Paris: Plon 1866. .ouvrage où l'on trouvera toutes les prescriptions nécessaires à la confection des aliments nutritifs ou d'agrément à l'usage des plus grandes et des plus petites fortunes ; Publication qui doit suppléer à tous les livres de Cuisine dont le public n'a que trop expérimenté le charlatanisme l'insuffisance et l'obscurité ; Enrichi de plusieurs menus prescriptions culinaires et autres opuscules inédits de M. de La Reynière. suivi d'une Collection générale des menus français depuis le douzième siècle et terminé par une pharmacopée qui contient toutes les préparations médicinales dont l'usage est le plus utile et le plus familier dédié à l'auteur des Mémoires de la marquise de Créquy Un volume in 8vo 16x245 cm di 4-635 pagine. Legatura coeva in mezza pelle marrone dorso liscio con titolo e fregi dorati; MANCA un angolo della copertina in cartone marmorizzato altre usure ai piatti e al margine Firma di proprietà all'occhiello; qualche pagina un po' brunita uno strappetto con perdita di qualche lettera a p. 309 ma nel complesso esemplare molto buono senza segni. Note gore od usure così normali nei manuali gastronomici dell'Ottocento. - Il titolo Neo-Physiologie du gout par ordre alphabetique si trova all'occhiello come nelle altre edizioni Plon mentre la pagina di titolo porta: Dictionnnaire general de la cuisine française. ecc. Il richiamo è evidentemente alla Physiologie du Gout di Brillat Savarin; ma in questo caso si tratta di un vero e proprio ricettario alfabetico come spiega più correttamente il vero titolo dell'opera completata dalla descrizione di una serie di menu storici da un pranzo reale del 1666 fino ai diners en ville della ricca borghesia frances dell'Ottocento. - Terza edizione. La prima edizione è del 1849. Plon unknown
Paris: L. Rouart et J. Watelin 1921 . First edition. Paperback. Very Good. 7.5" by 5.5". Robert Bonfils. A scarce understated celebration of Burgundy wine elegantly illustrated with a woodcut illustrated frontispiece and ornaments by Robert Bonfils. In the publisher's original paper vellum binding.This volume is a first edition and is one of 100 numbered copies on Arches paper.This volume is illustrated with a frontispiece and ornaments drawn and engraved on wood by Robert Bonfils.This work is a distinguished celebration of Burgundy wines exploring the history and culture of the Burgundy region. Des Ombiaux combines oenological insight with historical anecdotes and literary references providing a unique insight into the region's vineyards and winemaking practices. In the publisher's original paper vellum wraps. Externally generally smart. Damp staining to extremities of wrap with the odd spot and handling mark. Age toning to perimeters particularly the spine. Internally firmly bound. Pages bright and clean if a little age toned. One or two spots and handling marks close to fore edge. Very Good L. Rouart et J. Watelin paperback
Paris : Louis Rouart et Jacques Watelin 1921. First edition. Leather. Near Fine. 7.5" by 5.5". Robert Bonfils . A charming exploration of Burgundy wine and vineyards illustrated with woodcuts. First edition. Bound in recent half calf with raised bands and speckled paper boards. With the original wraps bound in.Illustrated with a frontispiece and ornaments drawn and engraved on wood by Robert Bonfils. Exploring the history and culture of the region interwoven with anecdotes and literary references and providing insight into its vineyards and wine making practices. A tribute to the wines of Burgundy rather than a technical manual describing the process of wine making or the viticultural area. Bound in recent half calf with raised bands and speckled paper boards. Externally with a hint of rubbing to the extremities otherwise excellent. Internally firmly bound. Original wraps are toned otherwise contents are bright and clean. Near Fine Louis Rouart et Jacques Watelin hardcover
Paris: L. Rouart & J. Watelin 1922. Fine. L. Rouart & J. Watelin Paris 1922 14.50 x 19.50 cm broché First edition on ordinary paper only 100 copies were printed on Arches laid paper as deluxe copies. Autograph inscription signed by Maurice Denis to Jacques-Emile Blanche: "" à Jacques Blanche en toute sympathie d'art et peut-être de pensée."" ""to Jacques Blanche with all artistic sympathy and perhaps of thought."" Minimal worming on the endpapers. L. Rouart & J. Watelin unknown
Paris: Flammarion 1953. Fine. Flammarion Paris 1953 12 x 19 cm broché First edition one of 110 numbered copies on alfa the only large paper copies along with 30 pur fil. A very good copy. Flammarion unknown
<p>Limited to 150 copies this being number 141 but with an additional original 14 x 17 cm Barbier watercolor bound in before the half title. This original work had served as the model for Charles Frederick Worth's "Robe du Soir" as plate 21 in La Gazette du Bon Ton 1922 no. 3. Sumptous full Morocco by Georges Crette with gilt particulars to spine. All edges heavily gilt. Polished calf doublures and decorated endpapers with the original wraps bound in. Decorative slipcase with Morocco fore edges. Minor wear to corners of case see image. Pochoir frontispiece by Barbier as well as pochoir initials headpieces tail pieces.</p><p>8.25 x 10.25 in or 21 x 26 cm</p> A. Blaizot hardcover
Paris: H. Fabre - Paris 1911. Agrafé. Etat moyen. in-8. Pages 100-126. Non coupé. Illustré de gravures n/b in texte. Couverture illustrée fendue et frottée au dos roussie en marges. H. Fabre - Paris unknown
Paris: Flammarion 1943. Fine. Flammarion Paris 1943 18 x 20.50 cm broché First edition one of 50 numbered copies on Rives the tirage de tête. Small spots to some edges otherwise a good well-margined copy. Flammarion unknown
Paris: Ambroise Vollard 1939. Fine. Ambroise Vollard Paris 1939 28.50 x 38.50 cm en feuilles sous chemise et étui New edition of the French translation illustrated with 70 original color lithographs by Maurice Denis one of 204 copies on Holland paper ours unnumbered the only issue after 35 Japan and 20 other Holland hors commerce copies. Handsome copy despite very occasional worming. The work has the peculiarity of being dated 1939 on the front cover dated 1936 on the title page and dated 1942 on the colophon page. The 70 lithographs break down as follows: 13 full-page in color 2 in color in the text and the others in black in blue or in 2 tones. Our copy is complete at the end with the double-page table of lithographs hors-texte. Ambroise Vollard unknown
Paris: J. Ferenczi 1921. Fine. J. Ferenczi Paris 1921 12 x 19 cm broché First edition for which there is no mention of leading copies. Some foxinges mainly at the beginning and the end of the volume. Signed autograph Maurice Dekobra Maurice Boy: "". to the prestigious lawyer humorist tasted conscientious taxpayer ."" J. Ferenczi unknown
Paris: Ferenzi 1921. Fine. Ferenzi Paris 1921 11 x 18.50 cm broché First edition of which there were no deluxe copies. Autograph inscription by Maurice Dekobra in pencil. A faint marginal dampstain affecting the first few pages. Ferenzi unknown
Paris: A l'enseigne de la lampe d'or 1924. Fine. A l'enseigne de la lampe d'or Paris 1924 19.50 x 25.50 cm broché Edition illustrated with 30 etchings and original initials by Maurice de Becque one of 10 numbered copies on Imperial Japan paper containing a duplicate suite signed by Maurice de Becque. Two slight tears at head and foot of spine otherwise handsome copy. A l'enseigne de la lampe d'or unknown
Paris: Denoël & Steele 1935. Fine. Denoël & Steele Paris 1935 12 x 19 cm broché First edition one of 25 numbered copies on alfa paper the only deluxe copies. A handsome copy. Denoël & Steele unknown
Paris: Masson et Cie 1911. Paperback. Good. . Part 2 only. Original wraps show minor wear tear chipping tanning. Inscription above the tilte on the front cover. Pages are shaken and clean profusely illustrated. Paris: Masson et Cie paperback
Chez la V.e J. Poelman-de Pape / Gand 2026. couverture salie premier plat taché de mouillure sur ses bords tranche fanée rousseurs à l'intérieur dos renforcé et annoté. in4. 2026. Broché. Chez la V.e J. Poelman-de Pape / Gand unknown
Paris: Chez l'auteur 1951. Fine. Chez l'auteur Paris 1951 32.50 x 40.50 cm relié sous étui First edition illustrated with 15 original copperplate engravings including 10 in color by Maurice de Vlaminck one of 250 numbered copies on Arches laid paper. The work is also illustrated with 2 portraits by Amedeo Modigliani depicting Maurice de Vlaminck and his wife. Full Empire green morocco binding spine with two prominent raised bands extending as triangles in blind on the covers spine decorated with three gilt lozenges with gilt title and separated by a transverse gilt bar marbled paper endpapers and pastedowns triple gilt fillets framing the pastedowns covers and spine preserved top edge gilt Empire green morocco-edged slipcase marbled paper boards contemporary binding signed by the workshops of C. Muller Nancy bookbinder. Manuscript signature by Maurice de Vlaminck in pencil below his frontispiece portrait. Spine slightly darkened otherwise a handsome copy. Chez l'auteur hardcover
Paris: Editions de la lampe d'or 1923. Fine. Editions de la lampe d'or Paris 1923 19 x 25.50 cm relié New edition of the French translation illustrated with 30 original etchings by Maurice de Becque one of 250 numbered copies on handmade Rives laid paper. Half tawny morocco binding with bands spine with five raised bands alternately set with red and brown mosaic morocco fillets wood-grain paper boards framed with red and green mosaic morocco fillets brown paper endpapers and pastedowns original wrappers and spine preserved top edge gilt contemporary Art Deco binding. Handsome copy skillfully bound. Editions de la lampe d'or hardcover
Paris: Editions de la lampe d'or 1923. Fine. Editions de la lampe d'or Paris 1923 19.50 x 25.50 cm broché New edition of the French translation illustrated with 30 original etchings by Maurice de Becque one of 250 numbered copies on handmade Rives laid paper Handsome copy. Editions de la lampe d'or unknown
UK: T. Werner Laurie Ltd 1929. 1st Edition 1st Printing. Hardcover. Good. Serenade to the Hang Man by Maurice Dekobra First Edition T. Werner Laurie Ltd 1929. No inscriptions marking foxing or toning. Contents are clean throughout. Covers showing general signs of wear and some rubbing. A G copy. <br/> <br/> T. Werner Laurie Ltd hardcover
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