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Cheshire, Simon
Superscripts Sci-Fi: Cave of Death
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Référence libraire : 184680311X.G ISBN : 184680311X 9781846803116
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Kelly, Simon
Breakfast With Anglo
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Référence libraire : 1844882500.G ISBN : 1844882500 9781844882502
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Simon Barker
Get Set!
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Référence libraire : 1844275728.G ISBN : 1844275728 9781844275724
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Ball, Simon
Ball & Bell on environmental law: The law and policy relating to the protection of the environment
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Référence libraire : 185431887X.G ISBN : 185431887X 9781854318879
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PERICICH, Simon (curator)
As long as the night is dark
Melbourne : MARS Gallery 2017. Quarto 288 x 208 x 44mm lettered wrappers lightly marked unpaginated approx. 300 pages illustrated. Exhibition catalogue for the dark art exhibition held at MARS in 2017. 'With playful nihilism and prophetic vision As Long as the Night is Dark is an exhibition that muses on the doomed nature of humanity. Attuned to the darker sides of the mind and the spirit eight contemporary Australian artists have offered up works that sit between the anxiety of the future and the melancholy of the past featuring Talitha Kennedy Bernhard Sachs Jordan Wood Christian Bishop Linsey Gosper Dan Price Janenne Eaton and Adam Boyd. This multifarious showcase is gathered together in joyous celebration of the dark night of the soul by Simon Pericich and features a catalogue thing co-corrupted by Travis John.' - MARS Gallery https://marsgallery.com.au/2017-as-long-as-the-night-is-dark-curated-by-simon-pericich/ Unrecorded on Trove. unknown
Référence libraire : 42746
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Mr Simon Beale
Insolvency and Restructuring Manual
Paperback / softback. New. paperback
Référence libraire : A9781526521446 ISBN : 152652144x 9781526521446
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RICHARD, Jean Edited and abridged by Simon Lloyd Translated by Jean Birrell
SAINT LOUIS. Crusader King of France.
Cambridge/Paris Cambridge University Press/Editions de la Maison des Sciences de l’Homme 1992. . 8vo. pp.xxix354 blue hardcover gilt; small ownership autograph to front free endpaper light foxing to top edges a very good copy indeed in very good unclipped pictorial dust-jacket. Cambridge/Paris, Cambridge University Press/Editions de la Maison des Sciences de l’Homme, 1992. hardcover
Référence libraire : 38157
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SIMON, Kate [Bob MARLEY]
Rebel Music
2004. Guildford: Genesis Publications 2004. Folio bound in full brown morocco with embossed lettering in white green red and yellow to upper board and spine; decorative photographic endpapers; containing numerous black and white photographs with the text printed on various paper stocks including one made of hemp; pp. vii 6-256 an as-new copy containing an additional black and white photograph of Marley signed by Simon inside a white envelope opened loosely inserted; all housed in the original silk-screened publishers wooden box with sliding upper panel; and the publisher's original cardboard box also numbered 145. The loose publisher's note contained inside states: ""The Simplest way to remove your book from its box is to turn the box upside down and let the book drop gently out a few millimetres over a smooth flat surface"". As new. Deluxe copy of this limited edition this no.145 of just 350 copies signed by both Kate Simon and Eric Clapton to a plate on the verso of the ffep.Along with Simon's vivid photographic illustrations the book contains contributions from Junior Marvin Family Man Barrett Neville Garrick Chris Blackwell Patti Smith and Eric Clapton. A major celebration of the life and music of Bob Marley including touching photographs taken at the musician's funeral in 1981. ""Rebel Music presents over 400 photographs from Kate Simon's remarkable archive most of which are published here for the first time. Simon captured it all: Marley's nightly shamanic performances; birthday celebrations on the tour bus; the endless games of football played in rehearsals and hotel rooms; the group's joyous devotion to the Rastafarian faith; the airports and aeroplanes; the smiles; the occasional frowns; the jamming and of course the group's religious dedication to marijuana.' Genesis Publications. unknown
Référence libraire : 2118329
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Fullalove, Simon
Great Western Railway Electrification UK: Civil Engineering Special Issue
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Référence libraire : 072776571X.G ISBN : 072776571X 9780727765710
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Fullalove, Simon
India: Civil Engineering Special Issue
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Référence libraire : 0727766406.G ISBN : 0727766406 9780727766403
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Peter (Simon Fraser University) Liljedahl
Building Thinking Classrooms in Mathematics Grades K-12
Paperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; A thinking student is an engaged student Teachers often find it difficult to implement lessons that help students go beyond rote memorization and repetitive calculations. In fact institutional norms and habits that permeate all classro paperback
Référence libraire : ria9781544374833_inp ISBN : 1544374836 9781544374833
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Simon Rubinstein-Salzedo
Algebraic Topology
Paperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Other topics covered in the book include the classification of surfaces group theory the fundamental group and homology. This book assumes no background in abstract algebra or real analysis and the material from those subjects is pr paperback
Référence libraire : ria9783030706074_inp ISBN : 3030706079 9783030706074
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VINKENOOG, Simon
Parijs was mieters! Nederlandse fotografen in Parijs 1945-1965
Schiedam Stedelijk Museum Schiedam & Oktober visuele communicatie Studio Nico Koster. 2004 originele metalen ringband niet gepagineerd prachtige pagina grote foto's van o.a. Emmy Andriesse Ed van der Elsken Nico Jesse Johan van der keuken Cas Oorthuys e.a. uitstekend exemplaar schaars Schiedam, Stedelijk Museum Schiedam & Oktober visuele communicatie Studio Nico Koster unknown
Référence libraire : 226971562
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Simon Jenkins
England's Thousand Best Churches
Hardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The author has travelled the length and breadth of England to select his thousand best churches. Organised by county each church is described - often with delightful asides - and given a star-rating from one to five. In this title he hardcover
Référence libraire : ria9781846146640_inp ISBN : 184614664x 9781846146640
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[Ian Fleming / Bondiana] WINDER, Simon
'My Name's Bond' - an anthology from the Fiction of Ian Fleming
London: Allen Lane 2000. FIRST EDITION. Illustrated quarto 23 x 17cm pp.150. With black and white photographs. Publisher's grey cloth hardback blocked in silver to spine blind-stamped '007' motif to front cover photographic dust-jacket priced at £9.99 / $24.99 Canada. Small bump to lower corner else a fine copy. Editor Simon Winder was the senior executive at Penguin Books publishers of Fleming's James Bond novels for the first decade of the twenty-first century. From the collection of Ian Fleming bibliographer Otto Penzler purchased by ourselves at Swann Auctions in 2010 with a pencil note to that effect signed by his bookseller friend and colleague Jon Gilbert. Gilbert Jon. Ian Fleming: The Bibliography. London: Allen Lane, 2000 unknown
Référence libraire : 67435
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Fullalove, Simon
Covid-19: Civil Engineering Special Issue
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Référence libraire : 072776666X.G ISBN : 072776666X 9780727766663
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Thomas Browne; Simon Wilkin (ed)
The Works of Sir Thomas Browne 3 vol
Henry G. Bohn 1852. Hardcover. Good/No jacket. Three volumes Leatherbound with marbled endpapers and edges. Front cover detached but present on volume three. Other two volumes have some edgewear. As-Is. Henry G. Bohn hardcover
Référence libraire : 104928
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Simon Brandl
Mexican-American Relations and T.C. Boyle's Tortilla Curtain
Paperback / softback. New. paperback
Référence libraire : A9783656986928 ISBN : 3656986924 9783656986928
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Simon Hecker
Strategic Responses to the EU Emission Trading Scheme
Paperback / softback. New. paperback
Référence libraire : A9783656040781 ISBN : 3656040788 9783656040781
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Simon Scholl
Drivers of agricultural commodity prices since 2000
Paperback / softback. New. paperback
Référence libraire : A9783656543688 ISBN : 3656543682 9783656543688
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[SHAKESPEARE]; WHEATLEY, Francis, RA; SIMON, IP (engraver). R A I P
Taming of the Shrew. Induction. Scene II. A room in the Lord's house. Sly with Lord & attendants.
London: John and Josiah Boydell 1794. 1803. Original copper engraving 44 x 60 cm overall sheet 53 x 66 cm. Tissue guard to verso. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1794. [1803]. unknown
Référence libraire : 61444
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[SHAKESPEARE]. NORTHCOTE, Ja[me]s (painter); SIMON, P (engraver).
Romeo and Juliet. Act V. Scene III.
London: John and Josiah Boydell 1792 1803. Original copper engraving 44 x 60 cm overall sheet 55.5 x 68 cm. Light foxing to margins not affecting plate. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1792 [1803]. unknown
Référence libraire : 61385
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[SHAKESPEARE]; HAMILTON, W[illia]m (painter); SIMON, Peter (engraver).
As you like it. Act V. Scene IV.
London: John and Josiah Boydell 1791. 1803. Original copper engraving 44 x 60 cm overall sheet 54 x 66 cm. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1791. [1803]. unknown
Référence libraire : 61445
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[SHAKESPEARE]; PETERS, W, The Revd (painter); SIMON, IP (engraver). I P
Merry Wives of Windsor. Act III. Scene III.
London: John and Josiah Boydell 1793. 1803. Original copper engraving c. 60 x 44 cm overall sheet c. 68.5 x 55 cm. Tissue guard to verso. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1793. [1803]. unknown
Référence libraire : 61487
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[SHAKESPEARE]; KIRK, Tho[ma]s (painter);SIMON, IP (engraver). I P
Measure for Measure Act V. Scene I.
London: John and Josiah Boydell 1790. 1803. Original copper engraving 44 x 60 cm overall sheet 55 x 68.5 cm. Tissue guard to verso. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1790. [1803]. unknown
Référence libraire : 61483
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[SHAKESPEARE]; HAMILTON, William (painter);SIMON, Peter (engraver).
Much Ado About Nothing. Act IV. Scene I.
London: John and Josiah Boydell 1790. 1803. Original copper engraving 44 x 60 cm overall sheet 55 x 68.5 cm. Tissue guard to verso. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1790. [1803]. unknown
Référence libraire : 61481
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[SHAKESPEARE]; PETERS, Revd W[illia]m (painter);SIMON, Peter (engraver).
Much Ado About Nothing. Act III. Scene I.
London: John and Josiah Boydell 1790. 1803. Original copper engraving 60 x 44 cm overall sheet 68.5 x 55 cm. Tissue guard to verso. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1790. [1803]. unknown
Référence libraire : 61482
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[SHAKESPEARE]; OPIE, J (painter); SIMON, JP (engraver). J P
Winter's Tale. Act II. Scene III.
London: John and Josiah Boydell 1795 1803. Original copper engraving 44 x 60 cm overall sheet 55 x 68 cm. Tissue guard to verso. Foxing to outer margins small 3m tear to lower margin neither affecting plate. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1795 [1803]. unknown
Référence libraire : 61430
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[SHAKESPEARE]; SMIRKE, R (painter); SIMON, IP (engraver). I P
Merry Wives of Windsor. Act I. Scene I.
London: John and Josiah Boydell 1793. 1803. Original copper engraving c. 60 x 44 cm overall sheet c. 68.5 x 55 cm. Tissue guard to verso. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1793. [1803]. unknown
Référence libraire : 61489
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[SHAKESPEARE]; WESTALL, R, RA (painter); SIMON, IP (engraver). R A I P
First part of King Henry the Fourth. Act III Scene I. The Archdeacon of Bangor's House in Wales.
London: John and Josiah Boydell 1795 1803. Original copper engraving 60 x 44 cm overall sheet 69 x 55 cm. Tissue guard to verso. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1795 [1803]. unknown
Référence libraire : 61417
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[SHAKESPEARE]; SMIRKE, R, RA (painter); SIMON, JP (engraver). R A J P
Merchant of Venice. Act II. Scene V. Shylock's House. Shylock Jessica and Launcelot.
London: John and Josiah Boydell 1795. 1803. Original copper engraving 60 x 44 cm overall sheet 68.5 x 55 cm. Tissue guard to verso. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1795. [1803]. unknown
Référence libraire : 61451
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[SHAKESPEARE]; WHEATLEY, Francis, RA; SIMON, IP (engraver). R A I P
Taming of the Shrew. Act II. Scene II. Baptista's house. Petruchio Katherine Bianca &c.
London: John and Josiah Boydell 1795. 1803. Original copper engraving 44 x 60 cm overall sheet 53.5 x 66 cm. Tissue guard to verso. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1795. [1803]. unknown
Référence libraire : 61443
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James Michie, Simon Brett, editors
The Folio Golden Treasury; 'The Best Songs and Lyrical Poems in the English Language' Folio Society Edition
London: Folio Society 1997. 1st. Hardcover. Fine/Fine. First Folio Society Edition. Chosen and introduced by Michie wood engravings by various artists selected by Brett. Bound in publisher's original quarter black leather with illustrated cloth boards and spine stamped in gilt. Comes in black board slipcase with sides stamped in gilt and concave edges. Illustrated throughout with beautiful black and white engravings. 7 x 10 3/4 inches. 733 pages plus preface. <br/><br/> Folio Society hardcover
Référence libraire : 9031046
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[Ian Fleming / Bondiana] WINDER, Simon (born 1963)
'My Name's Bond' - an anthology from the Fiction of Ian Fleming
London: Allen Lane 2000. James Bond FIRST EDITION. SIGNED BY THE AUTHOR. Illustrated quarto 23 x 17cm pp.150. With black and white photographs. Publisher's grey cloth hardback blocked in silver to spine blind-stamped '007' motif to front cover photographic dust-jacket priced at £9.99 / $24.99 Canada. Contents clean publisher's dated 'Penguin' stamp to margin of title signed to same in blue ink. Near fine. Signature obtained in person by Fleming bibliographer Jon Gilbert while meeting Simon Winder on publishing business at Penguin offices in London. Rare signed. Editor Simon Winder was the senior executive at Penguin Books publishers of Fleming's James Bond novels for the first decade of the twenty-first century. From the Jon Gilbert Collection. Gilbert Jon. Ian Fleming: The Bibliography. London: Allen Lane, 2000 unknown
Référence libraire : 67843
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Bertrand, Simon
Luxury Trains: Splendour Elegance & Extravagance
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Référence libraire : 1788842235.G ISBN : 1788842235 9781788842235
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During, Simon
Against Democracy – Literary Experience in the Era of Emancipations
Fordham Univ Pr 2012. Hardcover. New. 1st edition. 192 pages. 9.25x6.25x0.75 inches. Fordham Univ Pr hardcover
Référence libraire : x-0823242544 ISBN : 0823242544 9780823242542
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Severino, Simon
Strategy Sprints – 12 Ways to Accelerate Growth for an Agile Business
Kogan Page Ltd 2022. Hardcover. New. 240 pages. 9.50x6.50x0.75 inches. Kogan Page Ltd hardcover
Référence libraire : x-1398603511 ISBN : 1398603511 9781398603516
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Sim, Eric/ Mortlock, Simon
Small Actions: Leading Your Career to Big Success
World Scientific Pub Co Inc 2021. Hardcover. New. 267 pages. 9.25x6.25x1.00 inches. World Scientific Pub Co Inc hardcover
Référence libraire : x-9811232571 ISBN : 9811232571 9789811232572
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Brown, Simon
Face Reading: Secrets of the Chinese Masters
Sterling Publishing Company Inc 2008 « Bestselling author Simon Brown who has provided face reading services to The Body Shop® introduces the fundamentals of this fascinating and ancient Chinese technique. Based on the wisdom of the great masters this abundantly illustrated and photographed guide reveals how all the secrets of your character health and fortune are written right on your face. Find out how to interpret the five key facial features: the forehead nose mouth eyes and brows. Build stronger more confident relationships by quickly identifying key personality types and determining someones romantic potential. Youll even find instructions for using face reading to uncover health weaknesses and avoid illness. Profiles of popular celebrities show exactly how much information you can unearth simply by taking a good look! ». Couverture souple. Neuf. Sterling Publishing Company Inc paperback
Référence libraire : R5474 ISBN : 1402759827 9781402759826
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Anderson, Dr Simon V; Aloisio, Dr Gerard; Anderson, Dr Warren J; Jones, Dr Josh
Pop Music U.S.A
CreateSpace Independent Publishing Platform 2018-07-23. paperback. Good. 8x0x11. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking CreateSpace Independent Publishing Platform paperback
Référence libraire : SKU0516156 ISBN : 1723426164 9781723426162
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Battersby, Greg; Simon, Danny
The New and Complete Business of Licensing: The Essential Guide to Monetizing Intellectual Property
Kent Press 2018-06-05. paperback. Good. 6x1x10. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Kent Press paperback
Référence libraire : SKU0563037 ISBN : 188820611X 9781888206111
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Catapano, Peter [Editor]; Critchley, Simon [Editor];
Modern Ethics in 77 Arguments: A Stone Reader
Liveright 2018-03-06. paperback. Good. 5x1x8. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Liveright paperback
Référence libraire : SKU0567540 ISBN : 163149399X 9781631493997
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Jacobs, Karen; Simon, Laela
Quick Reference Dictionary for Occupational Therapy
Routledge 2020-04-01. paperback. Good. 5x1x9. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Routledge paperback
Référence libraire : SKU0581461 ISBN : 1630917621 9781630917623
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Leach, Simon; Dehnert, Bruce
Simon Leach's Pottery Handbook: A Comprehensive Guide to Throwing Beautiful Functional Pots
STC Craft/A Melanie Falick Book 2013-05-07. spiral_bound. Good. 8x1x9. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking STC Craft/A Melanie Falick Book unknown
Référence libraire : SKU0585366 ISBN : 1617690228 9781617690228
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Newman, Simon P
Freedom Seekers: Escaping from Slavery in Restoration London Institute of Historical Research
University of London Press 2022-03-18. paperback. Good. 6x0x9. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking University of London Press paperback
Référence libraire : SKU0591783 ISBN : 1912702932 9781912702930
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Marshall PhD, Simon; Paterson, Lesley
The Brave Athlete: Calm the Fck Down and Rise to the Occasion
VeloPress 2023-06-29. paperback. Good. 6x0x8. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking VeloPress paperback
Référence libraire : SKU0587936 ISBN : 1937715736 9781937715731
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Donald A McQuarrie; John D Simon
Molecular Thermodynamics
University Science Books 1999-11-01. hardcover. Good. 7x1x10. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking University Science Books hardcover
Référence libraire : SKU0589187 ISBN : 189138905X 9781891389054
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Simon, Jerald
100 Left Hand Patterns Every Piano Player Should Know: Play the Same Song 100 Different Ways Essential Piano Exercises Every Piano Player Should Know by Jerald Simon
Music Motivation 2018-12-18. paperback. Good. 8x0x11. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Music Motivation paperback
Référence libraire : SKU0599991 ISBN : 1948274027 9781948274029
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Armitage, Simon [Translator]
Pearl: A New Verse Translation
Liveright 2017-02-14. paperback. New. 5x0x8. New Textbook Ships with Tracking Liveright paperback
Référence libraire : SKU0609130 ISBN : 1631492543 9781631492549
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Anderson, Dr Simon V; Aloisio, Dr Gerard; Anderson, Dr Warren J; Jones, Dr Josh
Pop Music U.S.A
CreateSpace Independent Publishing Platform 2018-07-23. paperback. New. 8x0x11. New Textbook Ships with Tracking CreateSpace Independent Publishing Platform paperback
Référence libraire : SKU0608743 ISBN : 1723426164 9781723426162
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