‎Fiacre‎

‎Simon May‎

‎Nietzsche's Ethics and his War on 'Morality'‎

‎, Oxford University, 1999 Hardcover 228 pages. ISBN 9780198238461.‎

‎This critique of Nietzsche's attack on morality, and his ethics of "life-enhancement", reveals him as revolutionary and conservative - one who repudiates traditional "moral" conceptions, yet retains a demanding ethics of discipline, conscience, "self-creation", generosity, and honesty.‎

Referentie van de boekhandelaar : 62061

‎Collin de Plancy / Jacques Auguste Simon‎

‎L gendes de la province d'Anvers, Chroniques, traditions et faits remarquables. Tome 1‎

‎, Edit par Malines, 1844 tre li , 312 pages, Texte en Francais, 170 x 100 mm, **dammage relieur. .‎

‎L gendes de la province d'Anvers, Chroniques, traditions et faits remarquables. Tome 1‎

Referentie van de boekhandelaar : 60002

‎Thomas A. Denenberg , Glenn O'Brien , Anne Wilkes Tucker ; Laura Levine ; Kate Simon‎

‎Backstage Pass : Rock & Roll Photography‎

‎, Yale University Press, 2009 Paperback, 128 pages, ENG, 280 x 245 x 10 mm, NEW, illustrated in colour / b/w. ISBN 9780300151633.‎

‎This striking collection of photographs features nearly every important figure in the world of rock & roll, from Elvis to Eric Clapton, the Beatles to Bob Dylan, Jimi Hendrix to John Coltrane. Many of the nearly one hundred images have rarely been published, and all reveal fascinating glimpses of celebrities off stage, away from the glare of the spotlights. Shot from the mid-fifties to the mid-nineties, the portraits often have a spontaneous, informal, and everyday feel, and most record their subjects before they had become immensely famous--and well practiced in posing for photographs. The more than fifty photographers who contribute to the volume are among the most talented in their field, including Lee Friedlander, Lynn Goldsmith, Bob Gruen, Mick Rock, and many more. Three original essays address topics suggested by the photographs. The authors discuss the coded nature of celebrity portraiture, the 1970s music scene in New York City, the frank sexuality of rock musicians, and how the Beatles' look evolved over time. This book will be treasured not only by fans of rock & roll music and admirers of photographic portraits, but also by those who remember the vanished time when photographers had genuine access to performers, and were a crucial element in the worlds they were documenting.‎

Referentie van de boekhandelaar : 60772

‎Iwona Blazwick, Simon Wilson‎

‎Tate modern handbook‎

‎, Tate Publishing, 2001 Paperback, 245 pages, ENG, 270 x 210 mm, in good condition, ill. in colour / b/w. ISBN 9781854373120.‎

‎catalogue‎

Referentie van de boekhandelaar : 61134

‎Simon Johannes Carmiggelt, Peter van Straaten‎

‎Onzin‎

‎, De Arbeiderspers, 1978 Paperback, 207 pag. NL, 230 x 170 mm, in prima staat, met ill. ISBN 9789029510783.‎

‎:Literatuur > Roman‎

Referentie van de boekhandelaar : 61892

‎Mundy, Simon‎

‎Bernard Haitink.‎

‎, A.W. Sijthoff's Uitg.mij. bv., 1988 22 x 14 cm; 243 blz.; hardcover met stofomslag., NL, goede staat, foto's in z/w. ISBN 9021838451.‎

Referentie van de boekhandelaar : 62526

‎SIMON (Jules)‎

‎Le devoir‎

‎1874 Paris, Hachette, 1874, In douze, 462 pp, demi-reliure cuir rouge, dos orné, inscription sur le premier plat " Association philotechnique".‎

‎.‎

Referentie van de boekhandelaar : 1519

‎SERFATY (Simon)‎

‎La politique étrangère des Etats-Unis de Truman à Reagan Les années difficiles‎

‎1986 Paris, Presses Universitaire de France, 1986, Petit in huit, 247 pp, broché, couverture bleue,‎

‎Coll. "Politique d'aujourd'hui".‎

Referentie van de boekhandelaar : 5941

‎SIMON (Yves)‎

‎Océans - Les Jours en couleurs - Le prochain amour .‎

‎Paris, Éditions Grasset, 1983, 1971, 1996. 3 vol., brochés. Édition originale. Premier tirage. Envoi signé à Jean-Jacques Brochier.‎

‎Belle provenance, de l'ancien rédacteur en chef du Magazine littéraire, de 1968 à 2004.‎

Referentie van de boekhandelaar : 23470

‎SIMON (Pierre-Henri)‎

‎Recours au poème. Chants du captif.‎

‎Neuchâtel, Éditions de la Baconnière, coll. « Les Cahiers du Rhône », série rouge, n° XIII, (15 décembre) 1943 1 vol. (145 x 195 mm) de 57 pp. et [2] ff. Broché. Édition originale. Exemplaire numéroté, (n°2119).‎

Referentie van de boekhandelaar : 24095

‎Simon Carmiggelt‎

‎Simon Carmiggelt over Willem Elsschot : CD‎

‎, Willem Elsschot Genootschap, 2000 CD in kartonnen mapje.‎

‎Boek 10 uit de serie W.E.G...............Hoort bij het boek 'Ontmoetingen met Willem Elsschot'.‎

Referentie van de boekhandelaar : 62944

‎Dries Bosschaert, Peter De Mey, Simon Beentjes (eds)‎

‎Vatican I, Infallible or Neglectable? Historical and Theological Approaches to the Event and Reception of the First Vatican Council‎

‎, Brepols, 2023 Paperback, 348 pages, Size:156 x 234 mm, Language(s):English, French. ISBN 9782503601717.‎

‎Summary On 20 October 1870 pope Pius IX adjourned the First Vatican Council, because of the Italian Rissorgimento troops approaching the city of Rome. Given that the Council had only opened less than a year prior, on 8 December 1869, the act was emblematic. The council, as the Catholic Church's protective response against all things new - rationalism, liberalism, naturalism, materialism, and pantheism - was overtaken by history. Given its premature end not all documents prepared were completed and those that were promulgated, became among the most controversial documents in the nineteenth and twentieth-century Catholic Church, strongly defining its relations to other Christian confessions and modernity. Similarly, around one hundred years after the suspension of the First Vatican Council its historical and theological study was overtaken by the event of the Second Vatican Council, known for its rapprochement to the modern world. The history and results of the First Vatican Council were either forgotten or reinterpreted in light of this subsequent council's decisions. In light of the 150th anniversary of this council, the editors and authors of this volume set themselves the goal of re-examining this tradition of historical and theological reception (and forgetting) of the First Vatican Council. TABLE OF CONTENTS Vatican I, Infallible or Neglectable? Historical Perspectives on the Event and Reception of the First Vatican Council Edited by Dries Bosschaert, Peter De Mey, and Simon Beentjes Introduction Dries Bosschaert, Peter De Mey, and Simon Beentjes Part I: The History of Vatican I and its Main Actors The Holy See, Church and Politics The Climax of Vatican I (1864-1876) Andrea Ciampani (LUMSA di Roma) Victor Dechamps, Archbishop of Mechelen (Belgium), on the Eve of the First Vatican Council Dries Vanysacker (KU Leuven) Des v ques de juste milieu. Le cardinal Mathieu et la minorit inopportuniste Vincent Petit 'Ein Mann mit eiserner Natur': Archbishop Peter Kenrick, Vatican I, and his Submission to Pastor ternus Kenneth L. Parker (Duquesne University) Ignaz von D llinger and the First Vatican Council Franz Xaver Bischof (Ludwig Maximilians Universit t M nchen) The First Vatican Council and the Faculty of Theology at Louvain Leo Kenis (KU Leuven) Russian Diplomats on Vatican I Papal Infallibility, the Emergence of 'Parties' and Concerns on Catholic Clergy in the Empire Katsiaryna Kimlenka (Lomonosov Moscow State University) Part II: Reconsidering the Doctrine of Vatican I Catholic Socio-Economic Thought in the 1860s and its Impact on Vatican I Alina Potempa (Humboldt-Universit t zu Berlin) 'Ecclesiam esse corpus Christi mysticum' Supremi Pastoris, Clemens Schrader and the Ecclesiology of the Mystical Body Valfredo Maria Rossi (Pontifical Gregorian University) Joseph Kleutgen and the Second Schema De Ecclesia Infallibility and the Minor Theological Censures John P. Joy (Albert the Great Center for Scholastic Studies) John Henry Newman, Vatican I and the doctrine of Papal Infallibility Cautions and Contributions Mary McCaughey (St. Mary's College Oscott) The Blessing that comes from ?Anathemas? The Traces of Hope that emerged in Vatican I Susana Vilas Boas (Universidade Cat lica Portuguesa) Part III: Receptions of Vatican I The First Vatican Council and Anglicanism Mark D. Chapman (University of Oxford) The Reception of the First Vatican Council in Old Catholic (Ecumenical) Theology Peter-Ben Smit (Vrije Universiteit Amsterdam) Infallibility in Perspective The Different Receptions of Pastor Aeternus among Catholic Ecumenists before the Second Vatican Council Simon Beentjes (KU Leuven) La primaut dans les conciles du Vatican R ception ou rupture ? Fermina Alvarez Alonso (Pontificia Universitas Lateranensis) The Trinitarian Theology of Bernard Lonergan An Example of the Reception of Vatican I in 20th-Century Theology Andrew Downie (Durham University) Can the Clock be Turned Back? Understandings of Tradition and Change in Vatican I's and Vatican II's Responses to the Modern World Kristin Colberg (College of Saint Benedict)‎

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‎Dominique De Groen, Simon Delobel‎

‎Lisa Vlaemminck Screensaver Error.‎

‎, Posture Editions Nr 49, 2022 softcover PB, 297 x 210 mm, 160 pages, Illustrated. ENG-NL edition. ISBN 9789491262524.‎

‎In her work, Lisa Vlaemminck explores the boundaries of painting, creating an exciting, vibrating and disorienting universe. In her images, she questions very classical phenomena in painting, such as the landscape and the still life, by freezing them behind semi-transparent layers of paint. We catch a glimpse that feels familiar, but soon find that nothing is what it seems. Vlaemminck's work oscillates between the microscopic and the interstellar, as well as the amorphous spaces in between. Image, material, shape, texture and form mutate into compositional playgrounds floating in a newly created universe where different laws and rules apply. The book 'Screensaver Error' is conceived as a symmetrical, folded stack of sheets with images of Lisa's paintings and collages. At the heart of the book is the sixty-metre long, worm-shaped textile sculpture, which runs like a stream through the book for many pages. The book consists of one section of 144 pages held together in the centre by coloured bookbinder's thread. The 'stack' of sewn paper sheets are not trimmed on the cut, creating a convex shape that is entirely in keeping with the language of Lisa's work. As an object, the book has the status of an autonomous work of art. Dominique De Groen wrote an electrically charged shimmering poem tailored to the work. The introductory text was written by Simon Delobel. In KIOSK, Lisa Vlaemminck presented a series of new paintings and a sixty-metre long textile sculpture that occupied the various exhibition spaces. For the design of the fabric, Lisa worked patterns that form a long colour gradient. At the end of the exhibition, the sculpture, Meat A Morph Hose, was cut into 35 separate, new sculptures that were offered as unique artworks. The artist is reprented by gallery rodolphe janssen‎

Referentie van de boekhandelaar : 64027

‎Pierre Muylle, Simon Delobell‎

‎IK MET TWEE Arnaud Rogard‎

‎, Posture Editions Nr 55, 2024 HB, 297 x 210 mm, 48 pages, EN-NL edition, Illustrated. ISBN 9789491262630.‎

‎Arnaud ( 1977), is een veelzijdig kunstenaar: hij maakt tekeningen, keramisch werk, schrijft po zie maar is ook actief als danser en performer. In elk van die media blinkt zijn werk uit in het verbergen, weglaten, vertragen, pauzeren, verzuimen of verstillen. In dans en in theater herkennen we de kunstenaar Arnaud die in de stilte de kreet onderstreept. Door te vertragen laat hij het publiek van beweging dromen. De kracht van Arnauds tekeningen ligt veelal in de ruimte die hij niet tekent. De tekening zijn met een heel zacht potlood getekend en ogen daardoor heel breekbaar. Arnaud gaat op een zeer gevoelige manier om met zijn media. Zijn werk komt met heel veel concentratie en geduld tot stand. Zijn keramisch werk bestaat o.a. uit bustes van personages die het midden hielden tussen mens en dier, waarbij enige sprookjesachtige connotatie nooit ver weg was. Voor dit boek maakt de uitgever een uitgekiende selectie van zelfportretten en tekeningen van mensen uit Arnauds omgeving. Elke tekening staat alleen op een pagina, soms tegenover een andere tekening maar soms ook helemaal alleen. De keuze voor veel ruimte is bewust, we willen geen overvloed aan tekeningen tonen.‎

Referentie van de boekhandelaar : 64052

‎Erich Poppe, Simon Rodway, Jenny Rowland (eds)‎

‎Celts, Gaels, and Britons. Studies in Language and Literature from Antiquity to the Middle Ages in Honour of Patrick Sims-Williams‎

‎, Brepols, 2022 Hardback, xviii + 362 pages, Size:156 x 234 mm, Illustrations:2 b/w, Language: English. ISBN 9782503598642.‎

‎Summary Celts, Gaels, and Britons offers a miscellany of essays exploring three closely connected areas within the fields of Celtic Studies in order to shed new light on the ancient and medieval Celtic languages and their literatures. Taking as its inspiration the scholarship of Professor Patrick Sims-Williams, to whom this volume is dedicated, the papers gathered together here explore the Continental Celtic languages, texts from the Irish Sea world, and the literature and linguistics of the British languages, among them Welsh and Cornish. With essays from eighteen leading scholars in the field, this in-depth volume serves not only as a monument to the rich and varied career of Sims-Williams, but also offers a wealth of commentary and information to present significant primary research and reconsiderations of existing scholarship. TABLE OF CONTENTS List of illustrations Abbreviations Rhagymadrodd Introduction John Scottus Eriugena and Celtica eloquentia Simon Rodway (with a contribution by Barry J. Lewis) Taruoture?ka tureita: A Celtiberian Collocation Javier de Hoz More Celtic, More from Pannonia Alexander Falileyev An Old Irish Text on Kingship and the Five Provinces of Ireland Liam Breatnach British and Irish? Some Thoughts on the Life of Saint Ailbe M ire Herbert Irish Influence on Old Norse Literature? Immram to Hv tramannaland M ire N Mhaonaigh Romanization and the British Bards Jenny Rowland A Note on the Four Bare-Headed Women in 'Echrys Ynys' William Mahon Llythyr Gofyn gan Si n Phylip Bleddyn Owen Huws The Development of Proto-Celtic *st in British Celtic Peter Schrijver The Development of Proto-Celtic *au in British Celtic Stefan Schumacher The Corpus of Old Cornish Oliver Padel Bardic Grammars on Syllables Thomas Charles-Edwards The Joy of Six: Spelling and Letter-Forms among Fourteenth-Century Welsh Scribes Paul Russell The Development of Realis Conditional Clauses in Welsh David Willis A Contribution to Subaltern Linguistics. Welsh Dim in Comparative (and Similar) Clauses Richard Glyn Roberts Traces of Translation in Buchedd Beuno? Erich Poppe Welsh hoyw. A Case Study in Language Contact Dafydd Johnston‎

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‎Simon Thomson (ed)‎

‎Medieval Stories and Storytelling. Multimedia and Multi-Temporal perspectives‎

‎, Brepols, 2021 Hardback, 319 pages, Size:156 x 234 mm, Illustrations:19 b/w, 3 col., Language: English. ISBN 9782503590509.‎

‎Summary The shaping and sharing of narrative has always been key to the negotiation and recreation of reality for individuals and cultural groups. Some stories, indeed, seem to possess a life of their own: claiming a peculiar agency and taking on distinct voices which speak across time and space. How, for example, do objects, manuscripts, and other artefacts communicate alternative or complementary narratives that transcend textual and linguistic boundaries? How are stories created, reshaped, and re-experienced, and how do these shifting contexts and media change meaning? This volume of essays explores these questions about meaning and identity in a range of ways. As a collection, it demonstrates the importance of interdisciplinary and context-focused enquiry when approaching key issues of activity and identity in the medieval period. Ultimately, the process of making meaning through shaping narrative is shown to be as vital and varied in the medieval world as it is today. With a wide range of different disciplinary approaches from leading scholars in their respective fields, chapters include considerations of art, architecture, metalwork, linguistics, and literature. Alongside examinations of medieval cultural productions are explorations of the representation and adaptation of medieval storytelling in graphic novels, classroom teaching, and computer gaming. This volume thus offers an interdisciplinary exploration of how stories from across the medieval world were shaped, transformed, and transmitted. TABLE OF CONTENTS Introduction: Stories and their Tellers S. C. Thomson Beowulf Goes to School: Adaptations and transformations for the Secondary Classroom Janes Coles, Theo Bryer, and Daniel Ferreira 'Retelling Old Stories for New Audiences': Shaping and Visualizing Beowulf through Gareth Hinds' Graphic Novels [The Collected Beowulf (2003) & Beowulf (2007)] Jorge Luis Bueno Alonso Being Numerous: Communal Storytelling in Li smannaflokkr Erin Michelle Goeres Performance and Emotions in Four Epic Works about Roland Evelyn Birge Vitz Towards a Poetics of Storytelling, or, why could Early Medieval English Writers not stop telling the Story of Judith? S. C. Thomson Mosaics, Marbles, and Medievalisms: Displaying the Foundation Narrative of the English Church in Westminster Cathedral Meg Boulton A Storied Cathedral: Space and Audacious Women in Early Medieval Durham Euan McCartney Robson Dynamic Material Aspects of Writing in Wolfram of Eschenbach's Titurel Christoph Witt Iceland's Alexander: Gunnarr and Pale Corn in Nj ls Saga Richard North Sensing Stories: Iconography, Pattern, and Abstraction in Metalwork from Early Medieval England Melissa Herman A Telling Tradition: Preliminary Comments on the Epic of Manas, 1856-2018 James Plumtree Index‎

Referentie van de boekhandelaar : 65426

‎Simon Njami , Juliette Singer‎

‎Omar Ba‎

‎Milano, Skira Editore, 2023 Couverture reliee, 192 pages, 29.5 x 23 cm. FR. ISBN 9782370741998.‎

‎Born in Senegal in 1977, Omar Ba lives and works between Dakar and New York. His paintings ? made with various techniques and materials ? include political and social themes with multiple interpretations. His plastic vocabulary reactivates historical and a temporal questions while elaborating an artistic statement of absolute contemporaneity. Omar Ba was trained at the Beaux Arts in Dakar and Geneva. In recent years, he has participated in numerous solo and group exhibitions, including Voyage au-del de l?illusion at the Royal Museums of Fine Arts of Belgium (2022) and Global(e) R sistance at the Centre Pompidou (2020). His works have entered several public collections, including those of the Centre Pompidou and the Centre National des Arts Plastiques (CNAP) in France, the Swiss National Collection (Basel) and the Louvre Abu Dhabi. This book is an opportunity to explore Omar Ba?s paintings, some of which will be displayed for the opening exhibition of Galerie Templon in New York.‎

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‎Delobel, Simon; Wout Hoeboer‎

‎Wout Hoeboer: Dandy Dada‎

‎Kemzeke, Verbeke Foundation, 2011 Hardcover, 166 pagina's, 25 x 25 cm. Nederlandstalig. Goede staat.‎

‎Wout Hoeboer: Dandy Dada‎

Referentie van de boekhandelaar : 66740

‎Simon Schama‎

‎Kiefer - Van Gogh‎

‎, Royal Academy of Arts, 2025 Hardcover, 112 pages, 26.5 x 24 cm, Illustrated, EN. *NEW. ISBN 9781915815170.‎

‎Ever since winning a travel grant as a 17-year-old to travel from the Netherlands through Belgium and Paris to Arles in Van Gogh?s footsteps, the contemporary master painter and sculptor Anselm Kiefer has been inspired by the Dutchman?s art. Van Gogh has been a profound influence upon the subjects and techniques of Kiefer?s monumental paintings and sculptures, which draw on history, mythology, literature, philosophy and science. Published to coincide with Kiefer?s 80th birthday in 2025, this book celebrate‎

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‎Simon Schama & Martine Gosselink‎

‎Birds: het puttertje, mens en vogel.‎

‎, Hannibal Books, 2026 Hardcover, 26.5 x 21.5 cm, 200 pages, Quadrichromy, Dutch edition. ISBN 9789493416529.‎

‎Onze blijvende fascinatie voor vogels door de ogen van de internationaal gerenommeerde (kunst)historicus Simon Schama ?Geen enkel ander schepsel dan de vogel heeft zich zo obsessief en alomtegenwoordig in onze rusteloze, aardse verbeelding genesteld.? ? Simon Schama Van Icarus tot Peter Pan ? wie droomt er niet van vliegen? Vogels belichamen onze verlangens, angsten en fantasie n. In deze publicatie onderzoeken internationaal gerenommeerd (kunst)historicus Simon Schama en directeur van het Mauritshuis Martine Gosselink de fascinerende relatie tussen mens en vogel aan de hand van kunst, literatuur en cultuurgeschiedenis. Het wereldberoemde Puttertje van Carel Fabritius, Picasso?s Duif, Brancusi?s Vogel in de ruimte, een Egyptische valkenmummie, een verenjurk van Iris van Herpen: dit boek is een visuele en literaire reis door eeuwen van vogelverbeelding. Kers op de taart is een prachtige bloemlezing met vogelverhalen uit onder andere Het Gilgamesj-eposen Duizenden-een-nacht, n vogelpo zie van schrijvers als Rabindranath Tagore, Ted Hughes, Bob Marley en R?m?. Met tekstbijdragen van Simon Schama, Martine Gosselink, Laura Cumming, Stefan Hertmans, Philip Hoare, Eva Meijer en Adrienne Quarles van Ufford. Deze publicatie verschijnt naar aanleiding van de tentoonstelling BIRDS ? Curated by The Goldfinch & Simon Schama in Mauritshuis, Den Haag van 12 februari tot 7 juni 2026.‎

Referentie van de boekhandelaar : 68831

‎Ludovic Balavoine, Gilles Simon‎

‎Pr curseurs Flamands Rogier Van der Weyden et les fr res Van Eyck au prisme de la perspective‎

‎, Brepols, 2026 Hardback, iv + 415 p., 216 x 280 mm, Illustrations:41 b/w, 218 col., Language(s):French. *New . ISBN 9782503615066.‎

‎Dans un contexte o la perception du monde volue, comment les peintres flamands de la premi re moiti du XVe si cle essaient-ils de figurer leur monde, urbain et religieux, de t moigner de fa on r aliste de leur environnement ? La question de l?espace et de sa repr sentation est fondamentale dans les premiers temps du mouvement humaniste et de la Renaissance, et les artistes septentrionaux en ont tr s vite compris les enjeux. partir d??uvres embl matiques du patrimoine flamand et europ en du XVe si cle, reconsid r es par des approches nouvelles, comme le retable de l?Adoration de l?Agneau mystique, l?ouvrage propose une histoire renouvel e de la peinture flamande des d buts de la Renaissance au prisme de la perspective et des innovations picturales, en compagnie des fr res Van Eyck et de Rogier van der Weyden.‎

Referentie van de boekhandelaar : 69294

‎Tessa R. Groenewoud, Simon Debbaut-L'Ecluse‎

‎Notities in Tremor (Edition of 150 numbered copies)‎

‎, Self Published, 2024 Paperback, 62 pagina's, z/w afbeeldingen, 26 x 19,5 cm. *Nieuw.‎

‎Deze publicatie is een po tische verhandeling in analoge fotografie met steeds een vingertrilling weergegeven in het beeld, het tremor. Door het fotograferen in donker en koude komt er ruimte om die beweging van het moment mee in het beeld te printen. Editie van 150 genummerde exemplaren.‎

Referentie van de boekhandelaar : 69331

‎Simon Vinkenoog‎

‎Coito Ergo Sum, Samenspraak der eenwording‎

‎, Exponent, 1986 Oorspronkelijk uitgevers omslag, 66 pag ***GESIGNEERD door Vinkeloog, met opdracht, Gent 1988. genummerde oplage n 66/115.‎

‎Zeldzame bibliofiele uitgave van Coito Ergo Sum van Simon Vinkenoog. Deze bijzondere editie werd volledig ambachtelijk vervaardigd: met de hand gezet uit de klassieke Bodoni-letter en gedrukt door Menno Wielinga op een handpers. Het boek verscheen in een uiterst beperkte oplage van slechts 115 exemplaren; colofon; bleven 25 Romeins genummerde exemplaren voorbehouden aan de auteur; de overige exemplaren werden Arabisch genummerd.‎

Referentie van de boekhandelaar : 70063

‎Giovanbattista Galdi, Simon Aerts, Alessandro Papini (eds)‎

‎Varietate delectamur: Multifarious Approaches to Synchronic and Diachronic Variation in Latin. Selected Papers from the 14th International Colloquium on Late and Vulgar Latin (Ghent, 2022)‎

‎, Brepols, 2025 Hardback, Pages: 792, Size:156 x 234 mm, Illustrations:65 b/w, 120 tables b/w., Languages: English, French, Italian. ISBN 9782503606798.‎

‎Summary The focus of the Latin Vulgaire - Latin Tardif book series lies on the complex and multifaceted problem of late and so-called vulgar Latin. Specifically, starting out from a wide range of methodological approaches involving all levels of language, the series' main purpose is to investigate how Classical Latin (i.e. the language used in the period from ca. 100 BC to AD 100 by authors such as Cicero, Horace and Vergil) underwent the changes during the late period (i.e. mainly between the 3rd and the 7th century AD) that resulted in (the early stages of) the Romance languages. To this purpose, three main types of linguistic sources are taken into consideration. First, direct Latin sources, which include for instance texts written by people with a lesser level of literacy (e.g. inscriptions, soldiers' letters), or by fully literate authors reproducing colloquial language deliberately (e.g. Petronius, Apuleius). Second, indirect Latin sources, which consist of metalinguistic testimonies of ancient authors (mainly, but not exclusively, grammarians) dealing with the language variation typical of their time and region. And third, the Romance idioms themselves: by comparing sources in at least two Romance varieties, one may reconstruct Latin words or forms which were used widely in spoken usage but, for different reasons, are not attested in any extant source. TABLE OF CONTENTS Preface Orality and Diastratic Variation Terence's language between oratory and vulgar Latin (Gualtiero Calboli) Les marques d'ouverture du discours direct dans le roman latin (le Satyricon de P trone et les M tamorphoses d'Apul e) (Joseph Dalbera) Motion pseudo-coordination in Plautus' and Terence's plays. A corpus-based analysis (Simone Gentile & Carmelina Toscano) La geminazione di s- preconsonantica nella koin scrittoria latino-greca. Dati empirici e aspetti teorici (Serena Barchi) Latin technical legal terminology in Greek papyrus documents. Some examples from Late Antique and Byzantine Egypt (Alessia Pezzella) Some evidence on geminatio consonantium between standardisation and variation (Lucia Tamponi) Phenomena of graphic interference in Latin curse tablets from Africa (Mariarosaria Zinzi) Christian Latin in Late Antiquity La per frasis habeo + infinitivo en el Itinerarium Egeriae (Olga lvarez Huerta) Virtus adunationis. Alcuni esempi di innovazione lessicale nel De anima di Cassiodoro (Michele Di Marco) El uso de ipse y dem s formas demostrativas en la Regla de San Benito de Nursia (Alfonso Garc a Leal) A spiritual use of Lat. mens in Gregory the Great's Homilies on Gospels (Octavian Gordon) Clausal word order in the Passio Perpetuae et Felicitatis. An emerging V2 grammar? (Kim A. Groothuis) Morphologies in contact in Bible translations. The nomina agentis in New Testament Latin (Elisabetta Magni) Motions verbs in the Vulgata. Aspect and deixis in a diachronic and typological perspective (Andrea Nuti) Nuovi contributi sulla lingua dell'anonimo poema dell'Heptateuchos (i termini anus e odium) (Maria Rosaria Petringa) Il de con ablativo nelle controuersiae di Ennodio (dict. 21-22) (Amedeo A. Raschieri) Style matters. Hyperbaton and genre in Augustine of Hippo (Agnes Vendel) The Greek loan word presbyteri in Vetus Latina and Vulgate Susanna (Vulg. Dan. 13). Reception by Cyprian, Lucifer, and Jerome (Kevin Zilverberg) Technical Latin in Late Antiquity Muliebribus uerbis usus sum. The Gynaecia of Mustio and the language of midwives (Micaela Brembilla) Nomi di mestiere nel glossario latino-greco degli Hermeneumata Celtis (Salvatore Cammisuli) Offa, ofella, offula. A semantic analysis in Apicius' De re coquinaria (Marilena De Gregorio) Ortografia ed evoluzione linguistica nel latino tardo (Paolo De Paolis) Sobre el acercamiento de mitto a pono en el lat n poscl sico (Mar a Isabel Jim nez & Chantal Melis) Diachronic Perspectives on Latin Alea iacta est. Insights from corpus semantics into the diachrony of the Latin passive (Simon Aerts) La gran poes a latina y las peque as lenguas romances. Algunos ejemplos l xicos del Noroeste hisp nico (Mar a Concepci n Fern ndez L pez) Classical and Late Latin poetry. Looking for diachronic variations in the grammatical categories distribution (Dominique Longr e & Marc Vandersmissen) Tracing the semantic change of socio-political terms from Classical to early Medieval Latin with computational methods (Barbara McGillivray & Krzysztof Nowak) La concordance n gative (NC) et la n gation expl tive (EN) entre renforcement et affaiblissement dans l' volution du latin aux langues romanes (Anna Orlandini & Paolo Poccetti) Late Latin Testimonies to Early Romance Innovations Back vowel mergers in Dalmatian Latin and Dalmatian Romance (B la Adamik) Latin varieties and the study of language. Social stratification in language evolution (Brigitte L.M. Bauer) On problems in the description of the Late Latin verbal system (Gerd V. M. Haverling) Termes interrogatifs dans le Liber Historiae Francorum. Concordances et discordances avec les Historiae de Gr goire de Tours (Colette Bodelot) Notes on the Late Latin Accusative Absolute construction (Paola Cotticelli-Kurras, Eystein Dahl & Jelena ?ivojinovi?) Il verbo insinuo nelle epistole commendaticiae tardoantiche (Sara Fascione) Evidence of periphrastic gradation in Late Latin (Lucie Pultrov ) Re-verbs in Late Antiquity (Josine Schrickx) Tensions linguistico-communautaires en Occident dans l'Antiquit (Tardive) et au haut Moyen ge (r sum ) (Marc Van Uytfanghe) Early Medieval Latin on the Threshold of Proto-Romance Reconsidering Langobards' Latinity from a socio-historical viewpoint (Rosanna Sornicola) Lexicographical notes on Historia Brittonum (Maxime Canin) Glutinum sermonum. The metaphorical representation of a syntactic function (Paola Cotticelli-Kurras & Francesca Cotugno) I toponimi nelle carte notarili della Langobardia minor (IX-X secolo): morfosintassi e propriet testuali (Elisa D'Argenio & Cesarina Vecchia) Manifestazioni del neutro nel latino circa roman um dei Regii Neapolitani Archiui Monumenta (sec. X) (Eleonora Delfino) Variazione lessicale e linguaggio notarile. Qualche esempio dalle carte mediolatine della Campania (IX-XII secolo) (Valentina Ferrari) Sintassi, semantica e testualit dei pronomi relativi qui e que nelle carte notarili della Langobardia minor (IX secolo) (Paolo Greco) Norme et style dans les textes narratifs latins du Haut Moyen ge. Essai de typologie (S ndor Kiss) Asigmatic non-standard plurals in 8th- and 9th-century Tuscian charters? (Timo Korkiakangas & Tommi Alho) The syntactic glosses of the Liber Iudicum Popularis (Afra Pujol i Campeny) Alternanze tematiche, innovazione e polimorfismo. Le testimonianze di alcune raccolte documentarie dell'Italia meridionale (Simona Valente) Workshop in Celebration of Gualtiero Calboli's Career Discontinuit du groupe nominal dans la Vulgate (Bernard Bortolussi) Aspects of juridical language in Benedict's Rule (Giovanbattista Galdi) El origen de t?r?, -?nis 'novillo uncido' y de *t?r?re 'tirar'. Dos creaciones del habla r stica (Benjam n Garc a-Hern ndez) Les constructions infinitives selon la conception de Gualtiero Calboli (S ndor Kiss) Sur l'interaction entre n gation, verbes modaux et modalit s (Anna Orlandini & Paolo Poccetti) Ille in the Latin Gospel of John. Demonstratives and articles in translation (Silvia Pieroni) On the scope of theticity in Latin (Hannah Ros n) Workshop on Inscriptions and tabellae defixionum Shaping shapes. Sicilicus and other diacritics in Latin epigraphy (Lucia Tamponi & Serena Barchi) Exorcisms, oaths, and invocations in Greek and Latin curse tablets, funerary inscriptions, and amulets. Some preliminary results (Juraj Franek, Daniela Urbanov & Ulrike Ehmig) Normativity. Editing Latin inscriptions (Marietta Horster, Katharina Kagerer & Christine Wulf)‎

Referentie van de boekhandelaar : 70586

‎SIMON (Yoland)‎

‎A l'ombre des Lumières, les incertitudes de Sophie suivie de : Dieu ! Que la philosophie serait jolie s'il n'y avait les révolutions‎

‎1991 Paris, l'Avant-Scène, 1991, 17 x 25 cm, 64 pp, couverture illustrée,‎

‎bon état, N:° 884.‎

Referentie van de boekhandelaar : 22200