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(Comte), Maurice Fleury
Un Grand Terroriste Carrier À Nantes 1793-1794. French Edition
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
書籍販売業者の参照番号
: 127854044X.G ISBN : 127854044X 9781278540443
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(Descombes), Charles Maurice:
A Louis-Philippe, Roi. Seconde édition.
Paris, Paulin 1832. 8°. 63 p., Reliure demi toile vers 1900, pièce de titre rouge.
書籍販売業者の参照番号
: 52286BB
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(Devries, Maurice):
Dans l'intimité de personnages illustres.
Vol. 1 - 5, 8,10 - 12 (sur 12). Paris, Editions M.D. (1945 - 1950)- 21x29 cm. Chaque album 12 p. Carton souple ivoire, decor et titrage gaufres, retenues par un cordon de tissus.
書籍販売業者の参照番号
: 58023BB
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(Detective) LEBLANC, Maurice
Arsene Lupin
Garden City: Doubleday Page & Company 1909. First American Edition. Hardcover. Very Good. 5 1/4 X 8 Inches. 375 PP. First American Edition in the original green cloth with gilt title-stamping and illustration to front cover. Published "October 1909" with no additional printings on the copyright page. Light rubbing to cover label. Slight lean to spine and hint of bumping to top corner. Doubleday, Page & Company hardcover
書籍販売業者の参照番号
: 8393
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(DETMOLD). MAETERLINCK, Maurice
The Life of the Bee. Translated by Alfred Sutro. Illustrated by Edward J Detmold
London: George Allen & Co. Ltd. 1911. First illustrated edition 4to viii 235 1 pp. 13 colour plates. Original gilt decorated boards spine browned covers rather soiled slight wear to the top of the spine. London: George Allen & Co. Ltd. unknown
書籍販売業者の参照番号
: 44509
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(editor uncredited); Artists: Cheri Herouard; Maurice Milliere; Georges Pavis; Pierre Lissac; Armand Vallee
La Vie Parisienne - Samedi 18 Mars 1922. Art Deco/Nouveau. Illustrations by Cheri Herouard; Maurice Milliere; Georges Pavis; Pierre Lissac; Armand Vallee et al
Paris: La Vie Parisienne 1922. First Edition . Illustrated Wraps. Very Good. 13.75" x 10.5. Cheri Herouard; Maurice Milliere; Georges Pavis; Pierre Lissac; Armand Vallee. Paris: La Vie Parisienne 1922. The March 18 1922 Issue 60e annee No 11. Illustrations by Cheri Herouard; Maurice Milliere; Georges Pavis; Pierre Lissac; Armand Vallee et al. Text in French. Illustrated wraps folio 13.75" x 10.5" 17 pp. 207 through 223 for the volume plus covers. Slender but large: folio size. See scans. Some cover soiling wrinkling wear and very small scale chips; contents sharp bright about Very Good overall; nice condition for this thin-but-large fragile weekly. Glossy covers; first and last few internal pages are on newsprint else all glossy. Rather spectacular full-page color illustrations in every issue in fact by the coterie of guys who knew how to do what you see here. In the case of this issue Cheri Herouard; Maurice Milliere; Georges Pavis; Pierre Lissac; Armand Vallee are credited for the big stuff but some of the other very credit-worthy art is uncredited. See scans. Cute humor from the same mood as mutoscope cards or perhaps a bit only a bit more refined yields the cover art caption: "Impertinence de Mi-Careme / Un Pied de Nez" for which I do not know the colloquial translation for an artful depiction of a young lass about to don a mask; on the back cover a king welcomes a brand spanking new young queen who flirts with the old guy for her own reasons as he gushes admiration of her. Understandably. Similar captioning throughout. Gentle titillation. Even the occasional partial nudity is rather tasteful and soft though humorously flirtatious. All of the full page efforts are eminently frame-able and at this time of a sensibility midway-evolved between nouveau and deco as is much of the uncredited b&w illustration. An original - and of course first and only edition - of the 3/18/1922 issue of this memorable and long-lived French weekly offering of very soft very artful light erotica. The captioned illustrations by the eminent "dessins" luminaries named above and others in their clan are what really "make" this issue as was generally the case through the era but cartoons serial fiction and around-town pieces nicely compliment those. Gorgeous oversized large color illustrations are what you collect these for. l-LNG1 <br/> <br/> La Vie Parisienne paperback
書籍販売業者の参照番号
: 001457
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(editor uncredited); Artists: Cheri Herouard, Georges Leonnec, Henry Fournier, Henri Avelot, Maurice Milliere, Georges Pavis, ot
La Vie Parisienne - Samedi 22 Aout 1925. Art Deco/Nouveau. Illustrations by Cheri Herouard Georges Leonnec Henry Fournier Henri Avelot Maurice Milliere Georges Pavis and others uncredited
Paris: La Vie Parisienne 1925. First Edition . Illustrated Wraps. Near Fine. 13.75" x 10.5. Cheri Herouard Georges Leonnec Henry Fournier Henri Avelot Maurice Milliere Georges Pavis. Paris: La Vie Parisienne 1925. The August 22 1925 Issue 63e annee No 34. Illustrations by Cheri Herouard Georges Leonnec Henry Fournier Henri Avelot Maurice Milliere Georges Pavis others uncredited. Text in French. Illustrated wraps folio 13.75" x 10.5" 18 pp. Near Fine; some light soil at covers and that's about it. An extraordinarily high grade example; not far from As New after all this time. See scans. Exceptional condition for this thin-but-large fragile weekly. Glossy covers; first and last few internal pages are on newsprint else all glossy. Rather spectacular full-page color illustrations in every issue in fact by the coterie of guys who knew how to do what you see here. In the case of this issue Cheri Herouard Georges Leonnec Henry Fournier Henri Avelot Maurice Milliere Georges Pavis are credited but some of the other very credit-worthy art is uncredited. See scans. Cute humor from the same mood as mutoscope cards or perhaps a bit only a bit more refined. Gentle titillation. Even the occasional partial nudity is rather tasteful and soft though humorously flirtatious. All of the full page efforts are eminently frame-able and at this time of a sensibility midway-evolved between nouveau and deco as is much of the uncredited b&w illustration. An original - and of course first and only edition - of the 8/22/1925 issue of this memorable and long-lived French weekly offering of very soft very artful light erotica. The captioned illustrations by the eminent "dessins" luminaries named above and others in their clan are what really "make" this issue as was generally the case through the era but cartoons serial fiction and around-town pieces nicely compliment those. Gorgeous oversized large color illustrations are what you collect these for. l-LNG1 <br/> <br/> La Vie Parisienne paperback
書籍販売業者の参照番号
: 001502
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(Edward Detmold) Naeterlinck, Maurice
Hours of Gladness
London. George Allen and Co. 1912. Attractively bound in pictorial gilt titled cloth over boards. Thick 4to. Spectacularly illustrated with full page colour plates laid-down by E.J. Detmold. Naeterlinck's genteel celebration of flowers and gardens is mightily enhanced with the supremely gifted and lovely illustration of Edward Detmold Light soiling to covers. Corners well bumped. Minor foxing to endsheets. Upper corner of several prelims creased from corner bumping. Early christmas gift inscription to front free endsheet. A Very Good copy of one of the most beautiful illustrated gardening books ever produced. George Allen and Co. hardcover
書籍販売業者の参照番号
: 7657
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(ELUARD) - LOTON Maurice.
SAINTE FACE. Manuscrit autographe. 1951.
Cahier manuscrit non cousu de 8 feuillets sur papier BFK de Rives, sous couverture rempliée de papier fort avec titre calligraphié en noir et rouge. 1 feuillet blanc, 1 feuillet de titre en noir et rouge: Sainte Face, 1 feuillet de dédicace portant “ A Paul Eluard / au poète : à l'ami des hommes / pour son 56ème anniversaire. Paris le 132 décembre 1951.Maurice Loton.“, 1 feuillet avec à pleine page le portrait à l'encre d'une vieille femme, légendé “ Une vieille ouvrière du coton, dans le Lancashire. Reproduction d'un dessin de Horgath paru dans les “ Lettres françaises“ du 20 septembre 1951“. 2 feuillets pour le poème “ Sainte Face“, 2 feuillets blancs. Le poème consacré à la vieille femme, est composé d'un quatrain, suivi d'un tercet, de deux quintils suivis de deux quatrains. L'ensemble est calligraphié à l'encre avec une plume large. Très petites taches rousses aux 2 feuillets centraux.
書籍販売業者の参照番号
: 11018
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(envoi à Joseph KESSEL) - Maurice DRUON
Alexandre le grand ou le roman d'un dieu - Exemplaire de Joseph Kessel
Del Duca | Paris 1958 | 14.7 x 20.5 cm | Relié
書籍販売業者の参照番号
: 89988
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(envoi à Jean FOLLAIN) - Maurice FOMBEURE
Chansons du sommeil léger
René Debresse | Paris 1941 | 16.7 x 25.3 cm | En feuilles
書籍販売業者の参照番号
: 91807
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(enfants)contes de perrault
La Barbe Bleue conte chanté
paroles de Jacques LE LORRAIN musique de Gaston DUBREUIL. Illustrations de Maurice de LAMBERT.Grand in 8 demi-toile à l’italienne,plats cartonnés,premier plat illustré. faux-titre,titre,32 pages.illustrations en bleu hors-texte de M.De LAMBERT,Crée par G.MONTOGA au théâtre d’ombres des Quat-Z-Arts.Mathot éditeur sans date (1910?) pages de garde remontées.Sinon bon état d’ensemble
書籍販売業者の参照番号
: 807
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(Erotic poetry) Dekobra, Maurice (Ernest-Maurice Tessier)
Extraits des Strophes Libertines du Chevalier Naja handwritten cover page plus ten typed poems with corrections in hand by Dekobra
Paris 1919. Paperback. Very Good. Manuscript / typescript of 10 erotic poems with cover sheet in pencil giving the title and with the note that these would appear in 1919 in a deluxe edition and in very limited number. Indeed they were published 20 poems in total with the same title very limited 84 copies with erotic woodcuts by Bernard Cochet under his pseudonym Gece. This was in the estate of Edmond Roze d. 1943 a theatrical impresario in Paris who was good friends with Dekobra. These are all erotic and libertine poems celebrating women's buttocks and various erotic pleasures according to one critic evoking the pleasures of both opulent Messaline-type figures the promiscuous third wife of Emperor Claudius and 'vicious fourteen year olds.' Age toning light wear to cover sheet most corrections are insertions of commas and the like. Now fairly unknown Dekobra in his day was known as an edgy and interesting writer and was widely read and admired. paperback
書籍販売業者の参照番号
: H4478
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(Fescourt, Henri; Coissac, G-M; Nogues, Dr; Picot, Michel; Charollais, Henri; Maurice, Georges; Saurel, Louis; etc)
LE CINEMA: DES ORIGINES A NOS JOURS. Preface par Henri Fescourt.
<p>Paris: Aux Editions du Cygne 1932. 1932. Very good. - Quarto 11-1/8 inches high by 8-7/8 inches wide. Hardcover bound in burgundy library cloth titled with a Dewey decimal number in gilt on the spine. 366 & 1 pages with profuse black & white illustrations and superb tinted monochrome plates including many full-page as well as a bright pochoir of Boris Bilinsky's design for a costume for "Casanova". Ex-library with the book label of "The Trustees of The Public Library of the City of Newark" affixed to the top for the front pastedown and a number stamped at the top of the "Preface" page with its Dewey Decimal number penned next to it as well as on the rear pastedown. The endpapers are soiled. Very good.</p><p>First trade edition.</p><p>The text is in French.</p> Paris: Aux Editions du Cygne, 1932. hardcover
書籍販売業者の参照番号
: 101014
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(GAULOT Paul) Maurice LOIR (Lieutenant de vaisseau à bord de "la Triomphante" .
L'Amiral COURBET en Extrême-Orient.
Paris, Henri Gautier 1896, in-8 broché, couverture illustrée, n° 32 de la collection Bibliothèque de Souvenirs et Récits Militaires dirigée par Paul GAULOT, pages 161 à 192, gravures.
書籍販売業者の参照番号
: 1379
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(Georges BRAQUE) - Maurice GIEURE
Georges Braque
Paris: Pierre Tisné 1956. Fine. Pierre Tisné Paris 1956 14 x 29 cm reliure de l'éditeur First edition. Publisher's binding in full navy cloth smooth spine illustrated front cover complete with its cellophane wrapper which has small marginal tears of no consequence. Rich iconography. Foxing to endpapers otherwise handsome interior condition. Pierre Tisné hardcover
書籍販売業者の参照番号
: 33380
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(GIDE). DUJARDIN (Edouard). PERET (Benjamin). WERTH (Léon). WULLENS (Maurice)...
Respects à Monsieur Gide.
(P.), Editions de la Revue Littéraire des Primaires, Les Humbles, 1936, plaquette in-8, agrafée, 36 p. Edition originale.
書籍販売業者の参照番号
: 9821
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(GRIMM). SEGAL, Lore and SENDAK, Maurice
The Juniper Tree and Other Tales from Grimm. Selected by. Translated by Lore Segal With Four Tales Translated by Randall Jarrell. Pictures by Maurice Sendak
London: The Bodley Head 1974. First British edition. Two volumes. 8vo. xii 168 4; xii 169-332 4 pp. Publisher's brown cloth gilt to the spines and upper boards dust jackets orange slipcase with illustrated title label to one side the illustrator John Vernon Lord's set with his signature dated the year of publication to the verso of each front free endpaper. Black and white illustrations. Slight fading to the slipcase jacket spines a little tanned else very good. London: The Bodley Head unknown
書籍販売業者の参照番号
: 52517
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(GUERRE 39-45) BETZ (Maurice)
Dialogues des prisonniers. 1940.
Paris, Editions Emile-Paul Frères, 1940. In-12 broché, 184 pp.
書籍販売業者の参照番号
: 10676
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(GUERRE 14-18) LARROUY (Maurice)
L'odyssée d'un transport torpillé. Edition revue par l'auteur.
Paris, Kieffer - L'Amour des Livres, 1926. In-8 broché sous couverture illustrée rempliée, XIV-244 pp. Ornements maritimes de G. BRAUN. Tirage limité à 1050 exemplaires, celui-ci un des 1000 sur Vélin (n° 416). Cet ouvrage est le 15e de la collection "L'Amour des Livres".
書籍販売業者の参照番号
: 7711
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(HEANEY, Seamus and others). Maurice Harmon, edited by
Three Poems later collected in North in Irish University Review: Journal of Irish Studies - Volume 4 Number 2 Autumn 1974
Dublin: Irish University Review / University College 1974. Softcover. Very Good. Volume 4 Number 2. Octavo. 169-305pp. Printed wrappers soiled and red spine titling sunned interior of wrappers and preliminary and terminal leaves modestly foxed very good. Notable for printing three poems by Seamus Heaney "North" "Ocean's Love to Ireland" and "Viking Dublin: Trial Pieces" that were collected with revisions in his book North published by Faber and Faber the following year. Also features contributions by James Simmons Seamus Deane Pearse Hutchinson James Mays and others. Brandes & Durkan C207. Irish University Review / (University College?) unknown
書籍販売業者の参照番号
: 618524
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(HEANEY, Seamus and others). Maurice Harmon, edited by
Three Poems later collected in North in Irish University Review: A Journal of Irish Studies – Volume 4 Number 2 Autumn 1974
Dublin: Irish University Review / University College 1974. Softcover. Very Good. Volume 4 Number 2. Tall octavo. 169-305pp. Wrappers a bit cocked with some wear and soil margins faintly toned and red spine lettering sunned very good and sound. Notable for printing three poems by Seamus Heaney "North" "Ocean's Love to Ireland" and "Viking Dublin: Trial Pieces" that were collected with revisions in his book North published by Faber and Faber the following year. Also features contributions by James Simmons Seamus Deane Pearse Hutchinson James Mays and others. Brandes & Durkan C207. Irish University Review / University College unknown
書籍販売業者の参照番号
: 524474
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(HELD Jr, John, cover by). H Wynn Bussman and Maurice V Odquist, edited by
The Union Soot – Vol. I No. 1 May 21 1926
Schenectady New York: Union Chapter of Pi Delta Epslion 1926. Softcover. Very Good. Vol. I No. 1. Cover by John Held Jr. Cartoons and illustrations by Montfort Amory Rosalie McGillivarey and Robert R. McKean. Slim quarto. Measuring 8¾" x 12". 20pp. Stapled wrappers. Wrappers split at the crown staples a bit oxidized and moderate to heavy creasing very good. A collection of humorous and mildly naughty cartoons verse and college-specific zingers sponsored by the Union Chapter of Pi Delta Epsilon a fraternity for future journalists. The first page lists contributions by Dr. Harrison C. Coffin Dr. Harold A. Larrabee and Arthur G. Ferris. OCLC locates a single serial entry at Union College. Union Chapter of Pi Delta Epslion unknown
書籍販売業者の参照番号
: 592457
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(HESTON, Charlton, James Franciscus, Kim Hunter, Maurice Evans, and Linda Harrison)
Film Poster: Beneath the Planet of the Apes
No place: Twentieth Century Fox 1971. Unbound. Good. Original promotional film poster. Measuring approximately 27" x 40". Folded presumably as issued with some wear along the creases remnants of scotch tape along the edges and edgewear including a few tears good or better. Directed by Ted Post and starring James Franciscus Kim Hunter Maurice Evans Linda Harrison and Charlton Heston as Taylor. Twentieth Century Fox unknown
書籍販売業者の参照番号
: 611328
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(inscribed to Jean FOLLAIN) - Maurice FOMBEURE
Chansons du sommeil léger Songs of Light Sleep
Paris: René Debresse 1941. Fine. René Debresse Paris 1941 16.7 x 25.3 cm En feuilles First edition printed in a small number of copies being the seventh booklet of the first series of the Cahiers de l'Ecole de Rochefort.A rare and pleasing copy.Valuable autograph inscription signed by Maurice Fombeure to Jean Follain. René Debresse unknown
書籍販売業者の参照番号
: 91807
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(Isou). LEMAITRE (Maurice).
Isou. Base critique de l’ouvrage ou introduction à une biographie créatrice.
Paris, Le Cheval marin, 1954, in-8, br. 32 p. Édition originale tirée à 200 ex.
書籍販売業者の参照番号
: 23706
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(James, Henry) Maeterlinck, Maurice
La vie des abeilles
Paris: Bibliothèque-Charpentier. Eugène Fasquelle éditeur 1901. Huitième mille. 311 pp. 8vo. Half calf and paper covered board binding. Binding rubbed around the edges paper brittle and first three leaves loose. Huitième mille. 311 pp. 8vo. Henry James' copy of Materlinck's Life of the Bee with his signature to the half-title and the Author's name and the title of the book are underlined in pencil. <br /> <br /> James loved Maeterlinck calling his "a beautful mind" ALS to Violet Hunt 1902 June 17 and was a fan of his plays which he saw in London even going so far as describing his heroine Milly Theale in the Wings of the Dove converse with her companion Kate Croy in a way that resembles "some dim scene in a Maeterlinck play."<br /> <br /> Groups of James' library books were sold at Parke Bernet in 1950-51. Bibliothèque-Charpentier. Eugène Fasquelle, éditeur unknown
書籍販売業者の参照番号
: 371819
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(Japan) Dekobra, Maurice
A Frenchman in Japan: Travels
London: T. Werner Laurie Ltd 1936. Bound ion three quarters modern polished crimson calf and marbled baords. Fine. T. Werner Laurie, Ltd unknown
書籍販売業者の参照番号
: 316722
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(KROHG, PER). BEDEL, Maurice :
Jérôme. 60 o latitude nord. Illustré de nombreuses aquarelles par Pwer Krohg.
Paris. 1929. Leks8vo. Originalt dekorert omslag. Ubeskåret. 211 s. Illustrert i svart/hvitt og farver. Librairie Gallimard Fransk. <br/><br/><em>Nr. 190 av 625 eksemplarer på hollandsk papir.Omslaget noe slitt. </em> unknown
書籍販売業者の参照番号
: 71432
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(KROHG, PER). BEDEL, Maurice :
Jérôme. 60 o latitude nord. Illustré de nombreuses aquarelles par Per Krohg.
Paris. 1929. Leks8vo. Solid håndbundet blått skinnryggbind med svakt opphøyde ryggbånd enkel ryggforgylling marmorerte dekler. 211 s. Illustrert i svart/hvitt og farver. Librairie Gallimard Fransk. <br/><br/><em>Nr. 148 av 625 eksemplarer på hollandsk papir.Ryggen en tanke skrapet. </em> unknown
書籍販売業者の参照番号
: 76911
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(KROHG, PER). BEDEL, Maurice :
Jérôme. 60o latitude nord. Illustré de nombreuses aquarelles par Per Krohg.
Paris 1929. Leks8vo. Solid håndbundet blått skinnryggbind med svakt opphøyde ryggbånd enkel ryggforgylling marmorerte dekler. Bundet med foromslaget. 211 s. Illustrert i svart/hvitt og farver. Royal 8vo. Solidly privately bound blue half calf raised bands spine simply gilt marbled boards. Bound with the original front wrapper. 211 pp. Illustrated in black/white and colours. Librairie Gallimard. Fransk. <br/><br/><em>Nr. 148 av 625 eksemplarer på hollandsk papir.Ryggen en tanke skrapet. No. 148 of 625 copies printed on Hollande des papeteries Pannekoek. </em> hardcover
書籍販売業者の参照番号
: 76955
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(LAWRENCE, TE) Baring, Maurice T E
Autograph Letter signed "Maurice Baring" to T.E. LAWRENCE
Half-Way House / Steyning Road Rottingdean 1933. 2 pp in ink on personal letterhead. 1 vols. 4to. Very good. 2 pp in ink on personal letterhead. 1 vols. 4to. Baring discusses the recent appearance of and furor over a new book on the WW I flying ace Albert Ball CAPTAIN ALBERT BALL VC DS by RH Kiernan which Baring considers "a noble tribute to a great boy. His father Sir Albert Ball Mayor of Nottingham misreading it has seen red & considers it a slander on his son and an insult to the RAF."<br /> <br /> Baring continues "To me this is as if the Spartan fathers had considered Simonides' epitaph on the fallen Spartans at the Battle of Thermopylae . a slur . " Noting that Ball had spoken critically to the press about the book Baring asks Lawrence if he might consider reading it and giving his opinion. unknown
書籍販売業者の参照番号
: 211411
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(Lefty Brits) J A Hall, Hugh Gaitskell, Maurice Webb, William Paling [possibly Wilfred]
Programme of Proceedings National Union of Mineworkers Annual Demonstration and Ball Thornes park Wakefield Saturday June 18th 1949: SIGNED BY MAURICE WEBB J. A. HALL HUGH GAITSKELL AND WILLIAM PALING
Wakefield 1949. Paperback. Very Good. One stiff sheet folded to make 4 sides the back side signed by the four Hall was the president of the Yorkshire Mineworkers union Gaitskell was then Minister of Fuel and Power Maurice Webb was chair of the Parliamentary Labour Group and Paling -- it could be either Wilfred or his brother William since both were MPs in the Labour Party sons of a coal miner and deeply invested in Labour politics and mine safety. Of all four Gaitskell was the most conservative often seeking compromises with the Conservative Party and advocating for the removal of the Clause IV of the Labour Party's platform regarding the nationalisation of all major industries. VG light soil. paperback
書籍販売業者の参照番号
: H4060
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(Leloir, Maurice) Sterne, Laurence
A Sentimental Journey through France and Italy
New York: J. W. Bouton 1884. First Edition thus. With twelve full-page illustrations in photogravure by the Goupil process and numerous sketches throughout the text from designs by Maurice Leloir. 1 vols. 4to. Original stiff wrappers with chromolithograph designs in red cloth folding box with gilt- and black-stamped design. Wrappers and endpapers lightly foxed occasional light foxing. Very good box a little soiled with spine faded and ties frayed. Leloir Maurice. First Edition thus. With twelve full-page illustrations in photogravure by the Goupil process and numerous sketches throughout the text from designs by Maurice Leloir. 1 vols. 4to. <br/><br/> J. W. Bouton hardcover
書籍販売業者の参照番号
: 51786
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(Leloir, Maurice) Sterne, Laurence
A Sentimental Journey through France and Italy
London & New York: George Routledge and Sons Broadway Ludgate Hill 1885. Number 437 of 550 copies printed by H. Launtte Librairie Artistique Paris for George Routledge. With 12 full-page photogravure plates "by the Goupil process" and numerous sketches throughout the text by Maurice Leloir. 1 vols. 4to 12 1/2 x inches. Bound in full blue contemporary morocco gilt lettered spine gilt dentelles t.e.g. original chromolithographed wrappers bound in. About fine. Leloir Maurice. Number 437 of 550 copies printed by H. Launtte Librairie Artistique Paris for George Routledge. With 12 full-page photogravure plates "by the Goupil process" and numerous sketches throughout the text by Maurice Leloir. 1 vols. 4to 12 1/2 x inches. Fine attractive copy of this beautifully illustrated book masterfully incorporating his drawings with the text in style of Johannot. Leloir 1853-1940 was one of the true professionals in the history of French illustration. Books with his designs appeared over five decades. Working by preference with stories laid in the seventeenth and eighteenth centuries he was at pains to make his costumes as accurate as possible. It was his celebrity in this field indeed which led Douglas Fairbanks to bring him to Hollywood as artistic director of The Iron Mask 1929. His illustrations are abundant precise and objective." -Ray French Illustrated Books.<br /> <br /> As for A Sentimental Journey one of his masterpieces Ray observes that "every episode in Sterne's short text finds its appropriate visual commentary." Ray 292 French ed. George Routledge and Sons, Broadway, Ludgate Hill unknown
書籍販売業者の参照番号
: 54074
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(Leloir, Maurice) Sterne, Laurence
A Sentimental Journey through France and Italy
New York: J.W. Bouton 1884. First American edition thus. With 12 full-page photogravure plates "by the Goupil process" and numerous sketches throughout the text by Maurice Leloir. 210pp. 1 vols. 4to. Full dark blue pebbled morocco gilt lettered spine original chromolithographed wrappers bound in. Very Good. Leloir Maurice. First American edition thus. With 12 full-page photogravure plates "by the Goupil process" and numerous sketches throughout the text by Maurice Leloir. 210pp. 1 vols. 4to. Fine attractive copy of this beautifully illustrated book masterfully incorporating his drawings with the text in style of Johannot. Leloir 1853-1940 was one of the true professionals in the history of French illustration. Books with his designs appeared over five decades. Working by preference with stories set in the seventeenth and eighteenth centuries he was at pains to make his costumes as accurate as possible. It was his celebrity in this field indeed which led Douglas Fairbanks to bring him to Hollywood as artistic director of The Iron Mask 1929. His illustrations are abundant precise and objective . " -Ray French Illustrated Books.<br /> <br /> As for A Sentimental Journey one of his masterpieces Ray observes that "every episode in Stern's short text finds its appropriate visual commentary . " Ray 292 French ed. J.W. Bouton unknown
書籍販売業者の参照番号
: 14879
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(LEYENDECKER, Francis Xavier, Charles Dana Gibson, Harvey J O'Higgins, and Maurice Smiley)
Collier's - February 18 1905
New York: P.F. Collier's & Sons 1905. Softcover. Very Good. Magazine. Cover by Francis Xavier Leyendecker. Folio. Stapled illustrated wrappers. About near fine with subscription label oxidation of the staples and chips and tears at the bottom of the spine. This issue contains a double-page illustration by Charles Dana Gibson story by Harvey J. O'Higgins and poem by Maurice Smiley. P.F. Collier's & Sons unknown
書籍販売業者の参照番号
: 416201
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(Literature) LEBLANC, Maurice
The Confessions of Arsene Lupin 1st UK
London: Mills & Boon Limited 1912. First Edition. Hardcover. Very Good. 5 1/2 X 7 3/4 Inches. 327 32 PP. Stated "Published 1912" with no additional dates on copyright page. Original black cloth with illustrated label to front cover as issued. Discreet PO name to front end page. Light toning and a few scuffs to covers. A very attractive copy of an increasingly scarce book. Mills & Boon, Limited hardcover
書籍販売業者の参照番号
: 4572
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(LIZEROLLES, Pierre-Marie, Jules-Edouard Dufrenoy, Maurice Devries)
Dans L'intimité de Personnages Illustres Album de Photographies
Paris: Éditions M.D. Maurice Devriès 1942. Softcover. Good. Twelve volume set complete. Oblong quartos. A collection of portraits with printed handwritten lithographic captions of famous French men and women of the late 19th and early 20th Centuries. Each volume consists of a title page printed in red and black six leaves of tipped-in photographic prints on both sides of thick paper 12 pages and a final leaf with the publisher's imprint. Each volume is ribbon-bound with a red silk lace in an ivory-white decorative embossed wrapper with a mounted photographic print serving as the centerpiece on the front wrap. Several volumes have small light dampstains at one or two corners and edges else very good overall with light toning on intermittent covers and interior leaves. The photographic prints are all present and well preserved. Each album of portraits is arranged for the most part chronologically. From the library of the artists Ben Shahn and Bernarda Bryson Shahn with an estate label designed by their son Jonathan Shahn. Éditions M.D. [Maurice Devriès] unknown
書籍販売業者の参照番号
: 346422
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(Lothar Meggendorfer) Sendak, Maurice (Appreciation).
The Publishing Archive of Lothar Meggendorfer Original Drawings Hand-Colored Lithographs and Production Files for His Children's Book Illustrations
Justin G. Schiller. Very Good. 1975. Paperback. Stapled catalogue well illustratedin b&w color covers 8.5 x 11. Light edge wear staples beginning to rust.; 11.0 X 8.3 X 0.1 inches . Justin G. Schiller paperback
書籍販売業者の参照番号
: 1114J848579
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(Maurice BLANCHOT)
Photographie originale de Maurice Blanchot
Elbeuf: S. n. 1934. Fine. S. n. Elbeuf S.d 1900 5.50 x 8 cm une feuille Original photograph of Maurice Blanchot. Vintage silver gelatin print. ""Blanchot long defied photographers and caricaturists of the literary press. Minimalist and extremely rare over so many years are the illustration sketches: in 1962 in L'Express a hand brandishes a book against a page background; in 1979 in Libération a blank square in the middle of the page bearing as sole caption the name of Maurice Blanchot and a quote from L'Entretien infini ""un vide d'univers: rien qui fut visible rien qui fut invisible"" ""a void of universe: nothing that was visible nothing that was invisible"""" C. Bident Maurice Blanchot. In 1986 on the occasion of an exhibition of writers' portraits he requests that his photo be replaced by a text manifesting his desire to ""apparaître le moins possible non pas pour exalter ses livres mais pour éviter la présence d'un auteur qui prétendrait à une existence propre"" ""appear as little as possible not to exalt his books but to avoid the presence of an author who would claim a proper existence"". A photo taken without his knowledge by a paparazzo in a supermarket parking lot would long serve as a portrait of the writer before his friend Emmanuel Lévinas revealed some rare portraits from their youth. That Maurice Blanchot did not oppose this disclosure that it was done by his closest friend could be explained by what Bident calls ""l'espacement de l'inquiétude"" ""the spacing of unrest"" the untimeliness of the revealed portraits echoing the delayed publications of L'Idylle Le Dernier Mot L'Arrêt de mort. Only a few photographs gathered in the central pages of the issue of Cahiers de l'Herne devoted to Maurice Blanchot complete these unique shots of the most secret writer of the 20th century. In his chapter ""L'indisposition du secret"" ""The Indisposition of the Secret"" Christophe Bident devotes several pages to the almost total absence of images of this partenaire invisible invisible partner questioning the intellectual and psychological motivations of the writer conscious nevertheless of the inevitable revelation to come ""Tout doit devenir public. Le secret doit être brisé. L'obscur doit entrer dans le jour et se faire jour. Ce qui ne peut se dire doit pourtant s'entendre. Quidquid latet apparebit tout ce qui est caché c'est cela qui doit apparaître ."" ""Everything must become public. The secret must be broken. The obscure must enter the day and make itself day. What cannot be said must nevertheless be heard. Quidquid latet apparebit everything that is hidden that is what must appear."" Maurice Blanchot L'Espace littéraire Provenance: Family archives. S. n. unknown
書籍販売業者の参照番号
: 71944
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(Maurice BLANCHOT)
Photographie Extraordinaire réunion de photographies de Maurice Blanchot prises dans la sphère familiale
1907. Fine. ca.1907-2003 30 x 32 cm Maurice BLANCHOT Extraordinary collection of Maurice Blanchot's original photographs taken in the family setting the only printings C. 1907-2003 272 photographs various format Blanchot challenged photographers and caricaturists of the literary press for a long-time. His 'portraits' over so many years are minimalist and rare: in 1962 in L'Express a hand holds up a book at the bottom of the page; in 1979 in Libération a blank square is in the middle of the page with only Maurice Blanchot's name and a quote from the Entretien infini as a caption: an empty universe: nothing that was visible nothing that was invisible' C. Bident Maurice Blanchot. In 1986 at the time of an exhibition of writers' portraits he requested that his photo be replaced by a text showing his desire to appear as little as possible not to glorify his books but to avoid the presence of an author who was entitled to an independent existence. A photo taken without him knowing by a paparazzi in a supermarket carpark was used as the writer's portrait for a long time before his friend Emmanuel Levinas revealed a few rare photographs of their youth. The fact that Maurice Blanchot did not oppose this release and the fact that this was his closest friend's deed could be explained by what Bident calls the spacing of worry as the revealed portraits were not up-to-date similar to the postponed publications of his books L'Idylle Le Dernier Mot L'Arrêt de mort. Only a few photographs gathered on the central pages of the Cahiers de l'Herne issue dedicated to Maurice Blanchot and published in 2014 supplement these unique shots of the 20th-century's most secret writer. In his chapter The indisposition of the secret Christophe Bident devotes several pages to the almost total absence of images of this invisible partner questioning the intellectual and psychological motivation of the writer who was aware of the inevitable future revelation of his appearance: Everything must become public. The secret must be told. The darkness must emerge. That which cannot be said must however be heard. Quidquid latet apparebit all that is hidden is that which must appear. Maurice Blanchot L'Espace littéraire In general Maurice Blanchot refused to be photographed even in private life as confirmed by the family of his sister-in-law Anna who revealed in a letter to her nephew that she had not taken any photographs of the writer thus respecting his wishes. However the photographs taken with his close family show us a perfectly willing Blanchot and one even playing very elegantly with the image of himself that he projects to the photographer generally his brother. As such we discover an elegant man posing proudly on a boat pontoon or on the banks of the Seine or more mysteriously playing with lighting effects in the corner of an empty room. Here we see a real photographic staging and a symbolic reappropriation of image particularly in a surprising seated portrait of the writer holding the Inconnue de la Seine death mask in his arms the well-known plaster head of a young woman supposedly drowned who adorned artists' studios after 1900. A true romantic legend this sculpture with a mysterious post-mortem smile is at the heart of Aragon's novel Aurélien and haunts the work of artists at the beginning of the century including Rainer Maria Rilke Vladimir Nabokov Claire Goll Jules Supervielle Louis-Ferdinand Céline Giacometti and Man Ray who produced a worrying photographic portrait of the mask at Aragon's request. Maurice Blanchot described the unknown woman as an adolescent girl with her eyes closed but full of life with a smile so slender so rich . that we could believe that she was drowned in a moment of extreme happiness. This photograph of an impervious Blanchot cradling the white mask of the Mona Lisa of suicide asserts itself as a true deconstruction of representation. It becomes an ill unknown
書籍販売業者の参照番号
: 57913
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(Maurice BLANCHOT)
Photographie originale de Maurice Blanchot âgé d'environ 1 an assis sur un piédestal entouré de ses frères et soeurs Original photograph of Maurice Blanchot at about one year old seated on a pedestal surrounded by his brothers and sisters.
Elbeuf: A. MARTIN 1900. Fine. A. MARTIN Elbeuf S.d Circa 1900 10.50 x 16.50 cm une feuille Original photograph of Maurice Blanchot at about one year old seated on a pedestal surrounded by his brothers and sisters. Original photograph of Maurice Blanchot at about one year old seated on a pedestal surrounded by his brothers and sisters. Contemporary silver print. Blanchot eluded the photographers and caricaturists of the literary press for a long time. Attempts at producing an image were both rare and minimalist throughout the years. In 1962 in Express a hand holds up a book at the bottom of the page; in 1979 in Libération a blank square in the middle of the page captioned only with Blanchots name and a quotation from lEntretien infini ""a vacuum of a universe: nothing that is visible nothing that is invisible C. Bident Maurice Blanchot. In 1986 at an exhibition of writers portraits he asked that his photo be replaced with a text noting his desire to appear as little as possible not for the exaltation of his books but to avoid the presence of an author who pretends to a separate existence. A photo taken without his knowledge in the parking lot of a supermarket was the only portrait of the writer until his friend Emmanuel Lévinas made public a few rare photos from their youth. That Blanchot did not oppose this act and the fact that it was done by his closest friend can be explained by what Bident calls l'espacement de l'inquiétude the distancing of worry the outdated nature of the portraits made public carry an echo of the delayed publication of L'Idylle Le Dernier Mot L'Arrêt de mort. Only a few photographs gathered in the centre pages of the issue of les Cahiers de l'Herne dedicated Maurice Blanchot complement these unique shots of the most secretive writer of the 20 th century. In his chapter on L'indisposition du secret The indisposition of the secret Christophe Bident devotes several pages to the almost complete absence of images of this invisible partner wondering about the intellectual and psychological motivations of the writer who was nonetheless aware of the inevitable revelation to come. Everything must become public. The secret must be broken. The obscure must enter into the day and make itself clear. That which cannot be said must nonetheless make itself heard. Quidquid latet apparebit everything that is hidden must appear
Maurice Blanchot L'Espace littéraire. A. MARTIN unknown
書籍販売業者の参照番号
: 52955
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(Maurice BLANCHOT)
Photographie originale de Maurice Blanchot posant fièrement à bord d'un bateau Original photograph of Maurice Blanchot proudly posing aboard a boat
Elbeuf: S. n. 1934. Fine. S. n. Elbeuf S.d 1900 5.50 x 8 cm une feuille Original photograph of Maurice Blanchot standing against a wall. Vintage silver gelatin print. « Blanchot long defied photographers and caricaturists of the literary press. Minimalist and extremely rare over so many years are the illustrative sketches: in 1962 in L'Express a hand brandishing a book against a page background; in 1979 in Libération a blank square in the middle of the page bearing only the name Maurice Blanchot as caption and a quotation from L'Entretien infini ""un vide d'univers: rien qui fut visible rien qui fut invisible"" ""a void of universe: nothing that was visible nothing that was invisible"" » C. Bident Maurice Blanchot. In 1986 on the occasion of an exhibition of writers' portraits he requested that his photo be replaced by a text manifesting his desire to « apparaître le moins possible non pas pour exalter ses livres mais pour éviter la présence d'un auteur qui prétendrait à une existence propre » ""appear as little as possible not to exalt his books but to avoid the presence of an author who would claim a proper existence"". A photo taken without his knowledge by a paparazzo in a supermarket parking lot would long serve as the writer's portrait before his friend Emmanuel Levinas revealed a few rare portraits from their youth. That Maurice Blanchot did not oppose this disclosure that it was the work of his closest friend could be explained by what Bident calls « l'espacement de l'inquiétude » ""the spacing of unease"" the outdatedness of the disclosed portraits echoing the delayed publications of L'Idylle Le Dernier Mot L'Arrêt de mort. Only a few photographs gathered in the central pages of the issue of Cahiers de l'Herne devoted to Maurice Blanchot complete these unique shots of the most secret writer of the 20th century. In his chapter « L'indisposition du secret » ""The Indisposition of the Secret"" Christophe Bident devotes several pages to the almost total absence of images of this partenaire invisible invisible partner questioning the intellectual and psychological motivations of the writer who was nevertheless conscious of the inevitable revelation to come « Tout doit devenir public. Le secret doit être brisé. L'obscur doit entrer dans le jour et se faire jour. Ce qui ne peut se dire doit pourtant s' entendre. Quidquid latet apparebit tout ce qui est caché c'est cela qui doit apparaître . » ""Everything must become public. The secret must be broken. The obscure must enter the day and make itself day. What cannot be said must nevertheless be heard. Quidquid latet apparebit everything that is hidden that is what must appear ."" Maurice Blanchot L'Espace littéraire S. n. unknown
書籍販売業者の参照番号
: 52957
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(Maurice BLANCHOT)
Photographie originale de Maurice Blanchot assis à sa table de travail devant la bibliothèque Original photograph of Maurice Blanchot seated at his desk before his library
Elbeuf 1900. Fine. Elbeuf S.d Circa 1900 10.50 x 16.50 cm une feuille Original photograph of Maurice Blanchot seated at his desk before his library Original photograph of Maurice Blanchot smiling at his desk before his library. Contemporary silver print. Blanchot eluded the photographers and caricaturists of the literary press for a long time. Attempts at producing an image were both rare and minimalist throughout the years. In 1962 in Express a hand holds up a book at the bottom of the page; in 1979 in Libération a blank square in the middle of the page captioned only with Blanchots name and a quotation from lEntretien infini ""a vacuum of a universe: nothing that is visible nothing that is invisible C. Bident Maurice Blanchot. In 1986 at an exhibition of writers portraits he asked that his photo be replaced with a text noting his desire to appear as little as possible not for the exaltation of his books but to avoid the presence of an author who pretends to a separate existence. A photo taken without his knowledge in the parking lot of a supermarket was the only portrait of the writer until his friend Emmanuel Lévinas made public a few rare photos from their youth. That Blanchot did not oppose this act and the fact that it was done by his closest friend can be explained by what Bident calls l'espacement de l'inquiétude the distancing of worry the outdated nature of the portraits made public carry an echo of the delayed publication of L'Idylle Le Dernier Mot L'Arrêt de mort. Only a few photographs gathered in the centre pages of the issue of les Cahiers de l'Herne dedicated Maurice Blanchot complement these unique shots of the most secretive writer of the 20 th century. In his chapter on L'indisposition du secret The indisposition of the secret Christophe Bident devotes several pages to the almost complete absence of images of this invisible partner wondering about the intellectual and psychological motivations of the writer who was nonetheless aware of the inevitable revelation to come. Everything must become public. The secret must be broken. The obscure must enter into the day and make itself clear. That which cannot be said must nonetheless make itself heard. Quidquid latet apparebit everything that is hidden must appear
Maurice Blanchot L'Espace littéraire. unknown
書籍販売業者の参照番号
: 52956
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(Maurice Bouchor).
La Chanson de Roland traduite en vers par Maurice Bouchor. À l'usage des écoles normales, lycées…
Paris, Hachette, 1929. Un volume de format petit in 8° de 170 pp. Reliure cartonnée de l'éditeur, dos toilé vertmuet, plats imprimés. Bel état.
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(Maurice De Broglie) (Mauritius De Broglie)
Instruction pastorale de son altesse Monseigneur l'évêque de Gand . relativement au projet de la nouvelle Constitution du Royaume des Pays-Bas.
Gand Gent: Chez Bernard Poelman 1815. 8vo 22x145 cm. Pamphlet sewn no wrappers uncut. 43i: blankpp. Title and margins sl. dust-soiled. With coats of arms of the archbishop on title. - Text in French and printed opposite in Dutch Chez Bernard Poelman unknown
書籍販売業者の参照番号
: 41685
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(Maurice de GUERIN) - Abel LEFRANC
Maurice de Guérin d'après des documents inédits
Paris: H. Champion 1910. Fine. H. Champion Paris 1910 13 x 20.50 cm relié Second edition. Half shagreen binding in aubergine smooth spine slightly faded decorated with gilt typographical motifs original wrappers preserved top edge gilt. As frontispiece a portrait of M. de Guérin engraved on wood by J. Bertrand work illustrated with 5 engravings and facsimiles. Handsome copy attractively bound. H. Champion unknown
書籍販売業者の参照番号
: 9058
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(Maurice LEBLANC)
Photographie Portrait photographique de Maurice Leblanc
Paris: Henri Manuel 1900. Fine. Henri Manuel Paris 1900 11 x 14.90 cm une photographie Rare original silver gelatin photograph. Among the known portraits of the writer particularly those by Henri Manuel we have found no trace of this one. The date is naturally approximate in the absence of more precise data. On the verso stamp: ""La mention Photo Henri Manuel est obligatoire"" ""The mention Photo Henri Manuel is obligatory"". Second stamp with number 761. In grey pencil manuscript: Maurice Leblanc. Thin scratches above the arm resting on the elbow. Superb condition. Henri Manuel unknown
書籍販売業者の参照番号
: 76660
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(Maurice Maeterlinck) TEIXEIRA DE MATTOS, Alexander
Tyltyl: Being the Story of Maurice Maeterlinck's Play "The Betrothal" Told for Children.
<p>NY:: Dodd Mead and Company. Very Good. 1920. Hardcover. Illustrated with eight tipped-in color plates all in excellent condition by Herbert Paus. First edition. INSCRIBED by Maurice Maeterlinck in French to a previous owner in 1938. Also a two page handwritten letter from Maeterlinck also in French in it's original envelope laid in. Very good or better in blue cloth with gilt lettering and a color illustration on front board. No dust jacket.; 159 pages .</p> Dodd, Mead and Company, hardcover
書籍販売業者の参照番号
: 104827
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