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WC. Fields (starring); Rupert Hughes (novel); Francis Martin (director, screenwriter); Grover Jones, William Slavens McNutt, Ray
Tillie and Gus Don't Call Me Madam Original screenplay for the 1933 film
Hollywood: Paramount Pictures 1933. Second Script for the 1933 film. Rubber-stamped on the front wrapper "FILE COPY / RETURN TO SCRIPT DEPT. / PARAMOUNT STUDIO - HOLLYWOOD" and "1837 / MASTER FILE." The film's original title "Don't Call Me Madam" is present on the front wrapper crossed through with the new title "Tillie and Gus" written in manuscript ink above it. <br /> <br /> Based on a short story entitled "Don't Call Me Madame" by Rupert Hughes about Tillie and Gus Winterbottom Alisone Skipworth and W. C. Fields and their tribulations involving a deceased family member's inheritance. Even with the ensuing events including a riverboat race and a baby-toting bathtub that floats downstream reminiscent of Moses in a basket the film is remembered as one of Fields' "sleepers" one less punchy than others. "Tillie and Gus" was one of three pairings of Skipworth and Fields the others being "Six of a Kind" 1934 and "If I Had a Million" 1932. <br /> <br /> Tall side stapled salmon self wrappers noted as SECOND SCRIPT on the front wrapper rubber-stamped copy production No. 1837 dated March 10 1933 with credits for screenwriters Jones McNutt and Harris. Title page integral with the first page of the script. 137 leaves mimeograph on salmon colored stock. Pages about Near Fine rear wrapper detached but present else wrappers Very Good plus. Paramount Pictures unknown
书商的参考编号 : 131380
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Gordon Hessler (director); Tim Kelly (story); Christopher Wicking (screenwriter); Vincent Price, Essy Persson, Hilary Heath, Car
Cry of the Banshee Eight photographs from the 1970 film
Los Angeles: American International Pictures AIP 1970. Eight vintage black-and-white still photographs from the 1970 UK film. <br /> <br /> In Elizabethan England a coven of witches is massacred by evil Lord Whitman Price but the coven's leader invokes a magical servant a "banshee" for revenge. A prime vessel for Vincent Price who basically carries the film. <br /> <br /> Shot on location in Middlesex England. <br /> <br /> 8 x 10 inches. Light creases overall else Near Fine. American International Pictures [AIP] unknown
书商的参考编号 : 133268
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Rupert Birkin (screenwriter); Jim Thompson (novel)
Nothing More Than Murder Original screenplay for an unproduced film
Los Angeles: Discovery Productions 1990. Draft script for an unproduced film. Based on the 1949 Jim Thompson novel. <br /> <br /> The story of a small town movie theater owner who gets mixed up in a murderous love triangle with his wife and lover. Though a film from this script was never made the original Thompson story adapted by a different writer remains in possible development. <br /> <br /> Lacking front wrapper with a red rear wrapper. Title page present dated June 1 1990 with credits for screenwriter Birkin and novelist Thompson. 113 leaves photocopy. Fine condition bound with three gold brads. Discovery Productions unknown
书商的参考编号 : 134461
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Louis Malle (director, screenwriter); Raymond Queneau (novel); Jean-Louis Castelli (photographer); Jean-Paul Rappeneau (screenwr
Zazie dans le metro Three photographs from the 1960 film
Paris: Nouvelles Editions de Films NEF 1960. Three vintage black-and-white still photographs from the 1960 French film. <br /> <br /> An anarchic Louis Malle comedy one of his finest films where ten-year-old Zazie from a provincial town escapes the custody of her cross-dressing Uncle George and sets out to explore Paris on her own—all while her mother is off spending time with a lover. <br /> <br /> Story set and shot on location in Paris. <br /> <br /> 8 x 10 inches. Near Fine with very light toning. <br /> <br /> Criterion Collection 570. Nouvelles Editions de Films [NEF] unknown
书商的参考编号 : 132925
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Douglas Hickox (director); Anthony Greville-Bell (screenwriter); Vincent Price, Diana RIgg (starring)
Theatre of Blood Collection of 6 photographs from the 1973 film
London: Harbour Productions / Cineman Films 1973. Collection of six vintage black-and-white still photographs from the 1973 UK film. <br /> <br /> In a film tailor made for his unique screen presence Price plays a Shakespearean actor who exacts bloody revenge on the critics who denied him an acting award using scenes from the Bard's plays as inspiration for each murder. An undeniably appealing cult crossover between high literature and lowbrow horror-comedy. <br /> <br /> A story set and shot on location in London. <br /> <br /> 8 x 10 inches. About Fine. Harbour Productions / Cineman Films unknown
书商的参考编号 : 133028
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Brian De Palma (director, screenwriter); Louisa Rose (screenwriter); Margot Kidder, Jennifer Salt, Charles Durning (starring)
Sisters Two original photographs from the 1973 film
Los Angeles: American International Pictures AIP 1973. Two vintage black-and-white still photographs from the 1973 US film. <br /> <br /> De Palma does "Rear Window" sort of in the breakthrough film that would signal his move toward both Hollywood and the psycho-sexual thrillers that would come to be his signature as much as his virtuosic visual style. <br /> <br /> Set and shot on location in New York City. <br /> <br /> 8 x 10 inches. Near Fine with some light toning. <br /> <br /> Arrow 919. Criterion Collection 89. Grant US. Spicer US. American International Pictures [AIP] unknown
书商的参考编号 : 133031
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Stephen Frears (director); Neville Smith (screenwriter); Albert Finney, Billie Whitelaw, Janice Rule (starring); Andrew Lloyd We
Gumshoe Original screenplay for the 1971 film Billie Whitelaw's working copy
Culver City CA: Columbia Pictures 1970. Draft British script for the 1971 UK film. Working copy belonging to actress Billie Whitelaw SIGNED by Whitelaw on the front wrapper with her manuscript annotations throughout in pencil and red and blue ink. Included are four vintage black-and-white still photographs from the film. <br /> <br /> Director Stephen Frear's debut feature film and the first film to feature an original musical score by Andrew Lloyd Weber. <br /> <br /> A whodunit verging on spoof Albert Finney plays a standup comedian and aspiring private detective. When he advertises his detective services in the local newspaper he may actually have to solve a real mystery. Set in Liverpool and London and shot there on location. <br /> <br /> Tall orange studio wrappers with a die-cut title window in the British style. Title page present dated 1st October 1970 with credits for screenwriter Neville Smith. 123 leaves mimeograph duplication. Pages Very Good wrapper Good bound internally with three silver brads. <br /> <br /> Grant US. Indicator 37. Columbia Pictures unknown
书商的参考编号 : 134464
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Thornton O'Reilly (screenwriter)
Penelope Original screenplay for an unproduced film agency copy
Los Angeles: Paul Kohner Inc 1961. Draft script for an unproduced film titled "Penelope" written for screen by Thornton O'Reilly. With a label from the Paul Kohner talent agency Hollywood CA and associate Ilse Lahn's name in manuscript ink on the front wrapper Lahn also credited on the title page. <br /> <br /> A story set in ancient Greece at the palace of Odysseus involving Penelope daughter of Icarius of Sparta wife of Odysseus mother of Telemachus Telemach Telemachus Antinous Parakles and other Greek personalities. Homer’s "Odyssey" tells the story of how during her husband’s long absence after the Trojan War many chieftains of Ithaca and nearby islands became Penelope's lovers. <br /> <br /> Light blue titled wrappers with credit for screenwriter O'Reilly. Title page present with credit for screenwriter O'Reilly. 60 leaves mimeograph on onionskin stock with the last leaf of text numbered 58. Pages Near Fine wrapper Near Fine bound with two gold brads. Paul Kohner Inc unknown
书商的参考编号 : 129837
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Franco Cirino Phil Karlson (directors); SS. Schweitzer, Stanley Colbert (screenwriter); Rock Hudson, Sylva Koscina (starring) S.
Hornets' Nest Children at Their Games Original screenplay for the 1970 film
Beverly Hills CA: United Artists 1970. Draft script for the 1970 film. <br /> <br /> Set in Italy in 1944 where the entire population of a village has been massacred by the SS except for a group of young boys. Rock Hudson the only US paratrooper left alive after a failed mission to blow up a nearby dam decides to lead the boys on the mission instead. <br /> <br /> White titled wrappers with credits for screenwriters Schweitzer and Colbert. Title page present with credits for screenwriters Schweitzer and Colbert. 143 leaves mimeograph duplication. Scrip bent at the foredge else pages about Fine in Very Good plus wrappers bound with three gold brads. United Artists unknown
书商的参考编号 : 134169
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Russ Meyer (director, screenwriter); Ken Parker (photographer); Bill Teas, Ann Peters, Marilyn Wesley, Michele Roberts, Dawn Dan
The Immoral Mr. Teas Mr. Teas and His Playthings Eight original still photographs from the 1959 film
Los Angeles: Pad-Ram Enterprises 1959. A Eight vintage still photographs from the 1959 film. Included are 4 stills from the US release and 4 stills from the UK release under the title "Mr. Teas and His Playthings." From a cursory glance one can immediately see the differences with regard to nudity paid by both US and UK publicists the UK stills decidedly more liberal with regard to the "forbidden flesh."<br /> <br /> The US stills were taken directly from scenes of the film and the UK stills appear to be from either a deleted scene or a mock setup designed for foreign publicity with Mr. Teas seen in a bathhouse with the "Buxom Bath House Beauties" Baby Dahl Chicky Fricase Frenchie Tost Teri Clawthe that were not seen in the final cut. The UK stills purport "Monstrous Murder!" and "Sizzling Suspense!" taglines however the final cut features neither murder nor suspense. <br /> <br /> The story finds the shy Mr. Teas played by William Ellis Teas a door-to-door dental appliance salesman who has a chemical reaction with an anesthetic that allows him to have X-ray vision as in "seeing through women's clothes." He also overcomes all of his inhibitions leading to ribald encounters with his dental nurse his therapist his secretary a girl in a bar etc. <br /> <br /> Russ Meyer's first feature produced by Pad-Ram Enterprises a monogram using the initials of director Russell Albion Meyer and producer Peter A. DeCenzie and the film that basically launched the lighthearted "nudie" pictures of the early 1960s. The film was immediately touted as "ribald" and "Frenchy" with regard to the "genuinely sexy sequences with generous expanses of attractive flesh" that used to be seen strictly in foreign films. At a time when Hollywood moguls were losing audiences to the comfort of in-home cinema through television Meyer and DeCenzie who spent years on the burlesque and night club circuits released an independent naturally sexy endeavor in the tradition of the great Chaplin films. The bigger productions companies would never have made a film as far overboard on sex. <br /> <br /> For his debut Russ Meyer did even more of the crew work than usual shooting in four days during the spring of 1958 with a budget of $24000 ultimately making over $1.5 million worldwide. The film was marketed as a "nudist" film with a "French" sensibility but exhibited all the distinctive traits for which Meyer would soon become known including large bosoms insane plots a somewhat feminist perspective campy dialogue and guerilla cinematography. <br /> <br /> Shot on location in various California destinations including Malibu Lagoon State Beach. Meyer even shot various scenes at his beach-front home in Los Angeles. <br /> <br /> All stills 8 x 10 inches some differ slightly in size. Two US stills Very Good plus others Near Fine. UK stills Near Fine. Pad-Ram Enterprises unknown
书商的参考编号 : 134256
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Russ Meyer (director, screenwriter); Bill Teas, Ann Peters, Marilyn Wesley, Michele Roberts, Dawn Danielle (starring)
The Immoral Mr. Teas Two original pressbooks for the 1961 re-releases of the 1959 film
Los Angeles: Pad-Ram Enterprises 1961. Original pressbooks two variants for 1961 re-releases of the 1959 film. Featured are the two most commonly seen layouts used for publicity: the full-color illustrated "hat" variant and the other with Mr. Teas surrounded by a bevy of well-developed women the female leads of the film from left to right: Ann Peters Michele Roberts Dawn Danielle and Marilyn Wesley. <br /> <br /> The story finds the shy Mr. Teas played by William Ellis Teas a door-to-door dental appliance salesman who has a chemical reaction with an anesthetic that allows him to have X-ray vision as in "seeing through women's clothes." He also overcomes all of his inhibitions leading to ribald encounters with his dental nurse his therapist his secretary a girl in a bar etc. <br /> <br /> Russ Meyer's first feature produced by Pad-Ram Enterprises a monogram using the initials of director Russell Albion Meyer and producer Peter A. DeCenzie and the film that basically launched the lighthearted "nudie" pictures of the early 1960s. The film was immediately touted as "ribald" and "Frenchy" with regard to the "genuinely sexy sequences with generous expanses of attractive flesh" that used to be seen strictly in foreign films. At a time when Hollywood moguls were losing audiences to the comfort of in-home cinema through television Meyer and DeCenzie who spent years on the burlesque and night club circuits released an independent naturally sexy endeavor in the tradition of the great Chaplin films. The bigger productions companies would never have made a film as far overboard on sex. <br /> <br /> For his debut Russ Meyer did even more of the crew work than usual shooting in four days during the spring of 1958 with a budget of $24000 ultimately making over $1.5 million worldwide. The film was marketed as a "nudist" film with a "French" sensibility but exhibited all the distinctive traits for which Meyer would soon become known including large bosoms insane plots a somewhat feminist perspective campy dialogue and guerilla cinematography. <br /> <br /> Shot on location in various California destinations including Malibu Lagoon State Beach. Meyer even shot various scenes at his beach-front home in Los Angeles. <br /> <br /> Both pressbooks 11 x 17 inches folded horizontally. "Hat" variant includes a 9 x 12 ad mat dated "Fri. Aug. 18 1961." Light rubbing overall rubber stamps from "Sack Amusement Enterprises" in Dallas Texas and a few light creases and tiny closed tears else Near Fine. Pad-Ram Enterprises unknown
书商的参考编号 : 134255
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Leslie Baker (photographer); Carol Reed (director, producer); Graham Greene (screenwriter); Joseph Cotten, Orson Welles (starrin
The Third Man Original candid still photograph of director Carol Reed working on the set of the film
London: Carol Reed Productions 1948. Vintage candid black-and-white still photograph from the UK release of the 1949 film. Shown are Carol Reed and his crew setting up a shot while Graham Greene looks on a rare shot of the two collaborators at work together. Stamped on the verso is "A CAROL REED PRODUCTION / "THE THIRD MAN" / PRODUCED AT / THE LONDON FILM STUDIOS / SHEPPERTON—ENGLAND."<br /> <br /> Carol Reed's classic 1949 British film noir starring Joseph Cotten and Orson Welles at the peak of their respective powers was the second of three films in which Graham Green collaborated directly with Reed and remains Greene's only original screenplay. <br /> <br /> 8 x 10 inches. Near Fine. Carol Reed Productions unknown
书商的参考编号 : 133983
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James Hilton (screenwriter, novel)
And Now Goodbye Original screenplay for an unproduced film with three autograph letters signed by Hilton
Los Angeles: Self published 1940. First Draft script for an unproduced film titled "And Now Goodbye" an adaptation of the 1931 novel by James Hilton adapted by the author. Included are three typed letters signed by Hilton. Included with the script are three typed letters signed by Hilton addressed to producer Lester Cowan and variously written on Warner Brothers Columbia Pictures and RKO Radio Pictures letterhead dated October 24 1939 May 14 1940 and May 22 1940 respectively.<br /> <br /> In the letters Hilton discusses his negotiations with Laurence Olivier about the project having lunch with Mrs. Hitchcock and giving her the script hoping she'd impress her husband with it how the war has affected show business his book writing and his transfer from Columbia to RKO.<br /> <br /> Hilton began writing the script 15 days after the release of "Lights Out in Europe" a short war documentary with which he was involved released six months before Hitchcock's "Foreign Correspondent" which also featured dialogue written by Hilton.<br /> <br /> Blue titled wrappers noted as First Draft on the front wrapper dated April 29 1940 with credits for screenwriter Hamilton. Title page present dated April 29 1940 noted as FIRST DRAFT with credits for screenwriter Hamilton. 128 leaves carbon typescript on onionskin stock. Pages Good plus wrapper Poor now encapsulated in archival mylar bound with two gold brads. Self published unknown
书商的参考编号 : 131332
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Bezencentet, Peter, Terry Bishop (directors); Benjamin Simcoe (screenwriter); Ronald Howard (starring)
Bomb in the High Street Original screenplay for the 1961 film
London: Foxwarren-Elthea / Hemisphere Pictures 1961. Draft British script for the 1961 film "Bomb in the High Street" seen here as "Bomb in High Street."<br /> <br /> An elaborate and highly entertaining British thriller in which a Nazi-era bomb is found in an English town. A bomb squad is called in but the men in the squad are not who they seem and the ultimate goal is revealed to be a bank heist. <br /> <br /> Tall red titled wrappers with a die-cut title window in the British style. Title page present with credits for screenwriter Simcoe. 68 leaves mechanical duplication on eye-rest green stock. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Foxwarren-Elthea / Hemisphere Pictures unknown
书商的参考编号 : 131821
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Michael Forlong (director); Rex Howard Arunel (playwright); Ernie Player (screenwriter); Thora Hird, Rex Deering (starring)
Over The Odds Original screenplay for the 1961 film
Aldenham UK: Jermyn Productions 1961. Final script for the 1961 British film comedy. With revisions on pink stock bound in throughout and manuscript ink annotations mostly scene deletions on numerous pages. Also laid in are 16 pages of revisions on goldenrod stock accompanied by an advisory letter on Shepperton Studios stationery date stamped 12 January 1961. <br /> <br /> Bookkeeper George Summers Glenn Melvyn opts to marry one more time after his first wife leaves him. Unfortunately his ex-wife's harridan mother-in-law Marjorie Rhodes does not leave with her daughter. Now the new wife and the old mother-in-law are at loggerheads—not a recipe for the beginning of a successful marriage. <br /> <br /> Deep blue titled wrappers with a die-cut title window in the British style. Title page present dated January 4 1961 noted as FINAL SCRIPT with credits for screenwriter Player and playwright Deering assumed erroneously as Deering was an actor in the film and the playright was Rex Howard Arundel. 144 leaves mechanical duplication with pink undated revision pages throughout and goldenrod revision pages laid in dated 9th January 1961. Pages Near Fine wrapper Near Fine bound internally with three silver brads. Jermyn Productions unknown
书商的参考编号 : 131817
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Irving Lerner (director); Peter Shaffer (playwright); Philip Yordan (screenwriter, producer); Christopher Plummer, Robert Shaw (
The Royal Hunt of the Sun Original screenplay for the 1969 film
London: National General Pictures 1968. Revised British script for the 1969 film a UK-US co-production. Based on the play by Peter Shaffer written for the screen by Philip Yordan. <br /> <br /> Dan Pavlides: Fueled by promises of gold Pizarro Robert Shaw and his explorers make a third trip across the treacherous Andes Mountains to Peru where they meet King Atahuallpa Christopher Plummer considered to be a god by his faithful followers. The two leaders overcome their initial mistrust and suspicion garnering admiration for each other. When the King is sentenced to die Pizarro tries unsuccessfully to prevent the monarch's death at the hands of gold-hungry explorers. <br /> <br /> Green titled wrappers with a die-cut title window in the British style. Title page present dated 1 June 1968 noted as Revised with credits for screenwriter Yordan. 163 leaves mechanical duplication with pink blue green white tan and goldenrod revision pages throughout dated variously between 16 May and 22 July. Pages Near Fine wrapper Very Good plus bound internally with three screw brads. National General Pictures unknown
书商的参考编号 : 131823
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Joseph L. Makiewicz (director, screenwriter); Carlo Mario Franzero (book); Bob Penn (photographer); Ranald MacDougall, Sidney Bu
Cleopatra Three photographs from the 1963 film
Los Angeles: Twentieth Century-Fox 1963. Collection of 3 vintage black-and-white still photographs two studio stills one reference still from the 1963 film. This film featured Elizabeth Taylor and Richard Burton in their first pairing beginning their tumultuous love-hate relationship. <br /> <br /> Based on the histories written by Plutarch Suetonius and Appian and also based on the Carlo Maria Franzero book and set in 48 B.C. in Egypt. Winner of several Academy Awards Best Cinematography Art Direction Costume Design Effects. <br /> <br /> Set in Egypt shot on location in Spain Italy England and the USA. <br /> <br /> 8 x 10 inches. Very Good plus corner creases to all studio stills toned short closed tears and a few tiny chips. The reference still has two larger tears at the right edge. Twentieth Century-Fox unknown
书商的参考编号 : 134356
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Andy Warhol (director); Paul Morrissey (screenwriter); Joe Dallesandro, Viva, Taylor Mead (starring)
Lonesome Cowboys Two still photographs from the 1968 film
New York: Factory Films 1968. Two vintage black-and-white double weight still photographs from the 1968 film. Both photographs feature the film's lead actor Viva one a head shot that is a variant on the familiar image used on the cover of Viva's later autobiography "Superstar" the other a waist-up shot. <br /> <br /> 8 x 10 inches white border with film credits at the bottom margin of the recto along with mention of the film's first distributor Sherpix. Fine. Factory Films unknown
书商的参考编号 : 134291
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Martin Brest (director, screenwriter); Edward Cannon (short story); Tony Bill (producer); George Burns, Art Carney (starring)
Going in Style Stepping Out Two original screenplays for the 1979 film
Burbank CA: Warner Brothers 1979. A Final Draft and a Revised Draft script for the 1979 film seen here as "Stepping Out." Based on the short story "Here on a Visit" by Edward Cannon. Both drafts belonging to producer Tony Bill with his signature in black manuscript ink at the top right corner: "Tony Bill producer." Included is a typed letter of provenance signed by Bill. <br /> <br /> A delightful comedy that follows three retired men living on social security who decide to pull off a bank heist to finance their final days but more importantly to bring some excitement to their otherwise humdrum lives. The first major feature film from director and screenwriter Martin Brest who would go on to make the blockbuster success "Beverly Hills Cop" and who was only 28 at the time this film was shot. <br /> <br /> Set in New York City shot on location there and in Las Vegas. <br /> <br /> Revised Draft:<br /> <br /> Red titled wrappers. Title page present dated October 16 1978 noted as REVISED with credits for screenwriter Brest and short story writer Cannon. 128 leaves mechanical duplication. Pages Fine wrapper about Fine bound with three silver screw brads. <br /> <br /> Final Draft:<br /> <br /> Red titled wrappers noted as FINAL on the front wrapper dated October 16 1978. Title page present dated April 12 1979 noted as FINAL with credits for screenwriter Brest and short story writer Cannon. 134 leaves photocopy with blue and pink revision pages throughout dated 1/22/79 and 4/12/79. Pages Fine wrapper about Fine bound internally with two gold brads. Warner Brothers unknown
书商的参考编号 : 133649
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John Sturges (director); Les Crutchfield (story); James Poe (screenwriter); Kirk Douglas, Anthony Quinn, Carolyn Jones (starring
Last Train from Gun Hill Ostatni pociag z Gun Hill Original Polish poster for the 1959 film
Poland: N.p. 1966. Original Polish A1 poster circa 1966 for the 1959 US film. <br /> <br /> Kirk Douglas and Earl Holliman reunite in this film after Gunfight at the OK Corral 1957 again under the direction of John Sturges. The story brings together elements of "High Noon" "3:10 to Yuma" and Sturges' "Bad Day at Black Rock." Remade in 1985 as the Indian film "Bhawani Junction."<br /> <br /> Shot by Charles Lang on location in Old Tucson Arizona and set in the fictitious neighboring towns of Pauley and Gun Hill. <br /> <br /> Artwork by Jerzy Flisak. <br /> <br /> 22.5 x 32 inches rolled. A few minor professional repairs on archival linen. Fine. <br /> <br /> Pitts 2240. N.p. unknown
书商的参考编号 : 132301
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Jack Clayton (director); Ray Bradbury (screenwriter, novel); Jonathan Pryce, Diane Ladd (starring)
Something Wicked This Way Comes Original screenplay for the 1983 film
Burbank CA: Walt Disney Pictures 1981. Revised script for the 1983 film. Written for the screen by Ray Bradbury based on his 1962 novel. <br /> <br /> After a carnival comes to Green Town the good citizens are compelled to follow their deepest desires caught under the spell of the malevolent Mr. Dark Jonathan Pryce who can grant those desires on one condition: that the grantees will forever join his freak show. <br /> <br /> In 1977 Bradbury sold the film rights to his novel to Paramount. He and director Jack Clayton whom Bradbury had previously worked with on Moby Dick produced a completed script. However production never began and the film was eventually put into turnaround. At the time Walt Disney Pictures was concentrating on films with more mature themes in an attempt to break free from their stereotype as an animation and family film studio. After the success of darker children's fantasy pictures by competing studios such as Time Bandits and The Dark Crystal Disney decided to purchase the adaptation's rights and hired Bradbury to produce a new script from scratch. .Set in Greentown Illinois but shot on location in Morrisville and Waterville Vermont. <br /> <br /> Gray titled wrappers noted as Revised on the front wrapper marked production No. 0233 dated 8/24/81 with credits for novelist and screenwriter Bradbury. Title page wit integral with the first page of the text dated 8/24/81. 127 leaves mechanical duplication with blue revision pages throughout dated 9/30/81. Pages about Fine wrapper Near Fine bound internally with three gold brads. Walt Disney Pictures unknown
书商的参考编号 : 133045
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Otis Garrett (director); William Edward Haynes (novel); Harold Buckley (screenwriter); C. Henry Gordon, Donald Woods, Nan Grey (
The Black Doll Original post-production script for the 1938 film
Universal City CA: Universal Pictures 1937. Continuity and Dialogue script for the 1938 film. <br /> <br /> Based on the 1936 novel by William Edward Haynes. The second installment of the Universal Crime Club mysteries. A man finds a black doll after murdering his business partner and is then later murdered himself. A detective tries to solves the mystery with multiple suspects. <br /> <br /> White self-wrappers with credits for director Otis Garrett. 106 leaves with last page of text numbered 15. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads along the top edge. Universal Pictures unknown
书商的参考编号 : 130886
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John Schlesinger (director); Waldo Salt (screenwriter); James Leo Herlihy (novel); Jerome Hellman (producer); Dustin Hoffman, Jo
Jon Voight in Midnight Cowboy Original still photograph from the 1969 film
Beverly Hills CA: United Artists 1969. Vintage black-and-white borderless reference photograph from the US release of the 1969 film. <br /> <br /> Jon Voight plays a naive Texan who moves to New York to hustle his body and finds himself in an unlikely friendship with an ailing con artist played by Dustin Hoffman. Winner of three Academy Awards including Best Picture and nominated for four others. <br /> <br /> Set in New York and Texas shot on location in New York Texas Florida and New Jersey. <br /> <br /> 8 x 10 inches. Fine. In a custom museum-quality frame archivally mounted with UV glass. <br /> <br /> National Film Registry. United Artists unknown
书商的参考编号 : 133623
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Frank Partos (screenwriter); Stanley Kauffmann (novel)
Just Before Laughter Original screenplay for an unproduced film
N.p.: N.p. 1956. Draft script for an unproduced film "Just Before Laughter" based on the 1955 novel "A Change of Climate" by Stanley Kauffman. Copy belonging to screenwriter Partos with a Jaffe Agency label on the title page. <br /> <br /> The story of a professor who leaves his teaching position to become a salesman at a company he later finds had corrupt dealings with the US Army. Set in New York and Florida. <br /> <br /> Tan titled wrappers. Title page present with credits for screenwriter Partos and novelist Kauffmann. 131 leaves mimeograph on eye-rest green stock. Pages Fine wrapper Near Fine bound with three gold brads. N.p. unknown
书商的参考编号 : 133745
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Frank Partos (screenwriter); Dorothy Canfield (story)
The Murder on Jefferson Street Original screenplay for an unproduced film
N.p.: N.p. 1944. Treatment script and copy of the original story for an unproduced film "The Murder on Jefferson Street" based on the 1944 short story by Dorothy Canfield. Copy belonging to screenwriter Frank Partos with his name in manuscript pencil. Also included with the script are contracts from Dorothy Canfield Story Magazine and Harcourt Brace and Company signing over the story's film and television rights to Partos. <br /> <br /> A psychological thriller set in a Middle Western town called Huntsville the story follows the career paths of two men who work in the same office as one attempts to psychologically damage the other in order to take his better position. <br /> <br /> Housed in a blank black spring binder. Title page present with credits for screenwriter Partos and story writer Canfield. 128 leaves carbon typescript. Pages Near Fine spring binder Near Fine. N.p. unknown
书商的参考编号 : 133742
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Douglas Sirk (director); Erich Maria Remarque (novel); Orin Jannings (screenwriter); John Gavin, Lilo Pulver, Jock Mahoney, Don
A Time to Love and a Time to Die Eight photographs from the 1958 film
London: Unviersal International Pictures 1958. Eight vintage full-color still photographs from the UK country of origin release of the 1958 film. <br /> <br /> Based on Erich Maria Remarque's 1954 novel about a company of German soldiers on the Russian front during WWII. One of the soldiers is sent home where finding his home bombed he struggles for his sanity and survival with the help of the daughter of a political prisoner. <br /> <br /> Set on the Russian front and in Germany during World War II shot on location in Berlin. <br /> <br /> 8 x 10 inches. Faint creases else Near Fine. <br /> <br /> Masters of Cinema 65. Davenport p. 358. Hyams p. 129. Unviersal International Pictures unknown
书商的参考编号 : 132741
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George Sidney (director); H. G. Wells (novel); Bert Cann (photographer); Beverly Cross (screenwriter); Tommy Steele, Julia Foste
Half a Sixpence Original British front-of-house card from the 1967 film
Hollywood: National Screen Service / Paramount Pictures 1967. Vintage full-color British front-of-house card from the 1967 UK film. <br /> <br /> Based on the 1905 H. G. Wells novel "Kipps" starring Tommy Steele as Arthur Kipps an orphan apprenticed to a tyrannical owner of a mercantile. His grandfather dies and leaves him a vast wealth prompting a sudden life change. <br /> <br /> 8 x 10 inches. Ink notation on the verso and faint creases else Near Fine. <br /> <br /> Hirschhorn p. 389. National Screen Service / Paramount Pictures unknown
书商的参考编号 : 132880
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Henry Hathaway (director); Georges Simenon (novel); Sydney Boehm (screenwriter); Van Johnson, Joseph Cotten, Ruth Roman, Jack Ca
Beyond the River The Bottom of the Bottle Eight photographs from the 1956 film
London: Twentieth Century-Fox 1956. Eight vintage hand-tinted still photographs from the 1956 UK release of the 1956 US film. <br /> <br /> Based in Georges Simenon's 1949 novel "Le fond de la bouteille" "The Bottom of the Bottle" published in the US in the 1954 collection "Tidal Wave". The film centers around a wealthy rancher Cotten in the border town of Nogales Arizona and his brother Johnson a drunk who escapes from prison and hides in his garage. Johnson wants his brother the rancher to help him across the Santa Cruz River into the Mexico where his wife Shirley Patterson as Shawn Smith lives in squalor. <br /> <br /> A story set and shot on location in the Arizona. <br /> <br /> 8 x 10 inches. Light rubbing overall else Near Fine. Twentieth Century-Fox unknown
书商的参考编号 : 132779
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George Englund (director, producer); William J. Lederer, Eugene Burdick (novel); Stewart Stern (screenwriter); Marlon Brando, Pa
The Ugly American Original screenplay for the 1963 film
Universal City CA: Universal Pictures 1959. First Draft screenplay for the 1963 film. <br /> <br /> Best on the best-selling 1958 novel by Burdick and Lederer about Americans in Vietnam and the struggle for the US in combating the country's Communist politics. Brando plays a scholar named Harrison MacWhite who becomes ambassador to Sarkan a southeast Asian country in the midst of civil war. He realizes that the anti-American sentiment towards Communism symbolizes his own longing for self-determination and nationalism. Released early the same year as the assassination of JFK and the escalation of the Vietnam War. <br /> <br /> Green titled wrappers noted as FIRST DRAFT SCREENPLAY on the front wrapper rubber-stamped production No. 8378 dated May 21 1959. Title page present noted as First Draft Screenplay with credits for screenwriter Stern. 160 leaves Multilith duplication. Pages about Fine wrapper about Fine bound with three gold brads. Universal Pictures unknown
书商的参考编号 : 129017
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Brando, Marlon, and Yul Brynner (starring); Bernhard Wicki (director); Daniel Taradash (screenwriter); Werner Joerg Luedecke (no
Morituri Two original photographs from the 1965 film
London: Twentieth Century-Fox 1965. Two vintage black-and-white still photographs from the 1965 UK release of the 1965 US film. On the versos are studio rubber stamps UK and one still has a mimeo tag affixed to the verso with the reissue title "Sabateur: Code Name Morituri." <br /> <br /> Based on the 1963 novel by Werner Joerg Luedecke and one of the most underrated war films of the 1960s about Robert Crain Brando a German living in India during World War II who is blackmailed by Colonel Statter Howard to impersonate an SS officer onboard a cargo ship with Captain Mueller Brynner in charge leaving Japan for Germany. <br /> <br /> 8 x 10 inches. Faint creases and a brief evidence of cello tape removal to one still else Near Fine. Twentieth Century-Fox unknown
书商的参考编号 : 133553
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Joseph Losey (director); Nicholas Mosley (screenwriter); Richard Burton, Alain Delon, Romy Schnedier, Valentina Cortese (starrin
The Assassination of Trotsky Original British front-of-house card featuring Richard Burton from the 1972 film
London: Dino De Laurentiis Cinematografica 1972. Vintage color British front-of-house card featuring Richard Burton from the UK release of the 1972 UK film.<br /> <br /> 8 x 10 inches. Near Fine. Dino De Laurentiis Cinematografica unknown
书商的参考编号 : 133568
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David Henderson (screenwriter); Robert N. Zagone (screenwriter)
Zeroville Two drafts of an original screenplay for an unproduced film both inscribed by David Henderson
N.p.: N.p. 1988. Two Draft scripts from 1987 and 1988 for an unproduced film. Both drafts SIGNED by screenwriter David Henderson in manuscript ink on the title page in 1992 and each has a lengthy inscription about the development of the script noting "Michael L. Parker" and his investment in the film the script's general plot and characters a proposed directorial role for Robert N. Zagone "San Francisco Rock: A Night at the Family Dog" 1970 television movie and revisions Henderson made in order to "make the film roughly a page a minute." <br /> <br /> A cursory look at the script leads us to believe the story is set in a desolate perhaps post-apocalyptic Southwest landscape and the overall theme seems to have crime/thriller elements i.e. murder guns swords. <br /> <br /> 1987 draft:<br /> <br /> Blue stiff titled wrappers. Title page present dated 1987 with credits for screenwriters Henderson and Zagone. 138 leaves mechanical duplication. Pages Fine wrapper Near Fine internally prong binding. <br /> <br /> 1988 draft:<br /> <br /> Light blue stiff titled wrappers. Title page present dated 1988 with credits for screenwriters Henderson and Zagone. 111 leaves mechanical duplication. Pages Fine wrapper Near Fine internally prong binding. N.p. unknown
书商的参考编号 : 129772
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J. Lee Thompson (director); Alistair MacLean (novel); Kenneth Danvers (photographer); Carl Foreman (screenwriter); Gregory Peck,
The Guns of Navarone Seven photographs from the 1961 film
Culver City CA: Columbia Pictures 1966. Seven vintage full-color still photographs from the 1966 re-release of the 1961 film. <br /> <br /> Based on MacLean's 1957 novel about a team of six Allied and Greek soldiers whose task is to destroy two powerful German guns that control the seas past the Greek island of Navarone making the evacuation of endangered British troops on a neighboring island impossible. Winner of an Academy Award Best Effects 1962. <br /> <br /> Shot on location in Greece California and Senegal. <br /> <br /> 8 x 10 inches. Faint corner creases else Near Fine. Columbia Pictures unknown
书商的参考编号 : 133563
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Sean Connery (starring); John Lemont (director, story); Leigh Vance (screenwriter); Herbert Lom, Kenneth Griffith, John Gregson
The Frightened City Two original photographs from the 1961 film
London: Anglo-Amalgamated Film Distributors / Zodiac Productions 1961. Two vintage black-and-white double weight still photographs from the 1961 UK film. <br /> <br /> Sean Connery stars as Paddy Damion the best friend of a gangster who is killed in opposition to the extortionist mob that runs a decrepit area of London. Paddy swears revenge on those responsible for his friend's death and after a bit of bloodshed agrees to provide information to the police in exchange for a light sentence. <br /> <br /> An early starring role for Sean Connery who would solidify his status in Hollywood as James Bond in "Dr. No" 1962 and a gratifying crime drama in the noir style with a nightclub setting a femme fatale Yvonne Romaine and downbeat ending. <br /> <br /> Set in London. <br /> <br /> 8 x 10 inches. Very Good plus with slight toning pinholes to one still and a closed tear to one still. <br /> <br /> Grant US. Keaney US. Selby US. Spicer US. Anglo-Amalgamated Film Distributors / Zodiac Productions unknown
书商的参考编号 : 133577
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Otto Preminger (director); John D. Voelker (novel); Gjon Mili, Al St. Hilaire (still photographers); Wendell Mayes (screenwriter
Anatomy of a Murder Original photograph from the 1959 film
Culver City CA: Columbia Pictures 1977. Vintage photograph from the 1959 film. <br /> <br /> Based on the 1958 novel by John D. Voelker under the pseudonym Robert Traver which he based on a real life case of a veteran accused of killing a local man who he believed raped his wife. Nominated for seven Academy Awards including Best Picture Best Adapted Screenplay Best Actor for Jimmy Stewart and twice for Best Supporting Actor for George C. Scott and Arthur O’Connell. <br /> <br /> Set in Michigan and shot on location there. <br /> <br /> 8 x 10 inches. Very Good to Near Fine. <br /> <br /> National Film Registry. Rosenbaum 1000. Criterion Collection 600. Penzler 101. Spicer US. Grant US. Selby US. Columbia Pictures unknown
书商的参考编号 : 133599
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Anthony Harvey (director); Frederic Raphael (novel, screenwriter); Liv Ullmann, Amanda Redman, Tim Pigott-Smith (starring)
Richard's Things Original screenplay for the 1980 film
New York: New World Pictures 1980. Draft Agency script for the 1980 film. Adapted for the screen by noted screenwriter Frederic Raphael based on his 1973 novel. <br /> <br /> A woman begins an affair with her late husband's mistress after his death using each other to cope with the grief of his loss. <br /> <br /> Black titled wrappers with the William Morris Agency logo on the front wrapper and with credits for screenwriter Frederic Raphael. Title page present with credits for screenwriter Raphael. 122 leaves mechanical duplication. Pages about Fine wrapper Near Fine bound internally with three gold brads. New World Pictures unknown
书商的参考编号 : 133617
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Herbert Ross (director, producer); Arthur Laurents (screenwriter, producer); Anne Bancroft, Shirley MacLane, Mikhail Baryshnikov
The Turning Point Original screenplay for the 1977 film
Los Angeles: Twentieth Century-Fox 1976. Draft script for the 1977 film. Presumed estimating script with "Budgeting" in manuscript ink on the front wrapper. Notations in manuscript blue and black ink throughout. <br /> <br /> A film made at what was arguably the maturation point for the Women's Liberation movement that began in the mid-late 1960s in which MacLaine and Bancroft portray former dance colleagues whose lives have gone separate ways one becomes a professional dancer the other a settled domestic woman and whose unexpected reunion yields dramatic consequences. Nominated for 11 Academy Awards including Best Picture Best Director and Best Screenplay. <br /> <br /> Mustard titled wrappers noted as "Budgeting" on the front wrapper. Title page present dated 3/2/76 with a credit for screenwriter Laurents. 116 leaves mechanical duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown
书商的参考编号 : 129783
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Robert [Bob] Willoughby (photographer); Mike Nichols (director); Joseph Heller (novel); Buck Henry (screenwriter); Alan Arkin, A
Alan Arkin Art Garfunkel and Martin Sheen on the set of "Catch-22" 1969
N.p.: N.p. 1969. Vintage oversize double weight candid photograph of Alan Arkin Art Garfunkel and Martin Sheen on the set of Mike Nichols' "Catch-22" in 1969. Shot and struck by the film's still photographer Bob Willoughby. The photographer has written at the top of the verso in manuscript pencil: "Candid during rehearsal / The boys break up in briefing room scene / Art Garfunkel Alan Arkin Martin Sheen." Also with Willoughby's ASMP rubber stamp for both his New York and Ireland addresses. Full provenance available. <br /> <br /> After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br /> <br /> In a custom museum-quality frame archivally mounted with UV glass. 13.5 x 10 inches. Near Fine. <br /> <br /> National Film Registry. N.p. unknown
书商的参考编号 : 133199
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Ben Hecht (screenwriter); David O. Selznick (mogul); Ernest Hemingway (author)
Original photograph of Ben Hecht and David O. Selznick on the set of "A Farewell to Arms
N.p.: N.p. 1957. Oversize double weight photograph of screenwriter Ben Hecht standing with his boss producer and mogul extraordinaire David O. Selznick on a snow covered set in the Italian Alps during the 1957 filming of Selznick's "A Farewell to Arms." <br /> <br /> Based on the 1929 novel by Ernest Hemingway directed by Charles Vidor and starring Rock Hudson and Jennifer Jones. The second time the novel was filmed following the 1932 version directed by Frank Borzage and preceding a three part British television miniseries in 1966.<br /> <br /> 11 x 13.5 inches. Near Fine with a small corner crease at the bottom right. In a custom museum-quality frame archivally mounted with UV glass. N.p. unknown
书商的参考编号 : 133039
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Roman Polanski (director); Wladyslaw Szpilman (memoir); Jean-Louis Seigner (photographer); Ronald Harwood (screenwriter); Adrien
The Pianist Original photograph from the set of the 2002 film
Paris: Jean-Louis Seigner 2001. Vintage oversize photograph of Roman Polanski on location in Warsaw in 2001 during the production of his 2002 film. <br /> <br /> Based on the 1946 memoir by Wladslaw Szpilman about his survival in the Nazi-occupied Warsaw Ghetto during World War II. Winner of the Palme d’Or at Cannes and three Academy Awards including Best Director and Best Screenplay. Nominated for four others including Best Picture. <br /> <br /> Set in Warsaw shot on location in Brandenberg and Berlin and Warsaw. <br /> <br /> 9.5 x 12 inches. Fine. In a custom museum-quality frame archivally mounted with UV glass. Jean-Louis Seigner unknown
书商的参考编号 : 133189
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Guido Brignone (director, screenwriter); Francesco Thellung, Francesco De Feo, Sergio Leone, Giuseppe Mangione (screenwriters);
Sheba and the Gladiator Sign of the Gladiator Original British front-of-house card from the 1959 film
London: Anglo-Amalgamated Film Distributors 1959. Vintage full-color British front-of-house card from the UK release of the 1959 Italian -French film. <br /> <br /> A Peplum sword-and-sandal film co-written for the screen by Sergio Leone and others about Marcus Valerius a Roman military commander who is defeated and taken as a slave. He seduces the Queen of Palmira the ruler of his enemies and fights to save her life in battle against his own soldiers. <br /> <br /> 8 x 10 inches. Very Good plus with a few corner creases. Anglo-Amalgamated Film Distributors unknown
书商的参考编号 : 132401
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Fritz Lang (director, screenwriter); Thea von Harbou (screenwriter); Rudolf Klein-Rogge, Gerda Maurus, Lien Deyers (starring)
Spies Spione The Spy Original UK program for the 1928 film
London: Fritz Lang Film / UFA / W and F. 1928. Vintage UK program for the 1928 German film released in the UK as "The Spy." <br /> <br /> Lang's followup to "Metropolis" and penultimate silent film an underrated spy versus spy thriller containing some of the most virtuosic set pieces of the director's career including a spectacular train crash at the film's climax. <br /> <br /> 9.5 x 12 inches 12 pages side stapled in card wrappers. Wrappers Very Good plus overall interior bright and Near Fine. Fritz Lang Film / UFA / W and F. unknown
书商的参考编号 : 132454
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Robert Aldrich (director); Howard Rigsby (novel); Dalton Trumbo (screenwriter); Rock Hudson, Kirk Douglas, Dorothy Malone, Josep
The Last Sunset Five photographs from the 1961 film
London: Unviersal International Pictures 1961. Five vintage full-color still photographs from the 1961 UK release of the 1961 US film. <br /> <br /> Based on Howard Rigsby's novel "Sundown at Crazy Horse" about a cowboy who on the lam from the law travels to visit an old flame in Mexico only to find her married to a drunk. Screenwriter Dalton Trumbo was also at work writing the script for Otto Preminger's "Exodus" while he wrote for this film. <br /> <br /> A story set and shot on location in Mexico. <br /> <br /> 8 x 10 inches. Faint creases overall else Near Fine. Unviersal International Pictures unknown
书商的参考编号 : 132742
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Douglas Sirk (director); Samuel Fuller (screenwriter); Irving Lippman (photographer); Cornel Wilde, Patricia Knight (starring)
Douglas Sirk and Cornel Wilde on the set of "Shockproof
Culver City CA: Columbia Pictures 1949. Vintage studio still photograph of director Douglas Sirk working on the set of the 1949 film noir. <br /> <br /> A wonderful photograph of the entire crew shooting a scene where Cornel Wilde and Patricia Knight are parting at an airport. Sirk is standing on a crane support at the left and cinematographer Charles Lawton Jr. is seated just below. A key American noir from an original screenplay by Samuel Fuller. <br /> <br /> Shot on location throughout Los Angeles and notably in the Bradbury Building on Broadway now an architectural landmark originally built in 1893 by Los Angeles mining millionaire Lewis L. Bradbury and designed by George Wyman. <br /> <br /> In a custom museum-quality frame archivally mounted with UV glass. 7 x 9 inches borderless with a studio stamp and a mimeograph snipe on the verso. Near Fine. <br /> <br /> Selby US. Silver Classic Noir. Spicer US. Columbia Pictures unknown
书商的参考编号 : 133084
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Norman Jewison (director, producer); Abram S. Ginnes (screenwriter); Ben Hecht (novel); Merie Earle, Beau Bridges, Melina Mercou
Gaily Gaily Original screenplay for the 1969 film copy belonging to actress Merie Earle
Beverly Hills CA: Mirisch Productions / United Artists 1968. Final Draft script for the 1969 film. Copy belonging to actress Merie Earle her first film credit and INSCRIBED on the front wrapper: "This was my first / "on location" picture / Everything was / "red carpet" I loved it / Merie Earle." Notations in manuscript red ink and pencil throughout at Earle's speaking parts as "Grandma." Merie Earle was a solid fixture on the television series "The Waltons" 1972-1979 as "Maude Gormley."<br /> <br /> Based on Ben Hecht's 1963 book about a young writer Bridges caught in political corruption in Chicago early 1900s. A grand cinematic tale nominated for art direction costume design and sound. Margot Kidder Lois Lane of "Superman" 1978 got her Hollywood start with this film as a prostitute who deflowers Bridges. <br /> <br /> Goldenrod titled wrappers noted as FINAL DRAFT on the front wrapper rubber-stamped copy No. 167 dated May 8 1968 with credits for producer-director Jewison. Title page present dated May 8 1968 noted as FINAL DRAFT with credits for screenwriter Ginnes and producer-director Jewison. 135 leaves mimeograph duplication with blue and white revision pages throughout dated either 7/8/68 or 7/11/68. Pages Very Good plus wrapper Very Good plus bound with two gold brads. Mirisch Productions / United Artists unknown
书商的参考编号 : 131321
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Charles Eastman (screenwriter, director); John Voight, Anne Archer (starring)
The All-American Boy The All American Boy Original screenplay for the 1973 film
Burbank CA: Warner Brothers 1970. Revised Estimating script for the 1973 film. A key title in New Hollywood cinema. <br /> <br /> Searching for some direction in his life Vic Bealer Voight fights his way to Olympic glory as an amateur boxer void of emotion and feeling using women and taking advantage of everyone to get what he wants. Shot in six "sequences" with title cards to indicate the exact "round" of life Vic is in affecting a silent-era homage. <br /> <br /> Tan titled wrappers noted as REV. ESTIMATING SCRIPT on the front wrapper rubber-stamped copy No. 114 dated March 18 1970. Distribution page present with receipt intact. Title page present dated 3/18/70 with credits for screenwriter director Eastman. 137 leaves on yellow stock mechanical duplication with blue revision pages throughout dated 3/25/70. Pages about Near Fine wrapper Very Good plus bound internally with two gold brads. Warner Brothers unknown
书商的参考编号 : 131240
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Michael Crichton (novel); Mike Hodges (director, screenwriter); George Segal, Joan Hackett, Jill Clayburgh (starring)
The Terminal Man Original screenplay for the 1974 film copy belonging to actress Joan Hackett
Burbank CA: Warner Brothers 1973. Final script for the 1974 film. Actress Joan Hackett's working copy with her ownership name in manuscript ink and an affixed newspaper clipping on the front wrapper and her brief annotations on the title page. <br /> <br /> Based on the 1972 novel by Michael Crichton. Noted director Mike Hodges' third film and first to be made in the US after "Get Carter" in 1971 and "Pulp" in 1972. <br /> <br /> An unusual and prescient sci-fi thriller that was poorly distributed in the US but over time counted Stanley Kubrick and Terrence Malick among its admirers. Segal in a serious against-type role is a scientist who agrees to an experimental treatment wherein a tiny computer is implanted in his head to help control violent tendencies. The computer malfunctions probably Windows-based and he becomes a psychotic killer. <br /> <br /> When Mike Kaplan a Warner Bros international marketing executive attempted to override Warner Bros' decision not to release the film in Britain he sought Kubrick’s help. After explaining the situation and how the film required a different marketing campaign Kubrick interrupted with “I’ve already seen it and it’s terrific.â€<br /> <br /> The director Terrence Malick wrote to Hodges expressing how much he loved watching The Terminal Man saying "I have just come from seeing The Terminal Man and want you to know what a magnificent overwhelming picture it is. You achieve moods that I’ve never experienced in the movies before though it’s only in hope of finding them that I keep going. Your images make me understand what an image is not a pretty picture but something that should pierce one through like an arrow and speak in a language all its own."<br /> <br /> Yellow titled wrappers noted as FINAL on the front wrapper dated May 9 1973. Distribution page present with receipt intact. Title page present dated 5/9/73 with credits for screenwriter Hodges. 112 leaves mechanical duplication on eye-rest green stock. Pages Very Good plus wrapper Very Good plus bound internally with two gold brads. Warner Brothers unknown
书商的参考编号 : 131497
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Anthony Asquith (director); Joe Pearce (photographer); Terence Rattigan (screenwriter); Elizabeth Taylor, Richard Burton, Maggie
The V.I.P.s Nine photographs from the 1963 film
London: National Screen Service / MGM 1963. Collection of 6 vintage full-color and 3 black-and-white still photographs from the 1963 UK film. <br /> <br /> A star-studded drama that takes place in a New York airport at the V. I. P. lounge. Taylor's jewelry in the film came mostly from her own collection and this is Taylor's and Burton's second collaborative film credit. Margaret Rutherford won an Academy Award for her supporting role. <br /> <br /> 8 x 10 inches some slightly smaller. Faint creases overall else Near Fine. National Screen Service / MGM unknown
书商的参考编号 : 132580
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John Hough (director); Frederick Nolan (novel); Graham Attwood (photographer); Alvin Boretz (screenwriter); Sophia Loren, John C
Brass Target Original photograph from the 1978 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1978. Vintage black-and-white still photograph from the 1978 film. <br /> <br /> Based on Nolan's 1974 novel "The Algonquin Project" about a heisted shipment of German gold and General Patton's ploy to retrieve it starring George Kennedy as Patton . <br /> <br /> Shot on location in Germany and Switzerland. <br /> <br /> 8 x 10 inches. And faint corner creases else Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
书商的参考编号 : 133348
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Francois Truffaut (director, screenwriter, starring); Jean Itard (memoir); Pierre Zucca (photographer); Jean Gruault (screenwrit
The Wild Child Collection of 12 photographs from the 1970 film
Paris: Les Films du Carrosse / Les Productions Artistes Associes 1970. Collection of twelve vintage reference photographs from the 1970 French film. <br /> <br /> Based on the true story of "feral child" Victor of Aveyron found living alone in the woods of France in 1800 and a doctor's attempts to educate him and introduce him to civilized society. <br /> <br /> Shot on location in Aubiat Auvergne and Paris. <br /> <br /> 8 x 10 inches. Fine. Les Films du Carrosse / Les Productions Artistes Associes unknown
书商的参考编号 : 132913
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