‎Fiacre‎

‎Simon Holdaway‎

‎Black Police Associations: An Analysis of Race and Ethnicity within Constabularies‎

‎Hardback. New. Professor Holdaway takes a sociological and theoretical approach to analyse the new phenomenon of Black Police Associations established in the majority of constabularies in England and Wales describing and analysing how race and ethnicity are constructed and sustained within constabularies and how they have changed during the last two decades. hardcover‎

Référence libraire : A9780199573448 ISBN : 0199573441 9780199573448

‎OZERI, Yigal, Robert C Morgan, Lilly Wei, and Simon Zalkind‎

‎Yigal Ozeri: Anima The Persistence of the Feminine Paintings Prints Video 1994-2007‎

‎Denver CO: Mizel Arts and Culture Center JCC Denver 2008. First edition. Softcover. 71 pages. Exhibition catalog for a show that ran September 11 through November 9 2008. Features an introduction by Simon Zalkind along with essays by Robert C. Morgan and Lilly Wei. Includes numerous color illustrations of works by this Israeli born artist. Also includes a list of previous exhibitions bibliography and a list of selected public collections. A fine copy in French style wrappers. Mizel Arts and Culture Center, JCC Denver unknown‎

Référence libraire : 197120 ISBN : 9657401038 9789657401033

‎Simon Collison, Frank Chimero, Jon Tan, Dan Rubin, LizDanzico,The Standardistas‎

‎The Manual‎

‎Fiction/Belfast. 2nd Edition. Hardcover. Fine. 91 pp. Book/dust jacket condition: Fine/na as issued. Second/2nd Edition. ISSN 2047-3508. Scarce in print. All orders are processed and shipped from MI or WI USA. Fiction/Belfast hardcover‎

Référence libraire : 5950

‎Parent, Simon G; Ouellet, Jo (Version anglaise)‎

‎Le Club de la Garnison de Québec - The Quebec Garrison Club 1879-1979‎

‎Québec: Comité du livre centenaire 1979 TRÈS TRÈS RARE! Bilingue : FRANÇAIS - ENGLISH. Ouvrage abondamment illustré de photographies et de fac-similés dans le texte ainsi que de reproductions de tableaux en couleurs contre-collés. « Situé au 97 rue Saint-Louis dans larrondissement historique du Vieux-Québec le Cercle de la Garnison de Québec est la propriété de Parcs Canada depuis 1992. Le lieu comprend lédifice du Cercle proprement dit logé au coin de la côte de la Citadelle de même que la maison du messager bâtie dans la cour le pavillon du puits une remise un jardin un boisé et des espaces de stationnement. Il comporte en outre plusieurs vestiges archéologiques de la cour des ingénieurs datant de la fin du 18e siècle et de la première moitié du 19e siècle dont plusieurs ont été mis au jour lors de fouilles effectuées en 1992-1993. Finalement une collection ethnologique fait également partie des composantes importantes du lieu historique national du Cercle-de-la-Garnison-de-Québec. Parmi les clubs privés de tradition britannique fondés à Québec depuis le 18e siècle le Club de la Garnison est le plus ancien à subsister.» Deux petites taches sur première garde volante. Couverture rigide. Très bon. Comité du livre centenaire hardcover‎

Référence libraire : R5337

‎Simon Lilley‎

‎Representing Organization: Knowledge Management and the Information Age‎

‎Paperback / softback. New. This book is an attempt to bridge the gap between the abstractions of current theories of organization and the somewhat excessively grounded material that forms the bulk of literatures within the information systems and knowledge management communities. paperback‎

Référence libraire : A9780198775423 ISBN : 0198775423 9780198775423

‎Lee, Simon‎

‎Tennis Play the Game‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Référence libraire : 0713724137.G ISBN : 0713724137 9780713724134

‎Simon Bradbury‎

‎Llyfr Lliwio Sali Mali/Sali Mali's Colouring Book‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Référence libraire : 1848517165.G ISBN : 1848517165 9781848517165

‎Kelly, Simon‎

‎Breakfast With Anglo‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Référence libraire : 1844882500.G ISBN : 1844882500 9781844882502

‎Ball, Simon‎

‎Ball & Bell on environmental law: The law and policy relating to the protection of the environment‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Référence libraire : 185431887X.G ISBN : 185431887X 9781854318879

‎Mr Simon Beale‎

‎Insolvency and Restructuring Manual‎

‎Paperback / softback. New. paperback‎

Référence libraire : A9781526521446 ISBN : 152652144x 9781526521446

‎SIMON, Kate [Bob MARLEY]‎

‎Rebel Music‎

‎2004. Guildford: Genesis Publications 2004. Folio bound in full brown morocco with embossed lettering in white green red and yellow to upper board and spine; decorative photographic endpapers; containing numerous black and white photographs with the text printed on various paper stocks including one made of hemp; pp. vii 6-256 an as-new copy containing an additional black and white photograph of Marley signed by Simon inside a white envelope opened loosely inserted; all housed in the original silk-screened publishers wooden box with sliding upper panel; and the publisher's original cardboard box also numbered 145. The loose publisher's note contained inside states: ""The Simplest way to remove your book from its box is to turn the box upside down and let the book drop gently out a few millimetres over a smooth flat surface"". As new. Deluxe copy of this limited edition this no.145 of just 350 copies signed by both Kate Simon and Eric Clapton to a plate on the verso of the ffep.Along with Simon's vivid photographic illustrations the book contains contributions from Junior Marvin Family Man Barrett Neville Garrick Chris Blackwell Patti Smith and Eric Clapton. A major celebration of the life and music of Bob Marley including touching photographs taken at the musician's funeral in 1981. ""Rebel Music presents over 400 photographs from Kate Simon's remarkable archive most of which are published here for the first time. Simon captured it all: Marley's nightly shamanic performances; birthday celebrations on the tour bus; the endless games of football played in rehearsals and hotel rooms; the group's joyous devotion to the Rastafarian faith; the airports and aeroplanes; the smiles; the occasional frowns; the jamming and of course the group's religious dedication to marijuana.' Genesis Publications. unknown‎

Référence libraire : 2118329

‎Fullalove, Simon‎

‎India: Civil Engineering Special Issue‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Référence libraire : 0727766406.G ISBN : 0727766406 9780727766403

‎Simon Rubinstein-Salzedo‎

‎Algebraic Topology‎

‎Paperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Other topics covered in the book include the classification of surfaces group theory the fundamental group and homology. This book assumes no background in abstract algebra or real analysis and the material from those subjects is pr paperback‎

Référence libraire : ria9783030706074_inp ISBN : 3030706079 9783030706074

‎Simon Jenkins‎

‎England's Thousand Best Churches‎

‎Hardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The author has travelled the length and breadth of England to select his thousand best churches. Organised by county each church is described - often with delightful asides - and given a star-rating from one to five. In this title he hardcover‎

Référence libraire : ria9781846146640_inp ISBN : 184614664x 9781846146640

‎Fullalove, Simon‎

‎Covid-19: Civil Engineering Special Issue‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Référence libraire : 072776666X.G ISBN : 072776666X 9780727766663

‎Simon Brandl‎

‎Mexican-American Relations and T.C. Boyle's Tortilla Curtain‎

‎Paperback / softback. New. paperback‎

Référence libraire : A9783656986928 ISBN : 3656986924 9783656986928

‎Simon Scholl‎

‎Drivers of agricultural commodity prices since 2000‎

‎Paperback / softback. New. paperback‎

Référence libraire : A9783656543688 ISBN : 3656543682 9783656543688

‎[SHAKESPEARE]. NORTHCOTE, Ja[me]s (painter); SIMON, P (engraver).‎

‎Romeo and Juliet. Act V. Scene III.‎

‎London: John and Josiah Boydell 1792 1803. Original copper engraving 44 x 60 cm overall sheet 55.5 x 68 cm. Light foxing to margins not affecting plate. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1792 [1803]. unknown‎

Référence libraire : 61385

‎[SHAKESPEARE]; PETERS, W, The Revd (painter); SIMON, IP (engraver). I P‎

‎Merry Wives of Windsor. Act III. Scene III.‎

‎London: John and Josiah Boydell 1793. 1803. Original copper engraving c. 60 x 44 cm overall sheet c. 68.5 x 55 cm. Tissue guard to verso. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1793. [1803]. unknown‎

Référence libraire : 61487

‎[SHAKESPEARE]; HAMILTON, William (painter);SIMON, Peter (engraver).‎

‎Much Ado About Nothing. Act IV. Scene I.‎

‎London: John and Josiah Boydell 1790. 1803. Original copper engraving 44 x 60 cm overall sheet 55 x 68.5 cm. Tissue guard to verso. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1790. [1803]. unknown‎

Référence libraire : 61481

‎[SHAKESPEARE]; OPIE, J (painter); SIMON, JP (engraver). J P‎

‎Winter's Tale. Act II. Scene III.‎

‎London: John and Josiah Boydell 1795 1803. Original copper engraving 44 x 60 cm overall sheet 55 x 68 cm. Tissue guard to verso. Foxing to outer margins small 3m tear to lower margin neither affecting plate. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1795 [1803]. unknown‎

Référence libraire : 61430

‎[SHAKESPEARE]; WESTALL, R, RA (painter); SIMON, IP (engraver). R A I P‎

‎First part of King Henry the Fourth. Act III Scene I. The Archdeacon of Bangor's House in Wales.‎

‎London: John and Josiah Boydell 1795 1803. Original copper engraving 60 x 44 cm overall sheet 69 x 55 cm. Tissue guard to verso. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1795 [1803]. unknown‎

Référence libraire : 61417

‎[SHAKESPEARE]; WHEATLEY, Francis, RA; SIMON, IP (engraver). R A I P‎

‎Taming of the Shrew. Act II. Scene II. Baptista's house. Petruchio Katherine Bianca &c.‎

‎London: John and Josiah Boydell 1795. 1803. Original copper engraving 44 x 60 cm overall sheet 53.5 x 66 cm. Tissue guard to verso. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1795. [1803]. unknown‎

Référence libraire : 61443

‎[Ian Fleming / Bondiana] WINDER, Simon (born 1963)‎

‎'My Name's Bond' - an anthology from the Fiction of Ian Fleming‎

‎London: Allen Lane 2000. James Bond FIRST EDITION. SIGNED BY THE AUTHOR. Illustrated quarto 23 x 17cm pp.150. With black and white photographs. Publisher's grey cloth hardback blocked in silver to spine blind-stamped '007' motif to front cover photographic dust-jacket priced at £9.99 / $24.99 Canada. Contents clean publisher's dated 'Penguin' stamp to margin of title signed to same in blue ink. Near fine. Signature obtained in person by Fleming bibliographer Jon Gilbert while meeting Simon Winder on publishing business at Penguin offices in London. Rare signed. Editor Simon Winder was the senior executive at Penguin Books publishers of Fleming's James Bond novels for the first decade of the twenty-first century. From the Jon Gilbert Collection. Gilbert Jon. Ian Fleming: The Bibliography. London: Allen Lane, 2000 unknown‎

Référence libraire : 67843

‎During, Simon‎

‎Against Democracy – Literary Experience in the Era of Emancipations‎

‎Fordham Univ Pr 2012. Hardcover. New. 1st edition. 192 pages. 9.25x6.25x0.75 inches. Fordham Univ Pr hardcover‎

Référence libraire : x-0823242544 ISBN : 0823242544 9780823242542