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[SHAKESPEARE]; KIRK, Tho[ma]s (painter);SIMON, IP (engraver). I P
Measure for Measure Act V. Scene I.
London: John and Josiah Boydell 1790. 1803. Original copper engraving 44 x 60 cm overall sheet 55 x 68.5 cm. Tissue guard to verso. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1790. [1803]. unknown
Bookseller reference : 61483
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[SHAKESPEARE]; SMIRKE, R, RA (painter); SIMON, JP (engraver). R A J P
Merchant of Venice. Act II. Scene V. Shylock's House. Shylock Jessica and Launcelot.
London: John and Josiah Boydell 1795. 1803. Original copper engraving 60 x 44 cm overall sheet 68.5 x 55 cm. Tissue guard to verso. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1795. [1803]. unknown
Bookseller reference : 61451
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[SHAKESPEARE]; PETERS, W, The Revd (painter); SIMON, IP (engraver). I P
Merry Wives of Windsor. Act III. Scene III.
London: John and Josiah Boydell 1793. 1803. Original copper engraving c. 60 x 44 cm overall sheet c. 68.5 x 55 cm. Tissue guard to verso. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1793. [1803]. unknown
Bookseller reference : 61487
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[SHAKESPEARE]; SMIRKE, R (painter); SIMON, IP (engraver). I P
Merry Wives of Windsor. Act I. Scene I.
London: John and Josiah Boydell 1793. 1803. Original copper engraving c. 60 x 44 cm overall sheet c. 68.5 x 55 cm. Tissue guard to verso. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1793. [1803]. unknown
Bookseller reference : 61489
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[SHAKESPEARE]; HAMILTON, William (painter);SIMON, Peter (engraver).
Much Ado About Nothing. Act IV. Scene I.
London: John and Josiah Boydell 1790. 1803. Original copper engraving 44 x 60 cm overall sheet 55 x 68.5 cm. Tissue guard to verso. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1790. [1803]. unknown
Bookseller reference : 61481
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[SHAKESPEARE]; PETERS, Revd W[illia]m (painter);SIMON, Peter (engraver).
Much Ado About Nothing. Act III. Scene I.
London: John and Josiah Boydell 1790. 1803. Original copper engraving 60 x 44 cm overall sheet 68.5 x 55 cm. Tissue guard to verso. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1790. [1803]. unknown
Bookseller reference : 61482
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[SHAKESPEARE]. NORTHCOTE, Ja[me]s (painter); SIMON, P (engraver).
Romeo and Juliet. Act V. Scene III.
London: John and Josiah Boydell 1792 1803. Original copper engraving 44 x 60 cm overall sheet 55.5 x 68 cm. Light foxing to margins not affecting plate. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1792 [1803]. unknown
Bookseller reference : 61385
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[SHAKESPEARE]; WHEATLEY, Francis, RA; SIMON, IP (engraver). R A I P
Taming of the Shrew. Induction. Scene II. A room in the Lord's house. Sly with Lord & attendants.
London: John and Josiah Boydell 1794. 1803. Original copper engraving 44 x 60 cm overall sheet 53 x 66 cm. Tissue guard to verso. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1794. [1803]. unknown
Bookseller reference : 61444
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[SHAKESPEARE]; WHEATLEY, Francis, RA; SIMON, IP (engraver). R A I P
Taming of the Shrew. Act II. Scene II. Baptista's house. Petruchio Katherine Bianca &c.
London: John and Josiah Boydell 1795. 1803. Original copper engraving 44 x 60 cm overall sheet 53.5 x 66 cm. Tissue guard to verso. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1795. [1803]. unknown
Bookseller reference : 61443
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[SHAKESPEARE]; OPIE, J (painter); SIMON, JP (engraver). J P
Winter's Tale. Act II. Scene III.
London: John and Josiah Boydell 1795 1803. Original copper engraving 44 x 60 cm overall sheet 55 x 68 cm. Tissue guard to verso. Foxing to outer margins small 3m tear to lower margin neither affecting plate. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1795 [1803]. unknown
Bookseller reference : 61430
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[SIMON (Martine)] - DELLA TORRE (Claude).-
... d'avoir rêvé à tout celà un seul instant. Illustration Martine Simon.
P., La Feuille Fleurie, 1978, in 8° en feuilles sous couverture rempliée, 25 pages.
Bookseller reference : 72354
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[Simon BUSSY] Francis de MIOMANDRE.
Bestiaire Images de Simon Bussy, proses de Francis de Miomandre.
1927 Paris, G. Govone, 1927, 1 vol. in-folio (339 x 260 mm), broché sous couverture blanc cassé rempliée, vignette illustrée en couleurs au centre du plat supérieur, non paginé.Très pâles rousseurs en couverture, cahiers légèrement décollés du dos, très bel exemplaire très frais par ailleurs.
Bookseller reference : 14595
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[SIMON Edouard-Thomas, de Troyes]
Choix de poésies traduites du grec, du latin et de l'italien. Contenant la Puncharis de Bonnefons, les Baisers de Jean Second, ceux de Jean Vander-Does, des morceaux de l'Anthologie et des Poètes anciens et modernes, avec des notices sur la plupart des au
Londres, 1786. Deux volumes in 18 veau marbré de l'époque dos orné, tranches dorées.
Bookseller reference : 2816
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[SIMON (Richard.)]
Cérémonies et coustumes qui s’observent aujourd’huy parmi les Juifs. Traduites de l’italien de Leon de Modène, Rabin de Venise. Avec un supplément touchant les Sectes des Caraïbes et des Samaritains de notre temps. Par Don Recared Scimeon;
Paris, Billaine, 1674 ; in-12, basane brune de l’époque. 26 ff. n. ch. (préface, privilège, errata), 300 pp., 4 ff. n. ch. (table).ÉDITION ORIGINALE TRÈS RARE. Un des premiers livres du célèbre oratorien (Dieppe 1638 - 1712). Simon avait commencé de se faire connaître du public en publiant en 1670 un factum pour un juif condamné au feu par le Parlement de Metz, comme coupable de l’assassinat d’un enfant chrétien. Son mémoire contribue beaucoup à faire casser l’arrêt de condamnation.Ici il traduit l’Historia degli riti hebraici du rabbin Léon de Modène (1574 - 1654) dont la première édition avait paru à Paris en 1637 par les soins de Gaffarel. L’ouvrage est en 5 livres. Le cinquième contient le supplément sur les sectes juives hérétiques, les Caraïbes et les Samaritains, ainsi que plusieurs autres chapitres sur les divinations et sortilèges, les préceptes des femmes, les esclaves, etc. - Ingold p. 122 - Caillet 6539
Bookseller reference : 46401660
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[SIMON FRANCOEUR] - VALLES (Francis) -
Fort caribou.
Paris, Himalaya, 1986 ; in-4, 48 pp., cartonnage de l'éditeur(usures petites). Tampon.
Bookseller reference : 200501119
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[SIMON FRANCOEUR] - VALLES (Francis) -
Fort Caribou.
Paris, Himalaya, 1986 ; in-4, 48 pp., cartonnage de l'éditeur.
Bookseller reference : 200501118
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[SIMON Richard, sous le pseudonyme de Jérôme à Costa].
Histoire de l'origine & du progrés des revenus ecclésiastiques...
1684 Francfort, Arnaud [i.e. Rotterdam, Leers ?], 1684 ; in-12 (156 x 91 mm) de [2] ff., 346 pp., [5] ff., maroquin noir, trois filets dorés encadrant les plats, dos à nerfs orné de caissons de fleurons dorés, roulette sur les coupes et les chasses, tranches dorées sur marbrures (reliure de l'époque).
Bookseller reference : 663
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[SIMON (l'abbé Fr.-Xavier)].
Inventaire des archives du doyenné de Doudeville, par le doyen. Ière partie.
Rouen ,Mégard et Cie, 1857. In-8 de 226 pages. Rousseurs. Broché, couverture bleue imprimée en noir. Dos cassé avec manque de papier en tête et queue, papier fragile en bordure.
Bookseller reference : 13873
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[SIMON (Pierre)] - LE BOURG (Dominique).-
L'art d'être aimée. Illustrations de Pierre SIMON.
Paris, ODE (Collection "Les Clefs du Bonheur"), in 12, cartonnage noir illustré de l'éditeur, 95 pages.
Bookseller reference : 84994
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[SIMON (Mario) - MOURGUE (Pierre) - SIMEON - MARTY (André-Edouard) - BRISSAUD (Pierre) - MARTIN (Charles) - RZEWUSKI (Alex.) - BARBIER (George) - MAM] - VOGEL (Lucien), directeur.
La Gazette du Bon Ton - Art - Modes & Frivolités - Lucien Vogel, Directeur. N°1 - 1921 - 4e année. (NUMERO COMPLET).
1921 P., aux éditions Lucien Vogel, 1921, 1 vol. in-8° (263 x 203) en feuilles, sous couverture crème imprimée en noir, de IV pp. (Sommaire et Publicités illustrées en couleurs, paginés de I à IV) - 32 pp. (paginées de 1 à 32) - 8 planches hors-texte - cahier renfermant 4 pl. de croquis de MAM avec explication des planches du numéro en dernière page. Dos très légèrement insolé , coiffe supérieur un peu molle, très bel exemplaire à l'intérieur, rare dans cet état.
Bookseller reference : 14270
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[SIMEON - MARTIN (Charles) - LEROY (Maurice) - ZYG-BRUNNER - BRISSAUD (Pierre) - MARTY (André) - SIMON (Mario) - DUFY (Raoul)] - VOGEL (Lucien).
La Gazette du Bon Ton - Art - Modes & Frivolités - Lucien Vogel, Directeur. N°4 - 1920 - 3e année. (Numéro complet).
1920 P., Edition Lucien Vogel, 1920, 1 vol. in-8 (245 x 198) en feuilles sous couverture imprimée en noir, de (5) ff. (sommaire & publicités paginés XXV à XXXIV) - 32 pp. (paginées de 101 à 132) - 8 planches H.T. (Pl. 24 à 31) - 1 cahier titré "Robes pour l'été 1920 - Le panorama est de Raoul Dufy. Les soieries sont de Bianchini Férier et Cie composées par Raoul Dufy" contenant 1 panorama dépliant formé de 4 planches couleurs numéroté "Pl. 21 à 24".Très bel exemplaire.
Bookseller reference : 14423
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[SIMON (Lucien)] HARAUCOURT (Edmond) :
Le Poison.
P. Kieffer 1920. In-4° broché, sous couverture rempliée (haut du dos coupé sans manque et recollé).
Bookseller reference : LIQ-4696
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[SIMON (Michel)] - DELICADO (Francisco).-
Le belle Andalouse. Traduite en français par Alcide Bonneau. Préface de Jean Cassou.
P., Cercle du Livre Précieux, 1959, in 8°, reliure de l'éditeur, jaquette rhodoïd, XV-259 pages.
Bookseller reference : 62537
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[SIMON LE FLEUVE] - AUCLAIR -
Le clan des centaures.
Bruxelles, Lombard, 1978 ; in-4, 46 pp., cartonnage de l'éditeur. Reed - bel état.
Bookseller reference : 201808408
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[SIMON (Mario)] - VALLES (Jules).-
Les blouses. La famine à Buzançais (1847). Illustrations de Mario SIMON.
P., Edouard-Joseph (Collection "Petites Curiosités Littéraires"), 1919, petit in 8° relié demi-basane fauve, dos à nerfs orné, couverture conservée.
Bookseller reference : 70834
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[SIMON (Mario)] - VALLES (Jules).
Les Blouses - La Famine à Buzançais (1847). Illustrations de Mario Simon.
1919 P., Edouard Joseph, collection "Petites curiosités littéraires", 1919, 1 vol. petit in-8° (205 x 148) broché sous couverture crème imprimée en noir et rouge, de 187 pp. - (1) f. (achevé d'imprimer). Couverture et dos insolés, bel exemplaire par ailleurs.
Bookseller reference : 11762
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[SIMON (Michel)] - PLUME (Christian) et PASQUINI (Xavier).-
Michel Simon.
Sans lieu, Alain Lefeuvre, 1981, in 4° broché, 175pp. ; importante iconographie ; couverture illustrée.
Bookseller reference : 28330
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[SIMON (Louis)]
Monographie scolaire de Visan. Suivie d'une courte notice sur cette importante commune du département de Vaucluse. Par un chroniqueur visanais de nos jours
Villedieu-Vaison, Maison de la Bonne Presse du Midi, s.d. (1909) in-12, 150 pp., ill. in et h.-t., broché. Couverture défraîchie, dos absent.
Bookseller reference : 213331
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[Simon EINE] - SIRO
Portrait caricature représentant : Simon EINE - comédien -
Dessin original à l'encre de chine sur calque signé - format 13,5 x 10,5 cm -
Bookseller reference : GF15177
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[SIMON DU FLEUVE ] - AUCLAIR -
SIMON DU FLEUVE T4 les pèlerins.
Bruxelles, Lombard, 1979 ; in-4, 48 pp., cartonnage de l'éditeur. REED.
Bookseller reference : 202500846
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[SIMON (Louis)].
Souvenirs de la maison des morts. Le massacre des Juifs. Documents inédits sur les camps d'extermination
Paris, L. Simon, 1945 in-16, 78 pp., avec quelques figures dans le texte, broché.
Bookseller reference : 231916
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[SIMON Claude]. STAROBINSKI Jean - RAILLARD Georges - DÄLLENBACH Lucien - DRAGONETTI Roger.
SUR CLAUDE SIMON.
Editions de Minuit. 1987. In-8° broché. 121 pages. E.O. sur papier ordinaire. Bon état.
Bookseller reference : 9378
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[Simon Bolivar] Gen H L V [Henri Louis La Fayette Villaume] Ducoudray Holstein
Memoirs of Simon Bolivar President Liberator of the Republic of Colombia; and of his Principal Generals; Secret History of the Revolution and the Events which Preceded it from 1807 to the Present Time
Boston: S.G. Goodrich & Co 1829. Very Good. Boston: S.G. Goodrich & Co. 1829. First Edition. Octavo; bound in contemporary tree calf with gilt stamping to spine; edges stained yellow; 383pp. collated and complete. Minor wear and scuffing; front board slightly bowed; binding sound; preliminary blanks nearly detached; contemporary ownership inscriptions 1829 and 1846 to preliminaries and title; light spotting to interior; Very Good and sound.<br /> <br /> History of "El Libertador" and his military campaigns by Prussian officer Decoudray Holstein who served under Bolivar as a colonel and was a witness to the revolutionary years of 1814-1816 in South America. Decoudray Holstein later worked as a bookseller attempted to liberate Puerto Rico and became a professor of Modern Languages at the college in Geneva New York. Uncommon in retail.<br /> <br /> Sabin 32644. S.G. Goodrich & Co unknown
Bookseller reference : 47014
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[Simon Canuel]
Réponse de M. le Lieutenant-Général Canuel à L'écrit Intitulé : Lyon en 1817 Par le Colonel Fabvier Ayant Fait les Fonctions de Chef de L'état-Major du Lieutenant du Roi Dans les 7e et 19e Divisions Militaires.
Paris: J. G. Dentu 1818. First edition. Unbound. Good. 7.5" by 5". None . The first edition of this scarce work featuring Simon Canuel's commentary on Charles Fabvier's pamphlet on the Lyon riots caused by Canuel's harsh conduct. The first edition of this scarce work. Written in French. This work features a response from Simon Canuel to a pamphlet produced in 1817 by Charles Nicolas Fabvier entitled 'Lyon'. Canuel was a French general during the French revolution and Napoleonic wars. Fabvier was French member of parliament and Chief of staff after Napoleon's death and was in charge of calming the riots in Lyon caused by Canuel's harsh conduct. Canuel was later suspended from the military. This work addresses and defends his actions and provides a response to Fabvier's pamphlet on the matter. Disbound from the original covers. Retaining original half title. Disbound from the original covers. Retaining original half title and title page. Internally firmly bound with lightly age toned and generally clean pages with the odd spot to the front and rear. Good J. G. Dentu unknown
Bookseller reference : 925Z40
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[Simon Goulart]; Du Bartas, Guillaume de Salluste; Lodge, Thomas
A Learned Summary Upon the Famous Poeme of William of Saluste Lord of Bartas. Wherin Are Discovered All the Excellent Secretts in Metaphysicall Physicall Morall and Historicall Knowledge. Fitt for the Learned to Refresh Theire Memories and for Younger Students to Abreviat and Further Theire Studies: Wherin Nature Is Discovered Art Disclosed and History Layd Open. Translated Out of the French by T. L. D. M. P.
London: Printed for Iohn Grismand 1621. First Edition. Hardcover. 26 317 but actually 315 11 182 185-264 12pp. Recent chocolate brown half calf over marbled boards blind tooling on the sides spine with five raised bands gold lettering and decorations. Engraved title in compartments representing the history of creation by Simon van de Passe head-pieces initials and tail-pieces text enclosed in borders. Index and errata for the first and second week at end. The English translation of Simon Goulart's Commentaires et annotations sur la semaine de la création du monde de G. de Saluste sieur du Bartas. Title page edges and fore edges of eleven leaves skillfully repaired. Sporadic foxing an occasional spot and minor soiling previous owner's name in ink on title. A very good copy. ; Folio. Printed for Iohn Grismand hardcover
Bookseller reference : 25590
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[Simon Lake]
AUTOGRAPH OF SIMON LAKE Early Designer of the Modern Submarine
Milford CT 1932. Hardcover. As New. American naval architect and engineer Simon Lake 1866-1945 was a pioneer of the modern submarine. In the 1890s he tried to sell his designs to the U.S. Navy but lost out to Irish engineer John Philip Holland. Nonetheless Lake went on to supply submarines to the U.S. Navy during World War I through his Lake Torpedo Boat Company.<br /> <br /> Offered here is a cancelled check hand-signed by Lake and mounted in a faux-leather portfolio. The check is issued by the Milford Trust Company Lake lived most of his life in Milford Connecticut and is made out to an Ernest Kropper for $50.00 and dated August 22 1932. Facing the check is a black and white photograph of Lake superimposed over one of his submarines along with an engraved plaque describing his career and achievements. The portfolio measures approx. 13" x 10.25" when folded and opens flat to approx. 20.75" wide.<br /> <br /> Condition is FINE with not cracks chips stains or other flaws. hardcover
Bookseller reference : 324204
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[Simon Tyssot de Patot]
Voyages et Avantures de Jacques Masse
Bordeaux: Jaques L'Aveugle 1710 c1742. Leather. Very Good. 7" by 4". Not Stated. A very scarce early imprint of this controversial work of enlightenment fiction being an early example of Utopian fiction and a precursor to Robinson Crusoe in the 'voyage imaginaire' tradition. Rosenberg edition D with vignette of nude woman to title page and frontispiece portrait of Jacques Masse. Despite title page stating the date at 1710 Rosenberg believes the work to have been published no later than 1742 with the first edition published sometime between 1714 and 1717.Previous scholarship from Professor Storer argued this variant D was in fact the first edition but this was later proven to be incorrect with Rosenberg edition A with the celestial globe now widely considered to be the first. Duodecimo. Signatures run a2 2 A-X12 Y2. 1 incorrectly signed as 2 with 2 unsigned as called for. Collated complete. In contemporary calf. An early example of the Utopian novel Voyages et Avantures de Jacques Masse tells the story of a man who upon being shipwrecked discovers paradise. The protagonist learns the local language in order to preach Christianity but the locals dismiss the teachings with particular distain towards what they considered to be an unjust God. The work was extremely controversial upon publication and was quickly banned notably due to its critique of Catholicism. In contemporary calf. Externally smart with slight loss to spine label. Slight rubbing to joints and extremities. Slight cracking to upper joint but boards remain firm. Offsetting to endpapers. Internally firmly bound. Pages generally bright and clean with the odd spot and marginal age toning. Very Good Jaques L'Aveugle hardcover
Bookseller reference : 983K3
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[SIMON, Andre L] et al
The U.K.B.G. Guide to Drinks. United Kingdom Bartenders Guild
London United Kingdom Bartenders' Association 1953 . Scarce first edition; 8vo 18 x 13 cm; black & white illustrations throughout light spotting to prelims occasional small mark or spot else very good; publisher's black cloth boards with silver illustration to upper board and silver lettering to spine original dust-jacket in green to upper panel and spine with silver lettering lower panel cream and lightly spotted two small holes to rear panel offsetting to endpapers some rubbing to extremities otherwise a very good bright copy; 282pp.<br /> A lovely scarce copy of the first edition of The U.K.B.G. Guide to Drinks.<br /> London, United Kingdom Bartenders' Association, [1953] hardcover
Bookseller reference : 123760
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[SIMON, Andre L] UNZELMAN, Gail G
Wine & Gastronomy. A New Short-Title Bibliography Guide Based on the Andre L. Simon Bibliothecas Vinaria Gastronomica & Bacchica. With an Added checklist of the Works of Andre L. Simon.
Santa Rosa Ca.:: Nomis Press 1990. First edition; No 53 of 390 copies signed by Gail Unzelman. publisher's gilt-decorated cloth in matching dust jacket. Fine in a fine jacket. 8vo. Nomis Press, hardcover
Bookseller reference : 79440
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[Simon, Barbara Allan]
A View of the Human Heart; In a Series of Allegorical Designs Illustrative of Evil Passions: For the Instruction of Youth; Together with The Issues of LIfe For the Consideration of Those Who Have Erred From the Way of Truth
London: To be Had of Erasmus H. Simon 1832. Hardcover. Very Good/No Jacket. 8vo. Quarter black calf leather spine label gilt compartments orig. paper boards. xii 179 pp. 9 B&W plates. Recently professionally rebacked new spine. Boards rubbed. Errata laid down to face title page re: US copyright errata at rear. Ink ownership inscription to ffep. Paper repair to lower corner of rfep. Light damp stain to outer margin of a few pages a few instances of light foxing else clean. To be Had of Erasmus H. Simon hardcover
Bookseller reference : 012260
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[Simon, Patrick]
The books of Job Proverbs Psalms Ecclesiastes and the song of Solomon paraphras'd: with arguments to each chapter and annotations thereupon. By.Symon Late Lord Bishop of Ely
London: J. Walthoe and 18 others 1727. Second Simon edition folio pp. 12 540; engraved vignettes throughout woodcut printer's device initials and head- and tail-pieces; text printed in double column; contemporary blind-tooled panelled calf recently rebacked in calf top edge of rear cover also re-bound in calf spine in 7 compartments stamped in red and gilt; boards scuffed and scratched with some shallow loss of leather along edges both covers ring-stained; off-setting to preliminaries else a very good copy. ESTC T144011. J. Walthoe [and 18 others] unknown
Bookseller reference : 45318
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[Simon, Richard]
The History of the Original and Progress of Ecclesiastical Revenues
Printed for Henry Faithorne 1685. First Edition. Leather Binding. Good/No Jacket. 12mo - over 6¾" - 7¾" tall. 8vo 12271pp Subtitle: Wherein is handled according to the Laws both Ancient and Modern whatsoever concerns matters Beneficial the Regale Investitures Nominations and other Rights attributed to Princes / Written in French by a Learned Priest. And now done into English. Complete publisher's i mprint: Printed for Henry Faithorne and John Kersey at the Rose in St. Pau 's Church-Yard and Samuel Smith at the Prince's Arms in St. Paul's Church -Yard. Halkett & Laing III 87; originally published at Frankfurt in 1684 and in 1709 under the pseudonym 'Jerome a Costa'. Uncredited English translation. Very rare. Bound in full dark brown calf covers ruled and decorated in blind; plain endpapers. Good some general external wear and rubbing particularly to spine and corners; some internal browning and foxing few leaves wrinkled and creased. Printed for Henry Faithorne unknown
Bookseller reference : L024843
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[SIMONNET, Abbe]; [COLLIN DE PLANCY, Jacques Albin Simon]
Réalité de la magie et des apparitions ou contre-poison du Dictionnaire Infernal
Paris 1819. FIRST EDITION. Modern boards uncut. First edition “excessively rareâ€- Dorbon. A refutation of Collin de Plancy’s Dictionnaire Infernal which the author believes trivializes and negates the true existence of the paranormal. Here Simonnet provides anecdotal evidence for ghost sightings miracles witchcraft werewolves demons and prophecies. In his conclusion he asserts that denying the existence of these things is heresy. The text concludes with an alphabetic table of the authors cited. This work was so incendiary to the Catholic Church that the Vatican invested huge sums of money to remove copies from private libraries. <br /> Caillet 10217; Yve-Plessis 76; Dorbon 977; Barbier Anon IV: 16. unknown
Bookseller reference : 20079
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[Slavery] Schama, Simon
Rough Crossings. Britain The Slaves and The American Revolution.
London:: BBC Books 2005. First Printing of the First UK Edition. A Fine tight copy in a Fine dust jacket. If you were black in America at the start of the Revolutionary War whom would you want to win In response to a declaration by the last governor of Virginia that any rebel-owned slave who escaped and served the King would be emancipated tens of thousands of blacks voted with feet escaping to fight beside the British. Originally designed to break the plantations of the American South this military strategy instead unleashed one of the great exoduses in American history. Told in the voices of the slaves and the white abolitionists who aided them Simon Schama vividly details the odyssey of these escaped blacks shedding light on an extraordinary chapter in America’s birth. BBC Books, unknown
Bookseller reference : 29142
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[Société Française d'Archéologie]
BULLETIN MONUMENTAL
Tome CXIX - 1961 - 1 : 80 pages, format 180 x 230 mm, illustré, broché, publié en 1961, bon état
Bookseller reference : LFA-126718884
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[SOLDAT DE LUMIERE] - SIMON (André), GOEPFERT -
Lueur dans les collines.
, Lavauzelle, 1985 ; in-4, 48 pp., broché, couverture illustr. Eo.
Bookseller reference : 200905721
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[Société d'Histoire et d'Art de la Brie et du Paysde Meaux]
REVUE d'HISTOIRE et d'ART de la BRIE et du PAYS de MEAUX
N° 51 (Année 2000) : 144 pages, format 160 x 230 mm, illustrée, brochée, publiée en 2000, bon état
Bookseller reference : LFA00fce
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[Sobeloff, Simon]
NOMINATION OF SIMON E. SOBELOFF. FRIDAY JULY 6 1956. MR. BUTLER FROM THE COMMITTEE ON THE JUDICIARY SUBMITTED THE FOLLOWING REPORT TOGETHER WITH MINORITY VIEWS TO ACCOMPANY THE NOMINATION OF SIMON E. SOBELOFF
Washington DC: 84th Cong. 2d Sess. SER 8 1956. 24pp. Caption title stapled as issued. Fine.<br /> <br /> The Committee considered the nomination of Sobeloff currently the U.S. Solicitor General and former Chief Judge of Maryland's Court of Appeals to the Fourth Circuit Court of Appeals. "It is doubtful if any judicial nomination has received more minute examination. The committee after full consideration has recommended Judge Sobeloff for confirmation by a vote of 9 to 2 with 1 abstention."<br /> Eastland of Mississippi and Johnston of South Carolina the dissenters issued "baseless charges" against Sobeloff whose greatest sin was his "participation in the Argument in the Supreme Court on the Segregation Cases. 84th Cong. 2d Sess. SER 8 unknown
Bookseller reference : 39248
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[STENDHAL]. SIMON (Charles)
Deux numéros de la revue du Stendhal-Club: "Les souvenirs du baron de Strombeck et de Louis Spack sur Stendhal" et "Le sillage de Stendhal en Allemagne".
Stendhal-Club, n°9 et 21, 1925-1926. 2 brochures in-8, 15 et 32 pp. Tirage à 200 et 150 exemplaires, sur papier vergé, la première non numérotée et la seconde, n°135.
Bookseller reference : 549915
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[STENDHAL]. SIMON Charles.
EN SOUVENIR DE STENDHAL - À L'OCCASION DU CENTENAIRE DE SA MORT.
Lausanne. Imprimerie La Concorde. 1942. Plaquette in-8° agrafée. 8 pages. Tiré-à-part du numéro d'avril 1942 de la revue " Suisse contemporaine ". Très propre.
Bookseller reference : 6408
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