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Texts by NAJIH BAQIRAT.
Jerusalem in photographs from past to present.= Fotograflarla dünden bugüne Kudüs. Photographs (old); IRCICA archives. Photographs (new); Khaled Zaghari. Project managers; Halit Eren, Sefer Turan.
New New English Original bdg. Dust wrapper. Oblong 4to. (30 x 34 cm). In English, Turkish, and Arabic. [12], 223, [1] p., color and b/w photos. Jerusalem in photographs from past to present.= Fotograflarla dünden bugüne Kudüs. Photographs (old); IRCICA archives. Photographs (new); Khaled Zaghari. Project managers; Halit Eren, Sefer Turan. This album was published within the framework of the 40th anniversary commemoration of the OIC, which has the problem of al-Quds and Palestine as its foremost cause. Prof. Ekmeleddin Ihsanoglu, Secretary General of the OIC, wrote the Foreword. As he mentions, preservation of the multicultural character of the city with due respect of the populations and the shrines of each faith is an indispensable part of any acceptable solution of the problem. This character is well reflected in the authentic photographs in the album. Due to its special importance, al-Quds/Jerusalem was visited and described by many travelers. Then, the region became the first place of interest of the pioneer photographers. The Ottoman Palace was among the first in the world to acquire photographs of the region. The Yildiz photograph collection which was formed during the reign of Sultan Abdülhamid II contains a large number of them. The album contains the reproductions of 405 photographs gathered from IRCICA's archive comprising the Yildiz Photograph Albums and several other collections. A very heavy volume. Extra shipping fee will be able to request.
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Texts by NAZAN AKPINAR - ABDÜLKADIR GÜNYAZ - SEZER TANSUG.
From the Society of Ottoman painters to the Association of Fine Arts, 1909-1921.= Osmanli Ressamlar Cemiyeti'nden Güzel Sanatlar Birligi'ne, 1909-1921.
Very Good Very Good English Original bdg. Dust wrapper. 4to. (27 x 25 cm). In English and Turkish. 129, [1] p., color ills. From the Society of Ottoman painters to the Association of Fine Arts, 1909-1921.= Osmanli Ressamlar Cemiyeti'nden Güzel Sanatlar Birligi'ne, 1909-1921. Contents; As the society sets out towards its ninetieth year = Cemiyetimizin doksaninci yilina dogru., Nazan Akpinar.; The years behind us, (1909-1991) = Yillar geride kalirken, (1909-1991)., Abdülkadir Günyaz.; Those who take up the torch and carry it forward to days of ever more enlightenment = Mesaleyi, elden ele, daha aydinlik günlere tasiyanlar., Abdülkadir Günyaz;Concerning the Society of Ottoman Painters = Osmanli Ressamlar Cemiyeti hakkinda., Sezer Tansug.; Plates = Eserler.
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Texts by NRLLLAH KANIK.
Geçmisten günümüze Neyzen Emin Dede. Sergi. [Exhibition catalogue].
New English Paperback. Pbo. Oblong large 8vo. 24 p. In Turkish. B/w and color ills. Catalogue of exhibition on Neyzen Emin Dede. Geçmisten günümüze Neyzen Emin Dede. Sergi. [Exhibition catalogue].
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Texts by NURULLAH KANIK.
Geçmisten günümüze Neyzen Emin Dede. Sergi. [Exhibition catalogue].
Very Good English Paperback. Pbo. Oblong large 8vo. 24 p. In Turkish. B/w and color ills. Catalogue of exhibition on Neyzen Emin Dede. Geçmisten günümüze Neyzen Emin Dede. Sergi. [Exhibition catalogue].
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Texts by R. R. R. SMITH.
Gods of Nemrud: The Royal Sanctuary of Antiochos I & the Kingdom of Commagene. Photography by Ahmet Ertug. In special slip-case.
New English Original cloth bdg. In publisher's special box. Oblong large 4to. (47 x 34 cm). In English. 196 p., 95 color plts, 37 ills. A unique complex of archaeological material survives from Commagene in the first century BC. It derives from a local king, Antiochos I, and is of great interest in itself and for the study of ancient religion and art. The material consists of a large body of monumental sculpture, statues and reliefs and voluminous inscriptions about the king and his gods. The monuments are unique in their quantity, and in being precisely dated and identified. Together the texts and images provide an unrivalled opportunity for getting close to the quality and texture of an ancient cult. Antiochos I of Commagene (c. 69-36 BC) belonged at the tail-end of Hellenistic monarchy and the beginning of Roman rule in Syria and Eastern Anatolia. The scholarly text by R.R.R. Smith describes the geography and political history of Antiochos kingdom, and looks at the archaeology of his sanctuaries and his royal cult as known from inscriptions. Exquisite photography by Ahmet Ertug concentrates on some of the best preserved sculpture from two sites, Nemrud Dag and Arsameia and expresses in a new way the distinctive character and impact of these extraordinary monuments. Roman mosaics from Zeugma on the Euphrates are also included in the book. The large picture mosaics discovered in the Zeugma houses during the rescue excavations of the 1990s are sensational. They continue the tradition of Hellenistic mosaic floors with pictorial scenes of mythology, allegory, and marine fantasy, and constitute a missing link in the second century AD between picture mosaics of the later Hellenistic period and of Late Antiquity. The photography of Ahmet Ertug in this beautifully printed book will bring readers into a spectacular and less familiar landscape of the ancient world, one that felt itself already in Antiquity to be perched at the bridgehead between West and East. The photographs in the book were printed with special inks, and all color-separation and proofing was done at the digital darkroom of Ahmet Ertug. The book is 34 x 47cms in landscape format, and has 196 pages, 95 color plates and 37 figures. Printed in Germany, hardbound in Switzerland with exquisite cloth, presented in slipcase.
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Texts by RAFET ÇAVUSOGLU.
Urartian belts.= Urartu kemerler. [Exhibition catalogue]. Coord. by Zeynep Çulha.
New English Original bdg. HC. 4to. (29 x 24 cm). In English and Turkish. 201 p., color ills. Urartian belts.= Urartu kemerler. [Exhibition catalogue]. Coord. by Zeynep Çulha. Urartian belts from the Collection of Rezan Has Museum. 1000 copies were printed.
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Texts by ROBERT WALSH; Engravings by THOMAS ALLOM.
Fisher's illustrations of Constantinople and its environs. Constantinople and the scenery of the Seven Churches of Asia Minor. Illustrated. In a series of drawings from nature by Thomas Allom. With an historical account of Constantinople, and descriptions of the plates, by the rev. Robert Walsh, LL. D.
New English In original decorative cloth bdg. Folio. (41 x 31 cm). In English. Color ills. 218, [1] p. A very heavy volume. Fisher's illustrations of Constantinople and its environs. Constantinople and the scenery of the Seven Churches of Asia Minor. Illustrated. In a series of drawings from nature by Thomas Allom. With an historical account of Constantinople, and descriptions of the plates, by the rev. Robert Walsh, LL. D. ISTANBUL - Constantinople Ottoman culture Engraving Illustrations History of art Travel Voyage Memoirs Archeology Byzantium Western travellers.
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Texts by SAMIH RIFAT.
The artist, the Sultan and his portrait: Mehmed the Conqueror according to Gentile Bellini.= Ressam, Sultan ve portresi: Gentile Bellini'ye göre Fatih Sultan Mehmet. [Exhition catalogue]. Edited by Münevver Eminoglu. Consultant: Günsel Renda.
Fine English Paperback. Pbo. 4to. (30 x 24 cm). In English and Turkish. 67, [2] p., color and b/w ills. The Artist, The Sultan and his portrait: Mehmed the Conqueror according to Gentile Bellini.= Ressam, Sultan ve portresi: Gentile Bellini'ye göre Fatih Sultan Mehmet. [Exhition catalogue]. Edited by Münevver Eminoglu. Consultant: Günsel Renda. This exhibition consists of a single painting: the famous portrait that the Ottoman Sultan Mehmed the Conqueror had painted by the Italian artist Gentile Bellini about five hundred years ago and is now in the collection of the National Gallery of London. The painting is a magnificent souvenir of a brief 'golden age' in a reminder that, as early as the Renaissance and under the leadership of a strong and foresighted ruler, Ottoman society, which always looked wetward, hd the chance to grasp universal civilization.
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Texts by SAMIH RIFAT.
The artist, the Sultan and his portrait: Mehmed the Conqueror according to Gentile Bellini.= Ressam, Sultan ve portresi: Gentile Bellini'ye göre Fatih Sultan Mehmet. [Exhition catalogue]. Edited by Münevver Eminoglu. Consultant: Günsel Renda.
New English Paperback. Pbo. 4to. (30 x 24 cm). In English and Turkish. 67, [2] p., color and b/w ills. The Artist, The Sultan and his portrait: Mehmed the Conqueror according to Gentile Bellini.= Ressam, Sultan ve portresi: Gentile Bellini'ye göre Fatih Sultan Mehmet. [Exhition catalogue]. Edited by Münevver Eminoglu. Consultant: Günsel Renda. This exhibition consists of a single painting: the famous portrait that the Ottoman Sultan Mehmed the Conqueror had painted by the Italian artist Gentile Bellini about five hundred years ago and is now in the collection of the National Gallery of London. The painting is a magnificent souvenir of a brief 'golden age' in a reminder that, as early as the Renaissance and under the leadership of a strong and foresighted ruler, Ottoman society, which always looked wetward, hd the chance to grasp universal civilization.
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Texts by SEMA OLGAÇ, ALVEN ARPACIK.
Metin Güçlü. [Catalogue of the artist]. Translator: Ali Mesut Önen.
Good English Original binding. Hardcover. 4to. (35 x 24 cm). 64 p. In Turkish and English. 2000 copies were printed. Signed and dedicated by the painter. Metin Güçlü. [Catalogue of the artist]. Translator: Ali Mesut Önen.
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Texts by SEMAVI EYICE, SÜHEYL ÜNVER, ÖMER FARUK SERFOGLU, FATIH GÜLDAL.
The city gates of Istanbul.= Dersaadet'in sur kapilari. Photographs by Halit Ömer Camci. Prep. by Fatih Güldal.
New New English Original bdg. Dust wrapper. 4to. (30 x 24 cm). In English and Turkish. 143, [1] p., color and b/w ills., 1 folding b/w panorama of Constantinople. The city gates of Istanbul.= Dersaadet'in sur kapilari. Photographs by Halit Ömer Camci. Prep. by Fatih Güldal.
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Texts by SERAP TUBA YURTESER.
Bosna'dan Bursa'ya çengiç beyleri. [Exhibition catalogue]. Eylül 2013 - Mayis 2015. Curated by Ahmet Ö. Erdönmez.
New Turkish Original bdg. HC. Folio. (34 x 24 cm). In Turkish. 144 p., color and b/w ills. Bosna'dan Bursa'ya çengiç beyleri. [Exhibition catalogue]. Eylül 2013 - Mayis 2015. Curated by Ahmet Ö. Erdönmez. "Kanuni Sultan Süleyman settle a family in Bosnia which is border region of Ottoman because of their usefulness showed in Anatolia. After that time, story and fortune of the family was changed completely. Today, when you come to Bosnia, you are welcomed by the story of family everywhere in Bosnia. Mosques, Madrasahes, bridges, castles, districts and towns shout out their names: Çengiçler. The exhibition, consisted of personel effects, documents and pictures belong to Ismail Aga Çengiç, Ali Pasha, Bekir Pasha, Cafer Pasha, Dervish Salih Pasha, Haydar Bey, Ismail Yümni Bey and Riza Bey who are known Çengiç Beyleri and represented Ottoman Empire in Balkans for centuries: donated by Leyla Ilova who is from Ilova family last member of Çengiç Beyleri was exhibited a year long. This exhibition was not only event but a story of Ottoman adventures in Balkans based on a family's effects as well. We have witnessed the sexcentennial cultural and historical association between Anatolia and Balkans by the documents.".
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Texts by SEYIT ALI KAHRAMAN et alli.
Imperial surre. [Exhibition catalogue].
New English Paperback. Pbo. 4to. (29 x 22 cm). In English. 243 p., color and b/w ills. Contents: Kadir Topbas "Introduction" / Ilber Ortayli "Introduction" / Hilmi Aydin "Preface" / Seyit Ali Kahraman "Imperial surre" / Sevgi Agca "Tradition of imperial surre" / Sibel Alparslan Arca "Embroidered clothes sent to Haremeyn" / Selin Ipek "Religious fabrics in the Topkapi Palace Museum sent to Mecca and Medina" / Emine Bilirgen "Precious objects in the Imperial Treasury related with sacred places" / Merve Cakir "Hajj travel books and and the travel book of Al-Hajj Ibrahim Efendi" / Senay Eren "The travel book of the surre procession captain" / Catalogue / Catalogue texts / Glossary. This book is prepared for the "Imperial Surre" exhibition organized by the Ministry of Culture and Tourism General Directoratefor Cultural Heritage and Museums, and Istanbul Metropolitan Municipality, Istanbul Culture and Art Works Co., in Topkapi Palace Museum on 16 April - 25 May 2008.
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Texts by SEYYAL KÖRPE, ANTONI SARKADY, AGNIESZKA AYSEN KAIM.
Mickiewicz - Turcja - Europa.= Mickiewicz - Türkiye - Avrupa. Edited by Joanna Pietrzak-Thebault.
Fine English Paperback. Pbo. Roy. 8vo. (23 x 18 cm). Articles in Polish, English, French, and Turkish. 315, [1] p., b/w plates. "The book constitutes a multiperspective analysis of the relations between the national, political, and humanist thought linking Adam Mikiewicz with Turkey and Europe in the 19th century. Settled in the last way of Mickiewicz in Istanbul, it is at the same time an opening for the new ways of reading, understanding, and interpreting the life and oeuvre of the poet. In contains articles presenting the continuity of the tradition of Polish-Turkish relations also vivid in our times. Written by outstanding comparatists, literary scholars, museologists, and historians of culture, they are joined by a polyphonic character of expressing into an an interesting and cohesive set of research proposals, as well as important factual decisions. The book, unique in the realm of Polish humanities, written in four European languages, speaks one language only. That is respect of tradition, using it as a source for the idea of United Europe.".
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Texts by SUAT KÖKNEL.
From Guild to Chamber: For the 125th anniversary of the Istanbul Chamber of Commerce. Edited by Bilge Celen, Fethi Aytuna, Mustafa Baykan.
Fine English Original bdg. HC. 4to. (30 x 24 cm). In English. 289, [38] p. Color and b/w ills. CONTENS: HISTORY - TRADE - ISTANBUL.; Trade in history - Trade in the islamic world - Trade in the eastern world. FROM PRINCIPALITY TO EMPIRE: Trade in anatolia until the time of Mehmet II., The canging history of a rising empire.; History, Economy and trade during the decline of the Ottoman Empire. FROM THE EMPIRE TO THE REPUBLIC: End of the empire and Birth of the Republic.; Building the Repuplic. OUTBOUND TURKEY: From Menderes to Özal.; From 1980 to today.
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Texts by SULE GÜRBÜZ, FEZA ÇAKMUT.
Topkapi Sarayi Saat Koleksiyonu. Dünyanin kiskandigi saatler. [Exhibition catalogue].
New Turkish Paperback. 4to. (29 x 25 cm). In Turkish. 135 p., color ills.Topkapi Sarayi Saat Koleksiyonu. Dünyanin kiskandigi saatler. [Exhibition catalogue]. Catalog of exhibition of magnificent clocks in Topkapi Palace contains mostly they that were presented to the Ottoman sultans by European watchmakers, diplomats and kings. Richly photographed.
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Texts by TARIK DURSUN K.
The Ottoman Empire's 700th Year & 1299-1999. The contributions of the Ottomans to our civilization. Science & art 1299-1922.= Osmanli Devleti'nin 700. Kurulus Yildönümü. Osmanlilarin uygarligimiza katkilari. Bilim & Sanat 1299-1922. Illustrated by Gültekin Çizgen.
Very Good Very Good English Original bdg. Dust wrapper. Oblong 4to. (24 x 34 cm). In English and Turkish. [146], [39] p. Color ills. The Ottoman Empire's 700th Year & 1299-1999. The contributions of the Ottomans to our civilization. Science & art 1299-1922.= Osmanli Devleti'nin 700. Kurulus Yildönümü. Osmanlilarin uygarligimiza katkilari. Bilim & Sanat 1299-1922. Illustrated by Gültekin Çizgen.
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Texts by TARIK DURSUN K.
The Ottoman Empire's 700th Year & 1299-1999. The contributions of the Ottomans to our civilization. Science & art 1299-1922.= Osmanli Devleti'nin 700. Kurulus Yildönümü. Osmanlilarin uygarligimiza katkilari. Bilim & Sanat 1299-1922. Illustrated by Gültekin Çizgen.
As New As New English Original bdg. Dust wrapper. Mint. Oblong 4to. (24 x 34 cm). In English and Turkish. [146], [39] p. Color ills. The Ottoman Empire's 700th Year & 1299-1999. The contributions of the Ottomans to our civilization. Science & art 1299-1922.= Osmanli Devleti'nin 700. Kurulus Yildönümü. Osmanlilarin uygarligimiza katkilari. Bilim & Sanat 1299-1922. Illustrated by Gültekin Çizgen.
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Texts by TARIK DURSUN K.
The Ottoman Empire's 700th Year & 1299-1999. The contributions of the Ottomans to our civilization. Science & art 1299-1922.= Osmanli Devleti'nin 700. Kurulus Yildönümü. Osmanlilarin uygarligimiza katkilari. Bilim & Sanat 1299-1922. Illustrated by Gültekin Çizgen.
New New English Original bdg. Dust wrapper. Oblong 4to. (24 x 34 cm). In English and Turkish. [146], [39] p. Color ills. The Ottoman Empire's 700th Year & 1299-1999. The contributions of the Ottomans to our civilization. Science & art 1299-1922.= Osmanli Devleti'nin 700. Kurulus Yildönümü. Osmanlilarin uygarligimiza katkilari. Bilim & Sanat 1299-1922. Illustrated by Gültekin Çizgen.
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Texts by TURAN TANYER.
Ankara, 1930-1960. Preface by Murat Karakaya.
New English Original bdg. HC. Oblong 4to. (30 x 31 cm). In Turkish. [16], 193 p., fully b/w photos. Ankara, 1930-1960. Preface by Murat Karakaya.
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Texts by UGUR DERMAN, ISLAM SEÇEN, NEVZAT KAYA et all.
Günümüzde klasik Türk cilt sanati. [Exhibition catalogue].
New English Paperback. Pbo. Mint. 4to. (27 x 20 cm). In Turkish. 63, [1] p. Many color ills. Catalogue of Traditional Turkish Bookbinding Art At The Present Time Exhibition. Günümüzde klasik Türk cilt sanati. [Exhibition catalogue].
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Texts by YÜKSEL ÇELIK.
Like moths to the flame: The Ottoman fire brigades.= Ates pervaneleri: Tulumbacilar. [Exhibition catalogue]. February 24 - May 31, 2011.
New English Paperback. Pbo. 4to. (28 x 24 cm). In English and Turkish. 79 p., color ills. Like moths to the flame: The Ottoman fire brigades.= Ates pervaneleri: Tulumbacilar. [Exhibition catalogue]. February 24 - May 31, 2011. 500 copies were printed. Our struggle, conducted under the direction of Alm I las beginning in 1005, to see that the machines and items used in, and the documents and photographs pertaining to the Cibali Tobacco and Cigarette Factory be returned to their rightful place, reached a positive conclusion in 2008, when these items were temporarily handed over to the Rezan Has Museum after being inventoried at the Museum for the History of Science and Technology in Islam. Following two years of restoration and conservation work, we held the first of a series of exhibitions about the Factory, titled "Like Moths to the Flame: The Ottoman Fire Brigades", in order to revive the spirit of the Cibali Tobacco and Cigarette Factory and to share with you t hi- important historical artifacts on their way back home. The "Like Moths to the Flame: the Ottoman Fire Brigad(-: features those indomitable heroes of the city of Istanbul, managed again and again to rise from the ashes. Heroes outfits, performers of daring acts, these brave characters fearir:ssly fought the fires that were Istanbul's greatest nightmare. Firei'vtj.i.t.(2rs, those voluntary soldiers of Istanbul, had their own unique culture, their own rally cries, attitudes, and sayings, their own characteristic relationships, and even veritable tradition of criminal incidents amongst their own, all of which provide insight into the street culture of the city of Istanbul, and the socio-cultural structure and state politics of the period. In addition to the artifacts and historical documents belonging to the Cibali Tobacco and Cigarette Factory, our exhibition also contains selected items from the Istanbul Metropolitan Municipality Directorate of Libraries and Museum's Firefighting Museum Collection and the Suna and Inan Kirac Foundation's Old Istanbul Photographs Collection. Numerous individuals worked together to make this exhibition happen, and to each of them we would like to express our thanks. First and foremost the Ministry of Culture and Tourism, but also the Atatark Library, our team who so painstakingly worked on the restoration and conservation of the works exhibited, Prof. Dr. Baha Tanman for his contributions, Galru Tanman, who was so generous with her support, and the Istanbul Research Institute, all of you have our eternal gratitude.
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Texts by: Vahide Güngör, Feryal Irez.
Yildiz Palace Sale Kasr-i Hümâyunu. Translation: Priscilla Mary Isin.
Fine English Paperback. Pbo. Roy. 8vo. 69 p. In English. Color and b/w ills. Yildiz Palace Sale Kasr-i Hümâyunu. Translation: Priscilla Mary Isin.
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Texts: Hasan Bülent Kahraman, Belma Kulacoglu, Melih Arslan.
Savas, güç ve inanç. 25 Mart - 9 Kasim 2011 Anadolu Medeniyetleri Müzesi Özil Koleksiyonu [Exhibition catalogue].
New English Original bdg. HC. 4to. (28 x 24 cm). In Turkish. 215, [1] p. Color ills. Savas, güç ve inanç. 25 Mart - 9 Kasim 2011 Anadolu Medeniyetleri Müzesi Özil Koleksiyonu [Exhibition catalogue].
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Texts: Hasan Bülent Kahraman, Belma Kulacoglu, Melih Arslan.
Savas, Güç ve Inanç. 25 Mart - 9 Kasim 2011 Anadolu Medeniyetleri Müzesi Özil Koleksiyonu. [Exhibition catalogue].
New English Original bdg. HC. 4to. (28 x 24 cm). In Turkish. 215, [1] p. Color ills. Savas, Güç ve Inanç. 25 Mart - 9 Kasim 2011 Anadolu Medeniyetleri Müzesi Özil Koleksiyonu. [Exhibition catalogue].
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Texts: SÜLEYMAN BERK.
Contemporary art of calligraphie.= Çagdas hat sanati. 11-22 Ekim 2012, Bali Art Gallery. [Exhibition catalogue].
New English Paperback. Pbo. 4to. (32 x 24 cm). In English and Turkish. 71, [1] p. Color ills. Contemporary art of calligraphie.= Çagdas hat sanati. 11-22 Ekim 2012, Bali Art Gallery. [Exhibition catalogue].
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Texy by ELISABETH ROHDE.
Der Altar von Pergamon. Edited by the General Management of the Berlin State Museum. Artistic design by U. Skottke.
Very Good English Paperback. Pbo. Large 8vo. (20 x 20 cm). In German, [36] p. B/w ills. [20] b/w plates. Der Altar von Pergamon. Edited by the General Management of the Berlin State Museum. Artistic design by U. Skottke.
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TH. ZARCONE - F. ZARINEBAF-SHAHR.
Les Iraniens d'Istanbul.
Very Good Very Good French Original bdg. Dust wrapper. Roy. 8vo. (24 x 17 cm). In French. [4], [xi], 280, [12] p., 18 numerous b/w plts. Les Iraniens d'Istanbul. Varia Turcica: XXIV. Bibliotheque Iranienne: 42.
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THALASSO (Adolphe).
Déri Sé'adet ou Stamboul, porte du bonheur : scènes de la vie turque.
Paris H. Piazza 1908 1 vol. relié in-8, plein maroquin brun, dos à nerfs orné de fleurons, encadrements et points dorés, large frise en encadrement des plats, filets d'encadrement et fleurons sur les contreplats, tranches dorées, couvertures et dos conservés (Rivière and Son), 217 + (3) pp. Edition originale. Un des 258 exemplaires numérotés sur vélin à la cuve, seul tirage après 42 Japon. Texte encadré. Nombreux ornements et compositions orientalistes en couleurs, in texte et à pleine page, de Fausto Zonaro. Le peintre italien (1854-1929) s'installe à Constantinople en 1892 après son mariage avec la photographe Elisabetta Pante. Il devient peintre officiel de la cour du Sultan Abdulhamid II en 1896. Spécimen de souscription relié in fine. Très bel exemplaire de ce livre recherché.
Référence libraire : 115243
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THALASSO (Adolphe).
Déri Sé'adet ou Stamboul, porte du bonheur : scènes de la vie turque.
Paris H. Piazza 1908 1 vol. relié in-8, plein maroquin brun, dos à nerfs orné de fleurons, encadrements et points dorés, large frise en encadrement des plats, filets d'encadrement et fleurons sur les contreplats, tranches dorées, couvertures et dos conservés (Rivière and Son), 217 + (3) pp. Edition originale. Un des 258 exemplaires numérotés sur vélin à la cuve, seul tirage après 42 Japon. Texte encadré. Nombreux ornements et compositions orientalistes en couleurs, in texte et à pleine page, de Fausto Zonaro. Le peintre italien (1854-1929) s'installe à Constantinople en 1892 après son mariage avec la photographe Elisabetta Pante. Il devient peintre officiel de la cour du Sultan Abdulhamid II en 1896. Spécimen de souscription relié in fine. Très bel exemplaire de ce livre recherché.
Référence libraire : 115243
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THEVENOT (Jean).-
L'Empire du Grand Turc vu par un sujet de Louis XIV Jean Thévenot. Présentation de François Billacois.
P., Calmann-Lévy ( Collection "Temps et Continents"), 1965, in 8° broché, 294 pages ; repères chronologiques, orientation bibliographique, table des illustrations in-fine ; traces de scotch ; cachets ; couverture illustrée (traces de scotch en queue du dos).
Référence libraire : 29270
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THERESE BITTAR
SOLIMAN L'EMPIRE MAGNIFIQUE
COLLECTION DECOUVERTES HISTOIRE-N°196-176 PAGES-12,5 CM X 18 CM-(26E)
Référence libraire : ABE-1739554871312 ISBN : 2070532011
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THE AGHA-YI DARUSSAADE, (in 1858).
[MANUSCRIPT OTTOMAN HISTORICAL DOCUMENT - WAQFS] [Document on Sehzâde Sultan Mehmed's waqf in Halki Island with five signatures and seals and one 'pençe'].
Very Good Turkish, Ottoman (1500-1928) Original manuscript document signed and sealed with stamps and 'pençe' on a special paper with 'akhar'. (Period value is '3 gurush'). 38x27 cm. In Ottoman script (Turkish with Arabic letters). 1 p. Repaired with tape on the verso. Text in Turkish "Haremeyn-i Muhteremeyn hazine-i behiyyesine mazbut evkaftan Sehzade Sultan Mehmed tabeserah hazretlerinin evkaf-i serifeleri müstagalatindan Üssküdar muzafaatindan Kartal nahiyyesine tabi Heybeliada'da kâin yeldegirmeni hakkinda.". It includes waqf processing in the early westernization period of the Ottoman Empire related to a windmill in Halki Island and an Armenian citizen who was its last owner. It's processed from 1275 to 1277 [1856-1858 AD]. Armenian annotations on verso. Signed with 'pençe' has no 'Beyze' ad 'Keshide' in its calligraphic style 'Muzaffer' [i.e. Triumphant]. The Kizlar Agasi (qizlar aghasi, literally, Agha of the girls), was the chief eunuch off th Ottoman Imperial harem. Although the title may have been applied to the head of the palace harem eunuchs from the empire's early years, the formal office, known as The agha-yi Darüssaade (or, Dar al-Sa'ada), literally "Commander of the Abode Felicity", dates to 996/1588, when Sultan Murad III (r. 1574-1595) transferred the supervision of the Evkâfü'l-Haremeyn (Awkâf al-Haramayn, the imperial pious foundations for the Muslim holy cities of Mecca and Medina) to the head of harem eunuchs from the chief of the eunuchs who guarded the sultan's privy chamber in Topkapi Palace's third court. Until the 14th/19th century, the post was always attached to the supervision of the Evkâfü'l-Haremeyn. Most holders of the office, like most harem eunuchs generally, were Habesî (Habashi, Abyssinian), which in this case was a broad designation encompassing much of the Horn of Africa. (Source: Brill, Encyclopedia of Islam). In the 19th century, agha-yi darussade worked on waqf works.
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THE BALKAN REVIEW.
The Balkan review. Vol. III. No: 2. March, 1920. Edited by Crawfurd Price.
Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English. 77-159, [1] pp. The Balkan review. Vol. III. No: 2. March, 1920. Edited by Crawfurd Price. Contents: Editor's scauseire. English civilisation in a Greek setting., M. E. Repoules.; The Albanian question., Yovan Tomitch.; The curse of Macedonia, Capt. J. A. Delmege.; Truth and prejudice, J. Saxon Mills.; The Serbs and Scutari: A meeting-place of five nations., Ignotius. Books on the Near East., etc.
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THE BALKAN REVIEW.
The Balkan review. Vol. IV. No: 3. October, 1920. Edited by Crawfurd Price.
Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English. 157-234, [2] pp. The Balkan review. Vol. IV. No: 3. October, 1920. Edited by Crawfurd Price. Contents: France and Feisal., Taira.; Pen sketches of two great statesman, Arthur H. Crosfield.; Archaeological research in Asia Minor., Arthur M. Woodward.; An alleged Franco-Magyar pact. ICA, A Roumanian story by M. Beza.
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THE GLORIOUS CORAN.
The Glorious Quran - Kur'an-i Kerim. Calligraphed by Huseyin Kutlu. Illuminated by Ersan Percem.
New Turkish Original imitation leather bdg. with a flap. Roy. 8vo. (24 x 17 cm). In Arabic. [5], 604, [21] p., color illuminations. The Glorious Quran - Kur'an-i Kerim. Calligraphed by Huseyin Kutlu. Illuminated by Ersan Percem.
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THE LUMIERE BROTHERS, (Auguste Marie Louis Nicolas Lumiere & Louis Jean Lumiere), (1862-1954 / 1864-1948).
[ILLUSTRATED LUMIERE EQUIPMENTS AND GUIDE TO PHOTOGRAPHY IN TURKEY] Lümiyer fotograf rehberi. Translated by Süleyman Süreyya [Bükey], (1895-1974).
Very Good Turkish, Ottoman (1500-1928) Original pictorial wrappers. Cr. 8vo. (20 x 14 cm). In Ottoman script (Old Turkish with Arabic letters). 59 p., ills. First and only Ottoman edition of this richly illustrated and exceedingly rare pamphlet, translated and published by famous Turkish photographer Süleyman Sirri Bükey (1895-1974). Süleyman Süreyya [Bükey], (1895-1974), was an important person who opened a studio in the first years of Turkish Republic, signed beautiful portraits, and at the same time served photography for many years with magazines such as Foto, (1931-1934), Foto Magazin, (1938-1941), Halivud Dünyasi [i.e. Hollywood World], (1941-1946), Ufuk, (1943-1945) as well as the early guides and catalogs he published related cinema and photography. Bükey started photography as a commercial pursuit, first selling photographic material in Eminönü Flower Market in 1924. The catalog was printed depending on the agency of Gevart (Same year with Lumiere guide, in 1928 titled Gevart Fotograf Rehberi). In 1928, he founded Foto Süreyya in the Tünel district of Istanbul. He was the photographer of Mustafa Kemal Atatürk between 1936-1938. He received art medals and certificates in national and international exhibitions he participated in his photography life. The Lumière brothers were manufacturers of photography equipment, best known for their Cinématographe motion picture system and the short films they produced between 1895 and 1905. Their screening on 22 March 1895 for circa 200 members of the "Society for the Development of the National Industry" in Paris was probably the first presentation of films on a screen for a large audience. Their first commercial public screening on 28 December 1895 for circa 40 paying visitors and invited relations has traditionally been regarded as the birth of cinema. Either the techniques or the business models of earlier filmmakers proved to be less viable than the breakthrough presentations of the Lumières. Cameramen working for the Lumière Brothers, who had staged the world's first public screening of a moving picture at the Grand Café in Paris on December 28, 1895, filmed the Golden Horn and the Galata Bridge from the water in 1896, putting their signature on the first film shot in Turkey. The first public screening of a motion picture in Turkey also took place in 1896. From its inception in the Ottoman Empire, cinema gained instant popularity and soon became the cheapest and only form of public entertainment. After 32 years, the first book includes the Lumiere photographic pieces of equipment, and a guide to photography was published in 1928. Not in OCLC.; Özege 11810.
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THE MINISTRY OF FOREIGN AFFAIRS.
Cultural heritage of Northern Cyprus [and] its production and preservation.
Very Good English Paperback. Pbo. 4to. (30 x 22 cm). In English. 27, [1] p., color and b/w ills. Cultural heritage of Northern Cyprus [and] its production and preservation.
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The Ottoman Hejaz Railway
A pilgrimage souvenir the Hejaz Railway تØÙØ© الØج ØŒ السكة الØديدية الØجازية
Very rare brochure printed in Armenian house in Ä°stanbul 1913. In English Ottoman Turkish Arabic Russian and Urdu. 10 p. Text with 11 plates. In the printer wrappers. Archak Garoyan paperback
Référence libraire : 000166
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THE OTTOMAN AUTHORITY IN BASRA
BASRANIN WILAYET SALNAMESI 3uncu DEF'AA WILAYET KALEMI VASITASILE TERTIP OLUNMUSHTUR 3d YEAR BOOK OF THE PROVINCE OF BASRA ISSUED BY THE DEPARTMENT OF BASRA
Basra: The Ottoman authority Basra dept. 1899 Book. As New. No Binding. 1st Edition. 8vo - over 7¾ - 9¾" tall. 172 PP OTTOMAN TURKISH TEXT ORIGINAL PRINTER WRAPPERS VERY SLIGHTLY STAINED VERY NEAT THREE WORMHOLES. OTHERWISE AS ISSUED AND IN EXCELLENT CONDITION. THE 3d OFFICIAL REPORT OF BASRA IN A CRITICAL PERIOD OF POLITICAL CONFLICTS IN THE REGION. COVERS THE ADMINISTRATIVE MILITARY AND POLITICAL ISSUES IN ALL SANDJAKS AND KADHAA OF BASRA MUNTAFIK NASIRIYYA KUWAIT QATAR NEJD AHSAA AMARA BASRA ZUBEIYR. THE REPORT ALSO GIVES DETAILED PUBLIC NAMES LIKE KAIMAKAM MUBARAK AL SABAH AND AL THANI. WITH THE OTTOMAN ARMS AND TUGRA OF ABD UL HAMID II. 1317 AH 1899 AD. ONE OF THE EARLY PRINTS IN BASRA. The Ottoman authority, Basra dept.
Référence libraire : 000432
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The Ottoman chief calligrapher Hamdullah Amasi
Enam-i sherif Quranic collection of several Suras signed in gold Hamdullah el Amasi the head calligrapher of the Ottoman calligraphy school began in the16th century
<p>16x11 cm. Contemporary Ottoman binding tooled in gold with Shamsa on each board and flap. Surah headings in gold and colors golden durations between verses and all pages out-ruled in gold. 16th c. Signed Hamdullah el Amasi. The signature due to the Era of the calligrapher and the writing character is same of the calligrapher's. Sheikh Hamdullah was born in Amasya a north-central town in Anatolia. His father Mustafa Dede was a Sheik of the Suhrawardi order and had migrated from Bukhara in present-day Uzbekistan to Anatolia. In Amasya he studied the six scripts under the tutelage of Hayreddin Mar'asi. He learned the traditional method of the old masters but struggled to reproduce it. While studying he met Bâyezïd the son of Sultan Mehmed the Conqueror who was a fellow student and the pair became friends. When Bâyezïd assumed the throne in 1481 following his father's death he invited his friend Sheikh Hamdullah to the capital Istanbul. Hamdullah went on to become a master calligrapher at the Imperial Palace. In 1485 Bâyezïd II acquired seven works by the great calligrapher Yaqut al-Musta'simi. Bâyezïd then encouraged his court calligrapher Hamdullah to devise a new script inspired by the acquisition. Hamdullah regarded al-Musta'simi's work as unsurpassable but at Bâyezïd's insistence Hamdullah reluctantly agreed. Scholars have suggested that Bâyezïd's enthusiasm for a new script was symbolic of his desire to establish a new empire and a new dynasty. Hamdullah underwent a period of reclusion during which time he claimed that a prophet taught him the new scripts in a vision. He ultimately recodified and refined the nashk style of calligraphy originally developed by Yaqut al-Musta'simi. Hamdullah's scripts were more elegant balanced and legible. From 1500 the majority of Q'rans adopted Hamdallah's new style which became known as the Ottoman style or "Seyh's manner'. For this he is often considered to be the "father of Ottoman calligraphy". His many students spread his style throughout the Ottoman Empire. His style endured for 150 years making him one of the greatest Ottoman calligraphers of all time. As much as two centuries later students of calligraphy such as Hâfiz Osman continued to copy his works assiduously as part of their training. He devoted his whole life to the art of calligraphy continuing to produce works well into his 80s. He produced 47 Mus'hafs book of Quran and innumerable En'ams Evrads and Juz' a number of which are held in the collection of the Topkapi Palace.12 His inscriptions also decorate the Bâyezïd Firuzaga and Davud Mosques in Istanbul and the Bâyezïd Mosque in Erdine. His son Mawlana Dede Chalabi became a calligrapher after studying with Hamdallah his father and Hamdallah's daughter whose name is unknown married a calligrapher by the name of Shukrullah Halife of Amasya who had also been one of her father's pupils. Hamdullah's grandsons also became calligraphers; Pir Muhammad Dede d. 986/1580 son of Hamdallah's daughter and Dervish Muhammad d. 888/1483 son of Mawlana Dede. As his reputation grew many myths to his abilities outside calligraphy sprang up. It was said that he was a great archer falconer swimmer and even an extraordinary tailor. He died in Istanbul in 1520 and was buried at Karacaahmet Cemetery in the district of Üsküdar at Istanbul. Surviving examples of his works are held in the Topkapi Collection.</p> hardcover
Référence libraire : 000195
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The Ottoman Hejaz health quarantine
Five original photographs of the hospital in Mecca المØجر الصØÙŠ الØجازي
Each 16.5 x 14 11 x 8 cm. Contains 2 of which published in the book listed in our inventory; health reform and organizations in Hejaz during the Hajj season 1330 AH. By Dr. Kasim Izzeddin. The other 3 photos are not published in this book.
Référence libraire : 000180
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The Ottoman Hejaz Railway
Hajj brochure in five languages Hajj journey proclamation
<p>10 p. Of text in English Ottoman Turkish Arabic Urdu and Russian with 9 full page plates. A hajj travel brochure printed in Ä°stanbul supposed to be by an Armenian press in c. 1900. Rare</p> An Armenian press paperback
Référence libraire : 000209
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The Ottoman Hejaz health quarantine
Nizamname law project of the sacred Hajj of 1317 H. 1899-1900 AD.
<p>19 p. Ottoman Turkish text. Official report of the hajj and health quarantine law in 1889-1900. Consists of 20 articles. The Anglo-ottoman Hajj policy conflict. Rare.</p> Osmaniye press paperback
Référence libraire : 000208
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The Ottoman Hejaz Railway
Rare and unused boarding pass to the Hejazi train
<p>Ottoman Turkish script with crescent figures and map on the back of the Ottoman Railway. A free boarding pass should be declared on demand. Holder can carry up to 30 kg . 14.5 x 11 cm.</p> Seruchin (?) An Armenian press
Référence libraire : 000177
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The Ottoman authority in Hejaz
Salnama Hejaz yearbook of 1303 rare Arabic edition سالنامة الØجاز endowed by the Egyptian Emir el hajj Ibrahim Rif'at Pasha
192 p. Arabic text a rare print. Stamp of the general Ibrahim Rif'at Pasha in 1335 an endorsement copy. With several notes during the copy. Modern binding. Hejaz printing house hardcover
Référence libraire : 000205
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The Ottoman authority in Hejaz
Salnama-i Hejaz سالنامة Øجاز the yearbook of 1309 copy owned by Mesud Qasim Zaynal Ali Riza Jeddah
310 p. Ottoman Turkish text. Ownership by Mesud Qasim zaynal Ali Riza in jeddah the son of the Ottoman delegate of Jeddah. Hejaz printing house hardcover
Référence libraire : 000206
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The Ottoman authority in Hejaz
Salname Hedjaz the first yearbook of hedjaz
<p>182 pages. Ottoman Turkish text. The first official yearbook printed by a lithographic press in Mecca. An early work printed in the Hejaz. Rare.</p> Lithograph press hardcover
Référence libraire : 000210
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The Ottoman Empire And Europe: The ottoman Empire and Its Place in Europen History Halil İnalcık İnalcık
The Ottoman Empire And Europe: The ottoman Empire and Its Place in Europen History Halil
New. unknown
Référence libraire : KS-G9ET-JR6D ISBN : 6058301181 9786058301184
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The Ottoman Empire and the World-Economy iStudies in Modern Capitalismi Huri Islamoglu-Inan Islamoglu-Inan
The Ottoman Empire and the World-Economy Studies in Modern Capitalism Huri
Paperback . new. new paperback
Référence libraire : 521324238
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