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SANAT DÜNYAMIZ. ÜÇ AYLIK KÜLTÜR VE SANAT DERGISI.
Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 74. Kis 1999. Sanatin 'Gambaz'lari. Palyaço, hokkabaz, soytari.
Fine English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 255, [5] p., color and b/w ills. Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 74. Kis 1999. Sanatin 'Gambaz'lari. Palyaço, hokkabaz, soytari.
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SANAT DÜNYAMIZ. ÜÇ AYLIK KÜLTÜR VE SANAT DERGISI.
Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: No: 72. Yaz: 1999. Denizin huyu suyu.
Fine English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 235, [5] p., color and b/w ills. Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 72. Yaz: 1999. Denizin huyu suyu.
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SANAT DÜNYAMIZ. ÜÇ AYLIK KÜLTÜR VE SANAT DERGISI.
Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 79 Yaz: 2001. Ses, tini, gürültü.
Fine English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 252 p., color and b/w ills. Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 79 Yaz: 2001. Ses, tini, gürültü. Bitez'de büyük bir bahçede. Ilhan Usmanbas'la yasam ve müzik üstüne. Sanat ve inanç. Balthus'ün ardindan bakislar. Kantermiroglu ve Osmanli müzigi.
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SANAT DÜNYAMIZ. ÜÇ AYLIK KÜLTÜR VE SANAT DERGISI.
Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 69-70. Year: 1998. Bizans özel sayisi. Byzantium Special Issue.
As New English Paperback. Pbo. Mint. 4to. (30 x 21 cm). In Turkish. 288, [4] p., color and b/w ills. Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 69-70. Yearl:1998. Bizans özel sayisi. Byzantium Special Issue.
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SANAT DÜNYAMIZ. ÜÇ AYLIK KÜLTÜR VE SANAT DERGISI.
Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 80. Yaz: 2000. Arkeoloji: Dipten gelen sanat. Anadolu Uygarliklarina ikili bakislar.
Fine English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 254, [2] p., color and b/w ills. Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 80. Yaz: 2000. Arkeoloji: Dipten gelen sanat. Anadolu Uygarliklarina ikili bakislar. Müzenin anlami ve islevi. Bir Kent - Bir tainak. James Mellaart'la kazilar, arkeoloji ve Anadolu üstüne. Geçmisin izleri. Bir kaziyi belgelemek.
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SANAT DÜNYAMIZ. ÜÇ AYLIK KÜLTÜR VE SANAT DERGISI.
Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 73. Year: 1999. Yaratici Osmanlilar. Preface by Ilber Ortayli.
Fine English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 305, [3] p., color and b/w ills. Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 73. Year: 1999. Yaratici Osmanlilar. Preface: Ilber Ortayli.
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SANDRINE BERTAUX.
Projecting the nation: European states in the 1920s and 1930s.= Ulusu tasarlamak: 1920'ler ve 1930'larda Avrupa devletleri. [Exhibition catalogue].
New English Paperback. 4to. (26 x 20 cm). In English and Turkish. 330, [2] p., fully color and b/ ills. Projecting the nation: European states in the 1920s and 1930s.= Ulusu tasarlamak: 1920'ler ve 1930'larda Avrupa devletleri. [Exhibition catalogue]. At a time when the boundaries of Europe and the future of European modernity are contested once again in the face of Turkey's candidacy to the European Union, the publication Projecting the Nation offers a critical reflection on the recent past of Europe. Focusing on the multiple and competing modernities of the 1920s and 1930s, a period which also saw the dawn of Turkish modernity, the exhibition explores how nations were invented and shaped by state power. In the age of mass politics, visual political culture - itself a product of modern technology - took on a fundamental role in creating and molding mass consensus. For European states, in this era of competing ideologies and exacerbated nationalism, self-exhibition was no longer restricted to a message of authority and legitimacy targeting the cultural elite. It now became a crucial and novel element of statecraft, a cultural offensive grounded in propaganda, and a source of self-legitimation for political power. In all circumstances, the ultimate stake was control over mass culture. Highlighting strong instances of self-exhibition in the Soviet Union, Fascist Italy, Nazi Germany, Kemalist Turkey, interwar France and conflict-torn Spain, Projecting the Nation presents a cross-territorial examination of the similarities, differences and borrowings of forms of modernity unbound. EUROPEANA Exhibition Collection State European social / political history International relations.
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SANER GÜLSÖKEN.
Ayirin develeri.
New English Paperback. Pbo. In Turkish. Ills. 188 p. Camel wrestlings in Turkey. Ayirin develeri.
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SANLIURFA BELEDIYESI.
Sanliurfa Tarihi ve Kurtulusu Sempozyumu Bildirileri, 3.
Fine English Paperback. Cr. 8vo. (20 x 14 cm). In Turkish. 52 p. Sanliurfa tarihi ve kurtulusu Sempozyumu Bildirileri: 3, SANLIURFA BELEDIYESI, Sanliurfa Belediyesi Kültür ve Egitim Müdürlügü, Sanliurfa, 1987" -- Urfa Millî Mücadele Sehir tarihi Arkeoloji Türk tarihi Osmanli kültürü
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SARTRE Maurice
L'anatolie Hellenestique, De L'égée Au Caucase
Paris Armand Colin 2003 In-8 318 pp
书商的参考编号 : 31194
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SARTIAUX Félix
Villes Mortes D'Asie Mineure Pergame, Ephese, Priene, Milet, Le Didymeion, Hierapolis.
1911 à Paris , chez Hachette , in-8 (200x130),relié pleine toile ,233pp avec 40 vues photographiques Hors texte prises par l'auteur ,3 reproductions de monuments, 8 cartes et plans .
书商的参考编号 : PHO-926
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SARA BOZZA.
Hierapolis di Frigia XIV: Architettura Ionica a Hierapolis di Frigia.
New Italian Original bdg. HC. Folio. (31 x 22 cm). In Italian with Turkish summaries. 400 p., numerous color ills. Il quattordicesimo volume della serie "Hierapolis di Frigia" è incentrato sull'architettura ionica di Hierapolis. Uno studio analitico è dedicato ai due più importanti santuari della città. Dal Santuario di Apollo proviene una eccezionale serie di capitelli ionici con collarino decorato di età adrianea, ai quali si aggiunge un approfondimento sui materiali relativi al Portico Superiore di età flavia, di ordine corinzio, in passato associati a quei capitelli ionici. Nel Ploutonion, santuario di Plutone e Kore, un portico ionico fu invece costruito in età neroniana insieme ad un'edicola-naos che conteneva l'imponente statua di culto. Il rilievo e l'analisi sistematica dei materiali in entrambi i contesti sacri conducono alla ricomposizione architettonica degli edifici, illustrata anche da ricostruzioni 3D e accompagnata dall'analisi delle loro funzioni e dei significati simbolici, come pure del linguaggio formale, consentendo di definirne le cronologie. Ampio spazio è dedicato anche alla decorazione architettonica degli altri monumenti ionici della città, come la facciata dello stesso Ploutonion, il Tempio B, le agorai, la Stoà-basilica, nonché all'analisi dei numerosi capitelli ionici sporadici, così da pervenire ad un quadro completo dell'architettura ionica ierapolitana. La questione delle botteghe artistiche viene affrontata sulla base di questo importante dossier che dall'età ellenistica attraversa tutta l'età imperiale e che, grazie al sistematico confronto con gli altri monumenti microasiatici, consente di proporre approfondimenti sui caratteri del linguaggio locale ma anche sul rapporto tra Hierapolis e gli altri centri, in particolare Pergamo e Aphrodisias. Infine un focus specifico è dedicato alla discussione dei modelli architettonici e della semantica dell'ordine ionico nella città frigia, offrendo una rilettura delle istanze ideologiche che plasmarono l'immagine urbana di Hierapolis. Presentazione (Francesco D'Andria). Introduzione: Ringraziamenti. Avvertenze e abbreviazioni.; Il Santuario di Apollo. Storia degli studi e inquadramento topografico Il Tempio C Le strutture in posto La piattaforma di fondazione La fondazione della scala del tempio La sostruzione dell'elevato del tempio Catalogo dei blocchi del filare superiore della sostruzione Il vano ipogeo Il rivestimento del podio Il Cantiere La tecnica costruttiva La relazione con la sistemazione a terrazzi del Santuario La ricostruzione dell'edificio La datazione del Tempio C La funzione del vano ipogeo e la tipologia templare I capitelli ionici con collarino decorato Descrizione Analisi compositiva Il balaustrino scanalato Il collarino o hypotrachelion decorato, confronti in Asia Minore e in Grecia Il collarino o hypotrachelion decorato, confronti a Roma e in Occidente La decorazione ad astragalo delle volute I motivi decorativi L'astragalo a fusarole e perline Il kyma ionico L'anthemion di palmette La voluta Cronologia e attribuzione dei capitelli ionici Catalogo Tabella di sintesi dei valori dimensionali dei capitelli Il Portico Superiore del Santuario di Apollo Contesti di rinvenimento degli elementi architettonici Descrizione degli elementi architettonici Basi di colonna Rocchi di colonna Capitelli corinzi Fregi-architravi Cornici a modiglioni Valori dimensionali, assemblaggio e interventi di restauro degli elementi architettonici Ricostruzione dell'altezza del colonnato Dimensioni, planimetria e ubicazione del portico I fregi a baccellature nel contesto microasiatico Linguaggio formale e cronologia del portico Il portico del terrazzo superiore: architettura e contesto Catalogo Tabelle di sintesi: valori dimensionali, aspetti tecnici e provenienze degli elementi architettonici
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SARAH MOMENT ATIS.
Semantic structuring in the Modern Turkish short story: An analysis of the Dreams of Abdullah Efendi and other stories by Ahmet Hamdi Tanpinar.
Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English. [5], 205 p. Semantic structuring in the Modern Turkish short story: An analysis of the Dreams of Abdullah Efendi and other stories by Ahmet Hamdi Tanpinar. Contents: Introduction.; "The dreams of Abdullah Efendi", translated by S. M. Atis.; Structural division of each story.; Recurrence of structure common to all five stories.; Interpretive significance.; Notes.; References (Bibliography).
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SARKIYAT KÜTÜPHANESI ORTAASYA VE ISLAM ARASTIRMA KURULU.
(Toyo Bunko) Bibliography Islamic and Middle Eastern studies in Japan, 1868-1988, 1992. [With] Index & Directory of Asian historical studies in Japan.
Fine English Paperback. Roy. 8vo. (24 x 17 cm). In English and Japanese. 787, 144, 91 p. (Toyo Bunko) Bibliography Islamic and Middle Eastern studies in Japan, 1868-1988, 1992. [With] Index & Directory of Asian historical studies in Japan.
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SARKIYAT KÜTÜPHANESI ORTAASYA VE ISLAM ARASTIRMA KURULU.
(Toyo Bunko) Fihrist el-kitab al-arabiye el-mahfuza bedar el-kitab el-Sarkiyat fi Tokyo.
Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Arabic; Ottoman script, and Japanese. [xiv], 595, 196 p. (Toyo Bunko) Sarkiyat Kütüphanesi Türkçe ve Osmanlica kitaplar katalogu. Ilaveli ve düzeltilmis baski. (Toyo Bunko) Fihrist el-kitab al-arabiye el-mahfuza bedar el-kitab el-Sarkiyat fi Tokyo. Catalogue of books in Ottoman and modern Turkish in the Toyo Bunko Library.
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SARKIYAT KÜTÜPHANESI ORTAASYA VE ISLAM ARASTIRMA KURULU.
(Toyo Bunko) Sarkiyat Kütüphanesi Türkçe ve Osmanlica kitaplar katalogu. Ilaveli ve düzeltilmis baski.
Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish; Ottoman script, and Japanese. [xiv], 595, 196 p. (Toyo Bunko) Sarkiyat Kütüphanesi Türkçe ve Osmanlica kitaplar katalogu. Ilaveli ve düzeltilmis baski. Catalogue of books in Ottoman and modern Turkish in the Toyo Bunko Library.
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Sarkysyanz, Manuel
A Modern History of Transcaucasian Armenia. Social, Cultural and Political
Mm 150x230 Volume rilegato in tela di pp. 413, sovraccoperta con erosioni ai tagli, per il resto in ottimo stato. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
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Sartorius Joachim
Iles des Princes : Aux portes d'Istanbul
16mo, br. ed.
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Saul, Ottoman
Summer of the Dark Mandate
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
书商的参考编号 : 1499371640.G ???????? : 1499371640 9781499371642
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SAVA NIKOLOV IVANOV, (Bulgarian Professor and Rear Admiral), (1891-1958).
[EARLY BLACK SEA MONOGRAPH] Karadeniz: Bulgaristan'in maarif profesörlerinden Monsieur Sava N. Ivanov tarafindan Karadeniz ve Karadeniz'in garb sahilinin tarihî, cografî ve iktisâdî evsâf ve kablitleri hakkinda yazilmakta olan eserin intisâr etmis birinci cildi tercemesidir.
Good Turkish, Ottoman (1500-1928) Original wrappers. Roy. 8vo. (23 x 16 cm). In Ottoman script (Old Turkish with Arabic letters. 120 p., several tables of zones and routes. Slight foxing on cover, fading on pages, chippings on extremities of cover and some pages, repaired spine. Otherwise a good copy. First and only Turkish edition of this rare description of the Black Sea, including the historical geography of the western shores of the region, written in a travelogue style, by Bulgarian admiral Ivanov when he was the head of the Naval School in Varna (1928-1931) where he lectured on meteorology, oceanography and naval aviation for officers and conducted the seamanship course for the civil navy. Ivanov was a Bulgarian officer and admiral and a freemason, who was a member of the "Black Sea Friends" Lodge. He is a descendant of Kolyo Ficheto. In 1910, he graduated from the Military School in Sofia, and in 1914, he also completed a naval cadet course in St. Petersburg. From 1912 to 1913 he served in the Port Company of the Navy. During the period March 30, 1913 - September 1, 1913, he was the chief of the ship "Druzki". In the same year, he also served on the ship "Nadezhda". From 1914 he was adjutant of the Mobile Defense and flag officer of the destroyer detachment. He participated in World War I. Özege 10186.; Six copies can be traced in OCLC: 977483558.; 949487717.; 67339656.; 1030754762.
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SAVAS EGILMEZ.
Erzurum. Kurulusundan Osmanli fethine kadar.
Fine Turkish Paperback. Demy 8vo. (22 x 14 cm). In Turkish. 277 p., numerous many ills., plates and maps. Erzurum. Kurulusundan Osmanli fethine kadar. History of the city of Erzurum from its foundation until the Ottoman conquest.
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SAVAS ÇEVIK.
Savas Çevik. 3-20 Mayis 2006. [Exhibition catalogue].
New English Paperback. Pbo. 4to. (28 x 22 cm). In Turkish. 52 p., color ills. Savas Çevik. 3-20 Mayis 2006. [Exhibition catalogue]. Savas Çevik exhibition of calligraphy.
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SAVAS ÇEVIK.
Savas Çevik. Denge. Hüsn-i Hat Sergisi. 17 Aralik 2014 - 08 Ocak 2015. [Exhibition catalogue]. Curated by Mehmet Lütfi Sen.
New English Paperback. Pbo. 4to. (29 x 24 cm). In Turkish. 132, [1] p., color ills. 1000 copies were printed. Savas Çevik. Denge. Hüsn-i Hat Sergisi. 17 Aralik 2014 - 08 Ocak 2015. [Exhibition catalogue]. Curated by Mehmet Lütfi Sen.
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SAVAS ÖZKAN SAVAS.
Divine, personal and geographical names in the (Hittite - Luwian) hieroglyphic inscriptions.= Anadolu (Hitit - Luvi) hiyeroglif yazitlarinda geçen tanri, sahis ve cografya adlari.
New English Original bdg. HC. Demy 8vo. (22 x 16 cm). In English and Turkish. 231 p. Divine, personal and geographical names in the (Hittite - Luwian) hieroglyphic inscriptions.= Anadolu (Hitit - Luvi) hiyeroglif yazitlarinda geçen tanri, sahis ve cografya adlari.
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SAVVA IONNIDOU.
Istoria kai statistikî tis Trapezountas kai tis gyrô periochis, kai stoicheia gia tin ekeî Ellînikî glossa.
Very Good Greek, Modern (post 1453) Original bdg. HC. Roy. 8vo. (24 x 17 cm). In Greek (Modern). [8], 312 p., b/w ills. and maps. After teaching at Greek schools in Plovdiv (Greek: Filippoupolis) and Giresun (Greek: Kerasounta), Ioannidis came in Trebizond, where he taught at the Frontistmon. In his (History and statistics of Trebizond and the surrounding areas, including the Greek language spoken in the region), Istanbul 1870, he published folklore data he had collected during extensive field studies. Among Ioannidis' achievements is the discovery of the MS of the Byzantine Epic of Digenis Akritas, which was published by Sathas and Legrand, and eventually later also by himself. Traduit du grec (kathareuousa) en grec moderne (demotique). publie pour la premiere fois a Constantinople en 1870.
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SAYH BADR AL-DÎN MAHMÛD.
Sayh Badr al-Din Mahmûd et ses Wâridât. Traduction: Bilâl Dindar.
Fine English Paperback. Cr. 8vo. (20 x 14 cm). In French. 116 p. Sayh Badr al-Din Mahmûd et ses Wâridât. Traduction: Bilâl Dindar.
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SAYIN DALKIRAN.
Ibn-i Kemal ve düsünce tarihimiz.
Fine English Paperback. Pbo. Cr. 8vo. (19 x 13 cm). In Turkish. 224 p. Ibn-i Kemal ve düsünce tarihimiz. Ibnülemin Kemal Inal and Turkish history of thought.
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SAYYID JA'FAR HAMÎDÎ.
An encyclopedic dictionary of Bushehr.= Farhangnamah-'i Bushihr: Hamil-i vazhah'ha-yi shahr va a'lam-i ustan-i Bushihr. Pizhuhish-i tashviqi-i hay'at-i davaran dar panjumin dawrah-i intikhab va mu'arrifi-i pizhuhish-i farhangi-i sal (Azar mah 1379). Vol. 1: A-D.
New Persian Original bdg. HC. Roy. 8vo. (24 x 17 cm). Text in Persian; title on cover bilingual in English and Persian. 687 p., b/w ills. An encyclopedic dictionary of Bushehr.= Farhangnamah-'i Bushihr: Hamil-i vazhah'ha-yi shahr va a'lam-i ustan-i Bushihr. Pizhuhish-i tashviqi-i hay'at-i davaran dar panjumin dawrah-i intikhab va mu'arrifi-i pizhuhish-i farhangi-i sal (Azar mah 1379). Vol. 1: A-D. Vol. 1st of 2.
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SCHROEDER J. [ DESSIN et GRAVURE ]
CONSTANTINOPLE , VUE du BOSPHORE [ TURQUIE ]
Paris . Dufour , Mulat et Boulanger éditeur / Imprimerie Gilquin et Dupain . Vers 1858 - Eau forte 27,5 x 18 cm [ 15,5 x 10,5 cm de Gravure ] - Vers 1858 - SCHROEDER J. [ DESSIN et GRAVURE ]
书商的参考编号 : 26217
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SCHLUMBERGER Gustave
Le siège, la prise et le sac de Constantinople par les Turcs en 1453.
Ouvrage orné de 20 gravures hors texte et d'une grande carte dépliante (plan de Constantinople au moyen-âge. Broché Bon Paris Plon 1914 1 volume in-8°
书商的参考编号 : 11167
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SCHLUMBERGER (Gustave)
Le siège, la prise et le sac de Constantinople par les turcs en 1453
Paris, PLON-NOURRIT et Cie, 1922 0 un volume (232 x 140mm), III 375 pp. Reliure en pleine basane maroquinée verte, dos à nerfs, soulignés de filets dorés, orné du titre et de fers dorés, premier plat à décor mosaïqué et orné de fleurons d'angle, couverture conservée (reliure amateur). (dos insolé, feuillet 1-2 placé après le feuillet 17-18). Complet des 20 planches et d'une carte dépliante de Constantinople.
书商的参考编号 : 026058
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SCHNEIDER (M.) - EVIN (A.)
Le Harem impérial de Topkapi.
1977 Albin Michel. Paris. 1977. In-8, br. 174pp. et 29 photographies en couleurs h-t. d'Alpay Evin.
书商的参考编号 : 12654
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SCHNEIDER Marcel-EVIN ALPAY
LE HAREM IMPERIAL DE TOPKAPI.
Albin Michel, 1977. In-8 broché, 170 pages, photographies en couleurs hors-texte. Bel exemplaire.
书商的参考编号 : 7440
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SCHLUMBERGER, Gustave (1844-1929)
Les Îles des Princes - Le Palais et l'Église des Blachernes, La Grande Muraille de Byzance, Souvenirs d'Orient
E.O., 1 vol. in-12 rel. demise basane brune à coins, Calmann Lévy, Paris, 1884, 425 pp.
书商的参考编号 : 70675
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SCHLUMBERGER (Gustave).
SCEAUX BYZANTINS. Le thème de Cherson et la Bulgarie.
Nogent-le-Rotrou, imp; Daupeley-Gouverneur, 1882, 1 br. in-8 de 19 pp., illustrations, exemplaire sur papier vergé ;
书商的参考编号 : 15469
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SCHWARTZ, Benjamin:
The Hittites. A List of References in The New York Public Library.
New York, The New York Public Library, 1939, in-8vo, VII + 94 p. original wrappers.
书商的参考编号 : 90886aaf
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Schmidt
Ottoman. Lithographie en couleurs par Schmidt.
français Sans date (circa 1880). Dimension de la feuille : 28,5 x 40,5 cm.
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SCHNEIDER, M. & EVIN, A.
Le Harem imperial de Topkapi. Avec 29 photographies hors texte en couleurs d'Alpay Evin
in-8°, 174 pages, broche, couverture illustree à rabats. Bel exemplaire. [NV-16]
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Sciarrone Roberto
L'impero ottomano e la grande guerra. Il carteggio dell'addetto militare italiano a Costantinopoli (1914-1915)
8vo grande, br. ed. 470 pagine.
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SCIENTIFIC STAFF OF THE TOPKAPI PALACE MUSEUM.
Turkish handicrafts.= Türkisches Kunsthandwerk.= Arts manuel Turc.= Türk el sanatlari.
Very Good English Original cloth bdg. Large 8vo. (21 x 22 cm). In English, German, French, and Turkish. 151, [6] p. Color ills. Turkish handicrafts.= Türkisches Kunsthandwerk.= Arts manuel Turc.= Türk el sanatlari.
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Scott Alev
Ottoman Odyssey: Travels through a Lost Empire
8vo, br. ed. Alev Scott's odyssey began when she looked beyond Turkey's borders for contemporary traces of the Ottoman Empire. Their 800-year rule ended a century ago - and yet, travelling through twelve countries from Kosovo to Greece to Palestine, she uncovers a legacy that's vital and relevant; where medieval ethnic diversity meets 21st century nationalism, and displaced people seek new identities.It's a story of surprises. An acolyte of Erdogan in Christian-majority Serbia confirms the wide-reaching appeal of his authoritarian leadership. A Druze warlord explains the secretive religious faction in the heart of the Middle East. The palimpsest-like streets of Jerusalem's Old Town hint at the Ottoman co-existence of Muslims and Jews. And in Turkish Cyprus Alev Scott rediscovers a childhood home. In every community, history is present as a dynamic force.Faced by questions of exile, diaspora and collective memory, Alev Scott searches for answers from the cafes of Beirut to the refugee camps of Lesbos. She uncovers in Erdogan's nouveau-Ottoman Turkey a version of the nostalgic utopias sold to disillusioned voters in Europe and the U.S
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Scott Alev
Turkish Awakening: Behind the Scenes of Modern Turkey. New and Updated edition
br. ed. When Alev Scott moved to Istanbul to explore her family's heritage, she didn't know what to expect from this colorful nation at the edge of the Middle East. By travelling around the country and talking to everyone from art dealers to camel breeders, Alex began to piece together a picture of modern Turkey. Moving from booming Istanbul to the historically diverse villages of the south-east, and caught up in the protests of 2013, Alev saw from the inside how constantly surprising this remarkable country can be. Turkish Awakening is essential reading for anyone travelling to, or simply interested in, this rapidly-evolving nation. This updated paperback edition includes an additional chapter on the aftermath of the 2013 Gezi Park protests. About the Author: Alev Scott was born in London in 1987 to a Turkish mother and a British father, and educated at North London Collegiate School and New College, Oxford, where she studied Classics. After graduating in 2009, she worked in London as an assistant director in theatre and opera before moving to Istanbul in January 2011, where she now works as a freelance journalist for the British press.
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SCOTT REDFORD, GARY LEISER.
Adalya Suppl. 7- Victory inscribed: The Seljuk Fetihnâme on the citadel walls of Antalya, Turkey.= Tasa yazilan zafer: Antalya Içkale surlarindaki Selçuklu Fetihnâmesi.
New English Paperback. Pbo. 4to. (28 x 22 cm). In English and Turkish. [x], 183 p., numerous b/w ills. Adalya Suppl. 7- Victory inscribed: The Seljuk Fetihnâme on the citadel walls of Antalya, Turkey.= Tasa yazilan zafer: Antalya Içkale surlarindaki Selçuklu Fetihnâmesi.
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Seal Rebecca
Istanbul. Ricette dal cuore della Turchia
4to tela ed. pp. 256, ill. (Gli Illustrati). Camminando per le strade di Istanbul vedrete una città di splendide contraddizioni: usciti da un raffinato bar moderno, girerete l'angolo e vi ritroverete davanti a spiedini d'agnello arrostiti alla brace su un carretto, all'ombra di minareti altissimi. Questo posto affascinante, dove l'Oriente incontra l'Occidente e l'Europa confina con l'Asia, ha suggerito a Rebecca Seal e Steven Joyce l'idea di "Istanbul", un vero e proprio giro gastronomico della città. Dai semplici piatti di meze ai profumati stufati di ispirazione ottomana, questo libro è una fonte di ricette deliziose: provate le melanzane arrosto ripiene di agnello speziato, la croccante insalata di finocchi con chicchi di melagrana e il pollo alla griglia marinato al sommacco e lasciatevi trasportare nelle cucine di Istanbul.
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SEBOTTENDORF RUDOLF VON
LA PRATIQUE OPERATIVE DE L'ANCIENNE FRANC-MACONNERIE TURQUE , LA CLE DE LA COMPREHENSION DE L'ALCHIMIE , UN EXPOSE DU RITUEL , DE L'ENSEIGNEMENT , DES SIGNES DE RECONNAISSANCE DE LA FRANC-MACONNERIE ORIENTALE
BRAINE-LE-COMTE ( BELGIQUE ) EDITIONS DE BAUCENS 1974 Une plaquette in-8 brochée de 87 pages , première édition française , bon exemplaire , RARE . Bon Couverture souple
书商的参考编号 : 013613
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SEBAH & JOAILLIER [Pascal Sebah (1823-1886), Polycarpe Joaillier (1848-1904)].
[MIDDLE EAST / SYRIA] Syriens [i.e. Syrians].
Very Good French A small original albumen print photograph by Sebah & Joaillier mounted on paper. Size: 6,5x8 cm. Rare albumen print photograph mounted on a grey album paper taken by Sebah & Joaillier photograph studio of Constantinople, showing Syrian women and men in their traditional clothes. In 1857 photographer Pascal J. Sébah opened a studio in Constantinople, today Istanbul, Turkey. Photographing city views, daily activities, and ancient ruins in the surrounding area, Sébah sold many of his prints to visiting tourists, a prosperous and common market for other contemporary photographers, such as the well-known Abdullah Frères. Tourists would select a range of prints from professional photo studies in the countries they visited and compile a travel album of their journey. In 1888, two years after Pascal J. Sébah passed away, his 16-year-old son Jean (Johannes) became involved in the studio work. Jean started a partnership with another photographer from Istanbul, the Frenchman Policarpe Joaillier, which became a great success. Jean worked both on assignments for the studio and as an individual photographer, which can be determined from the signatures on the works: some prints were signed "Sébah & Joaillier," and others have the signature "J.P. Sébah" The studio flourished and Sébah & Joaillier were named as the official photographers of the Ottoman Empire by the Turkish sultan. In the early 1900s, Joaillier returned to Paris and Sébah continued his work in Constantinople. After different partnerships, the studio was taken over by Ismail Insel and renamed "Foto Sabah" [i.e. Photo Morning].
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SEBAH & JOAILLIER [Pascal Sebah (1823-1886), Polycarpe Joaillier (1848-1904)].
[PHOTOS OF THE BOSPHORUS] Vue du Bosphore. Côte d'Asie et d'Europe. & Vue de la Baie et du Quai de Therapia au Bosphore.
Very Good French Original albumen print photograph by Sebah & Joaillier mounted on cardboard. Size: 25,5x33 cm; photographic size: 21,5x26 cm. Rare albumen print photographs double-sided printed mounted on green cardboard taken by Sebah & Joaillier photograph studio of Constantinople, showing the Bosphorus, view of Therapia Bay and Pier with the Asian and European coasts of the strait. In 1857 photographer Pascal J. Sébah opened a studio in Constantinople, today Istanbul, Turkey. Photographing city views, daily activities, and ancient ruins in the surrounding area, Sébah sold many of his prints to visiting tourists, a prosperous and common market for other contemporary photographers, such as the well-known Abdullah Frères. Tourists would select a range of prints from professional photo studies in the countries they visited and compile a travel album of their journey. In 1888, two years after Pascal J. Sébah passed away, his 16-year old son Jean (Johannes) became involved in the studio work. Jean started a partnership with another photographer from Istanbul, the Frenchman Policarpe Joaillier, which became a great success. Jean worked both on assignments for the studio and as an individual photographer, which can be determined from the signatures on the works: some prints were signed "Sébah & Joaillier," others have the signature "J.P. Sébah" The studio flourished and Sébah & Joaillier were named as the official photographers of the Ottoman Empire by the Turkish sultan. In the early 1900s Joaillier returned to Paris and Sébah continued his work in Constantinople. After different partnerships, the studio was taken over by Ismail Insel and renamed "Foto Sabah" [i.e. Photo Morning].
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SEBAHATTIN BAYRAM, REMZI KUZUOGLU.
Kültepe tabletleri VII-A. Assur-re'i ailesinin arsivi. Vol. 1: Assur-re'i'nin kendi metinleri.
New New English Original bdg. Dust wrapper. 4to. (28 x 20 cm). In Turkish. 660 p., b/w and color ills. Kültepe tabletleri VII-A. Assur-re'i ailesinin arsivi. Vol. 1: Assur-re'i'nin kendi metinleri.
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SEBASTIAN JAMES.
The expected awakening in Turkey: A call to confession for the churches of Turkey.= Beklenen uyanis: Uyanis için Türkiye'deki kiliselere itiraf çagrisi.
New English Paperback. Cr. 8vo. (20 x 14 cm). In English and Turkish. 136 p. The expected awakening in Turkey: A call to confession for the churches of Turkey.= Beklenen uyanis: Uyanis için Türkiye'deki kiliselere itiraf çagrisi. This country is still the largest 'unreached' country in the world. However, a spiritual awakening in the country is possible and spiritual growth in the church can happen. The Bible is very clear on what needs to take place in Turkey, and the remedy is not difficult. This exhortation is written for the churches in Turkey, it is the single most important document I have ever written, and I truly believe that the life of the church and the nation depends on your individual response to this Biblical mandate, along with the response of your local church, and the churches in Turkey as a whole. Many have wondered if there is a real and present curse upon Turkey. We will look at the one obstacle that is hindering the church from spiritual and numerical growth and God's remedy to lift this apparent curse.
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SEBASTIAN MÜNSTER, (Map-maker), (1488-1552).
[HAND-COLOURED MAP of ASIA MINOR by MÜNSTER] Von den Landern Asie.
Very Good German Original hand-colored map. 4to. 27x19 cm, with cartoon frame: 40x30 cm. A decorative small map of Asia Minor, from east to the Euphrates, South to the Mediterranean, North to the Black Sea and including Thracia (Thrace). It shows Thracia, Bithynia, Pontus, Paphlagonia, Galatia, Phrygia Minor, Mysia, Phrygia Maior, Lydia, Ionia, Ephesos, Meandros, Lycus [Valley], Caria, Lycia, Pamphylia, Cilicia, Lycaoni, Pisidia, Argos Mt., Taurus Mt., Sebastia, Cappadocia, Armenia, Syria, Nicopolis. Seas decorated with sea monsters. The land filled with mountains. "Münster's Cosmography was one of the most influential geographical works of the 16th Century. It was published in a number of editions over a half century and was continuously revised and updated to include new illustrations and updated information. Sebastian Münster (1488-1552) was a cosmographer and professor of Hebrew who taught at Tübingen, Heidelberg, and Basel. He settled in the latter in 1529 and died there, of plague, in 1552. As a young man, Münster joined the Franciscan order and studied philosophy in Heidelberg. He also studied geography and mathematics in Loewen, as well as Hebrew at Freiburg. In 1512, he was ordained as a priest and taught philosophy and theology at Tübingen from 1514 to 1518. While in Tübingen, he also conducted further studies in geography. He moved to Basel in 1518 and published a Hebrew grammar, one of the first books in Hebrew published in Germany. In 1521 Münster moved again, back to Heidelberg, where he continued to publish Hebrew texts and the first German-produced books in Aramaic. After converting to Protestantism in 1529, he took over the chair of Hebrew at Basel, where he published his main Hebrew work, a two-volume Old Testament with a Latin translation. Münster made himself the center of a large network of scholars from whom he obtained geographic descriptions, maps, and directions. He published his first known map, a map of Germany, in 1525. Three years later, he released a treatise on sundials. In 1540, he published Geographia universalis vetus et nova, an updated edition of Ptolemy's Geographia. In addition to the Ptolemaic maps, Münster added 21 modern maps. One of Münster's innovations was to include one map for each continent, a concept that would influence Ortelius and other early atlas makers. The Geographia was reprinted in 1542, 1545, and 1552. Münster is best known today for his Cosmographia universalis, the first German-language description of the world. It was first published in 1554 and contained 471 woodcuts and 26 maps over 6 volumes. Many of the maps were taken from the Geographia and modified over time. It was released in at least 46 editions in 6 languages by 1650, with 21 German editions alone. The Cosmographia was widely used in the sixteenth and seventeenth centuries and the text, woodcuts, and maps all influenced geographical thought for generations.".
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