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Daumas, Maurice
Scientific instruments of the seventeenth and eighteenth centuries and their makers
Portman Books 0000-00-00. Reprint. hardcover. New. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Portman Books hardcover
Bookseller reference : DADAX0713407271 ISBN : 0713407271 9780713407273
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Daumas, Maurice
Scientific Instruments of the Seventeenth and Eighteenth Centuries. Translated by Mary Holbrook
New York: Praeger 1972 First edition in English. Cloth. Large octavo. Numerous plates. Fine in fine d.j. Praeger, hardcover
Bookseller reference : 15018
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Daumas, Maurice
Scientific Instruments of the Seventeenth and Eighteenth Centuries and Their Makers
London: Portman Books 1989. Book. Near Fine. Hardcover. 10" x 7 1/2". 361 pages 151 photographs and line drawings of instruments and makers. Classic study. Bibliography. Portman Books Hardcover
Bookseller reference : 004146 ISBN : 0713407271 9780713407273
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Daumas, Maurice
L'Archéologie industrielle en France. [Par Maurice Daumas]. (= Les Hommes et l'Histoire).
Paris: Éditions Robert Laffont 1980. 463 Seiten. Mit 293 Abbildungen im Text. Gr. 8° (22,5-25 cm). Orig.-Leinenband mit Orig.-Schutzumschlag. [Hardcover / fest gebunden].
Bookseller reference : 149452
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DAUMAS,, Maurice
SCIENTIFIC INSTRUMENTS OF THE SEVENTEENTH AND EIGHTEENTH CENTURIES AND THEIR MAKERS. Translated and edited by Dr Mary Holbrook.
London Portman Books 1972. 362pp. Small 4to. Original boards in dustwrapper. Black and white prints. A very good copy. London, Portman Books 1972. hardcover
Bookseller reference : 201787
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DAUMIER Honore 1808 1879 and JANET LANGE illustrators Maurice ALHOY 1802 1856
Physiologie du voyageur
Paris: Aubert 1840. From the Collection of Arthur & Charlotte Vershbow. 12mo 140 x 89 mm. Numerous illustrations in text by Daumier and Janet-Lange. Original printed wrappers. Tear to spine. FIRST EDITION. Vicaire VI:621. <br/><br/> Aubert unknown books
Bookseller reference : 401753
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DAUMIER Honore; Gavarni; Alhoy Maurice; Philipon Charles
Musée pour rire Le
Paris: Chez Aubert 1839. With 150 Hand-Colored Lithographs<br/>including Forty-Five by Honoré Daumier and Forty-Two by Gavarni<br/><br/>DAUMIER Honoré Gavarni and others illustrators. ALHOY Maurice Louis Huart and Charles Philipon editors. Le Musée pour rire. Dessins par tous les caricaturistes de Paris; Texte par MM. Maurice Alhoy Louis Huart et Ch. Philipon. Paris: Chez Aubert Editeur des Cent-et-Un Robert-Macaire 1839-1840.<br/><br/>First edition. Three quarto volumes bound in one 10 x 7 5/8 in; 251 x 193 mm. 1 half-title 2 title 600 pp. With 150 numbered hand-colored lithographs heightened with gum arabic by Honoré Daumier forty-five Gavarni forty-two Frédéric Bouchot twenty-two Victor Adam ten Platier seven Benjamin i.e. Benjamin Roubaud four Bourdet three Pruche three Platel two Grandville two Edme-Jean Pigal two Alophe Menut two Charles Vernier two Charles-Joseph Traviès one and others.<br/><br/>Bound ca. 1886-1890 by James Screeton of Hull with label to rear pastedown half black pebbled morocco over gray-brown cloth. Elaborately gilt tooled compartments gilt-rolled raised bands. All edges gilt. Some foxing and toning throughout but still a very good copy.<br/><br/>"The house of Aubert was ingenious in marketing its products. Its lithographs.were published one by one in periodicals like Le charivari and together in suites by the same artist without letterpress. Still a third form of publication was in albums made up of lithographs by several artists with accompanying texts. These collections most commonly took the form of volumes with the generic title Paris comique which consisted of twenty colored lithographs accompanied by quite unrelated texts. Aubert remarked that the resulting hodgepodge had ‘a plan that is easy to follow for it consists in not having any' and in fact this was indeed a frugal procedure for reusing old texts and already published plates. The interest of the various volumes of Paris comique resides entirely in the lithographs they happen to contain. It can be considerable however since Daumier and Gavarni are the predominant artists. Le musée pour rire represents a more considerable effort on the part of Aubert. To accompany 150 lithographs including forty-five by Daumier among them twenty-seven from Croquis d'expressions and eight from La galerie physionomique and forty-two by Gavarni new commentaries were commissioned on each plate all except two by Alhoy and Huart. Daumier's lithographs were trimmed slightly and their captions were relettered. The designs of the other artists were provided with decorative frames. The whole was then published in three handsome volumes and in copies with expert contemporary coloring like this one Le musée pour rire is among the freshest and most attractive of romantic illustrated books" Ray The Art of the French Illustrated Book.<br/><br/>Le Musée pour Rire "contained 150 lithographs by Daumier Gavarni Bouchot Traviès etc. These are re-impressions some of them in mirror image which had previously already been used for publication in Le Charivari. Most prints of the series ‘Croquis d'expressions' are contained in the book. The name of the series is missing and the texts were printed in a different type than in the original Charivari version. We do not consider these prints original lithographies but rather prints ‘after Daumier'". <br/><br/>James Screeton was the son of bookbinder William Screeton of Hull. It appears that he was partner of binder William Wardell until opened his own shop in 1886. <br/><br/>Ray The Art of the French Illustrated Book 164. Paris: Chez Aubert, 1839 unknown books
Bookseller reference : 02253
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Daumier, Honore; Maurice Gobin
Daumier Sculpteur - 1808-1879 : AVEC UNE CATALOGUE RAISONNE ET ILLUSTRE DE L'OEUVRE SCULPTE Catalogue Raisonne Catalog Raisonné Complete Works La Vie Et L'uvre Oeuvre Raisonnee
Pierre Cailler. As New. 1952. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Text in French. 338 pages. Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'uvre Oeuvre Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Pierre Cailler paperback
Bookseller reference : C91976
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Daumier, Honore; Maurice Gobin
Daumier Sculpteur - 1808-1879 : AVEC UNE CATALOGUE RAISONNE ET ILLUSTRE DE L'OEUVRE SCULPTE Catalogue Raisonne Catalog Raisonné Complete Works La Vie Et L'uvre Oeuvre Raisonnee
Pierre Cailler. As New. 1952. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Text in French. 338 pages. Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'uvre Oeuvre Raisonnee Pierre Cailler paperback
Bookseller reference : 91976
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Daumier, Honore, Bouchot, Gavarni, et al (illustrations by) Maurice Alhoy, Louis Huart, and Ch Philipon (text)
Le Musée pour Rire: Dessins par tous les caricaturistes de Paris
Chez Aubert 1839 Three volumes bound in one. First Edition. 4to 11 x 8.75 inches 150 b/w lithographic plates Bound in three-quarter calf and marbled paper boards spine lettered and decorated in gilt. Light scattered foxing throughout with occasional spots of minor soiling leather binding rubbed and worn at extremities corners scuffed with tearing to surface of the leather ¼-inch tear to the upper edge of front joint. Hardcover. Very Good. Chez Aubert hardcover
Bookseller reference : 4726
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Daumier, Honore; Alhoy, Maurice; Huart, Louis
Les Cent et Un Robert-Macaire: Composes et Dessines Par M. H. Daumier Sur Les Idees et Les Legendes De M. Ch. Philpon Reduits et Lithographies Par MM. : Texte Par MM. Maurice Alhoy et Louis Huart
Chez Aubert et Cie Editeurs Du Musee Pour Rire 1839. First Edition. Leather Binding. Good/No Jacket. 4to - over 9¾" - 12" tall. Wear to extremities chiefly to spine edges and corners; spine splitting at edges; some soiling rubbing and browning to covers chiefly to edges and corners; previous owner's ink inscription on front attached endpaper; tape reinforcement to inner hinges at top and lower edges; slight internal browning and/or foxing chiefly to preliminaries and edges; generally unaffecting plates. ca. 125 pages including plates; unpaginated. Text in French. Spine title: Robert-Macaire. Second part of the pictorial depiction of the title gentleman of many talents including lawyer quacksalver mesmerist etc; numbers 51 to 101 in the series this copy lacks plate 68 and substitutes a duplicate copy of the text and illustration for plate 96 in its place. Bound in half brown morocco over green heavy stock boards gilt-stamped and decorated spine and covers plain endpapers all edges trimmed. Scarce in any condition. One volume only; sold 'as is'.Daumier Honore illustrator; 49 of 50 Engraved Illustrations / Plates. Chez Aubert et Cie, Editeurs Du Musee Pour Rire unknown
Bookseller reference : L062911
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DAUMIER, Honore; Gavarni; Alhoy, Maurice; Philipon, Charles
Musée pour rire Le
Paris: Chez Aubert 1839. With 150 Hand-Colored Lithographs<br /> including Forty-Five by Honoré Daumier and Forty-Two by Gavarni<br /> <br /> DAUMIER Honoré Gavarni and others illustrators. ALHOY Maurice Louis Huart and Charles Philipon editors. Le Musée pour rire. Dessins par tous les caricaturistes de Paris; Texte par MM. Maurice Alhoy Louis Huart et Ch. Philipon. Paris: Chez Aubert Editeur des Cent-et-Un Robert-Macaire 1839-1840.<br /> <br /> Three quarto volumes 10 3/16 x 7 15/16 inches; 259 x 202 mm. 2 half-title 2 title 200 2 "Table" 4 publisher's advertisements; 2 half-title 2 title 200 2 "Table; 2 half-title 2 title 200 2 "Table 4 publisher's advertisements pp. With 150 numbered hand-colored lithographs heightened with gum arabic by Honoré Daumier forty-five Gavarni forty-two Frédéric Bouchot twenty-two Victor Adam ten Platier seven Benjamin i.e. Benjamin Roubaud four Bourdet three Pruche three Platel two Grandville two Edme-Jean Pigal two Alophe Menut two Charles Vernier two Charles-Joseph Traviès one and others.<br /> <br /> Early twentieth-century half red scored calf ruled in gilt over marbled boards by Adolphe Cuzin stamp-signed in gilt at foot of spine. Smooth spines decoratively tooled and lettered in gilt all edges gilt marbled endpapers. Expert and almost invisible minor restoration to corners and spine extremities. Occasional light foxing and/or browning. A wonderful copy.<br /> <br /> "The house of Aubert was ingenious in marketing its products. Its lithographs.were published one by one in periodicals like Le charivari and together in suites by the same artist without letterpress. Still a third form of publication was in albums made up of lithographs by several artists with accompanying texts. These collections most commonly took the form of volumes with the generic title Paris comique which consisted of twenty colored lithographs accompanied by quite unrelated texts. Aubert remarked that the resulting hodgepodge had 'a plan that is easy to follow for it consists in not having any' and in fact this was indeed a frugal procedure for reusing old texts and already published plates. The interest of the various volumes of Paris comique resides entirely in the lithographs they happen to contain. It can be considerable however since Daumier and Gavarni are the predominant artists. Le musée pour rire represents a more considerable effort on the part of Aubert. To accompany 150 lithographs including forty-five by Daumier among them twenty-seven from Croquis d'expressions and eight from La galerie physionomique and forty-two by Gavarni new commentaries were commissioned on each plate all except two by Alhoy and Huart. Daumier's lithographs were trimmed slightly and their captions were relettered. The designs of the other artists were provided with decorative frames. The whole was then published in three handsome volumes and in copies with expert contemporary coloring like this one Le musée pour rire is among the freshest and most attractive of romantic illustrated books" Ray The Art of the French Illustrated Book.<br /> <br /> Le Musée pour Rire "contained 150 lithographs by Daumier Gavarni Bouchot Traviès etc. These are re-impressions some of them in mirror image which had previously already been used for publication in Le Charivari. Most prints of the series 'Croquis d'expressions' are contained in the book. The name of the series is missing and the texts were printed in a different type than in the original Charivari version. We do not consider these prints original lithographies but rather prints 'after Daumier'" The Daumier Register at http://www.daumier-register.org.<br /> <br /> Ray The Art of the French Illustrated Book 164. Paris: Chez Aubert, 1839 unknown
Bookseller reference : 05964
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DAUMIER, Honore; Gavarni; Alhoy, Maurice; Philipon, Charles
Musée pour rire Le
Paris: Chez Aubert 1839. With 150 Hand-Colored Lithographs<br /> including Forty-Five by Honoré Daumier and Forty-Two by Gavarni<br /> <br /> DAUMIER Honoré Gavarni and others illustrators. ALHOY Maurice Louis Huart and Charles Philipon editors. Le Musée pour rire. Dessins par tous les caricaturistes de Paris; Texte par MM. Maurice Alhoy Louis Huart et Ch. Philipon. Paris: Chez Aubert Editeur des Cent-et-Un Robert-Macaire 1839-1840.<br /> <br /> First edition. Three quarto volumes bound in one 10 x 7 5/8 in; 251 x 193 mm. 1 half-title 2 title 600 pp. With 150 numbered hand-colored lithographs heightened with gum arabic by Honoré Daumier forty-five Gavarni forty-two Frédéric Bouchot twenty-two Victor Adam ten Platier seven Benjamin i.e. Benjamin Roubaud four Bourdet three Pruche three Platel two Grandville two Edme-Jean Pigal two Alophe Menut two Charles Vernier two Charles-Joseph Traviès one and others.<br /> <br /> Bound ca. 1886-1890 by James Screeton of Hull with label to rear pastedown half black pebbled morocco over gray-brown cloth. Elaborately gilt tooled compartments gilt-rolled raised bands. All edges gilt. Some foxing and toning throughout but still a very good copy.<br /> <br /> "The house of Aubert was ingenious in marketing its products. Its lithographs.were published one by one in periodicals like Le charivari and together in suites by the same artist without letterpress. Still a third form of publication was in albums made up of lithographs by several artists with accompanying texts. These collections most commonly took the form of volumes with the generic title Paris comique which consisted of twenty colored lithographs accompanied by quite unrelated texts. Aubert remarked that the resulting hodgepodge had 'a plan that is easy to follow for it consists in not having any' and in fact this was indeed a frugal procedure for reusing old texts and already published plates. The interest of the various volumes of Paris comique resides entirely in the lithographs they happen to contain. It can be considerable however since Daumier and Gavarni are the predominant artists. Le musée pour rire represents a more considerable effort on the part of Aubert. To accompany 150 lithographs including forty-five by Daumier among them twenty-seven from Croquis d'expressions and eight from La galerie physionomique and forty-two by Gavarni new commentaries were commissioned on each plate all except two by Alhoy and Huart. Daumier's lithographs were trimmed slightly and their captions were relettered. The designs of the other artists were provided with decorative frames. The whole was then published in three handsome volumes and in copies with expert contemporary coloring like this one Le musée pour rire is among the freshest and most attractive of romantic illustrated books" Ray The Art of the French Illustrated Book.<br /> <br /> Le Musée pour Rire "contained 150 lithographs by Daumier Gavarni Bouchot Traviès etc. These are re-impressions some of them in mirror image which had previously already been used for publication in Le Charivari. Most prints of the series 'Croquis d'expressions' are contained in the book. The name of the series is missing and the texts were printed in a different type than in the original Charivari version. We do not consider these prints original lithographies but rather prints 'after Daumier'". <br /> <br /> James Screeton was the son of bookbinder William Screeton of Hull. It appears that he was partner of binder William Wardell until opened his own shop in 1886. <br /> <br /> Ray The Art of the French Illustrated Book 164. Paris: Chez Aubert, 1839 unknown
Bookseller reference : 02253
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Daumier, M H Maurice Alhoy Louis Huart
Les Cent et Un Robert-Macaire. Composes et Dessines Par M. H. Daumier Sur Les Idees et Les Legendes De M. Ch. Philipon.
Paris: Aubert et Cie. Quarto. Two volumes bound in one. 101 numbered lithographic plates each with three pages of text. Half title title page wood engraving signifying the volume number and two-page catalog beginning each volume and list of tables and concluding page for each volume at the end. Covers detached spine missing some leaves foxed small area of dampstain in the corner of some pages Fair. All lithograph plates present. . Fair. Hardcover. 1840. Aubert et Cie hardcover
Bookseller reference : 012049
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DAUMIER, M H - PHILIPON, Ch - ALHOY, Maurice - HUART, Louis
Les cents et un Robert-Macaire composÂŽs et dessinÂŽs par M. H. Daumier sur les IdÂŽes et les LÂŽgendes de M. Ch. Philipon rÂŽduits et lithographiÂŽs par MM. . Texte de MM. Maurice Alhoy et Louis Huart. Volume deuxiÂme seule. Feuillets nos. 51 ˆ 101
Paris : Chez Aubert et Cie. 1839. 290x240mm. typographie Lacrampe et Ce. en feuillet sou cartable toil. Rousseurs marginales. 879 Chez Aubert et Cie. unknown
Bookseller reference : 105952
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Daurat, Maurice (1880-1969)
An Archive of photographs of Maurice Daurat 1880-1969 and his family.
Bordeaux and Villete-Condencourt S&O 1900-1958. 90 Original photographs negatives and identity cards; un ensemble de photographies familiales datant majoritairement des années 1910-1920 où l'on voit surtout Maurice Daurat sa première épouse Yvonne et leurs 4enfants Jacques Christiane Pierre et Mireille environ 90 photos certainesmontées sur carton fort;- de la carte d'identité et de la carte du combattant de Maurice Daurat.Maurice Daurat 1880-1969 was born in Bordeaux on August 2 1880. From 1895 to 1898 he was a student at the Ecole Germain Pilon where he received no specialized training. He learned the arts of drawing painting and especially sculpture for which he showed taste and skill from his early childhood. In order to make a living he began by doing decorative work making embroidery patterns and gradually moved towards metalwork. Upon returning from his involvement in the war of 1914-1918 he began exhibiting objects including gold silver and tin cups and boxes at the Salon d'Automne and des Artistes Décorateurs. But it was not until the Exhibition of 1925 that his personality was first revealed: winning a prestigious award he went on to take part in all the major events of decorative art in France and abroad: Geneva San Francisco Barcelona and Brussels Grand Prix.He was a member of International Jury at the 1937 Exhibition and became senior vice president of the league of goldsmiths Grand Prize. Outside his participation in exhibitions he created the basins and fountains of the Quai d'Orsay gardens and a monumental fountain for the rotunda of the city of Paris Palais de Tokyo. In 1935 he served as the gold/silversmith for the legations of Canada The Hague and Brussels. The French state commissioned him to design a basin with water jets and in 1945 he was commissioned by the city of Paris to make a vase for the flat of the Prefect of the Seine. Many of Maurice Daurat’s works belong to private collections and his tin and silver pieces can be found at the Museum of Decorative Arts in Paris Cairo and the Metropolitan Museum in New York.Recipient of the Grand Prize of Honor at the Salon des Artistes Décorators in 1949 Maurice Daurat became a knight of the Legion of Honor in 1929 and has been an officer since 1935. Daurat was a sculptor as well as a goldsmith executing elevated forms with a hammer. He produced entirely hand-made work representative of the age-old tradition of tin pottery. Although he employed gold silver and duralumin all the interior decorating lighting and objects of worship of the chapel of a large boarding school in Thionville designed by architects Hiriart and Tribout his metal of choice was tin. With his solid purity of forms that preserved the expressive value of volumes under a play of light Maurice Daurat restored tin to its original nobility and secured a prominent place for himself in the religious and civil goldsmith trade and in interior decoration. A modest artist passionate about his craft but virtually incapable however necessary of defending his work Daurat owes his triumph not only to the fundamental virtuosity of his work but to a series of fateful opportunities. Thanks to an important submission to the exhibition of 1925 Daurat was noticed by a man of taste and fortune who was able to provide him with the material resources required to execute his work for some years until a "crisis abruptly interrupted his generous initiative.†Luxuriously installed in avenue Friedland Daurat had at his disposal the metals with which to realize whatever his imagination conceived. While the adventure only lasted three years starting 1927 by 1930 Daurat’s art had taken off and he had made a name for himself.During and after this experience Daurat was at liberty to express himself in the most diverse areas: luxury and religious goldsmith’s art jewelry necklaces rings belts bracelets as well as vases basins and lamps. Hostile to all decoration Daurat chose metal as the sole medium of his expression enhancing its beauty through robust forms structured by harmonious rhythms logically arranged in accordance with the object’s purposeProvenance: Estate of Maurice Daurat 1880-1969 and his granddaughter and biographer Catherine Baumgartner.Expertise by Bernard Portheault 8 rue des Pichots 41500 Mer France. Bordeaux and Villete-Condencourt, S&O, 1900-1958 unknown
Bookseller reference : 51-6150
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Daurat, Maurice (1880-1969); Catherine Baumgartner, author
Maurice Daurat. Orfèvre et sculpteur Art déco.First edition with a collection of the original negative for the illustrations.
Paris: Les Éditions Norma 2009. 4to. 23 x 30.5 cm. Cloth and dust-jacket corner tear without loss. . Denier de Saint-Pierre304pp. Included are 108 original negatvives for the illustrations in 5.5 x 5.5 cm. format. .Ouvrage consacré au travail de Maurice Daurat 1880-1969 orfèvre de formation très tôt influencé dans son oeuvre par la nature et le japonisme en découlent des créations d'inspiration Art Nouveau. Au fil du temps son style s'épure pour tendre à une géométrisation des formes. Daurat s'intéresse à différentes techniques fonte ciselure montage au marteau sculpture et différents matériaux dont l'étain réalisant ainsi des oeuvres exceptionnelles et d'une grande originalité stylistique et technique. Ouvrage comportant de très nombreuses reproductions de pièces et documents permettant ainsi d'illustrer les propos de l'auteur. En fin d'étude des documents intéresseront amateurs et collectionneurs : explications sur le travail du métal les marques et signatures employées par Daurat.formé à l’école d’art appliqué Germain-Pilon créée sous la IIIe République dans le but de réconcilier art et industrie l’orfèvre Maurice Daurat allie la sensibilité d’un artiste à une simplicité d’artisan. Abandonnant dans les années 1920 la fonte et la ciselure pour le montage au marteau Maurice Daurat travaille très tôt l’étain métal alors méprisé dont il saura exploiter les qualités avec un talent rare pour réaliser des pièces uniques ou en très petites séries mais aussi des Å“uvres monumentales comme les vases du paquebot Normandie en 1935 ou le vase luminaire d’une hauteur de 312 mètres destiné à la rotonde Alma du musée d’Art moderne de la Ville de Paris en 1937.Maurice Daurat 1880-1969 was born in Bordeaux on August 2 1880. From 1895 to 1898 he was a student at the Ecole Germain Pilon where he received no specialized training. He learned the arts of drawing painting and especially sculpture for which he showed taste and skill from his early childhood. In order to make a living he began by doing decorative work making embroidery patterns and gradually moved towards metalwork. Upon returning from his involvement in the war of 1914-1918 he began exhibiting objects including gold silver and tin cups and boxes at the Salon d'Automne and des Artistes Décorateurs. But it was not until the Exhibition of 1925 that his personality was first revealed: winning a prestigious award he went on to take part in all the major events of decorative art in France and abroad: Geneva San Francisco Barcelona and Brussels Grand Prix.He was a member of International Jury at the 1937 Exhibition and became senior vice president of the league of goldsmiths Grand Prize. Outside his participation in exhibitions he created the basins and fountains of the Quai d'Orsay gardens and a monumental fountain for the rotunda of the city of Paris Palais de Tokyo. In 1935 he served as the gold/silversmith for the legations of Canada The Hague and Brussels. The French state commissioned him to design a basin with water jets and in 1945 he was commissioned by the city of Paris to make a vase for the flat of the Prefect of the Seine. Many of Maurice Daurat’s works belong to private collections and his tin and silver pieces can be found at the Museum of Decorative Arts in Paris Cairo and the Metropolitan Museum in New York.Recipient of the Grand Prize of Honor at the Salon des Artistes Décorators in 1949 Maurice Daurat became a knight of the Legion of Honor in 1929 and has been an officer since 1935. Daurat was a sculptor as well as a goldsmith executing elevated forms with a hammer. He produced entirely hand-made work representative of the age-old tradition of tin pottery. Although he employed gold silver and duralumin all the interior decorating lighting and objects of worship of the chapel of a large boarding school in Thionville designed by architects Hiriart and Tribout his metal of choice was tin. With his solid purity of forms that preserved the expressive value of volumes under a play of light Maurice Daurat restored tin to its original nobility and secured a prominent place for himself in the religious and civil goldsmith trade and in interior decoration. A modest artist passionate about his craft but virtually incapable however necessary of defending his work Daurat owes his triumph not only to the fundamental virtuosity of his work but to a series of fateful opportunities. Thanks to an important submission to the exhibition of 1925 Daurat was noticed by a man of taste and fortune who was able to provide him with the material resources required to execute his work for some years until a "crisis abruptly interrupted his generous initiative.†Luxuriously installed in avenue Friedland Daurat had at his disposal the metals with which to realize whatever his imagination conceived. While the adventure only lasted three years starting 1927 by 1930 Daurat’s art had taken off and he had made a name for himself.During and after this experience Daurat was at liberty to express himself in the most diverse areas: luxury and religious goldsmith’s art jewelry necklaces rings belts bracelets as well as vases basins and lamps. Hostile to all decoration Daurat chose metal as the sole medium of his expression enhancing its beauty through robust forms structured by harmonious rhythms logically arranged in accordance with the object’s purposeProvenance: Estate of Maurice Daurat 1880-1969 and his granddaughter and biographer Catherine Baumgartner.Expertise by Bernard Portheault 8 rue des Pichots 41500 Mer France. Paris: Les Éditions Norma, 2009 hardcover
Bookseller reference : 51-6254
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DAURAT, Maurice (1880-1960),
Maurice Daurat. Orfèvre Sculpteur Art Decò
Parigi: NORMA EDITIONS 2009. Rilegato sovracoperta hard cover dust jacket. Perfetto Mint. A cura e testo di Catherine Baumgartner. Numerose illustrazioni e tavole a colori e in bianco e nero con riproduzioni dei manufatti artistici e dei relativi schizzi preparatori. Biografia e Bibliografia. 4to cm 31x24. pp. 304. Perfetto Mint. . <em>Ouvrage consacré au travail de Maurice Daurat 1880-1969 orfèvre de formation très tôt influencé dans son oeuvre par la nature et le japonisme en découlent des créations d'inspiration Art Nouveau. Au fil du temps son style s'épure pour tendre à une géométrisation des formes. Daurat s'intéresse à différentes techniques fonte ciselure montage au marteau sculpture et différents matériaux dont l'étain réalisant ainsi des oeuvres exceptionnelles et d'une grande originalité stylistique et technique. Ouvrage comportant de très nombreuses reproductions de pièces et documents permettant ainsi d'illustrer les propos de l'auteur. En fin d'étude des documents intéresseront amateurs et collectionneurs : explications sur le travail du métal les marques et signatures employées par Daurat.<br /><br />Un'opera dedicata al lavoro di Maurice Daurat 1880-1969 un orafo la cui formazione fu molto presto influenzata dalla natura e dal ‘giapponismo' creazioni ispirate all'Art Nouveau. Nel corso del tempo il suo stile viene raffinato per adattarsi a una geometrizzazione delle forme. Daurat è interessato a diverse tecniche ghisa scalpellatura montaggio a martello scultura e diversi materiali tra cui lo stagno ottenendo così opere eccezionali di grande originalità stilistica e tecnica. Molte riproduzioni di documenti luoghi e oggetti che illustrano gli obbiettivi dell'autore. Alla fine del libro repertorio con spiegazioni sulla lavorazione del metallo i segni e le firme usati da Daurat.</em> NORMA EDITIONS, hardcover
Bookseller reference : 214456 ISBN : 291554221x 9782915542219
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DAVIGNON Henri, SABBE Maurice
"Gand; Bruges. Ligue Patriotique du Tourisme."
Bruxelles, Touring-Club de Belgique, ca 1920. 13 x 21, 32 pp., nombreuses illustrations en N/B, broché (agrafé), bon état.
Bookseller reference : 97412
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DAVID (Maurice).
2 lettres et 1 carte autographe signées à Pierre-André May et 3 poèmes manuscrits.
Collaborateur de la revue l’Oeuf dur.1 lettre (2 p.) à en-tête de l’Oeuf dur, 14 mars 1922 : Il le remercie de l’envoi d’Intentions et de la publication de son poème dans le n° 3. [Intentions mars 1922 : Sphinx double]. Il voudrait lui parler de ce n°. “J’aime beaucoup les Gestes de Paul Fierens et la classique pureté (Ronsard, Malherbe et Baudelaire) de l’En Arles d’Alibert (ce dernier goût me vaudrait je crois une dispute à l’Oeuf Dur). Le Romains n’est pas mauvais et le Jouhandeau me plait infiniment. J’ai vu enfin dans votre Salomé que vous aimiez non seulement Wilde mais encore plus (?) Villiers de l’Isle-Adam, et voilà une nouvelle rencontre”.1 lettre (2 p.) à en-tête de l’Oeuf dur, 28 mars 1922 : Il est sensible aux critiques de la presse que P-A. May lui a fait parvenir (Jamati) et apprécie Lucia van Dooren et Assez de chants glacés de Martin du Gard “qui est très supérieur à tout ce que je connaisssais de lui.”1 carte recto verso, 4 mai 1922 : il doit aller à St Gervais tout le mois de mai en raison de sa santé et lui envoie 3 contes inédits refusés par les Ecrits N. et la N.R.F., il serait heureux de les voir publiés.3 poèmes manuscrits (7 pages, la dernière signée), Trois contes : Conte ennuyeux, Conte d’Outremer, Conte comique, paraitront dans Intentions n° 1, janvier 1922 et dans Intentions n° 3, mars 1922 : Sphinx double de Maurice David.
Bookseller reference : 18483
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DAVID Maurice
Auteurs 3°
Fernand Nathan. 1962. In-8. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 480 pp. Coiffes légèrement frottées.. . . . Classification Dewey : 372.6-Livre scolaire : français
Bookseller reference : ROD0012128
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DAVID Maurice
Auteurs. 4°
Fernand Nathan. 1962. In-8. Cartonné. Etat d'usage, Couv. convenable, Coiffe en pied abîmée, Intérieur frais. 447 pp. Coiffe en tête un peu abîmée, dos légèrement décolloré. Illustrations n&b.. . . . Classification Dewey : 372.6-Livre scolaire : français
Bookseller reference : ROD0012129
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DAVID Maurice
Autour de la Pédagogie.
NATHAN Fernand. 1960. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 156 pages.. . . . Classification Dewey : 370-Education
Bookseller reference : RO80155060
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DAVID MAURICE, GOUTET RENEE, LONGAUD FELIX
AUTEURS, 4e
Nathan. Non daté. In-8. Relié. Etat d'usage, Couv. convenable, Dos abîmé, Intérieur acceptable. 447 pages. Illustré de nombreux dessins et de nombreuses photos en noir et blanc, dans et hors texte.. . . . Classification Dewey : 840.8-Anthologies, recueils
Bookseller reference : RO60133498
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DAVID MAURICE, GOUTET RENEE, LONGAUD FELIX
AUTEURS, 3e
Nathan. Non daté. In-8. Relié. Etat d'usage, Couv. convenable, Dos abîmé, Intérieur acceptable. 479 pages. Illustré de nombreux dessins et de nombreuses photos en noir et blanc, dans et hors texte. Traces de scotch au dos des plats et en pages de garde.. . . . Classification Dewey : 840.8-Anthologies, recueils
Bookseller reference : RO60133500
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DAVID MAURICE, GOUTET RENEE, LONGAUD FELIX
AUTEURS, 3e, LIVRE DU PROFESSEUR
Nathan. Non daté. In-8. Relié. Etat d'usage, 1er plat abîmé, Dos satisfaisant, Intérieur acceptable. 127 pages.. . . . Classification Dewey : 840.8-Anthologies, recueils
Bookseller reference : RO60133502
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DAVID MAURICE
AUTOUR DE LA PEDAGOGIE.
FERNAND NATHAN. 1961. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 156 pages.. . . . Classification Dewey : 370-Education
Bookseller reference : R320113887
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David Maurice
Autour de la pédagogie
Fernand Nathan. 1960. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Papier jauni. 155 pages.. . . . Classification Dewey : 370-Education
Bookseller reference : R300295964
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DAVID MAURICE
COMMENT ENSEIGNER LA REDACTION OU LES ELEMENTS DE L'ART D'ECRIRE PAR L'ETUDE DES TEXTES / BIBLIOTHEQUE PEDAGOGIQUE N°1.
NATHAN. 1965. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 134 pages - 2 petites étiquettes collées en coiffe de tête.. . . . Classification Dewey : 372.6-Livre scolaire : français
Bookseller reference : R320009384
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David Maurice
Comment Enseigner La Redaction Ou Les Elements De L'art D'ecrire Par L'etude Des Textes / Bibliotheque Pedagogique N1.
Bookseller reference : 31260VPJF ISBN : 91
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DAVID (Maurice).-
Comment enseigner la rédaction ou les éléments de l'art d'écrire par l'étude des textes.
P., Nathan, sans date, in 12 broché, 136 pages.
Bookseller reference : 43548
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DAVIDS MAURICE
CONTRIBUTION A L'ETUDE COMPARATIVE DES SPECIALITES PHARMACEUTIQUES VENDUES EN FRANCE ET EN BELGIQUE - THESE N°176 - ANNEE 1976 - THESE POUR LE DOCTORAT EN MEDECINE - ENVOI DE L'AUTEUR
UNIVERSITE DE BORDEAUX II. 1976. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 63 pages - texte dacylographié - 1 tampon sur la page de garde - ENVOI DE L'AUTEUR. . . . Classification Dewey : 97.2-Dédicace, envoi
Bookseller reference : RO20187193
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DAVAU Maurice, COHEN Marcel LALLEMAND Maurice
Dictionnaire du français vivant.
BORDAS. 1972. In-8. Cartonnage d'éditeurs. Etat d'usage, Couv. convenable, Mors fendus, Intérieur frais. 1277 pages. Cartonnage rouge, avec dorures.. . . . Classification Dewey : 443-Dictionnaire français
Bookseller reference : RO80023976
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DAVAU MAURICE, COHEN MARCEL, LALLEMAND MAURICE
DICTIONNAIRE DU FRANCAIS VIVANT
Bordas. 1972. In-8. Relié. Etat d'usage, Couv. convenable, Coiffe en tête abîmée, Intérieur frais. 1338 pages. Page de garde légèrement abîmée et pliée. Jaquette très abîmée avec manques importants. texte sur 3 colonnes.. Avec Jaquette. . . Classification Dewey : 443-Dictionnaire français
Bookseller reference : RO40113086
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Davau Maurice/Cohen Marcel/Lallemand Maurice
Dictionnaire du français vivant
Bordas. 1972. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 1338 pages. Texte sur trois colonnes. Traces de scotch sur les gardes blanches.. . . . Classification Dewey : 443-Dictionnaire français
Bookseller reference : R300300567
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Davranche Maurice,Fouchard Georges
Enquête sur la jeunesse
Gallimard Idées Dos carré collé 1968 In-12 (11 x 16,5 cm), dos carré collé, 383 pages ; papier bruni, par ailleurs bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Bookseller reference : du871
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DAVIGNON Henri et SABBE Maurice
Gand, Bruges. Ligue Patriotique du Tourisme.
Bruxelles, Touring Club de Belgique, s.d. (ca 1920). 13 x 21, 32 pp., plusieurs illustrations, bon état.
Bookseller reference : 25587
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DAVID-DARNAC MAURICE
HISTOIRE VERIDIQUE ET MERVEILLEUSE DE LA PUCELLE D'ORLEANS
LA TABLE RONDE. 1965. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos à nerfs, Intérieur frais. 274 pages. Couverture illustrée en couleur.. . . . Classification Dewey : 940.1-Moyen-Age
Bookseller reference : R160093164
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DAVAU MAURICE
HISTOUERES ET RIMIAUX DE TOURAINE.
CLD. 1984. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 211 pages augmentées de nombreux dessisn en noir ezt blanc hors texte - Exemplaire N°1333/2100 - Jaquette en bon etat.. Avec Jaquette. . . Classification Dewey : 840.8-Anthologies, recueils
Bookseller reference : R320053155
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DAVAU Maurice
Histouères et Rimiaux De Touraine
Chambray Les Tours C.L.D 1984 In-8 édition originale numérotée , 211 pp
Bookseller reference : 30478
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DAVAU (Maurice)
Histouères et rimiaux de Touraine.
Chambray, C.L.D., 1984. 1 vol. in-8°, toile verte bradel de l'éditeur sous jaquette illustrée, 211 pp., (3) ff., illustrations dans le texte.
Bookseller reference : 16383
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DAVID Maurice.-
Joseph Conrad. Son Oeuvre, Portrait et Autographe.-
Document pour l'histoire de la littérature française. Paris. La Nouvelle Revue Critique. Vers 1930. In-8 (140 x 190mm) broché, couverture imprimée en rouge et noir, 80 pages. Portrait et autographe en frontispice. Couverture un peu tachée, assez bon état intérieur. Edition originale 1 des 1500 sur papier alfa spécial des Papeteries du Marais.
Bookseller reference : ORD-2881
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DAVID Maurice
JOSEPH CONRAD. L'Homme et l'Œuvre. Portrait et autographe. Document pour l'histoire de la littérature.
Paris, Editions de la nouvelle revue critique, 1929, in-12 broché, 80 pp. Couverture en très bon état, quelques rousseurs à l'intérieur.
Bookseller reference : 10334
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DAVID Maurice (Joseph Conrad)
Joseph Conrad. Son oeuvre, portrait et autographe.
1929 PARIS, 1929, édition de la nouvelle revue critique, document pour servir à l'histoire de la littérature française, volume in-8 broché, 80 pages non coupées, très bon état.
Bookseller reference : 2508
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DAVID (Maurice) - DUVAU (Georges) - GERARD (Francis) - HOWSON (Mary) - LUBECK (Mathias) - SAUVAGE (Marcel) -
L'Oeuf dur - N°4 - été 1921 -
Paris : L'oeuf dur, 1921 - fascicule in-8 agrafée (13,6x21,8cm), de 16 pages - Sommaire : Francis Gérard, Marcel Sauvage, Mathias Lübeck, Georges Duvau, Maurice David, Mary Howson. Dossier : Quel est le plus pompier des littérateurs actuels ? Courtes réponses de 15 écrivains (3 pages) - bon état (non coupé) -
Bookseller reference : 37003
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Davies, Maurice R.
La Guerre dans les sociétés primitives. Son role et son évolution. Collection Bibliothèque scientifiques.
Paris, Payot 1931, 225x143mm, 440pages, broché. Non coupé. Très bel exemplaire.
Bookseller reference : 99445
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DAVIE Maurice R.
La guerre dans les sociétés primitives. Son role et son évolution. Traduit de l'anglais par Maurice Gérin
1931 Paris, Payot, 1931, volume in-8 broché, 440 pages, collection bibliothèque scientifique, très bon état
Bookseller reference : 5891
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DAVIE (Maurice R.)
La guerre dans les sociétés primitives. Son rôle et son évolution.
Paris, Payot (coll. "Bibliothèque scientifique"), 1931. Gr. in-8°, 440p. Broché, couverture illustrée.
Bookseller reference : 24952
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DAVIE (Maurice R.).
La Guerre dans les sociétés primitives. Son rôle et son évolution.
Payot, 1931, in-8°, 440 pp, traduit de l'anglais, broché, bon état (Coll. Bibliothèque scientifique)
Bookseller reference : 26029
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DAVIE Maurice R.
La guerre dans les sociétés primitives. Son rôle et son évolution. Traduit de l'anglais.
Paris: Payot, 1931 in-8, 440 pages. Relié, papier jauni, rousseurs, état passble. Collection "Bibliothèque scientifique". Edition originale.
Bookseller reference : 13975227
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