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DAUMAS, Maurice
Scientific Instruments of the Seventeenth and Eighteenth Centuries and their Makers
London: Portman 1989. hardcover. near fine/very good. 151 photographs and line drawings. 361pp. large 8vo green cloth d.w.; dust wrapper rubbed. London: Portman Books 1989. A near fine copy in a very good dust wrapper.<br/> <br/> Portman unknown
Referentie van de boekhandelaar : 284791
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Daumas, Maurice
Scientific instruments of the seventeenth and eighteenth centuries and their makers
Portman Books 0000-00-00. Reprint. hardcover. Used: Good. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Portman Books hardcover
Referentie van de boekhandelaar : SONG0713407271 ISBN : 0713407271 9780713407273
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Daumas, Maurice
Scientific instruments of the seventeenth and eighteenth centuries and their makers
Portman Books 0000-00-00. Reprint. hardcover. New. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Portman Books hardcover
Referentie van de boekhandelaar : DADAX0713407271 ISBN : 0713407271 9780713407273
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Daumas, Maurice
Scientific Instruments of the Seventeenth and Eighteenth Centuries. Translated by Mary Holbrook
New York: Praeger 1972 First edition in English. Cloth. Large octavo. Numerous plates. Fine in fine d.j. Praeger, hardcover
Referentie van de boekhandelaar : 15018
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Daumas, Maurice
Scientific Instruments of the Seventeenth and Eighteenth Centuries and Their Makers
London: Portman Books 1989. Book. Near Fine. Hardcover. 10" x 7 1/2". 361 pages 151 photographs and line drawings of instruments and makers. Classic study. Bibliography. Portman Books Hardcover
Referentie van de boekhandelaar : 004146 ISBN : 0713407271 9780713407273
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Daumas, Maurice
Au bonheur des mâles : adultère et cocuage à la Renaissance
Dunod (4/2025)
Referentie van de boekhandelaar : SLIVCN-9782200638559
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Daumas, Maurice
L'Archéologie industrielle en France. [Par Maurice Daumas]. (= Les Hommes et l'Histoire).
Paris: Éditions Robert Laffont 1980. 463 Seiten. Mit 293 Abbildungen im Text. Gr. 8° (22,5-25 cm). Orig.-Leinenband mit Orig.-Schutzumschlag. [Hardcover / fest gebunden].
Referentie van de boekhandelaar : 149452
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Daumas, Maurice
Le Syndrome des Grieux. La relation père/fils au XVIIIe (18e) siècle
Seuil In-8 Couverture souple Paris 1990
Referentie van de boekhandelaar : 052
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DAUMAS, Maurice
Les instruments scientifiques, aux XVIIe et XVIIIe siècles
Paris, P.U.F, 1953, in-4, 418 pp, 63 pl, broché, couverture originale illustrée, Première édition de cet ouvrage des plus recherchés. Couverture défraîchie, dos réparé à l'adhésif. Couverture rigide
Referentie van de boekhandelaar : 90286
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DAUMAS, Maurice
Les instruments scientifiques, aux XVIIe et XVIIIe siècles
Paris, Presses Universitaires de France, 1953, in-4, 418 pp, 63 pl. (sur 32 ff.), Demi-chagrin bleu-vert moderne, couvertures et dos conservées, Première édition de cet ouvrage recherché. De la collection Bibliothèque de philosophie contemporaine. Planches de reproductions en noir. Exemplaire enrichi d'un envoi signé de l'auteur à Monsieur Laissus (Joseph Laissus, 1900-1969, directeur-fondateur de l'École technique supérieure du Laboratoire), "en hommage à son art de rassembler et d'apprécier de beaux instruments"; avec étiquette ex-libris de ce dernier. Très bon état (infimes frottements sur le dos). Couverture rigide
Referentie van de boekhandelaar : 97021
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Daumas, Maurice
Maurice Daumas. Lavoisier
Edition Nrf Gallimard de 1949, 259 pp. Ouvrage broche, en bon etat. Couverture a peine defraichie, dos tres legerement jauni. Ex libris manuscrit en page de garde. Contenu propre. Photos sur demande.
Referentie van de boekhandelaar : PM3759 ISBN : 185
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Daumas, Maurice (sous la direction de).
Histoire générale des techniques. 2 Volumes. I: Les origines de la civilisation technique. II: Les premières étapes du machinisme.
Paris, Presses Universitaires de France 1962 - 1965, 235x180mm, 652 + 750pages, reliure d'éditeur sous jaquette. Bel exemplaire.
Referentie van de boekhandelaar : 108419
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DAUMAS, Maurice.
L'archéologie industrielle en France.
Paris, Editions Robert Laffont 1980, 250x165mm, 463pages, reliure skyvertex noir avec titre, auteur, editeur et filets dorés au dos. Ornementation doré sur le haut du plat supérieur. Bel exemplaire.
Referentie van de boekhandelaar : 117309
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DAUMAS,, Maurice
SCIENTIFIC INSTRUMENTS OF THE SEVENTEENTH AND EIGHTEENTH CENTURIES AND THEIR MAKERS. Translated and edited by Dr Mary Holbrook.
London Portman Books 1972. 362pp. Small 4to. Original boards in dustwrapper. Black and white prints. A very good copy. London, Portman Books 1972. hardcover
Referentie van de boekhandelaar : 201787
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DAUMIER Honoré, PHILIPPON Ch., ALHOY Maurice, HUART Louis:
Les cent et un Robert-Macaire.
Paris, Chez Aubert et Cie, 1840. 2 volumes petit in-4 de [12]-[200]-[4]p. et [8]-[202]-[4]p., demi-basane prune à coins, dos lisses ornés de motifs romantiques dorés, petites épidermures, rousseurs.
Referentie van de boekhandelaar : 5949
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Daumier, Honore; Maurice Gobin
Daumier Sculpteur - 1808-1879 : AVEC UNE CATALOGUE RAISONNE ET ILLUSTRE DE L'OEUVRE SCULPTE Catalogue Raisonne Catalog Raisonné Complete Works La Vie Et L'uvre Oeuvre Raisonnee
Pierre Cailler. As New. 1952. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Text in French. 338 pages. Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'uvre Oeuvre Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Pierre Cailler paperback
Referentie van de boekhandelaar : C91976
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Daumier, Honore; Maurice Gobin
Daumier Sculpteur - 1808-1879 : AVEC UNE CATALOGUE RAISONNE ET ILLUSTRE DE L'OEUVRE SCULPTE Catalogue Raisonne Catalog Raisonné Complete Works La Vie Et L'uvre Oeuvre Raisonnee
Pierre Cailler. As New. 1952. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Text in French. 338 pages. Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'uvre Oeuvre Raisonnee Pierre Cailler paperback
Referentie van de boekhandelaar : 91976
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Daumier, Honore, Bouchot, Gavarni, et al (illustrations by) Maurice Alhoy, Louis Huart, and Ch Philipon (text)
Le Musée pour Rire: Dessins par tous les caricaturistes de Paris
Chez Aubert 1839 Three volumes bound in one. First Edition. 4to 11 x 8.75 inches 150 b/w lithographic plates Bound in three-quarter calf and marbled paper boards spine lettered and decorated in gilt. Light scattered foxing throughout with occasional spots of minor soiling leather binding rubbed and worn at extremities corners scuffed with tearing to surface of the leather ¼-inch tear to the upper edge of front joint. Hardcover. Very Good. Chez Aubert hardcover
Referentie van de boekhandelaar : 4726
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Daumier, Honore; Alhoy, Maurice; Huart, Louis
Les Cent et Un Robert-Macaire: Composes et Dessines Par M. H. Daumier Sur Les Idees et Les Legendes De M. Ch. Philpon Reduits et Lithographies Par MM. : Texte Par MM. Maurice Alhoy et Louis Huart
Chez Aubert et Cie Editeurs Du Musee Pour Rire 1839. First Edition. Leather Binding. Good/No Jacket. 4to - over 9¾" - 12" tall. Wear to extremities chiefly to spine edges and corners; spine splitting at edges; some soiling rubbing and browning to covers chiefly to edges and corners; previous owner's ink inscription on front attached endpaper; tape reinforcement to inner hinges at top and lower edges; slight internal browning and/or foxing chiefly to preliminaries and edges; generally unaffecting plates. ca. 125 pages including plates; unpaginated. Text in French. Spine title: Robert-Macaire. Second part of the pictorial depiction of the title gentleman of many talents including lawyer quacksalver mesmerist etc; numbers 51 to 101 in the series this copy lacks plate 68 and substitutes a duplicate copy of the text and illustration for plate 96 in its place. Bound in half brown morocco over green heavy stock boards gilt-stamped and decorated spine and covers plain endpapers all edges trimmed. Scarce in any condition. One volume only; sold 'as is'.Daumier Honore illustrator; 49 of 50 Engraved Illustrations / Plates. Chez Aubert et Cie, Editeurs Du Musee Pour Rire unknown
Referentie van de boekhandelaar : L062911
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DAUMIER, Honore; Gavarni; Alhoy, Maurice; Philipon, Charles
Musée pour rire Le
Paris: Chez Aubert 1839. With 150 Hand-Colored Lithographs<br /> including Forty-Five by Honoré Daumier and Forty-Two by Gavarni<br /> <br /> DAUMIER Honoré Gavarni and others illustrators. ALHOY Maurice Louis Huart and Charles Philipon editors. Le Musée pour rire. Dessins par tous les caricaturistes de Paris; Texte par MM. Maurice Alhoy Louis Huart et Ch. Philipon. Paris: Chez Aubert Editeur des Cent-et-Un Robert-Macaire 1839-1840.<br /> <br /> Three quarto volumes 10 3/16 x 7 15/16 inches; 259 x 202 mm. 2 half-title 2 title 200 2 "Table" 4 publisher's advertisements; 2 half-title 2 title 200 2 "Table; 2 half-title 2 title 200 2 "Table 4 publisher's advertisements pp. With 150 numbered hand-colored lithographs heightened with gum arabic by Honoré Daumier forty-five Gavarni forty-two Frédéric Bouchot twenty-two Victor Adam ten Platier seven Benjamin i.e. Benjamin Roubaud four Bourdet three Pruche three Platel two Grandville two Edme-Jean Pigal two Alophe Menut two Charles Vernier two Charles-Joseph Traviès one and others.<br /> <br /> Early twentieth-century half red scored calf ruled in gilt over marbled boards by Adolphe Cuzin stamp-signed in gilt at foot of spine. Smooth spines decoratively tooled and lettered in gilt all edges gilt marbled endpapers. Expert and almost invisible minor restoration to corners and spine extremities. Occasional light foxing and/or browning. A wonderful copy.<br /> <br /> "The house of Aubert was ingenious in marketing its products. Its lithographs.were published one by one in periodicals like Le charivari and together in suites by the same artist without letterpress. Still a third form of publication was in albums made up of lithographs by several artists with accompanying texts. These collections most commonly took the form of volumes with the generic title Paris comique which consisted of twenty colored lithographs accompanied by quite unrelated texts. Aubert remarked that the resulting hodgepodge had 'a plan that is easy to follow for it consists in not having any' and in fact this was indeed a frugal procedure for reusing old texts and already published plates. The interest of the various volumes of Paris comique resides entirely in the lithographs they happen to contain. It can be considerable however since Daumier and Gavarni are the predominant artists. Le musée pour rire represents a more considerable effort on the part of Aubert. To accompany 150 lithographs including forty-five by Daumier among them twenty-seven from Croquis d'expressions and eight from La galerie physionomique and forty-two by Gavarni new commentaries were commissioned on each plate all except two by Alhoy and Huart. Daumier's lithographs were trimmed slightly and their captions were relettered. The designs of the other artists were provided with decorative frames. The whole was then published in three handsome volumes and in copies with expert contemporary coloring like this one Le musée pour rire is among the freshest and most attractive of romantic illustrated books" Ray The Art of the French Illustrated Book.<br /> <br /> Le Musée pour Rire "contained 150 lithographs by Daumier Gavarni Bouchot Traviès etc. These are re-impressions some of them in mirror image which had previously already been used for publication in Le Charivari. Most prints of the series 'Croquis d'expressions' are contained in the book. The name of the series is missing and the texts were printed in a different type than in the original Charivari version. We do not consider these prints original lithographies but rather prints 'after Daumier'" The Daumier Register at http://www.daumier-register.org.<br /> <br /> Ray The Art of the French Illustrated Book 164. Paris: Chez Aubert, 1839 unknown
Referentie van de boekhandelaar : 05964
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DAUMIER, Honore; Gavarni; Alhoy, Maurice; Philipon, Charles
Musée pour rire Le
Paris: Chez Aubert 1839. With 150 Hand-Colored Lithographs<br /> including Forty-Five by Honoré Daumier and Forty-Two by Gavarni<br /> <br /> DAUMIER Honoré Gavarni and others illustrators. ALHOY Maurice Louis Huart and Charles Philipon editors. Le Musée pour rire. Dessins par tous les caricaturistes de Paris; Texte par MM. Maurice Alhoy Louis Huart et Ch. Philipon. Paris: Chez Aubert Editeur des Cent-et-Un Robert-Macaire 1839-1840.<br /> <br /> First edition. Three quarto volumes bound in one 10 x 7 5/8 in; 251 x 193 mm. 1 half-title 2 title 600 pp. With 150 numbered hand-colored lithographs heightened with gum arabic by Honoré Daumier forty-five Gavarni forty-two Frédéric Bouchot twenty-two Victor Adam ten Platier seven Benjamin i.e. Benjamin Roubaud four Bourdet three Pruche three Platel two Grandville two Edme-Jean Pigal two Alophe Menut two Charles Vernier two Charles-Joseph Traviès one and others.<br /> <br /> Bound ca. 1886-1890 by James Screeton of Hull with label to rear pastedown half black pebbled morocco over gray-brown cloth. Elaborately gilt tooled compartments gilt-rolled raised bands. All edges gilt. Some foxing and toning throughout but still a very good copy.<br /> <br /> "The house of Aubert was ingenious in marketing its products. Its lithographs.were published one by one in periodicals like Le charivari and together in suites by the same artist without letterpress. Still a third form of publication was in albums made up of lithographs by several artists with accompanying texts. These collections most commonly took the form of volumes with the generic title Paris comique which consisted of twenty colored lithographs accompanied by quite unrelated texts. Aubert remarked that the resulting hodgepodge had 'a plan that is easy to follow for it consists in not having any' and in fact this was indeed a frugal procedure for reusing old texts and already published plates. The interest of the various volumes of Paris comique resides entirely in the lithographs they happen to contain. It can be considerable however since Daumier and Gavarni are the predominant artists. Le musée pour rire represents a more considerable effort on the part of Aubert. To accompany 150 lithographs including forty-five by Daumier among them twenty-seven from Croquis d'expressions and eight from La galerie physionomique and forty-two by Gavarni new commentaries were commissioned on each plate all except two by Alhoy and Huart. Daumier's lithographs were trimmed slightly and their captions were relettered. The designs of the other artists were provided with decorative frames. The whole was then published in three handsome volumes and in copies with expert contemporary coloring like this one Le musée pour rire is among the freshest and most attractive of romantic illustrated books" Ray The Art of the French Illustrated Book.<br /> <br /> Le Musée pour Rire "contained 150 lithographs by Daumier Gavarni Bouchot Traviès etc. These are re-impressions some of them in mirror image which had previously already been used for publication in Le Charivari. Most prints of the series 'Croquis d'expressions' are contained in the book. The name of the series is missing and the texts were printed in a different type than in the original Charivari version. We do not consider these prints original lithographies but rather prints 'after Daumier'". <br /> <br /> James Screeton was the son of bookbinder William Screeton of Hull. It appears that he was partner of binder William Wardell until opened his own shop in 1886. <br /> <br /> Ray The Art of the French Illustrated Book 164. Paris: Chez Aubert, 1839 unknown
Referentie van de boekhandelaar : 02253
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Daumier, M H Maurice Alhoy Louis Huart
Les Cent et Un Robert-Macaire. Composes et Dessines Par M. H. Daumier Sur Les Idees et Les Legendes De M. Ch. Philipon.
Paris: Aubert et Cie. Quarto. Two volumes bound in one. 101 numbered lithographic plates each with three pages of text. Half title title page wood engraving signifying the volume number and two-page catalog beginning each volume and list of tables and concluding page for each volume at the end. Covers detached spine missing some leaves foxed small area of dampstain in the corner of some pages Fair. All lithograph plates present. . Fair. Hardcover. 1840. Aubert et Cie hardcover
Referentie van de boekhandelaar : 012049
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DAUMIER, M H - PHILIPON, Ch - ALHOY, Maurice - HUART, Louis
Les cents et un Robert-Macaire composÂŽs et dessinÂŽs par M. H. Daumier sur les IdÂŽes et les LÂŽgendes de M. Ch. Philipon rÂŽduits et lithographiÂŽs par MM. . Texte de MM. Maurice Alhoy et Louis Huart. Volume deuxiÂme seule. Feuillets nos. 51 ˆ 101
Paris : Chez Aubert et Cie. 1839. 290x240mm. typographie Lacrampe et Ce. en feuillet sou cartable toil. Rousseurs marginales. 879 Chez Aubert et Cie. unknown
Referentie van de boekhandelaar : 105952
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DAUMIER, M. H. - PHILIPON, Ch. - ALHOY, Maurice. - HUART, Louis.
Les cents et un Robert-Macaire, composés et dessinés par M. H. Daumier, sur les Idées et les Légendes de M. Ch. Philipon, réduits et lithographiés par MM. ***. Texte de MM. Maurice Alhoy et Louis Huart. Volume deuxième, seule. (Feuillets nos. 51 à 101)
Paris, Chez Aubert et Cie. 1839, 290x240mm, en feuillet sou cartable toilé. Rousseurs marginales.
Referentie van de boekhandelaar : 105952
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Daurat, Maurice (1880-1969)
An Archive of photographs of Maurice Daurat 1880-1969 and his family.
Bordeaux and Villete-Condencourt S&O 1900-1958. 90 Original photographs negatives and identity cards; un ensemble de photographies familiales datant majoritairement des années 1910-1920 où l'on voit surtout Maurice Daurat sa première épouse Yvonne et leurs 4enfants Jacques Christiane Pierre et Mireille environ 90 photos certainesmontées sur carton fort;- de la carte d'identité et de la carte du combattant de Maurice Daurat.Maurice Daurat 1880-1969 was born in Bordeaux on August 2 1880. From 1895 to 1898 he was a student at the Ecole Germain Pilon where he received no specialized training. He learned the arts of drawing painting and especially sculpture for which he showed taste and skill from his early childhood. In order to make a living he began by doing decorative work making embroidery patterns and gradually moved towards metalwork. Upon returning from his involvement in the war of 1914-1918 he began exhibiting objects including gold silver and tin cups and boxes at the Salon d'Automne and des Artistes Décorateurs. But it was not until the Exhibition of 1925 that his personality was first revealed: winning a prestigious award he went on to take part in all the major events of decorative art in France and abroad: Geneva San Francisco Barcelona and Brussels Grand Prix.He was a member of International Jury at the 1937 Exhibition and became senior vice president of the league of goldsmiths Grand Prize. Outside his participation in exhibitions he created the basins and fountains of the Quai d'Orsay gardens and a monumental fountain for the rotunda of the city of Paris Palais de Tokyo. In 1935 he served as the gold/silversmith for the legations of Canada The Hague and Brussels. The French state commissioned him to design a basin with water jets and in 1945 he was commissioned by the city of Paris to make a vase for the flat of the Prefect of the Seine. Many of Maurice Daurat’s works belong to private collections and his tin and silver pieces can be found at the Museum of Decorative Arts in Paris Cairo and the Metropolitan Museum in New York.Recipient of the Grand Prize of Honor at the Salon des Artistes Décorators in 1949 Maurice Daurat became a knight of the Legion of Honor in 1929 and has been an officer since 1935. Daurat was a sculptor as well as a goldsmith executing elevated forms with a hammer. He produced entirely hand-made work representative of the age-old tradition of tin pottery. Although he employed gold silver and duralumin all the interior decorating lighting and objects of worship of the chapel of a large boarding school in Thionville designed by architects Hiriart and Tribout his metal of choice was tin. With his solid purity of forms that preserved the expressive value of volumes under a play of light Maurice Daurat restored tin to its original nobility and secured a prominent place for himself in the religious and civil goldsmith trade and in interior decoration. A modest artist passionate about his craft but virtually incapable however necessary of defending his work Daurat owes his triumph not only to the fundamental virtuosity of his work but to a series of fateful opportunities. Thanks to an important submission to the exhibition of 1925 Daurat was noticed by a man of taste and fortune who was able to provide him with the material resources required to execute his work for some years until a "crisis abruptly interrupted his generous initiative.†Luxuriously installed in avenue Friedland Daurat had at his disposal the metals with which to realize whatever his imagination conceived. While the adventure only lasted three years starting 1927 by 1930 Daurat’s art had taken off and he had made a name for himself.During and after this experience Daurat was at liberty to express himself in the most diverse areas: luxury and religious goldsmith’s art jewelry necklaces rings belts bracelets as well as vases basins and lamps. Hostile to all decoration Daurat chose metal as the sole medium of his expression enhancing its beauty through robust forms structured by harmonious rhythms logically arranged in accordance with the object’s purposeProvenance: Estate of Maurice Daurat 1880-1969 and his granddaughter and biographer Catherine Baumgartner.Expertise by Bernard Portheault 8 rue des Pichots 41500 Mer France. Bordeaux and Villete-Condencourt, S&O, 1900-1958 unknown
Referentie van de boekhandelaar : 51-6150
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Daurat, Maurice (1880-1969); Catherine Baumgartner, author
Maurice Daurat. Orfèvre et sculpteur Art déco.First edition with a collection of the original negative for the illustrations.
Paris: Les Éditions Norma 2009. 4to. 23 x 30.5 cm. Cloth and dust-jacket corner tear without loss. . Denier de Saint-Pierre304pp. Included are 108 original negatvives for the illustrations in 5.5 x 5.5 cm. format. .Ouvrage consacré au travail de Maurice Daurat 1880-1969 orfèvre de formation très tôt influencé dans son oeuvre par la nature et le japonisme en découlent des créations d'inspiration Art Nouveau. Au fil du temps son style s'épure pour tendre à une géométrisation des formes. Daurat s'intéresse à différentes techniques fonte ciselure montage au marteau sculpture et différents matériaux dont l'étain réalisant ainsi des oeuvres exceptionnelles et d'une grande originalité stylistique et technique. Ouvrage comportant de très nombreuses reproductions de pièces et documents permettant ainsi d'illustrer les propos de l'auteur. En fin d'étude des documents intéresseront amateurs et collectionneurs : explications sur le travail du métal les marques et signatures employées par Daurat.formé à l’école d’art appliqué Germain-Pilon créée sous la IIIe République dans le but de réconcilier art et industrie l’orfèvre Maurice Daurat allie la sensibilité d’un artiste à une simplicité d’artisan. Abandonnant dans les années 1920 la fonte et la ciselure pour le montage au marteau Maurice Daurat travaille très tôt l’étain métal alors méprisé dont il saura exploiter les qualités avec un talent rare pour réaliser des pièces uniques ou en très petites séries mais aussi des Å“uvres monumentales comme les vases du paquebot Normandie en 1935 ou le vase luminaire d’une hauteur de 312 mètres destiné à la rotonde Alma du musée d’Art moderne de la Ville de Paris en 1937.Maurice Daurat 1880-1969 was born in Bordeaux on August 2 1880. From 1895 to 1898 he was a student at the Ecole Germain Pilon where he received no specialized training. He learned the arts of drawing painting and especially sculpture for which he showed taste and skill from his early childhood. In order to make a living he began by doing decorative work making embroidery patterns and gradually moved towards metalwork. Upon returning from his involvement in the war of 1914-1918 he began exhibiting objects including gold silver and tin cups and boxes at the Salon d'Automne and des Artistes Décorateurs. But it was not until the Exhibition of 1925 that his personality was first revealed: winning a prestigious award he went on to take part in all the major events of decorative art in France and abroad: Geneva San Francisco Barcelona and Brussels Grand Prix.He was a member of International Jury at the 1937 Exhibition and became senior vice president of the league of goldsmiths Grand Prize. Outside his participation in exhibitions he created the basins and fountains of the Quai d'Orsay gardens and a monumental fountain for the rotunda of the city of Paris Palais de Tokyo. In 1935 he served as the gold/silversmith for the legations of Canada The Hague and Brussels. The French state commissioned him to design a basin with water jets and in 1945 he was commissioned by the city of Paris to make a vase for the flat of the Prefect of the Seine. Many of Maurice Daurat’s works belong to private collections and his tin and silver pieces can be found at the Museum of Decorative Arts in Paris Cairo and the Metropolitan Museum in New York.Recipient of the Grand Prize of Honor at the Salon des Artistes Décorators in 1949 Maurice Daurat became a knight of the Legion of Honor in 1929 and has been an officer since 1935. Daurat was a sculptor as well as a goldsmith executing elevated forms with a hammer. He produced entirely hand-made work representative of the age-old tradition of tin pottery. Although he employed gold silver and duralumin all the interior decorating lighting and objects of worship of the chapel of a large boarding school in Thionville designed by architects Hiriart and Tribout his metal of choice was tin. With his solid purity of forms that preserved the expressive value of volumes under a play of light Maurice Daurat restored tin to its original nobility and secured a prominent place for himself in the religious and civil goldsmith trade and in interior decoration. A modest artist passionate about his craft but virtually incapable however necessary of defending his work Daurat owes his triumph not only to the fundamental virtuosity of his work but to a series of fateful opportunities. Thanks to an important submission to the exhibition of 1925 Daurat was noticed by a man of taste and fortune who was able to provide him with the material resources required to execute his work for some years until a "crisis abruptly interrupted his generous initiative.†Luxuriously installed in avenue Friedland Daurat had at his disposal the metals with which to realize whatever his imagination conceived. While the adventure only lasted three years starting 1927 by 1930 Daurat’s art had taken off and he had made a name for himself.During and after this experience Daurat was at liberty to express himself in the most diverse areas: luxury and religious goldsmith’s art jewelry necklaces rings belts bracelets as well as vases basins and lamps. Hostile to all decoration Daurat chose metal as the sole medium of his expression enhancing its beauty through robust forms structured by harmonious rhythms logically arranged in accordance with the object’s purposeProvenance: Estate of Maurice Daurat 1880-1969 and his granddaughter and biographer Catherine Baumgartner.Expertise by Bernard Portheault 8 rue des Pichots 41500 Mer France. Paris: Les Éditions Norma, 2009 hardcover
Referentie van de boekhandelaar : 51-6254
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DAURAT, Maurice (1880-1960),
Maurice Daurat. Orfèvre Sculpteur Art Decò
Parigi: NORMA EDITIONS 2009. Rilegato sovracoperta hard cover dust jacket. Perfetto Mint. A cura e testo di Catherine Baumgartner. Numerose illustrazioni e tavole a colori e in bianco e nero con riproduzioni dei manufatti artistici e dei relativi schizzi preparatori. Biografia e Bibliografia. 4to cm 31x24. pp. 304. Perfetto Mint. . <em>Ouvrage consacré au travail de Maurice Daurat 1880-1969 orfèvre de formation très tôt influencé dans son oeuvre par la nature et le japonisme en découlent des créations d'inspiration Art Nouveau. Au fil du temps son style s'épure pour tendre à une géométrisation des formes. Daurat s'intéresse à différentes techniques fonte ciselure montage au marteau sculpture et différents matériaux dont l'étain réalisant ainsi des oeuvres exceptionnelles et d'une grande originalité stylistique et technique. Ouvrage comportant de très nombreuses reproductions de pièces et documents permettant ainsi d'illustrer les propos de l'auteur. En fin d'étude des documents intéresseront amateurs et collectionneurs : explications sur le travail du métal les marques et signatures employées par Daurat.<br /><br />Un'opera dedicata al lavoro di Maurice Daurat 1880-1969 un orafo la cui formazione fu molto presto influenzata dalla natura e dal ‘giapponismo' creazioni ispirate all'Art Nouveau. Nel corso del tempo il suo stile viene raffinato per adattarsi a una geometrizzazione delle forme. Daurat è interessato a diverse tecniche ghisa scalpellatura montaggio a martello scultura e diversi materiali tra cui lo stagno ottenendo così opere eccezionali di grande originalità stilistica e tecnica. Molte riproduzioni di documenti luoghi e oggetti che illustrano gli obbiettivi dell'autore. Alla fine del libro repertorio con spiegazioni sulla lavorazione del metallo i segni e le firme usati da Daurat.</em> NORMA EDITIONS, hardcover
Referentie van de boekhandelaar : 214456 ISBN : 291554221x 9782915542219
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DAUSSE Maurice
INITIATION A LA VIE CIVIQUE
Editions de l'école. 1948. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Mouillures. 70 pages. Page de titre un peu tâchée.. . . . Classification Dewey : 372.8-Livre scolaire : autres matières
Referentie van de boekhandelaar : RO70028711
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Dausse Maurice
Notions de droit à l'usage des élèves de 3e année de l'enseignement primaire supérieur - conforme aux programmes de 1941.
Editions école et collège. 1942. In-8. Broché. Etat d'usage, Couv. convenable, Agrafes rouillées, Papier jauni. 95 pages agrafées.. . . . Classification Dewey : 340-Droit
Referentie van de boekhandelaar : R160221175
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Dautray Robert Tubiana Maurice Que sais-je
La radioactivité et ses applications
Presses Universitaires de France - PUF 1997 128 pages 11x17x1cm. 1997. Poche. 128 pages.
Referentie van de boekhandelaar : 500298861
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Dauty Nadia - Gabaroche Gaston - Lelièvre Léo,Aubret Maurice
Partition de la chanson : Chantez, chantez grand'mère
Gabaroche 1926 approx.
Referentie van de boekhandelaar : 1914
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Dauty Nadia - Hess Johnny - Vandair Maurice
Partition de la chanson : Clocher de mon coeur (Le)
Paris Monde 1940
Referentie van de boekhandelaar : 1915
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DAVAU (Maurice)
Histouères et rimiaux de Touraine.
Chambray, C.L.D., 1984. 1 vol. in-8°, toile verte bradel de l'éditeur sous jaquette illustrée, 211 pp., (3) ff., illustrations dans le texte.
Referentie van de boekhandelaar : 16383
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DAVAU (Maurice)
Les grands moments de l'année, raconteries tourangelles.
Chambray, C.L.D., 1982. 1 vol. in-8°, toile verte bradel de l'éditeur sous jaquette illustrée, 321 pp., (3) ff., illustrations dans le texte.
Referentie van de boekhandelaar : 16384
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DAVAU MAURICE
HISTOUERES ET RIMIAUX DE TOURAINE.
CLD. 1984. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 211 pages augmentées de nombreux dessisn en noir ezt blanc hors texte - Exemplaire N°1333/2100 - Jaquette en bon etat.. Avec Jaquette. . . Classification Dewey : 840.8-Anthologies, recueils
Referentie van de boekhandelaar : R320053155
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DAVAU Maurice
Histouères et Rimiaux De Touraine
Chambray Les Tours C.L.D 1984 In-8 édition originale numérotée , 211 pp
Referentie van de boekhandelaar : 30478
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DAVAU MAURICE
Le vieux parler tourangeau - Sa phonetique, ses mots et locutions, sa grammaire - Exemplaire N°1877 / 2100 : edition originale
C.L.D. Normand et Cie. 1979. In-8. Relié toilé. Etat d'usage, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 505 PAGES - Texte sur deux colonnes - Nombreux dessins en noir/blanc, dans et hors texte - jaquette usée en tranche de tête, décolorée - Tirage limité à 2100 exemplaires tous numérotés constituant l'edition originale : Exemplaire N°1877 / 2100 - 4 photos disponibles, dont sommaire. Avec Jaquette. . . Classification Dewey : 94.4-Editions numérotées
Referentie van de boekhandelaar : RO20273904
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DAVAU Maurice
LE VIEUX PARLER TOURANGEAU. Sa phonétique, ses mots et locutions, sa grammaire.
Paris, C.L.D. NORMAND & cie, 1979, in-8 cartonnage sous jaquette, 505 pp. Illustrations. Exemplaire numéroté. Jaquette en bon état, ouvrage en très bon état.
Referentie van de boekhandelaar : 17048
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DAVAU Maurice
Les Grands Moments De L'année, Raconteries Tourangelles
Chambray Les Tours C.L.D 1982 In-8 édition originale numérotée , 506 pp
Referentie van de boekhandelaar : 30477 ISBN : 285443028
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DAVAU Maurice
Raconteries Des Campagnes Tourangelles
Chambray Les Tours C.L.D 1980 In-8 édition originale numérotée ,360 pp
Referentie van de boekhandelaar : 30479
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DAVAU Maurice, COHEN Marcel LALLEMAND Maurice
Dictionnaire du français vivant.
BORDAS. 1972. In-8. Cartonnage d'éditeurs. Etat d'usage, Couv. convenable, Mors fendus, Intérieur frais. 1277 pages. Cartonnage rouge, avec dorures.. . . . Classification Dewey : 443-Dictionnaire français
Referentie van de boekhandelaar : RO80023976
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DAVAU MAURICE, COHEN MARCEL, LALLEMAND MAURICE
DICTIONNAIRE DU FRANCAIS VIVANT
Bordas. 1972. In-8. Relié. Etat d'usage, Couv. convenable, Coiffe en tête abîmée, Intérieur frais. 1338 pages. Page de garde légèrement abîmée et pliée. Jaquette très abîmée avec manques importants. texte sur 3 colonnes.. Avec Jaquette. . . Classification Dewey : 443-Dictionnaire français
Referentie van de boekhandelaar : RO40113086
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Davau Maurice/Cohen Marcel/Lallemand Maurice
Dictionnaire du français vivant
Bordas. 1972. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 1338 pages. Texte sur trois colonnes. Traces de scotch sur les gardes blanches.. . . . Classification Dewey : 443-Dictionnaire français
Referentie van de boekhandelaar : R300300567
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Davau, Maurice/ Cohen, Marcel/ Lallemand, Maurice
Dictionnaire du francais vivant
Klett Stuttgart 1972. XVII 1338 Seiten mit einem Lesebändchen Leinen. -Gutes Exemplar- unknown
Referentie van de boekhandelaar : 2L5935
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DAVAU, Maurice
Le vieux parler Tourangeau. Sa phonétique, ses mots et locutions, sa grammaire [ Edition originale ]
Tirage limité à 2100 exemplaires numérotés (n°1993), 1 vol. in-8 reliure pleine toile éditeur sous jaquette illustrée, C.L.D., Paris, 1979, 505 pp.
Referentie van de boekhandelaar : 63210
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Davau, Maurice
Les Grands Moments de l'Année : raconteries tourangelles
Cld Relié sous jaquette. Exemplaire numéroté. 324 pages. Jaquette avec déchirure au dos. Photos sur demande.
Referentie van de boekhandelaar : AM9655RDC ISBN : 285443028
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Davelli Marthe - Yvain Maurice - Boyer Lucien,Mirande Yves
Partition de la chanson : Java des petits marquis Dame en décolleté (La) Théâtre des Bouffes Parisiens
Salabert 1923
Referentie van de boekhandelaar : 29055
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Davelli Marthe - Yvain Maurice - Boyer Lucien,Mirande Yves
Partition de la chanson : Valse de la dame en décolleté Dame en décolleté (La) Théâtre des Bouffes Parisiens
Salabert 1923
Referentie van de boekhandelaar : 29052
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Davenworth, Maurice R
When to Retire
NOVA SCIENCE PUBLISHERS INC (8/2010)
Referentie van de boekhandelaar : SLIVCN-9781608769827
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Davia - Yvain Maurice - Barde André
Partition de la chanson : Ce n'était pourtant pas bien difficile Bon garçon (Un) Théâtre des Nouveautés
Salabert 1926
Referentie van de boekhandelaar : 83965
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