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CUNISSET-CARNOT P.
Trois mois au Caucase, Svanetie, la mer caspienne (de Tiflis ? Bakou), Lenkoran, l'Arm?nie. Article (2 pages, 1 photo et 1 plan ) dans l'illustration.
Num?ro complet.
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Cunningham, Bill.
THE KID NEXT DOOR.
37p. Text surrounded with blue drawings of a suburban street. Small 8vo. Original full paper binding, pictorial vignette on front cover. Original dust jacket, slightly torn. First printing. Scarce. Very nice copy. WWII 2
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CURTIS CATE
1812 LE DUEL DES DEUX EMPEREURS
BROCHE - 15X 24- 483pp - éditions ROBERT LAFFOND - 1987
Bookseller reference : 20235
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Curated by OLGA SVIBLOVA.
Quiet resistance: Pictorialism in Russian photography.= Sessiz direnis: Rus fotografinda resimsellik. [Exhibition catalogue]. Edited by Cem Ileri.
New English Paperback. Pbo. 4to. (30 x 23 cm). In English and Turkish. Color and b/w ills. 272 p. "With a selection of the works of contemporaneous artists who were influenced by one another and 'rediscovered' in Russia in the mid 1990s, 'Quiet Resistence - Pictorialism in Russian Photography' presents to viewers a segment from the development of Russian art at the turn of the 20th century, as well as a glimpse into the country's cultural history. The exhibition is comprised of 194 outstanding vintage prints by 18 renowned Russian photographers, including Alexander Rodchenko, Sergei Lobovikov, Alexander Grinberg and Yuri Yeremin, whose works extend from 1898 to the 1940s.".
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Curated by SIBEL ALPASLAN ARÇA, EMINE BILIRGEN, AYSEL ÇÖTELIOGLU.
Treasures of the Moscow Kremlin at the Topkapi Palace. Topkapi Palace Museum, March 12 - June 7, 2010. [Exhibition catalogue].
New English Paperback. Pbo. 4to. (30 x 21 cm). In English. 261 p. Color and b/w ills. "The Topkapi Palace: The administrative centre for about 400 years of the 600 year history of the Ottoman Empire, is enthusiastically waiting to host the rare treasures of the Moscow Kremlin Palace. The "Treasures of the Ottoman Sultans from the Topkapi Palace Museum" exhibition that will reciprocate the Russian Treasures exhibition, orginazed at the Topkapi Palace with the cooperation of the Moscow Kremlin Palace Museums and the contributions of the Istanbul 2010 European Capital of Culture Agency in Moscow, will offer visitors the chance to see works of the Ottoman Palace of the same period at the Tsar's Palace. These exhibitions from the collections of the Topkapi and Kremlin, two important palaces of the world presented to visitors for the first time, will not only shed light on the historical-cultural relations between Turkey and Russia but will also be important for developing future relations".
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Curators: EVGENIA PETROVA, TAYFUN BELGIN.
Scenes from Tsarist Russia. 19th century Russian classics from the State Russian Museum Collection.= Çarlik Rusyasi'ndan sahneler. Rus Devlet Müzesi Koleksiyonu'ndan 19. yüzyil Rus klasikleri. [Exhibition catalogue].
New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. 192 p., color ills. 'Scenes from Tsarist Russia: 19th Century Russian Classics from the State Russian Museum Collection, not only presented art lovers with a selection of masterpieces being displayed for the first time in Turkey, but also offered scenes of Russian history through Russian Realist paintings. The masterpieces from the rich collection from the State Russian Museum in St. Petersburg reflected every aspect of life including labour and poverty, the world of children, public festivals, war and death, scenes from bourgeois life, and revolution. In literature, music, and fine arts, the "Russian spirit" is depicted as a world of emotions in which love, sorrow, and death run rampant. After the 1860s, Realist conventions came to dominate the genre scenes. Progressive artists of Russia began portraying the fundamental problems of the period such as social injustice, serfdom (until 1861, peasants were considered as property of landowners in Russia), child labor, subjugation of women, and poverty. Daily life hence became a point of interest in art. In the 1870s and particularly after the 1880s, a more positive attitude came into view; the artists gradually diverged from depicting painful worlds. The public was no longer the victim, but a powerful subject. A tendency to poeticize folklore, as well as the public perception of nature and the universe began to emerge. Social problems were addressed in their entirety; analysis replaced condemnation. The exhibition, which included artists from Repin to Makovsky, Yaroshenko to Shishkin along with many others, presented not only Russia of the period with all its different aspects, but with its themes and characters the exhibition offered audiences a unique experience, one similar to reading the works of the great Russian writers such as Nikolai Gogol and Fyodor Dostoevsky.'.
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Curators: EVGENIA PETROVA, TAYFUN BELGIN.
Scenes from Tsarist Russia. 19th century Russian classics from the State Russian Museum Collection.= Çarlik Rusyasi'ndan sahneler. Rus Devlet Müzesi Koleksiyonu'ndan 19. yüzyil Rus klasikleri. [Exhibition catalogue].
New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. 192 p., color ills. 'Scenes from Tsarist Russia: 19th Century Russian Classics from the State Russian Museum Collection, not only presented art lovers with a selection of masterpieces being displayed for the first time in Turkey, but also offered scenes of Russian history through Russian Realist paintings. The masterpieces from the rich collection from the State Russian Museum in St. Petersburg reflected every aspect of life including labour and poverty, the world of children, public festivals, war and death, scenes from bourgeois life, and revolution. In literature, music, and fine arts, the "Russian spirit" is depicted as a world of emotions in which love, sorrow, and death run rampant. After the 1860s, Realist conventions came to dominate the genre scenes. Progressive artists of Russia began portraying the fundamental problems of the period such as social injustice, serfdom (until 1861, peasants were considered as property of landowners in Russia), child labor, subjugation of women, and poverty. Daily life hence became a point of interest in art. In the 1870s and particularly after the 1880s, a more positive attitude came into view; the artists gradually diverged from depicting painful worlds. The public was no longer the victim, but a powerful subject. A tendency to poeticize folklore, as well as the public perception of nature and the universe began to emerge. Social problems were addressed in their entirety; analysis replaced condemnation. The exhibition, which included artists from Repin to Makovsky, Yaroshenko to Shishkin along with many others, presented not only Russia of the period with all its different aspects, but with its themes and characters the exhibition offered audiences a unique experience, one similar to reading the works of the great Russian writers such as Nikolai Gogol and Fyodor Dostoevsky.'.
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Curie Eva
Diario di guerra. Da New york a Chungking via Mosca
8vo, br. ed. bandelle, pp.672. . Durante la seconda guerra mondiale l'autrice, figlia della grande scienziata, fu corrispondente per l'Herald Tribune dall'Egitto, Persia, Russia, Cina, India, ecc.
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CURLETTI Maria Grazia (a cura di)
ORI E ORE. Arte sacra e profana al tempo degli Zar.
In-8 (cm. 22), brossura illustrata, con alette, pp. 217, (5), con illustrazioni a colori nel testo. Catalogo della Mostra: Milano, Galleria ottavo piano, La Rinascente piazza Duomo, 1 Dicembre 1994 - 14 Gennaio 1995. Puntiforme abrasione al piatto anteriore; peraltro, volume in buono stato (good copy).
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Curley, Walter J. P
Monarchs-in-waiting.
New York, Dodd, Mead, 1973. original cloth large 8vo, xv, 238 pages with maps and illustrations, copy signed by the author, a good copy
Bookseller reference : HC10-797
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Current Opinion.
CURRENT OPINION. One issue for the Year 1917. Edited by Edward J. Wheeler.
One issue, July. Numerous advertisements, drawings and photographs. Folio. Original full printed color pictorial wraps. Slight soiling. Wonderful advertisements. A remarkable record from the World War One era. WWI 12
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Curtis, William Eleroy
Around the Black Sea: Asia Minor, Armenia, Caucasus, Circassia Daghestan, the Crimea Roumania
8vo. original dark yellow cloth with elaborate white and rose decorated front board. First Edition. pp. 456 The orginal color folding map and 40 b&w unique photographs are intact. An excellent copy. scarce. Contents: cruising in the black sea, trebizond, railway concessions in turkey, caucasus, tiflis, ararat, armenians persecution, massacres of 1909, american missions, caspian oil fields, daghestan, circassians and cossacks, crimea, sevastopol and balaklava, florence nightingale, odessa, new regime in turkey, emancipation of turkish women, robert college and other american schools
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Curtis, William Eleroy
TURKESTAN: THE HEART OF ASIA
Foxing and dampstaining throughout. Binding loose in spots; Dark blue boards with gilt lettering and gilt ornate ; B&W Photographs; 8vo; 344 pages
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Curtiss John Shelton
The Russian Revolutions of 1917
New York: Van Nostrand 1957. Paper bound later printing 191pp includes short bibliography and index. Clean and tight - a very good or better copy. 160 grams - ships lettermail at much reduced postage! Scan available on request. All books in stock and available for immediate shipment from Winnipeg Manitoba. New York: Van Nostrand, (1957) unknown
Bookseller reference : 27268 ISBN : 0442000162 9780442000165
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Curzon, Robert, Lord
Armenia: A Year at Erzeroom and on the Frontiers of Russia Turkey and Persia
New York: Harper & Brothers 1854. First American Edition . Blue Cloth. Good. Map and Woodcuts. 226 Pp. Original Cloth Gilt And Blind Stamped. Contents Clean Light Aging. Covers With Wear Cloth Lightly Frayed Across Top Of Spine And Down 3/4" At Top Front Spine Edge A Few Other Points Of Fraying. Spine Has Been Wet Gilt Is Dulled Cloth Of Spine And Adjacent Areas Of Covers And Endpapers Damp Stained This Damage Not Reaching The Printed Pages. Anecdotes And Observations Made While Curzon Was Part Of A Commission To Resolve The "Turkish And Persian Problem In Kurdistan And Armenia" Seeking The Most Arbitrary And Least Democratic Solution For All Residents Of The Area And Achieving Enduring Success. Library Label Franklin Institute On Front Pastedown Four Digit Number At Base Of First Page. This Copy Fairly Crisp And May Never Have Been Read. <br/> <br/> Harper & Brothers hardcover
Bookseller reference : 025450
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CUSTINE Marquis de
La Russie en 1839
seconde édition,revue,corrigée et augmentée.Tome premier. In 12 broché,faux-titre,titre,XXIV,392 pages,Librairie d’Angot 1843.Une partie supérieure et inférieure du dos réparée.
Bookseller reference : 5795
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CUSTINE Marquis de
LA RUSSIE EN 1839. Tomes 1-2
Paris Valmonde édition 1991 in 8 (25x13,5) 2 volumes reliures façon velour vert de l'éditeur, dos lisses, 527 et 523 pages, papier vergé des papeteries de Jeand'heurs. Collection bibliothèque de l'histoire. préface d'Hélène Carrère d'Encausse. Postface de Julien-Frédédéric Tarn. Notes et éclaircissements de Michel Parfenov. Bel exemplaire
Bookseller reference : 15773
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CUSTINE (Astolphe de).
La Russie.
Paris, Amyot, (1854); in-4, bradel papier gaufré violet, filets dorés, couv. jaune illustrée. (Laurenchet). 196 pp., texte sur 2 colonnes. Vignette sur bois en tête. Rarissime édition populaire de ce livre fameux, publié pour la première fois chez le même Amyot en 1843, 4 volumes. Bien complet de sa couverture. Très bien établi.
Bookseller reference : 46400265
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CUSTINE (Marquis de)
La Russie en 1839. Seconde édition, revue, corrigée et augmentée.
Paris, Amyot, Paris, Amyot1843 ; 4 volumes in-12°, demi chagrin rouge, filets dorés, tranches jaspées. Reliure de l'époque. - PREMIERE EDITION IN-12°, en partie originale, parue la même année que la première édition publiée par le même éditeur en format in-8°. Le chef-d'œuvre du Marquis de Custine. Entrepris pour plaider personnellement la cause de son ami Ignace Gurowski, ce voyage en Russie sera une révélation. Le livre de Custine, ouvrage tout de circonstance, bien fait pour ne pas survivre à ce qu'il peint, après plus d'un siècle nous surprend et nous fascine parce qu'il a de prémonitoire. L'aristocrate dans l'âme qu'est Custine devient une sorte de révolutionnaire "" face à la servitude et plus encore à l'effrayant silence où tout un peuple est muré "". "" Le despotisme n'est jamais si redoutable que lorsqu'il prétend faire du bien, car alors il croit excuser ses actes les plus révoltants par ses intentions ! "". Les dures réflexions de Custine sur le gouvernement des tsars, jalonnent l'ouvrage en un crescendo de plus en plus vigoureux. Ce qui frappe le plus dans "" l'âme russe "" c'est cette acceptation de la servitude. Il parle de mystique et de volupté de la servitude. Custine justifie et annonce la révolution russe : "" nos petits enfants ne verront peut-être pas l'explosion que nous ne pouvons cependant présager dès aujourd'hui comme inévitable "". La conclusion du volume parait écrite aujourd'hui par un figarotier ; "" Quand votre fils sera mécontent en France, usez de ma recette, dites lui : Allez en Russie "". C'est un voyage utile... quiconque aura bien vu ce pays se trouvera content de vitre partout ailleurs ! "". Le livre connut un grand succès en France et fut interdit en Russie. Balzac qui passait la fin de l'été 1843 à Saint Petersbourg, chez Madame Hanska, le lit en cachette et le blâme ouvertement. Il est tellement lâche qu'il supprimera la dédicace à Custine qu'il comptait mettre en tête du Colonel Chabert. Le bruit a même couru que Balzac a été sollicité d'écrire une réfutation de la Russie en 1839 et qu'on lui a offert beaucoup de roubles. - Peu à peu on oublia ce livre. En 1930 on publie à Moscou une nouvelle traduction du livre qui condamne le gouvernement des tsars. En 1946 l'U.R.S.S parait constituer pour l'Europe une menace semblable à celle de la Russie de 1839 et l'on imprime à Paris des extraits du voyage. Après la France, l'Amérique s'intéresse à lui. On le relit, on en parle. Diplomates, journaliste et hommes politiques de tous bords, s'en font à peu de frais un allié. Quelques rousseurs"
Bookseller reference : 46400983
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CUSTINE (Astolphe, marquis de).
La Russie en 1839.Seconde édition, revue, corrigée et augmentée.
1843 br. le volume … 40 € 2 vol. in-12 , P. Amyot 1843
Bookseller reference : 13467
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CUSTINE, marquis de (1790-1857)
La Russie en 1839. Seconde édition, revue, corrigée et augmentée.
1843 1 Paris, Librairie d'Amyot, éditeur, 1843, 4 tomes in-12, reliure demi-chagrin maroquiné vert (reliure postérieure), titre et tomaison or sur dos lisse orné d'un fer romantique dans un filet d'encadrement or, chaque volume a sa première de couverture et n'a pas été rogné en gouttière ; pâles piqûres, dos uniformément éclaircis. Tome I : 2 ff. (fx-titre, titre) - VII ("quelques mots de l'éditeur sur la seconde édition") - XXIV (Avant-propos) - 392 pp. Tome II : 2 ff. - 406 pp. Tome III : 2 ff. - 400 pp. - Tome IV : 2 ff. - 426 pp. y compris la table dépliante, "Généalogie des princes et princesses de Brunswick".
Bookseller reference : 12842
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CUSTINE Marquis de:
La Russie en 1839.
Paris, Lib. d’Amyot, 1843. 4 vol. in-12 de XXIV, 392 + 406 + 400 + 426 pp. demi-veau brun glacé, dos à faux-nerfs orné de fleurons, filets et roulettes dorés, tranches bleues. Coiffes frottées avec de légers manques aux coiffes supérieures, un petit manque au dos du vol. 2, charnière 1er plat vol. 1 fendue et dos détaché, rousseurs.
Bookseller reference : 2250
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CUSTINE (marquis de)
Lettres de Russie
Paris, les Editions de la Nouvelle France, (1946) - in-8 : 372 pp. -br., couv. ill., pap. bleu (déchirures au mors sup, couv. défraîchie)
Bookseller reference : 295
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CUSTINE (Marquis de).-
Lettres de Russie avec une introduction de l'éditeur.
P., Ed. de la Nouvelle France, 1946, in 8° broché, 369pp., non coupé ; couverture abîmée.
Bookseller reference : 12478
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CUSHION, John P.
MANUEL DE LA CÉRAMIQUE EUROPÉENNE. Faïences, faïences fines, grès, terres cuites
Fribourg Office du Livre 1987 in 8 (21,5x23) 1 fort volume reliure toilée illustrée de l'éditeur, 732 pages [2], avec de nombreuses reproductions de marques de céramiques européennes. Ont collaboré: Jeanne Giacomotti et Antoinette Faÿ-Hallé. Coordination: Tamara Préaud. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Bookseller reference : 32103
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CUSTINE Marquis De
Voyage En Russie
Paris Le Club Français Du Livre 1957 In-8 XXXIII+293 pp, Lettres présentées par Jacques Brenner ; 1ères pages de gardes illustrées dont une dépliante, frontispice ; décor estampé sur 1er plat, faibles rousseurs sur les gardes. Intérieur très frais, édition hors-commerce.
Bookseller reference : 10450
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CUSTINE (Marquis de).-
Voyage en Russie. Lettres présentées par Jacques Brenner.
1957 Paris, Club Français du Livre, 1957, in 8° relié pleine toile ocre décorée de l'éditeur,296 pages ; portrait en frontispice et première garde illustrée dépliante
Bookseller reference : 82526
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Cussler, Clive with Paul Kemprecos
FIRE ICE: A Novel from the NUMA Files
New York NY U.S.A.: Penguin Putnam Incorporated 2002. 1st ed. fine in dust jacket. A Kurt Austin Adventure. "This newest addition to the Kurt Austin series after Blue Gold has the men from NUMA National Underwater & Marine Agency team up with former KGB spies to face down a Russian mobster with czarist aspirations and a zealot's hatred for the "corruption and materialism" of the Western lifestyle. The NUMA research vessel Argo is in the Black Sea for a PR jaunt when Austin spots the overdue TV crew being chased down an island beach by mounted Cossacks. Austin learns from his old KGB Cold War adversary Vladimir Petrov that the island is a mothballed submarine base commandeered by paranoid mobster Mikhail Razov employer of the Cossacks a billionaire who built Ataman Industries by taking over utilities and mines sold by the state. Razov claims descent from the Romanovs and is plotting to assume the throne. Meanwhile when a U.S. Navy sub goes missing and a mysterious tidal wave swamps a Maine coastal town the NUMA team figures out that Ataman is mining "fire ice" unstable and explosive solid methane in the high-pressure deep-sea bottom. Austin and his oceanographic team join forces with Petrov and set out to foil Razov's plot. Cussler is in top form here working in a role for Old Ironsides and Czar Nicholas II's crown while throwing in enough derring-do and eco-lore to leave his fans breathless. Coauthor Kemprecos Blue Gold with Cussler adds his oceanographic expertise to the mix." -- Publishers Weekly. First Edition. Hardcover. Fine/Fine. Book. Penguin Putnam, Incorporated
Bookseller reference : 013014 ISBN : 0399148728 9780399148729
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CUSTINE (de) marquis
La Russie en 1839, TOME 2 SEUL
SOLIN, 1990, 521 pp., broché, plis sur le dos, légères traces d'usage, état correct.
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Custine (Marquis de).
La Russie.
Un volume de format grand in 4° de 196 pp.; texte sur deux colonnes, édition populaire regroupant les 36 lettres de Custine sur la Russie. Reliure postérieure en demi basane vert empire; dos à 5 nerfs, fleurons dorés, pièces de titres en maroquin rouge; titres dorés. Plats papier à la cuve assorti. Couverture conservée. Petits manques à la fragile couverture. Sinon bel état. Reliure de qualité. Tampon de colportage. Exemplaire désirable.
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CUSTINE Astolphe
LA RUSSIE EN 1839. Vol. I (-IV)
In 16, 4 voll., pp. 411, 398, 357, 372 con una genealogia dei Principi di Brunswick a doppia pagina n.t. Sporadiche bruniture ma nel complesso buon esemplare. M.pg. Importante opera del marchese di Custine (1790-1857) noto soprattutto per i suoi racconti di viaggio. In trentasei lettere l'autore analizza la vita sociale, economica, artistica e politica russa non risparmiando attacchi alla tirannide zarista a quel tempo incarnata dallo zar Nicola II. Tuttavia, nonostante le violente critiche, quando l'opera fu tradotta in russo nel 1930, venne definita 'la piu' intelligente che sia stata scritta sulla Russia da uno straniero'. Apparentemente prima edizione pur differenziandosi per il numero delle pagine da altre copie in commercio.
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CUSTINE Astolphe, Marchese de -
Lettere dalla Russia.
Milano, Silva, 1961, 8vo legatura tutta tela con fascetta editoriale e sovraccopertina in plastica trasparente, pp. XVI-316.
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CUTOLO Alessandro -
Il magnifico Potemkin.
Novara, De Agostini, 1970, 8vo tutta tela editoriale con fregi e titoli dorati al piatto anteriore e al dorso e sovraccopertina illustrata a colori, pp. 318 (Collana Storica) .
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Cvetaeva Marina
Il diavolo
trad. di Luciana Montagnani tela edit. con sovrac. ill., minima rottura in sovrac.
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Cvetaeva Marina
Il Diavolo
8vo, br. ed. pp-x-162 scritti autobiografici.
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Cvetaeva Marina
L'accalappiatopi. Testo russo a Fronte
8vo, br. e. pp.330. Composto negli anni dell'emigrazione fra Praga e Parigi, "L'accalappiatopi" è l'ultimo poema di Marina Cvetaeva ispirato a un motivo del folclore, la leggenda del Pifferaio magico. Ammaliati dal suono del flauto - seduzione femminile della Musica - i topi sognano di una rivoluzione mondiale in un'India favolosa. Seguono il Pifferaio incantati da miraggi d'Oriente. Incalzante il ritmo del flauto e dell'intero poema, musica demònica che conduce alla morte non-morte nel regno della libertà. L'originale interpretazione della fiaba vuole che i topi siano salvati dall'imborghesimento e i bambini di Hameln sottratti per sempre all'orrore della ripetizione. Il loro esodo verso una terra promessa, Paradiso della Poesia, Eden e Sesamo, avviene in un tripudio di azzurro, mitico colore dell'Anima romantica. Il tema nordico del Pifferaio magico è il pretesto che Marina Cvetaeva coglie per orchestrare le aspre dissonanze di una "satira lirica" contro il filisteismo. "L'Accalappiatopi" esprime l'antinomia fondamentale della sua poetica: il conflitto tra l'Anima-Poesia e il corpo, ovvero il quotidiano, che esige dal poeta la resa assoluta. Così avvenne per Majakovskij, per Cvetaeva, Esenin, poeti "dissipati"dalla propria generazione. Lo scontro si dinamizza nel tessuto poetico, dispiegato lungo un ampio registro, che alterna toni alti e bassi, dizione biblica e modi colloquiali o gergali.
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Cvetaeva Marina
Sette Poemi Testo Russo a Fronte
16mo, br. ed. 299pp. «Tracciare una Storia di Marina per Poemi. Seguendo il filo delle grandi composizioni degli anni Venti cui lei stessa affida il significato di massima testimonianza spirituale; col desiderio di cogliere in questo affresco di splendore e afflizione, affollato di tutti i suoi fantasmi, l'essenza di un mondo interiore sterminato. "Sette Poemi" scelti tra i complessivi ventuno e appartenenti alla prima fase dell'emigrazione, quando la Russia sovietica è alle spalle e Elabuga di là da venire; tramati di premonizioni e consonanze oniriche, e sorretti da una retorica di nuovissimo conio, da un sentimento fratello a quello che anima la voce del tribuno Majakovskij. A questi canti il respiro emotivo della singola lirica va stretto, e Cvetaeva trova l'orizzonte loro piú acconcio nella cornice distesa del poema. Quando Boris Pasternak addita «il tendere al poema» di tutti i cicli cvetaeviani, coglie il sottile crinale che corre tra i due versanti: se virtualmente ogni sua costellazione di liriche aspira a farsi poema, il passaggio si realizza solo laddove il disegno complessivo giunga alla perfetta coerenza di forma e temi. Inanellati uno sull'altro, i Poemi degli anni Venti traboccano di reciproche risonanze, vibrano degli stessi, elettrici impulsi, dominati come sono dalla volontà di oltrepassare le barriere della finzione per generare accadimenti e incontri palpabili, porre riparo a eventi già occorsi, istituire orizzonti inediti.» (dall'Introduzione di Paola Ferretti)
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Cvetaeva Marina
Una Serata Non Terrestre
16mo br, ed. 115pp. "Io non amo la vita in quanto tale", scriveva Marina Cvetaeva, "per me essa comincia ad avere un significato, cioè a trovare senso e peso, solo trasfigurata, ovvero nell'arte". E Marina Cvetaeva ha voluto che l'intera sua esistenza - pur sprofondata nelle peggiori crudeltà dell'epoca, e pur irrimediabilmente segnata dalle sue stesse personali tragedie - dalla tragica morte per denutrizione di una delle sue figlie, all'uccisione del marito, fino al suo stesso suicidio -, venisse trasfigurata nell'arte. Nelle prose inedite riunite in questo volume, la Cvetaeva si racconta, ma le sue non sono semplici pagine autobiografiche, dal momento che, come scriveva a Boris Pasternak , "la vita quotidiana è tradimento: dell'anima. Tradire con l'anima la vita dei giorni - credo di non aver fatto altro nella mia vita". L'intento di Marina è semmai quello di controbattere, con un proprio passato rivisto e corretto dal mito dell'arte, un tempo presente del tutto inaccettabile e indegno: tempo di esilio, di solitudine, di perdita, di cancellazione. E a questa cancellazione che in primo luogo si oppongono queste pagine della Cvetaeva, che vede l'intero suo mondo sempre più travolto, come quella Germania divenuta paese nemico e che per lei era stata e rimaneva sinonimo di libertà: la patria di Bach, di Heine, di Goethe... Tra Germania, Francia e Russia, Marina dissemina i suoi ricordi, le sue esperienze, soprattutto i suoi sentimenti...
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Cycon, Dieter
Die glücklichen Jahre. Deutschland und Rußland.
Herford, Busse Seewald, 1991. 480 Seiten mit einigen s/w-Karten, 8°, OPbd. mit farbig illustr. OUmschlag.
Bookseller reference : 43849
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CYON (E. de)
La Russie contemporaine. Les principes de l'autocratie - la France et la Russie - la question des Juifs.
1891 br. in-12, 380pp., P. Calmann Lévy, 1891,
Bookseller reference : 12327
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CYRILLE.
VOYAGE SENTIMENTAL DANS LES PAYS SLAVES.
in-12, 311 pages, broche, couverture. Dos fendu sinon bel exemplaire. [NV-18] Dalmatie-Monténégro-Herzégovine-Croatie-Serbie-Bulgarie Galicie-Bohème-Slovénie.
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CZAPSKI Joseph
TERRE INHUMAINE. Adapté du polonais par M-A Bohomolec et l'Auteur. Préface de Daniel Halévy.
L'Age d'Homme 1978. In-8 broché couverture illustrée d'un autoportrait de l'auteur 277pp. Bel exemplaire frais et complet. Première version intégrale de ce témoignage capital sur l'histoire de la 2e Guerre Mondiale en Pologne. Né à Prague en 1896, décédé à Maison Laffitte en 1993, cet écrivain, peintre et critique d'art, offre ici, également, l'un des premiers témoignages sur l'horreur des goulags. (4737)
Bookseller reference : GITj030
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Czerwinski, Janusz; Mazurski, Krzysztof R
Sudety
Sport i Turystyka N.D. HARDCOVER. G / NONE. 0x0x0. GOOD-to-VERY-GOOD HARDBACK IN POLISH Sport i Turystyka hardcover
Bookseller reference : 56865 ISBN : 8321723934 9788321723938
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CZOLA-ÖLA, Conde Karol de.
COMO ME ESCAPE DE SIBERIA Y CONOCI A CHANG-KAI-SHEK.
19x13. 191p. Sello y firma anterior poseedor.
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CZYNSKI Jean ( sous la direction de).
La Russie Pittoresque, sous la direction de M. Jean Czynski , vignettes de M. J. -B. Gatti.
1837 A Paris, Au bureau Central, rue Corneille, 1837 ; 2 tomes reliés en 1 volume in-4°, demi-cuir de Russie violine, dos lisse très orné en long de deux grands fleurons dorés cernant le titre doré au centre ; VIII, 192pp.; IV, pp.193 -383 (pagination continue aux 2 volumes). Illustré hors texte de 24 planches en noir.
Bookseller reference : 8482
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Céline FALLET
HISTOIRE de PIERRE le GRAND, Empereur de Russie
Un ouvrage de 284 pages, format 140 x 220 mm, illustré, relié percaline bleue nuit "Institution Clausse - Paris", publié en 1861, E. Vimont Libraire-Editeur (Rouen), bon état
Bookseller reference : LFA-126718261
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D Kostiukevichaus (Russie, Lituanie, Europe de l'Est), Ex-libris.
Ex-libris.
D Kostiukevichaus (Russie, Lituanie, Europe de l'Est), Ex-libris. Ex-libris, 104*77mm. [335-3]
Bookseller reference : 011801
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D Mirono (Russie, Lituanie, Europe de l'Est), Ex-libris.
Ex-libris.
D Mirono (Russie, Lituanie, Europe de l'Est), Ex-libris. Ex-libris, 116*76mm. [335-2]
Bookseller reference : 011798
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D'akov Vladimir Anatol'evic; Institut slavanovedenia Russie Federation
Istoriki-slavisty SSSR Historians Slavic USSR. Language: Russian
Moskva : Nauka 1981. First Edition. Paperback. Very good paperback copy; edges somewhat slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight bright clean and strong.; 8vo 8"" - 9"" tall; 203 pages; Physical desc.: 203 p. ; 20 cm. Subject: Slavic Studies - USSR - Bibliography. Moskva : Nauka paperback
Bookseller reference : 218620
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D'Amato A
Impressioni di un viaggio in Russia
21 cm, br. illustrata, p. 50
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