‎Belgique‎

‎Peleman, Luc‎

‎Tachtig is prachtig: biografische notities omtrent de Elverseelse 80-plussers (3)‎

‎, Elversele : Heemkundige Kring Braem , 2005, Oorspronkelijk uitgevers omslag, 129 pag. afbeeldingen z/w.‎

‎Tachtig is prachtig: biografische notities omtrent de Elverseelse 80-plussers deel 3.‎

书商的参考编号 : 63219

‎Daems, Staf [edit.] Marivoet, Walter [edit.] Van Buggenhout, Jan [edit.] Verreth, Jan [edit.]‎

‎Van Waelhem tot Walem : historiek van een kleine gemeente met een groot verleden‎

‎, Walem : Heemkundige Kring Dr. Croquet v.z.w. , 2005, 2005 Gebonden, Hardcover 368 PAG. met veel illustraties/w. prima staat.‎

‎Van Waelhem tot Walem : historiek van een kleine gemeente met een groot verleden‎

书商的参考编号 : 63224

‎DEPUYDT HERVE‎

‎Yves Ullens Like A Painting‎

‎, Rasson Art Gallery, 2021 Hardcover 130 pages, . ISBN 9782805206214.‎

‎The visual effects of light, color and movement have been at the heart of Yves Ullens?s work for over 20 years. In order to make visible the fleeting moment of optical phenomena, the Belgian artist uses photography and explores visual perception not perceptible to the naked eye. The vibration of colors and lines is the result of the movement of his camera. The energy of this movement is directly captured by the camera and then fixed on the photographic print without further intervention. His artistic vocation was revealed following the unexpected outcome of a photo taken during a stay abroad. An accidental blur awakened his innate sense of abstraction and interested him in the effects of reflections of light. This photograph marked the beginning of his own style, going beyond the conventions and rules of traditional photography. Yves Ullens' abstract photographs are visual experiences linked to color and light. They remind us of the works of one of the Bauhaus masters, László Moholy-Nagy, who "used light as a formal primary factor, creating space and movement, and eliminating the central perspective of photography". Painting and photography are in constant dialogue in the work of Yves Ullens. He sees photography like a painter and uses his camera like a brush. He explores a free expression of shapes and colors as the abstract artists of the 20th century did with painting. Colors that the Belgian artist draws from the palette of details in his daily environment.‎

书商的参考编号 : 63233

‎An Van Camp‎

‎BRUEGEL TO RUBENS : GREAT FLEMISH DRAWINGS‎

‎, Ashmolean Museum, Oxford, 2024 Softcover, 244 pages, ENG. edition; 280 x 220 mm, NEW , 180 colored illustrations / 10 b/w. ISBN 9781910807590.‎

‎Many of the drawings coming from Antwerp are registered on the Flemish Government's Masterpieces List and will not be shown again for the next five to ten years to protect them from fading Highlights will include a sketchbook in which a young Rubens has copied Holbein's Dance of Death woodcuts, intricate pen and ink drawings by Pieter Bruegel, meticulously drawn miniatures by Joris Hoefnagel, portrait studies by Anthony van Dyck, and a rare survival of a friendship album containing numerous drawings and poems dedicated to its owner Two recently discovered drawings by Rubens will also be included, a design for a book-illustration on optics and an anatomical study of three legs. This catalogue will accompany the Bruegel to Rubens exhibition held at the Ashmolean Museum in Oxford between 22 March and 23 June 2024. Through a selection of over 100 world-class drawings created by Flemish artists in the sixteenth and seventeenth centuries, an insightful and comprehensive overview will be given into how these drawn sheets were used as part of artistic practice, within or beyond the artist's studio. By revealing the drawings' function, rather than on their attribution or iconography, these sheets will become more fully understood through the eyes of contemporary readers. Identifying how and why these sheets were created will render these artworks more accessible to a wider audience. The three main essays will each deal with one of the principal functions of drawings at the time: studies (copies and sketches), designs for other artworks (paintings, prints, tapestries, metalwork, stained glass, sculpture and architecture), and finally the independent drawings. Each essay will discuss the relevant works within their functional context and compared with other related objects. Introductory chapters will focus on what precisely can be considered a drawing, including its materials, media and techniques, in addition to an attempt to explain the notion of Flanders and Flemish art. Emphasis will be placed throughout the catalogue on how Flemish artists collaborated in creating the most astonishing artworks of their time, unveiling their networks and friendships, as well as their travels across Europe, revealing their international importance. The exhibition is a partnership with the Museum Plantin-Moretus in Antwerp and will bring together for the first time the most stunning drawings from both the Ashmolean and the Plantin-Moretus collections, in addition to further loans from renowned Antwerp and Oxford institutions like the Rubenshuis and Christ Church Picture Gallery. Many of the sheets coming from Antwerp are registered on the Flemish Government's Masterpieces List and will not be shown again for the next five to ten years to protect them from fading. Prominent artists featured in this catalogue include Pieter Bruegel the Elder, Peter Paul Rubens, Anthony van Dyck, and Jacques Jordaens, among many others.‎

书商的参考编号 : 63253

‎Herbig, Jost / Lebeer, Irmeline / Oppitz, Michael / Reise, Barbara / Zweite, Armin / Gevaert, Yves‎

‎Marcel Broodthaers; Catalogue/Catalogus, Marcel Broodthaers, Palais des Beaux-Arts Bruxelles, Brussel, 1974.‎

‎Bruxelles / Brussel, Société des Expositions du Palais des Beaux-Arts de Bruxelles, 1974 Original publishers paper-covered boards, Couverture originale de l'éditeur, 24x31cm, 77 pages beige paperback with black lettering / illustrées en noir et en couleurs. Édition originale de ce catalogue dont le système a été conçu par Marcel Broodthaers. Texte en Francais / Nederlands. ***Texts and interview with the artist and texts in French, German, Dutch and English by Jost Herbig, Armin Zweite, Barbara Reise Michael Oppitz, Irmeline Lebeer. Without the advertised large plate,‎

‎First Edition. In very FINE condition!!!‎

书商的参考编号 : 63270

‎Ariane van Suchtelen‎

‎ROELANT SAVERY'S WONDERLIJKE WERELD‎

‎, Waanders Uitgevers, 2024 PB, 144 pag. NL. editie, 260 x 210 mm, Nieuw, illustraties in kleur / z/w.*****Expo: 08/02/2024 - 20/05/2024, Mauritshuis, Den Haag. ISBN 9789462625211.‎

‎Roelant Savery (1578-1639) behoorde tot de grote groep Vlaamse kunstenaars die omstreeks 1600, tijdens de 80-jarige Oorlog, in de Noordelijke Nederlanden terecht zijn gekomen. Daar stonden zij aan de wieg van de grote bloei van de kunst in de zeventiende eeuw. Savery was een zeer veelzijdige tekenaar én schilder, gespecialiseerd in landschappen, dierstukken en bloemstillevens. Met encyclopedische precisie beeldde hij talloze verschillende soorten af: dieren, bloemen maar ook mensen uit diverse contreien, van Boheemse boeren tot joodse gelovigen in de synagoge. Savery werd dé schilder van de uitgestorven dodo uit Mauritius. Meer dan tien jaar werkte Savery in dienst van de Habsburgse keizer Rudolf II in Praag, die hem op pad stuurde om de landschappen en mensen van zijn rijk vast te leggen. Afkomstig uit de Lage Landen moeten de watervallen in de Alpen diepe indruk hebben gemaakt op de kunstenaar. Na terugkeer in Nederland vestigde Roelant Savery zich in Utrecht, waar hij achter zijn huis een tuin aanlegde met kostbare bloemen en planten. Zo hoefde hij niet van huis te gaan om inspiratie op te doen voor zijn bloemstillevens.‎

书商的参考编号 : 63302

‎Eric Min, Constantin Ekonomidès, Jan Melsen, Bart Verschaffel, Johan Merckx, Sergio Servellón et Peter François‎

‎Louis Thevenet La couleur redéfinie‎

‎, Hannibal, 2024 Couverture reliee 256 pages, illustré 29-24.5cm neuf. ISBN 9789464666922.‎

‎Louis Thevenet était considéré comme le Van Gogh belge et comme un important représentant de l'avant-garde. Johan Merckx Artiste internationalement connu et consacré « maître-peintre des délices du Sud Brabant » par James Ensor, Louis Thevenet (1874-1930) a souvent déménagé et résidé un peu partout en Belgique, du littoral à Hal, où il a passé ses quatorze dernières années. Cet ouvrage célèbre le 150e anniversaire de la naissance de Thevenet et explore en profondeur sa vie et son ?uvre. Richement illustré, il offre un bel aperçu de la carrière de ce fauviste brabançon au caractère singulier, qui peignait invariablement la vie quotidienne autour de lui. De l?intimité d'une chambre à un paysage pittoresque ou à un intérieur de café, Louis Thevenet. La couleur redéfinie donne à voir des dizaines de peintures, dont de nombreuses ?uvres jamais présentées auparavant. Ce livre paraît à l?occasion de l?exposition Louis Thevenet. La couleur redéfinieorganisée au Musée den AST & Villa Servais à Hal du 23 mars au 27 octobre 2024.‎

书商的参考编号 : 63317

‎Inne Gheeraert , David Van Reybrouck , Daniël Rovers‎

‎Constant Permeke, A new look at Constant Permeke‎

‎, Hannibal Books, 2024 Hardcover 208 pages, Illustrated. 27x21cm. English text. FINE. ISBN 9789464666984.‎

‎Although the work of Belgian artist Constant Permeke (1886?1952) is generally classified as Expressionism, he explored a multitude of registers. From the very beginning of his career, Permeke gained widespread international recognition with recurring subjects such as domestic scenes and people engaged in everyday activities. His landscapes and seascapes exude a hushed, sometimes sublime warmth. For Permeke, art and life were closely linked. His oeuvre shimmers with a vital, raw energy but can also be melancholic. He combined his painting technique ? characterised by powerful brushstrokes, dabs, smudges, scratches and streaks ? with drawing and outlining. Fully aligned with Modernism, he looked for ways to break through academism and reinvent painting, time and time again. This collection book is beautifully illustrated with dozens of paintings, sculptures and drawings. The numerous archive photographs offer unparalleled insight into the master?s life and oeuvre.‎

书商的参考编号 : 63321

‎Maes, Frank.‎

‎Joris Ghekiere MMV - MMVI‎

‎, Mer & BL, 2006 Gebonden, Hardcover 32 pages, Illustrated. 33x21cm. ISBN 9789076979342.‎

‎Joris Ghekiere lives and works in Klein-Willebroek (Antwerp, Belgium). He participated in many exhibitions at galleries, museum and centres for contemporary art.nThe contents, with 'misleading' images because of their particular beauty, as well as the various painting techniques he uses in paintings and installations, became basic elements which explain his unique position in the field of contemporary art and painting.‎

书商的参考编号 : 63374

‎Veulemans, Jan / Mara, Pol‎

‎[Artistieke Pauze] : [naar aanleing van de bekroning van Pol Mara en Jan Veulemans]‎

‎Beerse, Janssen Pharmaceutica, 1967 Map met 8 gedichten van Jan Veulemans en 8 kopieën van schilderijen van Pol Mara, ingeschakeld als een 'artistieke pauze' tijdens een studiedag van Regio, instituut voor regionale informatie en ontwikkeling, met als thema 'Kultuur en bedrijf', n.a.v. de bekroning van Pol Mara en Jan Veulemans, twee medewerkers van Janssen Pharmaceutica.‎

书商的参考编号 : 63386

‎Maria Clelia Galassi ; Maryan W. Ainsworth‎

‎Jan Massys : Renaissance Painter of Flemish Female Beauty.‎

‎, Brepols - Harvey Miller, 2024 Hardback, 239 pages, ENG. edition; 305 x 220 x 20 mm; llustrations: 82 b/w, 223 col., 2 tables b/w., 1 tables col. .*new ISBN 9782503607207.‎

‎This book rediscovers the Antwerp painter Jan Massys (c.1510-1573) and his artistic milieu. / The painter Jan Massys (c. 1510-1573) trained under his father Quinten, succeeding him after his death (1530) at the head of Antwerp's most famous workshop. However, his career, destined for certain success, was abruptly cut short in 1544. Condemned for joining the Loysts sect, he had to flee Antwerp, finding refuge perhaps initially in France and at one point in Italy. Only in 1555 was he able to return to his homeland, regaining his artistic leadership within a few years. His oeuvre consists exclusively of works for private use and is characterized, in particular, by the depiction of elegant and seductive nude or half-naked female figures, protagonists of biblical or mythological subjects. The identification of the patron of the 1561 Venus with the view of Genoa (Stockholm, Nationalmuseum) in the person of the noble Genoese banker Ambrogio di Negro, offered the possibility of reconstructing the social context of the artist's clientele and his relations with those intellectuals ? both Genoese and Flemish-who gave life to the lively humanist academies of Antwerp. The figure emerges of a cultivated and particularly refined painter, who shared with his patrons the ideals of neo-Petrarchan poetry and executed paintings of great preciousness, characterized by a meticulous and skillful painting technique. TABLE OF CONTENTS Chapter 1 Johannes Massiis alias Quintens Chapter 2 A career of ups and downs Chapter 3 Jan Massys and female beauty Chapter 4 A varied painting technique for depicting beauty, lechery, and luxury Chapter 5 Inside Jan Massys? Workshop: good and not-so-good workshop practices Chapter 6 Inside Jan Massys Workshop: known and unknown assistants Chapter 7 ConclusionBIO Maria Clelia Galassi graduated in art history at the University of Genoa and obtained her PhD from the University of Milan. Since 2000 she is professor at the University of Genoa, where she teaches History of collecting and Technical Art History. She focused her researches on Flemish and Italian painting technique during the Early Modern Age, and in the artistic relationship between Genoa and the Netherlands in the 15th and 16th centuries.‎

书商的参考编号 : 63388

‎Brian Kenny ; Sara Cedar Miller ;Jo Wetzels‎

‎Tom Wesselmann : Passion in Steel, Paper and Canvas‎

‎, Samuel Vanhoegaerden Gallery, 2024 Hardcover, 164 pages, ENG. edition, 310 x 240 x 23 mm, NEW, illustrated dustjacket, beautifull illustrations in sharp colours and b/w. ISBN 9789464202267.‎

‎Tom Wesselmann (1931-2004) became one of the leading American Pop artists of the 1960s, rejecting abstract expressionism in favor of the classical representations of the nude, still life, and landscape. He created collages and assemblages incorporating everyday objects and advertising ephemera in an effort to make images as powerful as the abstract expressionism he admired. He is perhaps best known for his Great American Nude series with their fat forms and intense colors. In the seventies, Wesselmann continued to explore the ideas and media which had preoccupied him during the Sixties. Most significantly, his large Standing Still Life series, composed of free standing shaped canvases, showed small intimate objects on a grand scale. In 1980 Wesselmann, using the pseudonym Slim Stealingworth, wrote an autobiography documenting the evolution of his artistic work. He continued exploring shaped canvases (first exhibited in the 1960s) and began creating his first works in metal. He instigated the development of a laser-cutting application, which would allow him to make a faithful translation of his drawings in cut-out metal. The 1990s and early 2000s saw the artist expanding on these themes, creating abstract three-dimensional images that he described as ?going back to what I had desperately been aiming for in 1959.? He had indeed come full circle. In his final years he returned to the female form in his Sunset Nudes series of oil paintings on canvas, whose bold compositions, abstract imagery, and sanguine moods often recall the odalisques of Henri Matisse.‎

书商的参考编号 : 63393

‎Anneleen Cassiman, Jan Ceuleers, Inne Gheeraert‎

‎CONSTANT PERMEKE ENG.‎

‎, Hannibal Books, 2024 HB, 275 x 210 mm, 200 p.,ENG. edition , illustrated in color / b/w.*New. ISBN 9789464666984.‎

‎Although the Belgian artist Constant Permeke (1886-1952) is considered to be an expressionist, he explored numerous different styles. In a quintessentially modernist fashion, he sought ways of upending or exploding academicism, and of repeatedly reinventing painting. Right from the start of his career, Permeke achieved wide international recognition with his recurring subjects such as domestic scenes and people going about their everyday activities. He participated in numerous major exhibitions at home and abroad, alongside great names in art history such as Georges Braque, Amadeo Modigliani, Ossip Zadkine and Pablo Picasso. With text contributions by Anneleen Cassiman, Jan Ceuleers, Inne Gheeraert, Franz W. Kaiser, Felipe Sevilhano Martinez, Daniël Rovers, Inneke Schwickert, Lise Vandewal, Wendy Van Hoorde and David Van Reybrouck. Publication to coincide with the festive reopening of the Permeke Museum at the artist's former home in Jabbeke on 29 March 2024. Constant Permeke is a new reference work that brings together around 100 works of art and offers an in-depth look at the artist's life and work.‎

书商的参考编号 : 63395

‎Marc Bourgeois‎

‎Gunter Wagner - Laurent Reypens : Elzenveld Sint-Jorispand.‎

‎Antwerpen, Jacques De Haes, 2002 Hardcover, 24.5x20.5cm., oblong, 62pp., ills. in kleur. Als nieuw.*** Gesigneerd door de auteur ***.‎

‎Tweetalige (Nederlands-Engels) tentoonstellingskatalogus. Tentoonstelling in het Elzenveld Sint-Jorispand te Antwerpen (13-12-2002 - 12-01-2003). met begeleidende handgeschreven brief van Laurent Reypens.‎

书商的参考编号 : 63415

‎Jean Luc Meulemeester ; Francis Claeys‎

‎BRUGSE STOVEN TIJDENS DE LATE MIDDELEEUWEN : Tafelen in een bad....en ietsje meer.‎

‎, Maurits Van Coppenolle vzw, 2022 Paperback, 128 pag.,NL. 300 x 210 mm, Nieuw, mooie illustraties in kleur / z/w. ISBN X.‎

‎Brugge heeft tijdens de latere middeleeuwen op verschillende terreinen een faam opgebouwd, zeker ook op het gebied van badstoven. Reizigers en handelaars hebben toen vaak daarover geschreven. Heel wat Vlaamse miniaturen tonen ons binnenzichten van dergelijke ruimten. Hier en daar vernemen we ook wat gegevens over dit onderwerp. Hoe werkten ze? Wie was er cliënt? Was de inrichting overal hetzelfde? Gebeurde er meer dan baden? Kon je er ook eten? Luisterde men naar muziek? Waar lagen ze in de stad? Aan de hand van een reeks getuigenissen, afbeeldingen en allerhande bronnen wordt in dit boek een antwoord op al die vragen geformuleerd. In het verleden werd her en der, in boeken en in artikels weleens over de Brugse badstoven geschreven. Nu worden deze gegevens voor het eerst samengebracht en aangevuld tot een honderd pagina?s tellende uitgave, verlucht met een resem kleurenillustraties. Het is ten andere het eerste Nederlandstalige boek dat over dit onderwerp wordt gepubliceerd.‎

书商的参考编号 : 63481

‎DE KOK, Harry;‎

‎TURNHOUT DEN EERSTEN TROOST DER STATEN,‎

‎Turnhout, Taxandria, 1989 softcover, 145 x 220mm., 241pp., z/w illustratie.‎

‎Taxandria, jaarboek van de Koninklijke Geschied- en Oudheidkundige Kring v.d. Antwerpse Kempen. 1989-Nieuwe Reeks LXI. De slag van Turnhout ( 27.10.1789 ). In goede staat.‎

书商的参考编号 : 63489

‎Katharina Van Cauteren,‎

‎FROM MEMLING TO RUBENS The Golden Age of Flanders‎

‎, Hannibal, 2021 hardcover , 290 x 250 mm, 304 pages, ENG edition. ISBN 9789463887441.‎

‎Why did Hans Memling paint everything in such minute detail? How did Rubens, in just a few brushstrokes, create special effects that Steven Spielberg would envy? And why was the Southern Netherlands the artistic centre of the world for three centuries? From Memling to Rubens: The Golden Age of Flanders tells the story of Flemish art from the 15th, 16th and 17th centuries, as you've never read it before. It's a rollercoaster ride through 300 years of cultural history. Leading the charge are breathtaking masterpieces from the collection of The Phoebus Foundation, unknown gems by the likes of Hans Memling, Quinten Metsys, Peter Paul Rubens and Anthony Van Dyck that plunge you into a world full of folly and sin, fascination and ambition. Along the way you'll bump into dukes and emperors, rich citizens and poor saints, picture galleries like wine cellars, and Antwerp as Hollywood on the Scheldt. This is a stirring tale about the image and its meaning, and the link between culture and society. Above all, it's about us, and about who we are today - as people. Dr. Katharina Van Cauteren (b. 1981) heads the Chancellery of The Phoebus Foundation. Katharina is an art historian and has already curated numerous exhibitions from Belgium to India.‎

书商的参考编号 : 63495

‎Stéphane Demeter, Nikolaus Hirsch, Yaron Pesztat et Bety Waknine‎

‎HORTA, AVOCAT DE POELAERT : La Leçon du Palais de Justice‎

‎, CIVA, urban.brussels, 2024 Paperback, 296 pages, Texte en Francais, 275 x 215 x 20 mm, Nouveau, richement illustré en couleur / n/b. ISBN 9782930391670.‎

‎Dans un texte inédit, Victor Horta se fait l?avocat du Palais de Justice et de son architecte Joseph Poelaert. Atterré par les modifications apportées au bâtiment depuis son inauguration en 1883, modifications qui selon lui ne respectent en rien le projet architectural initial de Poelaert, il prend la défense du bâtiment. Il a pourtant été membre de la Commission chargée de suivre les travaux mais, n?ayant jamais été entendu, il en a démissionné. Il est donc libre désormais de critiquer ceux qu?il considère comme des iconoclastes et des philistins qui n?ont rien compris au génie de Poelaert ; et il ne va pas s?en priver. Ce texte, retrouvé dans les archives du Musée Horta, est aujourd?hui publié dans son intégralité et accompagné de commentaires destinés à en faciliter la compréhension. Il est en outre encadré d?un ensemble de réflexions, fruits de recherches approfondies qui renouvellent la lecture du bâtiment. Sont ainsi proposés: une analyse détaillée de l?architecture du bâtiment d?origine ainsi que de ses nombreuses transformations, une mise en évidence des similitudes entre le Palais de Justice et l?oeuvre de Horta, et un retour sur l?influence internationale du bâtiment, dont on peut trouver encore aujourd?hui des clones en Amérique du Sud. En outre, une commission photographique contemporaine capte les traces du passé et les confronte avec la succession des interventions faites sur le bâtiment. Enfin, une réflexion programmatique sur l?avenir de la fonction judiciaire dans le Palais de Justice et une orientation pour la reconnaissance de sa valeur universelle exceptionnelle entendent contribuer au débat sur l?avenir du bâtiment dans le cadre de sa rénovation à venir.‎

书商的参考编号 : 63533

‎Robbroeckx, M. [Denmark]‎

‎WYCKAERT.‎

‎Antwerpen, Lens Fine Art , 1975 Gebrocheerd, geillustreerde kartonomslag in kleur, 115 x 150mm., pagina's niet genummerd, uitgebreide z/w illustratie.‎

‎Tweetalige katalogus Nl/Fr, ter gelegenheid van de tentoonstelling bij Lens Fine Art van 21 nov. 1974 tot 11 jan. 1975 In goede staat.‎

书商的参考编号 : 63537

‎bibliophiles de Belgique,/ Bernard Vegnes‎

‎Pictura loquens : livres illustrés dans les anciens Pays-Bas et à Liège du XVe au XVIIIe siècle: catalogue de l'exposition, Bibliotheca Wittockiana, 10 février-31 mars 2019‎

‎Bruxelles, Société royale des bibliophiles et iconophiles de Belgique, 2018 Hardcover, 360 pages, 28x18cm. Couverture originale de l'éditeur, Illustrations en couleurs en noir & blanc nombreuses illustrations dans et hors texte. Texte en Francais / Nederlands. **Edition numérotée à 00 exemplaires N°; 35. ISBN 9782960232707.‎

‎Pictura loquens : livres illustrés dans les anciens Pays-Bas et à Liège du 15e au 18e siècle: catalogue de l'exposition, Bibliotheca Wittockiana, 10 février-31 mars 2019 Deel van Le livre et l'estampe / Société royale des bibliophiles et iconophiles de Belgique. - Bruxelles, 1954, currens; vol. 188- 189‎

书商的参考编号 : 63564

‎Schoonbaert, Lydia M.A. [Schoonbaert, Lydia] [inl.]‎

‎Maîtres anciens au Musée royal d'Anvers / Musée royal [Anvers] [Koninklijk Museum voor Schone Kunsten [Antwerpen]]‎

‎Anvers / Antwerpen, Koninklijk Museum voor Schone Kunsten, 1990 softcover , 200 x 210mm., 76 pages ., uitgebreide illustratie in kleur en z/w. .Texte en Francais‎

‎bon etat.‎

书商的参考编号 : 63575

‎Katharina Van Cauteren, The Phoebus Foundation‎

‎WIJ: VAN ZALIG TOT ZOT: VLAAMSE MEESTERS‎

‎, Hannibal Publishing, 2021 Hardcover , 290 x 250 mm, 304 pages, NL edition. ISBN 9789463887434.‎

‎Wij - Van zalig tot zot is een unieke rollercoaster ride door drie eeuwen kunst- en cultuurgeschiedenis. Honderd adembenemende topstukken uit de collectie van The Phoebus Foundation, van onder meer Hans Memling, Quinten Metsys, Peter Paul Rubens en Antoon Van Dyck, nemen de lezer mee langs een wereld vol zotheid en zonde, fascinatie en ambitie. Ze vertellen over rijke burgers en arme heiligen, over kunstenaars en wijnkelders, en over Antwerpen als Hollywood aan de Schelde. Dit boek is een meeslepend verhaal over het beeld en zijn betekenis, en over de band tussen cultuur en maatschappij. Want bovenal gaat dit over ons en over wie wij vandaag zijn - als mensen. Publicatie bij de grote tentoonstelling From Memling to Rubens - The Golden Age of Flanders in het Kadriorg Art Museum in Tallinn, Estland, en in het MAS in Antwerpen.‎

书商的参考编号 : 63578

‎Dr. Fred G. Meijer‎

‎OPULENCE DISTILLED Masterpieces from the oeuvre of Jan Davidsz. de Heem.‎

‎Antwerp, BAI, 2024 hardcover, 160 pages,throughout colour illustrations, ENG edition. FINE!. ISBN 9789085868484.‎

‎Jan Davidsz. de Heem (Utrecht, 1606 - Antwerp, 1684) is among the very best still-life painters of the seventeenth century. He worked both in Antwerp and the Northern Netherlands, thus bringing together Flemish and Dutch painting. De Heem was a wizard with oil paint who portrayed eye-catching illusions of opulence and beauty in his many still lifes of varying sizes. In the more than five decades in which he painted, he always sought innovation in his choice of subject matter and in the breathtaking rendering of details. His still lifes take us back to the finest the seventeenth century had to offer. The Snijders House is part of the museum Snijders&Rockoxhuis in Antwerp and the former home of Frans Snijders, the Antwerp painter of still lifes, markets, animal pieces and yachts. The choise for this seventeenth-century patrician residence as an exhibition site to show masterpieces from De Heem's oeuvre is obvious.‎

书商的参考编号 : 63615

‎Tim Van Laere / Meese‎

‎JONATHAN MEESE - Magazine A.R.T. IS TOTAL FAMILY-BUSINESS! AGRIPPINA=ARTMOTHERZ NERO=ARTSOLDIER(CÄSAREN-ROULETTE, NO PROBLEM, YEAH)‎

‎Antwerp - Rome, Tim Van Laere Gallery, 2024 softcover, 104 pages, Quadrilingual: English, Dutch, French, Italian.‎

‎JONATHAN MEESE - Magazine A.R.T. IS TOTAL FAMILY-BUSINESS! AGRIPPINA=ARTMOTHERZ NERO=ARTSOLDIER(CÄSAREN-ROULETTE, NO PROBLEM, YEAH)‎

书商的参考编号 : 63660

‎Philippe Van Cauteren‎

‎DENNIS TYFUS Tattooed Tears of Joy.‎

‎Antwerp, Tim Van laere Gallery, 2024 Hardcover, 120 pages Illustrated. ISBN 9789464004274.‎

‎catalogue expo DENNIS TYFUS Tattooed Tears of Joy.‎

书商的参考编号 : 63662