‎Maurice ile‎

‎Maurice BLANCHOT - COLLECTIF‎

‎Kafka et Brod - In la Nrf du N°22 de la 2ème année‎

‎Paris: Gallimard 1954. Fine. Gallimard Paris 1er Octobre 1954 14 x 23 cm broché First edition one of 100 numbered copies on pure rag paper the only deluxe copies. First page shaded due to the presence of the NRF bulletin inserted at the beginning of the review. Handsome copy. Other contributions by Katherine Mansfield ""Lettres"" André Pieyre de Mandiargues ""Les Pierreuses"" Marcel Jouhandeau ""Nouveaux éléments"" René Etiemble ""D'un Orphée séminale"". Gallimard unknown‎

Referentie van de boekhandelaar : 87683

‎Maurice Blanchot‎

‎L'entretien infini‎

‎GALLIMARD 1969. Paperback. New. 640 pages. French language. 7.80x5.51x1.73 inches. GALLIMARD paperback‎

Referentie van de boekhandelaar : 2-2070268268 ISBN : 2070268268 9782070268269

‎Maurice Block‎

‎L'Espagne en 1850: Tableau de Ses Progrès les Plus Récents Classic Reprint French Edition‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Referentie van de boekhandelaar : 0428403816.G ISBN : 0428403816 9780428403812

‎Maurice BLANCHOT - (Marcel PROUST)‎

‎L'expérience de Proust. Manuscrit autographe complet • The Proust Experience. Complete Autograph Manuscript‎

‎1943. Fine. 1943 21 x 13 cm en feuilles Autograph manuscript by the author four and a half pages in octavo published in the issue of Journal des Débats dated 12 May 1943. Complete recto-verso manuscript in a dense hand featuring numerous deletions corrections and additions. A literary column written on the occasion of the publication of Ramon Fernandez’s book À la gloire de Proust. It was to Maurice Blanchot that his friend Emmanuel Levinas owed his discovery of the work of Marcel Proust which he deeply admired despite Charles Maurras’s condemnation—a judgment that at first failed to turn him away from it. What Blanchot valued most in Proust was his at times fluid rhythm and his remarkable sense of the scene. Placing him within his literary pantheon alongside the Marquis de Sade and Franz Kafka Blanchot was drawn in the early 1940s to the very nature of the experience Proust conveyed in his novels: « L'œuvre de Proust est sortie d'états mystérieux qui semblent ne lui avoir été proposés que pour que cette œuvre fût écrite. Ils ont servi de stimulant à une extraordinaire avidité de connaître et eux qui étaient d'abord une rupture de connaissance ont fourni un aliment inépuisable à la connaissance littéraire. Cependant ce n'est pas l'aspect le moins surprenant du Temps perdu que dans le flot d'images d'événements de théories de figures dont ils ont été par abus la source ces états aient gardé la valeur d'un secret en continuant selon le pouvoir qui leur était propre à paraître toujours plus mystérieux que l'œuvre elle-même pourtant toute chargée de mystères. C'est en cela que Proust n'a pas trahi la révélation qu'il a rencontrée et dont il a offert l'image à la plus étendue et la plus admirable comme pour montrer qu'elle ne l'épuisait pas. » The text later revised would become part of the opening section of Faux Pas 1943 devoted to what Blanchot regarded as the fundamental question of inner experience. A very clean manuscript reflecting Blanchot’s clarity of thought on Proust. unknown‎

Referentie van de boekhandelaar : 48328

‎Maurice BLANCHOT‎

‎La bête de Lascaux • The Beast of Lascaux‎

‎Paris: GLM 1958. Fine. GLM Paris 1958 12 x 18.50 cm broché First edition one of 48 numbered copies on Hollande tirage de tête. A tiny tear not serious to foot of upper cover. A rare and very good copy. GLM unknown‎

Referentie van de boekhandelaar : 48048

‎Maurice BLANCHOT - Robert BRASILLACH‎

‎La fin du 6 février in Combat n°2 de la première année‎

‎Paris: in Combat 1936. Fine. in Combat Paris février 1936 21.50 x 28.50 cm agrafé First and only edition of this pamphlet published in the review Combat directed by Thierry Maulnier. Other contributions: Robert Brasillach Ce qui est perdu Thierry Maulnier Pierre Andreu. Very rare document bearing witness to the anti-democratic period of the young Maurice Blanchot. Vertical fold inherent to the distribution of this review. in Combat unknown‎

Referentie van de boekhandelaar : 56072

‎Maurice BLANCHOT - Robert BRASILLACH‎

‎La grande passion des modérés in Combat n°9 de la première année‎

‎Paris: in Combat 1936. Fine. in Combat Paris novembre 1936 21.50 x 28.50 cm agrafé First and only edition of this pamphlet published in the review Combat directed by Thierry Maulnier. Other contributions: Robert Brasillach La machine à botter les culs Thierry Maulnier Georges Blond. Very rare document witnessing the anti-democratic period of young Maurice Blanchot. Vertical fold inherent to the distribution of this review with tear without loss at foot of same. in Combat unknown‎

Referentie van de boekhandelaar : 56073

‎Maurice BLOCK‎

‎La politique économique en Allemagne. Extrait de la Revue des Deux Mondes‎

‎s. l. Paris: Extrait de La Revue des deux mondes 1884. Fine. Extrait de La Revue des deux mondes s. l. • Paris 1884 15.50 x 25 cm agrafé First edition. Plain paper cover. Rare. Extrait de La Revue des deux mondes unknown‎

Referentie van de boekhandelaar : 15701

‎Maurice Blanchot; Michelle Kendall [Translator]; Stuart Kendall [Translator];‎

‎Lautréamont and Sade Meridian: Crossing Aesthetics‎

‎Stanford University Press 2004-07-09. Paperback. New. In shrink wrap. Looks like an interesting title! Stanford University Press paperback‎

Referentie van de boekhandelaar : Q-0804750351 ISBN : 0804750351 9780804750356

‎Maurice BLANCHOT‎

‎Le baron d'Holbach. Manuscrit autographe et tapuscrit complets • Baron d'Holbach. Complete autograph manuscript and typescript‎

‎s. l. Paris: S. n. Journal des débats 1943. Fine. S. n. Journal des débats s. l. • Paris s. d. 1943 13.50 x 21.50 cm 4 1/2 pages in-8 Autograph manuscript by the author of 4½ pages in quarto published in the November 27-28 1943 issue of Journal des Débats. Complete manuscript with very dense handwriting containing numerous deletions corrections and additions. Literary chronicle published on the occasion of the publication of Paul Thiry d'Holbach et la philosophie scientifique au XVIIIe siècle by Pierre Naville. The complete typescript is included. Far more than a critique of Pierre Naville's work on Baron d'Holbach this long article by Blanchot is a veritable philosophical pamphlet against the materialist thought of the Encyclopedists whom he accuses of wanting to « know the world in order to seize it. This is a notable expression of the bourgeois spirit. . Man can only dominate the world if the world is a collection of objects. » But through this virulent critique of 18th-century thought Blanchot identifies a more modern evil: « To make man a thing that can be studied . is to ensure that he can be used as a thing and exploited as a thing. All the social contradictions of liberalism are already in this assertion. And its starting point is the Encyclopedia. » Between April 1941 and August 1944 Maurice Blanchot published 173 articles on recently published books in the ""Chronicle of Intellectual Life"" of Journal des Débats. In half a page of the newspaper approximately seven octavo pages the young author of ""Thomas l'obscur"" took his first steps in the field of literary criticism and thus inaugurated a theoretical work that he would later develop in his numerous essays from ""La Part du feu"" to ""L'Entretien infini"" and ""L'Écriture du désastre"". From the very first articles Blanchot demonstrated an analytical acuity that far exceeded the literary current events that motivated their writing. Oscillating between classics and moderns first-rate writers and minor novelists he laid in his chronicles the foundations of a critical thought that would mark the second half of the 20th century. Transformed by writing and by war Blanchot broke through a thought exercised ""in the name of the other"" with the violent Maurrassian certainties of his youth. Not without paradox he then transformed literary criticism into a philosophical act of intellectual resistance to barbarity at the very heart of an ""openly Maréchal-supporting"" newspaper: ""To burn a book to write one are the two acts between which culture inscribes its contrary oscillations"" Le Livre In Journal des Débats January 20 1943. In 2007 the Cahiers de la NRF brought together under the direction of Christophe Bident all the literary chronicles not yet published in volumes with this pertinent analysis of Blanchot's critical work: ""novels poems essays give rise to a singular reflection increasingly confident in its own rhetoric more given over to the echo of the impossible or to the sirens of disappearance. . Not without contradictions or sidesteps and in the feverish certainty of a work that begins . these articles reveal the genealogy of a critic who transformed the occasion of the chronicle into the necessity of thought."" C. Bident. Autograph manuscripts by Maurice Blanchot are extremely rare. S. n.[ Journal des débats] unknown‎

Referentie van de boekhandelaar : 44967

‎Maurice BLANCHOT‎

‎Le dernier homme‎

‎Paris: Gallimard 1957. Fine. Gallimard Paris 1957 12 x 19 cm broché First edition one of 30 numbered copies on pur fil paper the only deluxe copies. Very handsome copy. Gallimard unknown‎

Referentie van de boekhandelaar : 84248

‎Maurice BLANCHOT - (Jean GIRAUDOUX)‎

‎Le mythe de Giraudoux. Manuscrit autographe et tapuscrit complets.‎

‎s. l. Paris: S. n. Paysage dimanche 1945. Fine. S. n. Paysage dimanche s. l. • Paris s. d. 1945 11.50 x 22 cm 3 pages in-4 Autograph manuscript by the author 3 quarto pages published in issue 17 of October 7 1945 of the newspaper Le Paysage Dimanche. Complete manuscript in very dense handwriting with numerous deletions corrections and additions. Chronicle published on the occasion of the numerous studies on Giraudoux's work that appeared since his death in January 1944. The complete typescript is included. While the numerous references to his work in the articles of the Journal des Débats reveal Giraudoux's ascendancy over Blanchot the latter nevertheless manifests a clear desire to free himself from this paternity. Thus he removes from Faux-Pas numerous references to Giraudoux's work cf C. Bident M. B. De la chronique à la théorisation. This article published in 1945 is a unique testimony to the ambivalence of feelings toward an admired master who could no longer serve as a model for his disciple transformed by writing and war. ""Certes un auteur comme celui de Judith ne peut pas être un auteur de tout repos mais ce qu'il a créé est beau et ce beau n'est pas ""ce qui nous désespère"". Il est trop facile de voir que quoi qu'il veuille il ne va jamais jusqu'à compromettre en son art l'harmonie la compréhension la mesure. Comme une malédiction jetée sur la réalité inaccessible il formerait un monde entièrement faux Mais pas si faux: nous n'y perdons pas pied nous ne cessons de nous y reconnaitre et au contraire pour certains comme Sartre c'est celui de la banalité même des concepts de chaque jour."" ""Certainly an author like the one who wrote Judith cannot be a restful author but what he has created is beautiful and this beauty is not 'what drives us to despair'. It is too easy to see that whatever he may wish he never goes so far as to compromise in his art harmony understanding measure. Like a curse cast upon inaccessible reality would he form an entirely false world But not so false: we do not lose our footing there we never cease to recognize ourselves in it and on the contrary for some like Sartre it is that of the very banality of everyday concepts."" Between April 1941 and August 1944 Maurice Blanchot published 173 articles on recently published books in the ""Chronicle of intellectual life"" of the Journal des Débats. In half a newspaper page approximately seven octavo pages the young author of ""Thomas l'obscur"" took his first steps in the field of literary criticism and thus inaugurated a theoretical work that he would later develop in his numerous essays from ""La Part du feu"" to ""L'Entretien infini"" and ""L'Écriture du désastre"". From the first articles Blanchot demonstrated an analytical acuity far exceeding the literary current events that motivated their writing. Oscillating between classics and moderns first-rate writers and minor novelists he established in his chronicles the foundations of critical thinking that would mark the second half of the 20th century. Transformed by writing and by war Blanchot broke through a thought exercised ""in the name of the other"" with the violent Maurrassian certainties of his youth. Not without paradox he then transformed literary criticism into a philosophical act of intellectual resistance to barbarism at the very heart of an ""openly Maréchaliste"" newspaper: ""Burning a book writing one are the two acts between which culture inscribes its contrary oscillations"" Le Livre In Journal des Débats January 20 1943. In 2007 the Cahiers de la NRF brought together under the direction of Christophe Bident all the literary chronicles not yet published in volumes with this pertinent analysis of Blanchot's critical work: ""novels poems essays give rise to a singular reflection ever more confident in its own rhetoric delivered more to the echo of the impossible or to the sirens of disappearance. . Not without contradictions or sidesteps and in the feverish certainty of a S. n.[ Paysage dimanche] unknown‎

Referentie van de boekhandelaar : 44924

‎Maurice BLANCHOT‎

‎Le pas au-delÃ‎

‎Paris: Gallimard 1973. Fine. Gallimard Paris 1973 14 x 20.50 cm broché First edition an advance service de presse copy. Very handsome and moving autograph inscription signed by Maurice Blanchot to his sister on a calling card pasted to head of one endpaper: ""A ma chère Marg. Ce livre d'amitié et pour l'amitié plus à feuilleter qu'à lire peut-être avec ma grande affection. Maurice To my dear sister Marg. This book of friendship or book for friendship maybe more to leaf through than to read with great affection. Maurice."" A good copy. Gallimard unknown‎

Referentie van de boekhandelaar : 52429

‎Maurice BLANCHOT‎

‎Le ressassement éternel‎

‎Paris: Les Editions de Minuit 1951. Fine. Les Editions de Minuit Paris 1951 11.50 x 18.50 cm relié First edition one of 990 copies on Ghaldwill the only deluxe copies after 10 on pur fil. Half blue morocco binding smooth spine gilt date at foot covers with marbled paper blue paper endpapers and pastedowns original wrappers and spine preserved spine slightly sunned with small filled losses top edge gilt binding signed by Goy & Vilaine. Exceptional and moving signed autograph inscription from Maurice Blanchot to his mother and sister: ""Pour vous mes très chères ces pages hélas bien anciennes en toute affection. Maurice. / Mais avant le commencement il y a le recommencement qui fait de la lumière une fascination de toute chose une image et de nous le coeur vide du ressassement éternel"" ""For you my very dear ones these pages alas quite old with all my affection. Maurice. / But before the beginning there is the re-beginning which makes light a fascination everything an image and us the empty heart of eternal rehearsal"". Half-title page bearing the inscription very slightly and marginally shaded. Marguerite Blanchot renowned organist at Chalon cathedral remained all her life in the family home with her mother and aunt. ""She gradually became for the family like the memory of origins."" Very close to Maurice she corresponded regularly with the writer who showed her great gratitude for her devotion to their disabled mother. While Blanchot's intense affection for his mother and sister shows through in his dedications we know almost nothing of their relationships. In the only biographical essay on Blanchot Christophe Bident reveals however: ""Marguerite Blanchot venerated her brother Maurice. Very proud of him . she attached great importance to his political ideas . She read extensively . They telephoned each other corresponded. From a distance they shared the same natural authority the same concern for discretion."" Blanchot indeed sent her numerous works from his library maintaining with her a continuous intellectual bond. As for Blanchot's passion for his mother it is in the course of his work that we discover the most beautiful testimonies: ""Perhaps the power of the maternal figure borrows its brilliance from the very power of fascination and one could say that if the Mother exercises this fascinating attraction it is because appearing when the child lives entirely under the gaze of fascination she concentrates in herself all the powers of enchantment"". Cultivating absolute discretion Blanchot pushed the art of effacement even into his manuscript dedications generally succinct and written almost systematically on cards attached to the rare works he offered to his close friends. In contrast in these precious inscriptions to his mother and sister Blanchot offers himself in all his fragility and reveals a hitherto unknown intimacy. Fine copy perfectly established. Les Editions de Minuit unknown‎

Referentie van de boekhandelaar : 44768

‎Maurice BLANCHOT - (Horace WALPOLE) - Paul ELUARD‎

‎Le roman noir - Manuscrit autographe et tapuscrit complets • he Noir Novel – Complete Autograph Manuscript and Typescript‎

‎s. l. Paris: S. n. Journal des débats 1944. Fine. S. n. Journal des débats s. l. • Paris 1944 13.50 x 21 cm 2 pages 1/2 in-4 Autograph manuscript by the author 2½ pages in-8 published in the issue of 30 March 1944 of the Journal des Débats. Complete recto-verso manuscript in very dense handwriting containing numerous deletions corrections and additions. This is a review published on the occasion of the reissue of Horace Walpole's The Castle of Otranto with a preface by Paul Eluard. Accompanied by the complete typescript. The reissue by Éditions José Corti of Horace Walpole's The Castle of Otranto with a preface by Paul Eluard offered Maurice Blanchot the opportunity to set out his definition of the Gothic novel which thanks notably to the Surrealists was then enjoying a revival of interest: ""Le roman noir ne se confond pas simplement avec la littérature fantastique. S'il fait une large part au merveilleux ""de toute nature"" il a pour principal objet d'émouvoir la sensibilité par les ressources de la terreur. il veut secouer l'imagination. Il l'entraîne dans un mouvement frénétique qui ne lui laisse pas de repos. Il la provoque à tout croire hormis les dénouements heureux et les compromis agréables par des moyens dont le caractère conventionnel augmente encore la puissance. C'est un art méthodique qui connaît sa grossiéreté et en tire souvent des effets subtils et remarquables."" Blanchot then pursues an almost political analysis of the Gothic novel—born in the age of pre-revolutionary rationalism flourishing in the wake of 1789 before flagging under the Restoration. And he concludes: ""Horace Walpole est beaucoup plus qu'un précurseur. Avec ce volume fort mince il apparait vraiment comme l'auteur de milliers d'ouvrages qui sont nés de lui. Avec ce volume fort mince sic il est le plus fécond des écrivains."" Between April 1941 and August 1944 Maurice Blanchot published in the ""Chronique de la vie intellectuelle"" of the Journal des Débats 173 articles on recently published books. In a half-page of newspaper approximately seven in-8 pages the young author of Thomas l'obscur took his first steps in the field of literary criticism inaugurating a body of theoretical work that he would later develop in his numerous essays from La Part du feu to L'Entretien infini and L'Écriture du désastre. From the very first articles Blanchot demonstrated an acuity of analysis far surpassing the literary news that occasioned their writing. Oscillating between classics and moderns major writers and minor novelists he laid down in his columns the foundations of a critical thought that would shape the second half of the twentieth century. Transformed by writing and by the war Blanchot gradually broke in the exercise of a thought developed ""in the name of the other"" with the violent certainties of his youthful adherence to Maurras. Not without paradox he thus transformed literary criticism into a philosophical act of intellectual resistance to barbarism at the very heart of a newspaper that was ""openly maréchaliste"": ""Brûler un livre en écrire sont les deux actes entre lesquels la culture inscrit ses oscillations contraires"" ""Le livre"" in Journal des Débats 20 January 1943. In 2007 the Cahiers de la NRF under the direction of Christophe Bident brought together all the literary columns not yet published in volumes accompanied by a pertinent analysis of Blanchot’s critical work: ""romans poèmes essais donnent lieu à une réflexion singulière toujours plus sûre de sa propre rhétorique livrée davantage à l'écho de l'impossible ou aux sirènes de la disparition. . Non sans contradictions ni pas de côté et dans la certitude fiévreuse d'une uvre qui commence . ces articles révèlent la généalogie d'un critique qui a transformé l'occasion de la chronique en nécessité de la pensée."" C. Bident. Maurice Blanchot’s autograph manuscripts are of the utmost rarity. S. n.[ Journal des débats] unknown‎

Referentie van de boekhandelaar : 83783

‎Maurice Block‎

‎Le Socialisme Moderne Classic Reprint French Edition‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Referentie van de boekhandelaar : 0666745900.G ISBN : 0666745900 9780666745903

‎Maurice Block‎

‎Les Communes Et La Liberté: Étude d'Administration Comparée Classic Reprint French Edition‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Referentie van de boekhandelaar : 0428314171.G ISBN : 0428314171 9780428314170

‎Maurice BLANCHOT - Giuseppe UNGARETTI - COLLECTIF‎

‎Les lettres nouvelles N°17 de la 7ème année‎

‎Paris: Les Lettres NouvellesJulliard 1959. Fine. Les Lettres Nouvelles Julliard Paris 24 Juin 1959 14 x 20.50 cm agrafé First edition of this issue. Copy slightly warped at the head of the first cover. Contributions by Maurice Blanchot Lucette Finas Georges Poulet Jean Starobinski ""Enquête sur la méthode critique"" ""Survey on critical method"" Robert Paris ""Entretien avec Giuseppe Ungaretti"" ""Interview with Giuseppe Ungaretti"" Robert Lebel ""Le scandale en art"" ""Scandal in art"" Giuseppe Ungaretti ""Le rire du djinn Roull"" ""The laughter of the djinn Roull"". Les Lettres NouvellesJulliard unknown‎

Referentie van de boekhandelaar : 82058

‎Maurice BLANCHOT‎

‎Les plaintes de l'ombre. Manuscrit autographe et tapuscrit complets.‎

‎s. l. Paris: S. n. Journal des débats 1943. Fine. S. n. Journal des débats s. l. • Paris s. d. 1943 13.50 x 21.50 cm 2 1/2 pages in-8 Autograph manuscript by the author 2½ pages octavo published in the December 10 1943 issue of the Journal des Débats. Complete manuscript in very dense handwriting with numerous deletions corrections and additions. Literary chronicle published on the occasion of the publication of Passage de l'homme by Marius Grout winner of the 1943 Prix Goncourt. Accompanied by the complete typescript. Blanchot's critique of this future Prix Goncourt winner is not gentle although he perfectly grasps its stakes. This story whose tragic unfolding ends in a deception that creates a new faith contains for Blanchot an equivocal moral. ""We understand what Marius Grout seeks to show; that men cannot live without a dream of transcendence that miracle has no need of truth . But . if men need to live an ideal that is a fable the question arises of knowing whether after all men need to live."" The question would be pure rhetoric for a modern novel but in 1943 ""the writer who accepts to treat themes where man's destiny is at stake . puts himself at stake he bets himself; if he loses he loses himself."" Between April 1941 and August 1944 Maurice Blanchot published 173 articles on recently published books in the ""Chronicle of Intellectual Life"" of the Journal des Débats. In half a page of newspaper approximately seven octavo pages the young author of ""Thomas l'obscur"" takes his first steps in the field of literary criticism and thus inaugurates a theoretical work that he would later develop in his numerous essays from ""La Part du feu"" to ""L'Entretien infini"" and ""L'Écriture du désastre."" From the first articles Blanchot demonstrates an analytical acuity far exceeding the literary current events that motivate their writing. Oscillating between classics and moderns first-rate writers and minor novelists he establishes in his chronicles the foundations of a critical thought that would mark the second half of the 20th century. Transformed by writing and by war Blanchot breaks through a thought exercised ""in the name of the other"" with the violent Maurrassian certainties of his youth. Not without paradox he then transforms literary criticism into a philosophical act of intellectual resistance to barbarism at the very heart of an ""openly Maréchaliste"" newspaper: ""To burn a book to write one are the two acts between which culture inscribes its contrary oscillations"" Le Livre In Journal des Débats January 20 1943. In 2007 the Cahiers de la NRF gathered under the direction of Christophe Bident all the literary chronicles not yet published in volumes with this pertinent analysis of Blanchot's critical work: ""novels poems essays give rise to a singular reflection always more sure of its own rhetoric delivered more to the echo of the impossible or to the sirens of disappearance. . Not without contradictions or sidesteps and in the feverish certainty of a work that begins . these articles reveal the genealogy of a critic who transformed the occasion of the chronicle into the necessity of thought."" C. Bident. Autograph manuscripts by Maurice Blanchot are extremely rare. S. n.[ Journal des débats] unknown‎

Referentie van de boekhandelaar : 44951

‎Maurice Block‎

‎Les Progrès de la Science Économique Depuis Adam Smith Vol. 2: Revision des Doctrines Économiques Classic Reprint French Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referentie van de boekhandelaar : 0243340176.G ISBN : 0243340176 9780243340170

‎Maurice Block‎

‎Les suites d'une grève‎

‎Paris: Hachette 1891. Un volume di 186 pagine mezza pelle non originale la brossura originale in eccellente stato è conservata all'interno con piatti marmorizzati dorso con nervature e titolo dorato. Dimensioni: 13x19 cm. Minime usure alla brossura per il resto ottime condizioni. In lingua francese. Hachette unknown‎

Referentie van de boekhandelaar : 015809

‎Maurice BLANCHOT‎

‎Lettre tapuscrite à Sartre‎

‎1960. Fine. 2 décembre 1960 26.70 x 20.90 cm 5 feuillets in-4 Draft typescript of letter to Jean-Paul Sartre with autograph corrections and with a second version of the first page and typescript with autograph corrections of ""Le monde en question Cours du monde"" project for La Revue internationale Set of five typescript leaves rectos only with the exception of one leaf recto-verso with corrections in red and black ballpoint pen in Maurice Blanchot's hand. This important collection bears witness to the exchanges between Maurice Blanchot and Jean-Paul Sartre around the famous ""Déclaration sur le droit à l'insoumission dans la guerre d'Algérie"" and the publication project that resulted from it La Revue internationale. Known as the ""Manifeste des 121"" this declaration signed by numerous intellectuals and artists and published on September 6 1960 had been drafted by Dionys Mascolo and Jean Schuster assisted by Maurice Blanchot in anticipation of the trial of the Jeanson network a group of French militants supporting the FLN and with the aim of informing public opinion about the protest movement against the Algerian War and its anti-democratic excesses. Among the signatories was of course Sartre. The manifesto had made many personalities aware of the influence they could exercise in public debate even in the course of History. It was in this context that in autumn 1960 Maurice Blanchot Dionys Mascolo and Elio Vittorini decided to create a review that would be not literary but critical whose purpose would be to continue this action. They sought the help of Jean-Paul Sartre whose extraordinary aura would benefit the publication favorably. In his letter to Sartre Blanchot attempts to convince the philosopher to join the project: ""Vous m'avez rappelé ce que j'ai dû dire quelquefois et que j'ai toujours intimement pensé : que la Déclaration ne trouverait son vrai sens que si elle était le commencement de quelque chose."" ""You reminded me of what I must have said sometimes and what I have always intimately thought: that the Declaration would only find its true meaning if it were the beginning of something."" "". Je voudrais dire mon sentiment propre : je crois que si nous voulons représenter comme il faut sans équivoque le changement dont nous avons les uns et les autres le pressentiment si nous voulons le rendre plus réel et l'approfondir dans sa présence mouvante c'est seulement à partir d'un organe nouveau que nous pourrons le faire. A partir de là si l'on voit Sartre et d'autres avec lui parmi les 121 décider de s'exprimer en cette forme choisie délibérément comme nouvelle chacun "" ""I would like to express my own feeling: I believe that if we want to represent as we should unequivocally the change that we all have a premonition of if we want to make it more real and deepen it in its moving presence it is only from a new organ that we will be able to do so. From there if we see Sartre and others with him among the 121 decide to express themselves in this form deliberately chosen as new everyone"" "". comprendra que vraiment nous entrons dans une nouvelle phase et que quelque chose de décisif a lieu qui cherche à s'affirmer."" ""will understand that we are truly entering a new phase and that something decisive is taking place that seeks to assert itself."" But Sartre would refuse to commit to the review. However during the first six months of 1961 Blanchot devoted himself body and soul to the project hoping it would come to fruition. The typescript included here ""Le monde en question Cours du monde"" reveals the table of contents he envisioned for the first issue: texts on destalinization the situation of the German press intellectual compartmentalization in France and Italy hunger strikes and the Berlin Wall and utopia. The review would never see the light of day to the great despair of Blanchot who was deeply enthusiastic about the idea of collective and international writi unknown‎

Referentie van de boekhandelaar : 48321

‎Maurice BLANCHOT - (Ernest HEMINGWAY)‎

‎Manuscrit autographe sur Hemingway intitulé traduit de . • Autograph manuscript on Hemingway‎

‎1946. Fine. 1946 13.50 x 21 cm en feuilles HEMINGWAY BLANCHOT Maurice. Autograph manuscript on Hemingway 1946 16 pages 1/2 in-8 135 x 21 cm loose leaves Author's autograph manuscript 16 and a half 8vo pages published in number 17 of L'Arche July 1946 and reprinted with slight modifications in La Part du Feu 1949. Complete manuscript written recto-verso very densely spaced with numerous deletions corrections and additions. In order to examine the problems related to the translation of a literary text into another language Maurice Blanchot looks at the contemporary American novel and its perception in Europe. “Many good critics complain about American literature: they find it less than original and of middling interest for a culture that moved over fifty years ago beyond naturalism. They make fun of young writers who think they're being modern by imitating Faulkner Dos Passos or Steinbeck while for Americans themselves these writers are more of yesterday than tomorrow.” Thus the critic for whom the oddities of language particular to any literary work survive translation takes the example of a novel by Ernest Hemingway. “In For Whom the Bell Tolls Robert Jordan discovering the importance of the moment he is living repeats the word ‘now' in several languages. Maintenant ahora now heute. But he is somewhat disappointed by the mediocrity of this vocabulary and looks for other words. …. He tries to find in language links between these words and what they mean for him his meeting with Maria who is also his meeting with his final hour his meeting with death. … The word Todt seems to him the most dead of all the word Krieg the one that resembles war most closely.” Or is it just that he knew German less well than the other languages This reflection fascinates Blanchot: “This impression of Robert Jordan's can give us food for thought. If it's true that a language seems more expressive and more real to us when we know it less if words need a certain ignorance to keep their virtue from being revealed this paradox should hardly surprise us since translators come across it all the time and it represents both one of the principal challenges and one of the foremost riches of all translation.” An inspired look at the work of Ernest Hemingway and the problem of translation. unknown‎

Referentie van de boekhandelaar : 48346

‎Maurice Bloch‎

‎Marxism and Anthropology‎

‎Paperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This book examines the uses made of anthropology by Marx and Engels and the uses made of Marxism by anthropologists. paperback‎

Referentie van de boekhandelaar : ria9780415611602_inp ISBN : 0415611601 9780415611602

‎Maurice Bloch‎

‎Marxism and Anthropology‎

‎New. Brand new and still unused unknown‎

Referentie van de boekhandelaar : 0198079516 ISBN : 0198079516 9780198079514