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MUSIR HUSEYIN KIDWAI.
Paris Sulh Konferansi ve Osmanli'nin çöküsü. Translated by Ahmet Zeki Izgöer.
Fine English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 158 p. Paris Sulh Konferansi ve Osmanli'nin çöküsü. Translated by Ahmet Zeki Izgöer.
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MUSIR IBRAHIM EDHEM PASHA, (1819-1893), (Turkish marshall, Ottoman statesman and Grand Vizier of Sultan Abdulhamid II).
[Business card of Ibrahim Edhem Pasha -Müsir-].
Very Good Turkish, Ottoman (1500-1928) Original business card. Slightly chipped left bottom corner. In Ottoman script. Ibrahim Edhem Pasha, (1819-1893) was an Ottoman statesman, who held the office of Grand Vizier in the beginning of Abdul Hamid II's reign between 5 February 1877 and 11 January 1878. He served numerous administrative positions in the Ottoman Empire including minister of foreign affairs in 1856, then ambassador to Berlin in 1876, and to Vienna from 1879 to 1882. He also served as a military engineer and as Minister of Interior from 1883 to 1885. In 1876-1877, he represented the Ottoman Government at the Constantinople Conference. Ibrahim Edhem Pasha was the father of Osman Hamdi Bey, a well-known archaeologist and painter, as well the founder of the Istanbul Archaeology Museum and the Mimar Sinan Fine Arts University. Another son, Halil Edhem Eldem took up the archaeology museum after Osman Hamdi Bey's death and has been a deputy for ten years under the newly founded Turkish Republic. Yet another son, Ismail Galib Bey, is considered as the founder of numismatics as a scientific discipline in Turkey. Later generations of the family also produced illustrious names. The architect Sedat Hakki Eldem, a cousin, is one of the pillars of the search for modern architectural styles adopted by the Republic of Turkey (called the Republican style in the Turkish context) in its early years and which marks many important buildings dating from the period of the 1920s and the 1930s. A great-grandson, Burak Eldem, is a writer while another, Edhem Eldem, is a renowned historian. More names include Erol Eldem, Tiana Eldem, Levent Eldem and Ercan Eldem, an architect. (Source: Wikipedia).
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MUSSTAFA BEYAZIT.
Denizli'de Anadolu Selçuklu kervansaraylari.
New Turkish Paperback. 4to. (30 x 21 cm). In Turkish. [viii], 312 p., color ills., plans, and maps. Denizli'de Anadolu Selçuklu kervansaraylari. Seljuk caravanserais in Denizli city and around.
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MUSTAFA (Authorized person of the Waqf), (Early 19th century).
[MUWAQQIT EFFENDY: TIMEKEEPING OF THE SPECIAL WATCH IN THE TOMB OF SULTAN MEHMET II] Historical manuscript document on the fee of a muwaqqit who was hired to set the special watch that Pertevniyal Kadin Efendi donated to the tomb of Fatih Sultan Mehmed Han.
Very Good Turkish, Ottoman (1500-1928) Original historical autograph manuscript document sealed by the authorized person of the Pertevniyal Hanim Waqf on special paper. 32x18 cm. In Ottoman script. 6 lines with its annotated confirmation with red ink. 1 p. Historical manuscript document on about the muwaqqit who was hired to set the special watch that Pertevniyal Kadin Efendi donated to the tomb of Fatih Sultan Mehmed Han. Pertevniyal Sultan [i.e. "Descended from Radiance"], (1810-1884), was the thirteenth wife of Sultan Mahmud II, and Valide sultan to their son Sultan Abdulaziz of the Ottoman Empire. Pertevniyal exerted some influence over her son. When Abdulaziz took his trip to Europe, Pertevniyal was anxious about him the whole time he was away. On his way home he stopped at Ruse, Bulgaria, where Midhat was governor, with the intention of a month and acquainting himself with the Balkan country. But Pertevniyal, a possessive and short-sighted woman, wrote him to come home immediately. Sultan of Turkey though he was, he obeyed his mother's command. Pertevniyal contributed to the instability of her son's rule by meddling in affairs of state. Especially unwise was her alliance with Mahmud Nedim Pasha, the sycophantic grand vizier whose recklessness and incompetence led to further financial chaos. She founded the Pertevniyal High School as well as Pertevniyal Valide Sultan Mosque in 1872. In the days when the Hejaz was part of the Empire, the Porte tried to improve the health situation there. Pertevniyal, built hospitals in the Harem-i Sherif, and young Turkish doctors went out from Istanbul to man them. Pertevniyal Sultan was a great philanthropist, and thanks to her influence, she had the opportunity to make her son do whatever he wanted. In order to provide income to the foundations that it intends to establish, lands called Fasil fields. She commissioned a fountain in front of the Kâtib Mosque in October 1862, and then it was removed from the square and moved to the entrance door of the mosque on the grounds that it narrowed the road. She also built three fountains, one in Suboyu (Bige) village and two on Karaköy road in Sebinkarahisar. In 1864, she built a shipbuilding pool (stone loom) in Tersane to cover her own income, the first Ottoman battleship came out of this loom. "In the history of Islam, a muwaqqit was an astronomer tasked with the timekeeping and the regulation of prayer times in an Islamic institution like a mosque or a madrasa. Unlike the muezzin (reciter of the call to prayer) who was usually selected for his piety and voice, a muwaqqit was selected for his knowledge and skill in astronomy. The main duty of the muwaqqit was timekeeping and the regulation of daily prayer times in mosques, madrasas, or other institutions using astronomy and other exact sciences. At its zenith in the fourteenth and fifteenth centuries, major mosques often employed prominent astronomers as muwaqqits. In addition to regulating prayer times, they wrote treatises on astronomy, especially on timekeeping and the use of related instruments such as quadrants and sundials. They were also responsible for other religious matters related to their astronomical expertise, such as the keeping of the Islamic calendar and the determination of the qibla (the direction to Mecca used for prayers). (Source: Wikipedia).
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MUSTAFA ADIL ÖZDER.
Huzûrî divani (Ali Huzûrî Coskun), 1886-1951. Prep. by Prof. Dr. Muammer Demirel.
New English Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 626 p., b/w ills. Huzûrî divani (Ali Huzûrî Coskun), 1886-1951. Prep. by Prof. Dr. Muammer Demirel. A very heavy volume. TURKISH LITERATURE Divan poetry Turkish folk literature Minstrel.
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MUSTAFA AKDAG.
Büyük Celâlî karisikliklarinin baslamasi.
Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. [iv], 88 p. Rare. First and Only Edition. Study on beginning of Jalali Rebellions in the Ottoman Empire. Büyük Celâlî karisikliklarinin baslamasi.
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MUSTAFA AKDAG.
Türk halkinin dirlik ve düzenlik kavgasi: Celalî Isyanlari.
Fine Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 540 p. Türk halkinin dirlik ve düzenlik kavgasi: Celalî Isyanlari.
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MUSTAFA ALI UYSAL.
Hüseyin Avni Pasa, (1820-1876).
New English Paperback. Pbo. Demy 8vo. (22 x 15 cm). In Turkish. [xii], 355 p. Hüseyin Avni Pasa, (1820-1876). Hüseyin Avni Pasha (1820-1876) was an Ottoman statesman. He was Grand Vizier of the Ottoman Empire from 15 February 1874 to 26 April 1875. He was killed by Çerkes Hassan the younger brother of Neserek Kad¿n Efendi, who accused him of the murder of Ottoman Sultan Abdülaziz, on 15 June 1876 during a cabinet meeting of Ottoman Sultan Mehmed Murad V at the Palace of Midhat Pasha near Beyaz¿t in Fatih, Istanbul.
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MUSTAFA ALTUNBAY et alli.
Trabzon Il Halk Kütüphanesi Arap harfli basma eserler katalogu.
Fine English Paperback., Very good., 23 x 16 cm, 280 p. "Trabzon Il halk kütüphanesi Arap harfli basma eserler katalogu, TC TRABZON VALILIGI IL KÜLTÜR MÜDÜRLÜGÜ YAYINLARI, TC Trabzon Valiligi Il Kültür Müdürlügü Yayinlari, Trabzon, 1998"
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MUSTAFA ARMAGAN.
Ilber Ortayli ile tarihin sinirlarina yolculuk.
Fine English Paperback., Fine., 21 x 13 cm., 184 p., "Ilber Ortayli ile tarihin sinirlarina yolculuk.", Ilber Ortayli, Ufuk Kitaplari, Ist., 2002.
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MUSTAFA ARSLAN.
Anadolu'da Helenistik Dönem'de resmi yazismalar: Kraliyet Mektuplari, kent kararnameleri, anlasmalar.
New Turkish Paperback. Demy 8vo. (21 x 15 cm). In Turkish. 230 p., ills. Anadolu'da Helenistik Dönem'de resmi yazismalar: Kraliyet Mektuplari, kent kararnameleri, anlasmalar. Official correspondences in the Hellenistic Anatolia: Royal letters, site bylaws, agreements.
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MUSTAFA ASIM ÇALIKOGLU, (Turkish politician, author, scribe of Grand National Assembly of Turkey).
[Business card of Asim Çalikoglu].
Very Good Turkish, Ottoman (1500-1928) Original business card. Scarce. In Ottoman script.
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MUSTAFA B. ABDULLAH HALIFE KÂTIB [KATIP] ÇELEBI (Hadji Khalfa).
Sullamu al-wusûl ilâ tabaqât al-fuhûl.= The ladder of elevation to the lives of the great and famous by generation. 6 volumes set. Edited and Introduction by Ekmeleddin Ihsanoglu in collaboration with Mahmoud al-Arnaut, Saleh Sadawi Saleh. Indices by Selahaddin Uygur.
New English Original bdg. Large roy. 8vo. (25 x 17 cm). In English and Arabic. 6 volumes set. The present book is a critical edition of the major biographical work Sullam al-Wusul by Katib Chalabi (d. 1657), one of the most important Ottoman scholars of the 17th century. His most well-known works are Kashf al-Zunun (bibliographical), Sullam al-Wusul (biographical), Fezleke (general Islamic history) and Cihannuma (geographical). The first cited, an outstanding bibliography in history of science, and the last cited, were published many times. Sullam al-Wusul was not published until today (Fezleke either). The book is arranged in two editions of 6 volumes each. The main body is in Arabic in both editions, whereby the comprehensive Introduction by Prof. Ekmeleddin Ihsanoglu and the Preface by Dr. Halit Eren are provided in also English in one of the editions and also in Turkish in the other edition. The sixth volume altogether is the Index. Work towards this publication was conducted at the initiative and under the editorship and coordination of Prof. Ihsanoglu on the occasion of the 2009 Katib Chalabi Year proclaimed by UNESCO. It was conceived in the context of IRCICA's objective to publish major sources of culture and learning that are part of the Muslim world's heritage and render them available to researchers. In the comprehensive Introduction, Ihsanoglu explores some features of Islamic literature in the area of biography as observed over the centuries. Historians of the Muslim world wrote hundreds of books in every branch of biography: 'While some of these contained the biographies of scholars belonging to specific branches of science or to certain sects, others dealt with the life stories of statesmen, scholars and religious authorities who lived in specific places or specific periods of time. These kinds of biographies were usually arranged by category and by date. Another type of biographies contained information on important statesmen, scholars, religious figures, authors, artists, etc. having lived in history. This type of general biography was usually arranged alphabetically. Katib Chalabi is the leading, or one of the leading personality among those who produced general biographies.' This biography records the lives and works of important statesmen and scholars in Islamic history and also of renowned personalities from pre-Islamic times who held a place in learning and literature. In the second part of the book Katib Chalabi gives information about the personalities' names derived from their places of origin or their genealogy. In the prologue, he explains the method he followed in the book, comments on the science of history, and adds information on names derived from places or genealogy. In this regard Sullam al-Wusul is also a book on genealogy. The Index section has been added to the edition. It is composed of four parts: personal names, place names, publication titles, names of institutions. A very heavy set. OTTOMANIA Biography Hadji Khalfa (Kâtip Çelebi), (1609-1657) Geography Ottoman culture History of science.
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MUSTAFA BATMAN.
Tobacco smuggling in the Black Sea region of the Ottoman Empire, 1883-1914.
New English Paperback. Pbo. Demy 8vo. (21 x 14 cm). In English. 150 p. Tobacco smuggling in the Black Sea region of the Ottoman Empire, 1883-1914. With the founding of the Régie in 1883, Ottoman tobacco producers were suddenly faced with a new company that took control over their mainstay crop. Tobacco producers and merchants who had problems with this new system came up with a variety of responses. One of these responses was the hiding and smuggling of the crop, and the number of tobacco smugglers rapidly increased. Many people from different sectors of the economy collaborated with the smugglers in order to make more money. The Ottoman government, worked to resolve the problems between the company and those working in the tobacco sector, but it failed to find a solution that would be satisfactory to all or that qualitatively would change the situation. It was the result of the different definition of ¿who is a smuggler' question by the government and the Régie. In the face of such vastly differing parameter, the Ottoman government could not reach a compromise with the Régie. Nor did the government create a new, alternative administration to the Régie because of the agreements between the Ottoman Public Debt Administration and the state. Within this context, this study examines the role of the ordinary people and the role of the organized movement against the monopolization of a crop. It is an attempt to show how the crowds in tobacco sector reacted to the changes in your daily lives.
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MUSTAFA BAY.
Salnamelerde Aksaray.
New English Original bdg. HC. 4to. (30 x 21 cm). In Turkish. 384 p., color ills. The province of Aksaray in the Ottoman yearbooks. Salnamelerde Aksaray.
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MUSTAFA BAYDAR.
31 Mart Vakasi.
Very Good English Paperback. Pbo. Foolscap 8vo. (17 x 11 cm). In Turkish. 38, [2] p. A study on 31 Mart Incident in the Ottoman Empire, 1909. The 31 March Incident (Turkish: 31 Mart Vakasi or 31 Mart Olayi) was a 1909 rebellion of reactionaries in Istanbul against the restoration of the constitutional system that had taken place in 1908. It took place on 13 April 1909 (31 March on the Rumi calendar in use at the time in Turkey for official timekeeping). The countercoup had attempted to put an end to the nascent Second Constitutional Era in the Ottoman Empire and to the newly established influence of the Committee of Union and Progress, in order to re-affirm the position of the Sultan Abdul Hamid II as absolute monarch. The incident was a milestone in the Turkish military's encroaching on the political sphere.
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MUSTAFA BEYAZIT, YASEMIN BEYAZIT.
Denizli Dedigi Tekkesi.
New English Original bdg. HC. Large roy. 8vo. (25 x 17 cm). In Turkish. 269 p., color ills. Denizli Dedigi Tekkesi.
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MUSTAFA BEYAZIT.
Aizanoi III. Aizanoi Zeus Tapinagi'ndaki Türk izleri.
New English Original bdg. HC. 4to. (31 x 22 cm). In Turkish. 510 p., color and b/w ills., folded plates. Aizanoi III. Aizanoi Zeus Tapinagi'ndaki Türk izleri.
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MUSTAFA BÜYÜKKOLANCI, (1945?-).
Fragmente der Bauplastik des Artemisions von Ephesos: Funde aus den Grabungen bei der Johanneskirche in Selçuk [Sonderdruck - Separatum]. [SIGNED AND INSCRIBED COPY].
Very Good German Paperback. 4to. (30 x 21 cm). In German. 95-104 pp., b/w plates. Signed and inscribed by Büyükkolanci as "Nadir beye en derin saygilarimla". Fragmente der Bauplastik des Artemisions von Ephesos: Funde aus den Grabungen bei der Johanneskirche in Selçuk [Sonderdruck - Separatum]. [SIGNED AND INSCRIBED COPY]. Büyükkolanci is a Turkish archeologist who is an excavations director of Ayasuluk Tepesi ve St. Jean Sculpture Excavations.
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MUSTAFA CAN.
Sultanin kapisinda: Kudret, heybet, adalet (Osmanli Devleti'nde yabanci elçiler).
New Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish.[xviii], 384 p., color and b/w ills. Sultanin Kapisinda: Kudret, heybet, adalet (Osmanli Devleti'nde yabanci elçiler).
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MUSTAFA CEZAR.
Osmanli tarihinde levendler.
As New English Paperback. Pbo. Mint. Roy. 8vo. (24 x 17 cm). In Turkish. Reprint of 1965 Edition. [xi], 434 p. Ottoman leathernecks. Ills. Osmanli tarihinde levendler.
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MUSTAFA CEZAR.
Tipik yapilariyle Osmanli sehirciliginde çarsi ve Klasik Dönem imar sistemi.
Very Good English Original bdg. HC. 4to. (28 x 20 cm). In Turkish. [vii], 422, [2] p., 2 panoramic views in 1 huge folding plate, 1 folding huge b/w plans. Tipik yapilariyle Osmanli sehirciliginde çarsi ve Klasik Dönem imar sistemi.
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MUSTAFA CEZAR.
Typical commercial buildings of the Ottoman classical period and the Ottoman construction system.
Very Good Very Good English Original bdg with original dust wrapper. 4to. (28 x 21 cm). B/w and color ills. 315 p.; 1 folding plan and 2 folding plates. First edition. In English. Contents: Words for Bazars and commercial buildings in the Turkish language / Types of Turkish commercial buildings / Bazars in Turkish cities / Covered Bazars / The Arastas / Bedestens / Ottoman construction system of the classical period.
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MUSTAFA CEZAR.
XIX. yüzyil Beyoglusu.
Very Good Turkish Original bdg. HC. No DJ. 4to. (29 x 23 cm). In Turkish. 476 p., color and b/w ills. XIX. yüzyil Beyoglusu. ISBN: 9789757630234.
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MUSTAFA CEZAR.
XIX. yüzyil Beyoglusu.
New New Turkish Original bdg. Dust wrapper. In publisher's special box. 4to. (29 x 23 cm). In Turkish. 476 p., color and b/w ills. XIX. yüzyil Beyoglusu. ISBN: 9789757630234.
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MUSTAFA DÜZGÜNMAN.
Tekne basinda geçen bir ömür: Mustafa Düzgünman Retrospektifi. Curated by Erkan Doganay.
New English Paperback. Pbo. Large 8vo. / Small 4to. (25 x 21 cm) In Turkish. [110] p., color and b/w ills. Tekne basinda geçen bir ömür: Mustafa Düzgünman Retrospektifi. Curated by Erkan Doganay. A comprehensive biographical study and illustrated retrospective exhibition of Mustafa Düzgünman, (1920 - ), Turkish master on traditional marbling art. TURKISH AND ISLAMIC ART Traditional arts Ebrû Marbling Biography Collection.
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MUSTAFA ERAVCI.
Mustafa 'Âlî's Nusret-nâme and Ottoman - Safavi conflict.
New English Paperback. Pbo. Demy 8vo. (22 x 15 cm). 157 p., 1 map. It is my pleasure to express my sincere gratitude to my first supervisor. Dr. Michael V. McDonald, for his invaluable guidance and kind assistance during the research and the preparation of this thesis. I am indebted to my second supervisor Dr. C. Hillenbrand for supervision that has been most beneficial to the revision of this study. I am most grateful to my former supervisor Prof. Dr. Nejat Göyünç, who is working as an experienced supervisor at the Archive Department in the Univesity of Istanbul and who read my origina text through and made valuable suggestions. I am extremely grateful to the Republic of Turkey and Celal Bayar University in Manisa in Turkey for the financial and official support without which this research could not have been realised. OTTOMANIA International relations Safavids Iran Middle East Diplomacy Turkish - Iranian relations Turkology History of Turks.
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MUSTAFA ERDOGAN.
Türk edebiyatinda muhammes.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. [xiv], 342 p. Türk edebiyatinda muhammes. Muhammes is quintile verse in traditional Turkish - Ottoman divan poetry.
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MUSTAFA EREN.
Bogazköy tablets in the Archaeological Museums in Istanbul IV.= Istanbul Arkeoloji Müzelerinde bulunan Bogazköy tabletleri IV.
Very Good English Paperback. Folio. (35 x 24 cm). In English and Turkish. [xLix], 74 p., plates and facsimiles. Text in Hittite; prefatory material in Turkish and English. Bogazköy tablets in the Archaeological Museums in Istanbul IV.= Istanbul Arkeoloji Müzelerinde bulunan Bogazköy tabletleri IV.
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MUSTAFA ERIM.
Osmanli belgelerinde Içel Sancagi Anamur Kazasi.
New English Original bdg. HC. Large Roy. 8vo. (25 x 17 cm). In Turkish. 568 p. The history of the disrict of Anamur in Mersin City terms of Ottoman documents. Osmanli belgelerinde Içel Sancagi Anamur Kazasi.
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MUSTAFA ESKI.
31 Mart olayinin Kastamonu'daki yankilari.
Fine English Paperback., Fine., 24 x 16 cm., 73 p., "31 Mart olayinin Kastamonu'daki yankilari.", Mustafa Eski, Ayyildiz Matbaasi, Ank., 1991.
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MUSTAFA ESKI.
31 Mart olayinin Kastamonu'daki yankilari.
Fine English Paperback. Roy. 8vo. (23 x 16 cm). In Turkish. 75 p. 31 Mart olayinin Kastamonu'daki yankilari. OTTOMANIA Ottoman history 31 March Case Islamism Kastamonu Local history Social history Conservatism.
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MUSTAFA FEVZI B. NUMAN.
Sumûsü's-safâ fî evsâfi'l-Mustafâ.
Very Good English Modern cloth bdg. Foolscap 8vo. (18 x 12,5 cm). In Ottoman script. 80 p. Roumi: 1331 = Gregorian: 1915. Ozege: 19096. Sumûsü's-safâ fî evsâfi'l-Mustafâ.
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MUSTAFA FIRAT GÜL.
Aksaray Azm-i Millî Türk Anonim Sirketi.
New English Original bdg. HC. 4to. (31 x 22 cm). In Turkish. 196 p., color and b/w ills. A Turkish corporate history of an Ottoman corporate. Aksaray Azm-i Millî Türk Anonim Sirketi.
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MUSTAFA GÖKMEN.
Türk sinema tarihi ve eski Istanbul sinemalari: Baslangiçtan 1950'ye kadar.
Very Good Turkish Paperback. Cr. 8vo. (20 x 14 cm). In Turkish. 320 p., b/w plates. Türk sinema tarihi ve eski Istanbul sinemalari: Baslangiçtan 1950'ye kadar. History of Turkish cinema and old cinemas in Istanbul from the beginning to 1950s. First Edition.
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MUSTAFA GÜNES.
Esrefoglu Rumi. Hayati, eserleri ve divani'ndan seçmeler.
New Turkish Paperback. Cr. 8vo. (20 x 14 cm). In Turkish.[xviii], 230 p. Esrefoglu Rumi. Hayatii eserleri ve Divani'ndan seçmeler. TURKISH LITERATURE Traditional Ottoman literature Divan poetry Tasavvuf Sufism.
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MUSTAFA GÜNES.
Esrefoglu Rumi: Hayati, eserleri ve divanindan seçmeler.
Fine Turkish Paperback. Cr. 8vo. (20 x 14 cm). In Turkish. [xviii], 230, 20 p. Esrefoglu Rumi: Hayati, eserleri ve divanindan seçmeler. TURKISH LITERATURE Traditional Ottoman literature Divan poetry Tasavvuf Sufism Biography.
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MUSTAFA HALIM OZYAZICI Ottoman / Turkish calligrapher 1898 1964.
Autograph paper signed 'Hattat el-Hac Mustafa Halim'.
Istanbul: pre-1928. Soft cover. Fine. Original manuscript paper with its decorative frame. Paper size: 75x13 cm; frame size: 19x24 cm. In Ottoman script. 1 p. Signature of Halim by his very calligraphic style with 'Hattat el-Hac' title and seen one sentence down of paper: 'Gönderilen meblagi mütesekkir aldim hürmetlerim efendim' i.e. 'I received the amount sent thanks and gratitude'. Mustafa Halim Özyazici was an Ottoman calligrapher and one of the last of the classical Ottoman calligraphers using the Arabic script. He was a versatile calligrapher with a high level of expertise in many styles of script but was widely regarded as a master jeli-thuluth. He is most noted for his work on various restoration projects of both manuscripts and public buildings. He was born Mustafa Abdülhalim on 14 January 1898 in the Hazeki district of Istanbul. He was the son of Nalinci Haci Cemâl Efendi originally from Crimea and his mother was Sudanese. He was educated at Gülsen Junior High School where he was given lessons in calligraphy by Hamid Aytaç who recognised his talent and encouraged him to pursue calligraphy as a career. He later studied drawing and sculpture at the Academy of Fine Arts in Istanbul. His formal calligraphy studies were with Hasan Riza Effendi 1849-1920 and Kamil Akdik 1862-1941 where he mastered the thuluth nasih and riqâ scripts. In 1916 he was drafted into the Army. After completing basic training he worked in the Military Printing Department and also worked in Evkâf-i Islâmiyye Printing Press. Following his discharge from the Army in 1924 he opened an office in Bâbiâli Street The Sublime Porte where he prepared all types of calligraphy; business cards seals and book covers. He also taught in various schools around the Cagaloglu district of Istanbul. From 1927 he was employed in the Imperial Chancery. When the Latin alphabet replaced Arabic lettering in 1928 he applied to go to Egypt where classical calligraphy using Arabic script was still valued but his application was rejected in 1929. He subsequently abandoned calligraphy altogether. However during the 1940s his skills in classical calligraphy found an outlet when he became part of a major restoration project which worked on repairs to numerous manuscripts in a variety of styles and the restoration of calligraphic reliefs and monumental art in historic public buildings including many mosques. In 1948 he was appointed to the position of 'old writing teacher' at the Academy of Fine Arts in Istanbul; a position he retained until his retirement in 1963. One of his responsibilities was to write the diplomas for those who were about to graduate from the Academy. He died on 30 September 1964 ten days after being involved in a traffic accident. He was buried in the Kozlu Cemetery. Although he developed expertise in many different types of script he was regarded as a master of jeli-thuluth script. He wrote a number of exercise books for students to practice scripts in nesih thuluth-nesih riq'a diwânî and jeli diwânî and which were part of a program designed to promote the art of calligraphy. These books are still being printed and distributed to students of calligraphy. <br/> <br/> pre-1928 paperback
Bookseller reference : 052321
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MUSTAFA HALIM [OZYAZICI], (Ottoman / Turkish calligrapher), (1898-1964).
Halim Özyazici Mesk Tipki Basim Eserler Serisi - 1. REPRINT EDITION. Prep. by Murat Kiliç.
Istanbul: Maçka Konagi Sanat Merkezi 2014. Soft cover. As New. 8vo - over 7¾ - 9¾" tall. Original decorative brown bdg. with embossing. Large demy8vo. 22 x 16 cm. Introduction in Modern Turkish; facsimile plates in original Ottoman script. 40 p. Halim Özyazici Mesk Tipki Basim Eserler Serisi - 1. REPRINT EDITION. Prep. by Murat Kiliç. Mustafa Halim Özyazici was an Ottoman calligrapher and one of the last of the classical Ottoman calligraphers using the Arabic script. He was a versatile calligrapher with a high level of expertise in many styles of script but was widely regarded as a master jeli-thuluth. He is most noted for his work on various restoration projects of both manuscripts and public buildings. He was born Mustafa Abdülhalim on 14 January 1898 in the Hazeki district of Istanbul. He was the son of Nalinci Haci Cemâl Efendi originally from Crimea and his mother was Sudanese. He was educated at Gülsen Junior High School where he was given lessons in calligraphy by Hamid Aytaç who recognised his talent and encouraged him to pursue calligraphy as a career. He later studied drawing and sculpture at the Academy of Fine Arts in Istanbul. His formal calligraphy studies were with Hasan Riza Effendi 1849-1920 and Kamil Akdik 1862-1941 where he mastered the thuluth nasih and riqâ scripts. In 1916 he was drafted into the Army. After completing basic training he worked in the Military Printing Department and also worked in Evkâf-i Islâmiyye Printing Press. Following his discharge from the Army in 1924 he opened an office in Bâbiâli Street The Sublime Porte where he prepared all types of calligraphy; business cards seals and book covers. He also taught in various schools around the Cagaloglu district of Istanbul. From 1927 he was employed in the Imperial Chancery. When the Latin alphabet replaced Arabic lettering in 1928 he applied to go to Egypt where classical calligraphy using Arabic script was still valued but his application was rejected in 1929. He subsequently abandoned calligraphy altogether. However during the 1940s his skills in classical calligraphy found an outlet when he became part of a major restoration project which worked on repairs to numerous manuscripts in a variety of styles and the restoration of calligraphic reliefs and monumental art in historic public buildings including many mosques. In 1948 he was appointed to the position of 'old writing teacher' at the Academy of Fine Arts in Istanbul; a position he retained until his retirement in 1963. One of his responsibilities was to write the diplomas for those who were about to graduate from the Academy. He died on 30 September 1964 ten days after being involved in a traffic accident. He was buried in the Kozlu Cemetery. Although he developed expertise in many different types of script he was regarded as a master of jeli-thuluth script. He wrote a number of exercise books for students to practice scripts in nesih thuluth-nesih riq'a diwânî and jeli diwânî and which were part of a program designed to promote the art of calligraphy. These books are still being printed and distributed to students of calligraphy. <br/> <br/> Maçka Konagi Sanat Merkezi paperback
Bookseller reference : 052438
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MUSTAFA HALIM [ÖZYAZICI], (Ottoman / Turkish calligrapher), (1898-1964).
Autograph paper signed 'Hattat el-Hac Mustafa Halim'.
Fine Turkish, Ottoman (1500-1928) Original manuscript paper with its decorative frame. Paper size: 7,5x13 cm; frame size: 19x24 cm. In Ottoman script. 1 p. Signature of Halim by his very calligraphic style with 'Hattat el-Hac' title and seen one sentence down of paper: 'Gönderilen meblagi mütesekkir aldim hürmetlerim efendim' [i.e. 'I received the amount sent, thanks and gratitude']. Mustafa Halim Özyazici, was an Ottoman calligrapher and one of the last of the classical Ottoman calligraphers, using the Arabic script. He was a versatile calligrapher with a high level of expertise in many styles of script, but was widely regarded as a master jeli-thuluth. He is most noted for his work on various restoration projects, of both manuscripts and public buildings. He was born Mustafa Abdülhalim on 14 January, 1898 in the Hazeki district of Istanbul. He was the son of Nalinci Haci Cemâl Efendi, originally from Crimea and his mother was Sudanese. He was educated at Gülsen Junior High School, where he was given lessons in calligraphy by Hamid Aytaç, who recognised his talent and encouraged him to pursue calligraphy as a career. He later studied drawing and sculpture at the Academy of Fine Arts in Istanbul. His formal calligraphy studies were with Hasan Riza Effendi (1849-1920) and Kamil Akdik (1862-1941) where he mastered the thuluth, nasih and riqâ scripts. In 1916, he was drafted into the Army. After completing basic training he worked in the Military Printing Department and also worked in Evkâf-i Islâmiyye Printing Press. Following his discharge from the Army in 1924, he opened an office in Bâbiâli Street (The Sublime Porte) where he prepared all types of calligraphy; business cards, seals and book covers. He also taught in various schools around the Cagaloglu district of Istanbul. From 1927, he was employed in the Imperial Chancery. When the Latin alphabet replaced Arabic lettering in 1928, he applied to go to Egypt, where classical calligraphy, using Arabic script, was still valued, but his application was rejected in 1929. He subsequently abandoned calligraphy altogether. However, during the 1940s, his skills in classical calligraphy found an outlet when he became part of a major restoration project which worked on repairs to numerous manuscripts in a variety of styles and the restoration of calligraphic reliefs and monumental art in historic, public buildings, including many mosques. In 1948, he was appointed to the position of 'old writing teacher' at the Academy of Fine Arts in Istanbul; a position he retained until his retirement in 1963. One of his responsibilities was to write the diplomas for those who were about to graduate from the Academy. He died on 30 September, 1964, ten days after being involved in a traffic accident. He was buried in the Kozlu Cemetery. Although he developed expertise in many different types of script, he was regarded as a master of jeli-thuluth script. He wrote a number of exercise books for students to practice scripts in nesih, thuluth-nesih, riq'a, diwânî and jeli diwânî, and which were part of a program designed to promote the art of calligraphy. These books are still being printed and distributed to students of calligraphy.
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MUSTAFA HALIM [ÖZYAZICI], (Ottoman / Turkish calligrapher), (1898-1964).
Halim Özyazici Mesk (Tipki Basim Eserler Serisi - 1). [REPRINT EDITION]. Prep. by Murat Kiliç.
As New Turkish, Ottoman (1500-1928) Original decorative brown bdg. with embossing. Large demy8vo. (22 x 16 cm). Introduction in Modern Turkish; facsimile plates in original Ottoman script. [40] p. Halim Özyazici Mesk (Tipki Basim Eserler Serisi - 1). [REPRINT EDITION]. Prep. by Murat Kiliç. Mustafa Halim Özyazici, was an Ottoman calligrapher and one of the last of the classical Ottoman calligraphers, using the Arabic script. He was a versatile calligrapher with a high level of expertise in many styles of script, but was widely regarded as a master jeli-thuluth. He is most noted for his work on various restoration projects, of both manuscripts and public buildings. He was born Mustafa Abdülhalim on 14 January, 1898 in the Hazeki district of Istanbul. He was the son of Nalinci Haci Cemâl Efendi, originally from Crimea and his mother was Sudanese. He was educated at Gülsen Junior High School, where he was given lessons in calligraphy by Hamid Aytaç, who recognised his talent and encouraged him to pursue calligraphy as a career. He later studied drawing and sculpture at the Academy of Fine Arts in Istanbul. His formal calligraphy studies were with Hasan Riza Effendi (1849-1920) and Kamil Akdik (1862-1941) where he mastered the thuluth, nasih and riqâ scripts. In 1916, he was drafted into the Army. After completing basic training he worked in the Military Printing Department and also worked in Evkâf-i Islâmiyye Printing Press. Following his discharge from the Army in 1924, he opened an office in Bâbiâli Street (The Sublime Porte) where he prepared all types of calligraphy; business cards, seals and book covers. He also taught in various schools around the Cagaloglu district of Istanbul. From 1927, he was employed in the Imperial Chancery. When the Latin alphabet replaced Arabic lettering in 1928, he applied to go to Egypt, where classical calligraphy, using Arabic script, was still valued, but his application was rejected in 1929. He subsequently abandoned calligraphy altogether. However, during the 1940s, his skills in classical calligraphy found an outlet when he became part of a major restoration project which worked on repairs to numerous manuscripts in a variety of styles and the restoration of calligraphic reliefs and monumental art in historic, public buildings, including many mosques. In 1948, he was appointed to the position of 'old writing teacher' at the Academy of Fine Arts in Istanbul; a position he retained until his retirement in 1963. One of his responsibilities was to write the diplomas for those who were about to graduate from the Academy. He died on 30 September, 1964, ten days after being involved in a traffic accident. He was buried in the Kozlu Cemetery. Although he developed expertise in many different types of script, he was regarded as a master of jeli-thuluth script. He wrote a number of exercise books for students to practice scripts in nesih, thuluth-nesih, riq'a, diwânî and jeli diwânî, and which were part of a program designed to promote the art of calligraphy. These books are still being printed and distributed to students of calligraphy.
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MUSTAFA HAMI PASHA, (1846-1878).
[ANTIDOTES FROM HEJAZ DOCTOR / EARLY LITHOGRAPHS / THE FIRST PRINTED TURKISH BOOK ON ANTIDOTES / POISONS AND ANTIDOTES RECORDED DURING THE EXPEDITION OF YEMEN IN 1849] Panzehirnâme. [i.e. The book of antidote potions].
Very Good Turkish, Ottoman (1500-1928) Modern cloth bdg. Marbled boards. Foolscap 8vo. (18 x 12 cm). In Ottoman script (Old Turkish with Arabic script). 83 p. Traditionally framed text. Very calligraphic head title in very decorative heart-shaped border and traditional flowers, a couple of scepters with two snakes. Orthography with 'haraka' [i.e. Arabic diacritics]. The heads of each chapter are surrounded by very decorative flowers and borders. An early printed lithographed book designed as a manuscript with its 'kataba' [i.e. imprint]. Slightly stained on pages, minor chipped on upper corners of two pages. Otherwise a very good and very clean copy. Lithographed edition. First and only edition of the first printed Turkish book on the antidotes and poisons. It's written by Mirliva Mustafa Hâmi Pasha, one of the early Ottoman physicists, during the reign of Sultan Abdulmecid II. Hami Pasha served as a military physicist, botanist, and doctor in the Ottoman army in the first half of the 19th century in Hejaz and Yemen. He joined an Ottoman Military expedition to Yemen. The aim of this expedition was to bring Yemen under Ottoman control again. On 23 March 1849, the expeditionary corps marched out of Jeddah. He as a trained medical man practicing in Yemen, also concerned himself with various illnesses. The existence of poisonous animals and plants in the book is mostly based on their experiences in Yemen and Hejaz. His purpose of writing this treatise which he started with prayer and praise to Sultan Abdulmecid II, was the need to explain that it is not good for all poisons, what the real antidotes are, contrary to the belief of a stone known as the "antidote stone" among the people. After the chapter of Muqaddima [i.e. Introduction], poisoning caused by mines and their antidotes is explained in the first chapter. In other chapters, poisons consisting of plant and animal substances, poisons in flowing and air, and in addition to these, the first interventions to be made with plants that have an antidote effect on drowning in water, convulsion, drowning by hanging, drowning from the smell of flowers, freezing are explained. Hami Pasha, who decided to collect this information in a book right after his participation in the 1849 Yemen Expedition (the flora and fauna in his book mostly based on Yemen and its around), printed his book as a lithograph in 1855 at the Amire Printing House, with the encouragement of Sultan Abdülmecid II (who read the manuscript of this text) and the efforts of typographer Muhammed Recai. Only one copy in OCLC in Aga Khan Library in London: 1124680097.; Özege 16131.
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MUSTAFA HASIM ALTAN.
Belgelerle Kibris Türk vakiflar tarihi, (1571-1974). 2 volumes set.
Very Good Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 2 volumes set: ([v], [6], 671 p.; [vi], 672-1354, [2] pp.), b/w ills. and plates of documents. Belgelerle Kibris Türk vakiflar tarihi, (1571-1974). 2 volumes set. History of Turkish foundations in Cyrus. Scarce.
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MUSTAFA HILMI BAYINDIR.
Ottoman-Turkish seals and postmarks, 1840-1929.= Osmanli-Türk posta mühür ve damgalari, 1840-1929. 5 volumes set.
Fine English Original bdg. HC. 4to. (32 x 24 cm). In English and Turkish. 5 volumes set: (210 p., 45 maps.; 336 p.; [2], 337-680 p.; [2], 681-952 p.; [2], 953-1272 p.), color ills. Ottoman-Turkish seals and postmarks, 1840-1929.= Osmanli-Türk posta mühür ve damgalari, 1840-1929. 5 volumes set. A comprehensive reference on the seals and postmarks of the Ottoman / Turkish period.
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MUSTAFA HILMI EFENDI, (1801-1864).
Mizânü'l-hatt (Measurement of calligraphy). Hakkâk-zâde Mustafa Hilmi Efendi. Prep. by Abdülkadir Dedeoglu. Illuminated by Sâim Okan.
Fine English Original dark green cloth bdg. Folio. (35 x 25 cm). In Turkish, and English and French abstract. [160] p., color plates. This book consists of the examples of the Islamic calligraphy; and it is the facsimile of a manuscript in 'Millet Library' in Istanbul. The famous work which was written by Hakkâkzâde Mustafa Hilmi Efendi in the first half of the XIX. century under the title of 'Mizanü'l-hatt alâ vaz'i'i-üstâdi's-selef' is a collection composed odf six booklets about the art of calligraphy. One of the booklets in this collection whic was written by Hakkâkzâde is also mentioned as the title of this said collection. The titles are also gilded in with flower-bouquets in baroque style and the spaces between lines on some pages are adorned with stylish flower motifs. The margins on all pages are linet in gold. The verses of the holy Quran, hadiths and some significant sentences as well words are written in red ink. The paper is well-finished dark cihickpea colour. As it is understood from the information at the end of it, the work was written in 1266 Hegira / 1849 AD in the personal handwriting of the Mustafa Hilmi Effendy. He is well-known with the title of 'Hakkâkzâde' (Literally meaning Mc Engraver). There is not much information about his past generation. He received lessons from Hattat Ömer Vasfi Efendi great master of 'Nakshi' and Sülüs (Thülüs; a style of Arabic script), who is famous under the name of 'Lâz Ömer'. He gave lessons in calligraphy for a long time first in 1235 (Hegira) / 1819 (AD) in the school of Naksidil Valide Sultan the mother of Sultan Mahmoud the second-in Fatih, and thereafter as the second teacher in the School of Bezm-i Âlem Valide Ssultan -the mother of Sultan Abdülmecid -near Çemberlitas. Habib Efendi mentions in his book under the title of 'Hatt ve hattatân' that Mustafa Hilmi Efendi had written there copies of 'Mushaf-i Serif (The Glorious Quran) for Sultan Mahmoud the Second, receiving His Excellency's compliments. Also, the author adds that he had copied out 200 copies of the Glorious Quran. - [Le fameux travail de Hakkâkzâde Mustafa Hilmi Efendi etait ecrit dans le premiere partie du XIX. siecle. Cet oeuvre est forme de six livres sur l'art de la calligraphie. Mustafa Hilmi Efendi est mort en 1852 et sa tombe se trouve a Istanbul. Ce livre est le facsimile du manuscrit qui se trouve a la Bibliotheque de la Nation, Istanbul. (On Haqqak-zade see Huart 191, Inal, Son hattatlar p. 213 and Sevket Rado p. 208).
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MUSTAFA ISEN.
Latifi tezkiresi.
Fine English Paperback. Cr. 8vo. (20 x 14 cm). In Turkish. , 531 p. Latifi tezkiresi.
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MUSTAFA ISEN.
Usûlî. Hayati, sanati ve divani.
Fine English Paperback. Pbo. Royu. 8vo. (24 x 17 cm). In Turkish. [Liv], 265 p. A study on mystic diwan poet, Usûlî and his works lived in 16th century. Usûlî. Hayati, sanati ve divani.
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MUSTAFA ISEN.
Usûlî. Hayati, sanati ve divani.
Fine Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. [Liv], 265 p. Usûlî. Hayati, sanati ve divani. TURKISH LITERATURE Traditional Ottoman literature Divan poetry Tasavvuf Sufism Biography.
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MUSTAFA ISMET UZUN.
Istiklâl sairimiz Mehmed Akif [Ersoy].
New English Paperback. Pbo. 4to. (31 x 22 cm). In Turkish. 272 p. Color and b/w ills. A comprehensive biographical study (the most important collected articles) on Mehmed Akif Ersoy (1873-1936), the poet of the Turkish National Anthem. Istiklâl sairimiz Mehmed Akif [Ersoy]. First Edition.
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MUSTAFA ISMET UZUN.
Istiklâl sairimiz Mehmed Akif [Ersoy]. [HC Edition].
New English Original bdg. HC. 4to. (31 x 22 cm). In Turkish. 272 p. Color and b/w ills. A comprehensive biographical study (the most important collected articles) on Mehmed Akif Ersoy (1873-1936), the poet of the Turkish National Anthem. Istiklâl sairimiz Mehmed Akif [Ersoy]. Second Edition.
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