Paris: H. Simonis Empis 1899. Fine. H. Simonis Empis Paris 1899 12 x 19 cm relié First edition one of the copies of the first issue numbered the press he was shot in Holland paper 6 leading copies. Binding half shagreen havana with corners back with five nerves framing gilded nets on marbled paper plates guards and contreplats of handmade paper preserved covers gilded head. Signed autograph of Maurice Beaubourg in Segond-Weber actress who starred in one of his plays. H. Simonis Empis unknown
Paris: H. Simonis Empis 1899. Fine. H. Simonis Empis Paris 1899 12 x 19 cm broché First edition one of the numbered copies of the first issue printed on the press only 6 copies on Holland paper were printed. Lacks to spine one tear at foot of joint two small adhesive marks on first cover. H. Simonis Empis unknown
Paris: Paul Ollendorff 1897. Fine. Paul Ollendorff Paris 1897 12 x 19 cm broché First edition with service de presse stamp at foot of back cover no mention of deluxe copies. Autograph inscription signed by Maurice Beaubourg to Romain Coolus. Spine slightly faded otherwise handsome copy. Paul Ollendorff unknown
Paris: Pour Les Bibliophiles du Palais 1927. Fine. Pour Les Bibliophiles du Palais Paris 1927 19 x 27 cm broché sous chemise et étui Illustrated with 28 original lithographs by Maurice Berdon and printed in a numbered edition of 200 copies on handmade laid paper from the Rives mills. A handsome copy spine of the chemise lightly sunned without consequence. Pour Les Bibliophiles du Palais unknown
Paris FR: Editions Pierre Tisne 1948. 8vo. 150pp. Very Good. Hardcover. Gray cloth over boards. Tears to dust jacket. Color and black and white plates throughout. Light spotting to top edge of pages. En Francais. Paris, FR: Editions Pierre Tisne, 1948 hardcover
1991. Fine. s. d. ca 1991 21 x 29.70 cm 10 feuillets Handwritten manuscript signed by the choreographer Maurice Béjart. 10 leaves written in blue pen. Handwritten pagination. Maurice Béjart's handwritten proofs for his book Béjart-theâtre: A-6-Roc éditions Plume 1992 about his play A-6-Roc first performed in the same year at the Vidy theatre in Lausanne. After the foundation of Béjart Ballet Lausanne and his definitive departure from Belgium in 1987 Béjart continues to stage operas produce films and publish several books novel memories personal diary. In addition he wrote and directed his third play A-6-Roc performed in Lausanne in 1992 which he published with commentaries in a book entitled Béjart-theâtre: A-6-Roc. The play features seven characters in search of a lost paradise and calls for a deep reflection on the choreographer's memory and childhood. Béjart takes the leading role and gives the lines to Gil Roman his favourite dancer during the period in Lausanne who will succeed him as the head of his company in 2007. A-6-Roc was probably Béjart's favourite play and it will be the only one that he will agree to publish. Largely inspired by Jean Anouilh's theatre and even more so by that of Eugène Ionesco the play makes use of his childhood in the South of France. This manuscript which provides valuable information on the staging and scenery was published with the original play in 1992. The present the past and the future come together in this play through three characters a patriarchal figure played by Béjart himself another embodying youth played by Gil Roman 6 must be at least twice the age of Mr A. This generational difference creates their tension and also their bond. and a clown called Roc played by the actor Phillipe Olza. The influence of the theatre of the absurd is easily detected here as much in the scenery choices as in the psychology of the characters: the play's first scene that can last from 3 to 6 or 7 minutes is nothing but mechanical movement of the body . conjuring up the useless and empty activity of the world of concentration camps. The playwright Béjart nevertheless remains faithful to the spectacle total idea for which he was well known as a choreographer. The play is inundated with dance and movement particularly in the theatre choir four characters I should say since nothing pleases me less than the uniformity of the Greek pseudo-choirs and other aestheticizing corps de ballet and Béjart devotes the last four leaves to the music it plays right through the play like dolphins following a boat ranging from Nino Rota to the syrupy music of Jackie Gleason. Beyond the theatre Béjart wanted with A-6-ROC to create a complete work of art including all performance genres and in this manuscript he demonstrates his talent as a playwright and a producer. Invaluable manuscript on the last play that Béjart wrote produced and performed. It features amongst the choreographer's very rare privately owned documents his archives being shared between his house in Brussels the Béjart foundation in Lausanne and the Théâtre Royal de la Monnaie. Provenance: Maurice Béjart's personal archives. unknown
1991. Fine. Let us never forget the glory of human nature. We are the greatest Gods Christs and Buddhas are but waves on the boundless ocean that I am s. d. ca 1991 21 x 29.70 cm 9 feuillets Handwritten manuscript signed by the choreographer Maurice Béjart sent to his publisher with a handwritten letter on two leaves. 9 leaves 145 lines written in blue pen. Hand-pagination of the manuscript 1-7 and the letter to his publisher a-b. Maurice Béjart's handwritten reflections entitled Mémoire Memoirs make up the last chapter of his work Béjart-theâtre: A-6-ROC Editions Plume 1992 regarding his eponymous play that was created the same year in Lausanne. After the foundation of Béjart Ballet Lausanne and his definitive departure from Belgium in 1987 Béjart continues to stage operas produce films and publish several books novel memories personal diary. In addition he writes and stages three plays: La Reine Verte Casta Diva and finally A-6-ROC to which dedicates a book. The play features seven characters in search of a lost paradise and calls for a deep reflection on memory . The last chapter of his book on A-6-ROC the manuscript of which we have here is a mixture of philosophical thought and commentaries on the play: The first idea for the scenery for A-6-Roc was an enormous library . where the two characters in a drama called life no-longer know if the words they say are theirs or those of the generations who preceded them in this prison of knowledge. Implicitly the author-choreographer maintains that the memory although salutary for Man harms the creative faculties. A series of questions on Me where one can detect Montaigne's influence follows: I am a series of moments of looks of emotions of expectations. I am the fruit that I eat the air that I breath the cat that I stroke the book that I read the look that I remember. Provenance: Maurice Béjarts personal archives. unknown
Paris: Julliard 1963. Fine. Julliard Paris 1963 13 x 21.50 cm broché First edition one of 20 numbered copies on pur fil paper ours one of the few unnumbered hors commerce copies the only deluxe copies. Handsome copy despite the covers slightly darkened at head. Julliard unknown
Friends of Photography Bookstore 1996-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Friends of Photography Bookstore paperback
Riferimento per il libraio : Q-0933286716 ISBN : 0933286716 9780933286719
Paris: Secrétariat général à l'aviation civile et commerciale 1955. Fine. Secrétariat général à l'aviation civile et commerciale Paris 1955 24 x 31 cm agrafé First edition illustrated with 25 figures in the text and a large folding map at the beginning of the volume. Unlettered spine. Rare and handsome copy. Secrétariat général à l'aviation civile et commerciale unknown
Paris: Pour les amis du docteur Lucien-Graux 1930. Fine. Pour les amis du docteur Lucien-Graux Paris 1930 14 x 19.50 cm broché Edition a 125 copies on vellum numbered only 25 draw with Japan. Book illustrated with original lithographs by Maurice Berdon. A few bites on the guards. Pour les amis du docteur Lucien-Graux hardcover
Paris: Nrf 1930. Fine. Nrf Paris 1930 17 x 23 cm broché First edition one of 109 numbered copies on Lafuma Navarre paper and recomposed in Tellière quarto format deluxe copy. A very handsome copy. Nrf unknown
Paris: A l'Enseigne du Plomb qui fond 1953. Leather. Near Fine. 6.5" by 4.5". Not Stated. A near fine signed limited edition deluxe work of the poetry of Maurice Beerblock a wonderful French poetry volume inscribed by the author to Rene Wattiez. Signed by the author to the half-title inscribed to Rene Wattiez.Limited edition works limited to five hundred and thirteen copies both of these numbered twelve printed on Vergé de Hollande.Complete as two volumes bound in one.In the original French.The original wraps bound in.A collection of the charming poetry of Maurice Beerblock an assistant director and actor known for 'A Man Escaped' 'Mireille and the Others' and 'Deja s'Envole la Fleur Maigre'.Illustrated with one plate.Preface by Jean Rostand. Bookplate of R. J. Wattiez to the front paste down. In a quarter morocco binding with marbled paper to the boards. Externally smart. Very light rubbing to the spine. Bookplate to the front paste down. Internally firmly bound. Pages are bright and clean.Original front wrap is working loose. Near Fine A l'Enseigne du Plomb qui fond hardcover
Hunter College Art Galleries 1988. Book. Near Fine. Soft cover. 1st Edition. Catalog for an exhibition at the The Bertha and Karl Leubsdorf Art Gallery Feb. 9 - Mar. 25 1988. Stapled wraps. Hunter College Art Galleries Paperback
Hardback. New. An engaging exploration of the relationship between avant-garde art and American network television from the 1940s through the 1970s hardcover
Riferimento per il libraio : A9780300207934 ISBN : 030020793x 9780300207934
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