‎Fiacre‎

‎[Davey & Hackney] / RMSP Arcadian R M S P‎

‎Two Vintage Photo Albums / Portfolios of "Cruise No. 2 to 'The Norwegian Fjords' in June 1913 on the R.M.S.P. Arcadian". Fantastic combination of two photo logbooks of one of the last trips for this beautiful passenger liner before she served with the Royal Navy and was sunk by a U-boat the German submarine SM UC-74 in 1917. These luxury photographic records were created by Davey & Hackney Alexandra Palace London. I. Album One: On 24 pages 12 stiff cardboards with photographs on both sides with 44 vintage high-quality photographs the cruise was documented by not only focusing on the natural beauty of Norway but also by documenting the captain Captain Custance and crew of the Arcadian one large photograph shows the captain and all his officers. Some striking images of the ship itself are showing this liner in all its glory. The ship was built in 1899 by Vickers Sons & Maxim Ltd. for the Pacific Steam Navigation Company as SS Ortona. This unusually luxury Album also documents in an appendix with a‎

‎1913. London / Norway Davey & Hackney Photo Alexandra Palace 1913. Sizes: Vol. I: Folio 25.5 cm x 32 cm / Vol.II: Oblong Octavo 25 cm x 17 cm. Volume I: 12 cardboard sheets with 24 pages of which 24 are with photographs with foldable appendix / Volume II: 12 cardboard sheets with 24 pages of which 24 are with photographs Hardcover / Green soft morocco with gilt lettering on cover and ornament around the pastedowns of the inner boards. Some minor rubbing to the binding but overall in excellent near Fine condition with only minor signs of external wear. Includes for example the following titled photographs: Moldefjord Pulpit Rock Merck Merok Seven Sisters Waterfall Hellesylt Loen Lake Balhomen Norwegian Corn Field Mundal Fancy Dress Ball June 26th 1913 Naerofjord Norwegian Girl Folgefond Glacier Norwegian Pony Sundal Fysse Bergen Norwegian Boats etc. SS Arcadian was a Barrow-in-Furness built passenger liner constructed in 1899 by Vickers Sons & Maxim Ltd for the Pacific Steam Navigation Company as SS Ortona. In World War I she served with the Royal Navy and was sunk by a U-boat in 1917. SS Ortona was the last ship that Pacific Steam built for the London-to-Australia route. Launched on 10 July 1899 and registered in Liverpool on 26 October she left London on her maiden voyage was on 24 November in a joint service with the Orient Steam Navigation Company. She carried 140 first-class 180 second-class and 300 third-class passengers a total of 620. In December 1902 Ortona was used to return troops to the UK after the end of the Second Boer War. On 8 May 1906 Ortona was sold to the Royal Mail Steam Packet Company who used her in a joint operation with the Orient line to Australia. The "All Golds" professional New Zealand Rugby League team travelled on Ortona from Australia to France via Ceylon in August/September 1907. In April 1909 she was transferred to the Royal Mail West Indies service. In 1910 she was sent to the Harland & Wolff shipyard in Belfast for conversion into a 320-capacity cruise ship with a new gross tonnage of 8939. She was renamed RMS Arcadian on 21 September 1910 as the RMSP's liners had names beginning with the letter "A" and was registered at Belfast in September of the following year. She started her first world cruise in January 1912 the largest dedicated cruise ship in the world at that time. She was on the first leg of this voyage that Olave St Claire Soames met Lieutenant General Sir Robert Baden-Powell the founder of the Scout Movement leading to their marriage in October of that year. In February 1915 near the start of the First World War Arcadian was taken up by the Admiralty and converted to an armed merchant cruiser. On 7 April 1915 at Alexandria General Sir Ian Hamilton came aboard and used Arcadian together with the battleship Queen Elizabeth as his headquarters ship during the opening phase of the Gallipoli Campaign. Once Hamilton's staff had transferred to a shore base at Imbros Arcadian was employed as a troop ship in the Mediterranean. On 15 April 1917 Arcadian was en route from Thessaloniki Salonika to Alexandria with a company of 1335 troops and crew and escorted by a Japanese Navy destroyer. Shortly after completing a boat drill while 26 miles north east of the Greek island of Milos Arcadian was hit by a single torpedo from the German submarine SM UC-74 and sank within six minutes with the loss of 279 lives. A contemporary newspaper article described how four of Arcadian's overcrowded lifeboats were successfully lowered before she sank. Some of the dead were cooks and stokers who were working below decks. The escorting destroyer had two torpedoes launched at her while she was attempting to rescue men from the water; survivors reported that she had lowered three of her own boats while going "at full speed". More survivors who had been clinging to a raft were rescued at midnight by the Q-ship HMS Redbreast. Among the dead was the eminent bacteriologist Sir Marc Armand Ruffer who was returning to Alexandria after advising on the control of an epidemic among troops based at Thessaloniki. Wikipedia hardcover‎

書籍販売業者の参照番号 : 110204AB

‎Simon, Edith‎

‎The Piebald Standard.‎

‎1959. First Edition. London Cassell 1959. Octavo. XI 312 pages. Original Hardcover with original dustjacket in protective dustjacket. Poor condition with only some clear signs of external wear. Dustjacket and binding stained. Includes chapters like: The Knights Seigneurs The Knights Financiers The Rot The Rearguard The Next Crusade Popes and Heretics The Templar The Question of Guilt The Defence of the Temple etc. hardcover‎

書籍販売業者の参照番号 : 28579AB

‎Simon, Pierre-Henri‎

‎L'Homme en Procès. Malraux - Sartre - Camus - Saint-Exupéry.‎

‎1950. Première Edition. Neuchatel Editions de la Baconnière 1950. 14 x 19 cm. 154 pages. Broché / Softcover. Bon état général. Avec Banderole originale "La Relève des Humanistes". Avec une dédicacion de l'auteur sur page de garde: " A René Jasinski - Tout cordialement - PHenri Simon". Malraux- Sartre-Camus-Saint-Exupèry. Chapitres : La relève des humanistes - André Malraux ou le défi de la mort - Jean-Paul Sartre ou la navigation sans étoiles - Albert Camus ou l'invention de la justice - Saint-Exupéry ou la victoire de l'architecte. Pierre-Henri Simon 16 January 1903 Saint-Fort-sur-Gironde – 20 September 1972 was a French intellectual literary historian essayist novelist poet and literary critic. He won the Prix Ève Delacroix in 1963 Pierre-Henri Simon né à Saint-Fort-sur-Gironde le 16 janvier 1903 - mort à Ville-d'Avray le 20 septembre 1972 fut un intellectuel engagé historien de la littérature essayiste romancier poète et critique littéraire français. Élu à l'Académie française le 10 novembre 1966 il est reçu sous la Coupole le 9 novembre 1967. Wikipedia paperback‎

書籍販売業者の参照番号 : 27248AB

‎Shaw, Simon‎

‎Frontier House.‎

‎2002. New York a. o Atria Books 2002. 22cm x 28.5cm 232 pages. Original Hardcover with original dustjacket in protective collector's mylar. Excellent condition with only minor signs of wear. Includes for example: The Homestead act of 1862/ The Story of the Boulder Valley/ Homesteaders Dreams and Realities/ Historical parallels for the families of Frontier House/ Preparations for the Journey West/ The Darker side of Wagon Journey's West/ The Homesteader Faces Reality/ Dreams and Humble Beginnings/ Community Spirit is tested on the Frontier/ Teh Lives of Women on the Homestead/ Wedings on the Far Frontier/ The General Store and the U.S. Mail/ Mens Work on the Homestead/ The Tragical World of Childhood on the Frontier/ Winifred Shipman and her Chicken House School/ The Completion of the Northern Pacific Rail Route/ Frontier Fairs and Festivals/ Live in the Crucible of Winter. New Frontiers/ hardcover‎

書籍販売業者の参照番号 : 827BB ISBN : 0743442709 9780743442701

‎[Beauvoir, Simon de] Bung, Stephanie [Hrsg]‎

‎Simone de Beauvoir.‎

‎2010. Göttingen Wallstein-Verl 2010. 8°. 248 Seiten. Softcover. Neuwertig. Noch in Folie eingeschweißt. Querelles ; Bd. 15. In den Brüchen die sich durch das gesamte Werk Simone de Beauvoirs abzeichnen liegt die Aktualität der Autorin für das 21. Jahrhundert. Ausgangspunkt des Bandes sind die Schreibstrategien Simone de Beauvoirs die die Trennungen zwischen Disziplinen Philosophie versus Literaturwissenschaft oder Textsorten faktuales versus fiktionales Schreiben unterlaufen und so dazu herausfordern aktuelle Fragen in den Kultur- und Geisteswissenschaften wie z.B. nach dem Verhältnis von Autorschaft und Lebensbezug neu zu pointieren. paperback‎

書籍販売業者の参照番号 : 26998AB ISBN : 383530593x 9783835305939

‎Benetton, Simon / Moderna, Galleria Civica d'Arte (Editor)‎

‎Simon Benetton - L'Immagine plastica come idea architettonica / A Plastic Image as architectonical Idea. SIGNED / INSCRIBED‎

‎1984. O.O. o.V. 1984. 8°. 95 Pages. Original Softcover titled illustrated. Beautifully inscribed and signed by Simon Benetton in Italian on front free endpaper. paperback‎

書籍販売業者の参照番号 : 18513AB

‎Ho Kheong, Fong & Ramakrishnan, Chelvi & Choo, Michelle & Skinner, Carole & dAngelo, Simon & Gibbs, Elizabeth‎

‎Inspire Maths: 3: Teachers Guide 3B‎

‎OUP Oxford 03/26/2015. Paperback. Used; Good. WE SHIP WITHIN 24 HRS FROM LONDON UK 98% OF OUR ORDERS ARE RECEIVED WITHIN 7-10 DAYS. We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books. OUP Oxford paperback‎

書籍販売業者の参照番号 : 3633681 ISBN : 9810131208 9789810131203

‎Simon LEVY‎

‎Catalogue d'invitation à l'exposition des 25 dessins de Rik Wouters à la galerie Alice Manteau‎

‎Paris: Galerie Alice Manteau 1929. Fine. Galerie Alice Manteau Paris 1929 16 x 12 cm agrafé Rare invitation card to the exhibition of 25 drawings by Rik Wouters presented at the Alice Manteau Gallery from May 24 to June 7 1929. first board marginally and slightly soiled. Text of Simon Levy. Galerie Alice Manteau unknown‎

書籍販売業者の参照番号 : 68309

‎Ottenberg, Simon;Henry Art Gallery‎

‎Masked Rituals of Afikpo the Context of an African Art: published in Connection with an Exhibition Shown at the Henry Art Gallery University of Washington May 24-June 21 1975‎

‎Seattle and London: Published for the Henry Art Gallery by the University of Washington Press. A beautiful hardcover copy showing only light shelf wear; author's inscription reads: "For Don and Nancy With fond memories of our recent reunion. Simon Ottenberg." DJ in mylar cover; clipped lightly rubbed creasing at flaps. Please note that this oversized volume cannot be expedited or mailed overseas. . Near Fine. Cloth. 1975. Published for the Henry Art Gallery by the University of Washington Press hardcover‎

書籍販売業者の参照番号 : 013394 ISBN : 0295953918 9780295953915

‎Barraclough, Simon‎

‎Los Alamos Mon Amour.‎

‎2008. Cambridge Salt Publishing 2008. 14.5 cm x 22 cm. 67 pages. Original Hardcover with illustrated dustjacket in protective collector's Mylar. Excellent condition. Signed by author. Includes for example the following poems: Los Alamos Mon Amour / A Tall Story About a Pushover / Frigidaire / Slippers & Spoons / The York Realist / Buffy is Leaving Tuscan House / London Whale / In Bocca al Lupo / Withdrawal Method / Corrie Sonnet / Yuri Gagarin's Three Homecomings / Nato e Morto etc. Barraclough was born and raised in Huddersfield West Yorkshire. This is his debut collection of poems. He won the poetry section of the London Writers' Competition in 2000. His work has appeared in Poetry Review The Manhattan Review Time Out Magma as well as several anthologies. from back flap hardcover‎

書籍販売業者の参照番号 : 60295AB ISBN : 1844713156 9781844713158

‎Furman, Simon‎

‎Transformers Energon‎

‎Dreamwave 2004. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Dreamwave paperback‎

書籍販売業者の参照番号 : G0973381736I3N00 ISBN : 0973381736 9780973381733

‎Priest, Simon/ Gass, Michael‎

‎Effective Leadership in Adventure Programming With Field Handbook‎

‎Human Kinetics 2017. Paperback. New. 3rd pap/psc edition. 431 pages. 10.75x8.25x1.00 inches. Human Kinetics paperback‎

書籍販売業者の参照番号 : __1492547867 ISBN : 1492547867 9781492547860

‎Peter Simon PALLAS - Baron Jean de REUILLY‎

‎Description du Tibet • Description of Tibet‎

‎à Paris: Chez Bossange 1808. Fine. Chez Bossange à Paris 1808 13 x 20.50 cm relié First edition rare translated by Baron Jean de Reuilly. Contemporary full red Russia leather binding. Smooth spine decorated with 5 fleurons and fillets. Gilt title. Wide decorative border on boards with eagles serpents rabbits and stars in the corners. Interior garland. Spine darkened having become dark red. Dark stains on lower board. One scratch on upper board. Endpapers having suffered humidity with discoloration. In lower margin faint trace of dampstaining throughout the volume more extensive at end of volume with traces in outer and lower margins. Handsome copy in contemporary Russia leather. Manuscript ownership inscription Sorlin d'origny Constantinoples 1882. Below a biographical note on Baron de Reuilly. Sole separate edition of Pallas's journey to Tibet which had not been printed in the French editions. It was translated from the first and third volumes of the German edition of Pallas's voyage published in St. Petersburg from 1771 to 1776. This edition was prefaced and annotated by Reuilly based on the missions of several travelers Bogle Stewart Georgi and Andrade and from his own observations. Chez Bossange hardcover‎

書籍販売業者の参照番号 : 70406

‎Simon Garfield - FIRST EDITION HARDBACK NEW & UNREAD‎

‎Just My Type: A Book About Fonts‎

‎Profile Books 2010 First edition hardback new and unread in a perfect jacket. Illus. by Profusely Illustrated. 1st Edition. Hardcover. New/New. Profile Books hardcover‎

書籍販売業者の参照番号 : ABE-1591459353817 ISBN : 1846683017 9781846683015

‎Mario SIMON - (Gustave BEER)‎

‎Les Deux Soeurs. Manteau et robe pour le soir de Beer pl.54 La Gazette du Bon ton 1920 n°7‎

‎Paris: Lucien Vogel éditeur 1920. Fine. Lucien Vogel éditeur Paris Septembre 1920 18 x 24 cm une feuille Original color print printed on vergé paper signed in the plate. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication “was aimed at bibliophiles and fashionable society” Françoise Tétart-Vittu “La Gazette du bon ton” in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff – the sister of Jean creator of Babar – to set up the Gazette du bon ton subtitled at the time: “Art fashion frivolities.” Georges Charensol noted the reasoning of the editor-in-chief: “’In 1910’ he observed ‘there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists…I was assured of success because when it comes to fashion no country on earth can compete with France.’” “Un grand éditeur d’art. Lucien Vogel” in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrator’s conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together – for the first time – the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on… Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that “little dying paper” that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown‎

書籍販売業者の参照番号 : 54796

‎Mario SIMON‎

‎Les Soeurs jumelles. Robes trois voiles pl.34 La Gazette du Bon ton 1922 n°5‎

‎Paris: Lucien Vogel éditeur 1922. Fine. Lucien Vogel éditeur Paris 1922 18 x 24 cm une feuille Original color print printed on vergé paper signed in the plate. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication “was aimed at bibliophiles and fashionable society” Françoise Tétart-Vittu “La Gazette du bon ton” in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff – the sister of Jean creator of Babar – to set up the Gazette du bon ton subtitled at the time: “Art fashion frivolities.” Georges Charensol noted the reasoning of the editor-in-chief: “’In 1910’ he observed ‘there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists…I was assured of success because when it comes to fashion no country on earth can compete with France.’” “Un grand éditeur d’art. Lucien Vogel” in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrator’s conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together – for the first time – the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on… Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that “little dying paper” that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown‎

書籍販売業者の参照番号 : 54988

‎Mario SIMON - (Gustave BEER)‎

‎Les Deux Soeurs. Manteau et robe pour le soir de Beer pl.54 La Gazette du Bon ton 1920 n°7‎

‎Paris: Lucien Vogel éditeur 1920. Fine. Lucien Vogel éditeur Paris Septembre 1920 18 x 24 cm une feuille original print in color printed on laid paper signed enhaut left of the board. Original content produced for the illustration of The Gazette fashionable one of the finest and most influential twentieth century fashion magazines celebrating the talent of creators and artists French burgeoning art deco. Famous fashion magazine founded in 1912 by Lucien Vogel The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920 due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication these luxury publications ""are for bibliophiles and worldly aesthetes"" Françoise Tétart-Vittu ""good Gazette of tone"" in the fashion dictionary 2016. Printed on fine laid paper they use a typeface created specifically for the magazine by Georges Peignot the Cochin character taken in 1946 by Christian Dior. The prints are made with the technique of metal stencil enhanced color and some outlined in gold or palladium. The adventure began in 1912 when Lucien Vogel man of the world and fashion - it has already participated in Femina magazine - decided to found with his wife Cosette de Brunhoff John's sister the father of Babar Gazette good tone in which the subtitle is then ""Art fashions and frivolities."" Georges Charensol quotes the editor: ""In 1910 he observed there was no truly artistic fashion magazine and representative of the spirit of his time. So I thought of making a glossy magazine with truly modern artists . I was certain of success because no country for fashion can compete with France. """" A great art editor. Lucien Vogel ""in Literary News No. 133 May 1925. The success of the magazine is immediate not only in France but also the US and South America. Originally Vogel therefore brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt; and finally his friends from the School of Fine Arts as are George Barbier Bernard Boutet de Monvel or Charles Martin. Other talents come quickly reach the equipped Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Edward Halouze Alexander Iacovleff Jean Emile Laboureur Charles Loupot Charles Martin Maggie Salcedo. These artists mostly unknown when Lucien Vogel appealed to them will eventually become iconic figures and artistic sought. These are the same illustrators who make the drawings advertisements Gazette. The boards highlight the dresses and sublime seven artists of the time: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provide for each number of exclusive models. Nevertheless some of Illustrations contained no real model but only the idea that the illustrator is done in the fashion of the day. Gazette fashionable is a milestone in the history of fashion. Combining the aesthetic requirement and plastic unit it brings together for the first time the great talents of the world of arts literature and fashion and imposed by this alchemy a new image of women slender independent and bold also driven by the new generation of designers Coco Chanel Jean Patou Rochas Marcel . Recovery in 1920 by Condé Montrose Nast Gazette fashionable modeled for the new composition and the aesthetic choices of the ""little dying newspaper"" that Nast had bought a few years ago: the Vogue magazine. Lucien Vogel éditeur hardcover‎

書籍販売業者の参照番号 : 57572

‎Simon Nowell-Smith - FIRST EDITION HARDBACK‎

‎Edwardian England 1901 - 1914‎

‎Oxford England 1964 A near fine first edition hardback in a clipped but protected jacket. There is a former owner's attractive blind stamp to the front end paper. If it is a flaw then it is a slight one. A superb reference book with many illustrations. Heavy 620 page hardback. Near Fine takes the age of the book into consideration. Language: eng. 1st Edition. Hardcover. Near Fine/Near Fine. Oxford England hardcover‎

書籍販売業者の参照番号 : ABE-1487235654992

‎Simon THOMASSIN‎

‎Recueil des statues groupes fontaines termes vases et autres magnifiques ornemens du chateau & parc de Versailles. Le tout gravé d'après les originaux par Simon Thomassin . avec les explications en françois latin italien & hollandois‎

‎à La Haye The Hague: Aux dépens de la Compagnie 1723. Fine. Aux dépens de la Compagnie à La Haye The Hague 1723 16.50 x 20.50 cm 4 tomes reliés en 1 volume New edition in four languages following that cited on p. 59 by Mortier in 1659. This is the third edition the first having been published in Paris in 1694 8vo in French only. The remarkable illustration includes an allegorical frontispiece by Jan van Vianen a large folding plan of the city and château of Versailles and 218 numbered plates five of which are folding all engraved by P. le Gros Garnier I. la Clerion N. Coustous Cornu after drawings by Thomassin. The work is divided into four parts with 3 title pages in red and black for the whole one in Dutch one in French and one dated 1695 by Pierre Mortier and 4 title pages in red and black for each of the volumes detailed as follows: vol. 1. Les statues antiques & modernes de Versailles fig. 1-53 -- vol. 2. Les groupes de Versailles fig. 54-85 -- vol. 3. Les fontaines et autres ornemens de Versailles fig 86-172 -- vol. 4. Les thermes et vases de Versailles fig. 173-218. The index is in 4 languages. Contemporary full brown sheep binding. Decorated spine with raised bands. Modern handwritten title-label in black ink. Head worn. Corners bumped one heavily exposed. Rubbing. The large folding plan bears a restoration to the verso invisible on the recto. 4 leaves browned in the index. An old manuscript leaf at the end with the names of the sculptors. The work in question is considered to form the finest achievement of Simon Thomassin 1653-1732 engraver to the king who produced numerous works. The work was commissioned by Louis XIV himself in 1689. Aux dépens de la Compagnie hardcover‎

書籍販売業者の参照番号 : 61696

‎Pierre-Henri SIMON‎

‎La sagesse du soir‎

‎Paris: Seuil 1971. Fine. Seuil Paris 1971 14.50 x 20.50 cm broché First edition one of 105 numbered copies on vélin neige the only deluxe copies. Handsome copy. . Seuil unknown‎

書籍販売業者の参照番号 : 62399

‎Claude SIMON‎

‎Lettre autographe signée de Claude Simon à René Wintzen‎

‎Sabres 1975. Fine. Sabres 1er octobre 1975 14.60 x 20.90 cm 1 page sur une feuille Autograph letter signed by Claude Simon to René Wintzen written in black ink. Date and place at the top of the letter and signature at the bottom of the letter. Folding caused by mailing. Claude Simon writes this letter to thank René Witzen for his article and his understanding of his work. He also writes to him that he will send him his last book Lesson of Things published in 1975 and apologizes for not being able to dedicate it to him. unknown‎

書籍販売業者の参照番号 : 62729

‎Phil Simon‎

‎The Visual Organization‎

‎John Wiley & Sons pp. 288 Index. Hardback. New. John Wiley & Sons hardcover‎

書籍販売業者の参照番号 : 697479681 ISBN : 1118794389 9781118794388

‎Gray, Simon - UNREAD FIRST EDITION‎

‎The Year of the Jouncer‎

‎Granta London 2006 Funny sad touching brilliant. This is a superb as new copy of the first printing of the first edition hardback and it is now becoming SCARCE. Both the protected cover and the book are pristine and unread. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng. 1st Edition. Hardcover. As New/As New. Granta London hardcover‎

書籍販売業者の参照番号 : ABE-12463553607 ISBN : 1862078963 9781862078963

‎Taylor, Simon‎

‎Privatisation and financial collapse in the nuclear industry Routledge Studies in Business Organizations and Networks‎

‎Routledge 2012-06-14. 1. paperback. New. 6.14x0.62x9.21. Buy with confidence. Excellent Customer Service & Return policy. Routledge paperback‎

書籍販売業者の参照番号 : DADAX0415542006 ISBN : 0415542006 9780415542005

‎Claude SIMON‎

‎Histoire‎

‎Paris: Les Editions de Minuit 1977. Fine. Les Editions de Minuit Paris 1977 14.50 x 19.50 cm broché First edition one of 99 numbered copies on pur fil tirage de tête. A fine copy. Les Editions de Minuit unknown‎

書籍販売業者の参照番号 : 46118