray Schisgal. 127 leaves with last page of text numbered 130. Mimeograph duplication on eye-rest green stock rectos only with blue and yellow revision pages throughout dated variously between August 17 1966 and October 13 1966. Pages Near Fine wrapper Near Fine bound with two gold brads. Columbia Pictures unknown‎

Référence libraire : 130313

‎Jean Faurez (director, screenwriter); Jacques Celhay (screenwriter); Raymond Bussieres (screenwriter, starring); C. Hesse, Bougu‎

‎Quai du Point-du-Jour Archive of over 200 original photographs and contact sheets from the 1960 film‎

‎France: Cinedis 1960. Archive of 207 vintage borderless single weight still photographs and contact sheets from the 1960 French film. Numerical annotations on the verso of nearly all photos in manuscript pencil several cropped contact sheets mounted on larger sheets. Housed in a vintage French Kodak brand photo paper box with most contact sheets in a two-ring binder similar to keybook photos. Also included is a press folder from the Cinedis agency in Paris with star biographies film credits and scenario on Cinedis parchment. <br /> <br /> Seen in the images is starring actor and screenwriter Buissieres including a large portrait actress Carrel several seductive in nature with shots of director Faurez and the film crew in action and images of composer Georges Van Parys and singer Colette Renard famous for her "Irma La Douce" musical roles presumably working on the film soundtrack. Several images in the contact sheets show scenes from the film taking place in an automobile repair shop directed scenes from high on a crane and candid photos of the starring performers. A few of the contact sheets bear credits for the Laboratoire Tele-Photo film title client Cinedis and photographer. ` <br /> <br /> Little known gangster drama about a woman and her child caught in the downward spiral of prostitution. <br /> <br /> Photos vary in size from 3 x 4.5 inches to 9.25 x 11.75 inches with most being smaller. Very Good plus overall photos with moderate curling and photo box Very Good plus. Cinedis unknown‎

Référence libraire : 140390

‎Derwin Abrahams (director); Herbert Purdum (screenwriter); Charles McGraw (starring)‎

‎Adventures of the Falcon: The Case of the Deadly Welcome Original screenplay for the 1954 television episode‎

‎N.p.: Federal Telefilms 1954. Draft script for Season One Episode 14 of the 1954-1956 television show which originally aired on September 23 1954. Copy belonging to episode director Derwin Abrahams with his name as Derwin Abbe on the front wrapper in manuscript pencil and manuscript pencil annotations on nearly every page. <br /> <br /> Based on the character created by Michael Arlen which first appeared in 1940 short story published in "Town & Country" magazine. The character would go on to appear in 15 films throughout the 1940s as well as a radio serial before finally being adapted as this early syndicated television show which ran for 39 episodes between 1954 and 1956. <br /> <br /> Beige titled wrappers noted as production No. 216 dated May 18 1954. 54 leaves with last page of text numbered 47. Mimeograph duplication. Pages Very Good wrapper Very Good with some light dampstaining to both bound with three gold brads. Federal Telefilms unknown‎

Référence libraire : 140533

‎Malcom D. Lee (director, screenwriter, starring); Spike Lee (producer); Taye Diggs, Nia Long, Morris Chestnut, Harold Perrineau,‎

‎The Best Man Original press kit for the 1999 film‎

‎Universal City CA: Universal Pictures 1999. Vintage press kit for the 1999 film. Includes six page pamphlet on the cast filmmakers synopsis and film production. Also includes a black and white film still photograph. Housed in a photo illustrated folder. <br /> <br /> Director Malcom D. Lee's directorial debut in part financed by his cousin Spike Lee. The first major lead role for Taye Diggs who plays an author whose upcoming autobiographical novel will spill the beans on all the dirt between his friends set to release with unfortunate timing just around a wedding at which he will see many of them. "The Best Man" proved the mainstream commercial viability of African American romantic comedies. <br /> <br /> Folder Very Good plus with light rubbing and creasing. Contents about Fine. Universal Pictures unknown‎

Référence libraire : 139964

‎Desmond Davis (director, screenwriter); Anne Piper (screenwriter, author); Barbara Ferris, Harry Andrews, Gladys Cooper, William‎

‎A Nice Girl Like Me Original screenplay for the 1969 film‎

‎Moore Park Australia: Embassy Pictures 1968. Draft UK script for the 1969 film. With several annotations in manuscript ink throughout. <br /> <br /> Based on Anne Piper's 1959 novel "Marry at Leisure" about Candida Ferris who goes to live with her relatives after the death of her father. Bored with life she leaves for Paris where she meets a young student and becomes pregnant but keeps the baby a secret from her family. Bored yet again with life she leaves for Italy where she meets an American and is soon pregnant again. As she leaves Italy a woman gives her baby to Candida at the train station. So with two babies and one on the way her life is unraveling quickly and her only confidant is Savage Andrews the caretaker of her late father. <br /> <br /> Set in London and Paris shot on location there as well as Venice. <br /> <br /> Pink blank wrappers with die cut title window in the British style. Title page present dated July 1968 with credits for screenwriter and author Anne Piper and novelist Desmond Davis. 112 leaves with last page of text numbered 111. Mechanical duplication. Pages Very Good plus wrapper Very Good plus bound with a pink ribbon. Embassy Pictures unknown‎

Référence libraire : 140637

‎Luis Bunuel (director); Gabriel Figueroa (cinematographer); Benito Perez Galdos (novel); Julio Alejandro (screenwriter); Francis‎

‎Nazarin Three original photographs from the set of the 1959 film‎

‎Mexico: Producciones Barbachano Ponce 1959. Three vintage photographs from the set of the 1959 film. All likely shot on the same day and on a set in a rural location. Buñuel appears in each photo wearing a pith helmet in the first with cinematographer Gabriel Figueroa the second with lead actor Francisco Rabal and the third eating lunch alone on a makeshift table. <br /> <br /> Each photo with the Paris address stamp for Telecine as well as annotations and penciled press markings on the verso. <br /> <br /> All photos 5 x 7 inches. Near Fine. <br /> <br /> Rosenbaum 1000. Producciones Barbachano Ponce unknown‎

Référence libraire : 138791

‎Slatan Dudow (director); Bertolt Brecht, Ernst Ottwald (screenwriter); Hertha Thiele, Gerhard Bienert (starring)‎

‎Kuhle Wampe oder Wem gehort die Welt Who Owns the World Whither Germany Original poster for the 1932 film‎

‎Germany: Kinematrade 1933. Vintage US poster for the 1932 German communist propaganda film "Kuhle Wampe oder Wem gehort die Welt" The subtitle is seen here under the English translation "Whither Germany." Circa 1933 as identified by the name of the Philadelphia theatre on the poster. <br /> <br /> The last and arguably most important communist film of the Weimar era "Kuhle Wampe oder" is according to screenwriter Brecht a "Collective Presentation" that tells the tale of a family in early 1930s Berlin. After the son is prolongedly unemployed he commits suicide and the family is forced to relocate to a shantytown known as "Kuhle Wampe" or "Empty Stomach." Created under severely limited material conditions with filming constantly being broken up by the Weimar government's paramilitary SA agency the film attempts to depict archetypes of the times including an intellectual clash on a subway between members of the bourgeoisie and the proletariat. <br /> <br /> Banned first by the failing Weimar Republic and subsequently by the Nazi Reich the film was believed to have been lost until it reappeared over 20 years later in East Germany in 1958. This poster likely originates from screenings held in November 1933 by an unknown pro-communist organization in Philadelphia at the short lived left-leaning Philkino theater. A US screening of this film dating before the film's disappearance and only just after the very beginnings of Hitler's rise to power makes this poster not only very scarce but one of significant historical value. <br /> <br /> The poster touting "Kuhle Wampe" as "The Film Hitler Burned" features an image of a man with a hammer and sickle attacking two snakes that form the Nazi swastika and touts the involvement of members of the "Labor Sports Union" in the film. <br /> <br /> 9.5 x 13 inches letterpress on pale faded pink stock. Very Good with expected moderate wear. Kinematrade unknown‎

Référence libraire : 138407

‎Donald Westlake (novel); Wendell Mayes (screenwriter)‎

‎The Bank Shot Original screenplay for the 1972 film art director's working copy‎

‎Los Angeles: Twentieth Century-Fox 1972. Draft script for the 1974 heist film. Art Director Al Brenner's working copy with his name in manuscript ink on the front wrapper and his annotations throughout and on the rear wrapper. <br /> <br /> Based on the 1972 novel by Donald Westlake. One of the more creative caper comedies from the rich vein of crime films made in the 1970s wherein a bank temporarily being housed in a mobile home begins to look appealing to a crew of ex-cons. Very much a sister film to the 1972 adaptation of Westlake's "The Hot Rock." <br /> <br /> Yellow titled wrappers rubber-stamped No. 40 showing the film's title and "Landers/Roberts Productions on the front wrapper. Title page present dated August 27 1973 with a credit for screenwriter Wendell Mayes. 115 pages principal pages on white stock with pink revision pages throughout all dated 9/6/73. Pages and wrapper Very Good or better bound with two gold brads. <br /> <br /> Lee p. 116. Twentieth Century-Fox unknown‎

Référence libraire : 140001

‎Pier Paolo Pasolini (director, screenwriter); Alida Valli, Silvia Mangano, Franco Citti (starring)‎

‎Oedipus Rex Edipo re Original photograph from the set of the 1967 film‎

‎Rome: Arco Films 1967. Vintage borderless photograph from the set of the 1967 Italian film. Director Pier Paolo Pasolini is seen behind the camera shooting Silvia Mangana and Franco Citti. Short typescript description in Italian and Roma Press rubber stamp on the verso. <br /> <br /> A sparse intensely personal modern adaptation of the Oedipus Rex tale in which a man and woman have a child and the man becomes jealous of his wife's attentions to his son. The film's setting then changes back to antiquity where the legend largely follows its original course suggesting we may not be as emotionally removed from ancient times as we may believe. Set in modern and ancient Italy shot on location in Italy. <br /> <br /> 8 x 12 inches. Near Fine. <br /> <br /> Masters of Cinema 39. Rosenbaum 1000. Arco Films unknown‎

Référence libraire : 138750

‎George Seaton (director); Henry Denker (screenwriter); Kirk Douglas, Robert Walker, Jr., Nick Adams, Pancho Magalona (starring)‎

‎The Hook Original screenplay for the 1963 film‎

‎Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1962. Revised Draft script for the 1963 film. Copy belonging to uncredited cast or crew member "Brokaw" with that name in manuscript pencil on the front wrapper and marginal annotations throughout in manuscript ink. Shooting schedules bound in. Included is a vintage production photograph of Kirk Douglas from the film. <br /> <br /> Based on Vahe Katcha's 1957 novel "L'hamecon." During the Korean War a group of American soldiers capture an enemy pilot and orders are to execute the prisoner. Sgt. P.J. Briscoe Douglas orders his men to kill the prisoner but their reluctance forms a wedge in their allegiance. <br /> <br /> Shot on location in the Catalina Harbor. <br /> <br /> Goldenrod titled wrappers noted as COMPLETE on the front wrapper rubber-stamped copy No. 63 dated May 1 1962 with a credit for screenwriter Denker. Title page integral with front wrapper. 165 leaves with last page of text numbered "133-137" followed by 24 leaves bound upside down. Mimeograph duplication with white pink yellow gray green and blue revision pages throughout dated variously between 4/19/62 and 5/11/62. Pages Near Fine wrapper Very Good plus bound with three gold brads. <br /> <br /> Davenport p. 171. Metro-Goldwyn-Mayer [MGM] unknown‎

Référence libraire : 139565

‎Martin Ritt (director); Urgo Pirro (novel); Ivo Perilli (screenwriter); John Michael (screenwriter); Peter Achilles (screenwrite‎

‎5 Five Branded Women Jovanka and the Others Original screenplay for the 1960 film‎

‎Hollywood: Paramount Pictures. Final Draft script for the 1955 film. Actor Van Heflin's copy with his name on the front wrapper and his manuscript annotations throughout. Based on the novel "Jovanka e le altre" by Urgo Pirro.<br /> <br /> Once branded himself by the House Un-American Activities Committee award-winning director Martin Ritt focuses on the cruel branding of five women in this wartime drama. Some of his better-known films The Spy Who Came In from the Cold Norma Rae also deal with the question of social and ethical choices in the face of pressure. In this story the savagery of the Yugoslav partisans as they fight off Nazi occupation forces is also vented on five women accused of Nazi sympathies because of their sexual association with one German officer. The women played by Silvana Mangano Vera Miles Barbara Bel Geddes Jeanne Moreau and Carla Gravina have their heads shaved in order to brand them as traitors. Eleanor Mannikka AllMovie<br /> <br /> Filmed on location in Italy and Austria. <br /> <br /> Orange untitled wrappers with the Dino De Laurentiis stamp and numerous annotations. Title page present noted as Final Draft with credits for screenwriters Michael and Achilles for screenwriter Pirro and for director Ritt. 153 leaves mimeograph duplication with annotations throughout. Pages Near Fine wrapper Near Fine internally bound with two gold brads. Paramount Pictures unknown‎

Référence libraire : 130855

‎Igmar Bergman (director, screenwriter); Boje Ahlstedt, Marie Richardson, Erland Josephon, Pernilla August (starring)‎

‎In the Presence of a Clown Three photographs from the set of the 1997 television movie‎

‎Stockholm: Sveriges Television SVT 1997. Three vintage color still photographs showing Ingmar Bergman on the set of his 1997 Swedish television movie which also screened at the 1998 Cannes Film Festival as part of the Un Certain Regard section. <br /> <br /> Two patients at a mental hospital attempt to make and market a film. <br /> <br /> 8.75 x 5.75 inches. Fine. Sveriges Television [SVT] unknown‎

Référence libraire : 139690

‎Russ Meyer (director, story); James Griffith (screenwriter); Lorna Maitland, Mark Bradley, James Rucker, Hal Hopper (starring)‎

‎Russ Meyer's Lorna Lorna Original program from the 1964 film‎

‎California: Art Theatre Guild / Eve Productions 1964. Original black-and-white program for the 1964 film printed for the Art Theatre Guild. The Art Theatre Guild ATG began in 1961 as an independent agency distributing films mostly Japanese rejected by major studios. The company operated until the 1980s with theaters in Arizona California Colorado Illinois Kentucky Massachusetts Missouri New Mexico Ohio and Tennessee. <br /> <br /> The first of Meyer's "noir" cycle 1964-1965 or "Gothic" period as Meyer puts it a series of sexploitation films shot in black-and-white powerful psycho-sexual female characters male impotence and a serious dramatic plot involving less of the "nudie" filmmaking style so prominent in the director's early films. Other films in his "Gothic" period include "Mudhoney" 1965 "Motorpsycho!" 1965 and the epic and legendary "Faster Pussycat! Kill! Kill! " 1965. "Fanny Hill" 1964 snuck in right after "Lorna" although that film is generally left out of the "Gothic" period. <br /> <br /> "Lorna" was written by James Griffith who stars as the Preacher narrator of the film and stars Lorna Maitland as a voluptuous sexually unfulfilled newlywed. Her husband Jim Rucker works in a salt mine all day and studies all night giving Lorna too much time to herself. One day while Lorna skinny-dips in a nearby river an escaped convict Bradley rapes her in the reeds. The vile act could otherwise have been exploited perhaps comically by Meyer but here the scene acts as a catalyst for one repressed woman's sexual awakening. Lorna invites the convict into her home while her husband is gone prompting Jim's coworkers among them the underrated Hal Hopper to tease him about Lorna's infidelity. Things take a bitter fatal turn when Jim returns home to discover Lorna and her object of desire. <br /> <br /> 5.5 x 8.5 inches folded once as issued. Two horizontal creases and faint foxing else Near Fine. Art Theatre Guild / Eve Productions unknown‎

Référence libraire : 139221

‎Irving Lerner (director); Benjamin Appel (novel "Fortress in the Rice"); Bernard Gordon (screenwriter)‎

‎Cry of Battle To Be a Man Original screenplay for the 1963 film actor Van Heflin's working copy‎

‎Hollywood: Petramonte Productions 1963. Draft script for the 1963 film. Actor Van Heflin's copy with his manuscript annotations throughout. Based on the 1951 novel "Fortress in the Rice" by Benjamin Appel. The only film ever released by Petramonte Productions and eventually distributed by Allied Artists.<br /> <br /> During World War II the spoiled son of a wealthy businessman finds himself involved in the Philippine guerrilla movement fighting against the Japanese. <br /> <br /> Shot on location in the Philippines. <br /> <br /> Gray titled wrappers with credit for with credit for screenwriter Marcus. Title page present with credits for screenwriter Marcus and writer Appel. 141 leaves roneograph with annotations throughout. Pages Fine wrapper Near Fine. internally bound with three gold brads. Petramonte Productions unknown‎

Référence libraire : 130735

‎Bob Wynn (director); Jay Simms and Tom Rolf (screenwriter); Leslie Nielsen and Angie Dickinson (starring)‎

‎The Resurrection of Zachary Wheeler Original screenplay for the 1971 film‎

‎N.p.: Madison Productions Inc 1970. Draft script for the 1971 film. <br /> <br /> An early exploitation take on the deathless we had to say that topic of clone research which was in its infancy at the time the film was released. Leslie Nielson plays a hard-nosed reporter who witnesses a car crash involving a senator and whose subsequent investigation reveals an intricate conspiracy involving high-level blackmail and advanced medical research. <br /> <br /> Set in Alamogordo New Mexico shot on location in Albuquerque New Mexico. <br /> <br /> Red titled front wrapper green rear wrapper. Title page present dated 12/01/70 with credits for screenwriters Jay Simms and Tom Rolf. 124 leaves with last page of text numbered 123. Xerographically duplicated first generation copy with no copied punch holes with blue revision pages throughout dated 12/23/70. Pages Fine wrapper Fine bound with two gold brads. Madison Productions Inc unknown‎

Référence libraire : 139053

‎Werner Herzog (director, screenwriter); Klaus Kinski, Isabelle Adjani, Bruno Ganz (starring)‎

‎Nosferatu the Vampyre Original photograph from the set of the 1979 film‎

‎Vienna: Werner Herzog Filmproduktion 1979. Vintage borderless reference still from the 1979 German film showing director Werner Herzog and actor Bruno Ganz along with some extras on the set between takes. <br /> <br /> Herzog's highly interpretive remake of F.W. Murnau's 1922 silent classic "Nosferatu" and the second of five films Herzog made with actor Klaus Kinski. <br /> <br /> 9.25 x 7 inches. Fine. Werner Herzog Filmproduktion unknown‎

Référence libraire : 139657

‎Lawrence Dobkin (director); Al Martinez (screenwriter); Asher Brauner, Steve Hanks, Michelle Pfeiffer (starring)‎

‎B.A.D. Cats: Die Cheerleader Die Original screenplay for the 1979 television episode‎

‎N.p.: Aaron Spelling Productions 1979. First Draft script for Episode 8 from the sole season of the 1980 television series. <br /> <br /> Two former race car drivers join the LAPD as part of the B.A.D. C.A.T. squad Burglary Auto Detail Commercial Auto Thefts. The men often end up running the burglars off the road rather than taking them in for questioning a method quietly encouraged by their superior Captain Nathan. Michelle Pfeiffer costarred as Samantha "Sunshine" Jensen another B.A.D. Cat. <br /> <br /> Orange titled wrappers noted as First Draft on the front wrapper dated 12/20/79 with credits for Aaron Spelling Productions. Title page present dated 12/20/79 noted as First Draft with credits for screenwriters Larry Alexander and Richard Carr executive producers Aaron Spelling and Douglas S. Cramer supervising producer E. Duke Vincent and producer Everett Chambers. 60 leaves mechanical duplication with last page of text numbered 56. Pages Fine wrapper Fine bound with two gold brads. Aaron Spelling Productions unknown‎

Référence libraire : 140601

‎Charles Martin (director, screenwriter); Jack Palance, Christopher Mitchum, Pamela Susan Shoop (starring)‎

‎The One Man Jury The Cop Who Played God Original screenplay for the 1978 film‎

‎N.p.: Cal-Am Artists 1978. Draft script for the 1978 film. Script belonging to assistant director John Neukum with his name inscribed on the front wrapper. <br /> <br /> A rouge cop fed up with the ineffectual justice system decides to take the law into his own hands in this 1978 exploitation thriller. Jack Palance stars as the steely Lt. Jim Wade an L.A. cop who strikes a deal with a mobster in order to uncover the identity of the notorious serial killer "The Slasher." Director Charles Martin's final film he passed away only a few years after its completion. <br /> <br /> Yellow titled wrappers dated 07/11/77 with credits for director/screenwriter Charles Martin. Title page present dated 07/11/77 with credits for director/screenwriter Charles Martin. 171 leaves with last page of text numbered 144. Xerographically duplicated with revision pages throughout dated 07/11/77. Pages Near Fine wrapper Very Good plus bound with three gold brads. <br /> <br /> Spicer US Neo-Noir. Cal-Am Artists unknown‎

Référence libraire : 140622

‎Charles Brabin (director); Frederick Hazlitt Brennan (story); Charles Brabin, Willard Mack, Wanda Tuchock (screenwriter); Clark‎

‎Clark Gable on the set of Sporting Blood Original photograph from the set of the 1931 film‎

‎Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1931. Vintage still photograph from the set of the 1931 film. Featuring Madge Evans and Lew Cody comparing binoculars while a very young and not yet famous Clark Gable smiles over their shoulders. Mimeograph snipe on the verso. Based on the short story "Horse Flesh" by Frederick Hazlitt Brennan published in the "Saturday Evening Post" on September 13 1930. <br /> <br /> An orphaned foal's journey through various owners including that of nefarious gambler Ludeking Hallam Cooley before being returned to his loving breeder Jim Ernest Torrence. Clark Gable's first starring role as a card dealer with occasional moral failings whose love story with Ruby Madge Evans makes for an entertaining side plot. <br /> <br /> Set in Kentucky shot on location in Lexington Kentucky and California. <br /> <br /> 8 x 10 inches. Just about Fine. Metro-Goldwyn-Mayer [MGM] unknown‎

Référence libraire : 140125

‎Jack Arnold (director); Martin Berkeley, William Alland (screenwriter); John Agar, Lori Nelson, Dave Willock, Clint Eastwood (st‎

‎Revenge of the Creature Original photograph from the set of the 1955 film‎

‎Universal City CA: Universal Pictures 1955. Vintage still photograph from the set of the 1955 film "Revenge of the Creature." Featuring a comical image of the film being shot in the water at Marineland Florida while a dolphin show takes place in the background. Half of the gathered crowd watches the dolphin show while the other half has turned to watch the Gill-man attack a diver bathing suit-clad cameramen milling about to the side. <br /> <br /> The captive Gill-man Ricou Browning falls in love with the girlfriend Lori Nelson of animal psychologist Clete Ferguson John Agar. When it inevitably escapes and unsurprisingly takes Nelson hostage the police are forced to shoot it. The first 3-D sequel to a 3-D film its far more successful predecessor "The Creature from the Black Lagoon" and the only 3-D film released in 1955. Clint Eastwood makes a hilarious uncredited appearance as an incompetent lab technician who insists a lab rat has been eaten by a cat test subject only to find the rat in his lab coat pocket. <br /> <br /> Set in Florida and shot there on location. <br /> <br /> 8 x 10 inches. Just about Fine. <br /> <br /> Weaver and Brunas Universal Horrors. Mystery Science Theater 801. Universal Pictures unknown‎

Référence libraire : 140258

‎Gianfranco De Bosio (director, screenwriter); Vittorio Bonicelli, Anthony Burgess, Bernardino Zapponi (screenwriters); Irene Pap‎

‎Moses the Lawgiver Seven British lobby cards for the 1974 film‎

‎England: ITC Entertainment 1974. Seven vintage full-color British lobby cards from the 1974 British-italian television miniseries. <br /> <br /> Six-hour television miniseries that aired in 1973 and 1974 a retelling of the life of Moses Lancaster the man who discovered the Ten Commandments and parted the Red Sea. <br /> <br /> Cult favorite Anthony Burgess contributed to the entire series and Thomas Keneally novelized a tie-in edition in 1975. <br /> <br /> 11 x 14 inches. Light corner bumps else Near Fine. Scarce. ITC Entertainment unknown‎

Référence libraire : 139994

‎J. Lee Thompson (director); Joan Henry (novel, screenwriter); Diana Dors, Yvonne Mitchell (starring)‎

‎Yield to the Night Blonde Sinner Original British front-of-house card for the film‎

‎London: Kentwood Productions / Allied Artists 1956. Vintage front-of-house card for the 1956 British film noir tinted green as issued. Pictured are the busty Diana Dors and Yvonne Mitchell in the midst of having a party. <br /> <br /> Released in the US as "Blonde Sinner." <br /> <br /> 11 x 14 inches. Very Good plus. <br /> <br /> Grant US. Selby US. Spicer US. Kentwood Productions / Allied Artists unknown‎

Référence libraire : 140212

‎Peter R. Hunter (director); Reginald Rose (screenwriter); Scott Glenn, Barbara Carrera, Edward Fox, Laurence Olivier (starring)‎

‎Wild Geese II Collection of 10 original British lobby cards from the 1985 film‎

‎London: Thorn EMI 1985. Collection of 10 vintage full-color British lobby cards from the 1985 British-Australian film. <br /> <br /> Based on Daniel Carney's 1982 novel "The Square Circle" and sequel to "The Wild Geese" 1978. A group of mercenaries are hired by a broadcasting company to "rescue" a Nazi war criminal. <br /> <br /> 11 x 14 inches. Light corner bumps else Near Fine. Scarce. Thorn EMI unknown‎

Référence libraire : 140024